What a bunch of pretentious BS much of the art world is. I guess however I could treat it as art...
Or, I could make journals of these designs with strange writings and leave them places, they could become semi-famous on the internet (as has occurred in the past). Or, I could just present this as the utterly ignored science it is to an audience which in theory should be appropriate and be ignored anyway, ugh. Many on Vortex and elsewhere have seen the correlation, the suggestion that these "weird" claims relating to Antigravity and Free Energy are due to some "aetheric vortex". In the 17 years of researching this before I made a coil in 2012 which produced a tangible energy, I told many people about my "theory" only to have others confirm they had seen the same correlation. And at that early stage, it is an almost useless observation because so little is known about how such a mechanism could work, and no way to know if you are getting results (or so one might presume) until you get massive gravity or (apparent) CoE defying evidence. And yet, my images both prove the principles, and MOST people can feel the energy. My images (or, more to the point the designs when embodied physically or graphically) increase one's sensitivity. So I can give powerful and detailed mechanisms... Theory... And many (more than not) can feel the energy so lack of instrumentation is not a hard problem. There is zero cost related to simple levels of experimentation with graphics or even bits of wire. Developments can be shared with others rapidly, and experiments can be tried at incredible rates, lifetimes of work can be done in months! It can and has been objectively proven to be real... (though people feeling energy from hidden devices and other such tests) And utterly fail to attract interest, even to evidence that this is the phenomena behind Antigravity and Free Energy can be abundantly demonstrated. On Wed, Feb 26, 2020 at 3:52 AM H LV <hveeder...@gmail.com> wrote: > HOW TO SEE | Joan Miró > https://youtu.be/N2mrK33gCYE > > <<As an artist obsessed with vision and “the eye of the picture that > looks at us,” Joan Miró is a perfect subject for our series "How to See." > Here, on the occasion of the exhibition "Joan Miró: Birth of the World," > curator Anne Umland and the artist’s grandson, Joan Punyet Miró, examine > the ways in which Miro worked to achieve a heightened state of awareness in > which to paint. Hear about the monsters of the subconscious, the way that > history guides the moral imperatives of his art, and why he loved New York > City.>> > >
