"It's on THE apple music"

We have become our parents.

On Wed, Dec 25, 2019 at 4:26 PM Denise Dalphond <[email protected]>
wrote:

> Oh my bad, February.
> https://thevinylfactory.com/news/haai-ep-systems-up-windows-down-mute-vinyl/
>
> It's on the apple music, however, and every song is good.
>
> Raves were a time where you could listen to techno and house music in a
> giant space with the awesomest sound, and sit in a massage circle, with
> Power Rangers, and lasers. I mean, that's if you were on ecstasy. I did
> ecstasy one time, and nothing happened, and I never wanted to spend the the
> $25+ again. But it was also a wonderful place where you could do acid. Sure
> bad things happen at raves, but bad things happen everywhere. That's why
> there's self-defense classes and mace 4 yr keychain and martial arts, etc.
> I learned about the best number one music at raves.
>
>
> Denise
>
>
> *Denise Dalphond, Ph.D.*
> *ethnomusicologist*
> *schoolcraftwax.work <http://schoolcraftwax.work>*
>
>
> On Wed, Dec 25, 2019 at 7:18 PM John Sokolowski <[email protected]>
> wrote:
>
>> So what is the name of this HAAi record? Looked for it but didn’t see any
>> release from November.
>>
>> On Dec 25, 2019, at 6:54 PM, Denise Dalphond <[email protected]>
>> wrote:
>>
>> Talk about whatever you want, David Powers. Your email reads like you're
>> the police. Of techno. Weird. It seems kind of entitled. Please talk about
>> whatever you want, but definitely drop the expectation that people have to
>> obey your opinions.
>>
>> I love techno so much. There's so many ways to do it.
>>
>>
>>
>> *Denise Dalphond, Ph.D.*
>> *ethnomusicologist*
>> *schoolcraftwax.work <http://schoolcraftwax.work>*
>>
>>
>> On Wed, Dec 25, 2019 at 5:13 AM David A. Powers <[email protected]>
>> wrote:
>>
>>> First off, I didn't come up with the idea that techno has something to
>>> do with the future, Juan Atkins and then UR came up with these ideas, which
>>> means they have ALWAYS been part of techno. According to the UR manifesto 
>>> "Techno
>>> is a music based in experimentation; it is music for the future of the
>>> human race." -- Underground Resistance did. See
>>> http://www.undergroundresistance.com/
>>>
>>> Underground Resistance is a label for a movement. A movement that wants
>>>> change by sonic revolution. We urge you to join the resistance and *help
>>>> us combat the mediocre audio and visual programming that is being fed to
>>>> the inhabitants of Earth, this programming is stagnating the minds of the
>>>> people*; building a wall between races and preventing world peace. It
>>>> is this wall we are going to smash. By using the untapped energy potential
>>>> of sound we are going to destroy this wall much the same as certain
>>>> frequencies shatter glass. *Techno is a music based in
>>>> experimentation; it is music for the future of the human race.*
>>>> Without this music there will be no peace, no love, no vision. By simply
>>>> communicating through sound, techno has brought people of all different
>>>> nationalities together under one roof to enjoy themselves. Isn‘t it obvious
>>>> that music and dance are the keys to the universe? So called primitive
>>>> animals and tribal humans have known this for thousands of years! We urge
>>>> all brothers and sisters of the underground to create and transmit their
>>>> tones and frequencies no matter how so called primitive their equipment may
>>>> be. Transmit these tones and wreak havoc on the programmers!”
>>>
>>>
>>> Second, raves were often not great--drug overdoses, sexual assault,
>>> cops beating the shit out of people, promoters narking on each other
>>> shutting down each others' parties, promoters throwing parties mostly to
>>> sell drugs. I'm not discounting the positive aspects to say that the rave
>>> scene had a terrible dark side, which is part of why they were able to shut
>>> it down as the US morphed into a full police state following 9/11. (Btw,
>>> keep in mind that Joe Biden was a big supporter of using crackhouse laws to
>>> shut down raves.)
>>>
>>> Third, I understand dance music and having fun. I just DJed for six
>>> hours at a work xmas party. I know how to make people dance.
>>>
>>> But this is NOT a "RAVE DANCE MUSIC" list, it's a DETROIT TECHNO list,
>>> and one of the things that sets Detroit techno apart is that it includes
>>> ambient music and other sounds that are not meant for dancing, a typical
>>> example is Robert Hood "The Exodus". Somehow the idea of "Detroit
>>> techno" as something different and special seems to be lost. Maybe you
>>> don't like my idea of Detroit Techno--I challenge you to come up with your
>>> own vision!
>>>
>>> Nobody is preventing anyone from enjoying nostalgic house, but I'd like
>>> to talk about MUSIC BASED IN EXPERIMENTATION, music that could help us
>>> create a better FUTURE OF THE HUMAN RACE.
>>>
>>> The human race might go extinct. If techno could help create the hope
>>> and vision to work for a better world, than that would be better than
>>> dancing until the world ends. Does everyone just believe shit is so
>>> hopeless that there is no choice but to get as fucked up as possibility and
>>> blast that rave music as the planet slowly poisons itself and commits
>>> suicide.
>>>
>>> Why has everyone given up on the possibility that art--including
>>> "Detroit techno"--could help inspire us to create a better world? Were the
>>> innovators who created techno WRONG?!
>>>
>>> https://www.youtube.com/watch?v=DvKUWb5H5BI
>>>
>>> ~David
>>>
>>> On Sun, Dec 22, 2019 at 1:54 AM Kevin Kennedy <[email protected]> wrote:
>>>
>>>> Denise:  First of all, thanks for sharing work you think is
>>>> noteworthy...going to have to give it a listen when I can.
>>>>
>>>> David:  Last I checked, we're still in virtually the same spot that we
>>>> were in the dawn of techno...as the saying goes "the names and faces have
>>>> changed, but the game is still the same."  However, one of the fine things
>>>> missing from many human beings doing the writing, listening and performing
>>>> of this music that somehow unifies us all on a giant Venn Diagram
>>>> is...ENJOYMENT.
>>>>
>>>> As much as I wish to give the entire group of under-30 somethings a
>>>> 'history lesson' and shake my fist about how things used to be (a la "they
>>>> didn't even let us play in nightclubs!!!  We had to play in warehouses and
>>>> inhale asbestos!!!  AND WE LIKED IT!!!"), the prevailing winds dictate that
>>>> this revolutionary music that we were on the ground floor for now has a
>>>> history.  We're part of that, and as Shake Shakir put it bluntly:  "Those
>>>> who know, know.  Those who don't, don't care."
>>>>
>>>> With all the problems in the world today, some people are just looking
>>>> for an escape, and a way to remind themselves of times where they had FUN
>>>> (anyone remember FUN? I do...vaguely).  Honestly-I wish I could escape from
>>>> this crazy place...
>>>>
>>>> It troubles me to think that many of us have truly lost sight of the
>>>> enjoyment and the freedom that comes from dancing.  Of course, politics has
>>>> its place in everything...strip it away for moments at a time and learn to
>>>> enjoy right now.
>>>>
>>>> We ARE the future we planned.  We didn't plan as well as we should have.
>>>>
>>>> Happy holidays to everyone,
>>>>
>>>> FBK
>>>>
>>>>
>>>> On Sun, Dec 22, 2019 at 2:08 AM DJ Shiva <[email protected]> wrote:
>>>>
>>>>> I surely love anyone who wants to dictate what techno should or
>>>>> shouldn't be. I guess we all forgot our dour faces and dire music poses.
>>>>> **fart noise**
>>>>>
>>>>> On Sun, Dec 22, 2019, 12:28 AM David A. Powers <[email protected]>
>>>>> wrote:
>>>>>
>>>>>> Techno should aim for a utopian future not wallow in nostalgia for a
>>>>>> moment in time characterized by late capitalist exploitation and extreme
>>>>>> global inequality.
>>>>>>
>>>>>> ~d
>>>>>>
>>>>>> On Sat, Dec 21, 2019 at 11:20 AM Denise Dalphond <
>>>>>> [email protected]> wrote:
>>>>>>
>>>>>>> Has anyone else been listening to HAAi? Her latest ep from November
>>>>>>> is amazingness. Every song. I would dance to it. It makes me feel like 
>>>>>>> I’m
>>>>>>> at a rave in the late nineties in Chicago or New York.
>>>>>>>
>>>>>>> Denise Dalphond
>>>>>>> --
>>>>>>> Denise Dalphond, Ph. D.
>>>>>>> ethnomusicologist
>>>>>>> schoolcraftwax.work
>>>>>>>
>>>>>>
>>>>
>>>> --
>>>> FBK
>>>>
>>>> Absoloop/Orange 82
>>>>
>>>

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