Great point!  Doesn't dub predate hip hop though?  It was low-tech on big
soundsystems.  The only factor it doesn't seem to inherit is the
post-industrial attribute, but then again my knowledge of the roots of dub
are few and far between.  Though I'd love to read about it, any suggestions
LKS?

Cheers
todd
----- Original Message -----
From: "Lester Kenyatta Spence" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>; "Bill Benzon" <[EMAIL PROTECTED]>
Sent: Wednesday, November 14, 2001 9:42 AM
Subject: RE: [313] Jeff Mills interview on-line


> On Wed, 14 Nov 2001, Brendan Nelson [EMAIL PROTECTED] wrote:
>
> > | -----Original Message-----
> > | From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED]
> > | Sent: Wednesday, November 14, 2001 5:17 PM
> > |
> > | > Interesting point... I'd be tempted to say that techno was the first
> > | > specifically post-industrial tribal music. Other genres of
> > | music, like
> > | > rock'n'roll or hip-hop, have always had tribal aspects to
> > | them, but techno
> > | > is specifically post-industrial.
> > |
> > | This is interesting as well....how are you defining "post-indutrial?"
> >
> > The dictionary definition is "a period in the development of an economy
or
> > nation in which the relative importance of manufacturing lessens and
that of
> > services, information, and research grows" - most Western nations are
now in
> > a post-industrial state and have been since the late 1970s. Although
there
> > have been new genres of music since then besides techno, techno's
origins in
> > Detroit - a city which became post-industrial a while before many
others,
> > what with the collapse in auto manufacturing there and the subsequent
decay
> > of the city - kind of mark it as a genre of music which ties very
closely
> > with post-industrialism.
>
> Hm.  Although I don't think it is an accident that what we think of as
> "techno" comes out of Detroit for the reasons you mentioned, I actually
> think hip-hop might be the first post-industrial music...and that techno
> is the first to actually REPRESENT itself as post-industrial.  Do you see
> the distinction?  I was giving a lecture about "mass society" yesterday,
> and it occurred to me that we can trace the development of music in a
> similar fashion...rock and roll in particular.  Rock and roll is a very
> industrial music in that it calls into being a certain sense of scale
> (large large concert halls, a loud loud sound which requires big big
> speakers, etc.).  It also calls into being a certain type of industry to
> feed it.  Ticketmaster to deal with the consumer aspect of concert
> technology for example.
>
> (apologies for obvious oversimplification.)
>
> But hiphop is the first music to violate those forms...and it was produced
> by some of the first casualties of the industrial era--"colored" (black
> american, black carribbean, latino, some white) men and women who were
> unable to get jobs in the plants during the seventies.  It took a low-tech
> approach with high tech tools and created a sound that was a pastiche of
> bits and pieces of previous work.  And in juxtaposition to the megaband,
> all that was needed was "two turntables and a mic."  Note how the scale
> becomes more human...in pointed juxtaposition to the industrial trend.
>
> Now the themes are definitely NOT post-industrial...but I think the music
> itself was as far as the social factors leading up to its creation.
>
> > Of course, it's easy to say things like that about techno as it is an
> > ambiguous and amorphous genre of music - and it's just as easy to
disprove
> > statements like this for exactly the same reason. My perception of
techno is
> > that it's a post-industrial genre - and, hey, if we think of
'industrial' as
> > the musical genre rather than the phase of economic development, that
makes
> > sense too!
>
> Perhaps even more sense.
>
>
> peace
> lks
>
> (i forwarded this to a friend of mine who recently wrote a book called
> BEETHOVEN'S ANVIL which deals with music and culture broadly considered.)
>
>
>
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