At 4:42 PM -0500 2/12/12, Aaron Sherber wrote: >In the Barenreiter, since the violins have the same rhythm as the >voices, they also get the indication 'colla parte'. > >The Dover/Peters score has slightly different notation. You can see >both here: > > http://aaron.sherber.com/files/cosi.png > >(In the Peters, m.27 is a problem. The flutes should have two half note >rests with a fermata on the first, rather than a whole note rest with a >fermata. Otherwise, they have no way of knowing that tempo resumes on >beat 3.) > >Aaron.
For what it's worth, I MUCH prefer the Peters (except for the flutes, in which colla parte makes no sense because they do NOT move with the voice), because using the conventional fermata and being careful with its placement seems much clearer than the expanded one. In fact the expanded one simply looks like a weird slur in its widest form. OK, I'm old fashioned. It'd still be interesting to see Mozart's handwriting. John -- John R. Howell, Assoc. Prof. of Music Virginia Tech Department of Music School of Performing Arts & Cinema College of Liberal Arts & Human Sciences 290 College Ave., Blacksburg, Virginia 24061-0240 Vox (540) 231-8411 Fax (540) 231-5034 (mailto:john.how...@vt.edu) http://www.music.vt.edu/faculty/howell/howell.html "Machen Sie es, wie Sie wollen, machen Sie es nur schön." (Do it as you like, just make it beautiful!) --Johannes Brahms _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
