It seems that after so much discussion (now missing the colorful voice of
David Fenton), there is a consensus which is that the long fermata
requested is not possible in Finale without a lot of hoop-jumping.

Having seen the two versions of Cosi, it occurred to me that Aaron could
try a Finale-friendly notation that is not exactly what he's looking for
but may get the point across. That is a custom line with a normal fermata
centered in it, something like:

|---U---|

(Where "U" is a fermata.)

On Sun, Feb 12, 2012 at 5:01 PM, John Howell <john.how...@vt.edu> wrote:

> At 4:42 PM -0500 2/12/12, Aaron Sherber wrote:
> >In the Barenreiter, since the violins have the same rhythm as the
> >voices, they also get the indication 'colla parte'.
> >
> >The Dover/Peters score has slightly different  notation. You can see
> >both here:
> >
> >     http://aaron.sherber.com/files/cosi.png
> >
> >(In the Peters, m.27 is a problem. The flutes should have two half note
> >rests with a fermata on the first, rather than a whole note rest with a
> >fermata. Otherwise, they have no way of knowing that tempo resumes on
> >beat 3.)
> >
> >Aaron.
>
>
> For what it's worth, I MUCH prefer the Peters
> (except for the flutes, in which colla parte
> makes no sense because they do NOT move with the
> voice), because using the conventional fermata
> and being careful with its placement seems much
> clearer than the expanded one.  In fact the
> expanded one simply looks like a weird slur in
> its widest form.  OK, I'm old fashioned.  It'd
> still be interesting to see Mozart's handwriting.
>
> John
>
>
> --
> John R. Howell, Assoc. Prof. of Music
> Virginia Tech Department of Music
> School of Performing Arts & Cinema
> College of Liberal Arts & Human Sciences
> 290 College Ave., Blacksburg, Virginia 24061-0240
> Vox (540) 231-8411  Fax (540) 231-5034
> (mailto:john.how...@vt.edu)
> http://www.music.vt.edu/faculty/howell/howell.html
>
> "Machen Sie es, wie Sie wollen, machen Sie es nur schön."
> (Do it as you like, just make it beautiful!)  --Johannes Brahms
>
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