In the Barenreiter, since the violins have the same rhythm as the
voices, they also get the indication 'colla parte'.
The Dover/Peters score has slightly different notation. You can see
both here:
http://aaron.sherber.com/files/cosi.png
(In the Peters, m.27 is a problem. The flutes should have two half note
rests with a fermata on the first, rather than a whole note rest with a
fermata. Otherwise, they have no way of knowing that tempo resumes on
beat 3.)
Aaron.
On 2/12/2012 3:57 PM, Florence + Michael wrote:
> In the parts it's the same as in the score (at least in the Bärenreiter
> edition): the violins (who play a dotted half + quarter) have a long fermata
> extending over the whole measure, the other instruments (who play a quarter
> on beat one followed by rests) have a long fermata extending over the rests.
>
> On 12 Feb 2012, at 20:29, SN jef chippewa wrote:
>
>> and in the parts?
>>
>>> You can certainly get hold of a score of Cosi
>>> Fan Tutte at http://imslp.org/ If the score is
>>> correctly engraved, you will see a long fermata
>>> over the whole of measure 26 in the Terzetto N°
>>> 2.
>>
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