Hi Roman, You seem to be back in your old ways. Trying to cover up facts that are not so comfortable for your "edifying" viewpoint.
The video is not live, the first note is Eb and the video is out of sync. These may be unbearable facts for you, but thats life. But thanks again for the link, it is always good to have a benchmark for how not to do something.... Stay Clean Mark -----Ursprüngliche Nachricht----- Von: Roman Turovsky [mailto:[EMAIL PROTECTED] Gesendet: Donnerstag, 24. Januar 2008 20:23 An: G. Crona; Lute; 'Lutelist' Betreff: Re: [LUTE] Re: Karamazov... Edin was just moving his hands in sync with Nigel North soundtrack, yeah, that's right. No, actually it was overdubbed on a synthetiser! Yeah, that's right..... MArk, you remind me of a medieval English poem that goes something like (not verbatim, after 20 or so years): "Whoever after crappinge not wipeth his arse clean On his breeches it will seene....." RT ----- Original Message ----- From: "G. Crona" <[EMAIL PROTECTED]> To: "Lute" <[EMAIL PROTECTED]>; "'Lutelist'" <lute@cs.dartmouth.edu>; "'Roman Turovsky'" <[EMAIL PROTECTED]> Sent: Thursday, January 24, 2008 2:13 PM Subject: [LUTE] Re: Karamazov... > Yeah Mark, on the second scrutinous look after posting I noticed that. But > when you shut your eyes and just listen to the soundtrack, you get a > feeling that K tries to bring across a bit of the drama and power of this > top 10 Dowland piece. For that I salute him. Taking the liberty to > substitute the last chord is of course questionable in spite of the drama. > > G. > > ----- Original Message ----- > From: "Lute" <[EMAIL PROTECTED]> > To: "'G. Crona'" <[EMAIL PROTECTED]>; "'Lutelist'" > <lute@cs.dartmouth.edu>; "'Roman Turovsky'" <[EMAIL PROTECTED]> > Sent: Thursday, January 24, 2008 8:00 PM > Subject: AW: [LUTE] Re: Karamazov... > > > You are of course aware that the sound is playback and probably not played > on the instrument used in the video. The first note is an Eb, so the > instrument is in Eb or he has transposed the piece. > > Also the images are almost never in sync with the music. > > All the best > Mark > > > > -----Ursprüngliche Nachricht----- > Von: G. Crona [mailto:[EMAIL PROTECTED] > Gesendet: Donnerstag, 24. Januar 2008 19:30 > An: Lutelist; Roman Turovsky > Betreff: [LUTE] Re: Karamazov... > > Great perfirmance indeed! Very evocative and "affektiert". Don't know if > the > > archlute (thankfully double coursed) is something Dowland would have > played > on, but it sounded great. Short nails on RH. Combination of TI - TO. Lots > of > > changes of RH position and holding of the lute, which makes the clip > dramatic, but also gives different sound colours and livens it up. > Powerful > playing. One of the top music-YTs I've seen so far cineastically (and > perhaps even soundwise - at least its in sync!). Karamazov proves himself > here after all that undeserved critisism > > G. > > PS. So Michael wasn't so far of with his cello-support anyway eh? > > ----- Original Message ----- > From: "Roman Turovsky" <[EMAIL PROTECTED]> > To: "Lutelist" <lute@cs.dartmouth.edu> > Sent: Thursday, January 24, 2008 6:57 PM > Subject: [LUTE] Karamazov... > > >> http://fr.youtube.com/watch?v=rVWvfnGpF-Y >> >> 'nuf said... >> RT > > > > To get on or off this list see list information at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >
