I don't doubt that 17th century players who used nails had nice finish
   on their nails and a nice sound as a result.
   My curiosity is what does solo theorbo music sound like when
   competently  played with nails?
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     __________________________________________________________________

   From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
   of M Del <terli...@new-old-mail.cs.dartmouth.edu>
   Sent: Tuesday, May 7, 2019 5:57:33 PM
   To: magnus andersson
   Cc: Yuval Dvoran; John Mardinly; Roland Hayes; jslute; Lute
   Subject: [LUTE] Re: De Visee

   My first guitar teacher Rolando Valdes-Blain taught his students to use
   finely crushed pumice stone and leather from a deer (it happened to be
   a piece from a hunter friend).Rolando was old enough to play on gut
   strings until he came back from WW2.
   Sent from my iPhone
   > On May 7, 2019, at 5:20 PM, magnus andersson
   <maan7...@cs.dartmouth.edu> wrote:
   >
   >   Dear collective wisdom,
   >   From what I have understood, it seems like manicure has been around
   >   since  at least 3200 BC, so I assume players like Piccinini,
   Corbetta
   >   (who we know had
   >   to cancel one of his concerts due to a broken nail- and still pay
   his
   >   fellow musicians from his own pocket!) and perhaps de Visée had
   found
   >   a way for them to get it to work without shredding and tearing
   their
   >   strings apart constantly, and - to quote Piccinini:
   >
   >   "the one, and very important [thing] is to play neatly, and
   cleanly; In
   >   the manner that all small touches of the string may be schietto,
   like
   >   pearl[s]"
   >   /Magnus
   >
   >   On Tuesday, May 7, 2019, 10:45:44 PM GMT+2, John Mardinly
   >   <john.mardi...@asu.edu> wrote:
   >     Pure speculation. Where are the facts? Can anyone document good
   nail
   >     polishing techniques that may have been used centuries ago? I
   would
   >     love to see it. Techniques used to polish things from telescope
   >   lenses
   >     and mirrors to razors would not work well on fingernails. The
   chamois
   >     stropping technique used by Segovia because there was not much
   better
   >     in the mid 20th Century would be deemed laughable today among
   those
   >   who
   >     play with nails.
   >     A. John Mardinly, Ph.D., P.E.
   >     On May 7, 2019, at 4:48 AM, Yuval Dvoran
   >   <[1][1]yuval.dvo...@posteo.de>
   >     wrote:
   >     Hahahaha good point!
   >     To add something substantial to the discussion, I'd like to
   remember
   >     you that also plants exist which were used for thousands of years
   to
   >     polish wood (and maybe also fingernails), e.g. Equisetum
   >     ("Schachtelhalm" in German).Am 07.05.2019 13:31 schrieb jslute
   >     <[2][2]jsl...@cs.dartmouth.edu>:
   >           Dear All:
   >           Might I suggest that a culture sophisticated enough to
   build
   >       lutes and
   >           craft overwound strings could have figured out a way to
   file
   >   and
   >       polish
   >           their nails.
   >           Jim Stimson
   >           Sent from my Verizon, Samsung Galaxy smartphone
   >           -------- Original message --------
   >           From: John Mardinly <[3][3]john.mardi...@asu.edu>
   >           Date: 5/6/19 6:51 PM (GMT-05:00)
   >           To: Roland Hayes <[4][4]rha...@legalaidbuffalo.org>
   >           Cc: Lute List <[5][5]lute@cs.dartmouth.edu>
   >           Subject: [LUTE] Re: De Visee
   >           More lacking than glue-on-nails might have been some of the
   >       modern
   >           files and abrasives used to polish the nails. Badly
   prepared
   >       nails give
   >           a terrible result for both sound and playability. My
   teacher
   >   back
   >       in
   >           1965 had studied with Segovia, and showed me how Segovia
   >   prepared
   >       his
   >           nails: after some filing, he used a wooden block with a
   saw-cut
   >       slot in
   >           it and a piece of chamois wrapped around the wooden block.
   The
   >       nail was
   >           then rubbed back and forth on the chamois over the slot,
   which
   >       acted as
   >           a track to guide the nail. When I began to study metallurgy
   and
   >       the art
   >           of cross-sectioning and polishing metals to view their
   >       microstructure,
   >           I experienced a revolution in materials to polish the nails
   >   that
   >       were
   >           quickly adopted by many people playing with nails.
   >           A. John Mardinly, Ph.D., P.E.
   >> On May 6, 2019, at 3:34 PM, Roland Hayes
   >       <[6][6]rha...@legalaidbuffalo.org>
   >           wrote:
   >>
   >> Do we think he played with nails? Lutenists did not as I
   >           understand,
   >> but
   >>
   >> I have always thought his lute pieces were merely
   >       arrangements of
   >> guitar/theorbo pieces. For those instruments we can
   >   establish
   >       the
   >           use
   >> of nails.
   >>
   >> And if deVisee played guitar with nails, then he most likely
   >       played
   >> theorbo with nails as well. Yes? Glue on nails had yet to
   >       arrive on
   >           the
   >> scene.
   >>
   >> Get [1]Outlook for Android
   >>
   >> This message is intended only for the use of the individual
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   >           entity
   >> to which it is addressed, and may contain information that
   >   is
   >> privileged, confidential and exempt from disclosure under
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   >> the employee or agent responsible for delivering the message
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   >> [7][7]i...@legalaidbuffalo.org --
   >>
   >> References
   >>
   >> 1.
   >
   >
   [8][8]https://urldefense.proofpoint.com/v2/url?u=https-3A__aka.ms_ghei3
   >       6&d=Dw
   >
   >
   IBAg&c=l45AxH-kUV29SRQusp9vYR0n1GycN4_2jInuKy6zbqQ&r=VLPJ8OE-c_C6joG
   >       eE1
   >
   >
   
ftlvxMmQPq9N6mpKZONBRt90E&m���1m2M37zO3KCb5uTRtTMLYbh6c_tcz94RkH1
   >   fvv
   >       Jqg&s
   >           =ctn5UU2dPJsBEQxzJcHstOUeERuDkBtXhs4pd0M0t-c&e=
   >>
   >>
   >> To get on or off this list see list information at
   >>
   >
   >
   [9][9]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo
   >       uth.ed
   >
   >
   u_-7Ewbc_lute-2Dadmin_index.html&d=DwIBAg&c=l45AxH-kUV29SRQusp9vYR0n
   >       1Gy
   >
   >
   
cN4_2jInuKy6zbqQ&r=VLPJ8OE-c_C6joGeE1ftlvxMmQPq9N6mpKZONBRt90E&m��ï
   >   ¿½1
   >       m2M37
   >
   >
   zO3KCb5uTRtTMLYbh6c_tcz94RkH1fvvJqg&s=9RqBccAKKlP3oVcnl4UNupxF1MvNw_
   >       jgZ
   >           4VyNvSGyDk&e=
   >   References
   >     1. mailto:[10]yuval.dvo...@posteo.de
   >     2. mailto:[11]jsl...@cs.dartmouth.edu
   >     3. mailto:[12]john.mardi...@asu.edu
   >     4. mailto:[13]rha...@legalaidbuffalo.org
   >     5. mailto:[14]lute@cs.dartmouth.edu
   >     6. mailto:[15]rha...@legalaidbuffalo.org
   >     7. mailto:[16]i...@legalaidbuffalo.org
   >     8.
   >
   [17]https://urldefense.proofpoint.com/v2/url?u=https-3A__aka.ms_ghei36&;
   >   d=Dw
   >     9.
   >
   [18]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmout
   >   h.ed
   >
   >   --
   >
   > References
   >
   >   1. [2]mailto:yuval.dvo...@posteo.de
   >   2. [3]mailto:jsl...@cs.dartmouth.edu
   >   3. [4]mailto:john.mardi...@asu.edu
   >   4. [5]mailto:rha...@legalaidbuffalo.org
   >   5. [6]mailto:lute@cs.dartmouth.edu
   >   6. [7]mailto:rha...@legalaidbuffalo.org
   >   7. [8]mailto:i...@legalaidbuffalo.org
   >   8.
   [9]https://urldefense.proofpoint.com/v2/url?u=https-3A__aka.ms_ghei3
   >   9.
   [10]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo
   >  10. [11]mailto:yuval.dvo...@posteo.de
   >  11. [12]mailto:jsl...@cs.dartmouth.edu
   >  12. [13]mailto:john.mardi...@asu.edu
   >  13. [14]mailto:rha...@legalaidbuffalo.org
   >  14. [15]mailto:lute@cs.dartmouth.edu
   >  15. [16]mailto:rha...@legalaidbuffalo.org
   >  16. [17]mailto:i...@legalaidbuffalo.org
   >  17.
   [18]https://urldefense.proofpoint.com/v2/url?u=https-3A__aka.ms_ghei36&;
   d=Dw
   >  18.
   [19]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmout
   h.ed
   >

   This message is intended only for the use of the individual or entity
   to which it is addressed, and may contain information that is
   privileged, confidential and exempt from disclosure under applicable
   law. If the reader of this message is not the intended recipient, or
   the employee or agent responsible for delivering the message to the
   intended recipient, you are hereby notified that any dissemination,
   distribution, or copying of this communication is strictly prohibited.
   If you have received this communication in error, please notify us
   immediately by telephone and return the original message to us at
   i...@legalaidbuffalo.org --

References

   1. https://aka.ms/ghei36
   2. mailto:yuval.dvo...@posteo.de
   3. mailto:jsl...@cs.dartmouth.edu
   4. mailto:john.mardi...@asu.edu
   5. mailto:rha...@legalaidbuffalo.org
   6. mailto:lute@cs.dartmouth.edu
   7. mailto:rha...@legalaidbuffalo.org
   8. mailto:i...@legalaidbuffalo.org
   9. https://urldefense.proofpoint.com/v2/url?u=https-3A__aka.ms_ghei3
  10. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmo
  11. mailto:yuval.dvo...@posteo.de
  12. mailto:jsl...@cs.dartmouth.edu
  13. mailto:john.mardi...@asu.edu
  14. mailto:rha...@legalaidbuffalo.org
  15. mailto:lute@cs.dartmouth.edu
  16. mailto:rha...@legalaidbuffalo.org
  17. mailto:i...@legalaidbuffalo.org
  18. https://urldefense.proofpoint.com/v2/url?u=https-3A__aka.ms_ghei36&d=Dw
  19. https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.ed

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