If there, by chance, happens to be a feature in the noise that
"catches the ear" and creates a sort of (possibly first subconscious)
memory, then the choo-choo effect will be more audible as that feature
can be more easily recognized again, reinforcing the memory. I
generated 10 seconds of Gaussian white noise and can consistently
recognize a certain short rhythmic feature from it. And, minutes after
stopping playback, I can still recall that memory in my mind. It's
even more easy to recognize the periodicity if you train your ears to
recognize a shorter piece before playing back the whole (10 second or
so) loop. So I think it boils down to two things: features and
learning. Learning can also turn "non-features" into "features".

Sampo's test should be carried out multiple times to gather
statistics, and because repetition will aid in reinforcement of the
memory, also the number of repetitions should be controlled or
recorded. How about "tap to the rhythm of it"?

Feature-stripped noise should work better in some applications than
truly random noise. Perhaps multi-band compression could be used to
level it out.

-olli

On Thu, May 8, 2014 at 9:56 AM, Stefan Stenzel
<stefan.sten...@waldorfmusic.de> wrote:
> As someone already pointed out, spend an evening to hack a website for this.
> Otherwise I just don’t feel like it’s worth the hassle, this is why-oh-why I 
> don’t.
>
> Stefan
>
> On 08 May 2014, at 7:25 , Sampo Syreeni <de...@iki.fi> wrote:
>
>> Yet why-oh-why doesn't anybody just pop up their Audacity and a few 
>> megabytes of randomness, the way I originally asked? Because the stuff I'm 
>> talking
>
>
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