Hi Andreas,

Thanks for your patience, I will call you Andreas if you don't mind.

I have been enjoying looking at the many art, theory & projects on 
Nictoglobe - it's a great archive. Such as Darko Fritz's 204_NO_CONTENT 
http://www.nictoglobe.com/new/ainac2010/darko.html

I noticed that you were also involved in BBS culture like myself :-)

wishing you well.

marc



 > Hi Marc
 >
 > Yes, thanks for asking
 >
 > My name is
 >
 > Andreas Maria Jacobs
 >
 > But I use also (since 1985)
 >
 > Agam Andreas or A. Andreas
 >
 > You can call me Andreas or Agam whatever you prefer
 >
 > Sorry for any possible confusion
 >
 >
 > Andreas Maria Jacobs
 >
 > w: http://www.nictoglobe.com
 > w: http://burgerwaanzin.nl
 >
 > On 24 Oct 2010, at 23:10, marc garrett <[email protected]>  
 > wrote:
 >
 >> Hi Andreas,
 >>
 >> I'm sure you knew ;-)
 >>
 >> -----
 >>
 >> Could I just ask you a question?
 >>
 >> Is your name also 'Agam (A.) Andreas' ?
 >>
 >> what name should I use in the future?
 >>
 >> Much thanks
 >>
 >> marc
 >>> Hi Marc
 >>>
 >>> Thanks for your clarification of the subject, I was already wondering
 >>> what it was all about, now I am informed
 >>>
 >>> Thanks again
 >>>
 >>> Andreas Maria Jacobs
 >>>
 >>> w: http://www.nictoglobe.com
 >>> w: http://burgerwaanzin.nl
 >>>
 >>> "Politics is the Architecture of Death"
 >>>
 >>> On 24 Oct 2010, at 18:07, marc garrett  
 >>> <[email protected]>
 >>> wrote:
 >>>
 >>>
 >>>> Hi Rob & all,
 >>>>
 >>>> Thanks for the link to the P2P (Foundation) conversation between
 >>>> Michel
 >>>> Bauwens & Geert Lovink.
 >>>>
 >>>> Lovink's relationship with 'free culture' comes from a micro
 >>>> perspective, influenced by connections built around an active  
 >>>> respect
 >>>> for the idea, and possibly a personal reliance on structures which
 >>>> rely
 >>>> on frameworks dedicated, in supporting some form of 'official'
 >>>> authority. This creates a less socially grounded and intuitive
 >>>> understanding of why people are engaged in such things.
 >>>>
 >>>> Things cannot always be defined through theory or through  
 >>>> 'officially'
 >>>> culturalized platforms or accepted intellectually condoned  
 >>>> hierarchies
 >>>> alone. To be truly engaged, one has to cross over into different
 >>>> elements of being, connecting and touching - not necessarily because
 >>>> it's part of one's practice, but because it relates to everyday life
 >>>> and
 >>>> experience as well. Thankfully, such things can't be measured,
 >>>> packaged
 >>>> made into chewable concepts so easily. Where ever we happen stand to
 >>>> stand in the scheme of things, we only possess part of the picture,
 >>>> not
 >>>> the whole thing.
 >>>>
 >>>> Yet, what this situation communicates to me, is that many out there
 >>>> feel
 >>>> they know or have a particular advantage of the bigger picture  
 >>>> because
 >>>> of their positions in relation to their privilege, rather than their
 >>>> actual engagement in a field such as free culture. And what  
 >>>> theorists
 >>>> want, really does not matter - it's what people want that matters
 >>>> precisely because they are the users the community.
 >>>>
 >>>> "At the moment the amateurs are blocking the careers of entire
 >>>> generations of young professionals. With this the rich knowledge of
 >>>> professions is threatened to disappear (for instance those doing
 >>>> investigative journalism). We have to stop this talent drain and not
 >>>> create economies that have to live off charity. Free networks should
 >>>> take themselves more serious. The first step to get there should  
 >>>> be to
 >>>> critically investigate the ‘ideology of the free’. New forms of
 >>>> production, as you call it, cost money. We need to circulate money  
 >>>> so
 >>>> that it can flow into those circles that have taken up the task to
 >>>> seriously construct tomorrow’s tools.”
 >>>> (http://www.digicult.it/digimag/article.asp?id=1148)"
 >>>>
 >>>> I disagree with the idea that amateurs are the enemy. Free culture  
 >>>> is
 >>>> dictated and driven by amateurs' and their very human behaviours,  
 >>>> just
 >>>> as much as by anyone else. This may trouble those who wish to
 >>>> control it.
 >>>>
 >>>> The other thing is that, critical engagement does not always have to
 >>>> be
 >>>> defined through specific groups of people. Creating a professional
 >>>> class
 >>>> may sound like a pretty decent idea to some, but for something to
 >>>> really
 >>>> have social significance and a cultural life, it needs to be allowed
 >>>> to
 >>>> live beyond a hermetically sealed vacuum.
 >>>>
 >>>> Having said all this, I feel that is Geert as an individual does
 >>>> propose
 >>>> some interesting arguments. What he proposes may not necessarily sit
 >>>> right, but they address important questions around how and why  
 >>>> things
 >>>> 'should' always be free. If we want something to be free, perhaps  
 >>>> the
 >>>> motives and ideas need to be explored more regularly or more deeply,
 >>>> rather than everyone just accepting and adopting the idea of it as  
 >>>> an
 >>>> absolute. It's a bit like accepting democracy without knowing why  
 >>>> its
 >>>> there in the first place - perhaps we just need to remind ourselves
 >>>> why
 >>>> we have it.
 >>>>
 >>>> Wishing you well.
 >>>>
 >>>> marc
 >>>>
 >>>>
 >>>>> "While such a critique is of course welcome and necessary, I was
 >>>>> rather
 >>>>> shocked in Venice when I listened to such a lecture, to discover  
 >>>>> that
 >>>>> Geert Lovink’s considers the free culture movement as an enem
 >>>>> y, be
 >>>>> cause
 >>>>> it advocates everything to be free. Geert presented the following
 >>>>> expressions of free as ‘the enemy’: the freeconomic ideas of Ch
 >>>>> ris
 >>>>> Anderson (who in fact, also does not advocate everything to be
 >>>>> free, but
 >>>>> rather explains its economic rationale in a era of very cheap  
 >>>>> digital
 >>>>> reproducibility), the Oxcars free culture festival (which pays it
 >>>>> artists!), and the Barcelona charter on digital rights. This
 >>>>> equation is
 >>>>> of course entirely untrue, and I was surprised that someone of Gee
 >>>>> rt’s
 >>>>> stature, could make the classic mistake between free speech and  
 >>>>> free
 >>>>> beer, which has been clarified ages ago."
 >>>>>
 >>>>>
 >>>>>
 >>>> 
http://blog.p2pfoundation.net/on-the-difference-between-free-speech-and-free-beer-free-culture-as-people-want-to-be-free/2010/05/25
 >>>>
 >>>>> _______________________________________________
 >>>>> NetBehaviour mailing list
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 >>>>>
 >>>>>
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