[313] Boards of Canada
Well, I picked this up last friday. My thoughts? It's worth buying, if you have liked any BoC (not Bunch of C*nts!) before, or if you like strange and exciting music. The whole album is very strange, and very beautiful, and not totally grounded in reality. It's a bit like being asleep, or under the influence of lsd, or being underwater. Maybe all of the above. Anyway, I like it. There are longer songs, which are more like songs, with slow triphop style beats, eerie strings, and snippets of samples and stuff. In between are short (1-2 minutes) interludes of pure strangeness, weird noises, ominous pads which you could compare to Atlantis or something. It's just that if you listened to it in the store, and passed up on it because it didn't grab you, you may be missing out on this year's weird, eccentric, intensely beautiful albums. If you do buy it, get it on vinyl so you can appreciate the massive triple-gatefold with eye-twisting graphics. -Dave __ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Mark Bell
Does anyone have contact info for Mark Bell? Tristan -- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Contact Info for Background Records
Does anyone have contact info for Background records? Sorry about two posts in a row. I didn't realize Background Records would have such a legal twist on Google. All I got that was close was the forced exposure site. Tristan -- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) robert owens 4xlp
Damn, this compilation has them all!! Is this new? W -Original Message- From: RC [EMAIL PROTECTED] at INET-1 Sent: Tuesday, February 26, 2002 7:59 AM To: 313@hyperreal.org at INET-1 Subject: [313] robert owens 4xlp saw this at Juno - some rare shit here; looks like an excellent compilation at a decent price: 4xLP CD The River Tell Me Teardrops Tears Changes Visions Love Will Find Its Way A Thing Called Love In Love Forever Can You Feel It Bring Down The Walls Never No More Lonely Mine To Give All Over I'm Strong Picking Up The Pieces Darkman You'll Never Know After The Rain All Night Long Ordinary People I'll Be Your Friend Was I Here Before My Heart Is Your Home Best Friend I hope Larry Heard is getting paid for his co-writer work this time. ... rc - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DJ sets
check out betalounge and then check out the sets from Staple in San Fran. Some great set by Mike Grant, Brett Dancer, GU my fav is the mix by Rick Wade. - Original Message - From: Michael D Tyrer [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 26, 2002 9:46 AM Subject: Re: [313] DJ sets On the subject of DJ Sets does anyone know any web links where I might get Richie Hawtin @ I Love Techno 2000 or 2001 and Speedy J ILT2000? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] hearing loss?
I have a small article on hearing loss and protection on my website, along with some info on how to get the best earplugs. Several DJs I know wear the ER-25 plugs while playing with headphones, as well as at all other times in loud environments: http://www.arcart.org/earplugs - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Paging Mr Carter...
Look... I know this isnt exactly 313-related, but seeing the close proximity to Chi-town... If anyone has any contact info for a Mr. Derrick Carter, we would appreciate an email at [EMAIL PROTECTED] Thanks in advance.. -P
Re: [313] Lady Aida interview @ technotourist dot org
Well, i am not a fan of 100%isis, but i must say, that a year or so, she has stunned me a few times with a very good, pumping, minimal techno set Yes i know, all the Dutch on the list find that hard to believe, and so do i...but it's a fact At 25-2-2002 + 16:00, you wrote: Following on from that, maybe some of the Dutch and Belgian contingent on here may be able to help... I heard a mix by a female Dutch DJ called 100% Esis (or something like that) on London's Kiss FM a couple of years back which mixed the likes of 16b, Mills and others in a quick half hour mix. Anybody heard of her or seen her play? Cheers Toby - Original Message - From: Jongsma, K.J. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 25, 2002 3:48 PM Subject: [313] Lady Aida interview @ technotourist dot org Hi, We have added an interview with one of Hollands leading techno DJ's, Lady Aida to our website. She is an excellent DJ, she writes her column for a big dutch music magazine and her clubnight (Fluid) in her hometown Eindhoven is one of the longest running clubnights in Holland. For those of you who don't have a clue who she is (proberly 95% of you :)) we have added to DJ mixes from her to our website. One of them is recorded live at Fluid, the other one shows the state of the dutch techno scene, so one mix with only dutch artists. read and listen here: http://technotourist.org/modules.php?op=modloadname=Sectionsfile=indexreq =viewarticleartid=10 or: http://technotourist.org and click on 'Interviews' and select 'Lady Aida' Enjoy! [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] .. . :: http://nomorewords.net B - Out _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Some records
Jonny: Larry Heard Praise [Remixes] (US Trackmode) I already bigged this one up, but I'll do it again. Larry Heard's own Tribal Remix is a stormer: it wouldn't be out of place on Another Side, or as a Kenny Larkin track. sounds interesting. i'll have to keep an eye out for a copy and have a listen. I haven't even listened to the other mixes, and this is one of those expensive Trackmode imports (8.49UKP?!). yeah, records are getting so damn expensive. the new Boards of Canada lp is around 20 quid for the vinyl. fair play, it's beautifully packaged and there are 3 slabs of vinyl... but 20 quid!?!? What aboutchoo? the new Connective Zone 12 on UXB is really nice. kinda early-90's UK techno style, tho i admit that's a rather lazy description. their whole vibe reminds me a lot of an old Balil track, Balil Arno Otaku, if any of you know that one. techno wise there's the 3 Pom Pom records. anyone know anything much about those, other than that they're from Germany? anyways, the tracks themselves are kinda like a twisted off-kilter mix of techno and electro. well worth checking out... as is the new Grain 12 on Fat Cat which is a consistently kick-ass record, if you're into that kinda thing. the new Parallax Corporation Fear is wicked n'all. rob _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Contact Info for Background Records
Hi ! it´s: andy vaz = b a c k g r o u n d r e c o r d s subdevision: a TOUCH of CLASS rec. write: ++49.211.7885417 [EMAIL PROTECTED] Steve Nails www.corridor-productions.com www.besonic.com/stevenails - Original Message - From: Phonopsia [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, February 26, 2002 7:32 AM Subject: [313] Contact Info for Background Records Does anyone have contact info for Background records? Sorry about two posts in a row. I didn't realize Background Records would have such a legal twist on Google. All I got that was close was the forced exposure site. Tristan -- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lady Aida interview @ technotourist dot org
Her latest mix-cd called ´reformations´or ´transformation´(i believe?) is quite good, as mentioned already, deep/dark/funky techno and no more clubby stuff, she broke with that kind of sound and scene... What´s next..dj Joost van Bellen playing Awakenings??? -Oorspronkelijk bericht- Van: bart wolff [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 26 februari 2002 9:57 Aan: 313@hyperreal.org Onderwerp: Re: [313] Lady Aida interview @ technotourist dot org Well, i am not a fan of 100%isis, but i must say, that a year or so, she has stunned me a few times with a very good, pumping, minimal techno set Yes i know, all the Dutch on the list find that hard to believe, and so do i...but it's a fact At 25-2-2002 + 16:00, you wrote: Following on from that, maybe some of the Dutch and Belgian contingent on here may be able to help... I heard a mix by a female Dutch DJ called 100% Esis (or something like that) on London's Kiss FM a couple of years back which mixed the likes of 16b, Mills and others in a quick half hour mix. Anybody heard of her or seen her play? Cheers Toby - Original Message - From: Jongsma, K.J. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 25, 2002 3:48 PM Subject: [313] Lady Aida interview @ technotourist dot org Hi, We have added an interview with one of Hollands leading techno DJ's, Lady Aida to our website. She is an excellent DJ, she writes her column for a big dutch music magazine and her clubnight (Fluid) in her hometown Eindhoven is one of the longest running clubnights in Holland. For those of you who don't have a clue who she is (proberly 95% of you :)) we have added to DJ mixes from her to our website. One of them is recorded live at Fluid, the other one shows the state of the dutch techno scene, so one mix with only dutch artists. read and listen here: http://technotourist.org/modules.php?op=modloadname=Sectionsfile=indexr eq =viewarticleartid=10 or: http://technotourist.org and click on 'Interviews' and select 'Lady Aida' Enjoy! [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] .. . :: http://nomorewords.net B - Out _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Lady Aida interview @ technotourist dot org
i heard her a few times and have to say i apprecciate her more above lot others 'more known' dutch deejays.. At 26-2-2002 +0100 09:57, you wrote: Well, i am not a fan of 100%isis, but i must say, that a year or so, she has stunned me a few times with a very good, pumping, minimal techno set Yes i know, all the Dutch on the list find that hard to believe, and so do i...but it's a fact .. . :: http://nomorewords.net
Re: [313] RE: (313) robert owens 4xlp
newly licensed compilation but all old tracks.. on 26/2/02 5:12 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Damn, this compilation has them all!! Is this new? W -Original Message- From: RC [EMAIL PROTECTED] at INET-1 Sent: Tuesday, February 26, 2002 7:59 AM To: 313@hyperreal.org at INET-1 Subject: [313] robert owens 4xlp saw this at Juno - some rare shit here; looks like an excellent compilation at a decent price: 4xLP CD The River Tell Me Teardrops Tears Changes Visions Love Will Find Its Way A Thing Called Love In Love Forever Can You Feel It Bring Down The Walls Never No More Lonely Mine To Give All Over I'm Strong Picking Up The Pieces Darkman You'll Never Know After The Rain All Night Long Ordinary People I'll Be Your Friend Was I Here Before My Heart Is Your Home Best Friend I hope Larry Heard is getting paid for his co-writer work this time. ... rc - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lady Aida interview @ technotourist dot org
Pff nothing beats the Johan Gielen Tiesto vs. The Klubheads :) i heard her a few times and have to say i apprecciate her more above lot others 'more known' dutch deejays.. At 26-2-2002 +0100 09:57, you wrote: Well, i am not a fan of 100%isis, but i must say, that a year or so, she has stunned me a few times with a very good, pumping, minimal techno set Yes i know, all the Dutch on the list find that hard to believe, and so do i...but it's a fact .. . :: http://nomorewords.net -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Calling Owen Jay
i remember a grant mix called 'atmospheres' on the 'abadmutha' site. i'm pretty sure that's what it was called. it's a very nice set. but then again, when isn't a mike grant set great? :) nath - Original Message - From: xx xx [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 26, 2002 2:06 AM Subject: RE: [313] Calling Owen Jay If I do not finish my sentence how you could reply :-) Okay, if my memory serves me well you got on your web site a mix from Mike Grant called atmosphere, cannot find it anymore, would you point me to the url. THXS _ Rejoignez le plus grand service de messagerie au monde avec MSN Hotmail. http://www.hotmail.com/fr - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Lost - further details
Juan Atkins Derrick May Sun 31 March no venue as of yet
RE: [313] Lost - further details
can't wait!! I turn 30 ont he Friday b4 and this is gonna be a biggie! See you all there( well some of you)!!! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 11:37 To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] On Line Magazines
Hi There, can anyone point me in the direction of a few good on line magazines dealing with Techno/House? Thanks Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] On Line Magazines
can anyone point me in the direction of a few good on line magazines dealing with Techno/House? not necessarily a magazine but the technotourist.org site is very good. it has a dutch bias but that is no bad thing (soz 313 :), actually just noticed your domain is dutch too... )... robin.. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] On Line Magazines
Jason Brunton: Hi There, can anyone point me in the direction of a few good on line magazines dealing with Techno/House? try http://www.overloadmedia.co.uk, and when it returns Forcefield (http://www.forcefield.org) is excellent read. rob _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lost - further details
Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] may's djing (was Lost - further details)
you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing (was Lost - further details)
any coments about his djing in detroit? his djing ver here (manchester, liverpool, amsterdam) has always been interesting tho if he isn't in the mood then you'll know about it...in my experience anyway... whe he's into it tho he's into it...simple as that...he's one of my fave djs then kms is always better whenever i've seen him tho IMO robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing (was Lost - further details)
Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing (was Lost - further details)
May is a legend dj wise IMHO. I don't think I've heard a better set than his one at DEMF 2000. (on line at groovetech) - Last really good set I saw live was at The End in London in Feb 2000 alongside DJ Rolando - came on at 12 and rocked it - played lots of Brit techno (cosmic, killabite etc) plus yer usual detroit classics; I was dancing anyway. - Original Message - From: allnight [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 26, 2002 1:10 PM Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing (was Lost - further details)
Yes Toby I remmeber that one!! it was strobe city If I remember but what a night! Derrick played a great set and really made it with the tunes he played as the crowd suddenly like you say identified some good british techno... and we like that :) -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:16 To: allnight; 313@hyperreal.org Subject: Re: [313] may's djing (was Lost - further details) May is a legend dj wise IMHO. I don't think I've heard a better set than his one at DEMF 2000. (on line at groovetech) - Last really good set I saw live was at The End in London in Feb 2000 alongside DJ Rolando - came on at 12 and rocked it - played lots of Brit techno (cosmic, killabite etc) plus yer usual detroit classics; I was dancing anyway. - Original Message - From: allnight [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 26, 2002 1:10 PM Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing (was Lost - further details)
man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing (was Lost - further details)
Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 2:29 PM To: 313@hyperreal.org Subject: RE: [313] may's djing (was Lost - further details) man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing (was Lost - further details)
Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. I first saw him only about 6 or 7 years ago in the Sub Club in Glasgow despite having followed his work slavishly since 1987- he was the first DJ who literally reduced me to tears (sob, sob!) and I've seen him about 10 times since then- he has been shit- and I mean shit- about 6 times- very good twice and amazing twice. When he is shit he just plays very middle of the road tribal techno- so far removed from the complex music he used to make- with no dynamics or emotion- as if he feels the audience either wouldn't understand or don't deserve to hear the real good stuff- he is a very frustrating character but then that's life! Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing (was Lost - further details)
The first half of his Open mix Cd in 1998 (?) under the Ministry of Sound Label is sublime, but it soon descends into drudgery IMHO. Although it's a Mix Cd (nicely cleaned up and all that) it does give some indication of his DJing style. I'll be looking forward to Easter Sunday though, he's never disappointed when I've seen him and will play off the wall tracks that you might not hear at Lost otherwise. - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, February 26, 2002 3:12 PM Subject: Re: [313] may's djing (was Lost - further details) Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. I first saw him only about 6 or 7 years ago in the Sub Club in Glasgow despite having followed his work slavishly since 1987- he was the first DJ who literally reduced me to tears (sob, sob!) and I've seen him about 10 times since then- he has been shit- and I mean shit- about 6 times- very good twice and amazing twice. When he is shit he just plays very middle of the road tribal techno- so far removed from the complex music he used to make- with no dynamics or emotion- as if he feels the audience either wouldn't understand or don't deserve to hear the real good stuff- he is a very frustrating character but then that's life! Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing (was Lost - further details)
dj's with an exquisite profile, such as mayday's, are expected to perform. there is so much background behind the person, that the average audience don't understand REALLY where they are comin' from, and just how FAR they have travelled, let alone understand what they have seen and heard over an extended career. the crowd may have high expectations these can vary greatly these can alter the mood of the room the room may be inadequate acoustically the room may be unsuitable in many different ways the monitor might not be able to separate different frequencies the tonearm could be bent the system could run feedback the drinks could be spiked the cables may be loose somebody said something stupid somebody could be hangin' t close the fish might have not been the catch of the day the wine could have been oxidized the bed at the hotel may have been used inappropriately the flight may have been too long the queue at the airport may have been too long the local rag traders my have written some b.s. about some m.f. the crossfader may be leaking the crossfader may be lost on the floor somewhere it goes on, and on, ...and on and on there are an untold number of factors that determine the absolute nature of a situation.. and the nature of a dj set for all the m.f's in sydney tonite; please accept derrick for anythang he presents and don't analyse anything while you there..just enjoy the life that he bring the debonair. - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: allnight [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Wednesday, February 27, 2002 1:55 AM Subject: RE: [313] may's djing (was Lost - further details) Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 2:29 PM To: 313@hyperreal.org Subject: RE: [313] may's djing (was Lost - further details) man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details
[313] Octave One -- Thursday @ Mixworks DETROIT
Mixworks presents: Thursday, February 28 A very special performance from OCTAVE ONE -- 430 West, Detroit w/resident Buzz Goree - UR Mixworks, Thursdays @ Porter St. 1400 Porter St., at Trumbull info and email list: [EMAIL PROTECTED] 3/7 - Real Detroit 20/20 Awards, sponsored by Submerge and hosted by Mixworks. Featuring DJs Carl Craig and Mike Clark of Planet E and Women on Wax's DJ Minx. Thank you sponsors: Current, Submerge, Made in Detroit, Real Detroit, motormouth.org, Record Time. Support. _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing (was Lost - further details)
everybody likes different trax don't get upset when the money you put in the jukebox don't bring the noise derrick plays for everyone experience the repertoire - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, February 27, 2002 2:12 AM Subject: Re: [313] may's djing (was Lost - further details) Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. I first saw him only about 6 or 7 years ago in the Sub Club in Glasgow despite having followed his work slavishly since 1987- he was the first DJ who literally reduced me to tears (sob, sob!) and I've seen him about 10 times since then- he has been shit- and I mean shit- about 6 times- very good twice and amazing twice. When he is shit he just plays very middle of the road tribal techno- so far removed from the complex music he used to make- with no dynamics or emotion- as if he feels the audience either wouldn't understand or don't deserve to hear the real good stuff- he is a very frustrating character but then that's life! Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing (was Lost - further details)
.the fire alarm could go off.. - Original Message - From: james bond [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; allnight [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Tuesday, February 26, 2002 7:32 PM Subject: Re: [313] may's djing (was Lost - further details) dj's with an exquisite profile, such as mayday's, are expected to perform. there is so much background behind the person, that the average audience don't understand REALLY where they are comin' from, and just how FAR they have travelled, let alone understand what they have seen and heard over an extended career. the crowd may have high expectations these can vary greatly these can alter the mood of the room the room may be inadequate acoustically the room may be unsuitable in many different ways the monitor might not be able to separate different frequencies the tonearm could be bent the system could run feedback the drinks could be spiked the cables may be loose somebody said something stupid somebody could be hangin' t close the fish might have not been the catch of the day the wine could have been oxidized the bed at the hotel may have been used inappropriately the flight may have been too long the queue at the airport may have been too long the local rag traders my have written some b.s. about some m.f. the crossfader may be leaking the crossfader may be lost on the floor somewhere it goes on, and on, ...and on and on there are an untold number of factors that determine the absolute nature of a situation.. and the nature of a dj set for all the m.f's in sydney tonite; please accept derrick for anythang he presents and don't analyse anything while you there..just enjoy the life that he bring the debonair. - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: allnight [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Wednesday, February 27, 2002 1:55 AM Subject: RE: [313] may's djing (was Lost - further details) Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 2:29 PM To: 313@hyperreal.org Subject: RE: [313] may's djing (was Lost - further details) man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm
RE: [313] Contact Info for Background Records
Also not sure if this email address still works but Andy Vaz can be reached at : [EMAIL PROTECTED] that's Backgroun(zero) Cheers, Dennis -Original Message- From: Steve Nails [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 3:04 AM To: 313@hyperreal.org Subject: Re: [313] Contact Info for Background Records Hi ! it´s: andy vaz = b a c k g r o u n d r e c o r d s subdevision: a TOUCH of CLASS rec. write: ++49.211.7885417 [EMAIL PROTECTED] Steve Nails www.corridor-productions.com www.besonic.com/stevenails - Original Message - From: Phonopsia [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, February 26, 2002 7:32 AM Subject: [313] Contact Info for Background Records Does anyone have contact info for Background records? Sorry about two posts in a row. I didn't realize Background Records would have such a legal twist on Google. All I got that was close was the forced exposure site. Tristan -- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fwd: Re: [313] may's djing (was Lost - further details)
I saw him for the first time about 8 or 9 years ago in the Sub Club also - one of the best sets I have had the pleasure of witnessing. Since then I have seen him about 10 times and tend to agree with Jason on this one - I saw him 3 times in a 2 week period once (Pure, Sub Club then Space in Ibiza) and he played the same set all 3 times - the third time one of my mates left during his second mix saying I'm not listening to this again and went out to hear whoever was playing in the courtyard. He can be absolutely mindblowingly good but it seems to depend what sort of mood he is in. Cheers BT Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. I first saw him only about 6 or 7 years ago in the Sub Club in Glasgow despite having followed his work slavishly since 1987- he was the first DJ who literally reduced me to tears (sob, sob!) and I've seen him about 10 times since then- he has been shit- and I mean shit- about 6 times- very good twice and amazing twice. When he is shit he just plays very middle of the road tribal techno- so far removed from the complex music he used to make- with no dynamics or emotion- as if he feels the audience either wouldn't understand or don't deserve to hear the real good stuff- he is a very frustrating character but then that's life! Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] All-time favourite 313 DJ set
I'm interested in finding out what particular set from a 313-related DJ set is the favourite of the list members. Maybe we could do a poll. To keep this from being annoying to other members, pm me with your fave, and I'll publish the top 5 DJs.
[313] Fw: Jeff Mills: Archiv 4
Artist: Jeff Mills Title: Late Night Label: Tresor Ca. No: 56183-6 Release: April 2002 Distribution (UK): SRD TRACKLIST A1 Late Night (Mills Mix)(4:49) A2 Late Night (4:39) B1 Basic Human Design (5:52) The Tresor Archiv series continues to roll on, unearthing previously unavailable or deleted material from the depths of the vault. This latest release features a long-missing track from Jeff Mills - a remix of the classic Late Night from 1993. The original version appeared on Mills' debut album Waveform Transmission Vol. 1 (1992!), but his Mills Mix remix has remained one of Tresor's most infamous 'lost tracks'. It is believed that the last DAT of the remix was destroyed in a Chicago basement flood. However, in October 2001, the track was re-mastered by Moritz Von Oswald at Berlin's Dubplates Mastering. This is the first time this long-lost Classic has been available on Tresor. The B-Side Basic Human Design is actually an instrumental version of Spider Formation (from Axis Records AX-009), originally found on Waveform Transmission Vol. 3 but mastered and cut at DM; Berlin by Moritz Von Oswald (one half of Maurizio). *** Jeff Mills' Late Night (Mills Mix) also appears now for the first time on CD format via Tresor - True Sprit (Tresor 185, ca.no. 56185-2). Jeff Mills plays Homelands on 1st June. LATE NIGHT: meaning deep or deeper in the night. Mid-Town Manhattan, New York, the summer of 1993 shortly after I moved from Detroit. I just started my DJ residency on Friday nights at the Limelight called Future Shock. As I was beginning to get used to the rush of New York, my tensions from culture shock of moving from Detroit, a smaller city with less than a million people to New York City, the Metropolis, I had began to relax again as my fondness for those infamous New York Nights was beginning to grow. It was a unique time. The sound of Rotterdam was the favorite Techno style, the beats were dark, fast and lethal but, still green. It was the summer: DJ Hell and Patrick Pulsinger had moved to Manhattan and every week, the Limelight was in competition with the Palladium and flew in Techno Artists from Europe to perform. I can remember a lazy afternoon Richard (Aphex Twin) and crew flew in from London and all of us eating takeaway barbecue chicken on the roof of Lord Mike's apartment. Then, the daytime was only a cocktail for the night. In those days on Friday night, the Limelight would reach its high intensity level around 3:00am onward until the end of the night. High meaning, full capacity, swinging cage dancers, the rave flares of Authur's odyssey lightening and the ritual microphone introductions by Romeo Romeo were in an extreme level. As for the music program, it was the honorable duty of DJ Repete and myself to keep the beats right. What I loved the most was later in the night, around 5:30am. The time when the out-of-town tourists and the club trendy had tired left the dancefloor, the music we played got a bit more daring, a lot deeper and all existing dancers on the dancefloor were more alert and sensitive to new sounds. It was the feeling of this timeframe that I tried to capture through the track Late Night. In those days of my transition from Detroit to New York and not exactly aware of my permanent living situation, I was a bit reluctant to move all of my studio and equipment to New York at one time. So, from each weekly trip back to Detroit to fulfill my duties at Underground Resistance, I began to take one piece of equipment at a time. My ability to create the more complex tracks was gradual and slow. Nevertheless, within the weekdays I would have the enormous urges to compose music so, I would try to record with what I had at the time. Which was only a Roland 16 track mixer, Yamaha DX100 keyboard, Yamaha Sequencer, Roland TR-909 drum machine, no monitor return speakers (I mixed through headphones) and one of those new gadgets, a portable DAT recorder that I bought down on Canal Street in SOHO. The day I purchased the DAT recorder was a productive one, I remember recording about 15 tracks within a few hours, Late Night among other Waveform Transmission Vol. 1 tracks were created on this evening. Unsatisfied with the beginning of the only mix of Late Night, I can remember deciding to fade in the level from silence for an introduction, thus discovering a technical trait that I was use on numerous tracks in my recording career. Tresor Records, Berlin later released this track on Waveform Transmission Vol. 1 a few months later with a later sublicense to Pow Wow Records in the US. The Pow Wow Records remixes included a few DJ Pierre mixes as well as a more aggressive remix by myself. BASIC HUMAN DESIGN: meaning the most basic form of human. (1 head w/brain, two arms and two legs). Can't remember the year but, it was at the beginning of the first wave of TechnoTrance. I was spending lots of time in Germany, Switzerland and France at the time. Guys like Cosmic Baby, Kid Paul, Sven Väth and
Re: Re: [313] may's djing (was Lost - further details)
men and women can sometimes be mindblowingly good... and sometimes mindblowingly bad. depending on moods n grooves... that's etched as part of our psyche go beyond the dance and experience the various salsas of life if everyone was the same all the time they would be boring if you got everything you wanted you would be bored - Original Message - From: - BT - [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, February 27, 2002 2:47 AM Subject: Fwd: Re: [313] may's djing (was Lost - further details) I saw him for the first time about 8 or 9 years ago in the Sub Club also - one of the best sets I have had the pleasure of witnessing. Since then I have seen him about 10 times and tend to agree with Jason on this one - I saw him 3 times in a 2 week period once (Pure, Sub Club then Space in Ibiza) and he played the same set all 3 times - the third time one of my mates left during his second mix saying I'm not listening to this again and went out to hear whoever was playing in the courtyard. He can be absolutely mindblowingly good but it seems to depend what sort of mood he is in. Cheers BT Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. I first saw him only about 6 or 7 years ago in the Sub Club in Glasgow despite having followed his work slavishly since 1987- he was the first DJ who literally reduced me to tears (sob, sob!) and I've seen him about 10 times since then- he has been shit- and I mean shit- about 6 times- very good twice and amazing twice. When he is shit he just plays very middle of the road tribal techno- so far removed from the complex music he used to make- with no dynamics or emotion- as if he feels the audience either wouldn't understand or don't deserve to hear the real good stuff- he is a very frustrating character but then that's life! Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: Jeff Mills: Archiv 4
Memo from Alex Bond of PricewaterhouseCoopers Start of message text but mastered and cut at DM; Berlin by Moritz Von Oswald (one half of Maurizio). The above quote is from Tom's post. Am I being incredibly stupid, or did anyone else know 'Maurizio' was two people? I presume that means it's Moritz and Mark? Irrelevant, I suppose. I just never knew that, I thought Maurizio was Moritz. Rambling out loud can make you look daft sometimes. - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] playlist WNUR Chicago - 15 Feb. 2002
Clinically Inclined 15 February 2002 11 pm - 12:30 am CST www.wnur.org / 89.3 fm in Chicago Roy Ayers Ubiquity - Evolution (Polydor '75) Q Project - Spec (Emoticon) Balil - Nort Route (Planet E) Neuropolitique - Banannagate (Buzz) Ayro - Let This (Omoa) Neon Phusion - Timeless Motion (Co-Op) Loopoets - Dirt The Fonk (Cylence) Loopoets - Only Just (Cylence) Aardvarck - ReSpoken [Nubian Mindz remix 2] (Rush Hour/Delsin) Block 16 - Elektrocution (Nuphonic) Daniel Paul - Outta Space (Mermaid) Metro Area - Miura (Environ) Space - Magic Fly (UA '77) Trilogy - Not Love [instr.] (Discotto '82) Greyhouse - New Beats The House (RS) Duplex - Monotremata (Clone) Future Beat Alliance - Lo Tech Jazz (Delsin) Chateau Flight - Pergola (Neroli) Lo:Rise - 20th Century Blues [Charles Webster Dub Mix] (Miso) Redcell - The City (B12) M-Mode - Brighton (Void) Tim Koch - Mumbersome (deFocus) John Tejada - Genetical Love [cim remix] (deFocus) Cheers, Matt - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] playlist WNUR Chicago - 15 Feb. 2002
clinically inclined isn't that the name of a track on the balil e.p. on a.r.t.? - Original Message - From: Matthew MacQueen [EMAIL PROTECTED] To: [EMAIL PROTECTED] org [The Music Institute] (E-mail) 313@hyperreal.org Cc: Dave Siska (E-mail) [EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:16 AM Subject: [313] playlist WNUR Chicago - 15 Feb. 2002 Clinically Inclined 15 February 2002 11 pm - 12:30 am CST www.wnur.org / 89.3 fm in Chicago Roy Ayers Ubiquity - Evolution (Polydor '75) Q Project - Spec (Emoticon) Balil - Nort Route (Planet E) Neuropolitique - Banannagate (Buzz) Ayro - Let This (Omoa) Neon Phusion - Timeless Motion (Co-Op) Loopoets - Dirt The Fonk (Cylence) Loopoets - Only Just (Cylence) Aardvarck - ReSpoken [Nubian Mindz remix 2] (Rush Hour/Delsin) Block 16 - Elektrocution (Nuphonic) Daniel Paul - Outta Space (Mermaid) Metro Area - Miura (Environ) Space - Magic Fly (UA '77) Trilogy - Not Love [instr.] (Discotto '82) Greyhouse - New Beats The House (RS) Duplex - Monotremata (Clone) Future Beat Alliance - Lo Tech Jazz (Delsin) Chateau Flight - Pergola (Neroli) Lo:Rise - 20th Century Blues [Charles Webster Dub Mix] (Miso) Redcell - The City (B12) M-Mode - Brighton (Void) Tim Koch - Mumbersome (deFocus) John Tejada - Genetical Love [cim remix] (deFocus) Cheers, Matt - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] playlist WNUR Chicago - 15 Feb. 2002
nice name for a radio programme though - Original Message - From: Matthew MacQueen [EMAIL PROTECTED] To: [EMAIL PROTECTED] org [The Music Institute] (E-mail) 313@hyperreal.org Cc: Dave Siska (E-mail) [EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:16 AM Subject: [313] playlist WNUR Chicago - 15 Feb. 2002 Clinically Inclined 15 February 2002 11 pm - 12:30 am CST www.wnur.org / 89.3 fm in Chicago Roy Ayers Ubiquity - Evolution (Polydor '75) Q Project - Spec (Emoticon) Balil - Nort Route (Planet E) Neuropolitique - Banannagate (Buzz) Ayro - Let This (Omoa) Neon Phusion - Timeless Motion (Co-Op) Loopoets - Dirt The Fonk (Cylence) Loopoets - Only Just (Cylence) Aardvarck - ReSpoken [Nubian Mindz remix 2] (Rush Hour/Delsin) Block 16 - Elektrocution (Nuphonic) Daniel Paul - Outta Space (Mermaid) Metro Area - Miura (Environ) Space - Magic Fly (UA '77) Trilogy - Not Love [instr.] (Discotto '82) Greyhouse - New Beats The House (RS) Duplex - Monotremata (Clone) Future Beat Alliance - Lo Tech Jazz (Delsin) Chateau Flight - Pergola (Neroli) Lo:Rise - 20th Century Blues [Charles Webster Dub Mix] (Miso) Redcell - The City (B12) M-Mode - Brighton (Void) Tim Koch - Mumbersome (deFocus) John Tejada - Genetical Love [cim remix] (deFocus) Cheers, Matt - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE:[313] Boards of Canada
check this out for some strange stuff from boards of canada: http://www.speakeasy.org/~adbrown/boc.html /rd _s_p_r_a_y_ Här börjar Internet! Skaffa gratis e-mail och gratis Internet på http://www.spray.se Skicka gratis SMS på http://mobil.spray.se - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] k seeking m from .de
(sorry folks :/) m- my old email got tanked while i was out of town..this is my new one mail2web - Check your email from the web at http://mail2web.com/ . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing
men and women can sometimes be mindblowingly good... and sometimes mindblowingly bad. depending on moods n grooves... Yes, but when you see someone 6 times in a row and they are one of the best Dj's in the world and they are playing in familiar surroundings (Glasgow had a long standing tradition of Detoit Dj's going back to about 1990) you kind of expect a little more sometimes- my views I know are echoed by quite a few people in Glasgow. I haven't got an axe to grind with Derrick- he was the person who inspired me to start making music and so shaped my path in life dramatically. that's etched as part of our psyche go beyond the dance and experience the various salsas of life It's hard to do that when you're hearing French Kiss for the 8 millionth time or some really shitty Basement Jaxx track or some tired Battacuda thing- if he was playing Salsa Life, Kaos or The Dance I would be going crazy! (no I don't only expect him to play only old tracks before I get flamed for that!) if everyone was the same all the time they would be boring if you got everything you wanted you would be bored Fair enough Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ebay 313/312 wax
Less than a day on some great stuff like Relief Cajual records, Adventures in Techno Soul Further Adventures in Techno soul on FEROX. Purveyors of Fine Funk vol 3, Todd Sines and Claude Young on 7th city, The best releases on Guidance 001-004, original BFC on fragile, Round One on Main Street and many more classic stuff. http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItemsuserid=toedawginclude=0since=-1sort=2rows=25 __ Do You Yahoo!? Yahoo! Sports - Coverage of the 2002 Olympic Games http://sports.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] may's djing (was Lost - further details)
men and women can sometimes be mindblowingly good... and sometimes mindblowingly bad. depending on moods n grooves... Thats what I said - it depends what mood he is in. that's etched as part of our psyche go beyond the dance and experience the various salsas of life I try my best - perhaps that why I went to see him for the third time in 2 weeks even though the previous 2 sets were the same... if everyone was the same all the time they would be boring Back to my point on hearing the same set 3 times - if you have the ability, musical ear, ability to understand the crowd that Derick has then why did he tour with one bag of records and play the same set. He gets paid lots of cash to play the least he could do is true to the people who pay their cash to hear him and let the set take shape with the night instead of coming in with preprogrammed ideas of exactly what he will do no matter what. if you got everything you wanted you would be bored Luckily I dont so my life is one big magical mystery tour :-) Cheers BT - Original Message - From: - BT - [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, February 27, 2002 2:47 AM Subject: Fwd: Re: [313] may's djing (was Lost - further details) I saw him for the first time about 8 or 9 years ago in the Sub Club also - one of the best sets I have had the pleasure of witnessing. Since then I have seen him about 10 times and tend to agree with Jason on this one - I saw him 3 times in a 2 week period once (Pure, Sub Club then Space in Ibiza) and he played the same set all 3 times - the third time one of my mates left during his second mix saying I'm not listening to this again and went out to hear whoever was playing in the courtyard. He can be absolutely mindblowingly good but it seems to depend what sort of mood he is in. Cheers BT Strange as it may seem, the numbers of people who can actually remember him playing his own classic stuff - like Icon, are few and far between ... although Strings of Life, I've heard even Surgeon play! I think it's fair to say (but it remains of course - imho) that he's barely EVER played a set really PEPPERED with his own classic cuts ... I don't know why ... It's almost like he doens't feel they fit into dancefloor techno, which is a very weird thing to see myself write. I first saw him only about 6 or 7 years ago in the Sub Club in Glasgow despite having followed his work slavishly since 1987- he was the first DJ who literally reduced me to tears (sob, sob!) and I've seen him about 10 times since then- he has been shit- and I mean shit- about 6 times- very good twice and amazing twice. When he is shit he just plays very middle of the road tribal techno- so far removed from the complex music he used to make- with no dynamics or emotion- as if he feels the audience either wouldn't understand or don't deserve to hear the real good stuff- he is a very frustrating character but then that's life! Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Rare Detroit techno for auction on Ebay
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItemsuserid=digital_soulinclude=0since=-1sort=2rows=25 Loads of rare stuff including the recently discussed Deepside remixes of The Art of Stalking, the 313 Detroit comp on Infonet and stuff from Kenny Larkin, Carl Craig, Nexus 21, Orlando Voorn, Blake Baxter and more Cheers [EMAIL PROTECTED] www.digital-soul.co.uk ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Jeff Mills: Archiv 4
Alright, nice one. Sooner hear JM waxing nostalgic than most anyone else...Here's something else in a reminiscing vein from back in the day. Note the presence in the set list of a certain chap who helped bring the Winter Olympics to a glorious close the other night... Wes (with thanks to Stephen, wherever you may be) -- Forwarded message -- Date: Wed, 21 Nov 2001 23:45:46 -0600 From: stephen [EMAIL PROTECTED] Do I got a story to tell, I was actually around to experience some of that era, brings back memories of seeing a young Jeff Mills when he was with UR back in 91 during the Punisher tour. I think it was his only Texas appearance, he played Deep Elem Live in Dallas and his mixing was I geuss you could say wizard like and flawless (no train wrecks) of course he had some kid with him that would hand him a record every 30 sec or so. He followed up the next day on a local radio show playing the same exact set. Here's playlist for all you old school trainspotters, man I wish I still had that on tape. Those were the memories the early rave and techno scene. I wouldn't be caught dead going out to a rave these days unless someone paid me to spin. stephen. EDGE CLUB 94 with JEFF K 94.5 THE EDGE PLAYLIST FOR DECEMBER 21, 1991. 10:00pm-11:00pm GEUST DJ : JEFF MILLS - UNDERGROUND RESISTANCE - DETROIT UNDERGROUND RESISTANCE THE PUNISHER UR FAST EDDIE YO YO GET FUNKY DJ INTERNATIONAL VENOM TOTAL RECALL CREATIVE RHYTHM UNDERGROUND RESISTANCE RIOT UR BELTRAM MY SOUND RS SECOND PHASE MENTASM RS X-101 SONIC DESTROYER UR MOBY G0(rainforest mix) OUTER RHYTHM REESE FUNKY FUNK FUNK NETWORK TRACID POSSE C'MON SQUIRE OVERDRIVE T99 ANASTHASIA WHO'S THAT BEAT UNDERGROUND RESISTANCE UNTITLED UR F.U.S.E. FU +8 UNDERGROUND RESISTANCE PANIC UR ANDROMEDA DA BUZZ INTRIGUE THE PSYCHOPATHS NIGHTMARES ELICIT RAZOR BOY CUTTER RABBIT CITY 80 AUM MINDCONTROLLER IMC MISSION X GOOD MORNING VIETNAM INDISC UNDERGROUND RESISTANCE UNDERGROUND RESISTANCE UR UNDERGROUND RESISTANCE THE PUNISHER UR UNDERGROUND RESISTANCE UNTITLED UR F 14 F 14 PIRATE BIZARRE INC SUCH A FEELING(rmx) white label FORMICULA 4 FORMIC ACID TRANCE ATLANTIC TRONIKHOUSE UP TEMPO KMS BELTRAM ENERGY FLASH TRANSMAT MESSIAH THERE IS NO LAW KICKIN' FINAL EXPOSURE VORTEX +8 UNDERGROUND RESISTANCE QUADRASINC UR CEEJAY BOLLAND HORSEPOWER RS THE UNLIMITED NAKED OVERDRIVE UNDERGROUND RESISTANCE UNTITLED UR THIS IS BUG F**K THE INDUSTRY MF RADIO MAN BUG DJ DOC SCOTT SUGERY ABSOLUTE 2 RAVE TO THE MAXIMUM RAVE TO THE MAXIMUM HARDWAX UNDERGROUND RESISTANCE THE PUNISHER UR 11:00pm-12:00am GEUST DJ : DJ REPETE - LIMELIGHT CLUB - NEW YORK CITY WOOD ALLEN AIRPOT 89' BCM APOTHEOSIS O FORTUNA INDISC INFAMIA THE MAXXAM ZONE POWER TRACKS TECHNO TRASH VOL. 2 NOISE TOTAL RECALL N-JOI MINDFLUX RCA 80 AUM MINDCONTROLLER(rmx) IMC AFTER DARK ASYLUM ORBITAL MOBY GO(low spirit mix) INSTINCT PROGRAM2/BELTRAM THE OMEN RS MASTER TECHNO VOL. 2 MY NOISE STD BELTRAM MY SOUND RS MESSIAH IS ANYONE STILL ALIVE KICKIN' INFAMIA DISTORTO POWERTRACKS PRAGA KHAN RAVE ALARM BEAT BOX INFAMIA PLASMATIKA POWERTRACKS WESTBAM I CAN'T STOP LOW SPIRIT STATESIDE CONNECTION WANNA BE FREE RADIKAL MNO GOD OF ABRAHAM AM/PM MASTER TECHNO VOL. 2 CAPONE STAGE STD TL DJ ROTATION GOTHAM ALTERN 8 MOVE MY BODY(hard hardcore mix) NETWORK THE TABS HARD TECH NBS SPIRIT OF ADVENTURE SPIRIT OF ADVENTURE HITHOUSE INTERSTELLAR OVERDRIVE MUSIC MAN NEVRMIND NEVERMIND white label TONE DEF TONE DEF MOVING SHADOW PHENOMANIA WHO IS ELVIS? NO RESPECT PHENIX MASS HYSTERIA ATMOSPHERE X ES ROLLER COSTER FACTORY ROZALLA EVRYBODY'S FREE PULSE 8 THE GATEWAY EXPERIENCE TWIN FREAKS STR 1:00am-2:00am GEUST DJ : JIMMY CRASH - BROOKLYN GROOVE PROD.- BROOKLYN HOLY NOISE FATHER FORGIVE THEM HITHOUSE FULL ON SOUND MAYHEM BEATTECH AFTER DARK ASYLUM ORBITAL PHENIX MASS HYSTERIA ATMOSPHERE DREAM FREQUENCY STEP OFF CITYBEAT URBAN HYPE DESTINY PERCEPTION HARLOT SINS OF THE FLESHPOIDS MONOCHROME QUARTERMAN THERE IS NO COKE NO RESPECT WE WERE IN THE FUTURE INDUSTRIAL OVERFLOW SOUNDS NEVER SEEN MULTI COLORLAZEE EP white label COMPRESSION COMPRESSION POWERTRAX JIMMY CRASH CRASH COURSE(rmx) reel tape LORDS OF ACID LETS GET HIGH CAROLINE SKIN UP IVORY(ebony mix) LOVE THE R RAVE THE PLANET ESP ADAM-X LOST IN HELL RAVE AGE ENERGY STORM VOL. 2 DARKNESS BEYOND ESP TRILITHON CHILDREN OF THE FUTURE white label RAVE TO THE MAXIMUM RAVE TO THE MAXIMUM HARDWAX THE WARRIOR THE WARRIOR STRICTLY U/G X-101 G-FORCE UR RISING HIGH GEUSS WHO'S BACK JACK TAM TAM THE PRODIGY G-FORCE XL TEXAS AUDIO ASSASSIN +8 THE MACKENZIE CYCLOTRON MACKENZIE CIRCUIT
[313] The Ruins of Detroit--a free guided tour by bus (fwd)
i don't know if non-michigan students can get on the bus...but thought you'd be interested anyway -- Forwarded message -- Date: Tue, 26 Feb 2002 10:20:18 -0500 (EST) From: Elizabeth Woodford [EMAIL PROTECTED] To: [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED] Subject: The Ruins of Detroit--a free guided tour by bus The Institute for the Humanities, in concert with Arts at Michigan, has organized a free bus tour of The Ruins of Detroit. Thursday, March 7 12:00 - 6:00 PM Bus pick-up in front of the Museum of Art on State Street The bus holds 55. There are probably about 15 spots left. To sign up for the tour: 1) http://www.umich.edu/~arts 2) click on Culture Bus and choose the March 7 trip. 3) fill out the form completely To PREVIEW the tour, visit the wonderful web site created by our tour guide, the Detroit artist Lowell Boileau: http://www.detroityes.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Jeff Mills: Archiv 4
Alright, nice one. Sooner hear JM waxing nostalgic than most anyone else... I remember that time Pete Martin ate a ton of mushrooms at lunch and we had double Maths straight after. Somehow Pete got singled out for all the questions and how we howled as he struggled to understand integrating by parts whilst tripping his nuts off!! Phew, those were the days. Crazy, I tell you! Crazy! I really struggled over pressing the button for this one. Bet you're glad that bad me won through, eh? Jonny all quality, no dribble McIntosh. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] nyc this weekend
anyone going to Baktun for Dub Taylor Dirk Diggler? I am coming up from NC and would like to meet any list members. Probably go to destination NYC for Hawtin Cox Morillo too. Anything else going on please let me know. Thanks JGrindle
[313] In the interest of kissing arse
I was lucky enough to receive in the mail a mix CD by 313's Jonny McIntosh a few days ago. Ladies and Gentlemen of the UK, you have no idea what the hell you have over there. This kid should be playing nightly, and would fit perfectly on a Thursday afternoon 90.9 mix. A truly amazing mix that's fluid and very intelligently put together. To say nothing of the high soulful factor. My suggestion? Badger him with emails until he sends you a copy. Offer to pay for postage and a cd_r. You won't be let down if you appreciate a little spice in your deep house. That is all. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] In the interest of kissing arse
Some of you already know, but this mix is also on Javier's excellent www.undergroundcommittee.com site, so you can have a listen there and guess how much I must have paid Rob to say that. I don't think I could handle playing every night, though, as I'm a lazy wee tyke. Maybe every other. I'm also really sorry for that previous post. It wasn't big or clever. JM. - Original Message - From: Rob Theakston [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 26, 2002 7:26 PM Subject: [313] In the interest of kissing arse I was lucky enough to receive in the mail a mix CD by 313's Jonny McIntosh a few days ago. Ladies and Gentlemen of the UK, you have no idea what the hell you have over there. This kid should be playing nightly, and would fit perfectly on a Thursday afternoon 90.9 mix. A truly amazing mix that's fluid and very intelligently put together. To say nothing of the high soulful factor. My suggestion? Badger him with emails until he sends you a copy. Offer to pay for postage and a cd_r. You won't be let down if you appreciate a little spice in your deep house. That is all. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing
I've seen May four times, the most recent last Friday in Auckland. Ironically enough, my best night ever was the night he played the Palladium in Sydney: The crowd was all young university students The air conditioning was completely ineffectual The mixer had to be repaired during the set But I kept on dancing until 7 am after my back had been killing me for the last hour. He crowd pleaded for an encore when he finished, so he played Strings over the monitors. Nice. My worst night was seeing him play at to a strictly commercial party crowd. Hugo - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing
I've never understood DJs playing encores... To me the point of having a DJ is having someone create something over a matter of hours. So playing one record over the monitors seems a particularly bizarre way of doing an encore... At 09:36 AM 2/27/2002 +1300, Hugo Sweet wrote: I've seen May four times, the most recent last Friday in Auckland. Ironically enough, my best night ever was the night he played the Palladium in Sydney: The crowd was all young university students The air conditioning was completely ineffectual The mixer had to be repaired during the set But I kept on dancing until 7 am after my back had been killing me for the last hour. He crowd pleaded for an encore when he finished, so he played Strings over the monitors. Nice. My worst night was seeing him play at to a strictly commercial party crowd. Hugo - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Tokyo / 313
Greetings All. I am visiting Tokyo in april, and any 313-relevant info in regards to any events/places (especially in the Shibuya/Harajuku area)would be greatly appreciated. Thanks! -j This transmission is confidential and intended solely for the person or organization to whom it is addressed. It may contain privileged and confidential information. If you are not the intended recipient, you should not copy, distribute or take any action in reliance on it. If you believe you received this transmission in error, please notify the sender. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Tokyo / 313
There are a few small monthly magazines that tell you what's happening, my favorite being UrbanFlyer. Womb, in Shibuya, has a big techno night once a month www.womb.co.jp and the Liquid Room in Shinjuku has big stuff, too. Of course, you'll have to check out Maniac Love, in Harajuku (I think) that has DJ Wada from Co-Fusion every friday night. e [EMAIL PROTECTED] wrote: Greetings All. I am visiting Tokyo in april, and any 313-relevant info in regards to any events/places (especially in the Shibuya/Harajuku area)would be greatly appreciated. Thanks! -j This transmission is confidential and intended solely for the person or organization to whom it is addressed. It may contain privileged and confidential information. If you are not the intended recipient, you should not copy, distribute or take any action in reliance on it. If you believe you received this transmission in error, please notify the sender. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] In the interest of kissing arse
- Original Message - From: Rob Theakston [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 26, 2002 2:26 PM Subject: [313] In the interest of kissing arse I was lucky enough to receive in the mail a mix CD by 313's Jonny McIntosh a few days ago. Ladies and Gentlemen of the UK, you have no idea what the hell you have over there. This kid should be playing nightly, and would fit perfectly on a Thursday afternoon 90.9 mix. A truly amazing mix that's fluid and very intelligently put together. To say nothing of the high soulful factor. My suggestion? Badger him with emails until he sends you a copy. Offer to pay for postage and a cd_r. You won't be let down if you appreciate a little spice in your deep house. That is all. Second this. I was lucky enough to receive one on Valentine's Day (aw Johnny, thanks for thinking of me). ;) It's an excellent mix, and done live no less! Tristan -- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
