Re: (313) 8-Mile - Detroit music history
on 11/17/02 4:09 PM, Forrest L Norvell at [EMAIL PROTECTED] wrote: point #2, IDM was not NAMED after the hyperreal mailing list. I joined [EMAIL PROTECTED] in September of 1993, soon after its formation. The preceding summer, Warp had released the first round of (artificial intelligence) records. Brian Behlendorf, the owner of Hyperreal and the founder of idm, had needed a name for the new list, and since the Warp series was called (artificial intelligence) and it was at least partially the model for the kind of music he wanted to discuss, I think he decided Intelligent Dance Music was as good a name as any. To my knowledge that was the first usage of the term IDM anywhere. Less than a year later, Warp brought out the compilation Artificial Intelligence 2, and Designers Republic incorporated postings from the idm list into their sleeve art. To me, the conclusion's pretty inescapably obvious. I stand corrected. I didn't realize the IDM list was around before the Artificial Intelligence compilations. Do people really take mailing list seriously? I think your a little disillusioned if you think a small community of fans have such a big impact on the scene. The hard core of musicians and fans that push the techno bean along with their noses is very small. San Francisco has a pretty big reputation in the international (intelligent) techno scene because of people like Kit Clayton and Sutekh, and even though I'm no big cheese in the scene, I know both of those guys and say hi when I see them at shows. Sutekh, at least, I originally knew through the sf-raves mailing list, and I met Kit at MAD, which was for many years the only club night that focused on techno as such in San Francisco. Folks like Morgan Geist and Darshan Jesrani used to be active participants on this list, to say nothing of the ongoing involvement of Alan Oldham (although the list appears to have pissed him off one time too many, more's the pity), Sean Deason, and Todd Sines (among others). I'm pretty sure Fabrice Lig was a poster here before he started releasing music. The same goes for idm, where folks like CiM were posting to the list long before they started releasing music. It's an open-ended question (as per above) as to how influential these lists are, but in the small and relatively closed universe of techno, online forums have a large and growing presence. yrz, Forrest I guess you have a point but that only represents a small percentage of the growing techno scene. I can name a long list of artist that are highly successful like Dave Clarke, DJ Rush, or Robert Hood (Detroit techno man of the year) who do not promote or participate on mailing list.
(313) tune ID needed!
hi - trying to ID a tune- it is the intro tune from a set i downloaded called Robert Natus - Schranz techno i am having trouble uploading a link to the clip - if anyone wants to have a go at it, let me know privately and i'll e-mail you a short real audio clip of it it starts out with this dark distorted horn - very similar to the darkside sounds used by Reinforced in old darkcore from 93 - there is this dark voice speaking in German - then the darkness drops out and this bouncy beat kicks in - hard to descibe, but I can mail the clip to anyone - I'm sure someone will know it instantly when they hear it if anyone happens to have a tracklisting for this mix, or any recommendations of other good scranz techno that would be cool thx Liam *** Recoil live on Interface *Astral Physics* every Tuesday 7-9 PM (EST) http://interface.pirate-radio.org/thesite/index.html *** ICQ - 98984143 *** _ The new MSN 8: advanced junk mail protection and 2 months FREE* http://join.msn.com/?page=features/junkmail
(313) [313] ...testing ....testing
1, 2, 3.
(313) Felix Da Housecat Vs Madonna
Someone asked about the Felix Da Housecat remix of Madonna's Die Another Day. It's actually very good. It has an electro feel. It suits the song. I don't like a lot of her remixers these days (Groove Armada's Music was OK, Luke Slater's Power was cool) but this is a good one.
(313) Re: Minimal Nation (4 sale spam)
Sorry to annoy most of you, but there's a few out there that would like the original copy of this release on Axis. I have one to sell... please hit me off list. Few more other things like some Dan Curtin and Burial Mix - http://www.royaltech.net/records Thanks Benn -- Benn Glazier [EMAIL PROTECTED] http://www.royaltech.net -- http://fastmail.fm - The way an email service should be
Re: (313) Felix Da Housecat Vs Madonna
Cyclone Wehner said: Someone asked about the Felix Da Housecat remix of Madonna's Die Another Day. It's actually very good. It has an electro feel. It suits the song. I don't like a lot of her remixers these days (Groove Armada's Music was OK, Luke Slater's Power was cool) but this is a good one. Has you heard the Fischerspooner remix of Kylie's latest? Not sure what to make of that one... -- dave.
Re: (313) 8-Mile - Detroit music history
I'm going to disagree with Cyclone a bit. While the 313 list has a place in the history of Detroit techno, our discussions have long been far more diverse than the intimations of single-mindedness indicate. I've been sort of amused by how one accusation of elitism got spun into this meandering ping pong battle over the meaning of 313 or something. The reason 313 has thrived for so long, against numerous clueless incoming squadrons, is that we have a lot of people here with differing opinions and no hesitation to express them, very deep experience, and a distaste for exactly the kind of navel-gazing of which we are now being accused. Now can we get past obvious trollbait like: I think your a little disillusioned if you think a small community of fans have such a big impact on the scene. It's not about our disillusionment, Stephen, as if all 313ers could be said to have any single common view. It's about your presuppositions of the history and interconnection between this list and Detroit techno. You're welcome to your opinions on that; the more the merrier. But I would say that the archives are readily available, and a little bit of time skimming through them over the years might prove to be instructive. phred
Re: (313) 8-Mile - Detroit music history
Actually, just to reiterate, I did not post these words so they are not my arguments at all. Someone cut and paste it so it looked like 'Cyclone wrote'... People should take care when they cut and paste or whatever so things are not ripped out of context or wrongly attributed to others. I'm going to disagree with Cyclone a bit. While the 313 list has a place in the history of Detroit techno, our discussions have long been far more diverse than the intimations of single-mindedness indicate. I've been sort of amused by how one accusation of elitism got spun into this meandering ping pong battle over the meaning of 313 or something. The reason 313 has thrived for so long, against numerous clueless incoming squadrons, is that we have a lot of people here with differing opinions and no hesitation to express them, very deep experience, and a distaste for exactly the kind of navel-gazing of which we are now being accused. Now can we get past obvious trollbait like: I think your a little disillusioned if you think a small community of fans have such a big impact on the scene. It's not about our disillusionment, Stephen, as if all 313ers could be said to have any single common view. It's about your presuppositions of the history and interconnection between this list and Detroit techno. You're welcome to your opinions on that; the more the merrier. But I would say that the archives are readily available, and a little bit of time skimming through them over the years might prove to be instructive. phred
(313) List of Records for Sale (ot)
There were some ppl interested in the records I have for sale. Please Email me privately and I'll send a long an attachment Excel file. They range from Mechanism Industries, Dance Mania, Acacia, Acquirius, Stickmen, Fragile etc.. Records won't be more than 3$ each,no less than 3 records per shipment. Right now the list stands at 37 records. weight is weight. It's got to go. Email me privately. please. Diana __ Do you Yahoo!? Yahoo! Web Hosting - Let the expert host your site http://webhosting.yahoo.com
(313) RUR -- http://www.perkowitz.net/rur/
A friend of mine is now in a Kraftwerk cover band. It had to happen eventually -- and maybe it happened before? But they've been playing around Seattle and getting pretty good. http://www.perkowitz.net/rur/ They're using 2 live drummers, a laptop guy, and a keyboard player. Interesting. Their Man Machine in particular is very nice. They haven't worked up Tour De France yet ;-/
Re: (313) Felix Da Housecat Vs Madonna
That's a whole political game there. I know there's legal issues but bootlegging an alternative mix and creating a street vibe is actually the best way to get noticed. Apart from hustling. Or a manager who hustles! I know a few people in the techno/house underground who really work it but still haven't been given the kind of remixes they capable of. In purely practical terms remixes for majors are marketing tools so it helps if Mixmag says you're hot. There's so many levels in that game. It's like cameo spots on hip-hop records - it's a game. Madonna tends to go for people she thinks are cool, remixes are all tied up with marketing and politicking and having the right contacts. Same with movie soundtrack work. Look how long it took for Felix to do a mix for her. Some artists are more hands-on - like Tricky had singled out a certain Detroit producer for a remix, then he lost his deal. Robbie from The Avalanches wanted Carl Craig. They're on an indie, so they have more autonomy. It's a shame. There are some terrible remixes of RB records around. You really have to wonder who would want a trance mix by Thunderpuss of a Whitney Houston record. If there's one good thing about the mash-up culture it's created an alternative to that! Inbox Message From: [EMAIL PROTECTED] Subject: Re: (313) Felix Da Housecat Vs Madonna Date: 18/11/2002 16:38:26 To: [EMAIL PROTECTED] Here's a question...any ideas on how to get in contact with the people who are involved in making remix descisions for Madonna? I have a friend who is an artist, of notable hard techno credit, who has been interested in this for awhile. Steve
Re: (313) Felix Da Housecat Vs Madonna
Talking of remixes, you wish you could hear On the new Groove Armada album Lovebox there are two really nice house tracks, one called Easy with Sunshine Anderson, which has an old skool house/garage feel, and it is screaming out for a re-edit/remix by Kevin Saunderson. It would be sensational! It's already great, but a little of that tech touch would 'elevate' it! I have never been a big GA fan, but these two tracks are really good. The second sounds like a Faze Action type house track.
Re: (313) 8-Mile - Detroit music history
Fred I'm not here to troll, it comes down to a difference in opinion. I'm here because I have an interest in 313 music, I've been buying Detroit techno since 1989. in response to your last paragraph a searchable database for the 313 list archives would be very helpful. on 11/17/02 10:26 PM, Fred Heutte at [EMAIL PROTECTED] wrote: I'm going to disagree with Cyclone a bit. While the 313 list has a place in the history of Detroit techno, our discussions have long been far more diverse than the intimations of single-mindedness indicate. I've been sort of amused by how one accusation of elitism got spun into this meandering ping pong battle over the meaning of 313 or something. The reason 313 has thrived for so long, against numerous clueless incoming squadrons, is that we have a lot of people here with differing opinions and no hesitation to express them, very deep experience, and a distaste for exactly the kind of navel-gazing of which we are now being accused. Now can we get past obvious trollbait like: I think your a little disillusioned if you think a small community of fans have such a big impact on the scene. It's not about our disillusionment, Stephen, as if all 313ers could be said to have any single common view. It's about your presuppositions of the history and interconnection between this list and Detroit techno. You're welcome to your opinions on that; the more the merrier. But I would say that the archives are readily available, and a little bit of time skimming through them over the years might prove to be instructive. phred
Re: (313) 8-Mile - Detroit music history
My apologies, that was very careless of me. I was responding to Mr. Corn Warning Kent Williams on 11/17/02 10:27 PM, Cyclone Wehner at [EMAIL PROTECTED] wrote: Actually, just to reiterate, I did not post these words so they are not my arguments at all. Someone cut and paste it so it looked like 'Cyclone wrote'... People should take care when they cut and paste or whatever so things are not ripped out of context or wrongly attributed to others.
RE: (313) 8-Mile - Detroit music history
You're telling me! - a searchable archive would be fantastic. There's a catch 22 for new people (one of which is me), in that it's fairly tricky to say the least that people like myself would like to make a post about something, but as we all know could be responded to with the see the archives reply. My mouse can only take so much scrolling before the wheel melts. :) Dscaper. Aeonflux Radio - http://www.aeonflux.co.uk -Original Message- From: techno [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 06:55 To: 313@hyperreal.org Subject: Re: (313) 8-Mile - Detroit music history snip in response to your last paragraph a searchable database for the 313 list archives would be very helpful.
Re: (313) RUR -- http://www.perkowitz.net/rur/
Since we're on the Kraftwerk coverband topic... check this: http://go.to/dieroboter I've seen them live a few times... and they're very good imho. G Quoting Kent williams [EMAIL PROTECTED]: A friend of mine is now in a Kraftwerk cover band. It had to happen eventually -- and maybe it happened before? But they've been playing around Seattle and getting pretty good. http://www.perkowitz.net/rur/ They're using 2 live drummers, a laptop guy, and a keyboard player. Interesting. Their Man Machine in particular is very nice. They haven't worked up Tour De France yet ;-/
(313) SLICES #3
Morning all, Thanks to everyone who came to the above - especially 'regulars'! It was another full house and many remarked to me that not only did the musical standard not flag all evening - but that 'the vibe' was also fine - meaning we had a crowd of like-minded people for whom the music was at least as important as the socializing. Also some key UK techno bigwigs were in the house + 1 very promising American (who thanked me for playing 'Hard Life' - you are 100% welcome dude.) Thanx especially to our 'Very Special Guest Indeed' ... if you weren't there, you may never know who! ... Suffice to say that the license ran till 2am, but the last dancer didn't leave till 0245, which speaks for itself. ... A consumate performance using quality materials. *My* kind of house set#1. More special thanx to Jonny McIntosh for *my* kind of house set#2: jackin', deep, soulful, and classic in many places. If you claim to provide house music for more discerning ears, you need to book this man: [EMAIL PROTECTED] You've one more chance to party with us. The last Slice will be consumed 21.12.02. The culmination of our exploration of (some of) the roots of our music is the techno night. And that really will be it. Peace k
Re: (313) 8-Mile - Detroit music history
I probably should have been more specific, Cyclone -- I was referring to your apparently favorable comment -- some interesting points -- but it's really the comments you quoted from the other email I was disagreeing with. I'm a pretty strong defender of 313 because it has kept going for years and years while all the other lists I joined way back when ended up sinking into a foul pit of flames and idiocy. It was almost exactly ten years ago this month that the legendary go away Moby thread was starting up on ne-raves; a couple years later, ne-raves lost its really unique camaraderie and became a toxic swamp of screeching about how hardcore was by far the best form of music ever made, or something. dc-raves, socal-raves, nw-raves, mw-raves, even my beloved sfraves -- all were sunk by the tragedy of write-only loudmouths. Some managed to recover and continue in reasonable fashion, but the people I knew from those lists long since disappeared, like leaving a favorite corner pub because the bar fights went from occasional distraction to ongoing nuisance. Among the public *ave lists I joined way back when, the honorable survivors are 313 and uk-dance. As for doing a searchable index of the 313 archives, Hyperreal is a volunteer-run system and would welcome someone coming along to hook up a bit of this and a bit of that and do it. As we always say, it's an SMOP -- simple matter of programming. phred
(313) body and soul NYC
was there was a link posted recently about the last body and soul in NYC? or does someone know the body and soul url? thanx
RE: (313) body and soul NYC
http://www.bodyandsoul-nyc.com/ Is that the one your after? Dscaper Aeonflux Radio - http:/www.aeonflux.co.uk -Original Message- From: Rc [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 09:41 To: 313 Subject: (313) body and soul NYC was there was a link posted recently about the last body and soul in NYC? or does someone know the body and soul url? thanx
Re: (313) 8-Mile - Detroit music history
I probably should have been more specific, Cyclone -- I was referring to your apparently favorable comment -- some interesting points -- but it's really the comments you quoted from the other email I was disagreeing with. Nah, for me some interesting points usually means that I hadn't thought of it that way, and don't necessarily agree but it's something I'll think about. It's not favourable or unfavourable. ;) I actually think mailing lists are very influential. Mailing lists and web sites actually mean that many more people have an outlet to express views and post 'reviews'. Almost anyone can be a 'critic' or anyone can be a 'reviewer' and it gives people networks. I have thought that there is an elitism in some techno ranks (not necessarily 313) but I find that out on the streets and in the clubs as much as here and among a select group at that. Actually there are times when this list constitutes my social life - long hours on the computer, ya know - so I am a big defender.
RE: (313) Felix Da Housecat Vs Madonna
yeah that was me that asked about that.. thankx for the info - do you know if there rae any samples online ? [I had a scout around but couldnt find anything] cheers, Marc -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 03:03 To: 313 Detroit Subject: (313) Felix Da Housecat Vs Madonna Someone asked about the Felix Da Housecat remix of Madonna's Die Another Day. It's actually very good. It has an electro feel. It suits the song. I don't like a lot of her remixers these days (Groove Armada's Music was OK, Luke Slater's Power was cool) but this is a good one. -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
(313) RE: DJ Hell on SkyOne ...
After being bored out of my brain watching Judge Dredd on UK BBC1 last night , I flipped to sky for some comedy viewing of a 'clubbing/lifestyle' programme called 'Mix Of Nations' :/ Although this prog was in generak a load of bobbins, I was suprised when it took a turn and they interview DJ Hell about Intl gigolo Records and also had a waffle to Felix Da Housecat. Worth looking out for as it'll no doubt be repeated non-stop in the usual sky style... peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) 8-Mile - Detroit music history
Less than a year later, Warp brought out the compilation Artificial Intelligence 2, and Designers Republic incorporated postings from the idm list into their sleeve art. Sorry to be pedantic, but those postings were actually from the UK-Dance list, I believe... But I'm certainly not questioning the original point which was that 'IDM' became an established name for a genre as a result of the original Hyperreal IDM list... Cheers, Tom
RE: (313) SLICES #3
Good morning from me too. : ) You got in there first Ken, and I don't really have that much more to add. As Nicole and I were saying, there's so many really good events going down in London these days but the Slices nights stand out even amongst the best. Great music, wonderful atmosphere and lurvly peeps - mad props to Ken and Toby, and to everyone who was there for contributing to making this a truly good night out. 'twas good to see you all there, having fun! The night itself, Ken played some very nice tunes (so stop apologising m8!) and got us all warmed up nicely. It was a such shame that there wasn't yet enough room to dance at that time because the yellow t-shirts from Norwich were waiting for the last train home - and there was me hoping their coach would pick them up soon At least they got to hear some quality music before they left, innit. : ) The special guest (who played last) was good but the set I enjoyed the most was Jonny's. Fabulously sexy House and Disco that had me shakin' my butt almost non-stop, as all who were there can testify to - guys, remind me to bring a towel next time. I would like to tell you what was played but I'm just so not a trainspotter, sowwy... but I did hear and cheer to Donna Summer's I feel Love. W, that song always takes me way back... Oh yeah, he played Metro Area (3?), and I think an Ibadan record, was it JeKaJo flipside? OK, I give up... And I really don't know how I managed to stay on my feet because Friday night bore witness to Shawn Rudiman's European debut, and boyohboy that was some serious live pa!! 2hrs of beautiful Techno - melodic, soulful, funky... groovealicous!! And not enough that I just had to dance for almost the whole set, there was Matt Chester dropping some lush stuff on the dex before and after. Shout-out to http://www.11-hour.com ! Now I have to make my transition... to work. : ) Carrots, Anya PS: Slices#4, 21 Dec 2002, Public Life - be there!! PPS: You can blame Ken for this long post! ; ) PPPS: So who's going to Alton Miller tonight? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 8:41 AM To: [EMAIL PROTECTED] Org Subject: (313) SLICES #3 Morning all, Thanks to everyone who came to the above - especially 'regulars'! It was another full house and many remarked to me that not only did the musical standard not flag all evening - but that 'the vibe' was also fine - meaning we had a crowd of like-minded people for whom the music was at least as important as the socializing. [scha-nipp]
RE: (313) body and soul NYC
www.bodyandsoul-nyc.com W -Original Message- From: Rc [mailto:[EMAIL PROTECTED] Sent: maandag 18 november 2002 10:41 To: 313 Subject: (313) body and soul NYC was there was a link posted recently about the last body and soul in NYC? or does someone know the body and soul url? thanx
Re: (313) 8-Mile - Detroit music history
On Mon, Nov 18, 2002 at 10:12:28AM +, tom churchill wrote: Less than a year later, Warp brought out the compilation Artificial Intelligence 2, and Designers Republic incorporated postings from the idm list into their sleeve art. Sorry to be pedantic, but those postings were actually from the UK-Dance list, I believe... It's quite possible you're right, although I was on UK-Dance at about that time and I don't remember Jon Drukman being a part of the list. Then again, my assertion was based on an interminable discussion thread (has there ever been any other kind?) on idm itself when AI 2 came out. It's also possible we're both right -- given the way that the messages and headers have been blenderized, they could almost have been from anywhere. Man, Greg Eden. I haven't thought of him in years. But enough counter-pedantry. I agree with Fred. 313's stayed relevant and interesting when a lot of other techno-related mailing lists have fallen to pieces. If you do ever have the time to kill reading the archives, you'll probably find it eye-opening, as I did, to see how 313 has changed over the years, in large part to mirror the changes in Detroit and perceptions of what techno is and means. About the only constants have been a fondness for Derrick May and Maurizio and squabbles over the greatness of Jeff Mills and Richie Hawtin. F -- . . . the self-reflecting image of a narcotized mind . . . ozymandias G desiderata [EMAIL PROTECTED] desperate, deathless (415)823-6356 http://www.pushby.com/forrest/ ::AOAIOXXYSZ::
RE: (313) 8-Mile - Detroit music history
| -Original Message- | From: Forrest L Norvell [mailto:[EMAIL PROTECTED] | Sent: 18 November 2002 10:35 | | Sorry to be pedantic, but those postings were actually from the | UK-Dance list, I believe... | | It's quite possible you're right, although I was on UK-Dance at about | that time and I don't remember Jon Drukman being a part of the list. I was on both idm and UK-Dance, and am fairly sure that Warp used IDM posts because, as you mention, I definitely remember Jon Drukman being quoted on the AI 2 sleeve, and, as a San Franciscan, I doubt he'd have much reason to be subbed to uk-dance! I am definitely in agreement with those who are saying that 313 has stood the test of time, so to speak, than many of the other music lists that came into existence in the early 1990s. My relationship with 313 became basically monogamous by 1995, as the IDM list stagnated and the ambient list started to fade away, and even though I've been on and off of this list over the years, no other music lists really hold my interest all that much... Brendan
RE: (313) SLICES #3
Morning Ken Co Yep a great night, the special Guest certainly lived up to all expectations and Johnny played a really electric set. I had a really good nite I have to say, as I love just standing back and taking it all in :) It was nice too see and chat to my fellow 313ers and I hope too see you all again on the 21st Dec! Well done Slices lets hope we can break the time record next time :) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 08:41 To: [EMAIL PROTECTED] Org Subject: (313) SLICES #3 Morning all, Thanks to everyone who came to the above - especially 'regulars'! It was another full house and many remarked to me that not only did the musical standard not flag all evening - but that 'the vibe' was also fine - meaning we had a crowd of like-minded people for whom the music was at least as important as the socializing. Also some key UK techno bigwigs were in the house + 1 very promising American (who thanked me for playing 'Hard Life' - you are 100% welcome dude.) Thanx especially to our 'Very Special Guest Indeed' ... if you weren't there, you may never know who! ... Suffice to say that the license ran till 2am, but the last dancer didn't leave till 0245, which speaks for itself. ... A consumate performance using quality materials. *My* kind of house set#1. More special thanx to Jonny McIntosh for *my* kind of house set#2: jackin', deep, soulful, and classic in many places. If you claim to provide house music for more discerning ears, you need to book this man: [EMAIL PROTECTED] You've one more chance to party with us. The last Slice will be consumed 21.12.02. The culmination of our exploration of (some of) the roots of our music is the techno night. And that really will be it. Peace k --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02
RE: (313) SLICES #3
I'd also like to say how much I enjoyed Saturday night and how good it is to see UK-313ers turn the party out in such an assured and professional way! I personally enjoyed the music much more than at the first Slices - being more of a housey/techno-y person than a modern electro-y person, I guess that's just natural, but it's also down to the very high quality sets delivered on the night! I just wish I had arrived a little bit earlier and a little bit less drunk...! :) Brendan | -Original Message- | From: ian cheshire [mailto:[EMAIL PROTECTED] | Sent: 18 November 2002 10:37 | To: Odeluga, Ken; [EMAIL PROTECTED] Org | Subject: RE: (313) SLICES #3 | | | Morning Ken Co | | Yep a great night, the special Guest certainly lived up to | all expectations and Johnny played a really electric set. | | I had a really good nite I have to say, as I love just | standing back and | taking it all in :) | | It was nice too see and chat to my fellow 313ers and I hope | too see you all again on the 21st Dec! | | Well done Slices lets hope we can break the time record next time :) | | -Original Message- | From: Odeluga, Ken [mailto:[EMAIL PROTECTED] | Sent: 18 November 2002 08:41 | To: [EMAIL PROTECTED] Org | Subject: (313) SLICES #3 | | | Morning all, | | Thanks to everyone who came to the above - especially | 'regulars'! It was | another full house and many remarked to me that not only did | the musical | standard not flag all evening - but that 'the vibe' was also | fine - meaning | we had a crowd of like-minded people for whom the music was | at least as | important as the socializing. | | Also some key UK techno bigwigs were in the house + 1 very promising | American (who thanked me for playing 'Hard Life' - you are | 100% welcome | dude.) | | Thanx especially to our 'Very Special Guest Indeed' ... if you weren't | there, you may never know who! | | ... Suffice to say that the license ran till 2am, but the | last dancer didn't | leave till 0245, which speaks for itself. ... A consumate | performance using | quality materials. *My* kind of house set#1. | | More special thanx to Jonny McIntosh for *my* kind of house | set#2: jackin', | deep, soulful, and classic in many places. | | If you claim to provide house music for more discerning ears, | you need to | book this man: | | [EMAIL PROTECTED] | | You've one more chance to party with us. The last Slice will | be consumed | 21.12.02. The culmination of our exploration of (some of) the | roots of our | music is the techno night. | | And that really will be it. | | Peace | k | --- | Incoming mail is certified Virus Free. | Checked by AVG anti-virus system (http://www.grisoft.com). | Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 | | --- | Outgoing mail is certified Virus Free. | Checked by AVG anti-virus system (http://www.grisoft.com). | Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 | |
RE: (313) 8-Mile - Detroit music history
Fred I'm not here to troll, it comes down to a difference in opinion. I'm here because I have an interest in 313 music, I've been buying Detroit techno since 1989. And why do you think we are on this list? [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
Re: (313) ugly edits
#1 has been bootlegged and is apparently doing the rounds in the UK for 6.5UKP, so don't go paying silly prices. There have clearly been far more than the 500 copies of the original rumoured to have been pressed. I like the irony of the bootlegged bootleg, especially with all the rubbish rumours and inflated prices that have surrounded it. That's the sound of someone who fell for it, yes ;) Support your local bootleg bootlegger.
Re: (313) 8-Mile - Detroit music history
I was on both idm and UK-Dance, and am fairly sure that Warp used IDM posts... I wasn't on either list at the time (I joined both in 1995 I think), so I was going on the text here... http://www.uk-dance.org/help/history.html ...which says: Warp's Artificial Intelligence album pretentious noodling or good music? Either way, the discussion got ripped off by Warp for the cover of their AI2 compilation. Cheers, Tom
(313) music lists
Memo from Alex Bond of PricewaterhouseCoopers Start of message text While we're on the subject of talking about lists. Does anyone know how many people are subscribed to this list? Thanks, Alex - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) SLICES #3
Not much to add to this, but that I had a really great time. Any night I end up fully baked at 5am with my head between my speakers listening through West Ends and Preludes rates highly. Ken did an excellent job getting them going: even the Norwich City supporters seemed to be bobbing their heads (I can't understand why they were there - they were playing Palace but at home?). If I had one complaint it would be that you played Promised Land, reducing already slight choice of records by one. I was badly prepared as it turns out: I ended up playing every record in my bag and a b-side I've never even listened to before... doh. One trainspot I will do for you Anya was my favourite moment: Bas Noir's Addicted 2 Luv [Tony Humphries dub] - I don't care about anyone else but *I* was going off when I played that :) Shawn - I will remind you of that Sheila E offer ;) The special guest played some classics for me, too: The Word Is Love, Clay Acox's Keep On Dancing. Top stuff. My ears are still ringing, but that might be the West End/Prelude abuse when I got home. Brendan: my D Train favourite is Trying To Get Over. The highlight for me, though, was seeing everyone. I've said it before but London 313ers are some of the nicest, most down to earth people. BIG shout outs to you all: Dan, Brendan, Guy, Nicole, Anya, a not as drunken as usual Tristan, Ian and of course massive thanks to Ken, Toby and Emile. See you at the next one!
(313) [313] a realization.
hi folks. i have come to the realization that i am a far better music collector than a music maker. as a result of this epiphany, i am sadly parting with a roland mc303 groovebox. if anyone is interested you can check out my seller ID on ebay, eyesight4. i apologize for the crass commercialism. peace lrh
(313) London - post- Xmas with Jeff Mills
Wash down the Turkey and Booze with Jeff Mills - he's playing Fabric on Dec 28th.
RE: (313) Felix Da Housecat Vs Madonna
You could try this: http://www.decksshop.de/sound/house_kz/madonna_dieanotherday+2.MP3 and then there's soulseek of course ;-) Joost -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: maandag 18 november 2002 11:06 To: 'Cyclone Wehner'; 313 Detroit Subject: RE: (313) Felix Da Housecat Vs Madonna yeah that was me that asked about that.. thankx for the info - do you know if there rae any samples online ? [I had a scout around but couldnt find anything] cheers, Marc -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 03:03 To: 313 Detroit Subject: (313) Felix Da Housecat Vs Madonna Someone asked about the Felix Da Housecat remix of Madonna's Die Another Day. It's actually very good. It has an electro feel. It suits the song. I don't like a lot of her remixers these days (Groove Armada's Music was OK, Luke Slater's Power was cool) but this is a good one. -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) Felix Da Housecat Vs Madonna
What is this Soulseek people speak of? Will it help me in my attempts to preview records before going down the record shop? If so, please send me instructions off list. Fanks girlsnboys. there's soulseek of course ;-)
Re: (313) RUR -- http://www.perkowitz.net/rur/
No one Quite covers Kraftwerk Like Keith Tucker when performing as optic nerve or the Auxmen..period Anyone ever seen tucker perform Its more fun To compute , Man machine with a funked up mix of a barry white tune im gomma love you. Awesome. At 10:48 PM 11/17/2002 -0600, you wrote: A friend of mine is now in a Kraftwerk cover band. It had to happen eventually -- and maybe it happened before? But they've been playing around Seattle and getting pretty good. http://www.perkowitz.net/rur/ They're using 2 live drummers, a laptop guy, and a keyboard player. Interesting. Their Man Machine in particular is very nice. They haven't worked up Tour De France yet ;-/
(313) Soulseek (was: Felix Da Housecat Vs Madonna)
Jonny McIntosh wrote: What is this Soulseek people speak of? http://www.slsk.org/ -- Mike [EMAIL PROTECTED] http://www.cs.nott.ac.uk/~mhl/
Re: (313) Exhibit
This is good- Techno: Detroit's Gift to the World is the Detroit Historical Museum's first traveling exhibit in more than 15 years. Upon its closing in June 2004, the exhibit will tour educational institutions and museums around the world. I'm going to see if we can get it to come this-a-way before it heads off to Europe for 15 years. MEK sean deason [EMAIL PROTECTED]To: 313@hyperreal.org t.net cc: Subject: (313) Exhibit 11/17/02 02:47 PM did this get posted already? LINK http://www.detroithistorical.org/exhibits/index.asp?MID=368 Techno: Detroit's Gift to the World January 2003 - June 2004 Detroit Historical Museum's Stark Hall History is often thought of as a series of events that occurred a very long time ago. The truth is, history is also what happened yesterday, five minutes ago, and in fact, today's events will be tomorrow's history. With this in mind the Detroit Historical Museum has partnered with the originators of Techno to share the story of their music. This groundbreaking exhibit will trace Techno's early beginning from its Detroit roots to its emergence as a global sensation. An ambitious new exhibit - the world's first on the subject -- that celebrates a style of music born in Detroit that has kept the world dancing for more than 20 years. Learn the straight story of how Juan Atkins, Eddie Fowlkes, Derrick May and Kevin Saunderson, four young men from metro Detroit, created and developed this electronic style of dance music and trace its early beginnings from local Detroit clubs to its emergence as a global sensation.
RE: (313) Exhibit
Let's hope Tate Modern pick up on it. Something like this in there would be something special. Dscaper -- Aeonflux Radio - http://www.aeonflux.co.uk A man who know's what he knows, and knows what he doesn't know, is the sign of a man who knows. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 14:46 To: sean deason Cc: 313@hyperreal.org Subject: Re: (313) Exhibit This is good- Techno: Detroit's Gift to the World is the Detroit Historical Museum's first traveling exhibit in more than 15 years. Upon its closing in June 2004, the exhibit will tour educational institutions and museums around the world. I'm going to see if we can get it to come this-a-way before it heads off to Europe for 15 years. MEK sean deason [EMAIL PROTECTED]To: 313@hyperreal.org t.net cc: Subject: (313) Exhibit 11/17/02 02:47 PM did this get posted already? LINK http://www.detroithistorical.org/exhibits/index.asp?MID=368 Techno: Detroit's Gift to the World January 2003 - June 2004 Detroit Historical Museum's Stark Hall History is often thought of as a series of events that occurred a very long time ago. The truth is, history is also what happened yesterday, five minutes ago, and in fact, today's events will be tomorrow's history. With this in mind the Detroit Historical Museum has partnered with the originators of Techno to share the story of their music. This groundbreaking exhibit will trace Techno's early beginning from its Detroit roots to its emergence as a global sensation. An ambitious new exhibit - the world's first on the subject -- that celebrates a style of music born in Detroit that has kept the world dancing for more than 20 years. Learn the straight story of how Juan Atkins, Eddie Fowlkes, Derrick May and Kevin Saunderson, four young men from metro Detroit, created and developed this electronic style of dance music and trace its early beginnings from local Detroit clubs to its emergence as a global sensation.
RE: (313) Felix Da Housecat Vs Madonna
No idea. I never listen to things online! Someone else will know. Inbox Message From: Langsman, Marc [EMAIL PROTECTED] Subject: RE: (313) Felix Da Housecat Vs Madonna Date: 18/11/2002 21:05:36 To: 'Cyclone Wehner' [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org yeah that was me that asked about that.. thankx for the info - do you know if there rae any samples online ? [I had a scout around but couldnt find anything] cheers, Marc
Re: (313) 8-Mile - Detroit music history
As for doing a searchable index of the 313 archives, Hyperreal is a volunteer-run system and would welcome someone coming along to hook up a bit of this and a bit of that and do it. As we always say, it's an SMOP -- simple matter of programming. If anyone has an idea as to how to do this without having all the messages from the last 8 years exist as standard Web pages that can be tracked by search engines, let me know. Used to be that browsers could open up the GZIPs and read them right in the browser window, right? -d
Re: (313) RUR -- http://www.perkowitz.net/rur/
I was at DEMF for the Auxmen and really enjoyed it. My friend Mike's band is cool too; certainly room for a lot of Kraftwerk covers. I like the string quartet versions by the Balanescu Quartet: http://www.amazon.com/exec/obidos/ASIN/B03Z5X/qid=1037633738/sr=2-1/ref=sr_2_1/102-7135578-1545701 Terre Thaemlitz also released a solo piano CD of Kraftwerk covers: http://www.amazon.com/exec/obidos/tg/detail/-/B082PR/ref=m_art_li_4//102-7135578-1545701?v=glances=music Kraftwerk writes really good music that is open to any number of interpretations. While it's possible to ruin it if you try, any decent musician who doesn't get in the way with his or her interpretation should be able to play an engaging version of Kraftwerk's songs. And lest we forget, Neil Young fell under the KW spell too: http://www.amazon.com/exec/obidos/tg/detail/-/B05RVK/qid=1037634267/sr=1-44/ref=sr_1_44/102-7135578-1545701?v=glances=music On Mon, 18 Nov 2002, PuzzleBox wrote: No one Quite covers Kraftwerk Like Keith Tucker when performing as optic nerve or the Auxmen..period Anyone ever seen tucker perform Its more fun To compute , Man machine with a funked up mix of a barry white tune im gomma love you. Awesome. At 10:48 PM 11/17/2002 -0600, you wrote: A friend of mine is now in a Kraftwerk cover band. It had to happen eventually -- and maybe it happened before? But they've been playing around Seattle and getting pretty good. http://www.perkowitz.net/rur/
(313) No Subject
Emimem states nobody listens to techno, I found it very amusing. And I agree. Nobody does, but everybody does. In modern music, everything is techno. It's all made on machines with machines. Techno records sell, but only after you can't find them and not in those amounts. I had to learn that just because some people have just discovered this music, you(I) can't get mad at their inexperience, but you point them in the correct direction. For the guy who wants a comprehensive music history on Detroit musics. Start with some John Lee Hooker and find out about Hastings street. Pick up the book Before Motown to find out about Detroits jazz history before motown. Anything about Motown. Before it became the job of profressional amateur experts to classify, name, and seperate everything to justify listening to anything, it was just dance (listening) music. All of it. FM 98 had a mix show with a Barry Michealton Grant I think. The Wizard started at WDRQ 93 FM, before he moved to 98. Mojo played his mixes on his radio show on WGPR 107.5. And this scene was not a techno scene until after 1990. As well as Duane Bradley doing his afternoon mixes on 98. Claude Young had his mix show on WHYT 96. So by the time the mix shows had came about on 89X, they had already been running on the Black(Urban) outlets for years. I will admit my bias towards Detroit techno, as opposed to techno. There was, and is a difference. Just rambling. Shake.
RE: (313) No Subject
NICE! Shake gets on 313 and serves it up!!! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 10:53 AM To: 313@hyperreal.org Subject: (313) No Subject Emimem states nobody listens to techno, I found it very amusing. And I agree. Nobody does, but everybody does. In modern music, everything is techno. It's all made on machines with machines. Techno records sell, but only after you can't find them and not in those amounts. I had to learn that just because some people have just discovered this music, you(I) can't get mad at their inexperience, but you point them in the correct direction. For the guy who wants a comprehensive music history on Detroit musics. Start with some John Lee Hooker and find out about Hastings street. Pick up the book Before Motown to find out about Detroits jazz history before motown. Anything about Motown. Before it became the job of profressional amateur experts to classify, name, and seperate everything to justify listening to anything, it was just dance (listening) music. All of it. FM 98 had a mix show with a Barry Michealton Grant I think. The Wizard started at WDRQ 93 FM, before he moved to 98. Mojo played his mixes on his radio show on WGPR 107.5. And this scene was not a techno scene until after 1990. As well as Duane Bradley doing his afternoon mixes on 98. Claude Young had his mix show on WHYT 96. So by the time the mix shows had came about on 89X, they had already been running on the Black(Urban) outlets for years. I will admit my bias towards Detroit techno, as opposed to techno. There was, and is a difference. Just rambling. Shake.
RE: (313) SLICES #3
You said it, Anya. I don't think there's anymore I can add but to thank Toby and Ken for having such a great idea for a series of parties. It was great to see so many people shaking their stuff, to hear such quality music and to have the opportunity to get down to it in such relaxing and inimate surroundings and to see so many 313ers turning up to support - good work fellas and roll on Slices 4! -Original Message- From: Stang Anya [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 10:27 AM To: Odeluga, Ken; [EMAIL PROTECTED] Org Subject: RE: (313) SLICES #3 Good morning from me too. : ) You got in there first Ken, and I don't really have that much more to add. As Nicole and I were saying, there's so many really good events going down in London these days but the Slices nights stand out even amongst the best. Great music, wonderful atmosphere and lurvly peeps - mad props to Ken and Toby, and to everyone who was there for contributing to making this a truly good night out. 'twas good to see you all there, having fun! The night itself, Ken played some very nice tunes (so stop apologising m8!) and got us all warmed up nicely. It was a such shame that there wasn't yet enough room to dance at that time because the yellow t-shirts from Norwich were waiting for the last train home - and there was me hoping their coach would pick them up soon At least they got to hear some quality music before they left, innit. : ) The special guest (who played last) was good but the set I enjoyed the most was Jonny's. Fabulously sexy House and Disco that had me shakin' my butt almost non-stop, as all who were there can testify to - guys, remind me to bring a towel next time. I would like to tell you what was played but I'm just so not a trainspotter, sowwy... but I did hear and cheer to Donna Summer's I feel Love. W, that song always takes me way back... Oh yeah, he played Metro Area (3?), and I think an Ibadan record, was it JeKaJo flipside? OK, I give up... And I really don't know how I managed to stay on my feet because Friday night bore witness to Shawn Rudiman's European debut, and boyohboy that was some serious live pa!! 2hrs of beautiful Techno - melodic, soulful, funky... groovealicous!! And not enough that I just had to dance for almost the whole set, there was Matt Chester dropping some lush stuff on the dex before and after. Shout-out to http://www.11-hour.com ! Now I have to make my transition... to work. : ) Carrots, Anya PS: Slices#4, 21 Dec 2002, Public Life - be there!! PPS: You can blame Ken for this long post! ; ) PPPS: So who's going to Alton Miller tonight? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 8:41 AM To: [EMAIL PROTECTED] Org Subject: (313) SLICES #3 Morning all, Thanks to everyone who came to the above - especially 'regulars'! It was another full house and many remarked to me that not only did the musical standard not flag all evening - but that 'the vibe' was also fine - meaning we had a crowd of like-minded people for whom the music was at least as important as the socializing. [scha-nipp] Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
(313) OT but good for a giggle
On the advice of Mr. Shakir I was looking on Amazon for Before Motown and then followed some links to other books when I came across this heading for other recommendation in other categories: Customers who wear clothes also shop for: :D
Re: (313) OT but good for a giggle
http://www.amazon.com/exec/obidos/tg/detail/-/0380793792/ref=pd_sim_books_2/102-3654662-3460125?v=glances=books Better still is the first link (clean underwear) under this category -- Customers who wear clothes also shop for: Clean Underwear from Amazon's Gap Store Cashmere Sweaters from Amazon's Lands' End Store Tommy Bahama Shirts from Amazon's Nordstrom Store Performance Fleece from Amazon's Old Navy Store
Re: (313) SLICES #3
This man is a one man party - If there's a great do on in London you can guarantee Mr Taylor is at the front dancing all night! Well done old chap! Massive thanks to all those on 313'ers who came down (you know who you are) and especially to Mr McIntosh for another lovely set - look forward to hearing much much more in the future Jonny! Our last one will include a couple of 313 listmembers as well, including a live set - more info to follow nearer the time. - Original Message - From: Robert Taylor [EMAIL PROTECTED] To: 'Stang Anya' [EMAIL PROTECTED]; Odeluga, Ken [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Monday, November 18, 2002 4:19 PM Subject: RE: (313) SLICES #3 You said it, Anya. I don't think there's anymore I can add but to thank Toby and Ken for having such a great idea for a series of parties. It was great to see so many people shaking their stuff, to hear such quality music and to have the opportunity to get down to it in such relaxing and inimate surroundings and to see so many 313ers turning up to support - good work fellas and roll on Slices 4! -Original Message- From: Stang Anya [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 10:27 AM To: Odeluga, Ken; [EMAIL PROTECTED] Org Subject: RE: (313) SLICES #3 Good morning from me too. : ) You got in there first Ken, and I don't really have that much more to add. As Nicole and I were saying, there's so many really good events going down in London these days but the Slices nights stand out even amongst the best. Great music, wonderful atmosphere and lurvly peeps - mad props to Ken and Toby, and to everyone who was there for contributing to making this a truly good night out. 'twas good to see you all there, having fun! The night itself, Ken played some very nice tunes (so stop apologising m8!) and got us all warmed up nicely. It was a such shame that there wasn't yet enough room to dance at that time because the yellow t-shirts from Norwich were waiting for the last train home - and there was me hoping their coach would pick them up soon At least they got to hear some quality music before they left, innit. : ) The special guest (who played last) was good but the set I enjoyed the most was Jonny's. Fabulously sexy House and Disco that had me shakin' my butt almost non-stop, as all who were there can testify to - guys, remind me to bring a towel next time. I would like to tell you what was played but I'm just so not a trainspotter, sowwy... but I did hear and cheer to Donna Summer's I feel Love. W, that song always takes me way back... Oh yeah, he played Metro Area (3?), and I think an Ibadan record, was it JeKaJo flipside? OK, I give up... And I really don't know how I managed to stay on my feet because Friday night bore witness to Shawn Rudiman's European debut, and boyohboy that was some serious live pa!! 2hrs of beautiful Techno - melodic, soulful, funky... groovealicous!! And not enough that I just had to dance for almost the whole set, there was Matt Chester dropping some lush stuff on the dex before and after. Shout-out to http://www.11-hour.com ! Now I have to make my transition... to work. : ) Carrots, Anya PS: Slices#4, 21 Dec 2002, Public Life - be there!! PPS: You can blame Ken for this long post! ; ) PPPS: So who's going to Alton Miller tonight? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 8:41 AM To: [EMAIL PROTECTED] Org Subject: (313) SLICES #3 Morning all, Thanks to everyone who came to the above - especially 'regulars'! It was another full house and many remarked to me that not only did the musical standard not flag all evening - but that 'the vibe' was also fine - meaning we had a crowd of like-minded people for whom the music was at least as important as the socializing. [scha-nipp] Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) OT but good for a giggle
Are you trippin m8? J/k are you signed-in, I guess it's got more to do with your customer profile do you think maybe? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 16:28 To: 313@hyperreal.org Subject: Re: (313) OT but good for a giggle http://www.amazon.com/exec/obidos/tg/detail/-/0380793792/ref=pd_sim_books_2/ 102-3654662-3460125?v=glances=books Better still is the first link (clean underwear) under this category -- Customers who wear clothes also shop for: Clean Underwear from Amazon's Gap Store Cashmere Sweaters from Amazon's Lands' End Store Tommy Bahama Shirts from Amazon's Nordstrom Store Performance Fleece from Amazon's Old Navy Store
Re: (313) body and soul NYC
Does anyone know if this is expected to kick off again any time soon? I have a friend in NYC that could use an excuse to move his feet. Is Ron Trent still residing somewhere if not? Feel free to hit me back offlist. Thanks, Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com - Original Message - From: Wibo Lammerts [EMAIL PROTECTED] To: 'Rc' [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Monday, November 18, 2002 9:35 AM Subject: RE: (313) body and soul NYC www.bodyandsoul-nyc.com W -Original Message- From: Rc [mailto:[EMAIL PROTECTED] Sent: maandag 18 november 2002 10:41 To: 313 Subject: (313) body and soul NYC was there was a link posted recently about the last body and soul in NYC? or does someone know the body and soul url? thanx
(313) please
:: is the Metro Area APT party in NYC a monthly event? If so, what is the schedule etc? ben
RE: (313) please
it happens once a month, you just missed the one last week so you'll have to wait till next week. pick up flyer. -Original Message- From: Data General [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 12:10 PM To: 313@hyperreal.org Subject: (313) please :: is the Metro Area APT party in NYC a monthly event? If so, what is the schedule etc? ben
RE: (313) please
meant next month ;) -Original Message- From: Grammenos, Peter Sent: Monday, November 18, 2002 12:11 PM To: 'Data General'; 313@hyperreal.org Subject: RE: (313) please it happens once a month, you just missed the one last week so you'll have to wait till next week. pick up flyer. -Original Message- From: Data General [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 12:10 PM To: 313@hyperreal.org Subject: (313) please :: is the Metro Area APT party in NYC a monthly event? If so, what is the schedule etc? ben
Re: (313) body and soul NYC
Body Soul has no present plans to relaunch any time soon. Ron Trent no longer has a residency in New York. Have your friend go check out Timmy Regisford at Shelter. pw In a message dated 11/18/02 12:07:00 PM, [EMAIL PROTECTED] writes: Does anyone know if this is expected to kick off again any time soon? I have a friend in NYC that could use an excuse to move his feet. Is Ron Trent still residing somewhere if not? Feel free to hit me back offlist. Thanks, Tristan
Re: (313) SLICES #3
- Original Message - From: Jonny McIntosh [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, November 18, 2002 11:42 AM Subject: Re: (313) SLICES #3 Ken did an excellent job getting them going: even the Norwich City supporters seemed to be bobbing their heads (I can't understand why they were there - they were playing Palace but at home?). Theory: coming back through Liverpool Street? If geography precludes this possibility, please ignore the stupid American. For those who are interested in this cryptic story, there were a confused bunch of, erm, out-of-place drunken football fans that took over a corner of Public Life (a very small club that was once a public restroom)! It really isn't that the London [313] massive speaks a different language, they just talk about things you could only know about if you were there. :) If I had one complaint it would be that you played Promised Land, reducing already slight choice of records by one. My complaint would be that he apologized too damn much for it. :) I only caught the last 30 minutes, but it sounded good to me! Favorite moment of the evening was watching Shawn Rudiman lose his sh*t when Jonny played Seila E. :) I enjoyed the music all night, but it was particularly special seeing Jonny translate his encyclopedic house-love into a flawless 2-hour workout. For someone who spends all his money on records, he sure does play a lot of old tracks. :P Oh, and the special guest dropping Blackwater to close out the evening was really appropriate! Too many great moments to try and single out more than these two though. The highlight for me, though, was seeing everyone. I've said it before but London 313ers are some of the nicest, most down to earth people. Word. Bring on #4! Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
RE: (313) body and soul NYC
What happened to the Giant Step party? Who is the resident now? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 12:19 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) body and soul NYC Body Soul has no present plans to relaunch any time soon. Ron Trent no longer has a residency in New York. Have your friend go check out Timmy Regisford at Shelter. pw In a message dated 11/18/02 12:07:00 PM, [EMAIL PROTECTED] writes: Does anyone know if this is expected to kick off again any time soon? I have a friend in NYC that could use an excuse to move his feet. Is Ron Trent still residing somewhere if not? Feel free to hit me back offlist. Thanks, Tristan
Re: (313) Felix Da Housecat Vs Madonna
Has you heard the Fischerspooner remix of Kylie's latest? Not sure what to make of that one... You mean of the song Come Into My World? When i first heard it i didnt even notice it was a remix, cause thats how pop sounds nowadays.. But after a few listens its actually nice (for a pop song! ;), especially that last buildup..
(313) A worthwhile event
A yearly event here in Detroit that is well worth the cover price! Good music for a great cause. ID Please make plans to attend House for the Homeless 3, a benefit for the Capuchin Soup Kitchen in Detroit on Friday, November 22. Local House DJ's and performers have generously donated their time to raise money for this worthy cause just in time for Thanksgiving. Date: Friday, November 22 (9pm-2am) Location: 3515 Caniff (space generously donated by Dan Sordyl) Admission: $10 donation at the door (proceeds to the Capuchin Soup Kitchen), 18+ welcome Performances from (in 2 rooms): Sound Circle Collective Dwayne Jensen: Fathom Recordings, Beatdownsounds.com Delano Smith: Beatdownsounds.com DJ Genesis: Beatdownsounds.com John Arnold: Ubiquity, Transmat Mazz: Citypeoplemusic Josh Crilley feat. Malik Alston: Truth Manifest John Stoll: Color Collective Mathew Boynton: Detroit Bachelor DJ's, Incognito Detroit Patrick Aaron aka Egghead: Crackly Records Fashions by Michele Swanson Hors D'oeuvres prepared by Camillian Cafe in Greektown 3515 Caniff, Hamtramck Doors open at 9. 18 and over welcome. Admission $10 at the door only. Cash bar. Additional canned food donations will be accepted (cover still applies) Thanks to our sponsors: Record Time, Camillian Cafe, Real Detroit Weekly, Motor Productions, Highway Press, and the Patricola Agency Contact information: Vince Patricola: Cell (248) 417-6089, email: [EMAIL PROTECTED]
RE: (313) 8-Mile - Detroit music history
Ouch... that one's gotta hurt. ;) Dscaper -- Aeonflux Radio - http://www.aeonflux.co.uk A man who know's what he knows, and knows what he doesn't know, is the sign of a man who knows. (P.S. Puchaser of both Detroit and global techno... first rule of music is never to close your ears because of boundaries.) -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 11:01 To: 313@hyperreal.org Subject: RE: (313) 8-Mile - Detroit music history Fred I'm not here to troll, it comes down to a difference in opinion. I'm here because I have an interest in 313 music, I've been buying Detroit techno since 1989. And why do you think we are on this list? [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
(313) december charity event
can whoever was organizing this post here or contact me? I know I offered to play, but I would like to know if Im playing and when so that I can get a view of how december is looking. plus, Im more interested in working that out than other events because people that really need it would benefit. -Joes jinjin_a_gogo: i dont speak your urban lingo, holmes
RE: (313) 8-Mile - Detroit music history
If you (I say figuratively) parse each message in a db (MySQL will suffice), then it's a case of working out the relationships between threads (reply to's, timestamps, etc). It's possible that's for sure. If anyone out there has got a breakdown of mail protocol, and standards used by the mail manager, then I can help throw some code together. Dscaper -- Aeonflux Radio - http://www.aeonflux.co.uk A man who know's what he knows, and knows what he doesn't know, is the sign of a man who knows. -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: 18 November 2002 15:39 To: Fred Heutte Cc: 313@hyperreal.org Subject: Re: (313) 8-Mile - Detroit music history As for doing a searchable index of the 313 archives, Hyperreal is a volunteer-run system and would welcome someone coming along to hook up a bit of this and a bit of that and do it. As we always say, it's an SMOP -- simple matter of programming. If anyone has an idea as to how to do this without having all the messages from the last 8 years exist as standard Web pages that can be tracked by search engines, let me know. Used to be that browsers could open up the GZIPs and read them right in the browser window, right? -d
Re: (313) body and soul NYC
I heard from two very reliable sources that it's being worked out. It better be, I have never been! Inbox Message From: Tristan Watkins [EMAIL PROTECTED] Subject: Re: (313) body and soul NYC Date: 19/11/2002 4:06:10 To: Wibo Lammerts [EMAIL PROTECTED], 'Rc' [EMAIL PROTECTED], 313 313@hyperreal.org Does anyone know if this is expected to kick off again any time soon? I have a friend in NYC that could use an excuse to move his feet. Is Ron Trent still residing somewhere if not? Feel free to hit me back offlist. Thanks, Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com - Original Message - From: Wibo Lammerts [EMAIL PROTECTED] To: 'Rc' [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Monday, November 18, 2002 9:35 AM Subject: RE: (313) body and soul NYC
RE: (313) 8-Mile - Detroit music history
It's quite possible that Jon Drukman was subbed to uk-dance a decade ago -- I was, and a lot of us west coasters joined ne-raves and dc-raves and so on for the same reason, there were a few hundred of us online worldwide and it was exciting to hook up to a truly global and co-evolving music and technology scene. It was a different world -- most of the online action was on the now- forgotten world of BBSes, AOL had less than half a million subscribers, and you could read all postings in a dozen Usenet newsgroups every day and not fall behind. It was kind of nice, actually, even at 2400 bps. Anyway, nowadays we get more spam than real email, and Jon Drukman is still making great music, now with his live electro-pop version of Bass Kittens. Fred
(313) Sir Roland Hanna
I didn't know if this had been posted to the list, thought some might find it of interest. /dave November 15, 2002 Roland Hanna, Jazz Pianist and Composer, Dies at 70 By PETER KEEPNEWS Roland Hanna, a versatile jazz pianist whose deft touch, lush harmonies and encyclopedic knowledge enabled him to fit comfortably in a wide range of musical contexts, died on Wednesday in Hackensack, N.J. He was 70 and lived in Liberty, N.Y. The cause was a viral infection of the heart, his family said. Mr. Hanna was, as John S. Wilson of The New York Times said in 1985, an impeccably polished performer who was as much at home in turn-of-the-century ragtime as he is in the works of John Coltrane. Nor were his influences limited to jazz: his harmonically complex improvisations were also informed by his extensive classical training. Classical music has always been a driving force for me, he told Zan Stewart of The Los Angeles Times in 1988, but jazz is my natural music. Ultimately, Mr. Hanna said, his goal was the obliteration of musical boundaries. For the average person, music is separated into categories, but not for me, he said in the same interview. To me, music is food, and I don't have to say `These are apples and these are pears.' I can say `This is music and it tastes good.' Mr. Hanna's open-minded approach led to work with bandleaders ranging in approach from the traditional swing of Benny Goodman to the freewheeling modernism of Charles Mingus. His grasp of jazz history led to work in the late 1980's and early 90's with the Lincoln Center Jazz Orchestra and the Smithsonian Jazz Masterworks Orchestra, the leading exponents of the jazz repertory movement, and to a tour as a solo pianist with the Smithsonian Institution's traveling Duke Ellington exhibition in 1999. In his later years he focused on composing chamber and orchestral works, including some pieces he performed with a chamber trio in which he played cello. In 1993 he was the guest piano soloist when the Detroit Symphony performed his composition Oasis. That concert was, among other things, a triumphant homecoming. Roland Pembroke Hanna was born in Detroit on Feb. 10, 1932, and was considered one of the leading exponents, along with Tommy Flanagan, Hank Jones and Barry Harris, of the so-called Detroit school of jazz piano, a style that combined the dexterity and harmonic sophistication of bebop with the understated elegance of an earlier era. Mr. Hanna left Detroit in 1955, when he moved to New York to enroll at the Juilliard School. (He had briefly studied at the Eastman School of Music two years earlier, but left because he felt his interest in jazz was being stifled.) He had begun studying piano at age 11 and was introduced to jazz in high school by Flanagan. He sort of made it seem like I could do it too, so I jumped in, Mr. Hanna said. Mr. Hanna once named Mr. Flanagan, who died last year, as one of his three greatest pianistic influences, along with Art Tatum and Artur Rubinstein. It took Mr. Hanna some time to graduate from Juilliard because he kept taking sabbaticals to work #8212; with Goodman, Mingus, Coleman Hawkins and others #8212; but he finally received his degree in 1960. From 1963 through 1966 he frequently led a trio at the Five Spot in New York, and he worked steadily in the 1960's and 70's with the Thad Jones-Mel Lewis Jazz Orchestra, which he joined in 1966, and with the New York Jazz Quartet, featuring the saxophonist and flutist Frank Wess, which Mr. Hanna formed in 1974. His main income, however, came from teaching. He taught at Eastman, the Manhattan School of Music, the New School and Queens College. He also continued playing in jazz clubs and at festivals, and was especially popular in Japan, where he became ill about three weeks ago. Mr. Hanna is survived by his wife of 48 years, the former Ramona Woodard; two sons, Michael and Christopher; two daughters, Cheryl and Cheri; six grandchildren; two sisters, Winifred Wells and Ethel Brown; and three brothers, Leonard, Elisha and Lagorce. For the last three decades Mr. Hanna insisted on being billed as Sir Roland Hanna. As he explained, the Sir was not an affectation or a casually bestowed title like Duke or Count. He was knighted by the government of Liberia in 1970, in recognition of benefit concerts he had given there.
(313) Paging Perspects
Paging Ian Clark (Perspects). Email outdated. Hit back privately. /Tobias
Re: (313) SLICES #3
just grabbing on to the tail end of this to say what a great night this was! props to ken, emile and toby for making it happen and to all the djs who played sh*t hot music! just a reminder too that johnny is playing in ghent (next week i think?), and you really don't wanna miss it if you live nearby; his sets are amazing! cheers all, nicole -Original Message- From: Brendan Nelson [EMAIL PROTECTED] To: ian cheshire [EMAIL PROTECTED]; Odeluga, Ken [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Date: 18 November 2002 10:51 Subject: RE: (313) SLICES #3 I'd also like to say how much I enjoyed Saturday night and how good it is to see UK-313ers turn the party out in such an assured and professional way! I personally enjoyed the music much more than at the first Slices - being more of a housey/techno-y person than a modern electro-y person, I guess that's just natural, but it's also down to the very high quality sets delivered on the night! I just wish I had arrived a little bit earlier and a little bit less drunk...! :) Brendan | -Original Message- | From: ian cheshire [mailto:[EMAIL PROTECTED] | Sent: 18 November 2002 10:37 | To: Odeluga, Ken; [EMAIL PROTECTED] Org | Subject: RE: (313) SLICES #3 | | | Morning Ken Co | | Yep a great night, the special Guest certainly lived up to | all expectations and Johnny played a really electric set. | | I had a really good nite I have to say, as I love just | standing back and | taking it all in :) | | It was nice too see and chat to my fellow 313ers and I hope | too see you all again on the 21st Dec! | | Well done Slices lets hope we can break the time record next time :) | | -Original Message- | From: Odeluga, Ken [mailto:[EMAIL PROTECTED] | Sent: 18 November 2002 08:41 | To: [EMAIL PROTECTED] Org | Subject: (313) SLICES #3 | | | Morning all, | | Thanks to everyone who came to the above - especially | 'regulars'! It was | another full house and many remarked to me that not only did | the musical | standard not flag all evening - but that 'the vibe' was also | fine - meaning | we had a crowd of like-minded people for whom the music was | at least as | important as the socializing. | | Also some key UK techno bigwigs were in the house + 1 very promising | American (who thanked me for playing 'Hard Life' - you are | 100% welcome | dude.) | | Thanx especially to our 'Very Special Guest Indeed' ... if you weren't | there, you may never know who! | | ... Suffice to say that the license ran till 2am, but the | last dancer didn't | leave till 0245, which speaks for itself. ... A consumate | performance using | quality materials. *My* kind of house set#1. | | More special thanx to Jonny McIntosh for *my* kind of house | set#2: jackin', | deep, soulful, and classic in many places. | | If you claim to provide house music for more discerning ears, | you need to | book this man: | | [EMAIL PROTECTED] | | You've one more chance to party with us. The last Slice will | be consumed | 21.12.02. The culmination of our exploration of (some of) the | roots of our | music is the techno night. | | And that really will be it. | | Peace | k | --- | Incoming mail is certified Virus Free. | Checked by AVG anti-virus system (http://www.grisoft.com). | Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 | | --- | Outgoing mail is certified Virus Free. | Checked by AVG anti-virus system (http://www.grisoft.com). | Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 | |
(313) The Detroit Experiment
Has this been mentioned on the list already? Sure looks good to me... I found the Philadelphia Experiment album a bit samey, but they've widened the scope for this one and it looks pretty dope. I'm definitely feeling the C2-produced jazz tracks Space Odyssey' and Midnight At The Twenty Grand. By the way, I found this on a website called Renaissance Soul, which is new to me but looks pretty interesting for all of y'all who have been talking about Detroit hip-hop lately - www.rensoul.com And finally, while searching for more info on Ropeadope's site I stumbled across this: A Tale Of Two Cities: King Britt and Carl Craig will spin at SHINE in New York City on Wednesday, Nov 20. Together, they are the unbeatable one-two punch of electronic music. If you live in NYC, be there or be salty. More info at http://www.giantstep.net/shows/viewshow.asp?showid=291 Andy --- The Detroit Experiment produced by Carl Craig, Karriem Riggins Aaron Levinson Ropeadope Records The Way Me Make Music 12 single - December 2002 Album - February 2002 Following the success of the critically acclaimed Philadelphia Experiment, Ropeadope's newest music lab is the city of Detroit. With a core band that includes the founding fathers (and mothers) from the Motor City including jazz legends Marcus Belgrave, Regina Carter, Gerri Allen, Bennie Maupin, and more, the roots of the Detroit sound were brought back to the future by DJ/Producer Carl Craig, and UMA member Karriem Riggins (Slum Village) who recorded the band over a period of five days at the legendary White Room Studio in downtown Detroit. The results are spellbinding, mind-blowing and a true testament to the past, present, and future of the music of Detroit. The full-length will be released by Ropeadope in February 2003. Until then, we present to you a little taste: The Karriem Riggins (Slum Village) produced The Way We Make Music featuring Michigan's own MC Invincible with some help from the Athletic Mic League. Not neglecting Detroit's contribution to the world of Funk, the Detroit Experiment covers Church which the funk-rock-fusion track that will please the most discerning of funk fans. The B-side features the talents of Carl Craig reinterpreting the Marcus Belgrave jazz fun classic titled Space Odyssey with some help from Marcus himself. The experiment also captured the essence of real Detroit jazz which can be felt by the flute driven Midnight at the Twenty Grand. The final track on the B-side is Space Break which takes a small section of the drum break from Space Odyssey and leaves it open for producers and DJ's to sample. Look for the full-length debut of the Detroit Experiment in February 2003 and watch for the national tour coming to a city near you. The track listing for the single is as followed: Side A: 1. The Way We Make Music - Full Version [http://www.rensoul.com/audio/detroitexperiment_theway.ram] 2. The Way We Make Music - Instrumental 3. Church [http://www.rensoul.com/audio/detroitexperiment_church.ram] Side B: 1. Space Odyssey [http://www.rensoul.com/audio/detroitexperiment_spaceodyssey.ram] 2. Midnight at the Twenty Grand [http://www.rensoul.com/audio/detroitexperiment_midnight.ram] 3. Space Break
Re: (313) RUR -- http://www.perkowitz.net/rur/
PuzzleBox said: No one Quite covers Kraftwerk Like Keith Tucker when performing as optic nerve or the Auxmen..period Anyone ever seen tucker perform Its more fun To compute , Man machine with a funked up mix of a barry white tune im gomma love you. Awesome. Southern Outpost did a pretty darn good cover of Kraftwerk at their first/last live show in August. I think they did Computer Love?? PATRICK!! ;-)
Re: (313) OT but good for a giggle
Is there a dirty underwear category by any chance? Boom-tish! http://www.amazon.com/exec/obidos/tg/detail/-/0380793792/ref=pd_sim_books_2/102-3654662-3460125?v=glances=books Better still is the first link (clean underwear) under this category -- Customers who wear clothes also shop for: Clean Underwear from Amazon's Gap Store Cashmere Sweaters from Amazon's Lands' End Store Tommy Bahama Shirts from Amazon's Nordstrom Store Performance Fleece from Amazon's Old Navy Store
RE: (313) RUR -- http://www.perkowitz.net/rur/
Thanks Dave, That is incorrect ;). We did four original songs (one unreleased) and to top off the performance, did a cover of Kraftwerk's Computer World... live vocals and all. I'm trying to find somewhere online that I can host the 30 min mp3 file, so that anyone interested peepz can d/l it... but the hunt continues ;) You can find a photo of us in action at http://www.southernoutpost.com ;) Who's that dashing figure bustin' out on tha mike? Peace, Patrick. -Original Message- From: David Gillies [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 19, 2002 9:15 AM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) RUR -- http://www.perkowitz.net/rur/ PuzzleBox said: No one Quite covers Kraftwerk Like Keith Tucker when performing as optic nerve or the Auxmen..period Anyone ever seen tucker perform Its more fun To compute , Man machine with a funked up mix of a barry white tune im gomma love you. Awesome. Southern Outpost did a pretty darn good cover of Kraftwerk at their first/last live show in August. I think they did Computer Love?? PATRICK!! ;-)
RE: (313) RUR -- http://www.perkowitz.net/rur/
Sorry we at puzzlebox missed that one Patrick we applaud everyone who is tryiing to do live performances and put a face to the faceless. Peace Puzzlebox Records At 09:30 AM 11/19/2002 +1100, you wrote: Thanks Dave, That is incorrect ;). We did four original songs (one unreleased) and to top off the performance, did a cover of Kraftwerk's Computer World... live vocals and all. I'm trying to find somewhere online that I can host the 30 min mp3 file, so that anyone interested peepz can d/l it... but the hunt continues ;) You can find a photo of us in action at http://www.southernoutpost.com ;) Who's that dashing figure bustin' out on tha mike? Peace, Patrick. -Original Message- From: David Gillies [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 19, 2002 9:15 AM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) RUR -- http://www.perkowitz.net/rur/ PuzzleBox said: No one Quite covers Kraftwerk Like Keith Tucker when performing as optic nerve or the Auxmen..period Anyone ever seen tucker perform Its more fun To compute , Man machine with a funked up mix of a barry white tune im gomma love you. Awesome. Southern Outpost did a pretty darn good cover of Kraftwerk at their first/last live show in August. I think they did Computer Love?? PATRICK!! ;-)
(313) 11/15 Metro Area, Hood, Heard
Anyone have to scoop for the poor souls who couldn't get to Chicago? J. -- Knecht
(313) Books on Detroit's Music
On Mon, 18 Nov 2002 [EMAIL PROTECTED] wrote: Pick up the book Before Motown to find out about Detroits jazz history before motown. Anything about Motown. Here's the details on that one for all those interested: Before Motown: A History of Jazz in Detroit, 1920-60, (2001). Lars Bjorn w/Jim Gallert. Check these as well, especially the first one: Dancing in the Street: Motown and the Cultural Politics of Detroit, (2000). Suzanne E. Smith. One Nation Under a Groove: Motown and American Culture, (1995). Gerald L. Early.
(313) kraftwerk covers
speaking of which. I did a cover of Pocket Calculator at my very first live performance at the first DEMF. see the video at GrooveTech. sean - Original Message - From: PuzzleBox [EMAIL PROTECTED] To: Patrick Wacher [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Monday, November 18, 2002 5:43 PM Subject: RE: (313) RUR -- http://www.perkowitz.net/rur/ Sorry we at puzzlebox missed that one Patrick we applaud everyone who is tryiing to do live performances and put a face to the faceless. Peace Puzzlebox Records At 09:30 AM 11/19/2002 +1100, you wrote: Thanks Dave, That is incorrect ;). We did four original songs (one unreleased) and to top off the performance, did a cover of Kraftwerk's Computer World... live vocals and all. I'm trying to find somewhere online that I can host the 30 min mp3 file, so that anyone interested peepz can d/l it... but the hunt continues ;) You can find a photo of us in action at http://www.southernoutpost.com ;) Who's that dashing figure bustin' out on tha mike? Peace, Patrick. -Original Message- From: David Gillies [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 19, 2002 9:15 AM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) RUR -- http://www.perkowitz.net/rur/ PuzzleBox said: No one Quite covers Kraftwerk Like Keith Tucker when performing as optic nerve or the Auxmen..period Anyone ever seen tucker perform Its more fun To compute , Man machine with a funked up mix of a barry white tune im gomma love you. Awesome. Southern Outpost did a pretty darn good cover of Kraftwerk at their first/last live show in August. I think they did Computer Love?? PATRICK!! ;-)
RE: (313) Books on Detroit's Music
We'll need to get these books listed on the 313 site/FAQ... in addition to the already mentioned (ultimate D-techno backgrounder book): Techno Rebels. I kind of consider that required homework for those new to the list anyway :) thanks, Matt MacQueen -Original Message- From: Wes [mailto:[EMAIL PROTECTED] Sent: Monday, November 18, 2002 5:19 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: (313) Books on Detroit's Music On Mon, 18 Nov 2002 [EMAIL PROTECTED] wrote: Pick up the book Before Motown to find out about Detroits jazz history before motown. Anything about Motown. Here's the details on that one for all those interested: Before Motown: A History of Jazz in Detroit, 1920-60, (2001). Lars Bjorn w/Jim Gallert. Check these as well, especially the first one: Dancing in the Street: Motown and the Cultural Politics of Detroit, (2000). Suzanne E. Smith. One Nation Under a Groove: Motown and American Culture, (1995). Gerald L. Early.
(313) PUZZLEBOX RECORDS PBX 7.O TELEPORTATION
PUZZLEBOX RECORDS NEW RELEASE COMING LATE NOVEMBER TELEPORTATION EP - OPTIC NERVE PURE TECHNO AND ELECTRONIC FUNK ADDITIONAL VOCALS PERFORMED BY WANDA DIXON THOSE WHO KNOW KNOW,,DETROIT TECHNO Web Address: http://www.optic-universe.com Commentary: http://www.optic-universe.com/commentary.html E-Mail Addresses: PuzzleBox Records: [EMAIL PROTECTED] [EMAIL PROTECTED]
