RE: (313) E2-E4's offspring

2002-12-04 Thread Matthew MacQueen
 2 x C2 remixes on remake
 Basic channel remake of remake
 Sueno Latino
 Derrick May's mix of Sueno Latino + many other mixes
 plus there's are tracks by the Detroit Escalator company
 and by ismistik that essentially revamp e2-e4 in their own flavor
 without being straight covers or remixes.
 I'm sure there are many more...

Nice breakdown.  Another I can think of is a track by Mannequin Lung on The 
Art of Travel 2LP (on Plug Research), forgot the name.  Features the sample 
prominently and cool re-work of it.

Neil Oliverra from DEC also calls E2-E4 something like the soundtrack to 
Detroit in his _Reality Slap_ novella thing. 

 I think it's probably one of the most succesful motifs (memes)
 in techno history (if you exclude breaks)

I agree!  I tried to get it as an Illinois licence plate, actually...  :)

peace,
Matt MacQueen



Re: (313) E2-E4 Manuel Goettsching

2002-12-04 Thread xx xx



I guess you fell from sleep one night listening Charles ;-)

He did team up with Jim and Dannie owners of Wax Trax in Chicago, also with 
Greg who worked there.


Mike Smythe from UK (co-owner of Wax Trax) was friend of Jac Holzman the 
founder of Elektra.


Is the reason why Wax Trax stocked Computer World right after the release in 
1981.


Wax Trax stocked also a lot of Spalax (defunct tempel records) founded by 
Gabriel Ibos. Manuel Göttsching (E2-E4) signed on Spalax.

Gabriel Ibos teamed up with Daniel and Patrick from Front 242.
Daniel and Patrick teamed up with Jim (Wax Trax).
As a result of all these links Wax Trax, the supreme factory records in 
Chicago at that time, stocked extensively independents European labels, 
particularly in the so called industrial, electronic music genre.


Hailing from Little Rock, Arkansas,from WAAM, to WJLB, to WGPR, to WCHB 
among others, The Electrifying Mojo, a.k.a. Charles Johnson, who 
played Computer World in 1981 on his Midnight Funk Association show, didn't 
play E2-E4 in 1984 or after? I have difficulty in believing it.

To be checked...


From: Dan Sicko [EMAIL PROTECTED]
To: Tristan Watkins [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: (313) E2-E4 Manuel Goettsching
Date: Tue, 03 Dec 2002 10:36:19 -0500


I'm not sure how many people were actually hip to this record in Detroit 
outside of Carl and maybe Derrick ... it wasn't something that everyone 
heard on the radio -- or did I fall asleep listening to Mojo one night?


-d



Most would probably not argue that it is one of the most influential 
songs.

For the most direct relationship, check out Paperclip People's 'Remake',
which is basically a 10-minute remix of this song. I almost gagged the 
other

day when I heard a progressive mix of this on TV. It was up there with
'Strings' level bastardizations.

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

New Mix in mp3, 'Live in Iowa City' available for
a short time from http://phonopsia.isoprax.com






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Re: (313) E2-E4's offspring

2002-12-04 Thread Gerald
Matthew MacQueen wrote:
Another I can think of is a track by Mannequin Lung on The Art of
Travel 2LP (on Plug Research), forgot the name.  Features the sample
prominently and cool re-work of it.

Does anyone know the name of the song Matt's talking about here?

Cheers!

G


Re: (313) E2-E4 Manuel Goettsching

2002-12-04 Thread Dan Sicko
Right ... I'm just saying I don't think it influenced more than a 
couple of people.


Then again, maybe Disco Circus was one person's jam, YMO's 
Firecracker another, etc.


-d

On Tuesday, December 3, 2002, at 03:25  PM, techno wrote:

I'm not a techno music historian but I do remember reading an Carl 
Craig
interview where he talks about the song being an inspiration going 
back to

1988, E2E4 was one of those remixes he had on acetate and
he wanted to release it so he got Manuel Gottsching permission, it was 
put

out on the Paper Clip People Throw 12.






Re: (313) E2-E4 Manuel Goettsching

2002-12-04 Thread Dan Sicko


On Tuesday, December 3, 2002, at 04:50  PM, Adam wrote:

I remember a Craig interview where he cites May playing it at the 
music institute and being totally blown away.  I think he mentioned 
May getting it from either Mojo or on of his trips to Chicago, and 
getting it from Lil Louis.


http://www.deephousepage.com/mixes12.htm

Lil Louis live at the bismark, 1989, mixes it into a house set, sounds 
terrific.


Well, there you have it ... I stand corrected in my correction. Or 
something like that.


I love the track too, but IMHO it's at its most interesting when the 
guitar comes in halfway through.


-d



(313) sources for 70s, 80s vinyl?

2002-12-04 Thread Kent williams
Didn't really have a chance to hit Gramaphone last weekend to check, but...
I've been developing a serious yearning for some pieces of disco vinyl. I've
picked up a fairly decent random assortment at the thrift stores, but now
I want more.

Is this something that is being bootlegged/repressed?

I think that, for example Anita Ward Ring My Bell is absolutely the jam,
but the only viny version I have is a 'continuously trainwrecked' KTel
compilation.

I also really dig the kind of post-'disco sucks' disco -- Evelyn King's
Get Loose is great, and Patrice Rushen's dancy tracks, particularly
Haven't You Heard -- she was all about that stiff kick-on-13, snare on 24
beat you hear all through the Metro Area stuff...

So suggestions on where to find this stuff appreciated!



Re: (313) E2-E4's offspring

2002-12-04 Thread Ian
On 12/3/02 7:39 PM, Gerald [EMAIL PROTECTED] wrote:

 Matthew MacQueen wrote:
 Another I can think of is a track by Mannequin Lung on The Art of
 Travel 2LP (on Plug Research), forgot the name.  Features the sample
 prominently and cool re-work of it.
 
 Does anyone know the name of the song Matt's talking about here?

On review of the CD, I missed any obvious use of E2-E4, although The Silver
State might have some snatched chords.  Anyone got a better ear, or was the
track in question dropped for the CD release?

Thanks, BTW Matt for reminding me what an awesome track Chai is off that
1998 release!
--
im



(313) Paging Magnus Miller...

2002-12-04 Thread Mark S . Krüx
Mr. Miller to the white courtesy phone please.

Hit me back off list please.

Cheers,

m* 


Re: (313) E2-E4's offspring

2002-12-04 Thread Tristan Watkins
- Original Message -
From: Ian [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; The Music Institute 313@hyperreal.org
Cc: Matthew MacQueen [EMAIL PROTECTED]
Sent: Wednesday, December 04, 2002 2:00 AM
Subject: Re: (313) E2-E4's offspring


 On 12/3/02 7:39 PM, Gerald [EMAIL PROTECTED] wrote:

  Matthew MacQueen wrote:
  Another I can think of is a track by Mannequin Lung on The Art of
  Travel 2LP (on Plug Research), forgot the name.  Features the sample
  prominently and cool re-work of it.
 
  Does anyone know the name of the song Matt's talking about here?

 On review of the CD, I missed any obvious use of E2-E4, although The
Silver
 State might have some snatched chords.  Anyone got a better ear, or was
the
 track in question dropped for the CD release?

I thought it might be 'Silver State' as well, but to my ears it wasn't
decisive. Nineveh is the jam though!

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

New Mix in mp3, 'Live in Iowa City' available for
a short time from http://phonopsia.isoprax.com




(313) OT: Grammy nominations

2002-12-04 Thread Dennis DeSantis

Hi folks,

This is pretty off-topic.  Don't be mad.

I play with a new music ensemble that recently released a recording of 
some of Steve Reich's music, and the CD has been submitted for two 
Grammy nominations (best classical recording and best engineering). 
It's all kind of a long-shot, since we're basically a bunch of punk-ass 
kids from music school.  But even the nomination alone would be great, 
and in order for it to happen we need to have Academy members support 
the submission.


Problem is, the deadline is tomorrow.

If any of you are Academy members, or know some Academy members, or have 
some blackmail material on some Academy members, and you'd like to help 
some punk-ass kids from music school win Grammys instead of some lame 
old guys, I'd love you forever.


Thanks,

--
Dennis DeSantis
www.dennisdesantis.com



RE: (313) mixer advice

2002-12-04 Thread Langsman, Marc

Used ome rane mixers at the plasa light  sound show in london...great
mixers - aimed at the scratch dj type market but v.pricey (I think you're
looking at around 800GBP for a decent one) 

I currently use a vestax mixstick - which is great build quality, really
nice x-fader but only 2 eq's which dont attenuate/amplify too much which is
pretty crappy - u can pick these up in the uk for 250GBP nowadays. 

I think at around the same price range the only decent alternative would be
one of the pioneer 2-channel mixers. Great Eq's but xfader doesnt have curve
control/hamster and it dips in the middle which is a bit annoying.

A few mates have picked up Allen + Heath mixers recetnly and Ive played out
on them a few times...worth checking out  - some nice features along with
the same kind of nylon faders they use on studio desks. One of them has the
channel gains on the back panel for some obscure reason tho - think thats
just the housey one. Dunno what the price tag is tho on them - think maybe
400GBP which is maybe out your budget

Personally i reckon its worth saving up a bit longer and splashing out a bit
more on a mixer - I wouldnt touch anything made by gemini,numark,kam or any
of the budget makes - they generally fall apart within 6months, also apart
from the now reduced mixstick, all the cheapo vestax mixers tend to have
xfaders which die after a few months - only the vca ones are worth looking
at IMO.

hope that helps !

peace,
Marc

 -Original Message-
 From: joe ruster [mailto:[EMAIL PROTECTED]
 Sent: 03 December 2002 22:28
 To: 313@hyperreal.org
 Subject: (313) mixer advice
 
 
 need mixer advice: two Numark's went sour...would like a Vestax (pmc).
 anyone have knowledge of Rane products? ...or, how about some general
 comments about the good the bad (possibly ugly, if you include
 Gemini)...price range around $300-350thanksj
 
 

--
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RE: (313) mixer advice

2002-12-04 Thread Langsman, Marc

 Yep. They updated the fader technology and it's basically the 
 same thing now but called PCV-275.  
 http://www.vestax.com/products/pcv275.htm

have they sorted out the faders then as the bottom of the range vestax used
to have appauling faders ... whats 'PCV' when its at home ? Are they nylon
now or something ? 

The best thing about my mixstick (pmc-06proA) is that the VCA fader has been
battered solidly (especially during those ghettotech sessions!) for nearly
3yrs and hasnt needed replacing/cleaning once

peace,
Marc

--
This message is intended only for the personal and confidential use of the 
designated recipient(s) named above.  If you are not the intended recipient of 
this message you are hereby notified that any review, dissemination, 
distribution or copying of this message is strictly prohibited.  This 
communication is for information purposes only and should not be regarded as an 
offer to sell or as a solicitation of an offer to buy any financial product, an 
official confirmation of any transaction, or as an official statement of Lehman 
Brothers.  Email transmission cannot be guaranteed to be secure or error-free.  
Therefore, we do not represent that this information is complete or accurate 
and it should not be relied upon as such.  All information is subject to change 
without notice.




RE: (313) mixer advice

2002-12-04 Thread Langsman, Marc

erm becuase crappy mixers dont stand up to any sort of turntablism abuse -
from the online mixers of yours Ive heard  you seem to stick to more of the
blendin thang than the scratching thang which is maybe why your gemini has
lasted well. I bought a kam when I first got decks and it lasted great till
I started scratching and then the xfader popped its clogs in about 5mins :(
I then went to the large 19 4 channel vestax (pmc15?) which lasted about
5mins too - in fact even the technics seems to give up pretty easily. I'd
bve interested to see how the new vestax PCV's compare though as they seem
pretty reasonably priced.

most venues worth there salt tend to have decent installation mixers
nowadays anyway - the last 3 places Ive played have had A+H and most others
seem to opt for the big pioneers / vestax / or formulaSound installations.
Tho I guess you dont wanna get hooked up using proprietry features that
you're not gonna get when u play out (I used to have this prob with hamster
switch)

Marc..out

 -Original Message-
 From: Brendan Nelson [mailto:[EMAIL PROTECTED]
 Sent: 04 December 2002 10:45
 To: 313@hyperreal.org
 Subject: RE: (313) mixer advice
 
 
 As a Scotsman I'm not genetically inclined to go and spend 
 over £300 on
 a mixer, especially when it wouldn't enhance my actual club 
 performances
 one bit (unless I was willing to bring the mixer along every time I
 played out, which I'm not!) and the last mixer I bought, a 
 crappy Gemini
 one, actually lasted for about three years. So in a nutshell, 
 why would
 I want to buy a Vestax PCV275 rather than the slightly cheaper PCV175?
 
 (I'm buying a new mixer myself, hopefully this weekend...)
 
 Brendan
 
 | -Original Message-
 | From: Langsman, Marc [mailto:[EMAIL PROTECTED]
 | Sent: 04 December 2002 10:03
 | To: 'Matthew MacQueen'; 313@hyperreal.org
 | Cc: [EMAIL PROTECTED]; joe ruster; Mark S. Krüx
 | Subject: RE: (313) mixer advice
 | 
 | 
 | 
 |  Yep. They updated the fader technology and it's basically the 
 |  same thing now but called PCV-275.  
 |  http://www.vestax.com/products/pcv275.htm
 | 
 | have they sorted out the faders then as the bottom of the 
 | range vestax used
 | to have appauling faders ... whats 'PCV' when its at home ? 
 | Are they nylon
 | now or something ? 
 | 
 | The best thing about my mixstick (pmc-06proA) is that the VCA 
 | fader has been
 | battered solidly (especially during those ghettotech 
 | sessions!) for nearly
 | 3yrs and hasnt needed replacing/cleaning once
 | 
 | peace,
 | Marc
 | 
 | --
 | 
 | This message is intended only for the personal and 
 | confidential use of the designated recipient(s) named above.  
 | If you are not the intended recipient of this message you are 
 | hereby notified that any review, dissemination, distribution 
 | or copying of this message is strictly prohibited.  This 
 | communication is for information purposes only and should not 
 | be regarded as an offer to sell or as a solicitation of an 
 | offer to buy any financial product, an official confirmation 
 | of any transaction, or as an official statement of Lehman 
 | Brothers.  Email transmission cannot be guaranteed to be 
 | secure or error-free.  Therefore, we do not represent that 
 | this information is complete or accurate and it should not be 
 | relied upon as such.  All information is subject to change 
 | without notice.
 | 
 | 
 | 
 

--
This message is intended only for the personal and confidential use of the 
designated recipient(s) named above.  If you are not the intended recipient of 
this message you are hereby notified that any review, dissemination, 
distribution or copying of this message is strictly prohibited.  This 
communication is for information purposes only and should not be regarded as an 
offer to sell or as a solicitation of an offer to buy any financial product, an 
official confirmation of any transaction, or as an official statement of Lehman 
Brothers.  Email transmission cannot be guaranteed to be secure or error-free.  
Therefore, we do not represent that this information is complete or accurate 
and it should not be relied upon as such.  All information is subject to change 
without notice.




Re: (313) mixer advice

2002-12-04 Thread Toby Frith
I shelled out on a Xone 62 last July and must say that it's £800 well spent.
As Marc points out, if you are serious about spinning out at clubs, it's
more than likely they're going to have either one of these (or it's bigger
bro the 464) or the Pioneer 600 installed. There's nothing worse than
playing at a club and facing a mixer you know absolutely nothing about.

Apart from being built like a proverbial bricksh*t house, the Xone 62 sounds
lovely, has 3 filters for each channel and also has the benefit of having a
P  G crossfader. It's good enough to use for production as well. I'd
heartily recommend splashing out the cash on one if you can afford it.

I will add also that their customer service is 2nd to none. Being UK based
does help for us Brits, but I had an unidentified problem with it and it was
returned ready to use within 5 days. (I also got a £1 mixing desk
mistakenly a day later but that's another story)  ;)

www.allen-heath.co.uk







- Original Message -
From: Langsman, Marc [EMAIL PROTECTED]
To: 'Brendan Nelson' [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Wednesday, December 04, 2002 10:59 AM
Subject: RE: (313) mixer advice



 erm becuase crappy mixers dont stand up to any sort of turntablism abuse -
 from the online mixers of yours Ive heard  you seem to stick to more of
the
 blendin thang than the scratching thang which is maybe why your gemini has
 lasted well. I bought a kam when I first got decks and it lasted great
till
 I started scratching and then the xfader popped its clogs in about 5mins
:(
 I then went to the large 19 4 channel vestax (pmc15?) which lasted about
 5mins too - in fact even the technics seems to give up pretty easily. I'd
 bve interested to see how the new vestax PCV's compare though as they seem
 pretty reasonably priced.

 most venues worth there salt tend to have decent installation mixers
 nowadays anyway - the last 3 places Ive played have had A+H and most
others
 seem to opt for the big pioneers / vestax / or formulaSound installations.
 Tho I guess you dont wanna get hooked up using proprietry features that
 you're not gonna get when u play out (I used to have this prob with
hamster
 switch)

 Marc..out

  -Original Message-
  From: Brendan Nelson [mailto:[EMAIL PROTECTED]
  Sent: 04 December 2002 10:45
  To: 313@hyperreal.org
  Subject: RE: (313) mixer advice
 
 
  As a Scotsman I'm not genetically inclined to go and spend
  over £300 on
  a mixer, especially when it wouldn't enhance my actual club
  performances
  one bit (unless I was willing to bring the mixer along every time I
  played out, which I'm not!) and the last mixer I bought, a
  crappy Gemini
  one, actually lasted for about three years. So in a nutshell,
  why would
  I want to buy a Vestax PCV275 rather than the slightly cheaper PCV175?
 
  (I'm buying a new mixer myself, hopefully this weekend...)
 
  Brendan
 
  | -Original Message-
  | From: Langsman, Marc [mailto:[EMAIL PROTECTED]
  | Sent: 04 December 2002 10:03
  | To: 'Matthew MacQueen'; 313@hyperreal.org
  | Cc: [EMAIL PROTECTED]; joe ruster; Mark S. Krüx
  | Subject: RE: (313) mixer advice
  |
  |
  |
  |  Yep. They updated the fader technology and it's basically the
  |  same thing now but called PCV-275.
  |  http://www.vestax.com/products/pcv275.htm
  |
  | have they sorted out the faders then as the bottom of the
  | range vestax used
  | to have appauling faders ... whats 'PCV' when its at home ?
  | Are they nylon
  | now or something ?
  |
  | The best thing about my mixstick (pmc-06proA) is that the VCA
  | fader has been
  | battered solidly (especially during those ghettotech
  | sessions!) for nearly
  | 3yrs and hasnt needed replacing/cleaning once
  |
  | peace,
  | Marc
  |
  | --
  | 
  | This message is intended only for the personal and
  | confidential use of the designated recipient(s) named above.
  | If you are not the intended recipient of this message you are
  | hereby notified that any review, dissemination, distribution
  | or copying of this message is strictly prohibited.  This
  | communication is for information purposes only and should not
  | be regarded as an offer to sell or as a solicitation of an
  | offer to buy any financial product, an official confirmation
  | of any transaction, or as an official statement of Lehman
  | Brothers.  Email transmission cannot be guaranteed to be
  | secure or error-free.  Therefore, we do not represent that
  | this information is complete or accurate and it should not be
  | relied upon as such.  All information is subject to change
  | without notice.
  |
  |
  |
 

 --

 This message is intended only for the personal and confidential use of the
designated recipient(s) named above.  If you are not the intended recipient
of this message you are hereby notified that any review, 

(313) Hey Dale Lawrence!

2002-12-04 Thread sean deason
this message is for Dale only. everyone else divert your eyes away from your
screens for a moment...o look! Mariah Carey and Kylie Minouge in a
windstorm!  :^)

Dale,
Went to Detroit Contemporary to catch your live P.A. last weekend. Braved
both the harsh weather, and hostile environment. They told me your were ill
and wouldnt be performing after all. I hope youre feeling better now. You
owe me $5.

:^)

sean deason




RE: (313) mixer advice

2002-12-04 Thread Brendan Nelson
| -Original Message-
| From: Toby Frith [mailto:[EMAIL PROTECTED]
| Sent: 04 December 2002 11:06
|
| There's nothing worse than playing at a club and facing a 
| mixer you know absolutely nothing about.

I don't know, I kind of prefer the voyage of discovery that entails to
the nightmare of turning up at a club and having to play on a mixer
that's so much worse than the one you're used to that you might as well
just strip the plastic off the phono cables and physically jam the deck
outputs together :)

Brendan


RE: (313) mixer advice

2002-12-04 Thread Neil Wallace

Agreed, I got a xone:32 for around 400 and it seems really nice and
solid too - having a filter on the mixer is quite a cool and worthwile
addition (specially when it has an LFO to modulate it :)

:-Original Message-
:From: Toby Frith [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, December 04, 2002 11:06 AM
:To: Langsman, Marc; 'Brendan Nelson'; 313@hyperreal.org
:Subject: Re: (313) mixer advice
:
:I shelled out on a Xone 62 last July and must say that it's £800 well
:spent.
:As Marc points out, if you are serious about spinning out at clubs,
it's
:more than likely they're going to have either one of these (or it's
bigger
:bro the 464) or the Pioneer 600 installed. There's nothing worse than
:playing at a club and facing a mixer you know absolutely nothing about.
:
:Apart from being built like a proverbial bricksh*t house, the Xone 62
:sounds
:lovely, has 3 filters for each channel and also has the benefit of
having a
:P  G crossfader. It's good enough to use for production as well. I'd
:heartily recommend splashing out the cash on one if you can afford it.
:
:I will add also that their customer service is 2nd to none. Being UK
based
:does help for us Brits, but I had an unidentified problem with it and
it
:was
:returned ready to use within 5 days. (I also got a £1 mixing desk
:mistakenly a day later but that's another story)  ;)
:
:www.allen-heath.co.uk
:
:
:
:
:
:
:
:- Original Message -
:From: Langsman, Marc [EMAIL PROTECTED]
:To: 'Brendan Nelson' [EMAIL PROTECTED]; 313@hyperreal.org
:Sent: Wednesday, December 04, 2002 10:59 AM
:Subject: RE: (313) mixer advice
:
:
:
: erm becuase crappy mixers dont stand up to any sort of turntablism
abuse
:-
: from the online mixers of yours Ive heard  you seem to stick to more
of
:the
: blendin thang than the scratching thang which is maybe why your
gemini
:has
: lasted well. I bought a kam when I first got decks and it lasted
great
:till
: I started scratching and then the xfader popped its clogs in about
5mins
::(
: I then went to the large 19 4 channel vestax (pmc15?) which lasted
about
: 5mins too - in fact even the technics seems to give up pretty easily.
I'd
: bve interested to see how the new vestax PCV's compare though as they
:seem
: pretty reasonably priced.
:
: most venues worth there salt tend to have decent installation mixers
: nowadays anyway - the last 3 places Ive played have had A+H and most
:others
: seem to opt for the big pioneers / vestax / or formulaSound
:installations.
: Tho I guess you dont wanna get hooked up using proprietry features
that
: you're not gonna get when u play out (I used to have this prob with
:hamster
: switch)
:
: Marc..out
:
:  -Original Message-
:  From: Brendan Nelson [mailto:[EMAIL PROTECTED]
:  Sent: 04 December 2002 10:45
:  To: 313@hyperreal.org
:  Subject: RE: (313) mixer advice
: 
: 
:  As a Scotsman I'm not genetically inclined to go and spend
:  over £300 on
:  a mixer, especially when it wouldn't enhance my actual club
:  performances
:  one bit (unless I was willing to bring the mixer along every time I
:  played out, which I'm not!) and the last mixer I bought, a
:  crappy Gemini
:  one, actually lasted for about three years. So in a nutshell,
:  why would
:  I want to buy a Vestax PCV275 rather than the slightly cheaper
PCV175?
: 
:  (I'm buying a new mixer myself, hopefully this weekend...)
: 
:  Brendan
: 
:  | -Original Message-
:  | From: Langsman, Marc [mailto:[EMAIL PROTECTED]
:  | Sent: 04 December 2002 10:03
:  | To: 'Matthew MacQueen'; 313@hyperreal.org
:  | Cc: [EMAIL PROTECTED]; joe ruster; Mark S. Krüx
:  | Subject: RE: (313) mixer advice
:  |
:  |
:  |
:  |  Yep. They updated the fader technology and it's basically the
:  |  same thing now but called PCV-275.
:  |  http://www.vestax.com/products/pcv275.htm
:  |
:  | have they sorted out the faders then as the bottom of the
:  | range vestax used
:  | to have appauling faders ... whats 'PCV' when its at home ?
:  | Are they nylon
:  | now or something ?
:  |
:  | The best thing about my mixstick (pmc-06proA) is that the VCA
:  | fader has been
:  | battered solidly (especially during those ghettotech
:  | sessions!) for nearly
:  | 3yrs and hasnt needed replacing/cleaning once
:  |
:  | peace,
:  | Marc
:  |
:  | --
:  | 
:  | This message is intended only for the personal and
:  | confidential use of the designated recipient(s) named above.
:  | If you are not the intended recipient of this message you are
:  | hereby notified that any review, dissemination, distribution
:  | or copying of this message is strictly prohibited.  This
:  | communication is for information purposes only and should not
:  | be regarded as an offer to sell or as a solicitation of an
:  | offer to buy any financial product, an official confirmation
:  | of any transaction, or as an official statement of Lehman
:  | Brothers.  Email transmission cannot be 

Re: (313) mixer advice

2002-12-04 Thread Jonny McIntosh
Two Scots shelling out for an Allen  Heath mixer (I've got the same as
Toby's)! Take that Brendan! It must be good :) It's maybe not the price
range currently being talked about?

There's no LFO on mine, is that a feature of more recent models?

- Original Message -
From: Neil Wallace [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, December 04, 2002 11:15 AM
Subject: RE: (313) mixer advice

Agreed, I got a xone:32 for around 400 and it seems really nice and
solid too - having a filter on the mixer is quite a cool and worthwile
addition (specially when it has an LFO to modulate it :)





RE: (313) mixer advice

2002-12-04 Thread Langsman, Marc

is that the one with gains on the back panel? - that was like the only real
niggle I had with the A/H I used, Im sure mixers throughout the ages have
gain controls on top for good reason :) 
I guess the only other thing I found was the xfader cut on my vestax was a
lot finer than the A/H but it wasnt really a prob once Id got going with the
A/H.

The lfo fader business is hours of fun too :D

 -Original Message-
 From: Neil Wallace [mailto:[EMAIL PROTECTED]
 Sent: 04 December 2002 11:16
 To: 313@hyperreal.org
 Subject: RE: (313) mixer advice
 
 
 
 Agreed, I got a xone:32 for around 400 and it seems really nice and
 solid too - having a filter on the mixer is quite a cool and worthwile
 addition (specially when it has an LFO to modulate it :)
 
 :-Original Message-
 :From: Toby Frith [mailto:[EMAIL PROTECTED]
 :Sent: Wednesday, December 04, 2002 11:06 AM
 :To: Langsman, Marc; 'Brendan Nelson'; 313@hyperreal.org
 :Subject: Re: (313) mixer advice
 :
 :I shelled out on a Xone 62 last July and must say that it's £800 well
 :spent.
 :As Marc points out, if you are serious about spinning out at clubs,
 it's
 :more than likely they're going to have either one of these (or it's
 bigger
 :bro the 464) or the Pioneer 600 installed. There's nothing worse than
 :playing at a club and facing a mixer you know absolutely 
 nothing about.
 :
 :Apart from being built like a proverbial bricksh*t house, the Xone 62
 :sounds
 :lovely, has 3 filters for each channel and also has the benefit of
 having a
 :P  G crossfader. It's good enough to use for production as well. I'd
 :heartily recommend splashing out the cash on one if you can 
 afford it.
 :
 :I will add also that their customer service is 2nd to none. Being UK
 based
 :does help for us Brits, but I had an unidentified problem with it and
 it
 :was
 :returned ready to use within 5 days. (I also got a £1 mixing desk
 :mistakenly a day later but that's another story)  ;)
 :
 :www.allen-heath.co.uk
 :
 :
 :
 :
 :
 :
 :
 :- Original Message -
 :From: Langsman, Marc [EMAIL PROTECTED]
 :To: 'Brendan Nelson' [EMAIL PROTECTED]; 313@hyperreal.org
 :Sent: Wednesday, December 04, 2002 10:59 AM
 :Subject: RE: (313) mixer advice
 :
 :
 :
 : erm becuase crappy mixers dont stand up to any sort of turntablism
 abuse
 :-
 : from the online mixers of yours Ive heard  you seem to 
 stick to more
 of
 :the
 : blendin thang than the scratching thang which is maybe why your
 gemini
 :has
 : lasted well. I bought a kam when I first got decks and it lasted
 great
 :till
 : I started scratching and then the xfader popped its clogs in about
 5mins
 ::(
 : I then went to the large 19 4 channel vestax (pmc15?) which lasted
 about
 : 5mins too - in fact even the technics seems to give up 
 pretty easily.
 I'd
 : bve interested to see how the new vestax PCV's compare 
 though as they
 :seem
 : pretty reasonably priced.
 :
 : most venues worth there salt tend to have decent 
 installation mixers
 : nowadays anyway - the last 3 places Ive played have had 
 A+H and most
 :others
 : seem to opt for the big pioneers / vestax / or formulaSound
 :installations.
 : Tho I guess you dont wanna get hooked up using proprietry features
 that
 : you're not gonna get when u play out (I used to have this prob with
 :hamster
 : switch)
 :
 : Marc..out
 :
 :  -Original Message-
 :  From: Brendan Nelson [mailto:[EMAIL PROTECTED]
 :  Sent: 04 December 2002 10:45
 :  To: 313@hyperreal.org
 :  Subject: RE: (313) mixer advice
 : 
 : 
 :  As a Scotsman I'm not genetically inclined to go and spend
 :  over £300 on
 :  a mixer, especially when it wouldn't enhance my actual club
 :  performances
 :  one bit (unless I was willing to bring the mixer along 
 every time I
 :  played out, which I'm not!) and the last mixer I bought, a
 :  crappy Gemini
 :  one, actually lasted for about three years. So in a nutshell,
 :  why would
 :  I want to buy a Vestax PCV275 rather than the slightly cheaper
 PCV175?
 : 
 :  (I'm buying a new mixer myself, hopefully this weekend...)
 : 
 :  Brendan
 : 
 :  | -Original Message-
 :  | From: Langsman, Marc [mailto:[EMAIL PROTECTED]
 :  | Sent: 04 December 2002 10:03
 :  | To: 'Matthew MacQueen'; 313@hyperreal.org
 :  | Cc: [EMAIL PROTECTED]; joe ruster; Mark S. Krüx
 :  | Subject: RE: (313) mixer advice
 :  |
 :  |
 :  |
 :  |  Yep. They updated the fader technology and it's basically the
 :  |  same thing now but called PCV-275.
 :  |  http://www.vestax.com/products/pcv275.htm
 :  |
 :  | have they sorted out the faders then as the bottom of the
 :  | range vestax used
 :  | to have appauling faders ... whats 'PCV' when its at home ?
 :  | Are they nylon
 :  | now or something ?
 :  |
 :  | The best thing about my mixstick (pmc-06proA) is that the VCA
 :  | fader has been
 :  | battered solidly (especially during those ghettotech
 :  | sessions!) for nearly
 :  | 3yrs and hasnt needed replacing/cleaning once
 :  |
 :  | peace,
 :  | Marc
 :  |
 :  

RE: (313) mixer advice

2002-12-04 Thread Brendan Nelson
I'm just looking at these Allen  Heath mixers now - I'm not sure why
they don't just go the whole hog and stick a Juno 106 onto them! And
it's cheaper than the Pioneer DJM-600 as well (which is my favourite out
of all the mixers I've used). 

While it's tempting to splash out on a serious kick-arse mixer like
that, it would only really make sense to me if I had a huge basement in
which I threw regular all-night parties - as it is, it would seem a bit
of a waste to have a rude mixer sitting there in my bedroom! I could
wait until January (when my next paycheque, which will be pretty big, is
due) and get a kick-arse mixer then, or just get a mid-level PCV175
now... oh sod it, I'll spend this month's wages on records and then I'll
get an AH in January!

Brendan

(sorry for thinking out on the list!)

| -Original Message-
| From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
| Sent: 04 December 2002 11:31
| To: Neil Wallace; 313@hyperreal.org
| Subject: Re: (313) mixer advice
| 
| 
| Two Scots shelling out for an Allen  Heath mixer (I've got 
| the same as
| Toby's)! Take that Brendan! It must be good :) It's maybe not 
| the price
| range currently being talked about?
| 
| There's no LFO on mine, is that a feature of more recent models?
| 
| - Original Message -
| From: Neil Wallace [EMAIL PROTECTED]
| To: 313@hyperreal.org
| Sent: Wednesday, December 04, 2002 11:15 AM
| Subject: RE: (313) mixer advice
| 
| Agreed, I got a xone:32 for around 400 and it seems really nice and
| solid too - having a filter on the mixer is quite a cool and worthwile
| addition (specially when it has an LFO to modulate it :)
| 
| 
| 
| 


RE: (313) mixer advice

2002-12-04 Thread Neil Wallace


-Original Message-
From: Neil Wallace [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, December 04, 2002 11:47 AM
To: 'Langsman, Marc'
Subject: RE: (313) mixer advice


Yeah the gains are on the back - I don’t find it a particular problem at
the moment as ive only got one deck and so have to mix via multitrack so
I can sort out levels there. There not too difficlt to access on the
back panel as theyre at the top but they are difficult to see. 

I think the 32 has one filter with LFO the 62 has two filter with no
LFO. Also the 62 seems to have a Xfader curve switch rather than the pot
which the 32 has.

:-Original Message-
:From: Langsman, Marc [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, December 04, 2002 11:34 AM
:To: 'Neil Wallace'; 313@hyperreal.org
:Subject: RE: (313) mixer advice
:
:
:is that the one with gains on the back panel? - that was like the only
real
:niggle I had with the A/H I used, Im sure mixers throughout the ages
have
:gain controls on top for good reason :)
:I guess the only other thing I found was the xfader cut on my vestax
was a
:lot finer than the A/H but it wasnt really a prob once Id got going
with
:the
:A/H.
:
:The lfo fader business is hours of fun too :D
:
: -Original Message-
: From: Neil Wallace [mailto:[EMAIL PROTECTED]
: Sent: 04 December 2002 11:16
: To: 313@hyperreal.org
: Subject: RE: (313) mixer advice
:
:
:
: Agreed, I got a xone:32 for around 400 and it seems really nice and
: solid too - having a filter on the mixer is quite a cool and
worthwile
: addition (specially when it has an LFO to modulate it :)
:
: :-Original Message-
: :From: Toby Frith [mailto:[EMAIL PROTECTED]
: :Sent: Wednesday, December 04, 2002 11:06 AM
: :To: Langsman, Marc; 'Brendan Nelson'; 313@hyperreal.org
: :Subject: Re: (313) mixer advice
: :
: :I shelled out on a Xone 62 last July and must say that it's £800
well
: :spent.
: :As Marc points out, if you are serious about spinning out at clubs,
: it's
: :more than likely they're going to have either one of these (or it's
: bigger
: :bro the 464) or the Pioneer 600 installed. There's nothing worse
than
: :playing at a club and facing a mixer you know absolutely
: nothing about.
: :
: :Apart from being built like a proverbial bricksh*t house, the Xone
62
: :sounds
: :lovely, has 3 filters for each channel and also has the benefit of
: having a
: :P  G crossfader. It's good enough to use for production as well.
I'd
: :heartily recommend splashing out the cash on one if you can
: afford it.
: :
: :I will add also that their customer service is 2nd to none. Being UK
: based
: :does help for us Brits, but I had an unidentified problem with it
and
: it
: :was
: :returned ready to use within 5 days. (I also got a £1 mixing
desk
: :mistakenly a day later but that's another story)  ;)
: :
: :www.allen-heath.co.uk
: :
: :
: :
: :
: :
: :
: :
: :- Original Message -
: :From: Langsman, Marc [EMAIL PROTECTED]
: :To: 'Brendan Nelson' [EMAIL PROTECTED];
313@hyperreal.org
: :Sent: Wednesday, December 04, 2002 10:59 AM
: :Subject: RE: (313) mixer advice
: :
: :
: :
: : erm becuase crappy mixers dont stand up to any sort of turntablism
: abuse
: :-
: : from the online mixers of yours Ive heard  you seem to
: stick to more
: of
: :the
: : blendin thang than the scratching thang which is maybe why your
: gemini
: :has
: : lasted well. I bought a kam when I first got decks and it lasted
: great
: :till
: : I started scratching and then the xfader popped its clogs in about
: 5mins
: ::(
: : I then went to the large 19 4 channel vestax (pmc15?) which
lasted
: about
: : 5mins too - in fact even the technics seems to give up
: pretty easily.
: I'd
: : bve interested to see how the new vestax PCV's compare
: though as they
: :seem
: : pretty reasonably priced.
: :
: : most venues worth there salt tend to have decent
: installation mixers
: : nowadays anyway - the last 3 places Ive played have had
: A+H and most
: :others
: : seem to opt for the big pioneers / vestax / or formulaSound
: :installations.
: : Tho I guess you dont wanna get hooked up using proprietry features
: that
: : you're not gonna get when u play out (I used to have this prob
with
: :hamster
: : switch)
: :
: : Marc..out
: :
: :  -Original Message-
: :  From: Brendan Nelson [mailto:[EMAIL PROTECTED]
: :  Sent: 04 December 2002 10:45
: :  To: 313@hyperreal.org
: :  Subject: RE: (313) mixer advice
: : 
: : 
: :  As a Scotsman I'm not genetically inclined to go and spend
: :  over £300 on
: :  a mixer, especially when it wouldn't enhance my actual club
: :  performances
: :  one bit (unless I was willing to bring the mixer along
: every time I
: :  played out, which I'm not!) and the last mixer I bought, a
: :  crappy Gemini
: :  one, actually lasted for about three years. So in a nutshell,
: :  why would
: :  I want to buy a Vestax PCV275 rather than the slightly cheaper
: PCV175?
: : 
: :  (I'm buying a new mixer myself, hopefully this weekend...)
: : 
: :  

(313) osunlade, jojoflores

2002-12-04 Thread T.J.Johnson
Hi.  These guys/girls are playing this Friday.  Does
anyone have any info about them?  I'm not sure I've
ever heard of them.  Thanks!

TJJ

~in a perfect world, nothing is perfect~

PeoplePC:  It's for people. And it's just smart. 
http://www.peoplepc.com 


(313) seeking contact info for:

2002-12-04 Thread T.J.Johnson
Joey Beltram

Rob Hood

Alan Oldham

Monolake/Chain Reaction

Stacey Pullen

Dan Bell

Can anyone be of assistance?

Thanks!

TJJ

~in a perfect world, nothing is perfect~

PeoplePC:  It's for people. And it's just smart. 
http://www.peoplepc.com 


Re: (313) mixer advice

2002-12-04 Thread Tristan Watkins
- Original Message -
From: Jonny McIntosh [EMAIL PROTECTED]
To: Neil Wallace [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Wednesday, December 04, 2002 11:31 AM
Subject: Re: (313) mixer advice


 Two Scots shelling out for an Allen  Heath mixer (I've got the same as
 Toby's)! Take that Brendan! It must be good :) It's maybe not the price
 range currently being talked about?

 There's no LFO on mine, is that a feature of more recent models?


The Xone:32 (3 Channels) is the only one with an LFO/Filter and the LFO
definitely is cool. It's had the LFO/Filter for at least a year and a half -
not sure about earlier models. The Xone:62 only has the filter. Just noticed
they have new rotary and 2-channel varities. Not that I'd want them, but I
still think it's cool they've expanded their offerings.

I love both the Xone's and the Pioneer 5/600's. They are the best mixers
I've used. And then there are the rumors about the 700 that have been
kicking around for a few months. Nothing on Pioneer's site yet that I can
find.

The Tascam X-9 is finally out as of about maybe 6 months ago after pending
release for nearly 18 months I think? It offers the most features at a
comparable price to the 600/Xone:62. The idea of dual effects and dual
samplers assignable to any combination of inputs is pretty amazing to me.
I'd just really like to use it for a while and see if any of that raw power
could be tamed for something useful.
http://www.tascam.com/products/product_information.php?product_id=3

My choice in a few months will be the Red Sound Infader. It makes mixing
extremely fun, which is the most important criteria for me! Perhaps
expensive for the bedroom, but easy enough to transport if so inclined. The
modular units for it look a lot of fun (I've not used them), but the 3 BAND
CROSSFADER is the sh*t! I only played for about 15 minutes before my friend
had to tear me off of it. He's been extremely happy with his for about a
year. Not sure how you all feel about digital mixers though. I don't mind.
http://www.redsound.com/djindex.htm

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

New Mix in mp3, 'Live in Iowa City' available for
a short time from http://phonopsia.isoprax.com




RE: (313) mixer advice

2002-12-04 Thread Langsman, Marc
 The Tascam X-9 is finally out as of about maybe 6 months ago 
 after pending
 release for nearly 18 months I think? It offers the most features at a
 comparable price to the 600/Xone:62. The idea of dual effects and dual
 samplers assignable to any combination of inputs is pretty 
 amazing to me.
 I'd just really like to use it for a while and see if any of 
 that raw power
 could be tamed for something useful.
 http://www.tascam.com/products/product_information.php?product_id=3

yeah the tascam looks like the sh!t - more features than u can shake what ya
mama gave ya at !
The parametric eqs sound interesting - the pots are doubled-up too I think.
 
 My choice in a few months will be the Red Sound Infader. It 
 makes mixing

I remember seeing those advertised - are they actually any good ? Id quite
like a fiddle on one, xfading bass and stuff must be quite wacky. 

On the gimmic mixer topic, I used one of those mixers with a kaospad built
in a while back - pretty cool alhough I think its too easy to spend x hrs
tinkering with effects :| 

--
This message is intended only for the personal and confidential use of the 
designated recipient(s) named above.  If you are not the intended recipient of 
this message you are hereby notified that any review, dissemination, 
distribution or copying of this message is strictly prohibited.  This 
communication is for information purposes only and should not be regarded as an 
offer to sell or as a solicitation of an offer to buy any financial product, an 
official confirmation of any transaction, or as an official statement of Lehman 
Brothers.  Email transmission cannot be guaranteed to be secure or error-free.  
Therefore, we do not represent that this information is complete or accurate 
and it should not be relied upon as such.  All information is subject to change 
without notice.




Re: (313) mixer advice

2002-12-04 Thread Tristan Watkins
- Original Message -
From: Langsman, Marc [EMAIL PROTECTED]
To: 'Tristan Watkins' [EMAIL PROTECTED]; Jonny McIntosh
[EMAIL PROTECTED]; Neil Wallace [EMAIL PROTECTED];
313@hyperreal.org
Sent: Wednesday, December 04, 2002 1:33 PM
Subject: RE: (313) mixer advice


  My choice in a few months will be the Red Sound Infader. It
  makes mixing

 I remember seeing those advertised - are they actually any good ? Id quite
 like a fiddle on one, xfading bass and stuff must be quite wacky.

 On the gimmic mixer topic, I used one of those mixers with a kaospad built
 in a while back - pretty cool alhough I think its too easy to spend x hrs
 tinkering with effects :|

The Red Sound is far superior to the Numark's with KAOS. Those are the same
new-Numark crap quality(their old ones were reliable). I'd say their's a
fine line between gimics and important technological leaps forward, and the
Redsound embodies the latter IMHO.

The Red sound feels fit, and you really need to give the 3-BAND CROSSFADERS
a ride to know just how cool it is. Cutting back and forth between basslines
is super cool, or mids, or highs, depending on the tracks. I can't say for
sure how much abuse the crossfaders will take, and with three of them that
could be an issue, but I think it's worth it to push DJing in new and
interesting directions. This is an innovation on-par with the advent of the
crossfader or the independent channel EQ, in my estimation. I have yet to
hear all of the options really explored yet, but I think it opens a ton of
doors. This is not to say that DJ's need something like this, but I think
some of us find a little less energy for it as time passes, and a mixer like
this can be a DJ's viagra as we age.

The one drawback I can think of is the Brelson criteria: that you don't want
get acclimated to something so good at home that your mixing suffers when
you play out - but I don't care. I just want to have fun. :)

Here's the link again for those who missed it the first time:
http://www.redsound.com/djindex.htm

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

New Mix in mp3, 'Live in Iowa City' available for
a short time from http://phonopsia.isoprax.com




RE: (313) E2-E4 Manuel Goettsching

2002-12-04 Thread Sean Creen

I love the track too, but IMHO it's at its most interesting when the
guitar comes in halfway through.

Really? It's just the opposite for me - I hardly ever listen to side two; it
all just gets a bit too prog-rock and noodly for my liking, but side one is
genius...

Sean.




(313) submerge delays

2002-12-04 Thread Sean Creen
I know this topic has come up before, but is anyone else experiencing delays
with Submerge getting back to them with postage costs for the new releases
this week?
I've noticed that they've turned up in some UK retailers and I'm wondering
if I should just order them there instead, cos I haven't had a reply from
Submerge yet...

Thanks,
Sean.



RE: (313) Another bootleg - Good Girls

2002-12-04 Thread Din�mica


Yes, please more details on this bootleg???
Have been looking for it for 6 years and don't have the US$125 to spend on it...

Cheers,

Hupert



RE: (313) Clown Lyrics OT

2002-12-04 Thread Cyclone Wehner
Actually it's DJ Sammy who she is meant to be working with - serious. You
know, the guy behind the trance covers of Heaven and Boys Of Summer,
aarrrhh.



 Inbox Message 

 From:  Craig Harrison [EMAIL PROTECTED]
 Subject:  RE: (313) Clown Lyrics OT
 Date:  03/12/2002 19:36:58
 To:  Cyclone Wehner [EMAIL PROTECTED], 313 Detroit
 313@hyperreal.org

 Give them a couple of weeks and the record companies will have them in the
 studio together, then they'll be doing a tour of the chat shows with each
 other... oh, the pain. :)

 They'll probably even get Tiesto to remix it when they're done. bah.

 Dscaper


Re: (313) mixer advice

2002-12-04 Thread Maarten Baute
 I love both the Xone's and the Pioneer 5/600's. They are the best mixers
 I've used. And then there are the rumors about the 700 that have been
 kicking around for a few months. Nothing on Pioneer's site yet that I can
 find.

I am happy with my DJM-600 from pioneer. But they could have made the faders
a bit more robuust, I cut and fade A LOT and sometimes the plastic comes off
;)

But I have another question about mixing:

The only mixer I EVER used is the djm-600 (I never played out of my room),
so I don´t know how this is with other mixers but listen:

On my mixer you have a studio monitor function, wich lets you hear the
main audio channel in your headphones (the main audio channel is everything
people on the dancefloor hear.. ), I wanted to know if this is an option
that is also available on most mixers? Because when I beat match , I always
listen in my headphones to the main-channel combined with the channel I want
to mix. I can switch between those volumes, wich makes it easy to hear if
the records are still synchronized in all stages of the mix. (because the
track I want to mix is first with little bass and hihat, and later in the
mix with a lot of bass and treble - so when I don´t hear the track I am
mixing in very well, I can turn the knob a bit more to the other side, so I
hear that channel better).

I know this sounds VERY COMPLICATED..
So if you don´t understand what I mean, just tell me if your mixer has the
studio monitor option for your headphones, and tell my what do you listen
to in your headphones when you are mixing?

I just want to be prepared for the time I will have to mix elsewhere... not
on the mixer I am used to.

Thank you,
Maarten



Re: (313) E2-E4 Manuel Goettsching

2002-12-04 Thread Dan Sicko
I love the electronics-only side too, I just think he could have used a 
little editing. It just seems to come alive when the guitar parts 
bounce off the beat.


Or maybe I'm getting soured on repetition in my old age.

-d

On Wednesday, December 4, 2002, at 09:00  AM, Sean Creen wrote:




I love the track too, but IMHO it's at its most interesting when the

guitar comes in halfway through.

Really? It's just the opposite for me - I hardly ever listen to side 
two; it
all just gets a bit too prog-rock and noodly for my liking, but side 
one is

genius...

Sean.







(313) I hear that 313 should worship LCD Soundsystem

2002-12-04 Thread Tosh Cooey
Yes, 313 is Losing it's Edge.

LCD Soundsystem's Losing My Edge reminds me so much of a 313 thread.

It's the saddest night out in the USA...

Tosh
-- 
Twelve Hundred Group
http://www.1200group.com/


RE: (313) mixer advice

2002-12-04 Thread House of Suki
I agree about the Vestex being a excellent quality mixer HOWEVER its more
geared toward performance and is not that well suited for the home.  For one
thing, no booth or record outputs and no pre-mix feature either.  If you can
live without those, thts the way to go.  Otherwise, Pioneer DJM-300,500,600
or the 9000 (the pimpest of the pimp IMHO).  The new Rane (forget the model,
the new blue one) looks tight and alot more DJ friendly.  Rane has excellent
quality and sound but some of their mixers are laid out in a not so
conventional manner and not very DJ friendly (not to mention they are
expensive).

happy hunting.
Raph

-Original Message-
From: ian cheshire [mailto:[EMAIL PROTECTED]
Sent: Tuesday, December 03, 2002 5:44 PM
To: [EMAIL PROTECTED]; joe ruster; 313@hyperreal.org
Subject: RE: (313) mixer advice


yep thats the vestax I used in Tresor and what a pleasure it was :)
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 03 December 2002 22:40
To: joe ruster; 313@hyperreal.org
Subject: Re: (313) mixer advice


slightly more than the price range you gave, but imo the vestax pmc275 is by
far the best mixer for the money out there

- Original Message -
From: joe ruster [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Tuesday, December 03, 2002 2:27 PM
Subject: (313) mixer advice


 need mixer advice: two Numark's went sour...would like a Vestax (pmc).
 anyone have knowledge of Rane products? ...or, how about some general
 comments about the good the bad (possibly ugly, if you include
 Gemini)...price range around $300-350thanksj

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Re: (313) osunlade, jojoflores

2002-12-04 Thread Gerald
Dude, 

Osunlade (pronounced Ocean-la-day) produces wicked soulful, jazzy, deep,
house. Don't freakin' miss this show, if your into those kind of sounds!
Jojo is a DJ who hails from Montreal. He also runs an excellent record
shop called Rotation, and has recently started his own label (Gotsoul
Recordings). For more info on him check out http://www.jojoflores.com

Cheers!

G

T.J.Johnson wrote:
 
 Hi.  These guys/girls are playing this Friday.  Does
 anyone have any info about them?  I'm not sure I've
 ever heard of them.  Thanks!
 
 TJJ
 
 ~in a perfect world, nothing is perfect~
 
 PeoplePC:  It's for people. And it's just smart.
 http://www.peoplepc.com


Re: (313) mixer advice

2002-12-04 Thread tom churchill
This is my current lust-object...

http://www.allen-heath.co.uk/DisplayProduct.asp?pview=38

Cheers,

Tom



Re: (313) mixer advice

2002-12-04 Thread Tristan Watkins
Maarten,

You're talking about the equivalent of a 'cueing crossfader' on the Pioneer
600. It's just a knob on the Pioneer's and on some other models.
Otherwise you will have a crossfader that blends from cue to master. Most
mixers will have this option - not all. If you're mixing in a club, I'd say
there's a 95% chance you'll have a cueing crossfader or what you have on the
pioneer.

However, part of playing out is adapting your mixing to equipment you don't
use at home, so it's always good to be able to mix different ways. You may
want to learn to mix without cueing in your headphones, in case you find
yourself in a situation where you don't have that option. For this same
reason, I almost never use a crossfader.

For any of you that are just starting to cut your teeth playing out, or want
mixer/mixing advice, I'd recommend paying http://www.amtrakdjs.org/ a visit.
It's a non-regional site/list with DJs from all styles - so arrive with an
open mind and prepare for an abstracted discussion away from genre
specifics. There's a lot of good advice to be gleened for 'first gig'-type
situations, and the 'what mixer should I get?' thread is a constant, so they
always have good advice on DJ gear.

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

New Mix in mp3, 'Live in Iowa City' available for
a short time from http://phonopsia.isoprax.com




Re: (313) mixer advice

2002-12-04 Thread Tristan Watkins
Maarten,

You're talking about the equivalent of a 'cueing crossfader' on the Pioneer
600. It's just a knob on the Pioneer's and on some other models.
Otherwise you will have a crossfader that blends from cue to master. Most
mixers will have this option - not all. If you're mixing in a club, I'd say
there's a 95% chance you'll have a cueing crossfader or what you have on the
pioneer.

However, part of playing out is adapting your mixing to equipment you don't
use at home, so it's always good to be able to mix different ways. You may
want to learn to mix without cueing in your headphones, in case you find
yourself in a situation where you don't have that option. For this same
reason, I almost never use a crossfader.

For any of you that are just starting to cut your teeth playing out, or want
mixer/mixing advice, I'd recommend paying http://www.amtrakdjs.org/ a visit.
It's a non-regional site/list with DJs from all styles - so arrive with an
open mind and prepare for an abstracted discussion away from genre
specifics. There's a lot of good advice to be gleened for 'first gig'-type
situations, and the 'what mixer should I get?' thread is a constant, so they
always have good advice on DJ gear.

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

New Mix in mp3, 'Live in Iowa City' available for
a short time from http://phonopsia.isoprax.com




(313) More mixer advice

2002-12-04 Thread Eric Scuccimarra
I need a mixer recommendation. I currently have a two channel scratch mixer 
which I love but I have added a few things to my DJ set-up.


I have my two turntables, a CD player and a drum machine which I would like 
to hook up to the mixer. My coffin is sized for a scratch mixer, so 
ideally  I would like a 4 channel mixer but I don't know if they make those 
in scratch size so a 3 channel would probably have to do.


Needs to have good EQ on each channel, I prefer knobs to faders for 
everything except for the cross fader but those are not requirements.


Everything else is open.

Any recommendations?

Thanks,
Eric



Re: (313) submerge delays

2002-12-04 Thread Gerald
I'd give them more time. 

They're kind of backed up, because of thanksgiving last week. They were
closed for half of the week, and are trying to catch up.

If you can, just hang on! :)

G

Sean Creen wrote:
 
 I know this topic has come up before, but is anyone else experiencing delays
 with Submerge getting back to them with postage costs for the new releases
 this week?
 I've noticed that they've turned up in some UK retailers and I'm wondering
 if I should just order them there instead, cos I haven't had a reply from
 Submerge yet...
 
 Thanks,
 Sean.


Re: (313) osunlade, jojoflores

2002-12-04 Thread Michael . Elliot-Knight

Osunlade is great - is he doing a live PA? Expect Afro-latin house - very
Body  Soul like. Osunlade was featured in a issue of Straight No Chaser a
while back. You should expect only the deepest soulful house music.
Here's a profile of him from allmusic.com
http://www.allmusic.com/cg/amg.dll

   

   

   

   
  Respected and emulated New York-based producer, DJ, and label chief Osunlade 
grew up in a musical
  environment; as a youngster, he took piano lessons and sang in his church's 
choir. At the age of 17, 
  he joined the cast of the popular children's show Sesame Street as a 
presenter. He later produced
  music for the program. During the late '80s, he started working as a producer 
and session hand;  
  since starting out, he has leant his talents to records by Musiq, Patti 
LaBelle, Najee, India Arie   
  and Eric Benet. In 1999, Osunlade established the Yoruba label and began 
releasing deep house
  productions of his own while cultivating new artists. For his first album, 
2001's Paradigm, the  
  producer hooked up with the U.K.'s Soul Jazz label, which released the 
excellent LP and increased
  his profile significantly as a result. Easily one of the most gifted 
producers of
  soul/funk-influenced deep house, Osunlade ? an ordained priest in the African 
religion of Ifa ?  
  graces everything he touches with spiritual, uplifting vibes. Offering, a mix 
album released by R2,  
  came out in 2002. 
   

   

   

Hope you go - let me know how it was if you do.

MEK





  T.J.Johnson 

  [EMAIL PROTECTED]To:   313@hyperreal.org 

  oplepc.com   cc: 

Subject:  (313) osunlade, 
jojoflores
  12/04/02 06:54 AM 









Hi.  These guys/girls are playing this Friday.  Does
anyone have any info about them?  I'm not sure I've
ever heard of them.  Thanks!

TJJ

~in a perfect world, nothing is perfect~

PeoplePC:  It's for people. And it's just smart.
http://www.peoplepc.com







RE: (313) E2-E4's offspring

2002-12-04 Thread Matthew MacQueen
 On review of the CD, I missed any obvious use of E2-E4, 
 although The Silver State might have some snatched chords.  

Well that's the one I was thinking of... I guess I can't say
for sure but it sounded like a satched snippet with heavy effects.

 Thanks, BTW Matt for reminding me what an awesome track Chai
  is off that 1998 release!

Isn't that a good album..  City Lights is the one I always play.  
I wish the LP was mastered louder though, it's such a great cut. Was
there a 12 release of any of these?  (wider grooves...)

peace,
Matt


RE: (313) E2-E4's offspring

2002-12-04 Thread Brendan Nelson
I just remembered a track I used to like around ten years ago - god
knows who it was by, but it got played a lot on pirate radio around
London in 1991/92. It featured the chords from E2-E4 (although with a
subtle gate effect on them), the vocal and bassline from Final Cut's
Take Me Away, and a particular classic breakbeat whose name I forget!
I didn't know of either E2-E4 or Take Me Away at that point, so when I
did eventually discover those two records I had a smile on my face. But
to this day I'd love to find that old hardcore track with the samples;
and I always find myself imagining the chords from E2-E4 whenever I hear
the acapella of Take Me Away...

| -Original Message-
| From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
| Sent: 04 December 2002 16:24
| To: The Music Institute
| Cc: Ian
| Subject: RE: (313) E2-E4's offspring
| 
| 
|  On review of the CD, I missed any obvious use of E2-E4, 
|  although The Silver State might have some snatched chords.  
| 
| Well that's the one I was thinking of... I guess I can't say
| for sure but it sounded like a satched snippet with heavy effects.
| 
|  Thanks, BTW Matt for reminding me what an awesome track Chai
|   is off that 1998 release!
| 
| Isn't that a good album..  City Lights is the one I always play.  
| I wish the LP was mastered louder though, it's such a great cut. Was
| there a 12 release of any of these?  (wider grooves...)
| 
| peace,
| Matt
| 


RE: (313) More mixer advice

2002-12-04 Thread Langsman, Marc

theres this A+H We've been chatting about : 
http://www.allenandheath.co.uk/xone32.asp

..but its tabletop and would probably be useless in a coffin...

depends how much you want to spend I guess, Ive been eyeing up one of these
vestax 3 channels scratch mixers today..

http://www.vestax.com/products/pmc37pro.htm

not sure how much it is though, knowing vestax top of the range stuff its
probably approximately $3648264.99 ;(

again also have a look at rane for 3 channel scratch mixers but expect to
pay top dolla

 -Original Message-
 From: Eric Scuccimarra [mailto:[EMAIL PROTECTED]
 Sent: 04 December 2002 15:51
 To: 313@hyperreal.org
 Subject: (313) More mixer advice
 
 
 I need a mixer recommendation. I currently have a two channel 
 scratch mixer 
 which I love but I have added a few things to my DJ set-up.
 
 I have my two turntables, a CD player and a drum machine 
 which I would like 
 to hook up to the mixer. My coffin is sized for a scratch mixer, so 
 ideally  I would like a 4 channel mixer but I don't know if 
 they make those 
 in scratch size so a 3 channel would probably have to do.
 
 Needs to have good EQ on each channel, I prefer knobs to faders for 
 everything except for the cross fader but those are not requirements.
 
 Everything else is open.
 
 Any recommendations?
 
 Thanks,
 Eric
 
 

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This message is intended only for the personal and confidential use of the 
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distribution or copying of this message is strictly prohibited.  This 
communication is for information purposes only and should not be regarded as an 
offer to sell or as a solicitation of an offer to buy any financial product, an 
official confirmation of any transaction, or as an official statement of Lehman 
Brothers.  Email transmission cannot be guaranteed to be secure or error-free.  
Therefore, we do not represent that this information is complete or accurate 
and it should not be relied upon as such.  All information is subject to change 
without notice.




RE: (313) More mixer advice

2002-12-04 Thread Brendan Nelson
| -Original Message-
| From: Langsman, Marc [mailto:[EMAIL PROTECTED]
| Sent: 04 December 2002 16:38
| 
| http://www.vestax.com/products/pmc37pro.htm
| 
| not sure how much it is though, knowing vestax top of the 
| range stuff its probably approximately $3648264.99 ;(

It'll set you back £799 at www.sapphires.co.uk! I'd probably spend that
money on some sort of kick-arse monosynth sooner than on a mixer, but
I've decided to ramp my mixer budget up to £350 (which will get me a
Vestax PCV 275 from the abovementioned website). Maybe if I owned a
nightclub I'd see the sense in spending 800 quid on a mixer :)

Brendan


(313) bootlegs

2002-12-04 Thread alex . bond
Memo from Alex Bond of PricewaterhouseCoopers

 Start of message text 

Sorry to drag this one up again, but my friend is after the tracklistings
of the 'Music Box' bootlegs (vol 12).

Can anyone point me to where they are, or does anyone have them?

Many Thanks,

Alex

P.S. New Rhythm  Sound 10 is the bomb (if you're into them). It's called
Lovejoy. Ian McShane is on the effects box.

- End of message text 

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for services to clients are with, PricewaterhouseCoopers. The
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RE: (313) More mixer advice

2002-12-04 Thread Langsman, Marc

ouch thats nasty...Im thinking of upgrading at somepoint - I love the
mixtick and Id be upgrading purely for dceent eq functionality , dont think
Id shell out 800 bucks tho. I was in rubadub the other week and they had one
of the older vestax scratch picklz style mixers which they reckoned they
could  do for 500cash (normally 600ish I think) am very tempted but because
of the new samurai mixers my mixstick is only worth like 220 new now :( (was
about 500-550 when they came out)

 -Original Message-
 From: Brendan Nelson [mailto:[EMAIL PROTECTED]
 Sent: 04 December 2002 16:49
 To: Langsman, Marc; Eric Scuccimarra; 313@hyperreal.org
 Subject: RE: (313) More mixer advice
 
 
 | -Original Message-
 | From: Langsman, Marc [mailto:[EMAIL PROTECTED]
 | Sent: 04 December 2002 16:38
 | 
 | http://www.vestax.com/products/pmc37pro.htm
 | 
 | not sure how much it is though, knowing vestax top of the 
 | range stuff its probably approximately $3648264.99 ;(
 
 It'll set you back £799 at www.sapphires.co.uk! I'd probably 
 spend that
 money on some sort of kick-arse monosynth sooner than on a mixer, but
 I've decided to ramp my mixer budget up to £350 (which will get me a
 Vestax PCV 275 from the abovementioned website). Maybe if I owned a
 nightclub I'd see the sense in spending 800 quid on a mixer :)
 
 Brendan
 

--
This message is intended only for the personal and confidential use of the 
designated recipient(s) named above.  If you are not the intended recipient of 
this message you are hereby notified that any review, dissemination, 
distribution or copying of this message is strictly prohibited.  This 
communication is for information purposes only and should not be regarded as an 
offer to sell or as a solicitation of an offer to buy any financial product, an 
official confirmation of any transaction, or as an official statement of Lehman 
Brothers.  Email transmission cannot be guaranteed to be secure or error-free.  
Therefore, we do not represent that this information is complete or accurate 
and it should not be relied upon as such.  All information is subject to change 
without notice.




(313) Need of approval

2002-12-04 Thread dj337is
IM conversation between some friends of mine.I find the girl's
perspective funny, and remarkably perceptive to the scene.  He's a 4th
year BFA candidate in painting who dabbles in music production, she's a
30 something professional who is known to dip her toe into the world of
electronic music.  Anyway, I thought some of you might relate to this.

 

Leslie

 

 

 

Girl says:

Does a group of fans chanting your name one at a time work for you?

Girl says:

Or does it have to be all together?

Girl says:

Cause sleeping around a lot won't get you the latter, I don't think.

Boy says:

all together, with fist pumping actioni!

Girl says:

Also, I don't think the art world is going to get you that.

Girl says:

Maybe music.

Boy says:

i've gotta reach international playboy /dj stus.

Boy says:

status...

Girl says:

But if you do electronic music, most of your fans will be balding guys
in retro t-shirts.

 





RE: (313) mixer advice

2002-12-04 Thread rh

I would look into the Tascam X9. I have this one.  2 Samplers, 2 Effects
processors, 4 channels and the ability to have 2 footswitches for the
samplers or effects.  It is way better then the Pioneer 600.

www.tascamdj.com

rh
[EMAIL PROTECTED]
SDF Public Access UNIX System - http://sdf.lonestar.org

On Wed, 4 Dec 2002, Brendan Nelson wrote:

 Date: Wed, 4 Dec 2002 11:33:17 -
 From: Brendan Nelson [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: RE: (313) mixer advice

 I'm just looking at these Allen  Heath mixers now - I'm not sure why
 they don't just go the whole hog and stick a Juno 106 onto them! And
 it's cheaper than the Pioneer DJM-600 as well (which is my favourite out
 of all the mixers I've used).

 While it's tempting to splash out on a serious kick-arse mixer like
 that, it would only really make sense to me if I had a huge basement in
 which I threw regular all-night parties - as it is, it would seem a bit
 of a waste to have a rude mixer sitting there in my bedroom! I could
 wait until January (when my next paycheque, which will be pretty big, is
 due) and get a kick-arse mixer then, or just get a mid-level PCV175
 now... oh sod it, I'll spend this month's wages on records and then I'll
 get an AH in January!

 Brendan

 (sorry for thinking out on the list!)

 | -Original Message-
 | From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
 | Sent: 04 December 2002 11:31
 | To: Neil Wallace; 313@hyperreal.org
 | Subject: Re: (313) mixer advice
 |
 |
 | Two Scots shelling out for an Allen  Heath mixer (I've got
 | the same as
 | Toby's)! Take that Brendan! It must be good :) It's maybe not
 | the price
 | range currently being talked about?
 |
 | There's no LFO on mine, is that a feature of more recent models?
 |
 | - Original Message -
 | From: Neil Wallace [EMAIL PROTECTED]
 | To: 313@hyperreal.org
 | Sent: Wednesday, December 04, 2002 11:15 AM
 | Subject: RE: (313) mixer advice
 |
 | Agreed, I got a xone:32 for around 400 and it seems really nice and
 | solid too - having a filter on the mixer is quite a cool and worthwile
 | addition (specially when it has an LFO to modulate it :)
 |
 |
 |
 |




Re: (313) Need of approval

2002-12-04 Thread ::\)
and thats why we love it.


- Original Message -
From: dj337is [EMAIL PROTECTED]
To: AHOT [EMAIL PROTECTED];  313 313@hyperreal.org;
[EMAIL PROTECTED]
Sent: Wednesday, December 04, 2002 12:07 PM
Subject: (313) Need of approval


 IM conversation between some friends of mine.I find the girl's
 perspective funny, and remarkably perceptive to the scene.  He's a 4th
 year BFA candidate in painting who dabbles in music production, she's a
 30 something professional who is known to dip her toe into the world of
 electronic music.  Anyway, I thought some of you might relate to this.



 Leslie







 Girl says:

 Does a group of fans chanting your name one at a time work for you?

 Girl says:

 Or does it have to be all together?

 Girl says:

 Cause sleeping around a lot won't get you the latter, I don't think.

 Boy says:

 all together, with fist pumping actioni!

 Girl says:

 Also, I don't think the art world is going to get you that.

 Girl says:

 Maybe music.

 Boy says:

 i've gotta reach international playboy /dj stus.

 Boy says:

 status...

 Girl says:

 But if you do electronic music, most of your fans will be balding guys
 in retro t-shirts.








(313) electronic boutique radio show 1pm today

2002-12-04 Thread plaztikjezuz
sorry if this goes through twice but I have not recieved it yet on 313.
--  Forwarded Message:  -
From:Scott Laakso [EMAIL PROTECTED]
To:  313@hyperreal.org, [EMAIL PROTECTED], minimalistik list [EMAIL 
PROTECTED], [EMAIL PROTECTED]
Subject: [minimalistik] electronic boutique radio show 1pm today
Date:Wed, 4 Dec 2002 11:10:17 -0500

www.channelzonline.org

todays show is all techno.
three mixes by: (in order)

scotto (me)
george rahme
atomly

lets see if you all can pick out my weekly industral track?

if you are interested in doing a set for the show hit me back. I always need
good mixes.

scotto
lansing, mi.


[EMAIL PROTECTED]   == to post
http://www.minimalistik.com/   == website
http://www.mp313.com/  == go here for good mp3's
http://www.paxahau.com/== many streaming sets from famous djs
http://www.deephousepage.com/  == loads of streams new and classics

To unsubscribe from this group, send an email to:
[EMAIL PROTECTED]

 

Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ 




Re: (313) Need of approval

2002-12-04 Thread Poivrenoir
Well let me ask this question...
Have either of these 2 people actually ever been to a party where there's 
electronic music?
Steve


RE: (313) Need of approval

2002-12-04 Thread dj337is
Oh yes, plenty of them...if I were going to describe them, I'd say
seasoned veterans as far as parties of that sort is concerned.

Leslie

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, December 04, 2002 12:24 PM
To: 313@hyperreal.org
Subject: Re: (313) Need of approval

Well let me ask this question...
Have either of these 2 people actually ever been to a party where
there's 
electronic music?
Steve




(313) d'angelo id

2002-12-04 Thread Lester Kenyatta Spence
there's a song by d'angelo that i've heard a lot of house dj's usetheo
parrish used it in his first demf set a few years back.  does anyone know
the name?

lks





Re: (313) d'angelo id

2002-12-04 Thread derek




pretty sure it was 'Spanish Joint' or something like that. Its on Voodoo.




On Wed, 4 Dec 2002, Lester Kenyatta Spence wrote:

 there's a song by d'angelo that i've heard a lot of house dj's usetheo
 parrish used it in his first demf set a few years back.  does anyone know
 the name?

 lks







Re: (313) d'angelo id

2002-12-04 Thread Jonny McIntosh
Spanish Joint

There's an excellent reedit/remix by 95 North that's, IMO, superior.

- Original Message -
From: Lester Kenyatta Spence [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, December 04, 2002 6:10 PM
Subject: (313) d'angelo id


 there's a song by d'angelo that i've heard a lot of house dj's usetheo
 parrish used it in his first demf set a few years back.  does anyone know
 the name?

 lks







RE: (313) d'angelo id

2002-12-04 Thread Brendan Nelson
I heard that 95 North did a remix of Brandy's recent glitch-RB track
What About Us - is that any good? A house DJ was ranting on to me
about it last night, and I do have a soft spot for the original, but...

| -Original Message-
| From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
| Sent: 04 December 2002 18:20
| To: Lester Kenyatta Spence; 313@hyperreal.org
| Subject: Re: (313) d'angelo id
| 
| 
| Spanish Joint
| 
| There's an excellent reedit/remix by 95 North that's, IMO, superior.
| 
| - Original Message -
| From: Lester Kenyatta Spence [EMAIL PROTECTED]
| To: 313@hyperreal.org
| Sent: Wednesday, December 04, 2002 6:10 PM
| Subject: (313) d'angelo id
| 
| 
|  there's a song by d'angelo that i've heard a lot of house 
| dj's usetheo
|  parrish used it in his first demf set a few years back.  
| does anyone know
|  the name?
| 
|  lks
| 
| 
| 
| 
| 
| 


Re: (313) d'angelo id

2002-12-04 Thread Tristan Watkins
- Original Message -
From: Jonny McIntosh [EMAIL PROTECTED]
To: Lester Kenyatta Spence [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Wednesday, December 04, 2002 6:20 PM
Subject: Re: (313) d'angelo id


 Spanish Joint

 There's an excellent reedit/remix by 95 North that's, IMO, superior.

Do you have release info on this, or is there matrix info if it's a white
label (I thought it was)? Been meaning to track this down for ages. I
thought there wasn't a lot of difference between original and re-edit but
I've never heard them side-by-side. Is it just pressing, sound quality, etc,
or have they made it fixed-tempo as well? In short, why d'ya like it better?
:)

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

New Mix in mp3, 'Live in Iowa City' available for
a short time from http://phonopsia.isoprax.com




Re: (313) Mike Clark on Groovetech Radio London NOW

2002-12-04 Thread s mcgill
He has a couple of mixes on www.frequencydetroit.com

scott

 He missed his flight I gather, much to the annoyance of some on this list!


 - Original Message -
 From: [EMAIL PROTECTED]
 To: Tristan Watkins [EMAIL PROTECTED]
 Cc: 313 313@hyperreal.org
 Sent: Tuesday, December 03, 2002 8:49 AM
 Subject: Re: (313) Mike Clark on Groovetech Radio London NOW


 
  Talking of Mike Clark .. did anyone hear him DJ in London last Friday?
  I've never heard him DJ so I'm interested to know what he's like.
 
  G
 
 





Re: (313) d'angelo id

2002-12-04 Thread Jonny McIntosh
  Spanish Joint
 
  There's an excellent reedit/remix by 95 North that's, IMO, superior.

 Do you have release info on this, or is there matrix info if it's a white
 label (I thought it was)? Been meaning to track this down for ages. I
 thought there wasn't a lot of difference between original and re-edit but
 I've never heard them side-by-side. Is it just pressing, sound quality,
etc,
 or have they made it fixed-tempo as well? In short, why d'ya like it
better?

I'm not at home, as you can guess but I have it backed with an edit of
Stevie Wonder. I can't remember which track, maybe Another Star but I'm
not sure. Matrix is WON001. No artist info is given. Side by side, there's
little difference: slightly better EQing for the dancefloor, less flabby. I
can't really put my finger on it exactly. The LP version just sounds a bit
weaker in comparison.




Re: (313) I hear that 313 should worship LCD Soundsystem

2002-12-04 Thread derek




don't do it that way. you'll never make a dime!

derek.



On Wed, 4 Dec 2002, Tosh Cooey wrote:

 Yes, 313 is Losing it's Edge.

 LCD Soundsystem's Losing My Edge reminds me so much of a 313 thread.

 It's the saddest night out in the USA...

 Tosh
 --
 Twelve Hundred Group
 http://www.1200group.com/




RE: (313) I hear that 313 should worship LCD Soundsystem

2002-12-04 Thread Rob Theakston
i thought we covered this thread already?

i should know... i was there..

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, December 04, 2002 2:04 PM
To: Tosh Cooey
Cc: 313@hyperreal.org
Subject: Re: (313) I hear that 313 should worship LCD Soundsystem






don't do it that way. you'll never make a dime!

derek.



On Wed, 4 Dec 2002, Tosh Cooey wrote:

 Yes, 313 is Losing it's Edge.

 LCD Soundsystem's Losing My Edge reminds me so much of a 313 thread.

 It's the saddest night out in the USA...

 Tosh
 --
 Twelve Hundred Group
 http://www.1200group.com/





RE: (313) I hear that 313 should worship LCD Soundsystem

2002-12-04 Thread derek




well, it was either that or elliott smith lyrics. what can i say?? im a
puzzle.

derek.



On Wed, 4 Dec 2002, Rob Theakston wrote:

 i thought we covered this thread already?

 i should know... i was there..

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Sent: Wednesday, December 04, 2002 2:04 PM
 To: Tosh Cooey
 Cc: 313@hyperreal.org
 Subject: Re: (313) I hear that 313 should worship LCD Soundsystem






 don't do it that way. you'll never make a dime!

 derek.



 On Wed, 4 Dec 2002, Tosh Cooey wrote:

  Yes, 313 is Losing it's Edge.
 
  LCD Soundsystem's Losing My Edge reminds me so much of a 313 thread.
 
  It's the saddest night out in the USA...
 
  Tosh
  --
  Twelve Hundred Group
  http://www.1200group.com/
 






(313) mixer advice

2002-12-04 Thread joe ruster
thanks for all the MIXER advice...appreciated! (PCV275 wins)

just say NO to Numark

___j



Re: (313) mixer advice

2002-12-04 Thread Eric Scuccimarra

Yes, thanks. I think I found a decent looking Numark 3 channel scratch mixer.

I do have one other question that I recently asked on the 313techknow list:

Until recently my turntables were connected to my PC via a set of long RCA 
cables so I could record directly to hard drive. I just moved and now the 
computer room is upstairs and the tables are downstairs so I can't run RCA 
cables all over the house to make the connection.


So I need a way to be able to record from the turntables and get it onto my 
computer.


Some suggestions included:
- A stereo CD burner
- A portable WAV recorder
- Some sort of device which allegedly transmits sound using radio waves.

Any comments, suggestions, advice? Particularly on what models of things to 
get...


Thanks,

Eric



Re: (313) mixer advice

2002-12-04 Thread Eric Scuccimarra
I don't know about the analog-digital conversion but a DAT is probably way 
out of my price range. I use Macs for all of my sound-related stuff as 
well. I was thinking more along the lines of a CD burner which hooks up to 
RCA cables or a portable WAV recorder or something like that.


Thanks.

At 04:11 PM 12/4/2002 -0500, Edwin Houghton wrote:

I don't know your price range but it sounds like what you really need is a
portable DAT...I'm no tech whiz but from my experience the analog-digital
conversion on a DAT is probably much superior to what you'd get by running
straight into the sound card anyway...but then again I'm a mac user, anybody
confirm/disagree?


on 12/4/02 3:24 PM, Eric Scuccimarra at [EMAIL PROTECTED] wrote:

 Yes, thanks. I think I found a decent looking Numark 3 channel scratch 
mixer.


 I do have one other question that I recently asked on the 313techknow list:

 Until recently my turntables were connected to my PC via a set of long RCA
 cables so I could record directly to hard drive. I just moved and now the
 computer room is upstairs and the tables are downstairs so I can't run RCA
 cables all over the house to make the connection.

 So I need a way to be able to record from the turntables and get it onto my
 computer.

 Some suggestions included:
 - A stereo CD burner
 - A portable WAV recorder
 - Some sort of device which allegedly transmits sound using radio waves.

 Any comments, suggestions, advice? Particularly on what models of things to
 get...

 Thanks,

 Eric





(313) solexis label decode help

2002-12-04 Thread dmc
so this Solexis audio record that says particles, beta light, lazy bones...

what's the full info? artist, tracks, label? 

thanks, 

dave



Re: (313) solexis label decode help

2002-12-04 Thread Nuutti-Iivari Meriläinen
On Wed, 4 Dec 2002, dmc wrote:

 so this Solexis audio record that says particles, beta light, lazy bones...
 
 what's the full info? artist, tracks, label? 
 
  There are two Solexis Audio releases out this far, both are quite
mysterious as to the producer(s). To my feeble knowledge, they are by the
same people who put out the three absolutely fabulous electro releases on
Scopex, (two as Simulant and one as Pollon). I haven't got the faintest
idea who are behind the releases, though I would make it almost mandatory
for everyone who likes electro to hunt the Scopex releases down (if you
can - they are very, very scarce nowadays).

  The Solexis releases are both very solid, well produced and fine
material for almost any set. I recommend them heartily, though the first
one could be a bit difficult to find.

  If anyone has any information on Scopex/Solexis they want to share, I'm
interested as well.

  Cheers,
-- 
nuutti-iivari meriläinen   gordon at diversion dot org
http colon slash slash www dot diversion dot org slash




Re: (313) solexis label decode help

2002-12-04 Thread Nuutti-Iivari Meriläinen
On Thu, 5 Dec 2002, Nuutti-Iivari Meriläinen wrote:

 On Wed, 4 Dec 2002, dmc wrote:
 
  so this Solexis audio record that says particles, beta light, lazy 
  bones...
  
  what's the full info? artist, tracks, label? 
  

  Oh yes. The information :)

  PLS12001 Solexis Audio - Deep Flight (1999, 12)
  A1Deep Flight
  B1Dusk Til Dawn

  SLX12002 Solexis Audio - Particles (2002, 12)
  A1Particles
  B1Beta Lite
  B2Lazy Bones

  Cheers,
-- 
nuutti-iivari meriläinen   gordon at diversion dot org
http colon slash slash www dot diversion dot org slash