Re: (313) Re: techno
yecch ... this is one person entering that information. As awesome and detailed as the Sonic Groove database is, it's still subject to opinion. If Aril Brikha ain't techno, I don't know what is. -d On Monday, February 17, 2003, at 03:31 PM, spw wrote: (description from the SG database: slammin tech-house masterpiece!!!)
Re: (313) apparently there's been an update
i'm way underwhelmed--carl craig using flash to say 'site under construction, come back later'. typical flash usage--zero content, coupled with lacklustre and dull graphics/animation. james From: Rob Theakston [EMAIL PROTECTED] Date: Mon, 17 Feb 2003 16:30:52 -0500 To: 313@hyperreal.org Subject: (313) apparently there's been an update http://www.planet-e.net
RE: (313) apparently there's been an update
i don't know... it sure beats the sapphirecu*t site. hey, nobody has told me what happened to the twoplayer site! lrh -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 18, 2003 11:47 AM To: 313@hyperreal.org Subject: Re: (313) apparently there's been an update i'm way underwhelmed--carl craig using flash to say 'site under construction, come back later'. typical flash usage--zero content, coupled with lacklustre and dull graphics/animation. james From: Rob Theakston [EMAIL PROTECTED] Date: Mon, 17 Feb 2003 16:30:52 -0500 To: 313@hyperreal.org Subject: (313) apparently there's been an update http://www.planet-e.net
(313) Hawtin Dates For Europe
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** By the way you can tell 313 that Hawtin plays UK/Europe in April, some German/Dutch dates already announced: Timewarp Mannheim 5April and Awakenings 20 April Holland.
Re: (313) Hawtin Dates For Europe
for London peeps, he's playing The End with Magda on 12 April. *** This e-mail is from Telegraph Group Ltd. - 1 Canada Square, Canary Wharf, London E14 5DT. Registered in England No 0451593. This message, its contents and any attachments to it, are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or any part of this message (without our prior consent in writing) is prohibited. If you are not the intended recipient of this message please notify us immediately. No contracts may be concluded on behalf of Telegraph Group Limited by means of email. *** - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: 18 February 2003 09:14 Subject: (313) Hawtin Dates For Europe ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** By the way you can tell 313 that Hawtin plays UK/Europe in April, some German/Dutch dates already announced: Timewarp Mannheim 5April and Awakenings 20 April Holland.
SV: (313) Blake Baxter Orlando Voorn
BLAKE BAXTER - LA LA SONG (Tresor) -Am I right in thinking that he sampled Stevie Wonder for this one ?? That's the one with the sample from Stevie's Another Star, isn't it? I've got it on a Dream Sequence 2x12/LP /Hansi
Re: (313) suburban knight on p'frog + liasons dangereuses
Yeah, Mike Grant is staying with me at the moment...didn't make it up north, but apparently it was OK. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep _ From: Toby Frith [EMAIL PROTECTED] Organization: Telegraph Group Limited Reply-To: Toby Frith [EMAIL PROTECTED] Date: Mon, 17 Feb 2003 08:57:34 - To: Odeluga, Ken [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) suburban knight on p'frog + liasons dangereuses Reports of Hood being booed at the Orbit for getting too minimal are yet to be confirmed.. :) What about Mike Grant at T-Funkshun? looks like the north had it good for Detroit this weekend. *** This e-mail is from Telegraph Group Ltd. - 1 Canada Square, Canary Wharf, London E14 5DT. Registered in England No 0451593. This message, its contents and any attachments to it, are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or any part of this message (without our prior consent in writing) is prohibited. If you are not the intended recipient of this message please notify us immediately. No contracts may be concluded on behalf of Telegraph Group Limited by means of email. *** - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: 313@hyperreal.org Sent: 17 February 2003 07:15 Subject: RE: (313) suburban knight on p'frog + liasons dangereuses That's Dan Bell, Pennington there, Hood/Denham in Leeds on Saturday. Little reviews wd be great if poss pls. Cheers k -Original Message- From: ryan burns [mailto:[EMAIL PROTECTED] Sent: Monday, February 17, 2003 2:09 AM To: 313@hyperreal.org Subject: Re: (313) suburban knight on p'frog + liasons dangereuses coul you tell me more about that night. any particular tracks dan bell played you recignzed. wish i could have been there. bell has a new track on Perlon that i love. with a isolee rmx. nice! ryan burns From: Tom Churchill [EMAIL PROTECTED] Big shout to the 313ers who made it along to 69 last night for Dan Bell - particularly BT for bringing such a big crowd, and Richard and Susie for bringing your infectious enthusiasm all the way from London :) Hope you had a good night see you all soon... Cheers, Tom _ The new MSN 8: advanced junk mail protection and 2 months FREE* http://join.msn.com/?page=features/junkmail
Re: (313) Blake Baxter Orlando Voorn
Get the basic bas, volume 2 (one with the pink cover) Baruka - Raver Of The Lost Funk - OH MY GOD, where did you find this, I've been looking for that ever since I sold it!! This is, in my opinion, is one of Orlando's best ever records BUY BUY BUY. There was only 500 of these,a total classic. A dreamy piece of dutch techno, deffo in my top 10 dutch techno records. Oh, and if you get it and don't like it, I'll have it!!! Chris Anglesey [EMAIL PROTECTED] To: 313@hyperreal.org lworld.comcc: Subject: (313) Blake Baxter Orlando Voorn 17/02/2003 19:58 Hello, I'm thinking of buying the following records by Blake Baxter and Orlando Voorn was wondering if anyone could supply info on them (e.g style, would you recommend them etc.) ; BLAKE BAXTER - LA LA SONG (Tresor) -Am I right in thinking that he sampled Stevie Wonder for this one ?? BARUKA/ORLANDO VOORN - Raiders of the Lost Funk BASIC BASTARD (Baxter Voorn) 1,2,3 Thanks, Chris. _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) playlists and conversations
FINALY SOMEONE SAID SOMETHING WORTH SAYING. TAKE HEED YOU BORES. Rob From: [EMAIL PROTECTED] Date: Mon, 17 Feb 2003 07:29:39 -0500 To: 313@hyperreal.org Subject: (313) playlists and conversations For the person giving the years on his playlists, isnt that very fuggin geeked out? and all these techno conversation about what is techno, they all suck. Go to Submerge or something and ask mike banks.The basic fact is there is good music and bad, and acoustic music and electronic music. Thats it. Cant you guys go back to talking about new records and old records? what is this shiznit? You guys bore everyone! And of course Missy Elliot is at least a little techno. That isnt just hand drums behind her vocals. And Adam beyer is also techno, its just pounding. Its obviously not Rhythim is Rhythim , but no disrespect. Id rather use this list to find out dj dates for Derrick May or any other non-half-azzed dj, so if anybody knows, where and when is Derrick playing, in the US or abroad??? And everybody quit the shiznit, save it for your toilets
RE: (313) Blake Baxter Orlando Voorn
Another Orlando Voorn question - is his track Boomerang available on vinyl anywhere? | -Original Message- | From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 10:49 | To: 313@hyperreal.org | Subject: Re: (313) Blake Baxter Orlando Voorn | | | | Get the basic bas, volume 2 (one with the pink cover) | | Baruka - Raver Of The Lost Funk - OH MY GOD, where did you | find this, I've | been looking for that ever since I sold it!! | | This is, in my opinion, is one of Orlando's best ever records | BUY BUY BUY. | There was only 500 of these,a total classic. A dreamy piece of dutch | techno, deffo in my top 10 dutch techno records. | | Oh, and if you get it and don't like it, I'll have it!!! | | | | | | Chris Anglesey | | | [EMAIL PROTECTED] To: | 313@hyperreal.org | | lworld.comcc: | | | Subject: | (313) Blake Baxter Orlando Voorn | | 17/02/2003 19:58 | | | | | | | | | | | | | | Hello, | | I'm thinking of buying the following records by Blake Baxter | and Orlando | Voorn was wondering if anyone | could supply info on them (e.g style, would you recommend them etc.) ; | | BLAKE BAXTER - LA LA SONG (Tresor) | -Am I right in thinking that he sampled Stevie Wonder | for this one ?? | | BARUKA/ORLANDO VOORN - Raiders of the Lost Funk | | BASIC BASTARD (Baxter Voorn) 1,2,3 | | Thanks, | Chris. | | | | | _ | The information transmitted is intended only for the person | or entity to | which it is addressed and may contain confidential and/or privileged | material. Any review, retransmission, dissemination or other | use of, or | taking of any action in reliance upon, this information by persons or | entities other than the intended recipient is prohibited. | If you received | this in error, please contact the sender and delete the | material from any | computer. | | |
RE: (313) playlists and conversations
Who are the bores? Can you name names? | -Original Message- | From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 10:55 | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | FINALY SOMEONE SAID SOMETHING WORTH SAYING. | | TAKE HEED YOU BORES. | | Rob | | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) Blake Baxter Orlando Voorn
Further to this, Chris - I can't remember if you need vol 2, or vol 3! It's the one with the pink/light purple cover anyway.. - Forwarded by Alex Bond/UK/INF/PwC on 18/02/2003 11:06 - Brendan Nelson brendan.nelson@ To: Alex Bond/UK/INF/[EMAIL PROTECTED], 313@hyperreal.org line.co.uk cc: Subject: RE: (313) Blake Baxter Orlando Voorn 18/02/2003 10:53 Another Orlando Voorn question - is his track Boomerang available on vinyl anywhere? | -Original Message- | From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 10:49 | To: 313@hyperreal.org | Subject: Re: (313) Blake Baxter Orlando Voorn | | | | Get the basic bas, volume 2 (one with the pink cover) | | Baruka - Raver Of The Lost Funk - OH MY GOD, where did you | find this, I've | been looking for that ever since I sold it!! | | This is, in my opinion, is one of Orlando's best ever records | BUY BUY BUY. | There was only 500 of these,a total classic. A dreamy piece of dutch | techno, deffo in my top 10 dutch techno records. | | Oh, and if you get it and don't like it, I'll have it!!! | | | | | | Chris Anglesey | | | [EMAIL PROTECTED] To: | 313@hyperreal.org | | lworld.comcc: | | | Subject: | (313) Blake Baxter Orlando Voorn | | 17/02/2003 19:58 | | | | | | | | | | | | | | Hello, | | I'm thinking of buying the following records by Blake Baxter | and Orlando | Voorn was wondering if anyone | could supply info on them (e.g style, would you recommend them etc.) ; | | BLAKE BAXTER - LA LA SONG (Tresor) | -Am I right in thinking that he sampled Stevie Wonder | for this one ?? | | BARUKA/ORLANDO VOORN - Raiders of the Lost Funk | | BASIC BASTARD (Baxter Voorn) 1,2,3 | | Thanks, | Chris. | | | | | _ | The information transmitted is intended only for the person | or entity to | which it is addressed and may contain confidential and/or privileged | material. Any review, retransmission, dissemination or other | use of, or | taking of any action in reliance upon, this information by persons or | entities other than the intended recipient is prohibited. | If you received | this in error, please contact the sender and delete the | material from any | computer. | | | _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) playlists and conversations
the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations
putting years on playlists has nothing to do with 'definitions of techno' This is a different thread dude... -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 5:12 p.m. To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations
Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
Re: (313) playlists and conversations
Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
Re: (313) playlists and conversations (changing topic)
ok so hi we should end this and talk about something else. what about the new hawtin and vath album? I never heard anyone talk about it anyone wanna have a party? -Joe - Original Message - From: Andrew [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 7:29 AM Subject: Re: (313) playlists and conversations Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations (changing topic)
-Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:40 a.m. To: 313 Mailing List Subject: Re: (313) playlists and conversations (changing topic) This party, what year was it ? ok so hi we should end this and talk about something else. what about the new hawtin and vath album? I never heard anyone talk about it anyone wanna have a party? -Joe - Original Message - From: Andrew [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 7:29 AM Subject: Re: (313) playlists and conversations Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations (changing topic)
That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | | -Original Message- | From: James Bucknell [mailto:[EMAIL PROTECTED] | Sent: Wednesday, February 19, 2003 4:12 AM | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | the reason for putting the year of release in a track | listing is the | same | reason that track listings mention the artist, title, | record label and | mix. | it's information that is useful for those that want to | track it down. | james | | || || || From: [EMAIL PROTECTED] || Date: Mon, 17 Feb 2003 07:29:39 -0500 || To: 313@hyperreal.org || Subject: (313) playlists and conversations || || For the person giving the years on his playlists, | isnt that very || fuggin geeked out? and all these techno | conversation about what | is || techno, they all suck. Go to Submerge or | something and ask mike || banks.The basic fact is there is good music | and bad, and || acoustic music and electronic music. Thats it. | Cant you guys go || back to talking about new records and old | records? what is | this || shiznit? You guys bore everyone! And of course | Missy Elliot is | at || least a little techno. That isnt just hand drums | behind her || vocals. And Adam beyer is also techno, its just | pounding. Its || obviously not Rhythim is Rhythim , but no | disrespect. Id rather || use this list to find out dj dates for Derrick May | or any other || non-half-azzed dj, so if anybody knows, where and | when is Derrick || playing, in the US or abroad??? And everybody quit | the shiznit, || save it for your toilets || || | | | |
Re: (313) playlists and conversations
My memory's so SH*T these days that i encourage the use of 'context' especially the year of release ;-) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Andrew [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 12:29:38 - To: Odeluga, Ken [EMAIL PROTECTED], James Bucknell [EMAIL PROTECTED], [EMAIL PROTECTED], 313 Mailing List 313@hyperreal.org Subject: Re: (313) playlists and conversations Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations
To be honest, when I hear an amazing track and check the date and its when I was listening to something tottaly different I kind of get a mini anxiety attack... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:48 a.m. To: Andrew; 313 Mailing List Subject: Re: (313) playlists and conversations My memory's so SH*T these days that i encourage the use of 'context' especially the year of release ;-) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Andrew [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 12:29:38 - To: Odeluga, Ken [EMAIL PROTECTED], James Bucknell [EMAIL PROTECTED], [EMAIL PROTECTED], 313 Mailing List 313@hyperreal.org Subject: Re: (313) playlists and conversations Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations (changing topic)
Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | | -Original Message- | From: James Bucknell [mailto:[EMAIL PROTECTED] | Sent: Wednesday, February 19, 2003 4:12 AM | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | the reason for putting the year of release in a track | listing is the | same | reason that track listings mention the artist, title, | record label and | mix. | it's information that is useful for those that want to | track it down. | james | | || || || From: [EMAIL PROTECTED] || Date: Mon, 17 Feb 2003 07:29:39 -0500 || To: 313@hyperreal.org || Subject: (313) playlists and conversations || || For the person giving the years on his playlists, | isnt that very || fuggin geeked out? and all these techno | conversation about what | is || techno, they all suck. Go to Submerge or | something and ask mike || banks.The basic fact is there is good music | and bad, and || acoustic music and electronic music. Thats it. | Cant you guys go || back to talking about new records and old | records? what is | this || shiznit? You guys bore everyone! And of course | Missy Elliot is | at || least a little techno. That isnt just hand drums | behind her || vocals. And Adam beyer is also techno, its just | pounding. Its || obviously not Rhythim is Rhythim , but no | disrespect. Id rather || use this list to find out dj dates for Derrick May | or any other || non-half-azzed dj, so if anybody knows, where and | when is Derrick || playing, in the US or abroad??? And everybody quit | the shiznit, || save it for your toilets || || | | | |
Re: (313) playlists and conversations
They played the other night with The Strokes and the The Hives. On Tuesday, February 18, 2003, at 05:55 AM, Brendan Nelson wrote: Who are the bores? Can you name names?
Re: (313) playlists and conversations (changing topic)
LOL. that's more like it. discussing a geek's party's is quite geeky in itself. and as we all know there are good discussions and bad discussions. Rob Jarvis. Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Brendan Nelson [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 12:41:18 - To: Ralf Gill [EMAIL PROTECTED], ::) [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | | -Original Message- | From: James Bucknell [mailto:[EMAIL PROTECTED] | Sent: Wednesday, February 19, 2003 4:12 AM | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | the reason for putting the year of release in a track | listing is the | same | reason that track listings mention the artist, title, | record label and | mix. | it's information that is useful for those that want to | track it down. | james | | || || || From: [EMAIL PROTECTED] || Date: Mon, 17 Feb 2003 07:29:39 -0500 || To: 313@hyperreal.org || Subject: (313) playlists and conversations || || For the person giving the years on his playlists, | isnt that very || fuggin geeked out? and all these techno | conversation about what | is || techno, they all suck. Go to Submerge or | something and ask mike || banks.The basic fact is there is good music | and bad, and || acoustic music and electronic music. Thats it. | Cant you guys go || back to talking about new records and old | records? what is | this || shiznit? You guys bore everyone! And of course | Missy Elliot is | at || least a little techno. That isnt just hand drums | behind her || vocals. And Adam beyer is also techno, its just | pounding. Its || obviously not Rhythim is Rhythim , but no | disrespect. Id rather || use this list to find out dj dates for Derrick May | or any other || non-half-azzed dj, so if anybody knows, where and | when is Derrick || playing, in the US or abroad??? And everybody quit | the shiznit, || save it for your
Re: (313) Re: techno
yes im very serious;-) i was extremely astonished when i taped the video just to make sure its the cop(i think) skull one , i cant remember the name of the album. i guess its a minneapolis thang! who knows shew might even be into grind core ;-) so what brings you to techno? or is it the other way around? fab - Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 17, 2003 6:35 PM Subject: Re: (313) Re: techno -- Original Message -- From: Fabrizio Nahum [EMAIL PROTECTED] She even ha a Code13 tshirt in her one minute man video (for those that dont know Code13 is a minneapolis crust band. crust is justa another extreme form of punk music. very DIY.) are you serious? i love code 13, ive seen them in basements in pittsburgh a couple of times. those guys are wild! the whole Dog and Gun obsession is just nuts. i still know most of the words to thier first 7, and i have at least a couple other 7s by them... tom andythepooh.com
Re: (313) playlists and conversations (changing topic)
LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | | -Original Message- | From: James Bucknell [mailto:[EMAIL PROTECTED] | Sent: Wednesday, February 19, 2003 4:12 AM | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | the reason for putting the year of release in a track | listing is the | same | reason that track listings mention the artist, title, | record label and | mix. | it's information that is useful for those that want to | track it down. | james | | || || || From: [EMAIL PROTECTED] || Date: Mon, 17 Feb 2003 07:29:39 -0500 || To: 313@hyperreal.org || Subject: (313) playlists and conversations || || For the person giving the years on his playlists, | isnt that very || fuggin geeked out? and all these techno | conversation about what | is || techno, they all suck. Go to Submerge or | something and ask mike || banks.The basic fact is there is good music | and bad, and || acoustic music and electronic music. Thats it. | Cant you guys go || back to talking about new records and old | records? what is | this || shiznit? You guys
RE: (313) playlists and conversations (changing topic)
im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | | -Original Message- | From: James Bucknell [mailto:[EMAIL PROTECTED] | Sent: Wednesday, February 19, 2003 4:12 AM | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | the reason for putting the year of release in a track | listing is the | same | reason that track listings mention the artist, title, | record label and | mix. | it's information that is useful for those that want to | track it down. | james | | || || || From: [EMAIL PROTECTED] || Date: Mon, 17 Feb 2003 07:29:39 -0500 || To: 313@hyperreal.org || Subject: (313) playlists and conversations || || For the person giving the years on his playlists, | isnt that very || fuggin geeked out? and all these
Re: (313) playlists and conversations (changing topic) ((year 2003))
Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | |
Re: (313) playlists and conversations (changing topic) ((year 2003))
we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and
Re: (313) playlists and conversations (changing topic) ((year 2003))
yeah wear your anorak with pride. *** This e-mail is from Telegraph Group Ltd. - 1 Canada Square, Canary Wharf, London E14 5DT. Registered in England No 0451593. This message, its contents and any attachments to it, are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or any part of this message (without our prior consent in writing) is prohibited. If you are not the intended recipient of this message please notify us immediately. No contracts may be concluded on behalf of Telegraph Group Limited by means of email. *** - Original Message - From: robin pinning [EMAIL PROTECTED] To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: 18 February 2003 13:44 Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well,
RE: (313) playlists and conversations (changing topic) ((year 200 3))
now, if you could just get blake baxter to say that over a rolling 909 kick -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:45 a.m. To: Rob Jarvis. Victoria Music Ltd. Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important
Re: (313) playlists and conversations (changing topic) ((year 2003))
That's probably why there's not many Ladies in the electronic music industry. Too many geeks not enough stardom. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: robin pinning [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 13:44:32 + (GMT) To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still
Re: (313) playlists and conversations (changing topic) ((year2003))
too many chin strokers not enuff panty peelers ab - Original Message - From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Wednesday, February 19, 2003 12:18 AM Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) That's probably why there's not many Ladies in the electronic music industry. Too many geeks not enough stardom. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: robin pinning [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 13:44:32 + (GMT) To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in
RE: (313) playlists and conversations (changing topic) ((year2003))
too many hatas not enough playas (yep, this is 313 at its best) | -Original Message- | From: Alex Bates [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 13:47 | To: Rob Jarvis. Victoria Music Ltd.; [EMAIL PROTECTED]; 313 | Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | ((year2003)) | | | too many chin strokers | | not enuff panty peelers | | ab | - Original Message - | From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] | To: [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org | Sent: Wednesday, February 19, 2003 12:18 AM | Subject: Re: (313) playlists and conversations (changing | topic) ((year2003)) | | | That's probably why there's not many Ladies in the electronic music | industry. Too many geeks not enough stardom. | | Rob Jarvis | | Victoria Music Ltd. | Unit 215 old gramaphone works | 326 Kensal Road | London | W10 5BZ | + 44 (0)20 7565 8193 voice | + 44 (0)20 8960 3834 fax | | http://www.victoria-music.com | [EMAIL PROTECTED] | [EMAIL PROTECTED] (MSN messenger) | | pro-jex + killa bite + inform + subvoice + room tone + | housedust + nepenta + | u7 + kne' deep + rodeo meat + response audio + sounds unique | + hypercubic + | radio sonic + neon + feedback | | From: robin pinning [EMAIL PROTECTED] | Reply-To: [EMAIL PROTECTED] | Date: Tue, 18 Feb 2003 13:44:32 + (GMT) | To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] | Cc: 313@hyperreal.org | Subject: Re: (313) playlists and conversations (changing | topic) ((year | 2003)) | | | | we're all geeks.this is an email discussion forum after all. | | | embrace your geekdom, don't deny it. | | :) | | robin... | | | Hmmm... | I'm guessing that if a bad Techno record is mixed at a | party while geeks | are | discussing it, that makes it Detroit. | | Rob Jarvis | | Victoria Music Ltd. | Unit 215 old gramaphone works | 326 Kensal Road | London | W10 5BZ | + 44 (0)20 7565 8193 voice | + 44 (0)20 8960 3834 fax | | http://www.victoria-music.com | [EMAIL PROTECTED] | [EMAIL PROTECTED] (MSN messenger) | | pro-jex + killa bite + inform + subvoice + room tone + housedust + | nepenta + | u7 + kne' deep + rodeo meat + response audio + sounds | unique + hypercubic | + | radio sonic + neon + feedback | | From: Ralf Gill [EMAIL PROTECTED] | Date: Wed, 19 Feb 2003 02:34:37 +1300 | To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], | '313@hyperreal.org' 313@hyperreal.org | Subject: RE: (313) playlists and conversations (changing topic) | | im confused now...does the year or the music make the | techno good or | bad, or | does it all hinge on the geeks discussion... | | -Original Message- | From: Rob Jarvis. Victoria Music Ltd. | [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 2:24 a.m. | To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] | Subject: Re: (313) playlists and conversations (changing topic) | | | LOL. | that's more like it. discussing a geek's party is quite | geeky in itself. | and as we all know there are good discussions and bad discussions. | (2003) | | Rob Jarvis | | Victoria Music Ltd. | Unit 215 old gramaphone works | 326 Kensal Road | London | W10 5BZ | + 44 (0)20 7565 8193 voice | + 44 (0)20 8960 3834 fax | | http://www.victoria-music.com | [EMAIL PROTECTED] | [EMAIL PROTECTED] (MSN messenger) | | pro-jex + killa bite + inform + subvoice + room tone + housedust + | nepenta + | u7 + kne' deep + rodeo meat + response audio + sounds unique + | hypercubic + | radio sonic + neon + feedback | | From: Ralf Gill [EMAIL PROTECTED] | Date: Wed, 19 Feb 2003 01:49:18 +1300 | To: 'Brendan Nelson' [EMAIL PROTECTED], | '313@hyperreal.org' | 313@hyperreal.org | Subject: RE: (313) playlists and conversations (changing topic) | | Yeah, but sometimes it makes the bad party more | relevant, like I went | to a | party in 1983, by the time I stopped it was 1994, and | although the | party | and | all the people looked totally out-dated, when we told | the hospital the | year | they said it was cool because they could see how i ended up like | this... | | -Original Message- | From: Brendan Nelson [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:41 a.m. | To: Ralf Gill; ::); 313@hyperreal.org | Subject: RE: (313) playlists and conversations (changing topic) | | | That's not relevant! As we all know, there are just good | parties and | bad | parties. Discussing when they actually happen is fuggin | geeked out... | :) | | | -Original Message- | | From: Ralf Gill [mailto:[EMAIL PROTECTED] | | Sent: 18 February 2003 12:42 | | To: '::)'; '313@hyperreal.org' | | Subject: RE: (313) playlists and conversations (changing topic) | | | | | | | | | | -Original Message- | | From: ::) [mailto:[EMAIL PROTECTED] | | Sent: Wednesday, 19 February 2003 1:40 a.m. | | To: 313 Mailing List | | Subject: Re: (313) playlists
Re: (313) playlists and conversations (changing topic) ((year 200 3))
Fed up wailing in my ever decreasing circle of self depravation and social snobbery. now where's that one sided Basic channel 7 with the Derrick May love letter attached. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:46:48 +1300 To: '[EMAIL PROTECTED]' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) ((year 200 3)) now, if you could just get blake baxter to say that over a rolling 909 kick -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:45 a.m. To: Rob Jarvis. Victoria Music Ltd. Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well,
Re: (313) playlists and conversations (changing topic) ((year2003))
With quotes like too many chin strokers not enuff panty peelers no wonder your last name is Bates! see you at the motel Norman...hehe Rob Jarvis. Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Alex Bates [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 00:16:43 +1030 To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED], [EMAIL PROTECTED], 313 Mailing List 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) too many chin strokers not enuff panty peelers ab - Original Message - From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Wednesday, February 19, 2003 12:18 AM Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) That's probably why there's not many Ladies in the electronic music industry. Too many geeks not enough stardom. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: robin pinning [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 13:44:32 + (GMT) To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations
Re: (313) playlists and conversations (changing topic)((year2003))
that joke is about as original as a detroit techno record hahahah (from 1994 of course, gotta get those dates right) :) ab - Original Message - From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: Alex Bates [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Wednesday, February 19, 2003 12:27 AM Subject: Re: (313) playlists and conversations (changing topic)((year2003)) With quotes like too many chin strokers not enuff panty peelers no wonder your last name is Bates! see you at the motel Norman...hehe Rob Jarvis. Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Alex Bates [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 00:16:43 +1030 To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED], [EMAIL PROTECTED], 313 Mailing List 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) too many chin strokers not enuff panty peelers ab - Original Message - From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Wednesday, February 19, 2003 12:18 AM Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) That's probably why there's not many Ladies in the electronic music industry. Too many geeks not enough stardom. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: robin pinning [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 13:44:32 + (GMT) To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations
RE: (313) playlists and conversations (changing topic) ((year2003))
Too many sukkas, not enuff juice. k -Original Message- From: Alex Bates [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 18, 2003 1:47 PM To: Rob Jarvis. Victoria Music Ltd.; [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) too many chin strokers not enuff panty peelers ab - Original Message - From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Wednesday, February 19, 2003 12:18 AM Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) That's probably why there's not many Ladies in the electronic music industry. Too many geeks not enough stardom. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: robin pinning [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 13:44:32 + (GMT) To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED];
Re: (313) playlists and conversations (changing topic) ((year2003))
Blimey.check out my entire plus8 transmat basic channel axis moodsgrooves back catalogue collection (rubs hands up and down thighs) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Dina Slavensky [EMAIL PROTECTED] Organization: La Makita Soma Reply-To: Dina Slavensky [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 08:05:50 -0600 To: 313 Mailing List 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) Geeks are hot. Love, Dina - Original Message - From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 7:48 AM Subject: Re: (313) playlists and conversations (changing topic) ((year2003)) That's probably why there's not many Ladies in the electronic music industry. Too many geeks not enough stardom. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: robin pinning [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 13:44:32 + (GMT) To: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | |
Re: (313) Re: techno
On dinsdag, feb 18, 2003, at 01:12 Europe/Amsterdam, Dan Sicko wrote: yecch ... this is one person entering that information. As awesome and detailed as the Sonic Groove database is, it's still subject to opinion. Yeah the SG database, really something you can rely on, a record of mine for Keynote/Groundzero was described as hard, dark acid-techno... believe me that record was anything except hard dark... If Aril Brikha ain't techno, I don't know what is. -d On Monday, February 17, 2003, at 03:31 PM, spw wrote: (description from the SG database: slammin tech-house masterpiece!!!) [EMAIL PROTECTED]
(313) a cry for help from 313-digest
just got a new 313-digest 78kb worth of discussions... or not? this is all the 'relevant' information in the entire message: 7 messages: 1. now, if you could just get blake baxter to say that over a rolling 909 kick... 2. That's the problem why there's not many Ladies in the electronic music industry. Too many geeks not enough stardom. 3. too many chin strokers not enuff panty peelers 4. geeks are hot 5. too many haters not enough playas (yep, this is 313 at it's best) 6. fed up wailing in my ever decreasing circle of self deprivation and social snobbery now where's that one sided Basic channel 7 with the Derrick May love letter attached 7. with quotes like too many chin strokers not enough panty peelers no wonder your last name is Bates! see you at the motel Norman...hehe [trying to impersonate the wife of rev. Lovejoy:] won't somebody please think of the *313-digest-subscribers*! when scrolling through the entire digest, i spend more time scrolling through old attached messages, than reading 'new' material. the above thread took me about 5-10 minutes to open, read and scroll through... so could everyone *please* edit their posts? [this will also make you reconsidder sending your 'oh-so funny' remark in the first place] my rant is over. jurren _ MSN 8 with e-mail virus protection service: 2 months FREE* http://join.msn.com/?page=features/virus
(313) Re: In the Beginning there where Geeks.
can I get an amen bruthas? :P out of curiousity, what is the name of the track this is based off of? I've heard it a million times at clubs ect... in fact green velvet mixes it in with pepe braddocks - deep burnt- in a mix I have. its beautiful. geekin 2k3 -Joe In the beginning, there where Geeks, and Geeks had a groove, and from this groove came the groove of all grooves. And while one day viciously throwing down on his box, Geeks boldly declared, Let there be Forums, and Forums where born. I am, you see, I am the creator, and this is my Thread, and in my Thread there are only Geeks. But I am not so selfish, because once you've entered my Thread, it then becomes our Thread and our Forum... and you see no one man owns a Forum because Forums are a universal language spoke and understood by all. You see, Threads are a feeling that no one can understand really, unless you're deep into the vibe of Forums. Forums are an uncontrolable desire to post your Thread and as I told ya before this is our Thread, and our Forum and every Thread you understand there is a keeper and in this Thread the keeper is Rob. Now some of you might wonder, who is Rob, and what is it that Rob does? Rob is the one who gives you the power to post your Thread. Rob is the one who gives you the power to do the snake. Rob is the one who give you the key to the wiggly worm. Rob is the one who learns you how you walk your body, Rob is the one that can bring nations and nations of all Geeks together under one Thread. You may be black, you may be white, you may be Jew, or Gentile, it don't make a difference in our Forum, and this is a fresh Thread. Rob Jarvis. Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback
Re: (313) Re: In the Beginning there where Geeks.
isnt it a luther king speech? ab - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, February 19, 2003 1:35 AM Subject: (313) Re: In the Beginning there where Geeks. can I get an amen bruthas? :P out of curiousity, what is the name of the track this is based off of? I've heard it a million times at clubs ect... in fact green velvet mixes it in with pepe braddocks - deep burnt- in a mix I have. its beautiful.
(313) ot london spam: susumu yokota.
Re the recent thread about japanese techno/electronic music producers, I just saw this on http://www.93feeteast.co.uk/diary/index.cfm?Day=5 MARCH: 6th SUSUMU YOKOTA With the release of his first album for the PLAY Label, #8216;Over Head#8217; SUSUMU YOKOTA visits the UK for a series of club appearances. One of Japan#8217;s most prolific and acclaimed producers,Yokota is known both for his more ambient works on his own Skintone Label,released via Leaf in the UK, and house and techno oriented grooves on the Exceptional label. #8216;Over Head#8217; combines the unique sound textures and highly musical vision of the Skintone releases with electro breaks, broken beats, and dubby tech-house rhythms#8230; due to be reflected in his UK sets in March. Anya __ Freeserve AnyTime - Go online whenever you want for just £6.99 a month for your first 3 months, that's HALF PRICE! And then it's just £13.99 a month after that. For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) playlists and conversations (changing topic)
wow, 40 posts and we're still off topic :P for all of you serious about techno, are there any real lists that stick on topic and isn't 90 percent whining and arguing about every damn thing that is posted? of the 4 lists I'm on, this has the least traffic and the lowest signal to noise ratio. I'd like to replace its periodic functionality if possible. thanks -Joe -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:40 a.m. To: 313 Mailing List Subject: Re: (313) playlists and conversations (changing topic) This party, what year was it ? ok so hi we should end this and talk about something else. what about the new hawtin and vath album? I never heard anyone talk about it anyone wanna have a party? -Joe - Original Message - From: Andrew [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 7:29 AM Subject: Re: (313) playlists and conversations Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
Re: (313) Re: In the Beginning there where Geeks.
mlk talking about house music? was he even cooler than I thought? :P isnt it a luther king speech? ab - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, February 19, 2003 1:35 AM Subject: (313) Re: In the Beginning there where Geeks. can I get an amen bruthas? :P out of curiousity, what is the name of the track this is based off of? I've heard it a million times at clubs ect... in fact green velvet mixes it in with pepe braddocks - deep burnt- in a mix I have. its beautiful.
(313) cut the crap. please.
hey kids, could you please cut the crap. i've just read too many trolling mails on the list yesterday and today. thank you. sakke -- - * remixes out now * - http://www.arabuusimiehet.com/sakke/music.html
Re: (313) playlists and conversations
I want to kill this shihty thread now tell me when you need a record's date to find it, eg you know the artist, the label, the track the ep name but you need the year to actually find it..buulshhiit! So when and where are some real 313 people playing, eh?? thats far more interesting to me... And who wants to sell Jammin Gerald Factory Work on Freak Mode? Quoting James Bucknell [EMAIL PROTECTED]: the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
Re: (313) playlists and conversations
tell me when you need a record's date to find it, eg you know the artist, the label, the track the ep name but you need the year to actually find it lots of times when you're trying to find a specific pressing of a record. especially when online shops do not list all the info on a given record and you have to piece together what they really have from whatever info they give you. sometimes labels will release alternate tracks on different pressings of a record. every little bit of info helps when you're looking for a specific song.. my 0.02 but i'll have to agree that this thread needs to die, and sorry for prolonging the agony -p
(313) label comp CDs
Hi all, Just got a copy of the kompakt total 4 CD which I really like. I also bought a copy of the deep chord CD a while back. I don't often buy CDs but I like the compilation CDs released by some labels. Could I have some suggestions on what my next purchase should be? Cheers --Mike (trying to get things back on topic)
(313) LONDON: Theo Parrish
Plastic People, 8th March 2003 Book now or be disappointed. http://www.plasticpeople.co.uk/plastic.html k
Re: (313) LONDON: Theo Parrish
Theo is also playing at Electric Chair in Manchester this Saturday (22nd February) should be a good un... robin... Plastic People, 8th March 2003 Book now or be disappointed. http://www.plasticpeople.co.uk/plastic.html
(313) Techno In Manchester
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Some top techno jocks at Sankeys ... February 21st Jeff Mills - Greg Vickers March 14th Dave Clarke, Greg Vickers, Beau, Lord March 21st DJ Bone, Justin Robertson, Jody Way Out West, Stereo 8 (Fingerlickin Records), Airtight DJs, Lord I think it's about time DJ Bone played a London venue ;o)
RE: (313) label comp CDs
Soul in Motion compilation in IRMA nice techish broken beats. I hope im still on topic by saying 'broken beats' : ) features Titonton Duvante C2 Art Forest - very deep track Dreciya - Journey Home A 4 hero remix of YMO - cracking track by Envoy - similar in feel to the one on the peacefrog comp. amounst others.. Clicks and Cuts vol3...CD2 is esp good. Rav -Original Message- From: Michael H Lees [SMTP:[EMAIL PROTECTED] Sent: Tuesday, February 18, 2003 3:57 PM To: 313@hyperreal.org Subject: (313) label comp CDs Hi all, Just got a copy of the kompakt total 4 CD which I really like. I also bought a copy of the deep chord CD a while back. I don't often buy CDs but I like the compilation CDs released by some labels. Could I have some suggestions on what my next purchase should be? Cheers --Mike (trying to get things back on topic)
Re: (313) Techno In Manchester
March 21st DJ Bone, Justin Robertson, Jody Way Out West, Stereo 8 (Fingerlickin Records), Airtight DJs, Lord typicali'm not in the uk on that date.baah! robin...
RE: (313) Techno In Manchester
| -Original Message- | From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 16:08 | | I think it's about time DJ Bone played a London venue ;o) That's just what I was going to say! I saw him at the metroplex birthday party back in.. what year was it again??? Anyway, I don't think I've seen him in London since. Same with Claude Young - he doesn't often come down either! Brendan
[Fwd: Re: (313) ot london spam: susumu yokota.]
From: Mike Tyrer [EMAIL PROTECTED] Date: Tue 18/Feb/2003 15:31 GMT To: Anya Stang [EMAIL PROTECTED] Subject: Re: (313) ot london spam: susumu yokota. Hi Anya The address I receive my 313 mail at doesnt allow me to send out, otherwise I would have posted this to the list for the general interest however: Monday 24 February : 93 Feet East - The night is 90 Free Mondays (7.30-11pm) Boom Boom Satellites are playing. All I know is that they are supposed to be a top Japanese Techno Outfit Given the predomination of our Japanese Friends at all the top Techno nights in London I decided that I had better be there! That's not quite what the 93 Feet East website says: (but I guess they havent really been reading all the definitions of what Techno is ...) Quote If electronic music at the end of the century represents the confluence of different styles, sounds, and beats from around the globe, few acts embody that spirit of musical convergence like BOOM BOOM SATELLITES. Head-swirling rhythms, intense break-beats, classic hip-hop scratching, driving rock guitar, kinetic drum 'n' bass, and pulsing keyboard melodies. SONA FARIQ are fresh from recording new tracks with Primal Scream's production team Brenden Lynch and Jagz Kooner. A joy of punk, dub shamanic fury and memorably crafted songs that continue to devastate audiences wherever they play. This is an opportunity to catch them up close and personal before they move onto the bigger stages. GEAR. Teenage quartet, think early Jam with Weller 'esque conviction and delivery. Unquote Maybe see you there . Enjoy Mike x __ Freeserve AnyTime - Go online whenever you want for just £6.99 a month for your first 3 months, that's HALF PRICE! And then it's just £13.99 a month after that. For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
(313) swankys
Some top techno jocks at Sankeys ... as promoted by the same guy that used to do those 'ministry of sound' events in Manchester w/ Jeremy Healy ao. He's also the guy that nicked the tribal gathering name. And people say techno isn't trendy - these events are living proof that the kids must want it otherwise this guy wouldn't be touching it with a bargepole. Boycott please,support the people who care. _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
(313) MANCHESTER
ncidentally, you mention Airtight - isn't that a bit on the 'prog' side? But I admit, I found myself liking a couple of things on there last year: Nathan Drew Larsen - Standing Still Feat. Black Pearl - the Audio Soul Proj. mix Nova Scotia - Loose Leaves - Feat. Jess Okoro (Illinton's Purple Leave (sic) mix) k
Re: (313) label comp CDs
Just got a copy of the kompakt total 4 CD which I really like. I also bought a copy of the deep chord CD a while back. I don't often buy CDs but I like the compilation CDs released by some labels. Could I have some suggestions on what my next purchase should be? You could try the Emoticon compilation, Icons: Volume One, which features the likes of Russ Gabriel, Future Beat Alliance, Jeff Samuel, Connective Zone, Total Science etc. More info here: http://www.emoticonrecordings.com/emot013.html And you can order online via http://www.rushhour.nl/store.html - it's featured on the store's home page... Cheers and apologies for the blatant plug :) Tom
Re: (313) label comp CDs
You could try the Emoticon compilation Just wanted to second that, I got one of these, and it's excellent _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) label comp CDs
Geology. A subjective study of Planet E. Vol 1 and 2. I'm not at home so I can't be totally geeky about this and give you exact details but do have a look here: http://www.discogs.com/label/Planet_E ; ) Anya From: Michael H Lees [EMAIL PROTECTED] Date: Tue 18/Feb/2003 15:57 GMT To: 313@hyperreal.org Subject: (313) label comp CDs Hi all, Just got a copy of the kompakt total 4 CD which I really like. I also bought a copy of the deep chord CD a while back. I don't often buy CDs but I like the compilation CDs released by some labels. Could I have some suggestions on what my next purchase should be? Cheers --Mike (trying to get things back on topic) __ Freeserve AnyTime - Go online whenever you want for just £6.99 a month for your first 3 months, that's HALF PRICE! And then it's just £13.99 a month after that. For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) label comp CDs
not really a label comp ... well it kind of is... metro area/metro area/environ get this! ab - Original Message - From: Anya Stang [EMAIL PROTECTED] To: Michael H Lees [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, February 19, 2003 3:39 AM Subject: Re: (313) label comp CDs Geology. A subjective study of Planet E. Vol 1 and 2. I'm not at home so I can't be totally geeky about this and give you exact details but do have a look here: http://www.discogs.com/label/Planet_E ; ) Anya From: Michael H Lees [EMAIL PROTECTED] Date: Tue 18/Feb/2003 15:57 GMT To: 313@hyperreal.org Subject: (313) label comp CDs Hi all, Just got a copy of the kompakt total 4 CD which I really like. I also bought a copy of the deep chord CD a while back. I don't often buy CDs but I like the compilation CDs released by some labels. Could I have some suggestions on what my next purchase should be? Cheers --Mike (trying to get things back on topic)
Re: (313) label comp CDs
And a must-have imo are the 2 Delsin comps Going Thru Life and Day By Day. http://www.delsin.org/disco.html Anya From: Michael H Lees [EMAIL PROTECTED] Date: Tue 18/Feb/2003 15:57 GMT To: 313@hyperreal.org Subject: (313) label comp CDs Hi all, Just got a copy of the kompakt total 4 CD which I really like. I also bought a copy of the deep chord CD a while back. I don't often buy CDs but I like the compilation CDs released by some labels. Could I have some suggestions on what my next purchase should be? Cheers --Mike (trying to get things back on topic) __ Freeserve AnyTime - Go online whenever you want for just £6.99 a month for your first 3 months, that's HALF PRICE! And then it's just £13.99 a month after that. For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
(313) playlists / respect on 313
[EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] said: I want to kill this shihty thread now well think about that before your first post to 313 is as nit-picky as telling someone what NOT to include in their playlists. Post your own playlists and leave the dates off if it bothers you. But really, your first 2 posts to 313 are demanding rants about what's wrong with everyone else, and what WE can do to serve YOU better? Try again friend... posting to this list can be done without pishing all over everyone in the process, it's a community and should be treated as such. When people check their attitude at the door it's amazing, so do most others! Whaddya know... the purpose of 313 is not to serve any one persons desires, it's a community based on mutual contributions so welcome to it. About playlists on 313, most people include playlist in the subject line, if there's something you don't want to deal with simply delete it. I like to see what other people are playing and that's why I post mine in return. Funny how that works. I sometimes include dates for older tracks or different genres on my radio show playlists because I am personally tired and bored by DJs who think a great set is buying the last 25 disposable bangers that came out from the 'hot wall picks' at any given store, and stringing them together in an entirely predictable way. I try to mix old and new funk/soul/house/techno and odd tracks in a detroit-inspired way that is original and breathes new life into something often overlooked by a younger generations of genre-specific Insta-DJs. And often both on the air and online people ask for dates for context when they inquire, esp. with weirder old disco, italo, or proto-techno, etc. If it bothers you, make sure to delete all my playlists before you open them, it's less likely to upset you. Relax, the negativity around here lately is so UNNECESSARY. PEACE, Matt MacQueen
(313) Tommy Hamilton
Hello, being a Aux88 fan and having just read Keith Tuckers' dedication to him on the back of the delsin optic nerve album (what a superb piece of music it is!!!) wanted to ask what is up with Tommy Hamilton...is he still producing music? why did they fall out anyway? was it over creative differences? thanks fab
RE: (313) label comp CDs
And a must-have imo are the 2 Delsin comps Going Thru Life and Day By Day. http://www.delsin.org/disco.html yes, these are essential! Going Thru Life always makes the CD changer in the car for long trips... great variety and all top-notch. Also for a similar vibe check out the 3 Focus/deFocus compilations called Do You See? Two You See? and Did You See? featuring the great work on that (IMHO) seminal UK label. peace, Matt MacQueen
(313) vivisector @rfh/london.
Sorry guys, more kinda ot stuff from me... but this looks to be quite fascinating. http://www.rfh.org.uk/main/series/88.html?section=dancefile=indexmonth=week= Anyone ever heard of Haring/Obermaier or D.A.V.E. (see copypaste below)? And did you know about the Matthew Herbert Big Band? : ) http://www.rfh.org.uk/main/events/83506.html?section=contemporaryfile=index Thanks, Anya To what extent does the quality of movement of the virtual world influence real sequences of human movement? Will the real world of the 21st century assume attributes of the virtual world? Are there still significant differences between a body that is made of synthetic material and warmed artificially and the deep glow of trillions of living cells? Based on the video-technological concept of moving body projection that made Obermaier and Haring's earlier work D.A.V.E. an international hit, Vivisector goes one step further: the exclusive concentration on video light and video projection that produces a new stage aesthetic in which light, body, video and acoustic space form an unprecedented unity. Vivisector challenges audience perceptions in an examination of the possibilities for digital decomposition of movement, blurring the 4 performers' solid coporeality and decomposing them to their genetic blueprints. Breathtaking; seems to set gravity out of order. Sound, dance and video merge in a tightrope walk between reality and virtuality. Neue Ruhr Zeitung __ Freeserve AnyTime - Go online whenever you want for just £6.99 a month for your first 3 months, that's HALF PRICE! And then it's just £13.99 a month after that. For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
RE: (313) label comp CDs
Also for a similar vibe check out the 3 Focus/deFocus compilations called Do You See? Two You See? and Did You See? featuring the great work on that (IMHO) seminal UK label. oops, I gotta make a quick correction, the only one of these 3 that made it onto CD is Did You See? so definitely give that one a try if you can find it, it's more of a lookback than the others too. Has lots of cool short little interval 'phil' tracks by CiM a la what Black Dog and Transmat used to do on their CDs http://www.discogs.com/release/5295 The other two with similar titles were 12 samplers, my bad. peace, Matt MacQueen
RE: (313) playlists and conversations (changing topic) ((year2003))
aumhmm: too many dj´s , not enough decks ? d Date: Tue, 18 Feb 2003 13:59:31 - To: Alex Bates [EMAIL PROTECTED], Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED], [EMAIL PROTECTED], 313 Mailing List 313@hyperreal.org From: Odeluga, Ken [EMAIL PROTECTED] Subject: Message-ID: [EMAIL PROTECTED] Too many sukkas, not enuff juice. k
Re: (313) label comp CDs
Of course, there's all the Basic Channel-related label comps. My personal favorite is probably the Main Street comp, but they're all great. Matt -- Matt Hellige [EMAIL PROTECTED] http://matt.immute.net
RE: (313) playlists and conversations (changing topic) ((year2003))
I think he meant there are too many (wanna be's) and not enough dj's with skillz. -Original Message- From: D.E [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 18, 2003 2:56 PM To: 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) ((year2003)) aumhmm: too many dj´s , not enough decks ? d Date: Tue, 18 Feb 2003 13:59:31 - To: Alex Bates [EMAIL PROTECTED], Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED], [EMAIL PROTECTED], 313 Mailing List 313@hyperreal.org From: Odeluga, Ken [EMAIL PROTECTED] Subject: Message-ID: [EMAIL PROTECTED] Too many sukkas, not enuff juice. k
(313) Test
delete
(313) Re: playlists / respect on 313
You obviously missed the humour in my comments, the neggativity is in your comment. And you might have a funk complex, as in all that insta dj stuff...i dont care what you spin, i didnt ask, man. cant we go back to all getting along? (not that we're all bedfellows). Its seems youre terribly upset, maybe you should take a break and play a record from 1945...now i really want to kill this thread and go back to talking about the length of richire hawtin's hair, i mean the number of 909's in his closet, peace in the middle east Quoting Matthew MacQueen [EMAIL PROTECTED]: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] said: I want to kill this shihty thread now well think about that before your first post to 313 is as nit-picky as telling someone what NOT to include in their playlists. Post your own playlists and leave the dates off if it bothers you. But really, your first 2 posts to 313 are demanding rants about what's wrong with everyone else, and what WE can do to serve YOU better? Try again friend... posting to this list can be done without pishing all over everyone in the process, it's a community and should be treated as such. When people check their attitude at the door it's amazing, so do most others! Whaddya know... the purpose of 313 is not to serve any one persons desires, it's a community based on mutual contributions so welcome to it. About playlists on 313, most people include playlist in the subject line, if there's something you don't want to deal with simply delete it. I like to see what other people are playing and that's why I post mine in return. Funny how that works. I sometimes include dates for older tracks or different genres on my radio show playlists because I am personally tired and bored by DJs who think a great set is buying the last 25 disposable bangers that came out from the 'hot wall picks' at any given store, and stringing them together in an entirely predictable way. I try to mix old and new funk/soul/house/techno and odd tracks in a detroit-inspired way that is original and breathes new life into something often overlooked by a younger generations of genre-specific Insta-DJs. And often both on the air and online people ask for dates for context when they inquire, esp. with weirder old disco, italo, or proto-techno, etc. If it bothers you, make sure to delete all my playlists before you open them, it's less likely to upset you. Relax, the negativity around here lately is so UNNECESSARY. PEACE, Matt MacQueen
(313) record price guides...
I don't know if this went through or not but I'm curious about record price guide books/resources. Anyone have good ones? How are the Goldmine record guides? would love to see something with techno/house listings but I'm aware that the collectors market is dominated by rock/jazz/blues/etc. looking for good source for use in both buying and selling. MEK
Re: (313) record price guides...
[EMAIL PROTECTED] wrote on Tue, 18 Feb 2003 about following: I don't know if this went through or not but I'm curious about record price guide books/resources. Anyone have good ones? How are the Goldmine record guides? i've noticed that you get pretty nice overview of prices by checking gemm, hardtofind and ebay. of course they are not complete lists. would love to see something with techno/house listings but I'm aware that the collectors market is dominated by rock/jazz/blues/etc. there's of course record collector, the book. it does list some techno/house records, but it's still more rock/jazz/blues/etc oriented. sakke -- - * remixes out now * - http://www.arabuusimiehet.com/sakke/music.html
