Re: (313) Day 2
No pillows, but they did try some toilet paper to no avail. - Original Message - From: david smith [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 01, 1970 7:29 PM Subject: Re: (313) Day 2 Unfortunately the floor was bouncing so much, he couldn't use the 1200s. Only 2 cdjs. What the hell, did they try putting pillows under the decks?
Re: (313) Day 2
thats silly. thats complete lack of forethought on the part of whoever arranged the venue and oversaw the booth setup. then again, it IS a tough thing to isolate tables from all the noise and vibration, just look at what motor ended up doing to make their platform stable, even in the same room as an avalon system: http://www.eaw.com/news/?id=274 -Joe - Original Message - From: David [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, May 31, 2005 8:13 PM Subject: Re: (313) Day 2 No pillows, but they did try some toilet paper to no avail. - Original Message - From: david smith [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 01, 1970 7:29 PM Subject: Re: (313) Day 2 Unfortunately the floor was bouncing so much, he couldn't use the 1200s. Only 2 cdjs. What the hell, did they try putting pillows under the decks?
Re: (313) Rain, rain, go away!
Hey Greg, I'm pretty sure it was Ryan Pryor who picked some records up from my place a few times. He lives nearby - sorta. Now he works just down the road from me as well. Oh - I get a lot of my reords here : [EMAIL PROTECTED] = David Hodgson . Best email-order service anywhere. jeff
Re: (313) New Richie Hawtin Mix CD: DE9: Transition
On May 31, 2005, at 1:03 PM, Matt MacQueen wrote: i'll listen with an open mind but this press release gets at the whole problem i have with techno being so technical and 'of the second' it becomes utterly disposable. the second you've heard it it's suddenly irrelevant because another production method has replaced it. when all that's there is technique, pure technique, once that novelty wears off there's nothing underneath it. what is the real artistic statement? Reminds me of the Emperor's New Clothes. I shouldn't read press releases. -- MM http://sonicsunset.com Hey, someone has to experiment, right? I do agree that the product is more important than the process, but, really, what can you say about the product in a press release? Honestly, this reads better than your average mix CD blurb, which usually can't muster more than a few tired cliches and a bio of the DJ. While this is guilty of that too, at least there is something interesting to say about the mix itself. At the same time, you have to publicize somehow... I don't think anyone would say that new production and performance techniques have replaced existing ones as much as they have augmented them. And some of my favorite uses of new technology have been to blend old and new in ways that wouldn't otherwise be possible (some of Surgeon's Ableton mixes come to mind). -- Tim Moore
Re: (313) Rain, rain, go away!
theREALmxyzptlk wrote: Hey Greg, ... I HATE it when this happens!!! Obviously this was not meant for public consumption. jeff
(313) fuse-in detroit - technicolor mf
hey matty macq anyone go to the 3 Chairs party? I also heard lots of good about the Soft Curls tent... Raiders live PA, etc. raiders were INCREDIBLE -- not what i expected at all! i love 1 track on each pigna release (which makes them hard to buy as an import argh), and the album i thought was good but not that great -- i find a lot of this stuff a little too slick or cool or something on record...but live, it was all raw house and techno, huge basslines, so deep...i missed it but toe said he even played a track that sounded like what prescription would sound today... i didnt hit the 3 chairs party, was playing at a sketchy psychothrill afterparty (was asked 2 days in advance haha, fun tho), but friend who went said it was really great. kdj was still spinning shock value rock or whatever as reported earlier this year, but theo and especially malik were apparently great! (?). i also missed dez (andres) on the waterfront stage on sunday, bummed, but he sounded incredible also -- apparently playing dope old 80's rb, fun disco, even deelite groove is in the heart, quickmix style, 30 seconds of each track then something else quick list of my favorite stuff: smackulator (saying hello and talking sh:t to all their friends thru the vocoder as they entered the tent hahaand all sounds from a dr660 -- nice!) raiders! cosmic force legowelt (not doing his nrg style stuff, but electro and technoier stuff) scan 7 - minimal techno perfection!!! nobody listens to techNO...did that track get released anywhere? slum village -- no comparison to the subtlety of their recorded stuff, i hate how hiphop gets mixed live, you cant dance to vocals...but the homage to odb was dope, cosmic force was about to piss his pants and was rapping all the lines before them, including ones they missed...he shoulda been on stage! model 500 - cosmic cars, clear, 2 minute instrumental of no ufo's, and the best -- the dirty version of technicolor! tech-ni-color mother-f---er! bunker live (legowelt vs orgue electronique) - their set ended right when it had developed into some of hottest acid house/techno i have ever heard. tlr - creme label boss playing great set of dutch classics, pumped to hear stuff like i-f's superman and electronome's no landscape thats about all i saw actually, not counting alexander robotnick, whose dj'ing sucked, but his black wifebeater style was cool. he started out playing instrumentals of his own stuff and singing over it, which i wouldve liked, i just caught the crap... redman before kms was ok, the last song for the smokers was a dope 4/floor hiphop anthem thing, hot, and i didnt notice he only said kevin saunder as someone else said...i heard saunderson? maybe my roll was just starting. i did think it was a bit uhh stupid and lame to have all this hype for proggy kms dj set, when juan had just played legendary sh:t live, but typical, whatever i missed A LOT of really great stuff (hardly even saw minto ha!) but it was a blast, and i'm excited to hear how much of a success it really was -- turned out much much better than i expected, hardly any difference from previous years! and there were some nice changes -- realy glad they put all the banging stuff with little or no melodic content/dynamic range in the underground cave and put the really more underground stuff in the musicalogical where you could hear and hang out more comfortably. i was even invited to play live there sunday but i was s exhausted and uhh 2 hour advance notice ugh..sketchy and disorganized as always but whatever haha! ohh another thing i liked was the LACK of a huge corporate sponsor, no big bacardi ads or hit-you-over-the-head advertising in general, pretty lowkey sony and molson banners, very nice! there was no AC, no ice, a fire, and a blackout in the pontch -- it was hellish. hadnt stayed there since the 2nd year, never again...anybody stay at the ramada, was it ok? i stayed there fri night and it was really chilled out and super nice and the room was essentially a fully equipped apartment...kitchen and living room with bedroom in seperate room...nice! blah blah i go sleep now
Re: (313) Fuse-In Day 1
Hey guys Us old folks gotta represent, ya know? ;) I'm not sure what my final pink faerie count was - maybe 8 girls and one guy seen over the course of the festival? and what was up with those silly light-up-in-the-dark shirts (the middle finger, the ganja)? Just got home tonight and will post up thoughts pics soon. Was a mixed-bag festival this year, at least for me ... Lisa theREALmxyzptlk wrote: Fred Heutte wrote: Really nice weather today -- a few sprinkles but mostly sunny/partly cloudy. The crowds are down just a bit but better than I expected so the $10 admission didn't really hurt things at all. This is an excellent sign for the financial health of the festival. Really - I thought it was actually a little more populated than usual when the fest first started (it's always sparse on day 1 at noon) and it got pretty crowded as we got into nighttime. And y'know...I know I'm a year older. I know I've put on some weight. I know I must be a bit grayer. But my wife and I had 3 different sets of high school age kids come up and ask us... are you enjoying yourselves?is your son spinning here?...do you like techno? As my wife is a High School English teacher and we occasionally run into kids she has taught/is teaching (and it was pretty loud, so if they said something to her, I wouldn't have caught it), I just thought she knew these kids. I then realized that we were a curiosity for them - those old fogies at the techno show. Of course, part of me wanted to give them a pop quiz on techno history and ask who's your daddy, but they already thought I WAS their daddy's (or grandfacther's) age. It was harmless - and even funny. My wife isn't so pleased by it (and she's 10 years my junior).It's interesting to see so many youger people just discover techno and think it is their secret. Ah, youth. I'm sure I was probably more naive when I was young. Maybe not. I have never appreciated stupidity in crowds, I have to say. I almost took someone's glow sticks away, I must admit (she had them on long ropes and was swinging them in a 15' swath in a tight crowd - ...but that's why we came down here! re: why? to clip people upside the head? If you came down here to swing those, go stand in the middle of I-75 and do it there!). As Kent said, I'm turning into the old man at the screen door yelling You kids get offa my lawn!!. :-) It wasn't as bad as this sounds - really it wasn't. I didn't even make her stand in the corner. I'm getting ready to head back down in a few and I'm taking my paddle with me this time, so if you're a young whippersnapper and you want to get sassy, you best get a head start. I'm a lot faster than I look. ;-) jeff
Re: (313) fuse-in detroit - technicolor mf
redman before kms was ok, the last song for the smokers was a dope 4/floor hiphop anthem thing, hot, and i didnt notice he only said kevin saunder as someone else said...i heard saunderson? maybe my roll was just starting. i did think it was a bit uhh stupid and lame to have all this hype for proggy kms dj set, when juan had just played legendary sh:t live, but typical, whatever Now that i think about it, he said kevin saunders, my friend heard it too, maybe it will show up on the livesets, tons are floating around already. I know a guy who has mp3s of all thirty some dj sets from the main stage. --maybe i am tripping and he slurred it to correct himself--but i don't do e and i don't trip unless dosed, and that is rare.
Re: (313) New Richie Hawtin Mix CD: DE9: Transition
this thread isnt very minimal at all - Original Message - From: Tim Moore [EMAIL PROTECTED] To: Matt MacQueen [EMAIL PROTECTED] Cc: Ales Hieng / Zergon [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, May 31, 2005 9:17 PM Subject: Re: (313) New Richie Hawtin Mix CD: DE9: Transition On May 31, 2005, at 1:03 PM, Matt MacQueen wrote: i'll listen with an open mind but this press release gets at the whole problem i have with techno being so technical and 'of the second' it becomes utterly disposable. the second you've heard it it's suddenly irrelevant because another production method has replaced it. when all that's there is technique, pure technique, once that novelty wears off there's nothing underneath it. what is the real artistic statement? Reminds me of the Emperor's New Clothes. I shouldn't read press releases. -- MM http://sonicsunset.com Hey, someone has to experiment, right? I do agree that the product is more important than the process, but, really, what can you say about the product in a press release? Honestly, this reads better than your average mix CD blurb, which usually can't muster more than a few tired cliches and a bio of the DJ. While this is guilty of that too, at least there is something interesting to say about the mix itself. At the same time, you have to publicize somehow... I don't think anyone would say that new production and performance techniques have replaced existing ones as much as they have augmented them. And some of my favorite uses of new technology have been to blend old and new in ways that wouldn't otherwise be possible (some of Surgeon's Ableton mixes come to mind). -- Tim Moore
Re: (313) fuse-in detroit - technicolor mf
you are tripping i think, i totally remember he said it correctly and then jumped onto the back of his pegacorn and flew away leaving a trail of rainbow sparklees some wicked sketchy or maybe homeless guy tried to sell me something outside cobo, opening a black garbage bag and asking me e youwann some EATS!? and damn i was hungry but after several what??s i figured out he was saying e's...i wasnt really hungry enough to eat any food he might have had anyways, well probably, but it would have been about as good as the frozen pizza they were selling at the festival. like it wasnt even digiorno it was cheap frozen pizza, damn like you'd be making more money if you made your own pizza y'know, not smart. so but anyways yeah, still rolling, thanks sketchy dude, good eats. weird how the cops wouldnt let you sleep on the grass, but you could pitch a tent? well, i saw two people in a little tent anyways, just sitting in it staring out from the flap/window. damn i bet it was nice in there!!! best idiot shivers i got was in the hotel elevator, some big goofy whitebread dude was making chitchat with an indian guy and comes out with so, are you iraqi? awkward silence then i'm indian!! hahahaha soo pathetic, like wtf how can you confuse the two? and who goes up to someone and asks them what they are anyways? then dude is clmsily trying to explain how there are lots of iraqi's in the area and how that is weird because you'd think they'd want to live in a hot desert-y place. it was so awkard and so stupid like disgusting really but my gf and i were cracking up. it was reminiscent of the guy in front of me in LAX baggage check line a few weeks ago making clever freedom-loving jokes about how they should just put up signs for al qaeda 50% off and that way we'd catch all the terrorists, like wtf do i look like a patriot to you, andoh man. so many stupid people i hate everybody another sketchy guy was outside the psychothrill party, at first enticing my friends to give him money to buy beer...like lamely joining conversations and then not so subtly saying things like yeah, and it would be so great to have some beer right now dont you think? beer would make this party off the hook -- how about you give me some money and i'll go get some and keep the change? after trying that for awhile he explained he desperately need taxi fare or something, and started trying to sell my friends beads - 2 beads actually, and he produced them from his pocket like they were solid gold or something ohh ahhh yo check these beads out you aint seen no sh:t like this before ok now someone else ramble half-asleep stories about the weekend! redman before kms was ok, the last song for the smokers was a dope 4/floor hiphop anthem thing, hot, and i didnt notice he only said kevin saunder as someone else said...i heard saunderson? maybe my roll was just starting. i did think it was a bit uhh stupid and lame to have all this hype for proggy kms dj set, when juan had just played legendary sh:t live, but typical, whatever Now that i think about it, he said kevin saunders, my friend heard it too, maybe it will show up on the livesets, tons are floating around already. I know a guy who has mp3s of all thirty some dj sets from the main stage. --maybe i am tripping and he slurred it to correct himself--but i don't do e and i don't trip unless dosed, and that is rare.
Re: (313) fuse-in detroit - technicolor mf
sorry for the rambling rambling 313 im delirious and getting obnoxious and silly
Re: (313) fuse-in detroit - technicolor mf
-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 J.T. wrote: sorry for the rambling rambling 313 im delirious and getting obnoxious and silly No need to apoligise. That was gold. :-D - -- dave. -BEGIN PGP SIGNATURE- Version: GnuPG v1.2.5 (GNU/Linux) iD8DBQFCnUKWhPPdWeHRgaoRAjsiAJ4qQuyEMD8TKWJxUx36aws4AFli6gCfT8no yedujdoNbODNtQDFGDKJgR4= =iHrV -END PGP SIGNATURE-
(313) Fuse-in memories
Just got back from Detroit and here are a few things sitting on my brain from the weekend. I'll probably post some photos when I put them online. Aux 88 live with K-1 and Tom Tom on synths, vocals and vocoder and Digital on turntables doing the beats. They played a whole bunch of classics and they also played a few new tracks. at one point they had the crowd do a call and response chant of techno, electro. Unfortunately, the volume was very low for some of the tracks, so low you could talk over the music inside the bowl of the main stage. Octave One doing Blackwater live with Ann Saunderson. Buzz Goree and Kenny Larkin ripping up the main stage Sunday. The lineup on the main stage had changed a bit from what was posted on the website, and I'm not sure if Blake Baxter actually played but if he did I missed him. Kenny did a great techno set with a drummer on congas and percussion. Not annoying like I have found many conga players at house events. Hard and funky. Overall, I was at the main stage much more often than past years mostly because there was more detroit techno being played there whereas in other years I found the main stage to be dominated by house and urban grooves. I think this may be in part due to the fencing and entrance fee/security check which made this year's fest feel more like a rave than past years. omelettes and fresh fruit at the Plugged-In Sunday Brunch with Paul Randolph singing with a keyboardist and percussionist. Rob Hood pumping the eternal bass monday morning. Though I would have liked him to venture a little bit from the signature minimal sound the small crowd uhe could probably have been a little more adventurous The Electric Avenue party were troubled by last minute venue and lineup changes, but they pulled through with Rob Hood. The party ended up being in a huge warehouse in the Eastern Market with a small pumped up crowd. T-1000 played a great set of techno with hip hop style cutting and you could tell he was thouroughly enjoying the energy. It was refreshing to see these high profile artists on a more limited dj setup. It felt like a house party compared to the remote dj booths at the festival stages which made it harder for me to connect with the djs. Electrofunk doing Shake it Baby live after a great set of what can only be described as electro funk. A very traditional 70s funk band setup with short booty references and a slightly muted thump. It was made all the more relevant for me after watching the Mr. De A Detroit Story DVD the night before. Very well made documentary about Mr. De. A basement, redlight and a feeling at Oslo for 3 chairs saturday night. It was hard to decide what to see and when especially taking into account varying tastes amongst party companions but We ended up at the 3 chairs party on saturday night. the crowd was much more relaxed and diverse than the festival and the mood was excellent especially later in the night. Can't give too much detail on the lineup and tracks off the top of my head right now, but Theo Parrish played last from about 2-4 with a set that was all over musically going from disco song to tracked out minimal techno from mix to mix. He was playing harder and more techy than when I've seen him in California. There were alot of kids on stage this year which makes it seem like techno has a bright future. Aaron Carl had two kids up on the stage with him along with a saxaphonist and an MC. Niko Marks brought out what I would assume to be his son to play on a miniature drum kit during one song. I can't recall hearing anything recorded by him but live he played an electric piano and sang with a band consisting of a bass player, guitarist, saxaphonist, drummer and 3 singers. It was a great latin inspired jazz fusion set with a few reggae songs that I found somewhat annoying. My friend who is more into rnb, hiphop and soul was totally digging it. Also, Mr. De brought his daughter onstage for the song he wrote for her. And of course shopping at Submerge is always a thrill. It was great to see a newspaper article in the exhibit written about Cybotron shortly after they signed to Fantasy. Rick Davis and Juan describe themselves as a rock and roll band in the article which I found amusing. It was funny to see a commercial for the submerge store on the large video screen at the festival. Worst change to the stage setups Moving the dj booth over by the steps facing the river at the Waterfront stage. The sound was still coming out of the empty amphitheater area on the other side of the steps where the waterfront stage live performers played making it very quiet in front of the booth which was placed in awkward position making it difficult to see the great scratching and mixing like during the B Calloway and the Body Mechanic tag team set. Best Change to the stage setups Moving the underground system to the shorter fall wall seemed to create alot more space but I
(313) Day 3
Well, I left off at midnight Sunday so technically Day 3 starts with the second night of afterparties . . . and here's another overly verbose travelogue through the bumpy streets and recycled buildings of Detroit . . . (although a story in the paper over the weekend claimed that Detroit doesn't even make the top 25 for bad roads in the US any more) . . . I actually had plans to go to two or three late nighters on Sunday but only ended up at the Tangent Gallery, which is just as well since at least one of the others I thought about going to shut down early. Both downstairs rooms were open at the Tangent, with two separate mixing setups, one for the DJs and Murat and one for Cisco Ferreira. Again another big Goree audio extravaganza -- Buzz was in charge of all four official parties this time and they all had above-par sound. I got there in time to hear Murat playing a decent but not real inspiring set, and Mike Huckaby struggling with audio/power issues in the smaller room which he finally got resolved. Cisco Ferreira played a fierce set that had plenty of energy and range. Buzz and Santiago Salazar played for a while waiting for the next DJ, who turned out to be Frankie Bones (they had dispatched people to pick him up but Frankie got his own rental and drove in himself, one of those typical night-of-show mixups). Now Frankie really played pretty badly at the festival a couple of years ago, but this time he got right to it and played a really good old-style mental-as- anything set. As he finished up around 5:30 I was running out of gas so I hit it and quit it. Monday was a standout day at the festival overall. I only caught about half of the Tek Brothers set and regretted being late because it was a really good funk/jazz show. There are some people born to be on stage with a microphone in their hands -- Bill Beaver is one of them. And the band was superb. Mike Clark followed, smooth, sweet and strong as always on the main stage. Also checked out Felton Howard who played a smoothly rolling set using Final Scratch (or something similar) in the DJ Supply booth -- where they had consistently good music all weekend long unlike many of the other booths which featured loud, crappy and distorted mixes by uninspiring players. Marco Passarani was every bit the temperamental Italian at the start of his set in the tent, some kind of turntable problem, but he settled in for an upbeat romp not only through the late-1980s the other Euro DJs were hammering but a wide range of other material. Then it was Octave One playing very solidly on the main stage with terrific vocals by Ann Saunderson. I was more impressed than I expected with the downtempo/hip hop part of their show. I went off for a long stretch in the Musicological tent with a really superb jamming electro/eurotechno set by Highfish. And now we arrived at the big moment -- starting at 9:30, a full half hour ahead of the original schedule (perhaps because Model 500 had been cut off so rudely on Sunday night?), Galaxy 2 Galaxy started the big engine and just roared through their hour and 20 minute set. I think it got the crowd going almost as much as Stacey's Sunday barn-burner. I could talk about the songs, the band, the MC (our own Cornelius Harris), the Native American dancers and drummers, the three women teaching y'all the Detroit Hustle, and more, but I'll leave the details to others. It was a *show* -- less intense musically than the Timeline performance last year, but more geared up to a large tumultuous crowd in the big Hart Plaza ampitheater. Then the festival ended for me with Terrence Parker playing at the waterfront stage with a properly enthusiastic wrap-up. I didn't have much hopes for the Monday night afterparty scene, we can discuss the never-ending Electric Avenue drama later but I didn't end up going to any of their planned or real locations. Instead the final destination was Bleu, which I admit to some misgivings about given that it is positioned as the upscale joint on lower Woodward with that million-dollar sound system. Well, aside from the pricey drinks and the lingerie-clad bar staff (I'm all for showing what you got but this isn't really the place for that!), it turned out pretty well. The crowd that drifted in wasn't high-gloss like the Center Street opening night turnout; these people came to party and the dance floor was full all night although me with my sore feet mostly stayed in the lounge couches on top of the bass bins :) GU played a smooth set, Buzz stepped in to shake things up a bit, and then Kenny Larkin just tore it up for two solid hours. Some DJs play the club, Kenny knows how to play the room -- within 10 minutes he had figured out the parameters of that million-dollar or whatever sound system and was playing it like I play my practice rig. It wasn't an innovative set, really, just had that great feeling with the deep rumbling bass and the clattering high hats and the swooshy noises, just like
(313) more Moonpup
Just doing a random Google search I ran across . . . Kevin Saunderson vs MoonPup Wha -- hello? This was part of a fantasy-rave-to-end-all-raves list done up in 1993 by none other than . . . Dieselboy . . . before he became famous . . . I'm gutted and I'm laughing at the same time :) http://www.hyperreal.org/raves/spirit/humor/Titans_flyer.txt Fred
(313) UR at fuse in download
thanks for all the reports folks, keep 'em coming. Q: Is the UR live thing available as a download from that festival stream anywhere? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) fuse-in detroit - technicolor mf
Man you're so lucky! You get to meet Butthead in person. And then Beavis selling beads. In one day! Priceless... On 1 Jun, 2005, at 6:51 AM, J.T. wrote: best idiot shivers i got was in the hotel elevator, some big goofy whitebread dude was making chitchat with an indian guy and comes out with so, are you iraqi? awkward silence then i'm indian!! hahahaha soo pathetic, like wtf how can you confuse the two? and who goes up to someone and asks them what they are anyways? then dude is clmsily trying to explain how there are lots of iraqi's in the area and how that is weird because you'd think they'd want to live in a hot desert-y place. it was so awkard and so stupid like disgusting really but my gf and i were cracking up. it was reminiscent of the guy in front of me in LAX baggage check line a few weeks ago making clever freedom-loving jokes about how they should just put up signs for al qaeda 50% off and that way we'd catch all the terrorists, like wtf do i look like a patriot to you, andoh man. so many stupid people i hate everybody another sketchy guy was outside the psychothrill party, at first enticing my friends to give him money to buy beer...like lamely joining conversations and then not so subtly saying things like yeah, and it would be so great to have some beer right now dont you think? beer would make this party off the hook -- how about you give me some money and i'll go get some and keep the change? after trying that for awhile he explained he desperately need taxi fare or something, and started trying to sell my friends beads - 2 beads actually, and he produced them from his pocket like they were solid gold or something ohh ahhh yo check these beads out you aint seen no sh:t like this before ok now someone else ramble half-asleep stories about the weekend! redman before kms was ok, the last song for the smokers was a dope 4/floor hiphop anthem thing, hot, and i didnt notice he only said kevin saunder as someone else said...i heard saunderson? maybe my roll was just starting. i did think it was a bit uhh stupid and lame to have all this hype for proggy kms dj set, when juan had just played legendary sh:t live, but typical, whatever Now that i think about it, he said kevin saunders, my friend heard it too, maybe it will show up on the livesets, tons are floating around already. I know a guy who has mp3s of all thirty some dj sets from the main stage. --maybe i am tripping and he slurred it to correct himself--but i don't do e and i don't trip unless dosed, and that is rare.
RE: (313) UR at fuse in download
Actually it is, but it's full of interuptions. It looks like they were having a lot of problems with the stream and they were playing some other music in between, plus they are talking over parts of it. So there's basically only half the UR gig, with other music in between, but it's better than nothing :) UR start at the end of first file (only couple of min) and play all the way through the second, and the last 15 min are in the last file. http://137.207.3.102/mp3log/t1117504292.mp3 http://137.207.3.102/mp3log/t1117507891.mp3 http://137.207.3.102/mp3log/t1117511491.mp3 Jernej www.octex.org -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 1. junij 2005 10:44 To: 313@hyperreal.org Subject: (313) UR at fuse in download thanks for all the reports folks, keep 'em coming. Q: Is the UR live thing available as a download from that festival stream anywhere? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) UR at fuse in download
woohoo but it's better than nothing :) certainly is, beggars can't be choosers and all that, thanks jernej! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) fuse-in detroit - technicolor mf
nonono! Great stuff, thanks for sharing! : ) Anya On Wednesday, Jun 1, 2005, at 06:04 Europe/London, J.T. wrote: sorry for the rambling rambling 313 im delirious and getting obnoxious and silly
(313) word on the street
new sound signature 12 in the shops. also, 2 soul jazz chicago/acid comps. erm, omar s stuff too, but I'm lost with all that stuff, dunno what I have and what I don't, I'm sure he's released about 100 12's this year. oh, p.s. while we're on the subject, I wish some enterprising soul would give paul placid a comp to do. instead of all this well known business. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) word on the street
a quick trip to boomkat will help you figure out what you need and what you have of omar s' stuff. the man is capable of some sick tracks, although he has some stuff that I listen to and am like wtf was he thinking?!? - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 01, 2005 7:53 AM Subject: (313) word on the street new sound signature 12 in the shops. also, 2 soul jazz chicago/acid comps. erm, omar s stuff too, but I'm lost with all that stuff, dunno what I have and what I don't, I'm sure he's released about 100 12's this year. oh, p.s. while we're on the subject, I wish some enterprising soul would give paul placid a comp to do. instead of all this well known business. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) word on the street
a quick trip to boomkat will help you figure out what you need and what you have of omar s' stuff. dont get me wrong joe, I like his stuff, its just they're all white labels with writing on, and I can never distinguish whats what. tell the truth I cant even be bothered looking at the mo, feeling jaded! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Music from the festival
So, did anyone buy any nice 'items' from the festival that we should know about? Someone posted re the new kdj - thanks for that! sounds hot! Anything else? Any good mix cds? I know Mike Grant was selling some via his shop. Any hot white labels? How about kitchen sinks, any of those? p.s. my friend had a great lp titled moods and grooves the other day, an old detroit jazz (?) lp. thats the best name for a label ever. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) word on the street
well I'd be happy to make suggestions when you're feeling a bit less fed-up with things. I think all the white label bs with Djs is lame as can be. how in-the-spirit-of-techno is it to hold out on people for 5 Fxcking years, as was the case with the first omar s white?? /rant - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 01, 2005 8:02 AM Subject: Re: (313) word on the street a quick trip to boomkat will help you figure out what you need and what you have of omar s' stuff. dont get me wrong joe, I like his stuff, its just they're all white labels with writing on, and I can never distinguish whats what. tell the truth I cant even be bothered looking at the mo, feeling jaded! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) word on the street
[EMAIL PROTECTED] wrote: new sound signature 12 in the shops. is that the marcellus pittman thing? oh no wait that's on fxhe. the audio clips of that (that mike g sent around) sounded essential. also, 2 soul jazz chicago/acid comps. erm, omar s stuff too, but I'm lost with all that stuff, dunno what I have and what I don't, I'm sure he's released about 100 12's this year. that new omar s sounded good too. the only confusing thing was the 2 1/2 release recently that was the same as the 2 but with a reworked vocal?? or did i misunderstand that? robin...
Re: (313) word on the street
I think all the white label bs with Djs is lame as can be. how in-the-spirit-of-techno is it to hold out on people for 5 Fxcking years, as was the case with the first omar s white?? he was waiting for the microgenre to be invented (ok ok i'll stop the veiled richie jibes :) ) robin...
(313) London- Monolake Sleeparchive
The Outlet Collective present... MONOLAKE - LIVE (Imbalance Computer Music / Chain Reaction / Din - Berlin) SLEEPARCHIVE - LIVE (sleeparchive - Berlin) NICK WILSON - LIVE (Continual / Inceptive - London) - Plus support from the Outlet DJ Crew - Saturday 9th July 2005 - At an as yet unannounced East London location - Advance tickets £10 : On Sale Now - For tickets or further details contact The Outlet Collective: [EMAIL PROTECTED] or Tel: (07967) 332 964
Re: (313) word on the street
indeed... sick to eath of acid cokmps having the same tracks on every time. granted tho, they have added a couple of not quite so well known tracks... Adonis -do you want to percolate, Virgo Four.. not quite sure how green velvet fits in. but it still isn't getting past the surface nice to have box energy on phat pressing tho... p [EMAIL PROTECTED] wrote: new sound signature 12 in the shops. also, 2 soul jazz chicago/acid comps. erm, omar s stuff too, but I'm lost with all that stuff, dunno what I have and what I don't, I'm sure he's released about 100 12's this year. oh, p.s. while we're on the subject, I wish some enterprising soul would give paul placid a comp to do. instead of all this well known business. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) London- Monolake Sleeparchive
Nce! -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 12:49 To: 313@hyperreal.org Subject: (313) London- Monolake Sleeparchive The Outlet Collective present... MONOLAKE - LIVE (Imbalance Computer Music / Chain Reaction / Din - Berlin) SLEEPARCHIVE - LIVE (sleeparchive - Berlin) NICK WILSON - LIVE (Continual / Inceptive - London) - Plus support from the Outlet DJ Crew - Saturday 9th July 2005 - At an as yet unannounced East London location - Advance tickets £10 : On Sale Now - For tickets or further details contact The Outlet Collective: [EMAIL PROTECTED] or Tel: (07967) 332 964 # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) word on the street
Soul Jazz normally do great comps, but your right this is just the norm... :o/ Will still pick it up because of the Virgo four track tho... -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:49 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) word on the street indeed... sick to eath of acid cokmps having the same tracks on every time. granted tho, they have added a couple of not quite so well known tracks... Adonis -do you want to percolate, Virgo Four.. not quite sure how green velvet fits in. but it still isn't getting past the surface nice to have box energy on phat pressing tho... p [EMAIL PROTECTED] wrote: new sound signature 12 in the shops. also, 2 soul jazz chicago/acid comps. erm, omar s stuff too, but I'm lost with all that stuff, dunno what I have and what I don't, I'm sure he's released about 100 12's this year. oh, p.s. while we're on the subject, I wish some enterprising soul would give paul placid a comp to do. instead of all this well known business. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) London- Monolake Sleeparchive
Thanks Rob. I hope this party goes off. Its in a nice warehouse so should fit the style of music that Sleeparchive and Monolake will be playing. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 14:51 To: Paul Kendrick; 313@hyperreal.org Subject: RE: (313) London- Monolake Sleeparchive Nce! -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 12:49 To: 313@hyperreal.org Subject: (313) London- Monolake Sleeparchive The Outlet Collective present... MONOLAKE - LIVE (Imbalance Computer Music / Chain Reaction / Din - Berlin) SLEEPARCHIVE - LIVE (sleeparchive - Berlin) NICK WILSON - LIVE (Continual / Inceptive - London) - Plus support from the Outlet DJ Crew - Saturday 9th July 2005 - At an as yet unannounced East London location - Advance tickets £10 : On Sale Now - For tickets or further details contact The Outlet Collective: [EMAIL PROTECTED] or Tel: (07967) 332 964 # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) word on the street
granted tho, they have added a couple of not quite so well known tracks... indeed. BUT BRING ME THE RARE S**T, THATS WHAT I NEED. THE MISSING DOGS, YOUR UNRELEASED SLEEZY D'S, SOME TARGET TACKLE. erm, yeah, cough cough vote placid. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) word on the street
Im just happy with the virgo four track I cant seem to find that anywhere. But some real nice rare stuff wouldent go a miss. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:55 To: 313@hyperreal.org Subject: Re: (313) word on the street granted tho, they have added a couple of not quite so well known tracks... indeed. BUT BRING ME THE RARE S**T, THATS WHAT I NEED. THE MISSING DOGS, YOUR UNRELEASED SLEEZY D'S, SOME TARGET TACKLE. erm, yeah, cough cough vote placid. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) word on the street
Soul Jazz normally do great comps, but your right this is just the norm... :o/ well, lets be fair here, if for example we were big reggae heads, I'm sure we'd say the same thing about their reggae comps for example, and mad voodoo soca music or detroit free jazz records or whatever. it's only cos we know it all back to front because we're dead anal about it I suppose. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) P-Funk's coming to Liverpool!!
I was just walking down the street today and saw that P-Funk will be doing a LIVE set at the Magnet on June 26th... Witnessd a lot of the Hyperrealers talking about the 3-chairs, and the new track feat. Billy Love... There's a new 12 on Westend by a group from Detroit. Kings Of Late Night feat. Billy Love. if you go here: http://westendrecords.com/shop/downloads.php3#WES1044 Billy Love has done some work with P-Funk as well... produced some tracks with them a few years back. Anyways... my whole point is that P-Funk is WICKED!!! REALLY looking forward to this gig!!
RE: (313) word on the street
because we're dead anal about it I suppose. - Geekes is the word your looking for. haha -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:57 To: 313@hyperreal.org Subject: RE: (313) word on the street Soul Jazz normally do great comps, but your right this is just the norm... :o/ well, lets be fair here, if for example we were big reggae heads, I'm sure we'd say the same thing about their reggae comps for example, and mad voodoo soca music or detroit free jazz records or whatever. it's only cos we know it all back to front because we're dead anal about it I suppose. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) New Mix - Ate
Download here: http://www.phonopsia.com/mixes/Tristan%20Watkins%20-%20Ate%2026-05-05.mp3 Recorded on May 26, 2005. Straight-up house and techno. Encoded at 192 Kbps. Enjoy! Tracklist: Pascal Schäfer - Mystére [Karaoke Kalk Pets] DJ Yoax B. - Hot One [Wabi Sabi] Lowtec - In Fail We Trust [Playhouse] Firefly - Snowblind in Ann Arbor [Poussez] Dirk Leyers - New Serious One [Kompakt] Max Mohr - Sound City [Playhouse] Mr. Oizo - Last Night Herbert Murdered My Poodle [Peacefrog] Luke Vibert - Orch Garage [Planet-Mu] Róisín Murphy - Dear Diary [Echo] Riton featuring Watine - By My Side (Extended Mix) [Parasonic] Crusho - Someone to Love (Blackjoy Mix) [Q-Tape] Henrik Schwarz - Leave My Head Alone Brain (Mix 2) [Sunday Music] James Duncan - Yes I Can [Real Soon] Omar-S - Track #8 [FXHE] Sleeparchive - Elephant Island [Sleeparchive] Heiroglyphic Being - Liquid Sex (Portable Rmx) [Spectral] Move D - Marshmellow Boots [Airbag Craftworks] UND - Christmas [Trapez Ltd] Daniel Bell - Work That s**t [Klang] The Model - The Shot [Traum] Trolley Route - Tempura (Sterac Mix) [Pure Plastic] Chateau Flight - Celestial Showers [Versatile] Orlando Voorn - Underwater [Ignitor] Zero Duma - Eargasm [Ibadan]
Re: (313) London- Monolake Sleeparchive
who is sleeparchive btw? fab. - Original Message - From: Paul Kendrick [EMAIL PROTECTED] To: Robert Taylor [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, June 01, 2005 2:53 PM Subject: RE: (313) London- Monolake Sleeparchive Thanks Rob. I hope this party goes off. Its in a nice warehouse so should fit the style of music that Sleeparchive and Monolake will be playing. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 14:51 To: Paul Kendrick; 313@hyperreal.org Subject: RE: (313) London- Monolake Sleeparchive Nce! -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 12:49 To: 313@hyperreal.org Subject: (313) London- Monolake Sleeparchive The Outlet Collective present... MONOLAKE - LIVE (Imbalance Computer Music / Chain Reaction / Din - Berlin) SLEEPARCHIVE - LIVE (sleeparchive - Berlin) NICK WILSON - LIVE (Continual / Inceptive - London) - Plus support from the Outlet DJ Crew - Saturday 9th July 2005 - At an as yet unannounced East London location - Advance tickets £10 : On Sale Now - For tickets or further details contact The Outlet Collective: [EMAIL PROTECTED] or Tel: (07967) 332 964 # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) P-Funk's coming to Liverpool!!
Fingers crossed they promote it better than Melle Mel last weekend then... -Original Message- From: Svagr, Jodie [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:59 To: 313@hyperreal.org Subject: (313) P-Funk's coming to Liverpool!! I was just walking down the street today and saw that P-Funk will be doing a LIVE set at the Magnet on June 26th... Witnessd a lot of the Hyperrealers talking about the 3-chairs, and the new track feat. Billy Love... There's a new 12 on Westend by a group from Detroit. Kings Of Late Night feat. Billy Love. if you go here: http://westendrecords.com/shop/downloads.php3#WES1044 Billy Love has done some work with P-Funk as well... produced some tracks with them a few years back. Anyways... my whole point is that P-Funk is WICKED!!! REALLY looking forward to this gig!!
RE: (313) London- Monolake Sleeparchive
Yeah- from Berlin. He has 3 12s out and there all like Plastikman in his prime. Wicked stuff. http://www.discogs.com/label/Sleeparchive -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 14:17 To: 313@hyperreal.org Subject: Re: (313) London- Monolake Sleeparchive who is sleeparchive btw? they do these dead minimal records that alot of people really like, but I'm still scratching my head over them. i've only ever fliucked thru them in the shop though and never bought, so I guess its a case of properly listening. think they're german? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) London- Monolake Sleeparchive
yes i have all 3 of them ;P (nyh) somehow i thought it was a collaboration between some sahko dude, like mika vainio, and i dunno (at one point i thought richie hawtin) fab - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 01, 2005 3:17 PM Subject: Re: (313) London- Monolake Sleeparchive who is sleeparchive btw? they do these dead minimal records that alot of people really like, but I'm still scratching my head over them. i've only ever fliucked thru them in the shop though and never bought, so I guess its a case of properly listening. think they're german? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) London- Monolake Sleeparchive
Everyone thought it was Richie after the first 12 came out. Really nice stuff. -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 14:35 To: 313@hyperreal.org Subject: Re: (313) London- Monolake Sleeparchive yes i have all 3 of them ;P (nyh) somehow i thought it was a collaboration between some sahko dude, like mika vainio, and i dunno (at one point i thought richie hawtin) fab - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 01, 2005 3:17 PM Subject: Re: (313) London- Monolake Sleeparchive who is sleeparchive btw? they do these dead minimal records that alot of people really like, but I'm still scratching my head over them. i've only ever fliucked thru them in the shop though and never bought, so I guess its a case of properly listening. think they're german? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) [Fwd: House Mix June 2005]
Ian couldn't get this through, so I'm trying for him... - Forwarded by Alex Bond/UK/INF/PwC on 01/06/2005 15:25 - Ian Cheshire [EMAIL PROTECTED]To: Alex Bond/UK/INF/[EMAIL PROTECTED] cc: 01/06/2005 13:46 Subject: [Fwd: House Mix June 2005] Please respond to iancheshire did you get it? Original Message Subject: House Mix June 2005 From:Ian Cheshire [EMAIL PROTECTED] Date:Wed, June 1, 2005 1:37 pm To: 313@hyperreal.org -- Shameless plug I know please but feel free to download if fancy it: http://www.kube72.com/mp3/HouseMix_2005.mp3 Intro Donna Summer - I feel Love Lil Louis - French kiss Househeadz presents the Antem- Sounds of the Underground Mr G - The day after B Plug - Indian Summer Hippe - R U feeling me Innner City - Big Fun Kash - Tropical Sax Angel Morales - Tribal Function Anthony Rother - Redlight District Green Velvet - Answering Machine HippE - Down On Me Richard F - The Way Get F**ked - Private Parts Cevin Fisher - Freaks come out Destination - Defination of Love www.midnightbeats.de www.kube72.com www.detroitimpression.com www.midnightbeats.de www.kube72.com www.detroitimpression.com _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) New Mix - Ate
Nice one T! - my colleagues seemed perturbed by the Vibert track but f*** 'em, they have poor taste! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:00 To: 313@hyperreal.org Subject: (313) New Mix - Ate Download here: http://www.phonopsia.com/mixes/Tristan%20Watkins%20-%20Ate%2026-05-05.mp3 Recorded on May 26, 2005. Straight-up house and techno. Encoded at 192 Kbps. Enjoy! Tracklist: Pascal Schäfer - Mystére [Karaoke Kalk Pets] DJ Yoax B. - Hot One [Wabi Sabi] Lowtec - In Fail We Trust [Playhouse] Firefly - Snowblind in Ann Arbor [Poussez] Dirk Leyers - New Serious One [Kompakt] Max Mohr - Sound City [Playhouse] Mr. Oizo - Last Night Herbert Murdered My Poodle [Peacefrog] Luke Vibert - Orch Garage [Planet-Mu] Róisín Murphy - Dear Diary [Echo] Riton featuring Watine - By My Side (Extended Mix) [Parasonic] Crusho - Someone to Love (Blackjoy Mix) [Q-Tape] Henrik Schwarz - Leave My Head Alone Brain (Mix 2) [Sunday Music] James Duncan - Yes I Can [Real Soon] Omar-S - Track #8 [FXHE] Sleeparchive - Elephant Island [Sleeparchive] Heiroglyphic Being - Liquid Sex (Portable Rmx) [Spectral] Move D - Marshmellow Boots [Airbag Craftworks] UND - Christmas [Trapez Ltd] Daniel Bell - Work That s**t [Klang] The Model - The Shot [Traum] Trolley Route - Tempura (Sterac Mix) [Pure Plastic] Chateau Flight - Celestial Showers [Versatile] Orlando Voorn - Underwater [Ignitor] Zero Duma - Eargasm [Ibadan] # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) word on the street
Rick Wilhite had Sound Signature whites of 18 - 22. He said that the new 18 is different but I didn't listen to it. The two SS records that I listened to--one by Billy Lo and one by Marcellus P.--were hot. I decided I wanted to wait on the final product though. I did however pick up the KDJ 33 Ampella white. It's another cut-up dirty house record. Nice stuff. I wish I had gone to that 3 Chairs party and picked up that sampler though--dang I knew there would be a give-away. I'm curious as to what's on it. Scott -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 01, 2005 8:45 AM To: [EMAIL PROTECTED]; 313 Subject: Re: (313) word on the street [EMAIL PROTECTED] wrote: new sound signature 12 in the shops. is that the marcellus pittman thing? oh no wait that's on fxhe. the audio clips of that (that mike g sent around) sounded essential. also, 2 soul jazz chicago/acid comps. erm, omar s stuff too, but I'm lost with all that stuff, dunno what I have and what I don't, I'm sure he's released about 100 12's this year. that new omar s sounded good too. the only confusing thing was the 2 1/2 release recently that was the same as the 2 but with a reworked vocal?? or did i misunderstand that? robin...
Re: (313) fuse-in detroit - technicolor mf
-- Original Message -- From: J.T. [EMAIL PROTECTED] i didnt hit the 3 chairs party, was playing at a sketchy psychothrill afterparty (was asked 2 days in advance haha, fun tho), but friend who went said it was really great. kdj was still spinning shock value rock or whatever as reported earlier this year, but theo and especially malik were apparently great! (?). kenny played mostly NYC house stuff, ending with a couple of his new white labels mixed up with JAN. it was servicable though its obvious he has the least technical skills of the 4 of them. rick then played some more deep house and techno type stuff for a while before malik came on. he was rocking it, mixing between acid, detroit stuff (he played godson 1!), italo disco, boogie, etc. he was really on point in selection and mixing. then theo came on and played the most insane music ive ever heard anyone drop. i dont even know if you can call some of it house music. people were flipping out. best deejay set ive ever heard. tom andythepooh.com
Re: (313) fuse-in detroit - technicolor mf
Glad i wasn't there.. that sounds rubbish... :) Thomas D. Cox, Jr. wrote: -- Original Message -- From: J.T. [EMAIL PROTECTED] i didnt hit the 3 chairs party, was playing at a sketchy psychothrill afterparty (was asked 2 days in advance haha, fun tho), but friend who went said it was really great. kdj was still spinning shock value rock or whatever as reported earlier this year, but theo and especially malik were apparently great! (?). kenny played mostly NYC house stuff, ending with a couple of his new white labels mixed up with JAN. it was servicable though its obvious he has the least technical skills of the 4 of them. rick then played some more deep house and techno type stuff for a while before malik came on. he was rocking it, mixing between acid, detroit stuff (he played godson 1!), italo disco, boogie, etc. he was really on point in selection and mixing. then theo came on and played the most insane music ive ever heard anyone drop. i dont even know if you can call some of it house music. people were flipping out. best deejay set ive ever heard. tom andythepooh.com
Re: (313) Music from the festival
-- Original Message -- From: [EMAIL PROTECTED] So, did anyone buy any nice 'items' from the festival that we should know about? white labels: KDJ 034 KDJ 033 Sound Signature 021 Sound Signature 022 (howard thomas) Sound Signature 023 pt 1 Sound Signature 023 pt 2 Sound Signature 024 Sound Signature 025 (doom featuring umar) Sound Signature 029 pt 1 (billy lo) Sound Signature 029 pt 2 (billy lo) Synth 001 (Huckaby remixing Deep Chord) Technoir 007 (shawn rudiman arnie weinberg) and some other things: Warren Harris - EP - Sound Signature 020 ERP - EP - Down Low V/A - The Detox EP - Mixmode Los Hermanos - On Another Level - Los Hermanos O'Jays - The Love For Music (Re-Edit) - White Label Detroit Grand Pu Bahs - Sandwiches - Throw Oliverwho Factory - Rude Awakening Level 2 - Madd Chaise Candido - Dancin and Prancin / Thousand Finger Man - Salsoul/Suss'd Deep Space 6:11 - The Rhythmicity EP - Psychostasia V/A - The Unknown Artist EP - Psychostasia V/A - Secret Mixes/Fixes Vol 1 - ??? B. Calloway Mr De - Late Night Ride / 10 - Local 3000 UR - Ma Ya Ya / Swamp Thing - UR V/A - Three Chairs 2 - Sound Signature Theo Parrish - Solitary Flight / Delwood II - Sound Signature Theo Parrish - Lights Down Low - Sound Signature plus a new compilation CD on mahogani straight from mr dixon himself (a jack lambert fan! who knew?!?!) tom andythepooh.com
Re: (313) fuse-in detroit - technicolor mf
-- Original Message -- From: Placid [EMAIL PROTECTED] Glad i wasn't there.. that sounds rubbish... :) i cant get the first track theo played out of my head, an edit (that id guess he did) of amerie one thing that just looped the vocal bit this is one thing thats got me tripping over the most weird minimal housey type cut. they turned on a strobe light during that track, i thought i was going to lose my mind completely. tom andythepooh.com
Re: (313) Music from the festival
so, Tom i want reviews to the list by the time i check my email over morning coffee tomorrow got that? :) and what's on the mahogani compilation CD...any good? robin... white labels: KDJ 034 KDJ 033 Sound Signature 021 Sound Signature 022 (howard thomas) Sound Signature 023 pt 1 Sound Signature 023 pt 2 Sound Signature 024 Sound Signature 025 (doom featuring umar) Sound Signature 029 pt 1 (billy lo) Sound Signature 029 pt 2 (billy lo) Synth 001 (Huckaby remixing Deep Chord) Technoir 007 (shawn rudiman arnie weinberg) plus a new compilation CD on mahogani straight from mr dixon himself (a jack lambert fan! who knew?!?!)
Re: (313) word on the street
-- Original Message -- From: /0 [EMAIL PROTECTED] well I'd be happy to make suggestions when you're feeling a bit less fed-up with things. I think all the white label bs with Djs is lame as can be. how in-the-spirit-of-techno is it to hold out on people for 5 Fxcking years, as was the case with the first omar s white?? /rant huh? i dont think it was like that, i think they did a limited pressing and there was next to no interest in the record. i had 002 before it got serious distribution and i never heard anyone mention it before it showed up everywhere. once that got some attention theyve released steadily and have repressed that first one. how can that be a bad thing? tom andythepooh.com
Re: (313) word on the street
-- Original Message -- From: robin [EMAIL PROTECTED] that new omar s sounded good too. the only confusing thing was the 2 1/2 release recently that was the same as the 2 but with a reworked vocal?? or did i misunderstand that? thats right. even more irritating is that its the same thing that was on the split 12 he did with genesis (got the white label through submerge last summer, i have no idea when it actually came out). that 12 had 2 catalogue numbers, AOS-2.5 and DJG-1. now you can get just omar's side on that one sided 12, though i do see they repressed the split and the genesis track is nice. tom andythepooh.com
Re: (313) Music from the festival
Detroit Grand Pu Bahs - Sandwiches - Throw HAHAHAHAHAHHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHAHAHHAHAHAAHAHAHAHAHAHAHAHAHA ;) -Joe
(313) Fuse-In techno
Not that I don't like Theo or KDJ but I'd like to hear about more techno at Fuse-In who slammed it? Any new tracks heard? Anyone catch the Brown Brothers live set on the mainstage? Ken Ishii? am I not reading through enough posts? MEK
Re: (313) word on the street
genesis? PHIL COLLINS AND OMAR S?!?!?! OMG!!!@@@ :p - Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 01, 2005 12:36 PM Subject: Re: (313) word on the street -- Original Message -- From: robin [EMAIL PROTECTED] that new omar s sounded good too. the only confusing thing was the 2 1/2 release recently that was the same as the 2 but with a reworked vocal?? or did i misunderstand that? thats right. even more irritating is that its the same thing that was on the split 12 he did with genesis (got the white label through submerge last summer, i have no idea when it actually came out). that 12 had 2 catalogue numbers, AOS-2.5 and DJG-1. now you can get just omar's side on that one sided 12, though i do see they repressed the split and the genesis track is nice. tom andythepooh.com
Re: (313) Fuse-In techno
- Original Message -- From: [EMAIL PROTECTED] who slammed it? Any new tracks heard? Anyone catch the Brown Brothers live set on the mainstage? Ken Ishii? techno wise, i thought scan 7 really rocked it very hard in their minimal analogue style. ken ishii was much better than i anticipated. aril brikha was typically brilliant, even mixing the bells synth line into groove la chord. only caught the last little bit of fabrice lig but he was killing it. UR live was the most incredible live set ive ever heard. they should be bigger than kraftwerk. their whole concept and appearance and music and visuals go together so well. all the dutch electro cats that i saw were just hammering on people, in the best possible way. certainly the tent on saturday was the place to be most of the daytime. on monday i saw chica paula play some really nice deep minimal techno, something i didnt hear much of aside from her set at the festival. tom andythepooh.com
Re: (313) UR at fuse in download
hiya list, i've actually put some stuff online here for a while: http://www.ilovetechno.lv/z99/fused/ didnt went thru all of the recordings myself yet.. feel free to get it! ///Z Jernej Marusic wrote: Actually it is, but it's full of interuptions. It looks like they were having a lot of problems with the stream and they were playing some other music in between, plus they are talking over parts of it. So there's basically only half the UR gig, with other music in between, but it's better than nothing :) UR start at the end of first file (only couple of min) and play all the way through the second, and the last 15 min are in the last file. http://137.207.3.102/mp3log/t1117504292.mp3 http://137.207.3.102/mp3log/t1117507891.mp3 http://137.207.3.102/mp3log/t1117511491.mp3 Jernej www.octex.org -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 1. junij 2005 10:44 To: 313@hyperreal.org Subject: (313) UR at fuse in download thanks for all the reports folks, keep 'em coming. Q: Is the UR live thing available as a download from that festival stream anywhere? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) word on the street
you're exactly right tom. it can be awfully difficult to get distribution when you only have one record pressed up. white labels are intended for dj's and stores/distribs, thats their function, promotion. to say that's lame doesnt really make sense. when dj's get hyped up on some white label, its great for the label, i love whitelabel bs with dj's. also...what is in-the-spirit-of-techno when it comes to putting out records? make a blind investment in manufacturing then toss it out with no promotion or decent distribution for the straggling fans and sit back and relax as you watch your label sink like a rock? that seems to be pretty much how it goes. we keep diving underwater and picking up the rock tho, its fun. i guess to be really tekn0 now you have to be on some netlabel digital distrib kinda thingy, are records even tekn0 anymore? tekn0!!! well I'd be happy to make suggestions when you're feeling a bit less fed-up with things. I think all the white label bs with Djs is lame as can be. how in-the-spirit-of-techno is it to hold out on people for 5 Fxcking years, as was the case with the first omar s white?? /rant huh? i dont think it was like that, i think they did a limited pressing and there was next to no interest in the record. i had 002 before it got serious distribution and i never heard anyone mention it before it showed up everywhere. once that got some attention theyve released steadily and have repressed that first one. how can that be a bad thing? tom andythepooh.com
RE: (313) word on the street
i guess to be really tekn0 now you have to be on some netlabel digital distrib kinda thingy, are records even tekn0 anymore? Uh...so you know, I just had to make an emergency call for your safety pal. Watch out. I've got a global sniper team trained to have twitchy fingers when they hear words like that. **alex put down the flamethrower, he was kidding I swear!** Kamal K. Stoddard Turner Broadcasting Systems
Re: (313) word on the street
Both of the comps are worth buying for the sleeve notes alone- excllent stories and a slightly different insight in to the early days of House! Jason On 1 Jun 2005, at 13:51, Paul Kendrick wrote: Soul Jazz normally do great comps, but your right this is just the norm... :o/ Will still pick it up because of the Virgo four track tho... -Original Message- From: Placid [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:49 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) word on the street
Re: (313) fuse-in detroit - technicolor mf
Apparently that's one of the many thousand Danny Krivit edits floating about at the moment, although they may have been mixing it with something else cheers Jason On 1 Jun 2005, at 17:20, Thomas D. Cox, Jr. wrote: -- Original Message -- From: Placid [EMAIL PROTECTED] Glad i wasn't there.. that sounds rubbish... :) i cant get the first track theo played out of my head, an edit (that id guess he did) of amerie one thing that just looped the vocal bit this is one thing thats got me tripping over the most weird minimal housey type cut. they turned on a strobe light during that track, i thought i was going to lose my mind completely. tom andythepooh.com
(313) 313 SPAM: detroit kraftwerk tickets fs.
couple friends of mine have bailed out on me for this friday night's show in detroit and i'm stuck with the tickets. if anyone on here is in need of some tickets for the show. please email me. thanks.
Re: (313) fuse-in detroit - technicolor mf
-- Original Message -- From: Jason Brunton [EMAIL PROTECTED] Apparently that's one of the many thousand Danny Krivit edits floating about at the moment, although they may have been mixing it with something else no way. it was one cut, the first track he brought in after malik's last record. it sounded like it was produced on mars, it sounded far more like something theo would do (maybe a little dusty cabinets-esque in its wrongness) and nothing at all like anything krivit has done. ill get to the bottom of this soon enough ;) tom andythepooh.com
Re: (313) New Mix - Ate
indeed, seconded! very, very dope mix, lots of tunes i bought too. i'll spread that here in my neighbourhood, ok? (o_*) c* Robert Taylor wrote: Nice one T! - my colleagues seemed perturbed by the Vibert track but f*** 'em, they have poor taste! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:00 To: 313@hyperreal.org Subject: (313) New Mix - Ate Download here: http://www.phonopsia.com/mixes/Tristan%20Watkins%20-%20Ate%2026-05-05.mp3 Recorded on May 26, 2005. Straight-up house and techno. Encoded at 192 Kbps. Enjoy! Tracklist: Pascal Schäfer - Mystére [Karaoke Kalk Pets] DJ Yoax B. - Hot One [Wabi Sabi] Lowtec - In Fail We Trust [Playhouse] Firefly - Snowblind in Ann Arbor [Poussez] Dirk Leyers - New Serious One [Kompakt] Max Mohr - Sound City [Playhouse] Mr. Oizo - Last Night Herbert Murdered My Poodle [Peacefrog] Luke Vibert - Orch Garage [Planet-Mu] Róisín Murphy - Dear Diary [Echo] Riton featuring Watine - By My Side (Extended Mix) [Parasonic] Crusho - Someone to Love (Blackjoy Mix) [Q-Tape] Henrik Schwarz - Leave My Head Alone Brain (Mix 2) [Sunday Music] James Duncan - Yes I Can [Real Soon] Omar-S - Track #8 [FXHE] Sleeparchive - Elephant Island [Sleeparchive] Heiroglyphic Being - Liquid Sex (Portable Rmx) [Spectral] Move D - Marshmellow Boots [Airbag Craftworks] UND - Christmas [Trapez Ltd] Daniel Bell - Work That s**t [Klang] The Model - The Shot [Traum] Trolley Route - Tempura (Sterac Mix) [Pure Plastic] Chateau Flight - Celestial Showers [Versatile] Orlando Voorn - Underwater [Ignitor] Zero Duma - Eargasm [Ibadan] # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) fuse-in detroit - technicolor mf
thanks to francis for the piccdilly tip, i found it: Various Artists : Radio Slave - Showreel Rekid Amerie - One Thing (Rekid Mix) note This double CD features various tracks, re-edits and remixes from Radio Slave and Rekid (aka Matt Edwards) as well as un-reworked tracks that he just likes himself. Includes tracks by Quiet Village (his alter ego for the super-cool NY label Whatever We Want), Amerie (reworked by Rekid), Gwen Stefani, Stereotyp Meets Al'Haca, Lazyboy, Rekid, Carl Craig, Talking Heads (re-edited by Radio Slave and Andy Mac), Roman Flugel etc. 2xCD - REKID05 - not currently available - sorry! Ultra limited double CD - there's only 110 copies in existance, and 60 of those were given away at Miami Music Conference! The CDs (individually hand stencil-sprayed) come packaged in a DVD box. Needless to say this'll vanish pretty quickly, so it's ONE PER PERSON! so how can i find that edit? i dont remember him dropping it from CD... tom -- Original Message -- From: Thomas D. Cox, Jr. [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] Date: Wed, 1 Jun 2005 14:44:36 -0400 -- Original Message -- From: Jason Brunton [EMAIL PROTECTED] Apparently that's one of the many thousand Danny Krivit edits floating about at the moment, although they may have been mixing it with something else no way. it was one cut, the first track he brought in after malik's last record. it sounded like it was produced on mars, it sounded far more like something theo would do (maybe a little dusty cabinets-esque in its wrongness) and nothing at all like anything krivit has done. ill get to the bottom of this soon enough ;) tom andythepooh.com andythepooh.com
Re: (313) Fuse-In techno
ishi played a great set of hard/clubby techno, apparently not the least bit impaired by his bizarre disco tshirt. kenny larkin probably played a good set of loopy almost-bangers, but due to that goddamn conga etc player on the side of the stage i really have no idea what he sounded like luciano (who twice i thought i was going to see do a live pa; instead he dj'd both times) plays actual techno. it was almost weird. his set (what i saw of it) at outpost was kind of a yawner, but his paxahau stage set was good, straight ahead (german) techno. a few times hawtin came up from backstage to celebrate a track with luciano, so there ya go. speaking of outpost, mathew jonson was great. carl craig did a nice little speech to the crowd before his set, which considering where he was and the history, was pretty cool. he then went on to play a whole bunch of really good records, with more bump content than he might normally do. his mixing was his usual non- mixing, but so what. he did actually say i'm Carl Craig and i'm here to play you some records -- so no one said anything about djing... heh. he really had the full attention of the waterfront stage; felt like a very special moment. he uses FS2 now, for anyone who cares. hawtin's underground stage performance on monday night was typically good (again, what i saw of it -- it was T packed down there, exactly like you knew it would be). b/c i can easily get into that hawtin space on a night like that i was disappointed that it was impossible to really stay there, but whatever. i said to my friend later how, while i really am happy for rich and all the success, and esp his appearance at this fest and the support it showed, it's sorta unfortunate for us old folks when you can't even stand in a room to see him anymore for all the otherwise-NASCAR-loving e'd out milford kids randomly yelling Richie!. ah well, such are the trappings of super stardom. and for what a blazing success the fest overall obviously was by monday night, who gives a sh*t about me standing in the corner mumbling about the good ol' days. missed deetron on the underground stage which was unfortunate but in the words of DJ Bone, he ripped it up. missed DJ Bone entirely because he was foolishly not booked. and then stuck in Amsterdam until monday... such problems. still trying to figure out what kraftwerk is doing in a UR label review. have to laugh at an otherwise reliable Free Press writer making the The Surgeon/Surgeon mistake, to the tune of a full paragraph and a little bio about The Surgeon's involvement with Regis, BMB, etc.. Ooops. octave live live band performance: is it me, or was the only band up there made by Akai? i missed 100% of sunday. DO NOT drink the beer at Woodward Avenue Brewery. and someone please buy juan a cheeseburger. On Jun 1, 2005, at 9:44 AM, [EMAIL PROTECTED] wrote: Not that I don't like Theo or KDJ but I'd like to hear about more techno at Fuse-In who slammed it? Any new tracks heard? Anyone catch the Brown Brothers live set on the mainstage? Ken Ishii? am I not reading through enough posts? MEK
RE: (313) Fuse-In techno
straight ahead (german) techno What does this refer to nowadays though? (a real question not a catalyst question). I mean german techno has been all but consumed by the glitch crew so that's what I think of now when people speak of the German sound in relation to techno. Somehow I get the feeling that's not what you're talking about tho. Given that you already used the loop-bangers (okay almost loop-bangers to be correct) I would think you're not speaking of that kind either. This leaves me wondering what does straight ahead german techno sound like now? And I swear I'm not being funny, I'm trying to think of something that's german, not glitch, not looped, and not detroit, and I'm coming up blank. Any track names? Maybe I'm bugging and it'll all come flooding in. maybe. Oh and Tom, I'm sooo jealous. I'd have gone for three chairs and ur live alone. And yeah UR should be bigger than Kraftwerk. Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: Garrett McGrath [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 01, 2005 4:31 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Fuse-In techno ishi played a great set of hard/clubby techno, apparently not the least bit impaired by his bizarre disco tshirt. kenny larkin probably played a good set of loopy almost-bangers, but due to that goddamn conga etc player on the side of the stage i really have no idea what he sounded like luciano (who twice i thought i was going to see do a live pa; instead he dj'd both times) plays actual techno. it was almost weird. his set (what i saw of it) at outpost was kind of a yawner, but his paxahau stage set was good, straight ahead (german) techno. a few times hawtin came up from backstage to celebrate a track with luciano, so there ya go. speaking of outpost, mathew jonson was great. carl craig did a nice little speech to the crowd before his set, which considering where he was and the history, was pretty cool. he then went on to play a whole bunch of really good records, with more bump content than he might normally do. his mixing was his usual non- mixing, but so what. he did actually say i'm Carl Craig and i'm here to play you some records -- so no one said anything about djing... heh. he really had the full attention of the waterfront stage; felt like a very special moment. he uses FS2 now, for anyone who cares. hawtin's underground stage performance on monday night was typically good (again, what i saw of it -- it was T packed down there, exactly like you knew it would be). b/c i can easily get into that hawtin space on a night like that i was disappointed that it was impossible to really stay there, but whatever. i said to my friend later how, while i really am happy for rich and all the success, and esp his appearance at this fest and the support it showed, it's sorta unfortunate for us old folks when you can't even stand in a room to see him anymore for all the otherwise-NASCAR-loving e'd out milford kids randomly yelling Richie!. ah well, such are the trappings of super stardom. and for what a blazing success the fest overall obviously was by monday night, who gives a sh*t about me standing in the corner mumbling about the good ol' days. missed deetron on the underground stage which was unfortunate but in the words of DJ Bone, he ripped it up. missed DJ Bone entirely because he was foolishly not booked. and then stuck in Amsterdam until monday... such problems. still trying to figure out what kraftwerk is doing in a UR label review. have to laugh at an otherwise reliable Free Press writer making the The Surgeon/Surgeon mistake, to the tune of a full paragraph and a little bio about The Surgeon's involvement with Regis, BMB, etc.. Ooops. octave live live band performance: is it me, or was the only band up there made by Akai? i missed 100% of sunday. DO NOT drink the beer at Woodward Avenue Brewery. and someone please buy juan a cheeseburger. On Jun 1, 2005, at 9:44 AM, [EMAIL PROTECTED] wrote: Not that I don't like Theo or KDJ but I'd like to hear about more techno at Fuse-In who slammed it? Any new tracks heard? Anyone catch the Brown Brothers live set on the mainstage? Ken Ishii? am I not reading through enough posts? MEK
Re: (313) Fuse-In techno
On Jun 1, 2005, at 1:38 PM, Stoddard, Kamal wrote: straight ahead (german) techno What does this refer to nowadays though? dunno. if you'd been there, you'd know exactly what i mean.
RE: (313) Fuse-In techno
-- Original Message -- From: Stoddard, Kamal [EMAIL PROTECTED] And yeah UR should be bigger than Kraftwerk. seriously, if they played timeline or inspiration or hi tech jazz or any of those kinds of UR joints on the radio i think theyd become huge. seeing them play those tunes (they didnt play hi tech jazz this year, they did last year though) live is an incredible experience and really wipes away any of the criticisms live music fans might have of dance music. tom andythepooh.com
RE: (313) Fuse-In techno
what does straight ahead german techno sound like now? Kanzleramt? Fieber? Chris Liebing? Johannes Heil? that's what I think of when someone says straight ahead German techno. schranz for lack of a better description MEK Stoddard, Kamal [EMAIL PROTECTED] urner.com To 'Garrett McGrath' [EMAIL PROTECTED], 06/01/05 03:38 PM [EMAIL PROTECTED] cc 313@hyperreal.org Subject RE: (313) Fuse-In techno straight ahead (german) techno What does this refer to nowadays though? (a real question not a catalyst question). I mean german techno has been all but consumed by the glitch crew so that's what I think of now when people speak of the German sound in relation to techno. Somehow I get the feeling that's not what you're talking about tho. Given that you already used the loop-bangers (okay almost loop-bangers to be correct) I would think you're not speaking of that kind either. This leaves me wondering what does straight ahead german techno sound like now? And I swear I'm not being funny, I'm trying to think of something that's german, not glitch, not looped, and not detroit, and I'm coming up blank. Any track names? Maybe I'm bugging and it'll all come flooding in. maybe. Oh and Tom, I'm sooo jealous. I'd have gone for three chairs and ur live alone. And yeah UR should be bigger than Kraftwerk. Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: Garrett McGrath [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 01, 2005 4:31 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Fuse-In techno ishi played a great set of hard/clubby techno, apparently not the least bit impaired by his bizarre disco tshirt. kenny larkin probably played a good set of loopy almost-bangers, but due to that goddamn conga etc player on the side of the stage i really have no idea what he sounded like luciano (who twice i thought i was going to see do a live pa; instead he dj'd both times) plays actual techno. it was almost weird. his set (what i saw of it) at outpost was kind of a yawner, but his paxahau stage set was good, straight ahead (german) techno. a few times hawtin came up from backstage to celebrate a track with luciano, so there ya go. speaking of outpost, mathew jonson was great. carl craig did a nice little speech to the crowd before his set, which considering where he was and the history, was pretty cool. he then went on to play a whole bunch of really good records, with more bump content than he might normally do. his mixing was his usual non- mixing, but so what. he did actually say i'm Carl Craig and i'm here to play you some records -- so no one said anything about djing... heh. he really had the full attention of the waterfront stage; felt like a very special moment. he uses FS2 now, for anyone who cares. hawtin's underground stage performance on monday night was typically good (again, what i saw of it -- it was T packed down there, exactly like you knew it would be). b/c i can easily get into that hawtin space on a night like that i was disappointed that it was impossible to really stay there, but whatever. i said to my friend later how, while i really am happy for rich and all the success, and esp his appearance at this fest and the support it showed, it's sorta unfortunate for us old folks when you can't even stand in a room to see him anymore for all the otherwise-NASCAR-loving e'd out milford kids randomly yelling Richie!. ah well, such are the trappings of super stardom. and for what a blazing success the fest overall obviously was by monday night, who gives a sh*t about me standing in the corner mumbling about the good ol' days. missed deetron on the underground stage which was unfortunate but in the words of DJ Bone, he ripped it up. missed DJ Bone entirely because he was foolishly not
Re: (313) Fuse-In techno
ishi played a great set of hard/clubby techno, apparently not the least bit impaired by his bizarre disco tshirt. LOL - those t-shirts are where he gets his powers from! what did this one look like? MEK
RE: (313) Fuse-In techno
It was blinding when the sun hit it just right...like some gold-lamé (not saying lame as in loser but lame as in whatever the French mean when they say it) chain-mail disc construction...it was pretty special! Leslie -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 01, 2005 5:05 PM To: Garrett McGrath Cc: 313@hyperreal.org Subject: Re: (313) Fuse-In techno ishi played a great set of hard/clubby techno, apparently not the least bit impaired by his bizarre disco tshirt. LOL - those t-shirts are where he gets his powers from! what did this one look like? MEK
Re: (313) Fuse-In techno
On Jun 1, 2005, at 2:01 PM, [EMAIL PROTECTED] wrote: what does straight ahead german techno sound like now? Kanzleramt? Fieber? Chris Liebing? Johannes Heil? that's what I think of when someone says straight ahead German techno. schranz for lack of a better description nah, it really wasn't that liebing bullcrap. it was just hardish minimal driving stuff. repetitive. sorta like glitch etc but without the touchy-feely aspects. or what you might generally call minimal, but experienced through a kick ass system. it was spiritually more tresor (the feel of the old club, not nec the label) than it was perlon.
Re: (313) Fuse-In techno
yeah.. looked like he was wearing a long glittery gold chain or belt, loosely strung around his neck shoulders, over a black t-shirt. but i'm pretty sure it was all one (fabulous) piece. On Jun 1, 2005, at 2:14 PM, [EMAIL PROTECTED] wrote: It was blinding when the sun hit it just right...like some gold- lamé (not saying lame as in loser but lame as in whatever the French mean when they say it) chain-mail disc construction...it was pretty special! Leslie -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 01, 2005 5:05 PM To: Garrett McGrath Cc: 313@hyperreal.org Subject: Re: (313) Fuse-In techno ishi played a great set of hard/clubby techno, apparently not the least bit impaired by his bizarre disco tshirt. LOL - those t-shirts are where he gets his powers from! what did this one look like? MEK
(313) mix WNUR chicago - 20 May 2005 - Covert Action
Clinically Inclined 20 May 2005 Fridays 9:30pm - 12:30am, 89.3 FM WNUR Chicago http://SonicSunset.com Part 1: Boot up to mutant electro boogie and computerfunk, pop the strobe lights. Left-field synth freakouts from David Astri and Cori Josais meet italo disco from Gary Low, Phrenic and Cellophane -- are friends electric? Freeze. Part 2: crisp rhythms from argentina's zensible label collide with herbert's deep dark world, and drop off into an oscillating ocean glittering in the moonlight, courtesy of heiko laux. the texture gets a level or two darker with beautifully subdued downtempo from pub, and comes back to the light with densely melodic dancefloor moves from holland's duplex. Part 1 Matt MacQueen ABC - Theme From Mantrap (Mercury) The Human League - Toyota City - Holiday 80 (Virgin) Anthony Shakir - One Beat (Just Won't Do) - Tracks for my Father (Seventh City) KDJ - untitled - U Can Dance If U Want 2 (KDJ) Thelma Houston - You Used to Hold Me So Tight - [12 version] (MCA) Cori Josais - Takin' It Straight [Dub] (Sire) David Astri - Dancing Digits [Dance Mix] (Award) Dopplereffekt - Infophysix - LP (Dataphysix Engineering) Man Parrish - Boogie Down Bronx [Dub] (Sugarscoop) Jamie Jupitor - Computer Power (Egyptian Empire) Electric Mind - ZWEI [Dub] (Emergency) Gary Low - You Are A Danger [Instr.] Il Disc Phrenic - Mischa [$tinkworx Italo mix] (DownLow) Cellophane - Music Colours 3 (DID) Faces Drums - (Original Records) Farley Jackmaster Funk - Jackin' The Trax - Funkin With The Drums Again (Trax) Jamie Principle - Rebels [House of Trix Mix] (DJ World) Part 2 Dave Siska $tinkworx - yinmao (downlow) gurtz - muroa - zensible beats (zensible) agent blue - 3000 [herbert's deep dark world mix] (lowlife) rene et gaston - pouah! - merlouche ideale (pssst) heiko laux - spaced - sense fiction (kanzleramt) imax - 1 am - dc trax (octal) wishmountain - video (antiphon) peak:shift - one road in, one road out (nurture) pub - film [springing daisys rmx] (ampoule) urban tribe - covert action (planet e) photek - kanei (op-art) duplex - autoload - autoload (clone) aril brikha - on and on (transmat) mathew jonson - marionette (wagonrepair) Audio archives at http://SonicSunset.com --- Clinically Inclined is mixed live on air, 89.3 FM in Chicago every Friday night.
Re: (313) fuse-in detroit - technicolor mf
Cool- ket me know when you do! Jason On 1 Jun 2005, at 19:44, Thomas D. Cox, Jr. wrote: -- Original Message -- From: Jason Brunton [EMAIL PROTECTED] Apparently that's one of the many thousand Danny Krivit edits floating about at the moment, although they may have been mixing it with something else no way. it was one cut, the first track he brought in after malik's last record. it sounded like it was produced on mars, it sounded far more like something theo would do (maybe a little dusty cabinets-esque in its wrongness) and nothing at all like anything krivit has done. ill get to the bottom of this soon enough ;) tom andythepooh.com
(313) Anyone in Glasgow?
If so; http://www.traxxevents.com/news/event.php?ID=80
RE: (313) UR at fuse in download
Thanks to Andrew, I started listening to that xm radio and I recordeded it but... my copy with just 2 interruptions 1. when my outlook reminder bell rang :( and 2. when the radio player went idle for a bit and there's about 2 min missing I'm hoping/ waiting on receiving a proper uninterrupted copy of the file, but in the meantime if anyone has a server I can upload to then it could be made available ! btw, the live set was really really good! -Original Message- From: Jernej Marusic [mailto:[EMAIL PROTECTED] Sent: Wednesday, 1 June 2005 19:30 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) UR at fuse in download Actually it is, but it's full of interuptions. It looks like they were having a lot of problems with the stream and they were playing some other music in between, plus they are talking over parts of it. So there's basically only half the UR gig, with other music in between, but it's better than nothing :) UR start at the end of first file (only couple of min) and play all the way through the second, and the last 15 min are in the last file. http://137.207.3.102/mp3log/t1117504292.mp3 http://137.207.3.102/mp3log/t1117507891.mp3 http://137.207.3.102/mp3log/t1117511491.mp3 Jernej www.octex.org -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 1. junij 2005 10:44 To: 313@hyperreal.org Subject: (313) UR at fuse in download thanks for all the reports folks, keep 'em coming. Q: Is the UR live thing available as a download from that festival stream anywhere? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) track ID
With all the acid house being played in the tent at the festival this weekend by the various Euro DJs, I suddenly remembered an old and familiar track that is stuck in a loop in my brain now but I can't place the name. It's a sort of crossover acid/wild pitch style track that could be DJ Pierre or DJ Duke or one of their many imitators. It's at the beginning of this tape by my friend Lee, one of the original sfravers who I've lost touch with since the late 1990s . . . any pointers appreciated. http://djsets.hyperreal.org/listen.cgi?listen_to=19930904!LEE.rm -- fred PS Speaking of old sfravers, if any of you UK cats know the whereabouts of my pal DJ Moonpup hit me up privately . . . The last I heard of him was the legendary Glastonbury 1997, whereupon Mixmaster Morris observed -- Backstage, Mixmag tent had some of the best sounds of the weekend, particularly that crazy Californian DJ Moonpup who made a big impact . So much so that a rival posse poured beer over the desk and closed the party. There's no excuse for that kind of behaviour, whoever you are.
