Re: (313) Terrence Dixon From The Far Future Part 2
Wow. Only twelve years after 'Part I'. There are still not many records which have the feel and overall ambience of that LP. Looking forward to the new instalment. Ken Sent from my BlackBerry® wireless device -Original Message- From: Lerato Khati Sender: i...@uzurirecordings.com Date: Mon, 12 Nov 2012 17:57:15 To: kent williams Cc: list 313<313@hyperreal.org> Subject: Re: (313) Terrence Dixon From The Far Future Part 2 great record . i bought the wax On 12 November 2012 17:56, kent williams wrote: > This sounds really great, & if you buy downloads, it's has bonus tracks. -- Lerato Khathi http://uzurirecordings.com http://uzuriartistbookingsandmanagement.com http://soundcloud.com/uzuri Skype : Lakuti
(313) Theo Parrish on Running Back recordings
Digital versions have appeared at various outlets today, including Juno. (Pardon me if this was already mentioned.) Vinyl available too [Discogs isn't working for me today - there is an entry on there, but the page won't render properly.] Post about a test pressing by this Hamburg-based label, about a month ago: http://running-back-records.tumblr.com/image/28192051364 Ken Sent from my BlackBerry® wireless device
Re: (313) Who was George Smiley?
I remember that too Tristan. I was already familiar with the character of the Le Carre novels when happening across the name used as a pseudonym, so assumed the same thing as you. Not v. helpful I know just some validation of your recollection! --Original Message-- From: Tristan Watkins To: 313 Subject: (313) Who was George Smiley? Sent: 17 Aug 2012 16:41 Despite discovering that film is basically a sedative for me since becoming a parent, I persevered through Tinker Tailor Soldier Spy last night. Part of the way through I couldn't shake the notion that I knew the name George Smiley from somewhere. Then it clicked. He was the original (313) list admin back in the day. From the time that I joined the list around '98, he never really posted much, but it occurs to me now that this was more likely to have been a pseudonym than a coincidence. Anyone know who George Smiley was? Just curious if it was one of the later (313) admins in disguise, or maybe one of the hyperreal people? Clearly not really important, but it just made me curious, especially given the fictional character. Cheers, Tristan Sent from my BlackBerry® wireless device
Re: (313) From the mouth of babes...
He gets one point for knowing the name. --Original Message-- From: David Powers To: 313 Subject: (313) From the mouth of babes... Sent: 12 Jul 2012 05:58 http://www.thedailyswarm.com/headlines/david-guetta-mocks-underground-resistance/ 'For [David] Guetta, dance music’s newfound popularity can only be a good thing. He won’t convince everyone, but few in the industry would deny his phenomenal success in the US has given the industry as a whole a healthy financial boost. “Listen, some people take themselves very, very seriously,” Guetta says. “I’m not a politician, you know what I mean? You remember in the old days you had people like Underground Resistance?” [a late 80s militant dance collective from Detroit]. He pauses and smiles. “I never took myself so seriously.”' WOW. ~David Sent from my BlackBerry® wireless device
Re: (313) Carls Davis AKA Carl Craig
The character of these sketches reminds me of many of the ones in the recent spate of tracks 'from the vaults' which a lot of folk have made a big fuss of. Perhaps if CC had claimed they were 'rediscovered' or something, and maybe got Clone to pick them up ;-) --Original Message-- From: Patrick Wacher To: Andrew Green Cc: Ken Odeluga Cc: Aidan O'Doherty Cc: 313@hyperreal.org Subject: Re: (313) Carls Davis AKA Carl Craig Sent: 22 May 2012 18:46 I'm digging it! -- Patrick Wacher Sent with Sparrow (http://www.sparrowmailapp.com/?sig) On Tuesday, May 22, 2012 at 4:31 AM, Andrew Green wrote: > Hi Ken and all > > I had a listen too and came to very similar conclusions. Great to hear > something more like machine funk, analogue, stripped down and without the > bells and whistles. > > Ill be getting a copy for sure. > > > Andrew Green > > > mr.verd...@gmail.com (mailto:mr.verd...@gmail.com) > > 07816 373278 > > On 22 May 2012, at 11:08, Odeluga, Ken wrote: > > Guess I'd better have a listen! > -Original Message- > From: Aidan O'Doherty [mailto:aidan.b.odohe...@gmail.com] > Sent: 22 May 2012 11:08 > To: Odeluga, Ken > Cc: 313@hyperreal.org (mailto:313@hyperreal.org) > Subject: Re: (313) Carls Davis AKA Carl Craig > > since i can't listen to samples in work, can i ask people's opinions - > is it any cop? > > On Tue, May 22, 2012 at 10:36 AM, Odeluga, Ken (mailto:ken.odel...@dowjones.com)> wrote: > > New EP; new alias. > > > > http://pulseradio.net/articles/2012/05/carl-craig-releases-ep-under-new-moniker > > Sent from my BlackBerry® wireless device
Re: (313) Hawtin interviews Skrillex.
Jeez. I started to actually read that. Then I flushed. Happy Sunday to all. Ken --Original Message-- From: Patrick Wacher To: 313@hyperreal.org Subject: (313) Hawtin interviews Skrillex. Sent: 1 Apr 2012 06:25 My head just exploded… http://www.teshno.com/2012/03/richie-hawtin-interviews-skrillex.html Peace, Patrick. Sent from my BlackBerry® wireless device
Re: (313) Not Skrillex.
Hmm, good looking-out Patrick. Cheers, Ken --Original Message-- From: Patrick Wacher To: 313@hyperreal.org Subject: (313) Not Skrillex. Sent: 2 Mar 2012 00:43 Da Sampla 2x12 on Kyle Halls label! http://wildkyleoats.com/news.php - P. Sent from my BlackBerry® wireless device
Re: (313) Soul Train Creator Don Cornelius Dead
She lives on somewhere in a lot of peoples' minds. As does Cornelius, of
course. RIP.
--Original Message--
From: darnistle
To: 313@hyperreal.org
Subject: Re: (313) Soul Train Creator Don Cornelius Dead
Sent: 25 Feb 2012 04:02
The SOULLL TRAIN!
I wonder what ever happened to the Asian woman with the long hair who
was always dancing prominently on the show.
{}0+>|
On 2/1/2012 11:14 AM, Odeluga, Ken wrote:
> It’s in The Freep.
> _http://www.freep.com/article/20120201/ENT07/120201014/Don-Cornelius-dead-suicide?odyssey=tab|topnews|text|FRONTPAGE_
> Ken
Sent from my BlackBerry® wireless device
Re: (313) Extensive show about UR/G2G from Melbourne radio RRR
Yep, cheers. Ken --Original Message-- From: Andrew Duke Cognition Audioworks new email address To: 313@hyperreal.org Subject: Re: (313) Extensive show about UR/G2G from Melbourne radio RRR Sent: 13 Nov 2011 02:36 Thanks for the headsup on this, Greg. On Sat, Oct 15, 2011 at 3:39 AM, Greg Earle wrote: > Grab this quick before they remove download access in a couple of days ... > it's filled with pure Mad Mike GOLD! > > http://www.soundcloud.com/enniostyles/stylin-508-w-underground > > - Greg > > -- http://soundcloud.com/andrewdukecognitionaudio http://myspace.com/andrewduke Sent from my BlackBerry® wireless device
Re: (313) Chicago...313...and fbk!
Rephlex anniversary event in Chicago? Didn't know about that; wish 'em well. Hope there'll be one here too obviously! Ken Sent from my BlackBerry® wireless device -Original Message- From: Denise Dalphond Date: Sat, 20 Aug 2011 13:57:55 To: Kevin Kennedy Cc: 313@hyperreal.org<313@hyperreal.org> Subject: Re: (313) Chicago...313...and fbk! Have a great visit!! I'm headed far away from chicago up north in Michigan. And happy birthday! Labor day weekend will be big in Chicago. Rephlex is having a couple of 20th anniversary events. Will you be around still then? Denise On Saturday, August 20, 2011, Kevin Kennedy wrote: > Fbk is currently in a vehicle headed to chicago illinois. To meet up with Mr. Dettman...would love to see chitown's 313 contingent out and about...since my birthday is 3 days away:) > > Cheers...and send me an email-you'll get contact info;) -- Denise Dalphond Ph.D. Candidate Department of Folklore & Ethnomusicology Indiana University http://schoolcraftwax.com/
Re: (313) As I'm sure most of you heard: Real Scenes: Detroit RA
What a wicked, wicked post. I totally agree. I've sensed the same thing about Mr. Huckaby for a few years. But of course, I've not articulated it as well, even to myself. Ken --Original Message-- From: Kent Williams To: Jeff Davis Cc: 313@Hyperreal. Org Subject: Re: (313) As I'm sure most of you heard: Real Scenes: Detroit RA Sent: 11 Aug 2011 15:43 Mike Huckabee's educational work is amazing. He's a guy that, unlike many of his peers in Detroit, stayed in Detroit and dedicated himself to keeping it a vital center for musical innovation. He did it, I believe, at a personal cost. If all he cared about was making money and becoming famous, he could easily have moved to Berlin, gotten a good booking agent, and hooked up with European labels. I don't mean to criticize the people who have taken that path -- if it works for them it's fine -- but there's no denying that moving away changes their music. Instead he's stayed true to the city, true to his own music, and perfected the art of DJing. And he's taken direct action to help the young people of Detroit, who face serious obstacles to finding a place in the world. I admire a lot of Detroit musicians, and certainly isn't alone in his commitment to Detroit. In particular Underground Resistance and Submerge have demonstrated a deep and sustained commitment to the people of Detroit. There are others but to list them is to risk leaving someone out. What really makes me return again and again to the music that comes out of Detroit isn't a particular style, it's the deep, clear-eyed emotion and soul that infuses the best Detroit music. Music can point to itself, it can reflect listeners' aspirations back on them, it can start a party. Or music can do all that, and point up and out of itself. It can make you think about the world in a different way. On Thu, Aug 11, 2011 at 6:55 AM, Jeff Davis wrote: > > I left this vid having even more respect for huckabee than I did before > Sent from my BlackBerry® wireless device
Re: (313) more thoughts on Movement 2011
Thanks a lot for the excellent, informative post Mr. Huette :) I'm happy to admit I also particularly like it because I agree with your sentiments near the end! Ken Sent from my BlackBerry® wireless device -Original Message- From: Fred Heutte Date: Wed, 1 Jun 2011 01:59:03 To: <313@hyperreal.org> Subject: (313) more thoughts on Movement 2011 Monday was a good day at the festival. I arrived in time to hear TP on the main stage bring Strings of Life into a remix of Patrice Rushen's "Haven't You Heard" (I like Steve Rachmad's "A Lot of Love" on Spiritual/Outland more but this version was slower and more in line with the mix). Terrence was in a vocal mood, singing along with several tracks. And he played "Blow Your House Down." Couldn't ask for more. I liked DJ Three (Chris Milo) on the Beatport stage playing an unhurried set of solid acid-tinged stuff. Boo Williams and GU were unfortunately stuck in the underground stage; when will Paxahau finally admit house just doesn't work in there? But I spent most of the day at the Made in Detroit stage. Just missed seeing Franki Juncaj (formerly the friendly guy at the register at Somewhere in Detroit and also a quite good DJ), but heard a lot of District 909 (Tim Baker and HD Substance). Tim Baker has had some interesting releases but I wasn't sure what to expect, and what they deliver is basic stripped down live techno sliding back and forth between really tough and cool and somewhat aimless. Next up was DTM on 5 turntables, that's right, count 'em, 5x5. It could have been a classic pileup but actually it was kind of fun. First up was Throw as the soundbed, which is the obvious way to get started and it went from there. Layers and layers of tracks'n'scratches. Then DJ T-1000 or as known among these parts, Alan. You know what he does and that's bring it up to a high level of intensity and lets it roll. As good as AO was, Claude Young finally had the time, the space and the crowd to really throw down -- nearly two and half hours worth. Everyone I talked to including the man himself felt the inspiration. It's not just about playing the great old records, as great as they remain, or the great new ones, still fresh and not struggling against familiarity. It is about playing great music with purpose and precision. It's what Detroit techno at its best truly represents. And now some comments on the festival itself (I'll save my rant about afterparties for another time). With a year away due to work requirements last year, I have a little more perspective perhaps than I used to, having been to all ten from 2000 to 2009. First of all, what's working right? Paxahau has a business model that actually works. They are putting serious, serious cash into upgrading the sound, the staging, the lights and all the little things needed to make this work better every year. Even the underground. The big improvement to me was the decision to get rid of the tents for the Beatport and Made in Detroit areas and invest in real stages. The music selection is somewhat less adventurous than I suppose could be imagined, but it is a pretty decent job for what it does. There are too many overrated European superstar-or-wannabes on stage for my taste, but they bring in a crowd (see "business model"). On the other hand, I can complain about Fatboy Slim or whatever but they also bring in Adam X who rocks the box. I didn't feel this year like there were periods where nothing decent was on offer, which was the case in previous years ago for considerable parts of the weekend. And I want to call Paxahau out for praise very specifically for one thing: the strong commitment to live performances across all genres. They not only book creatively on that, but they obviously put serious effort into providing the staging and support needed, from equipment setups to sound and lights. The ticket prices are reasonable given the size and breadth of the event. The lines were better run this year, and amidst the usual carney fare they brought in Slows -- epic win. The not so good parts. Well, obviously it's a white people festival now. I'm not sorry to say it so bluntly. It is in the city of Detroit, but it does not represent Detroit the city. Why? This gets back to "business model." When the festival was free, the city did come, and not just because it was free, but because the proportion of known Detroit talent was higher. The organizing of the festival was drama supreme in the early years, but out on the walks and in the stage audiences, it was inclusive for all of Detroit and the region. So Movement has evolved from being a somewhat disorganized civic celebration to being more of a destination event for the suburbs (see "business model"). Give Paxahau credit, the Made in Detroit stage is an explicit nod to where this all comes from and provides (some) space for the various threads of Detroit techno and house for the last 30 years -- but only some, a
(313) Some Detroit in London Tonight
Oops, forgot to mention Detroit lad Kevin Reynolds is also on tonight. Sorry Kevin, if you read this! :-) http://www.bleep43.com/
Re: (313) 313/Some Detroit in London Tonight
Yep Shake is aware, Michael. As for record shopping, none for me today. Last records I bought were 2 Bunker re issues: 'Survival of the Funkiest' by Nukubus and 'Air Leben in Pussywelt' by Legowelt vs. Orgue Electronique Not Detroit I know but to make up for it, we're continuing to book Detroit's finest DJ talent. (Sorry to hijack the thread; but I'm still broadly on-topic :) Tonight we've been lucky enough to secure an appearance by the much- in-demand Mr. Patrice Scott. He'll be appearing alongside the splendid and mighty talent that is Osunlade. Now, to avoid me pushing folks' tolerance too far, I'll leave it at that and ask that those interested to find out more please check here: http://www.bleep43.com Thanks. Have a good weekend everyone. Ken
Re: (313) BSP/OT new dj mix: count zero - the mercury incident
Ha ha. Surely no one wants exclusively 313-related content in a mix do they?!? You're on 313, you did a mix. That makes it on topic. End of! Anyway. Getting it. Cheers. Ken *** From: Frank Glazer Date: 6 August 2010 19:12:22 BDT To: list 313 <313@hyperreal.org> Subject: BSP/OT new dj mix: count zero - the mercury incident marginal 313-related content, (only 4 (omar s, shake, john collins, rob hood) of 17 artists are *from* detroit) but many of you might enjoy the latest DJ mix I posted on Infinite State Machine: http://infinitestatemachine.com/2010/08/02/count-zero-the-mercury- incident/ -- peace, frank
(313) Bleep43 December Party With Surgeon, Patrice Scott, DJ Pete, New World Aquarium & More
Hi, We're carrying on with the pretty much unbroken series of at least one Detroit act in each of our parties over the last year or so. On December 11 we're hosting the UK's Surgeon and Berlin's DJ Pete [Aka Substance] as they bring the rare synergy of their occasional back-to-back session from Berlin to Bleep43 for a second time. We are also very proud to present what will be a session of magical house music and more, from Amsterdam's veteran of the deep, Newworldaquarium. Add to that, we're sure there'll be a fine selection of finely mixed music from the much-in-demand Mr. Patrice Scott. Top things off with Bleep43 DJs and live acts, l and I think it's fair to say we have a special night on offer for the discerning ear and open mind. For more info, please go here: http://www.bleep43.com/events We hope to see some of you there. Thanks, Ken
(313) re: 313 geek quiz
From: jdmo...@frontiernet.net Date: 7 January 2009 13:30:27 GMT To: 313@hyperreal.org Subject: re: 313 geek quiz im sure collectively we could come up with a much, much better one. here, ill start... who wrote "strings of life"? a. derrick may b. thomas barnett c. derrick may & thomas barnett d. thomas barnett & derrick may e. depends who you ask ; ) You do know you the correct answer isn't actually amongst your multiple choices? K
(313) DJ Stingray In Miami Friday Jan 9
...For those who want to keep the party going a little longer, or with an eye to putting some more appealing tunes back into your head to replace the schmaltz that might obligatorily go with spending so much time with your folks ... There's an amazingly cheesy [but effective] video advert for this party! Ken Begin forwarded message: From: i...@3gzproductions.com Date: 20 December 2008 11:49:48 GMT To: Subject: GAMMA WRECKAGE Friday-Jan.9th, 2009 PS14 & Franceasca Seiden's Art Basel Article Reply-To: i...@3gzproductions.com GAMMA WRECKAGE Presented by: Mi Chica Chico Force / Eden Grey & Schematic Watch the commercial here! http://www.youtube.com/watch?v=pecXdJYou8A with Special DJs+ Stingray 313 // Detroit // (Planet-E, Replex, Mo-Wax) Uprokk Live+ Nomadic Steve Auxilec // UK // & Eden Grey 000 FTG Meta-Reticuli In the Backroom: Peaches & Prunes Romulo Del Castillo & Carlos Llanos Jacque Polynice & PG-13 Friday // January 9th // 2009 // PS14 // 28 NE 14 St. // Miami FL [Commercial directed by Iris Beatrix Cegarra and Produced by Eden Grey, Steve Auxilec, and Iris Beatrix Cegarra for Gamma Wreckage] Check out Franceasca Seiden's Art Basel Article and photo's on Death and Taxes Magazine's website http:// www.deathandtaxesmagazine.com/index.php
(313) Surgeon, DJ Pete, Scorn At Bleep43, LONDON [correct website]
Hello, Please excuse me spamming about this again... Yesterday, the URL I supplied for details of our party tonight, wasn't the most up to date one. Try this instead: www.bleep43.com Looking forward to seeing some of you later. :-) Thanks, Ken
(313) Too Good
The Plan - Plan A - (The Plan) cat Plan 001 It could possibly revitalise your outlook on techno, I think, if you've still got an ear for sheer fun and funk, that is. I know it's super limited but a suggestion, for Europeans only, sorry: I got my repress from interstellarsounds.com I know he imported quite a few, so if you're interested and quick . Ken
Re: (313) festival hits?
From: "Frank Glazer" <[EMAIL PROTECTED]> Date: 25 May 2008 17:03:33 BDT To: "Michael Kuszynski" <[EMAIL PROTECTED]> Cc: "313 Org" <313@hyperreal.org> >i don't think you understood the question. Maybe, or maybe this is just related? Still too early to answer arguably. Apropos Pullen, one could say something similar about Kenny Larkin, who still makes more than interesting music to my ears. Am I similarly compelled by his DJ sets? Not the last few times.
(313) Subterfuge
Interesting-looking myspace. Does anyone know if there's any danger of more analog [or even digital] techno records from the man this decade? Ken
(313) Is This A New Theo Film?
http://chillibean.net/perl/reels-10.0.pl?xhtml=XXLM0L8M Seen in 'It's That Detroit Sh***' Discogs forum.
(313) Mr Ron Murphy
Just wanted to add my condolences to his friends and family. Ron Murphy was another Detroit artisan who helped make a lot of lives different, and even a little more worth living, by their wonderful ear and special talents and skill. Hope the music's properly cut, balanced and mastered where he's gone to! But if it isn't, now they've got no excuse! RIP. (Sorry if there's a separate thread, I am on the digest on this, my home e-mail address.) Ken
RE: (313) Top 22
How on earth could I forget this one?! http://www.discogs.com/release/1000632
(313) Japanese Telecom LP Repress
If you missed it ... (plus one extra track on this edition). http://www.discogs.com/subs/view/3452461
(313) Fabio Interview
Engaging Fabio interviewit's not just d'n'b! http://www.redbullmusicacademy.com/TUTORS.9.0.html?act_session=273
Re: (313) KDJ Soul skate party!
rom: Dan Bean <[EMAIL PROTECTED]> Date: 7 April 2007 17:23:02 BST To: "David Armin-Parcells" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Subject: Re: (313) KDJ Soul skate party! Oh yes! Get in! See you there. Ken - there really is no excuse now! Didn't know you knew Mr Dixon so well mate. Just why you would want to upbraid him for putting on a skate party, I haven't a clue. ... oh you mean me?!? Ah, but there is an excuse! I can't skate!! ;-) life gets more and more surreal, know what I mean Dan? Next thing you know, I'll be able to order a copy of this http://www.discogs.com/release/913024 In Europe. At that point, I will get off the lawn for good, I think Ken
(313) DRM-Free, High-Quality...
DRM-free maybe, but If they think 256 kbps cuts it, they still haven't learnt as far as I'm concerned! http://www.apple.com/pr/library/2007/04/02itunes.html There's loads of 313-related content on iTunes nowadays of course... .oh and it's only EMI of course, for now ... http://bleep43.com
(313) DRM-Free, High-Quality...
DRM-free maybe, but If they think 256 kbps cuts it, they still haven't learnt as far as I'm concerned! http://www.apple.com/pr/library/2007/04/02itunes.html There's loads of 313-related content on iTunes nowadays of course... http://bleep43.com
(313) Another One?
Apologies if someone's already posted this one here... http://www.clone.nl/item8842.html Music is an open sky. http://bleep43.com
(313) Happy Holiday!
Here's a cheesy 'season's greetings' to all and sundry and your families too. Here's wishing you a happy and peaceful time in good measure and as wild (or sedate) a New Year's Eve and 2007 as you would like. Also, please tip some wine on the ground in the old way for James Brown, may he RIP ... although something tells me that serious mourning would not be appreciated, by him. So as a tribute, perhaps you might put on a record of his instead - that's what I'm going to do. Peace, Ken Music is an open sky. http://bleep43.com
(313) REMF
Rotterdam Electronic Music Festival. Lots of neo-313 interest (and generally looks tasteful, to me.) Ken http://www.remf.nl/ Music is an open sky. http://bleep43.com
(313) This Is Only A Test
Please ignore this. Apologies. 1725 GMT Music is an open sky. http://bleep43.com
(313) Composer Of Music For '2001' Gyorgy Ligeti Dies
http://news.bbc.co.uk/1/hi/entertainment/5072858.stm Music is an open sky. http://bleep43.com
(313) Scan 7: Their Secret Life In House
I thought I'd sent this over the weekend but because I'm only on the digest at home I only discovered that the mail didn't get to the list (or so it seems) when I got to work today. So I'm trying again. There are no profanities that I'm aware of - I'm trying to keep my turret's syndrome under control, but I can't be sure. I've also cut down the amount of links, I think this sometimes an issue for the filter? Or am I irreparably paranoid now?!? Would one kind soul reply if they see this, just a couple of words will do, so I know that I've been successful this time. Cheers in advance. Ken ...yes, it's a discogs.com job. But there are some indications that the signs are more solid than they sometimes from discogs. This relates to a member (or an alias of one or more members) of Scan 7. The member is 'Black Man'. Why I think this is interesting is that there is not another artist in the database called 'Black Man' or any other derivative of that name. Strange. You'd think it might be chosen by at least one other person, obvious as it is. Check out the release links for Black Man. Yep, only two releases of his own, and both categorised as 'house' records, on UK labels There's one which contains a mix by DJ Q (known for being a Detroit head, and has remixed tracks for Kelli Hand amongst others...) He also has this mix *with* DJ Q: http://www.discogs.com/release/6033 If any one has any other thoughts, no matter how impolite, or knows any of these records other than the above (the remix is OK, but nothing earth-shattering) please speak up. Music is an open sky. http://bleep43.com
(313) Minimalism III
REALLY liking this latest Terrence Dixon release. It's strange, it's (almost) empty in places - which is enough space to think - and it's definitely not fashionable. Unfortunately, I doubt even most people who like the styles of music we like, will get it, although I wish more would. Music is an open sky. http://bleep43.com
(313) AMX?
Whatever happened to ... AudioMatrix? Does anyone know? The impressive web site is still up. http://www.amxrecords.com/ (Switch on some audio capability if you can.) The 'subscribe' link doesn't work and there is little evidence that the site is up to date. There is an interesting video or two - I think the annoying buffering issues don't originate from the site if you have decent hardware (or can be bothered to tweak your settings.) If you're out there chaps, hope 2006 is a good year for you. Ken Music is an open sky. http://bleep43.com
(313) Diego
He's not from Detroit, but obviously in sympathy. Just wondered if anyone here knows what's going on with him, if there's anything new coming. His web site isn't giving a positive signal (have a look!) http://www.diego.dj/ That 'Open' LP on Kanzleramt has turned into a real favourite of mine after sleeping in my unconscious for over a year, possibly due to it's slightly peculiar disposition - Jazz and rave anyone? Anyway, now I think it's little short of ... sparkling. Anyone? Music is an open sky. http://bleep43.com
(313) An Excellent Film About The TB-303
Apologies to those of you who've already heard and seen this. The link below leads to an academically presented, but extremely well informed film about the 'famous' Roland electronic musical instrument. Mostly it contains stuff which many will already know, but I doubt that the history, ethos and culture which the 303 engenders, has been as comprehensively documented on film before. You'll need Quicktime (which is free to download). I need to acknowledge that I saw this first on the Discogs music tech forum. Enjoy. http://nkhstudio.com/pages/popup_bassline.html Music is an open sky. http://bleep43.com
(313) RE:UR in Minneapolis in October
Just literally this minute got back From The Big Chill festival were these two chaps played. They also came and did a back-to-back set for Big Chill Radio (where I was working) so I got to chat to them at length, especially DJ3000. They seem to be friendly, down-to-earth, unpretentious blokes, with good senses of humour. Watch out for 3000, there's a rich seam of influences in him which will produce some interesting stuff, I'm sure. The eastern European influence - he's of Albanian extraction - is becoming evident in his recent music, I feel. But at the same time, it's obvious from his accent that he hangs around with a lot of African Americans, not to too fine a point on it. There's no doubt, he's being groomed by the more senior UR members to be one of the next generation of representatives. He and James Pennington played a smart set of electro-funk old and new, especially in the radio studio. It was a lot of fun and such an antidote to rather too much of the 'Berlin-by-numbers' which I almost feel spoon-fed at the moment. Look out for 3000's mix CD 'Perseverance'. I'm listening to a promo now and it's a good showcase of his current style. By the way, does anyone know who are the two French guys who were just signed to Axis? They were in the UR entourage but I didn't get to talk to them. Maybe someone mentioned their names, but I've forgotten, alas. Ken Music is an open sky. http://bleep43.com
(313) LONDON: BLEEP43 WITH MAX DULEY, DEZ WILLIAMS & DAN BEAN
Hello, I'd like to remind folks about our event on Saturday. This one's likely to be extra special as it's the last Bleep43 event that will be held in the infamous Public Life. So old friends and new, please come along and help us say bye-bye to the loo. If you'd like to know what we get up to at our events, please take a look here: http://www.bleep43.com Then go to 'events'. If you'd like to join in, come along on Saturday. Hope to see you then. Thanks, Ken * LINE UP MAX DULEY - ARCart, Kne'Deep, High Octane Recordings http://www.ARCart.org) DEZ WILLIAMS (Final Scratch set) - Ai Records, SCSI-AV, Blasé DAN BEAN - Iality Hifi Sound System http://www.ialityhifi.co.uk/ ORPHAN - LIVE Schedule: Dan 9-12 Orphan 12-1230 Dez 1230-0130 Max 0130 till the end. Location: Public Life, 82a Commercial Street (near Liverpool Street Station, outside Spitalfields Church) Opens: 9 PM Closes: Sometime after 3 AM Ticket cost: £6 In advance, more on the door. Music is an open sky. http://bleep43.com
(313) BLEEP43 TONIGHT - WITH JACEN SOLO LIVE (LONDON)
Hello all, Just thought I'd remind anyone who might be interested about our event tonight. Apologies for the bandwidth use. Looking forward to seeing some of you tonight. Cheers, Ken * Bleep43 - 25th June 2005 8 til late at Public Life, 82a Commercial Street, LONDON E1 Jacen Solo (AI records / live) Jonny McIntosh Ken Odeluga (Bleep43) VLF (live) £6 before 11.30, £7 after. This month's party offers differing contrasts in styles, not least from Jacen Solo, who is giving us the opportunity to hear a live set of material taken from his debut LP Virgo, just released through AI records on 20th June. Jacen's debut 12" "Forbidden Medicine" last year offered firm proof that he's a real talent to watch. Check mp3 samples of the new LP on http://www.airecords.com We're also very happy to welcome back one of our favourite DJs, Jonny McIntosh, who takes time out from academia to jack. VLF showcase their debut liveset, and Ken Odeluga completes the line-up. *UPDATED SCHEDULE* VLF - LIVE - 8.30 - 9.30 KEN ODELUGA - 9.30 - 11.30 JONNY McINTOSH - 11.30 - 1.30 JACEN SOLO - LIVE -1.30 - 3 Music is an open sky. http://bleep43.com
(313) 'Snowflake falling' ...
Just looked-up Juan Atkins on the iTunes Music Store. There's a lot of classic stuff on there (including some of the great recent New Religion material.) But wait. What is this odd-looking entry on an LP called 'Christmas Eclectic' (genre: 'holiday') with a track called 'Snowflakes Falling'? The compilation appears to be a sort of Christmas gift record. I'm not wanting to believe that the track 'Snowflakes Falling' is actually the man himself. Going by the sample, it's about +12 on the cheesy, cornball, schamltz scale (add your own adjectives!). It's got kids singing, twee lyrics, triangles etc. But I have to say: those chord changes, that melody, that bassline, even the synth sequencing they *do* have a certain familiar feel to them. Someone tell me I'm way off-beam or this may turn into a little cause celebre! Ken Music is an open sky. http://bleep43.com
(313) Octave One - Somedays
Date: Thu, 17 Mar 2005 18:56:55 +0100 To: <313@hyperreal.org> From: "Maarten Baute" <[EMAIL PROTECTED]> Subject: Octave One - Somedays Message-ID: <[EMAIL PROTECTED]> And since when is Octave One making progressive house? http://www.juno.co.uk/products/173198-01.htm I'm not feeling this at all. Sorry. You're not obliged! :-). In fact this track isn't really new. I first heard it on the 430 West collection http://www.discogs.com/release/76423 ...put together to promote Lawrence Burden's mix cd in 2002 http://www.discogs.com/release/82572. Maybe you might have liked it back then ... Anyway, one thing I'm sure of is that it's not what most people would call progressive house ... Music is an open sky. http://bleep43.com
(313) Re: Guide to K. Hand?
Date: Sat, 26 Feb 2005 22:50:32 -0600 From: [EMAIL PROTECTED] would like to get to know her music better - anyone have suggestions for records out of her discog? techno styles or house - either is fine her music has always been a curiosity for me but I've never really taken the time to get into it (until now) MEK * Two of my favourite house LPs of hers are 'Soul' and 'Fantasy' both on Ausfahrt from '97 and '98. They contain some good, sweaty, often soulful, often minimised 'Detroit' house. I'm bit more hesitant to recommend her more Techno stuff, but I still find the Studio !K7 LP, 'On A Journey', very interesting. k Music is an open sky. http://bleep43.com
Re: (313) via FREEP. Detroit, videogame and submerge!
Message-ID: <[EMAIL PROTECTED]> --- [EMAIL PROTECTED] wrote: infact, I struggle to understand the whole underground/overground thing to be honest. I think its something to do with Wimbledon and Wombling free Alex but dont quote me on that ;-) (people outside the UK probobly wont get this - sorry) Cheers BT *** Class, David! ;-). Music is an open sky. http://bleep43.com
(313) Dan Bell
www.bleep43.com presents Daniel Bell - DBX (7th City/Accelerate/Tresor/Detroit) Toby Frith (Bleep43) Sat 30th April Public Life, 82a Commercial St, London 9pm - 3am £10 - Advance Tickets only. Please email [EMAIL PROTECTED] for further information. As Public Life is a v.small venue, this event is ticket only and as such, unless subject to change, there will be no admittance on the door. Music is an open sky. http://bleep43.com
Re: (313) Greg Wilson/F.K/Kirk Degiorgio all in Manchester this weekend.
Alex, I can't read a word of your message at home on the digest. It is and I quote, 'Pure Code'. Could you switch off html please!? k On 22 Feb 2005, at 14:30, [EMAIL PROTECTED] wrote: http://bleep43.com
Re: (313) Dark Comedy LP (was Larkins Metaphor)
marsel van der wielen wrote: It's out...in Japan. Some European shops have 'promo' copies. Ask. I bought one this way. (It's CD only btw.) Music is an open sky. http://bleep43.com
(313) Marty 'Hardy' Bonds
How good is the 'Marty Hardy' remix of 'Direct Me'? (That's a Socratic question, meaning I know it's good!) I've had the record for years but more or else ignored his version for the KMS/UR takes. Then someone told me it was actually Martin Bonds and I dug it out and realised I'd been ignoring a very interesting track for the best part of a decade! I don't see much by him on Discogs. Does anyone know if he's still producing? Music is an open sky. http://bleep43.com
RE: (313) [EMAIL PROTECTED]
Date: Wed, 26 Jan 2005 20:46:59 + To: [EMAIL PROTECTED], 313@hyperreal.org From: "Mike Melody" <[EMAIL PROTECTED]> Subject: RE: (313) [EMAIL PROTECTED] Message-ID: <[EMAIL PROTECTED]> Yo-check it: Juan Atkins & The Necto present JUAN ATKINS & FRIENDS EVERY SUNDAY beginning Sunday, January 16th with a 4-hour set by Juan $5 before 11pm $10 after 11pm ALL drinks, shots, drafts, & bottles only $2 before 11pm. Doors @ 10pm 18+ www.necto.com for more info The Necto 516 E. Liberty St. Ann Arbor, MI 48104 ** Thanks Mike. This information might have consequences for me! k
Re: (313) Infiniti Collaborations
I think that Juan and Terrence worked together for the Mind & Body=20 album. He is not credited but i am sure they worked together already=20 for some records... i think :) KJ *** Yeah, I heard this too ... can't remember where now, which sort of diminishes how true it might be, but it sounded convincing at the time. k not sure about "mind & body", but i'm just listening to "Infiniti - Skynet" on which Terrence is credited on 'electric circus', 'thought process' & 'walking on water'. has Terrence released anything lately? nath Where are you reading this please Nath? It strikes me that it might be that the liner notes for the original release of Skynet. ( http://www.discogs.com/release/62770 ) rather than the Tresor editions. Maybe those credit Terrence Dixon and the Tresor release does not? Terrence Dixon hasn't released anything since 'From The Far Future' (AFAIK). I don't know where I heard that Juan Atkins had assisted in the production of that, but, correctly or not, that's what I did hear. (AFAIK, 'Into Sub-Luna' on the 'Orietta St Cloud' comp, from 2001, was an old track from the above LP given a different name.) k
Re: (313) Infiniti Collaborations
I think that Juan and Terrence worked together for the Mind & Body=20 album. He is not credited but i am sure they worked together already=20 for some records... i think :) KJ *** Yeah, I heard this too ... can't remember where now, which sort of diminishes how true it might be, but it sounded convincing at the time. k
Re: (313) Expected releases for 2005/ART Comp
Date: Tue, 18 Jan 2005 17:30:32 + To: David Beattie <[EMAIL PROTECTED]> From: robin <[EMAIL PROTECTED]> Cc: 313@hyperreal.org Subject: Re: (313) Expected releases for 2005 Message-Id: <[EMAIL PROTECTED]> loads of people are looking forward to this. you know quality of the vinyl etc will be top notch too. robin... * Sounds like the 313 release event of 05, no less. k
RE: (313) Expected releases for 2005
Date: Mon, 17 Jan 2005 23:12:38 - To: "'J.T.'" <[EMAIL PROTECTED]>, <313@hyperreal.org> From: "max" <[EMAIL PROTECTED]> Subject: RE: (313) Expected releases for 2005 Loking forward to the art comp lots!! Speaking of ART. AMP-ART My own label that has been in the pipeline for years but never had the finance to bring to fruition will be finally touching down this year. With EP's from my self (MXM) and Pylot (Now know as LINKWOOD) Being first on the racks. ** Hey good luck with that Max. I know you've been working on material and a release-set-up for quite a while. Judging from what's leaked out over the years it will be well worth waiting for! All the best, Ken
Re: (313) Energy Flash by Simon Reynolds
I've not enough time to do a line-by-line consideration of what's been presented here, but *based solely on the short excerpt given here* and being what I consider to be an open-minded person, who nevertheless relishes an intellectual punch-up, I'd challenge anyone to defend most of what he says as more than sixth-form essay standard. It's a shame really, 'cause it's an important set of ideas which Reynolds addresses. I am interested in reading the book though - I'd happy if he demonstrates that we're all wrong and he's right, and perhaps he does indeed do that in the rest of the book. So. I'm not going to indulge in ad-hominem arguments - and I'd suggest that no one here should. For me, these are never acceptable, but in this case, they certainly don't appear to be even necessary. After all, his thesis should stand or fall on the soundness of his reasoning only right? Having said all that, one thing which I can resonate with is the need to cull excessive reverence toward any type of movement in music. To me, that's pretty superfluous too. k
(313) Wishing You A Tres Demented NYE
Interesting. I didn't know this: http://www.discogs.com/release/159102 (Check the latest comment by 'DJ Ken' at the bottom of the page.) Perhaps the same chap who sometimes posts to this list? (Er, it's not me of course.) k
(313) RE: Dark Comedy album
Date: Sat, 25 Dec 2004 13:51:45 -0600 To: 313@hyperreal.org From: jason kenjar <[EMAIL PROTECTED]> Message-ID: <[EMAIL PROTECTED]> Was it on this list that I heard that kenny will not be releasing his new dark comedy album on vinyl? Is that just hearsay or does somebody know for sure. I dont see why he wouldnt... somebody tell me im wrong. -jason -- As I understand it, there's no deal for vinyl (someone correct me if I'm wrong; I admit I'm talking out of hearsay). k
RE: (313) Where's Alex?
What?! He unsubbed? Somebody who knows him tell him: 'You're not supposed to let the buggers get you down remember, old chap?!?' Sigh. I'll have to give him a piece of my mind on The Other Peoples Place now ... k
Re: (313) At Les
Date: Thu, 16 Dec 2004 18:14:57 -0500 To: <313@hyperreal.org> From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> Message-Id: <[EMAIL PROTECTED]> -- Original Message -- From: "M : A : T : R : I : X" <[EMAIL PROTECTED]> just this: it instantly makes the rain go away and the sun shines brightly. day or night. which version is it that has all these magickal properties? the CC or the innerzone orchestra one? tom I'll say the original purely electronic version ... is like a song of innocence and of experience, in the same breath. k
(313) RE: detroit ambient
Date: Thu, 16 Dec 2004 07:46:46 -0500 To: <313@hyperreal.org> From: <[EMAIL PROTECTED]> Message-Id: <[EMAIL PROTECTED]> hi folks. just curious about which detroit-produced ambient trax you would consider your favorites. right now I'm hooked on "gathering light", by detroit escalator company. that track just pulls me out of whatever I'm doing. Cheers, Lee R. Herrington U STORE IT Technical Support Specialist [EMAIL PROTECTED] * For me, one of the best (and most overlooked) Detroit-related (I don't think it was made in Detroit though) ambient tracks, *ever* ;-), is 'Snowdrifts' by Indio. It's On the 'Time : Space' cd on Transmat, for those who don't know. If you're one them I'd humbly advise that you need to hear it. k
(313) LONDON (SPAM) : Bleep43.com
Hello. We think we've got a particularly good reason to invite you all to see in the new year with us on the 31st. All proceeds got to the Marie Curie Hospice, which cares for patients with cancer. It's one way to ensure that frivolous hedonism will actually have a useful purpose! ;-) I'm not going to ramble on about our events - if you've been, you know. If you haven't, please take a look at the site. Then please come along. There aren't many NYE events in London at this price, with this crowd and with that music. Details follow: Bleep43 3rd NYE at Public Life 9pm-late 31 December 2004/1 January 2005. Tristan Watkins (AKA Phonopsia) - hear mixes at http://www.phonopsia.co.uk/ Nick Craddock - hear mixes at http://www.nickcraddock.co.uk/ Toby Frith (Bleep43). Ken Odeluga (Bleep43). See photos of previous Bleep43 parties: visit http://www.bleep43.com and go to the events page At Public Life - 82a Commercial Street, London, E1 Map: http://www.streetmap.co.uk/ newmap.srf?x=533704&y=181788&z=1&sv=533750,181750 &st=4&ar=Y&mapp=newmap.srf&searchp=newsearch.srf Tickets £12 in advance £15 on the door To buy a ticket contact [EMAIL PROTECTED] Flyer: http://www.bleep43.com/nye/nye.jpg Proceeds to Madame Marie Curie Hospice. Thanks, Ken
(313) Re: uk / intelligent techno
On Monday, December 13, 2004, at 10:35 pm, Ken Odeluga wrote: Michael-Elliott Knight: Isn't there: Blaktroniks - from Oakland, California and Blacktronics - from UK (London?) ME. Yes. However, that discogs page refers to a track produced by the guys from Oakland. That's who I was referring to, just to make absolutely clear. I promise you that's how the EP is catalogued. I literally cut and pasted the link into the post I made earlier. k
RE: (313) uk / intelligent techno
So maybe you *don't* mean the guys from Oakland? (I think that's right) but rather the loosely-linked collective of broken beat/'nu jazz' folks in the UK, which includes IIRC, some members of Attica Blues, and which has in the past sometimes gone under a similar name? k Nah I'm definitely talking about the oakland crew. I asked because my brother has been doing vox for them on and off for years and the recent album seduction @331/3 features some of his vox. Just seeing what folks think. He's dropping vox on some new techno/electro for me at the moment as he's now living in atlanta again. Who're the guys from the uk that you mention? Kamal K. Stoddard Turner Broadcasting Systems ___ 'I don't know much more about them then I said really...' This gets confusing - I meant here that i don't know much about the UK bunch. k
RE: (313) uk / intelligent techno
So maybe you *don't* mean the guys from Oakland? (I think that's right) but rather the loosely-linked collective of broken beat/'nu jazz' folks in the UK, which includes IIRC, some members of Attica Blues, and which has in the past sometimes gone under a similar name? k Nah I'm definitely talking about the oakland crew. I asked because my brother has been doing vox for them on and off for years and the recent album seduction @331/3 features some of his vox. Just seeing what folks think. He's dropping vox on some new techno/electro for me at the moment as he's now living in atlanta again. Who're the guys from the uk that you mention? Kamal K. Stoddard Turner Broadcasting Systems ___ I don't know much more about them then I said really. I'll admit to being a relative newcomer to the so-called 'West London' sound (I've really only started paying attention in the last 3 years.) I'm a bit puzzled about the 'uk/intelligent techno' bit of your subject, but I sort of see where you're coming from (unless I missed something, not being sarky, I probably did). :-). I've also been pretty much 'floored' as you were, ever since I got my head round that first LP 'Seduction at 33 1/3.' It's not the most accessible first LP ever but repeated listens are well rewarded. It's diverse and deep stuff encompassing elements of hip, hop, jazz, blues, r'n'b/soul, cinematic themes (yes!) and even explicitly African rhythm patterns and sounds. And of course that all-important and all-pervading atmosphere of experimental electronics. For me, that's where the characterisation as 'intelligent techno' can be correct. (However, I think it's correct for lot of music which some people wouldn't agree on, notwithstanding the slightly bemusing implications of the term - i.e. the old insinuation that some techno is 'dumb' techno - no comment on that.) It's pretty easy to see why the group's music has been embraced not only by the sort of broken-beat crowd as much as by people (like me) from - but not attached exclusively to - the school of the 'classic' techno template. We will tend to be over 30 years old, by default I guess. This is perhaps why Blaktroniks tracks have been (re)mixed by producers as diverse as Domu, Mike Grant and Move D. Whilst I know that the group had an enthusiastic response in Germany, where there's a pretty deep tradition of 'urban' guys from America performing 'wierd' music, we all know that despite our little 313 world, and a little beyond, it's not necessarily appreciated in their home town. (Or state for that matter.) Also, having a well-known writer on electronic music single them by saying their first LP sounded 'like a demo' didn't help either! ;-). (I personally like some releases which sound like 'demos'!). A major element of that first LP was that sort of sketchy quality on *some* tracks. They sounded live. I think this is deliberate. I personally didn't think it detracted from how much I liked the tracks. The instrumental tracks sounded as 'finished' and dance-floor orientated as most things, to me, however I know the Mike Grant reworked versaion of 'Raindrops' (making imo an already strong track, into a good 313-house track) got them some attention around these parts. I'd suggest anyone who liked that, to check out the LP. It's on CD only alas, although there were some 12s on Moving Records, which included quite a few of the LP tracks. I'm still intrigued and eagerly await what Blaktroniks might do next. To hear the most recent (I think) manifestation of where they were at check out this: http://www.discogs.com/artist/Blacktroniks. (The group is listed on discogs site under two different spellings! That's discogs for you.) That EP on Reflective was much more in-your-face-electronic and club orientated, with sort of Chicago Underground Council meets Co-op beats. All in all, whilst I think it will take some time, I still do believe that a deeper cult appreciation, and beyond, of what Blaktroniks do, will come, on the strength of what I've heard by them so far. k
Re: (313) RE: Def Harmonic
Cheers Dan. k On Monday, December 13, 2004, at 02:49 pm, [EMAIL PROTECTED] wrote: The stuff on Altered Vibes is being distributed by Goya, so maybe ask them about Def Harmonic and The Vanishing System releases on CD. Both these artists have albums on CD. At 2:08 pm + 13/12/04, Mann, Ravinder wrote: To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm What are the chances of finding anything like this on CD ? Instrumental Hip Hop beats with 313 strings and tings Any recommendations for suitable artists to look up ? Rav -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: 13 December 2004 14:00 To: 313@hyperreal.org Subject: (313) Re: 313 Digest 13 Dec 2004 11:14:56 - Issue 2392 On Monday, December 13, 2004, at 11:14 am, [EMAIL PROTECTED] wrote: Date: Sat, 11 Dec 2004 16:42:36 + To: [EMAIL PROTECTED], 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) top ten list Message-Id: <[EMAIL PROTECTED]> Def Harmonic - Embrace (Altered Vibes) - Altered vibes Yes! Hip Hop with heavy lashings of 313 synths and p-funk - also check the new Vanishing System LP. Hmmm. Sounds like exactly what I'm looking for ... k
RE: (313) uk / intelligent techno
Date: Fri, 10 Dec 2004 15:52:13 -0500 To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>, 313@hyperreal.org From: "Stoddard, Kamal" <[EMAIL PROTECTED]> Message-ID: <[EMAIL PROTECTED]> So who here has heard of blaktronics and what's your take on their music? I personally am floored by most of what they put out but then, Im biased. Kamal K. Stoddard Turner Broadcasting Systems _ So maybe you *don't* mean the guys from Oakland? (I think that's right) but rather the loosely-linked collective of broken beat/'nu jazz' folks in the UK, which includes IIRC, some members of Attica Blues, and which has in the past sometimes gone under a similar name? k
(313) Re: 313 Digest 13 Dec 2004 11:14:56 -0000 Issue 2392
On Monday, December 13, 2004, at 11:14 am, [EMAIL PROTECTED] wrote: Date: Sat, 11 Dec 2004 16:42:36 + To: [EMAIL PROTECTED], 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) top ten list Message-Id: <[EMAIL PROTECTED]> Def Harmonic - Embrace (Altered Vibes) - Altered vibes Yes! Hip Hop with heavy lashings of 313 synths and p-funk - also check the new Vanishing System LP. Hmmm. Sounds like exactly what I'm looking for ... k
(313) (UK) Dan Curtin On Down Low Music
I've not seen 'Distort.Archive.Desire' available anywhere since it's release last summer, at which time it sold out very quick and I struggled to grab a copy, although I did manage, eventually. Just thought that those who didn't, might be interested to know it's resurfaced here: http://www.covert.uk.com k
(313) OT: More 'News' For A Techno Soundtrack
Has any one else seen this page? http://johntitor.com/JohnsWar.htm This person claims to have travelled back from the future, 2036 in fact, to warn us of a civil war in the US, starting in 2005. Actually as nuts as it is, I find it quite spooky! k
(313) RE:OT :Oh! Canada,,, Oh Canada,,,,,,,,,
How is Canada? I hear it's great for the arts and not bad for techno, my girlfriend loves vancouver. Ja'Maul Redmond I was talking with a Canadian about this at the weekend (not sure if the guy's is still on the list, he said he used to be.) I was somewhat surprised to hear that techno, in the widest sense, was still 'happening' in Montreal (more than Toronto). Maybe I shouldn't have been though, with the well-known ascendance of the glitch/minimal house trend in that city. I suppose the Mutek festival is the best manifestation of that. Maybe we should now conclude that for music at least, Canada is closer to 'Detroit' than most of the USA, quite literally. And now, perhaps more than ever! (Before I get flamed, I should make it clear that I'm only being half-serious!) k
(313) (OT/On Topic)
Just listened to a programme in a series called 'Its My Story' on Radio 4. This week's was called "The Human Guinea Pig" about a woman (now living in Scotland) who survived Auchwitz, not before being experimented on by Mengele, who appeared to be working in association with a company called FARBEN, which is a pretty direct descendant of today's Bayer AG. k np: TV Victor 'Agai'
RE: (313) Ableton Live Demo
That would be interesting Martin. Thanks. Ken >-Original Message- >From: Martin Dust [mailto:[EMAIL PROTECTED] >Sent: Friday, October 22, 2004 1:32 PM >To: [EMAIL PROTECTED] >Cc: 313@hyperreal.org >Subject: Re: (313) Ableton Live Demo > > >I've got a tips sheet somewhere - I spent ages asking people like >Surgeon and Fred G question before I did anything in it - I'll post it >up if people are interested... > >Cheers >Martin > > > >On 22 Oct 2004, at 12:57, <[EMAIL PROTECTED]> wrote: > >> crickey!! ok I think I now know what I am up against, defo new machine >> then..cheers for the info. >> >> -Original Message- >> From: Martin Dust [mailto:[EMAIL PROTECTED] >> Sent: Fri 10/22/2004 12:24 PM >> To: [EMAIL PROTECTED] >> Cc: 313@hyperreal.org >> Subject: Re: (313) Ableton Live Demo >> >> >> >> I run a completely clean machine with Ableton on Ian and >rewire still >> crashes - so much so that we carry a spare machine and dupe sets on >> each machine we use (4 in total). >> >> Martin >> >> >> >> On 22 Oct 2004, at 12:21, <[EMAIL PROTECTED]> wrote: >> >> > "cough" reason and recycle and others bits :( >> > >> > need a new machine...prob mac :) >> > >> > -Original Message- >> > From: Martin Dust [mailto:[EMAIL PROTECTED] >> > Sent: Fri 10/22/2004 12:07 PM >> > To: [EMAIL PROTECTED] >> > Cc: 313@hyperreal.org >> > Subject: Re: (313) Ableton Live Demo >> > >> > >> > >> > You've got a conflict somewhere Ian - probably >something else >> using >> > the >> > soundcard. Also sounds like you are also using a >machine with >> loads of >> > other stuff on - not wise when using Ableton... >> > >> > Cheers >> > Martin >> > >> > >> > On 22 Oct 2004, at 10:09, <[EMAIL PROTECTED]> >> wrote: >> > >> > > yep thats it >> > > >> > > -Original Message- >> > > From: Martin Dust [mailto:[EMAIL PROTECTED] >> > > Sent: Fri 10/22/2004 10:07 AM >> > > To: [EMAIL PROTECTED] >> > > Cc: 313@hyperreal.org >> > > Subject: Re: (313) Ableton Live Demo >> > > >> > > >> > > >> > > Does it stall as rewire is starting up? >> > > >> > > On 22 Oct 2004, at 09:51, >> <[EMAIL PROTECTED]> >> > wrote: >> > > >> > > > Hi ya >> > > > >> > > > Can anyone tell me what system >requirements u need >> for this >> > > > particuarly memory as I have 256MB of RAM >and about >> 1GB of >> > HD left >> > > but >> > > > it keeps sticking :( >> > > > >> > > > cheers >> > > > Ian >> > > >> > > >> > > >> > > >> > >> > >> > >> > >> >> >> >> > > >
RE: (313) New As One LP
There was talk but no confirmation so this is good Dan. Did you get it on vinyl? What's it like? Good weight? Same tracks as cd? Can't wait either way. Ken >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, October 22, 2004 8:41 AM >To: 313@hyperreal.org >Subject: (313) New As One LP > > >Mornin' all! > >A quick one to say that I just got sent the new As One LP on >Ubiquityand it's excellent - very soulful - but not in a brittle, >trying to be soulful way - it's deep! Kind of on an IG Culture tip >IMO. > >Not sure when it's out here - but I think a lot of list peeps will >like it! - it's called ' Out Of The Darkness'. > >Best > >D. > >P.S. Sorry if this has already been covered on the list, I keep >having to apologise for my f*cked up short term memory and it's >starting to do my head in! > >
RE: (313) DJ Rap's stuff stolen???
On a scale of one-to-ten of 'on topic-ness,' this makes a grand total of about minus 50 in my view! But hey ... I feel sympathy. >-Original Message- >From: Robert Taylor [mailto:[EMAIL PROTECTED] >Sent: Thursday, October 21, 2004 10:48 AM >To: /0; George Jones IV - Logic7; 313@hyperreal.org >Subject: RE: (313) DJ Rap's stuff stolen??? > > >I suspect Josh was just being public spirited - have you heard her stuff? > >-Original Message- >From: /0 [mailto:[EMAIL PROTECTED] >Sent: Thursday, October 21, 2004 7:33 AM >To: George Jones IV - Logic7; 313@hyperreal.org >Subject: Re: (313) DJ Rap's stuff stolen??? > > >oh no, tell me they weren't dating > >love is the number one cause of psychotic behavior. says i ;) > >-Joe > > >- Original Message - >From: "George Jones IV - Logic7" <[EMAIL PROTECTED]> >To: <313@hyperreal.org> >Sent: Wednesday, October 20, 2004 11:32 PM >Subject: (313) DJ Rap's stuff stolen??? > > >>I just got this email a few minutes ago, anyone else hear about this? Can >> anyone confirm that it's true? (anyone have direct contact with >DJ Rap???) >> >> "Charissa (DJ Rap) asked me to post this: >> >> On Oct. 18 Josh NYNEX (Josh Atchley) from LA & Offworld Records broke >> into Charissa's studio/home in LA and took the following items. There >> is strong belief that they were sold to someone in AZ recently. >> >> The items are listed below: >> >> - 1 G4 Power Mac >> - 1 G4 Power Book >> - 1 Ipod >> - 1 17 inch plasma display >> - 1971 US Blond Fender Stratocaster Guitar (we feel he kept this item >> for himself) >> >> Now here is the big problem. All of Charissa's songs for her upcoming >> new album and lyrics she has been working on for both the new album >> and other projects were on these computers, along with a variety of >> personal items like photos, emails form family and friend and such. >> >> I'm not going into how low this action is for someone claiming to be >> a musician to steal from another is just shocking and repulsive. >> >> Anyone who can offer any information please contact me (see below) >> and I'll forward it on the Charissa. The fact that 4 years of her >> life and artistic creation has vanished which in turn may deprive us >> of ever hearing her new material is just sickening. She wouldn't be >> so upset if it just a computer with some emails on it but this is >> much more serious since those computer contained her blood, sweat and >> tears. >> >> I don't have to point out to some that this happened to BT a while >> ago twice. Once he lost several finished songs that we will never >> hear, however the second time someone returned all his items after >> posts were made all over the internet. So we have hope Josh and the >> person in possession of these items will do the right thing. >> >> Shame on you Josh! Serious... Musicians stick together as family with >> a unified mission. >> >> leads and info to these missing items please send emails to >> [EMAIL PROTECTED] , it will be kept private at your request. >> >> PLEASE POST THIS EVERYWHERE POSSIBLE, ALERT ALL MUSICIANS, PAWNSHOPS, >> MUSIC STORES AND MUSIC WEBSITES (INCLUDING THOSE WHO HAVE >> MEMBERS/VIEWERS FROM THOSE STATES) IN CALIFORNIA AND ARIZONA, >> INCLUDING SURROUNDING STATES. >> Peace" >> > >### >## >Note: > >Any views or opinions are solely those of the author and do not >necessarily represent >those of Channel Four Television Corporation unless specifically >stated. This email >and any files transmitted are confidential and intended solely for >the use of the >individual or entity to which they are addressed. If you have >received this email in >error, please notify [EMAIL PROTECTED] > >Thank You. >### >## > >
(313) Re: Jaded/Force Inc.
On Monday, October 11, 2004, at 04:47 pm, Ken Odeluga wrote: [EMAIL PROTECTED] The correct URL is www.milleplateuxmedia.com Sorry. k
(313) Re: Jaded/Force Inc.
Aiden O'Docherty quoth: and that aii track off the narita 'terminal one' 12" comes second with connective zone's 'function' track third. not that you care, but i've had my fun and that's all that matters. Jaded? Not I. 'Life Is An Open Sky.' (Or maybe it just feels that way right now 'cause I've got a week of loafing/doing what I like ahead of me rather than working.) Coincidence: I just picked out the same EP. I think I decided that track was the best off it too. Reasons to be less jaded: 1. Force Inc. relaunches as Force Inc Music Works this month at POPKOMM music conference, Berlin. Not everything they did will be to your taste, but some will, and it's gratifying to me that an established name in our music has survived its troubles of last year. [EMAIL PROTECTED] np: Portable - Cycling - Background
re: (313) techno isn't selling
[EMAIL PROTECTED] said in response to Matthew Mangold: yes, as I said, it's not that I don't believe it - I'm just curious to see if there are stats/charts/bar graphs/whatever in any trade magazines. from what I read recently - vinyl is actually becoming popular again, very very slowly, but still... by the way, there's many reasons distribution companies go out of business besides direct result of drop in sales at the retailers. Nemesis could have been managed poorly from within on all sorts of levels. They might have grown out of touch with the changes in the US dance music market. Not saying that's the reason they've closed but it's just an example of things that happen. It's not always 1+1=2. Same goes for record retailers. They open and close more often than distributors I would guess. MEK * Michael, I sense that your difficulty in accepting easily that what Matthew Mangold and others are reporting is a widespread thing, might have something to do with the fact that you've recently returned from travelling to Europe (and other regions) where 'techno' and all related styles of music (and 'dance music in general) is stubbornly selling quite well, if not exactly having a renaissance. To me, this underscores the notion that non-traditional forms of expression in general, seem able to make marked progress everywhere but in early 21st century America. Am I wrong about this? Seriously, it's not a rhetorical question. I'd like to know what people think. k
RE: (313) Funk Faker
Ok, so the scar in the picture is from when he got shot ten years ago, right? Reasons to be chilled eh? k >-Original Message- >From: robin [mailto:[EMAIL PROTECTED] >Sent: Wednesday, October 06, 2004 2:11 PM >To: 313 Org >Subject: (313) Funk Faker > > > >http://www.juno.co.uk/IP/IF141862-01.htm > >so we gonna see this on vinyl then? > >from the clips, it's an interesting release. i'd like to see the track >"House Music" as a12 tho. > >robin... > > >
RE: (313) US vs. EU crap....
> >SO if anyone happens to know MLWTTKC or Moroder, might want to drop them a >line. Seems like folks are getting straight ripped off. Or maybe these >fools have their heads so far up their own a**es that they don't know what >'written' means. > Please in all seriousness, if anyone knows em, do it. Sniper shot against blatant rip-offs (not to mention crap music). k
RE: (313) Der Zyklus
Could I ask that any kind Italian Der Zyklus fans on the list who go to the gigs on the 6th or 8th please post a little review of what it's like? I'm also intrigued to hear who shows up to play. k >-Original Message- >From: David Beattie [mailto:[EMAIL PROTECTED] >Sent: Saturday, October 02, 2004 3:32 PM >To: 313 >Subject: Re: (313) Der Zyklus > > >>From the clone web site > > >Der Zyklus - Biometry showcases >06-10-04 Iris Scan Positive - Bologna - Italy >08-10-04 Reference Template - Rome Italy >23-10-04 Hand Geometry - Glasgow - Scotland >tbc. Paris - France > > >Cheers >BT > > --- Jason Brunton <[EMAIL PROTECTED]> wrote: >> Cheers Tristan but that wasn't the post I was >> looking for- it was >> another one with three gigs/venues mentioned. The >> one on LD talks >> about the gig at Club 69 which is Rubadub's venue so >> I kind of knew >> about that :) >> >> cheers >> >> Jason >> >> >> On 1 Oct 2004, at 20:01, Tristan Watkins wrote: >> >> > Voila: >> > >> > http://www.littledetroit.net/forums/viewtopic.php? >> >> > t=5649&highlight=zyklus >> > >> > Tristan >> > === >> > http://www.phonopsia.co.uk >> > [EMAIL PROTECTED] >> > >> >> > >
RE: (313) Underated Producers
Chris Cowie. Er, his Scottish ... ;-) k >-Original Message- >From: robin [mailto:[EMAIL PROTECTED] >Sent: Friday, October 01, 2004 2:23 PM >To: 313 Org >Subject: (313) Underated Producers > > > >ok i wanna talk about music. > >my vote for a hugely underated producer is Gary Martin (teknotika) > >i mean check out that Serious Business 12 on Teknotika for recent proof. > >anyone else have a producer that you think is underated? > > >robin.. > > >
RE: (313) EU Boycott and an End To European Insourcing Of Techno Music
Martin Dust wrote: > >The last thing we need right now is a THEM and US war, Agreed Martin. Alex, I agree with you that its pretty annoying to have this. However I do think that it's reflective of a fairly rare attitude within the sphere of the music which we like. The person who made this post looks to me to be more self-appointed rather than someone who has the backing and encouragement of anyone within the music who we'd respect. I really wouldn't worry about it at all. It sounds like some lone nutter! :-) Also, I think that given some straight info on the Buzz 'represses', fewer people than buy them at the moment, would buy them. I mean, so far, they're of low quality anyway. Record shop/label owners who in all other respects seem to support and safeguard 'our music' should perhaps think a little more deeply about the whole Buzz/bootleg thing, because it does raise some contradictions (such as those very shops which support the scene, contributing to hurting it!) although I stress, the whole issue is difficult and as for Buzz, it isn't entirely clear that the original artists/labels aren't deriving some indirect benefit. We just don't know. k >-Original Message- >From: Martin Dust [mailto:[EMAIL PROTECTED] >Sent: Friday, October 01, 2004 10:13 AM >To: 313 List >Subject: Re: (313) EU Boycott and an End To European Insourcing Of >Techno Music > > >People, > >The last thing we need right now is a THEM and US war, not only is it >juvenile, it's clear the work of someone who doesn't understand the >scene or the people. Being a twat isn't exclusive to >DJ's/Promoters/Builders/Bakers/Candle Stick Makers - Wake up. I suggest >you take your bitter ugliness somewhere else. > >Cheers >Martin > > > >>> Lastly, I depart with this. Why is that the USA is up in arms when >>> technology jobs are outsourced to India and China, yet not at all >>> DISGUSTED when the European magazines and scene come into our scenes >>> demanding huge fees and arriving with difficult attitudes, resulting >>> to a >>> trend of the US getting InSourced...? >> > > >
RE: (313) new Buzz repress
Actually, that 'Colin Dale Presents: Abstract Funk Theory' 3x12" I was talking about earlier, also includes a very nicely pressed (not to mention legitimately licenced) edition of 'Serena X (Inner Zone Mix). I lieu of a proper repress ... k >-Original Message- >From: Simon Vrebos [mailto:[EMAIL PROTECTED] >Sent: Wednesday, September 29, 2004 10:09 PM >To: 313@hyperreal.org >Subject: (313) new Buzz repress > > >I just found out the next one is Yennek - Serena X (BZZXL 106077) > >According to www.rushhour.nl: > >Collector's alert!! Next up in the series of Buzz 'represses' >comes this promo-version of Yennek (aka Kenny Larkin), with the >Innerzone Orchestra (aka Carl Craig) remix of Serena X. Already a >floorfiller at time, growing to a real classic jam afterwards. >Other two tracks come by Biotic, represting two of some very first >tracks by Dan Curtin. Classic Detroit techno material!! Tip! > >I haven't heard this one and I can't find any samples, is it good? >And does somebody know if their are other Buzz-releases ready to >be repressed? > >
RE: (313) sublimina
Marsel wrote: >talking about an upcoming Vince Watson album.. >just got the cd from Tom, label boss Emoticon/Headspace Sounds good. Recently found 'Colin Dale Presents ...' 3x12 " which has 'Mystical Rhythms' which is sweet. Add that to his V-Phorms stuff like 'Fragments' on Native, and new stuff would be v welcome indeed. One thing: did he ever release on Soma? Can't see anything on discogs under his name. Interesting, since he's from Glasgow and sort of from that era. k >-Original Message- >From: Marsel // Nomorewords.net [mailto:[EMAIL PROTECTED] >Sent: Thursday, September 30, 2004 10:06 AM >To: 313 >Subject: (313) sublimina > > > > >and oh yes! >this is wonderful stuff!! > >really great >didn't expected it to be _this lush and beatiful >kinda derrick may vs jon belran/detroit escallator style > >as will be his ep on transmat > >now burn those label bosses to get those releases out > >
FW: (313) Frequency Berlin DJ sets (stream/download)
Good news on several front! :-) Cool looking place too. Maybe I shouldn't have opened that URL in the office though, the music was a bit more than some here were ready for! ;-) Good luck. k >-Original Message- >From: Wildtek Concept / DJ Dimitri Pike [mailto:[EMAIL PROTECTED] >Sent: Wednesday, September 29, 2004 3:57 AM >To: 313@hyperreal.org >Subject: (313) Frequency Berlin DJ sets (stream/download) > > >Hi all, I'm happy to say you that Claude Young is now a resident @ >Frequency >Berlin along Pacou, Diligent, Luke 'Sender Berlin', myself ;-)) >and few others >to discover. > >http://www.frequencyberlin.de > >Mp3 DJ Sets for stream/download, gallery, events... > >Only one reach point : quality music ! > >Best to all ! > >-- >Dimitri Pike >http://wildtek.free.fr >http://groups.msn.com/313TechnoMusic > >
RE: (313) iiwii 10
>It feels good to be down with the kids, I tell you. > And it feels good to know the kids are getting down to something good! :-) k
RE: (313) Las Vegas
I was going to say he'd come to the right place looking foir Trance in Las Vegas, give or take the odd 1000+ miles and what's a genre label between friends?! ;-) k >-Original Message- >From: [EMAIL PROTECTED] >[mailto:[EMAIL PROTECTED] >Sent: Monday, September 27, 2004 10:00 PM >To: Jeff Braziunas >Cc: 313@hyperreal.org >Subject: Re: (313) Las Vegas > > >>What are the hot nights and locations for techno/trance in Vegas? > >trance? Vegas? >what is this strange language you speak? > >MEK > > >
RE: (313) If
I always wondered wether the word 'jit' was derived from 'jitterbug' another dance which black American folks more or less invented ... >-Original Message- >From: Martin Dust [mailto:[EMAIL PROTECTED] >Sent: Friday, September 24, 2004 9:08 AM >To: Matt MacQueen >Cc: Ken Odeluga; 313@Hyperreal.Org; Pascoe Mr S M; dave cronin; Mann, >Ravinder >Subject: Re: (313) If > > >Nothing wrong with getting your Jit on, we should bring that word back >into play > > >On 23 Sep 2004, at 21:14, Matt MacQueen wrote: > >> >> On Sep 23, 2004, at 3:27 AM, Martin Dust wrote: >>> >>> I got my copy out last weekend, have you heard the mix side lately? >>> The amount of spin backs - made me smile...Still very fond of it >>> tho... >> >> i always got a kick out of that mix title, wasn't it something like >> "Megamix: Detroit is Jacking".jacking was a chicago thing.. so >> here they are trying to take this sovereign step forward with the >> compliation as as "techno!", defined as NOT house, yet they used a >> chicago word to describe the mix.. too funny. maybe it should have >> been: Detroit is Preppin or Detroit is Jitting, haha >> >> -- >> Matt MacQueen >> http://SonicSunset.com >> >> > > >
RE: (313) bit more Hacienda info for Stewart
>Up Periscope. > >Records I recall being played in Leeds at that time .. > >Corina - T Coy >Too Far Gone - Adonis >The Dance - DM >Like This - Chip E >We Rocking Down the House - >House Nation - House Master >Voodoo Ray - AGCG >Pacific State - 808 >Lets get Brutal - >Ma Foom Bay - Cultural Vibe >Take Some Time Out - Classic Classic Arnold Jarvis Track. >Cant Get Enough - Lizz Torres >Rock to the Beat - Master Reese ? >and of Course B I G F U N !! > >This is before the 'Summer Of Love'. > >Then came acid and piano house and the media and the inner city kids moved >on to the hip hop and RnB scenes. I feel its remained pretty >much the same >since. It's a shameas these scenes could and should imo co exist in >Clubland. > >Hate to bring up the race thing as it's a can of worms but as white people >got into house the black crowd moved out. This is simply an >observation, but >that's way it was. > >Rav > >Down Periscope It certainly looks that way. Of course, it's not 100% that way however, evidently. On the whole however, what you've observed is the age old problem of prejuidice, percieved or actual - this can play itself out in ways which are obvious enough. Sometimes it really is there, sometimes it isn't. Not everyone's as enlightened as they ought to be, not everyone can tell the difference. And that works both ways too! Also, most people are conservative in deed if not in mind, they stick with what they know and surface appearances are everything, as is going along with the crowd. The ironic thing is, of course, the African-American roots of a lot of this music, including so-called hard techno! So you have a situation in which people of colour in the UK and Europe are rejecting a music in which people of colour in the US, played a large part (and still do). And this applied even when the music was relatively new and therefore still more easily traceable to those roots. k
RE: (313) If
Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k > >I got my copy out last weekend, have you heard the mix side lately? The >amount of spin backs - made me smile...Still very fond of it tho... > >Cheers >Martin > > >
RE: (313) If
> >As far as London goes, I'm no expert, but I think "The >New Dance Sound..." is maybe a bit overrated in it's >influence on anyone but Brits (or maybe even just >Londoners?). It's a good story, but I've never talked >to anyone who got into detroit sounds because of it. >(Though it probably did provide a bit of a cash >infusion into some detroit studios.) I did, other people I know did too. I don't think that comp can be dismissed so lightly. k
RE: (313) re: Manchester UK Spam Recloose/Domu
>seen any other records from Planet E in the last 2 years other than work by >Carl himself? Niko Marks "Chune"? k
RE: (313) Morning 313
Just wanted to sat 'told ya so' Ian! But in a nice way! :-) Phonopsia played it too on Saturday at the 313 party and it went down wery well there too. Another great moment for me, and I'm for sure for others who know it: Matt played "Sandblaster"! Ken >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Tuesday, September 21, 2004 12:28 PM >To: [EMAIL PROTECTED]; 313@hyperreal.org >Subject: RE: (313) Morning 313 > > >Hi ya Alex > >Thanks for the Post, I will read that in a mo. > >I am glad you emailed as I wanted to say that Juan Atkin's Dust >Til Dawn went down a storm at the weekend...The crowd went nuts, >it was a great gig anyway and with 1000 peeps there it was time to >lay those nerves about the track to rest...definately sounds much >better on a big rig..so I am sold..It will be in the bag for a while now :) > > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Tue 9/21/2004 12:19 PM > To: 313@hyperreal.org > Cc: > Subject: (313) Morning 313 > > > > Morning 313. > > Well, I figured I owed you all a week off posting. > But you're all a bit useless* > > So I'm just sticking my head out of my hidey hole to post this.. > > a cool Derrick May interview. I am LOVING the bits about Bush : ) > > http://www.trustthedj.com/SKRUFFF/news_article.php?news_id=3046 > > oh, and Greg Wilson on Sunday night. Owww! > Live edits of Visual "The Music Got Me" with 2 copies of the record. > (Amongst many many other hot bits. Living legend that lad) > > See you next week! > > Alex > > *this is a joke, don't get the hump!! > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > > > >
(313) "Blue Monday (Plastikman remix)
-Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 20 September 2004 17:45 To: Ken Odeluga Cc: [EMAIL PROTECTED] Org Subject: (313) "Blue Monday (Plastikman remix) A9. New Order "Blue Monday (Plastikman remix)" White anyone heard this? Martin -- Not me. Mind you, I never heard Orange either! k
(313) (Sort Of) OT: FinalScratch2
http://www.finalscratch.com/fs4/start.asp
(313) News For A Techno Soundtrack ...
http://news.scotsman.com/latest.cfm?id=3512457
(313) New Dark Comedy LP
The press release the other day about the new Dark Comedy LP reminded me to dig out the other Dark Comedy LP, 'Seven Days' and the 'Exhibits' comp on Art of Dance. Is it just ancient me or is this stuff still very good indeed? Deep textures, many varieties of rhythms, all encapsulated in that indefatigable Detroit blue. If this doesn't teach me to pick this kind of stuff up on vinyl at the time, instead of the latest short-lived thing, nothing will. So far the new one seems only available on CD in Japan ... http://www.diskunion.com/clubt/detail.php?tid=CMTE-9991283 (What kind of name is that for a record label, by the way!;-) k
RE: (313) UK 10th Party
I think you'll grow to like it Ian! :-) It seems like 'proper' big-rig techno a-la Infiniti to me. Late-night deep and dirty; makes more sense at +4, I think. Ken >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Friday, September 17, 2004 2:32 PM >To: [EMAIL PROTECTED]; 313@hyperreal.org >Subject: RE: (313) UK 10th Party > > >yeah that and Catasphory for me..but Dusk til dawn is still taking >its time to sink in.. > > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Fri 9/17/2004 2:25 PM > To: 313@hyperreal.org > Cc: > Subject: RE: (313) UK 10th Party > > > > >BTW whats the thought on Juan Aktins Back to Basics PT 2? > > I'm feeling "Move" (mix) > > Big time!! > > : ) > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > > > >
