Re: [313] Axis

2002-02-16 Thread Kevin Conrad
http://www.axisrecords.com

Kevin
www.mp313.com

--- [EMAIL PROTECTED] wrote:
 Hello all,
 
 I need the site address for Axis records please.
 
 Thank You,
 Five
 

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Re: [313] Ableton Live

2002-02-01 Thread Kevin Conrad
 Believe it or not, some people don't use pirated
 software on principal,
 particularly from small, or new companies.

It's true for me (for small/new companies).  I had the
choice between using a cracked copy of FMHeaven or
paying $70 for it, and I decided to pay for it because
the developer is just one individual who was extremely
helpful and courteous while I was testing the demo. 
Although I have been guilty (like most) of using
cracked copies from big companies.  If I love a
particular program I wind up eventually buying it.

Kevin

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Re: [313] Ableton Live

2002-02-01 Thread Kevin Conrad
I bought a Lexicon MPX-500 for $500, and 2 weeks later
they dropped it to $400.  I went back and they
credited my card $100 for the difference.  You gotta
love that. Their customer service is the best, I pass
right buy Mars Music on the way to GC every time
because Mars' service sucks.

Kevin

--- The Deliverator [EMAIL PROTECTED]
wrote:
 Heh,
 
 I called my local guitar center, and they quoted me
 $200 over the phone for
 Live.  I left immediatly to pick it up, and then
 when it rang up at $350, I
 forced them to give it to me for $200 anyway.  I'm
 amazed at how this store
 is willing to lose money over and over again because
 of their own mistakes
 :-)  Good customer service though.  I also got a
 vopy of recycle 2 from them
 for $60.
 
 jim
 
 - Original Message -
 From: Jongsma, K.J. [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Friday, February 01, 2002 3:07 AM
 Subject: RE: [313] Ableton Live
 
 
 
   although i'm not 100% against software piracy,
 please
   remember that ableton
   is a VERY small company right now, and live is
 their first piece of
   software, and its a great piece of software, and
 its only
   been out a couple
   of months, and they need the fucking money.
 
  Live is a really innovative piece of software,
 from what i have seen and
  heard the last couple of months it is really worth
 it's money. Why not
 spend
  350$ for a unique piece of software, it's really
 usefull and it's timewrap
  function is amazing and really don't think this
 list is the place promote
  and distibute pirated software.
 
  [EMAIL PROTECTED]
 
 

--
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  De gemeente Almelo aanvaardt voor haar medewerkers
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  aansprakelijkheid voor eventueel onjuist,
 onrechtmatig of
  ontoelaatbaar geacht gebruik van e-mail (inclusief
 bijlagen).
 
  Dit e-mail bericht is door de gemeente Almelo
 gecontroleerd op
  de aanwezigheid van eventuele virussen. Wij kunnen
 echter geen
  garantie afgeven dat al onze e-mail berichten
 volledig virus
  vrij zijn. Het is daarom verstandig uw
 binnenkomende e-mail
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Re: [313]How much Guitar Center Rocks

2002-02-01 Thread Kevin Conrad
Whenever I go in, I print off the listing from their
online affiliate, musiciansfriend.com, and they always
match the price.  I save on shipping and get it the
same day.  Also, my friend from Oshawa, Canada came
down and they didn't charge him tax because he wasn't
from this country.

Kevin


--- Josh Landau [EMAIL PROTECTED] wrote:
 At 01:11 PM 2/1/2002 -0500, The Deliverator wrote:
 Heh,  and they do it a lot.  I ordered a massive
 omnirax mixing station from
 
 Went in to buy a few things (mic, some speakers, and
 speaker stands).
 
 The guy who helped me find things gave me the
 speaker stands for free, 
 because I was buying so much other crap. 
 Admittedly, only about $120 out 
 of $1000 I did spend, but still pretty nice on his
 part.
 
 Josh
 
 

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Re: [313] Ableton Live

2002-02-01 Thread Kevin Conrad
Someone previously stated that Monolake in fact did
not write it.  I don't know myself though, maybe he
helped develop it the way Richie helped with Final
Scratch. I've had a few people try to convince me
Richie created Final Scratch by himself (and then
rested on the 7th day) ;)

Kevin
www.mp313.com


--- JL Jones [EMAIL PROTECTED] wrote:
 Ableton Live is definitely on my list to purchase.
 
 A friend of mine told me that it was written by
 monolake?
 (dunno if that's correct - I do believe that's what
 I heard)
 
 Jim J.
 
   - Original Message -
   From: Jongsma, K.J. [EMAIL PROTECTED]
   To: 313@hyperreal.org
   Sent: Friday, February 01, 2002 3:07 AM
   Subject: RE: [313] Ableton Live
   
   
   
 although i'm not 100% against software
 piracy,
   please
 remember that ableton
 is a VERY small company right now, and live
 is
   their first piece of
 software, and its a great piece of software,
 and
   its only
 been out a couple
 of months, and they need the fucking money.
   
Live is a really innovative piece of software,
   from what i have seen and
heard the last couple of months it is really
 worth
   it's money. Why not
   spend
350$ for a unique piece of software, it's
 really
   usefull and it's timewrap
function is amazing and really don't think
 this
   list is the place promote
and distibute pirated software.
 
 
 
 

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Re: [313] re: Ableton Live

2002-02-01 Thread Kevin Conrad
After that:

Since the company started, more than twenty
developers and merchants have joined Ableton--many of
them active musicians or djs--whose link is the common
goal:
To develop good software for music

I guess they're not alone on the project.  Kind of
like Bill Gates with Microsoft/Windows.

Kevin



--- The Deliverator [EMAIL PROTECTED]
wrote:
 Stright from their webpage:
 
 The company was founded, among others, by the
 Berlin-based computer music
 project Monolake in fall 1999. Since their beginning
 in 1995, Monolake have
 always written their own programs to realize their
 vision of sound and
 structure. They have performed live electronic music
 in clubs and concert
 halls around the globe, so it comes as no surprise
 that Ableton's first
 product offers a solution for live performance.
 
 

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Re: [313] about the members

2002-01-31 Thread Kevin Conrad
25 yrs. old
Born in Rochester, NY - Moved to suburban Detroit
about a year and a half ago.
Electrical Engineer for GM
I have turntables, but don't use them as much since I
started writing my own stuff.  It's now a passionate
hobby of mine.
Joined the list a bit after I moved here, I mostly
lurk.  I've met some really cool people through it
though.

Kevin
www.mp313.com


--- T.J.Johnson [EMAIL PROTECTED] wrote:
 Ok, you guys might think this is dumb, but I was
 thinking it would be cool if we all had a better
 idea who we were talking to.  What do you guys do
 for a living?  How many of you are producers/DJs? 
 Is music a hobby or your job?
 
 Me:
 27 yo
 I design automobile axles for Visteon (Tier 1
 supplier).
 I live in the detroit metro area.
 I go to school for engineering at Lawrence Tech
 during the night.
 I produce techno tracks as a hobby and DJ them too
 (sometimes).
 
 Your turn...  ;)
 
 TJ
 www.wireframerecords.com
 www.mp313.com
 
 PeoplePC:  It's for people. And it's just smart. 
 http://www.peoplepc.com 
 

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RE: [313] The Future of Detroit

2002-01-25 Thread Kevin Conrad
 It will be good to see what a fresh young
 mind will bring to the
 table. Our last 2 mayors have put the city in the
 position it is now. It's a
 shame and a disgrace, it really is.

What did the last 2 mayors do?

Kevin

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Re: [313] UR question

2002-01-15 Thread Kevin Conrad
I believe it's called Rings of Saturn.

Kevin


--- Bill VanLoo [EMAIL PROTECTED] wrote:
 Hi - 
 
 A friend of mine had the following question for me,
 which I don't know the
 answer to:
 
  techno question: do you know which UR/X-102 record
 it is that has the
  sample of the guy talking about the big bang, that
 starts off: four
  and one-half billion years ago, the planets were
 formed in a great
  cloud of swirling gas and dust alan
 oldham/t-1000 used to play it
  on wdet, but i don't know the name of it... ?
 
 Thanks,
 
 Bill
 --
 http://www.chromedecay.org
 
 january 23 - live gig with telefon tel aviv and
 maersk as part of audiofold
 at the blind pig, ann arbor
 
 

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Re: [313] Help!

2002-01-09 Thread Kevin Conrad
Are you living in a house, because your home owner's
insurance should cover it the way it would cover your
TV or stereo in case of fire/theft/etc.  If it's an
apartment, you should be able to find an insurance
company somewhere to set up a policy.  If quarterbacks
can get their arms insured for millions, someone
should be able to cover a few turntables.

Kevin

--- DJdMAN [EMAIL PROTECTED] wrote:
 313 People,
 
   Ok, I am trying to get insurance for my equipment
 and my State Farm Agent
 said it is not covered. The thought of losing my 3
 1210s and records etc to
 disaster scares the hell out of me, but, not getting
 anything to replace it
 all with? That frightens me worse that the thought
 of death (sorry satin).
 So, anybody know who I can call up to get something
 setup for my equipment?
 
 Thanks,
 
 Tom./
 
 

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RE: [313] NYE letdown

2002-01-02 Thread Kevin Conrad
--- Dennis Donohue [EMAIL PROTECTED] wrote:
 Motor was completely full.  And off the hook.

There was too many people IMHO.  20 min. wait at the
bar, 20 min. wait for the bathroom, 30 min. wait for
coatcheck, plus the drunken fools.  A very intoxicated
girl decided to pick a fight with mine and Dennis'
wife, which caused us to leave right at the beginning
of Scan 7's set.  But the music was great which made
it worthwhile (Gabe Real w/ an oldskool electro set :)
 Does he always play that?), although we'll probably
stay in next year.

Kevin

 
 D
 
 -Original Message-
 From: Samuel Hobbs [mailto:[EMAIL PROTECTED] 
 Sent: Wednesday, January 02, 2002 11:41 AM
 To: 313@hyperreal.org
 Subject: [313] NYE letdown
 
 i am not sure if this has already been discussed,
 but
 i thought that this NYE was sub-par.  I went to
 porter
 street.  the line-up had shaped up to be awesome
 with
 boo wiliams, glenn underground, minx, rick wilhite,
 and waxmaster d smooth.  
 
 i thought the music all night was awesome.  i also
 thought that rick wilhite was amazing.  but there
 were
 only 35 people there (max).  maybe ten people at the
 most danced all night.  the ball drop moment was
 much
 like a premature orgasm...you were happy it happened
 but wished it would have happened differently.  i do
 have to give props to porterstreet, they had great
 dj's, a buffet, good sound, and still the stiffest
 cranberry and vodkas known to man.  I just have one
 question...WHAT HAPPENED TO ALL THE PEOPLE WANTING
 TO
 PARTY?  was it like that at other clubs across
 the
 city and country?  
 -sam
 
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RE: [313] NYE letdown

2002-01-02 Thread Kevin Conrad
Heh, I should check my grammer next time.  Replace
wife with wives so Dennis doesn't get offended ;)

Kevin

--- Holly MacDonald-Korth [EMAIL PROTECTED]
wrote:
 Kevin wrote:
 
 girl decided to pick a fight with mine and Dennis'
 wife 
 
 you two share a wife? how forward thinking of you...
 
 here in utah we share husbands.
 
  
  D
  
  -Original Message-
  From: Samuel Hobbs [mailto:[EMAIL PROTECTED]
 
  Sent: Wednesday, January 02, 2002 11:41 AM
  To: 313@hyperreal.org
  Subject: [313] NYE letdown
  
  i am not sure if this has already been discussed,
  but
  i thought that this NYE was sub-par.  I went to
  porter
  street.  the line-up had shaped up to be awesome
  with
  boo wiliams, glenn underground, minx, rick
 wilhite,
  and waxmaster d smooth.  
  
  i thought the music all night was awesome.  i also
  thought that rick wilhite was amazing.  but there
  were
  only 35 people there (max).  maybe ten people at
 the
  most danced all night.  the ball drop moment was
  much
  like a premature orgasm...you were happy it
 happened
  but wished it would have happened differently.  i
 do
  have to give props to porterstreet, they had great
  dj's, a buffet, good sound, and still the stiffest
  cranberry and vodkas known to man.  I just have
 one
  question...WHAT HAPPENED TO ALL THE PEOPLE WANTING
  TO
  PARTY?  was it like that at other clubs across
  the
  city and country?  
  -sam
  
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Re: [313] OT detroit resource needed

2001-11-19 Thread Kevin Conrad
You can get some at Home Depot.  My friend did his
whole basement for under $20.  I don't know if it's
fire retardant though, which may be an issue if it's
for an event.

Kevin

--- [EMAIL PROTECTED] wrote:
 Sorry for the way off topicness of this email, but
 I'm looking for a source in Detroit for large rolls
 of black plastic. I was hoping someone up there
 would know where to buy it who may have thrown a
 party in the past. Send me an email if you've go any
 info.
 
 thanks 
 dave
 

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Re: [313] emagic logic and cpu's

2001-11-16 Thread Kevin Conrad
Yes, logic works with AMD, although emagic have
optimized it for the Pentium chip.  
  Try subscribing to 313techknow at yahoo groups, it's
an offshoot of 313 for gear talk.

Kevin

--- Mark Khemma [EMAIL PROTECTED] wrote:
 Hello people,
 does anybody know if emagic logic and NI reaktor
 work with AMD
 processors? i know that this isn't rave/micro/techno
 related,
 but i figure that some of
 you people use these programs, or at least i hope
 you do. could you please
 help a brother out?
 muah,
 -mark
 
 

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Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Kevin Conrad
It's not just you.  The excessive use of caps was a
hint, but signing off as Mills gave it away.

Kevin


--- Fixer [EMAIL PROTECTED] wrote:
 is it just me, or does it seem everyone who
 responded to Chris
 missed the seemingly obvious sarcasm in his post?
 
 
 
   I totally agree! computers are totally ruinging
 electronic music! I mean,
   where's the TALENT in pushing some buttons, or
 twisting a knob? whatever
   happened to what a few guys, ONLY IN DETROIT,
 did 12 years ago, like PLAY
   THE DRUMS, or LEARN THE GUITAR?
 
 
 --
 fix.er \'fik-s*r\ n : one that fixes : as : one that
 intervenes to
 enable a person to circumvent the law or obtain
 a political
 favor : one that adjusts matters or disputes by
 negotiation
 
 

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Re: [313] Axis 09

2001-10-20 Thread Kevin Conrad
More Drama is actually Axis 006 which replaced
Drama (older Axis 006).  Axis 009 and 009B are just
untitled releases.  I have 009B and I think it's worth
it.  I'm not good at track descriptions so I'm not
going to attempt :)  I beleieve 009 is much harder to
find than 009B, which you might still be able to get
at recordcollectorinc.com (I got mine from there). 

Kevin

--- Arne Weinberg [EMAIL PROTECTED] wrote:
 Hello!
 
 Which one do you mean? There's a Axis 009 and a Axis
 009b...
 Axis 009b is released much later and is called More
 drama.
 If you are Mills-addicted like me ;-) I think you
 need them both.
 Not the best releases of him but worth a check in
 every case!
 
 Cheers, Arne
 
 
 james boylan [EMAIL PROTECTED] schrieb:
 Is Axis 09 by Jeff Mills (originally distributed
 only via Hardwax in Germany 
 apparently) worth getting? Track description/rating
 anyone?
 

_
 -- 

°°
 Arne Weinberg   
  
 GROUNDZERO Rec. / STARBABY Rec. / PROPAGANDA
 Rec.  

°°

°°
 

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Re: [313] New purpose Maker?

2001-10-19 Thread Kevin Conrad
Groovetech has it listed with samples for each track. 
I like what I heard, I think I might pick up a copy
next time I'm out.

Kevin


--- Arne Weinberg [EMAIL PROTECTED] wrote:
 Hey folks.
 
 
 Any suggestions on the new purpose maker 12?
 Haven't got the chance to listen yet!
 
 
 cheers, Arne
 
 -- 

°°
 Arne Weinberg   
  
 GROUNDZERO Rec. / STARBABY Rec. / PROPAGANDA
 Rec.  

°°

°°
 

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Re: [313] Desperately Looking For 2000 DEMF Poster

2001-09-28 Thread Kevin Conrad
Try contacting CPOP.
  [EMAIL PROTECTED]
I bought a 2000 DEMF poster from them at this year's
DEMF, they may still have some left. 

Kevin

--- Joel Fernandez [EMAIL PROTECTED] wrote:
 Greetings,
 
 Can any of you decent folks point me in the right
 direction?
 
 Ciao Baby,
 
 Joel Fernandez
 
 

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Re: [313] Richie Hawtin - DE909

2001-08-16 Thread Kevin Conrad
 the 909 is a great tool to make a track, but it
 doesn't make a track by 
 itself.  i'm sorry, but those damn handclaps and
 snares do sound old after 
 about ten seconds if there's nothing else happening
 in the 'song'.

That's why I get bored when he bangs away on it.  I
need to feel a bassline when I'm on the dancefloor.

Kevin


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Re: [313] ANyone know about Finalscratch (maybe OT)

2001-08-16 Thread Kevin Conrad
 Could you see Jeff Mills drop a MP3 track
 and then accidently take 
 the FinalScratch record off the deck and throw onto
 the floor behind 
 him...or into a bin with tons of other scratched up
 records? OOOPS! That's a 
 final scratch if there ever was one.

Also, since I believe FS only handles one mp3/wav
track at a time right now, with current releases
handling 2, dj's like Mills will still need vinyl for
working on 3 decks.

Kevin

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Re: QRe: [313] ANyone know about Finalscratch (maybe OT)

2001-08-15 Thread Kevin Conrad
Final Scratch can also play wav files, so someone
using FS doesn't necessarily have to worry about the
low quality of MP3's.

Kevin


--- M. Todd Smith [EMAIL PROTECTED] wrote:
 While I agree with what Lauryn has said for the most
 part (because we have
 already seen the effect of Napster on the music
 industry).  We must include
 one more particularily special point.
 
 MP3 Quality at less than a bit rate of 192 sounds
 shoddy on the extreme low
 end and extreme high end.  MP3 is a compression
 algorithm which lops off the
 signal at the extent of the human hearing range (ie
 20, 000 Hz but most
 codecs lop off around 16, 000), and the sub-extent
 of human hearing (around
 20hz but again most codecs lop off around 100Hz). 
 When listening at home
 this isn't so bad since most in home stereo systems
 already reduce extreme
 low-high end by means of a crossover either in the
 speaker itself or
 digitally in the amplifier.  At the club however the
 is no roll off, and
 things like these become more apparent.
 
 Worse is the fact that despite our inability to hear
 these frequencies, we
 can hear the harmonics that they create with
 frequencies we do hear.
 Moreover even without knowledge the producer of the
 track may have utilized
 those particular harmonics.  With MP3 those will
 never be heard.
 
 I've heard both MP3's and vinyl on the same system,
 and to be honest unless
 you have a good soundcheck and all your files are
 recorded and EQ'ed
 properly beforehand, your set will sound lackluster.
 
 MP3's with a bitrate higher than 192 sound great,
 the higher the better, but
 they take up more room.  As we progress into a
 generation where physical
 memory is no longer an issue I'm sure this will
 become more viable.
 
 Cheers
 todd
 - Original Message -
 From: miss lauryn g [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Wednesday, August 15, 2001 9:10 AM
 Subject: Re: [313] ANyone know about Finalscratch
 (maybe OT)
 
 
  i think the idea of this technology is fantastic.
 however, what i am
  wondering is what this is going to do to the
 independent record label
  industry. use of mp3s right now doesn't currently
 affect them as much as
  it does the major record labels. but what this is
 going to do is
  discourage buying vinyl. (at least that is how i
 see it.) all you have to
  do is basically find a track online or find a
 friend with that record and
  rip an mp3. it's going to cause a lot of producers
 to not make any money.
  i wonder how much people are going to start
 fighting within the dance
  music community after this becomes readily
 available. i personally think
  that final scratch is going to be pretty popular
 and that after it gets
  some more attention, it's going to be utilized by
 more and more people,
  especially after they see that it works so well.
 it's just also a question
  of people supporting their artists and buying the
 vinyl still. (which
  is something that i would still be doing if i
 really really wanted a
  certain track...it would cause a lot less of that
 h why did i buy
  THAT? syndrome that i occasionally get here and
 there if i used final
  scratch and just had an mp3 of the track.)
 
  i dunno...i'm just going to sit back and watch and
 see how people start
  changing their minds on the mp3 argument when it
 starts affecting THEM.
 
  -l
 
 
 

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Re: QRe: [313] ANyone know about Finalscratch (maybe OT)

2001-08-15 Thread Kevin Conrad
Since high quality waves (24/96) will be big files,
there's less of a chance from finding it on a P2P file
sharing program.  So people downloading a track
someone made could be stuck with a low quality mp3
since that's all that might be available.  In
contrast, if FS is popular and they like the mp3 they
downloaded, they could buy a CD at their local record
shop that contains the track in wav format.  With
harddrives getting faster, bigger, and cheaper, it's
feasible.  Just a thought though.

Kevin


--- [EMAIL PROTECTED] wrote:
 exactly.. you can record to a pristine digital 24/96
 environment if 
 you like, and then play that digital recording out. 
 only 
 consideration is file size.  so technically
 finalscratch could sound 
 better than records ever did.
 
 as for independent labels and distribution, a) this
 won't happen over 
 night - vinyl production isn't going anywhere
 anytime soon, and b) 
 sooner or later digital music distribution will
 finally dump its two 
 left feet and figure out a way a safe and efficient
 way to work. 
 seems so ironic that all the hard to find music we
 buy is almost 
 exclusively on vinyl, when it started out as a
 digital master. 
 artists need to be paid for their work, but in what
 format we receive 
 it shouldn't matter.  people seem to have gotten
 used to CDs just 
 fine...  plus, if music got cheaper due to the
 reduced distribution 
 costs, there's a very good chance people would buy a
 lot more of it. 
 i know personally there's tons of housier records
 that i ignore every 
 month because it's just not in the budget.  this
 also has huge 
 implications for all the tiny, regional labels out
 there around the 
 world that very few people get exposed to.
 
 At 6:53 AM -0700 8/15/01, Kevin Conrad wrote:
 Final Scratch can also play wav files, so someone
 using FS doesn't necessarily have to worry about
 the
 low quality of MP3's.
 
 Kevin
 
 
 --- M. Todd Smith [EMAIL PROTECTED] wrote:
   While I agree with what Lauryn has said for the
 most
   part (because we have
   already seen the effect of Napster on the music
   industry).  We must include
   one more particularily special point.
 
   MP3 Quality at less than a bit rate of 192
 sounds
   shoddy on the extreme low
   end and extreme high end.  MP3 is a compression
   algorithm which lops off the
   signal at the extent of the human hearing range
 (ie
   20, 000 Hz but most
   codecs lop off around 16, 000), and the
 sub-extent
   of human hearing (around
   20hz but again most codecs lop off around
 100Hz).
   When listening at home
   this isn't so bad since most in home stereo
 systems
   already reduce extreme
   low-high end by means of a crossover either in
 the
   speaker itself or
   digitally in the amplifier.  At the club however
 the
   is no roll off, and
   things like these become more apparent.
 
   Worse is the fact that despite our inability to
 hear
   these frequencies, we
   can hear the harmonics that they create with
   frequencies we do hear.
   Moreover even without knowledge the producer of
 the
   track may have utilized
   those particular harmonics.  With MP3 those will
   never be heard.
 
   I've heard both MP3's and vinyl on the same
 system,
   and to be honest unless
   you have a good soundcheck and all your files
 are
   recorded and EQ'ed
   properly beforehand, your set will sound
 lackluster.
 
   MP3's with a bitrate higher than 192 sound
 great,
   the higher the better, but
   they take up more room.  As we progress into a
   generation where physical
   memory is no longer an issue I'm sure this will
   become more viable.
 
   Cheers
   todd
   - Original Message -
   From: miss lauryn g [EMAIL PROTECTED]
   To: 313@hyperreal.org
   Sent: Wednesday, August 15, 2001 9:10 AM
   Subject: Re: [313] ANyone know about
 Finalscratch
   (maybe OT)
 
 
i think the idea of this technology is
 fantastic.
   however, what i am
wondering is what this is going to do to the
   independent record label
industry. use of mp3s right now doesn't
 currently
   affect them as much as
it does the major record labels. but what this
 is
   going to do is
discourage buying vinyl. (at least that is how
 i
   see it.) all you have to
do is basically find a track online or find a
   friend with that record and
 rip an mp3. it's going to cause a lot of
 producers
to not make any money.
 i wonder how much people are going to start
fighting within the dance
 music community after this becomes readily
   available. i personally think
that final scratch is going to be pretty
 popular
and that after it gets
some more attention, it's going to be utilized
 by
   more and more people,
especially after they see that it works so
 well.
   it's just also a question
of people supporting their artists and buying
 the
   vinyl still. (which
is something that i would still be doing if i
   really really wanted a
certain track

Re: QRe: [313] ANyone know about Finalscratch (maybe OT)

2001-08-15 Thread Kevin Conrad
I think that's due to the fact that their budget in
production/engineering/marketing of a CD is more money
than we'll ever see :)  Someone writing and mastering
their own stuff won't have that problem.

Kevin


--- [EMAIL PROTECTED] wrote:
 i should also add, just to counter myself, that the
 greatly reduced 
 distribution costs idea might end up being a big lie
 anyway.  it sure 
 was with the switch to CDs.  we'll see.
 
 At 7:31 AM -0700 8/15/01, [EMAIL PROTECTED] wrote:
 exactly.. you can record to a pristine digital
 24/96 environment if 
 you like, and then play that digital recording out.
  only 
 consideration is file size.  so technically
 finalscratch could sound 
 better than records ever did.
 
 as for independent labels and distribution, a) this
 won't happen 
 over night - vinyl production isn't going anywhere
 anytime soon, and 
 b) sooner or later digital music distribution will
 finally dump its 
 two left feet and figure out a way a safe and
 efficient way to work. 
 seems so ironic that all the hard to find music we
 buy is almost 
 exclusively on vinyl, when it started out as a
 digital master. 
 artists need to be paid for their work, but in what
 format we 
 receive it shouldn't matter.  people seem to have
 gotten used to CDs 
 just fine...  plus, if music got cheaper due to the
 reduced 
 distribution costs, there's a very good chance
 people would buy a 
 lot more of it. i know personally there's tons of
 housier records 
 that i ignore every month because it's just not in
 the budget.  this 
 also has huge implications for all the tiny,
 regional labels out 
 there around the world that very few people get
 exposed to.
 
 At 6:53 AM -0700 8/15/01, Kevin Conrad wrote:
 Final Scratch can also play wav files, so someone
 using FS doesn't necessarily have to worry about
 the
 low quality of MP3's.
 
 Kevin
 
 
 --- M. Todd Smith [EMAIL PROTECTED] wrote:
   While I agree with what Lauryn has said for the
 most
   part (because we have
   already seen the effect of Napster on the music
   industry).  We must include
   one more particularily special point.
 
   MP3 Quality at less than a bit rate of 192
 sounds
   shoddy on the extreme low
   end and extreme high end.  MP3 is a compression
   algorithm which lops off the
   signal at the extent of the human hearing range
 (ie
   20, 000 Hz but most
   codecs lop off around 16, 000), and the
 sub-extent
   of human hearing (around
   20hz but again most codecs lop off around
 100Hz).
   When listening at home
   this isn't so bad since most in home stereo
 systems
   already reduce extreme
   low-high end by means of a crossover either in
 the
   speaker itself or
   digitally in the amplifier.  At the club
 however the
   is no roll off, and
   things like these become more apparent.
 
   Worse is the fact that despite our inability to
 hear
   these frequencies, we
   can hear the harmonics that they create with
   frequencies we do hear.
   Moreover even without knowledge the producer of
 the
   track may have utilized
   those particular harmonics.  With MP3 those
 will
   never be heard.
 
   I've heard both MP3's and vinyl on the same
 system,
   and to be honest unless
   you have a good soundcheck and all your files
 are
   recorded and EQ'ed
   properly beforehand, your set will sound
 lackluster.
 
   MP3's with a bitrate higher than 192 sound
 great,
   the higher the better, but
   they take up more room.  As we progress into a
   generation where physical
   memory is no longer an issue I'm sure this will
   become more viable.
 
   Cheers
   todd
   - Original Message -
   From: miss lauryn g [EMAIL PROTECTED]
   To: 313@hyperreal.org
   Sent: Wednesday, August 15, 2001 9:10 AM
   Subject: Re: [313] ANyone know about
 Finalscratch
   (maybe OT)
 
 
i think the idea of this technology is
 fantastic.
   however, what i am
wondering is what this is going to do to the
   independent record label
industry. use of mp3s right now doesn't
 currently
   affect them as much as
it does the major record labels. but what
 this is
   going to do is
discourage buying vinyl. (at least that is
 how i
   see it.) all you have to
do is basically find a track online or find a
   friend with that record and
 rip an mp3. it's going to cause a lot of
 producers
to not make any money.
 i wonder how much people are going to start
fighting within the dance
 music community after this becomes readily
   available. i personally think
that final scratch is going to be pretty
 popular
and that after it gets
some more attention, it's going to be
 utilized by
   more and more people,
especially after they see that it works so
 well.
   it's just also a question
of people supporting their artists and buying
 the
   vinyl still. (which
is something that i would still be doing if i
   really really wanted a
certain track...it would cause a lot less of
 that
   h why did i

Re: [313] Equipment Trade

2001-08-14 Thread Kevin Conrad
http://www.harmony-central.com has trades in their
classifieds, but I'm not sure if you'll find that many
people trading away an SL1200, most are probably
trading away gear.  http://www.sonicstate.com might
give you better luck.
  For other gear questions, you might want to join the
[EMAIL PROTECTED] list.

Kevin


--- Lee Herrington [EMAIL PROTECTED]
wrote:
 Hello. I apologize if this posting is considered OT.
  Does anyone know of a
 site where I could list an instrument for trade?
 [i.e. Roland mc303
 groovebox]  I am desperately trying to get my hands
 on another SL1200.  If
 there is any information you can e-mail me privately
 or berate me in public.
 Your choice.
 
 on now : stasis-inosphere
 
 save the vinyl
 
 

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Re: [313] UFO / 4 Art

2001-07-18 Thread Kevin Conrad
I don't think it's a misprint.  4 Art is the name of
the track on the Other Day ep and on his cd The Art
of Connecting.  UFO is also on the CD.  I don't why
he'd re-release 4 Art on a new EP, maybe he's broke
or something ;)

Kevin


--- Stewart Moroney
[EMAIL PROTECTED] wrote:
 Hi all
 
 My copy of 4 Art contains a previously released
 track (from The Other Day
 ep), are they all like this or is mine a misprint?
 
 Stewart
 
 

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[313] Move over HPDJ

2001-05-29 Thread Kevin Conrad
This was lifted from a BBS, so I don't have a link to
the original article:

DJ Robot Turns the Tables 
By Katie Dean 

  A professor at the Rensselaer Polytechnic Institute
is the man behind DJ I, Robot, which is the first
random-access, analog robotic  DJ system. It's made up
of a computer and three turntables that can mix,
scratch, cut, and beat-juggle like a human disc
jockey. 
  It's a new means of composition and competition,
said Chris Csikszentmihalyi (pronounced
chick-sent-me-hi), an electronic arts professor at
RPI. What's really been fun is coming across really
strange sounds that you're not expecting to and
deciding that
  it's not really a negative, but a positive. 

 The machine is hardly musical or expressive. It
doesn't have a collection of old records it likes to
scratch up. But it can spin platters up to 800
revolutions per minute, compared to 45 RPMs by a human
hand. 

  To create the new mixes, 80 breakdance songs were
pressed onto each record. The location of each musical
element -- such as a  particular measure, beat or
audio sample -- is indexed on the computer.
Programmers mix tracks by dragging-and-dropping  each
element into a timeline on the computer, then an
analog motor spins the platter at the programmed speed
and direction. 

The computer controls the manipulation of the
tracks, but the motion is analog. The platter moves as
if a human hand were guiding it, but with superior
technical precision. 

 Yet it's the human quality that counts in the
artistic process, said one DJ. What separates
different DJs from each other is how they choose
records to mix together, how they mix them, and the
kind of
  tricks they do when they mix them,
said Paolo, a DJ who has played jungle and hip-hop
clubs in Washington D.C. and New York. 

 A computer is not going to know how to do that. It's
missing the inspiration, Paolo said. There's only so
much you can program. Would he jam to the mixed beats
of DJ I, Robot?  That wouldn't interest me at all,
Paolo said. That's not the point. There's a certain
amount of personal expression going on when you mix
records. That's what you're there to see or hear. 

 DJ Qmaxx420 had a different reaction. 
 Bring it on, man! I think it's a great idea, said
Qmaxx420, a professional DJ who has played clubs in
New York, Germany, London and Tokyo. I think that can
be fun and entertaining. 

 It was inevitable that this was going to happen
anyway, he said. This is the future. 

  Qmaxx420 said that DJ I, Robot might have some
unexpected benefits. Some DJs don't like to spin first
or last at clubs, so DJ I, Robot might be a good
opening DJ. Also, because the machine has no emotions,
it would never feel like it's selling out. Maybe
 record companies could use it to promote new songs,
he said. 

  Csikszentmihalyi admits the machine has its
limitations.  It doesn't have taste and it doesn't
have a sense of music, he said. There's no algorithm
for funk. We're faking the funk. 

 Nevertheless, Csikszentmihalyi hopes DJ I, Robot will
be able to outperform any human DJ in three or four
years. So far, the machine has battled several DJs and
has a losing record. It's kind of a remake on the
John Henry competition, Csikszentmihalyi said.
That's why we've been calling it the DJ killer app. 

 The system has already received international
attention. DJ I, Robot was a finalist in the Berlin
Transmediale, an international  juried competition for
software art, and it's performed in a Berlin
nightclub, at a street party in Boston and a warehouse
party in
Brooklyn. The machine will tour Europe this summer. 


http://www.dj-i-robot.com

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Re: [313] bone

2001-05-28 Thread Kevin Conrad
Jay Denham was amazing at the underground stage.  I
also caught the end of his set at Treatment last
night, and again it was phenomenal.  I hope he comes
to town again soon.

   Kevin


--- Mxyzptlk [EMAIL PROTECTED] wrote:
 While I wouldn't put so complete a slam on it, I
 *would* say that Jay 
 Denham's set underground blew it away completely. I
 was hoping for more 
 from Bone.
  jeff
 
 At 09:14 AM 5/28/2001 -0400, Dharma Fowler wrote:
 unfortunatly i have been unable to make it to the
 demf, but i was 
 wondering what people thought of bone's set.  a
 friend of mine told me it 
 was horrible replete with lots of cheesy buildups,
 but i always hear about 
 how good he is.  any opinions?
 -Dharma
 
 
 

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[313] Parking at DEMF

2001-05-25 Thread Kevin Conrad
Does anyone know about parking this weekend?  I'll be
driving down from Southfield, and I was wondering if
there's an organized parking situation or if it's just
a free-for-all.  Thanks in advance.

   Kevin

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Re: [313] Parking at DEMF

2001-05-25 Thread Kevin Conrad
I went to the Travel section of demf.org hoping for
some details on parking locations, and they were nice
enough to give me a link to mapquest.  How nice of
them ;)

  Kevin


--- Mxyzptlk [EMAIL PROTECTED] wrote:
 My basic formula is : Try the Ford garagetry the
 Cobo Garage...then (as 
 a last resort - it's expensive!) try the Ren Cen -
 that is, if you don't 
 want to hassle with looking to see if there's
 anything down on the river or 
 in various parking lots. If anyone has better Ideas,
 I'm all ears.
 
 jeff
 
 
 At 10:18 AM 5/25/2001 -0700, Kevin Conrad wrote:
 Does anyone know about parking this weekend?  I'll
 be
 driving down from Southfield, and I was wondering
 if
 there's an organized parking situation or if it's
 just
 a free-for-all.  Thanks in advance.
 
 Kevin
 
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Re: [313] wtf????

2001-05-24 Thread Kevin Conrad
I've been getting that lately every time I post to
313. I've just attributed it to a server hiccup, but
who knows.  

   Kevin

--- dan ito [EMAIL PROTECTED] wrote:
 who in the hell is this??
 
 detroit techno,LearnLink (The name was not found at
 the remote site. Check 
 that the name has been entered correctly.)
 

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Re: [313] the stupid letter i got from carol marvin.

2001-05-19 Thread Kevin Conrad
It's better than the I'm out of the office until
Tuesday letter I got.  :)
  But yeah, it sounds like the kind of letter a
commitee of PR people wrote up collectively.

 Kevin


--- lauryn goller [EMAIL PROTECTED]
wrote:
 blah. sounds like a prefabricated form letter to me.
 doesn't really *address my concerns* whatsover.
 
 ugh.
 lauryn.
 
 -- Original Message
 --
 From: Carol Marvin [EMAIL PROTECTED]
 Date: Fri, 18 May 2001 21:51:56 -0400
 
 Hi Lauryn ---
 
 Thanks for your interest in the festival. You
 obviously care about it and
 the music scene a great deal. Please come and enjoy
 the music from the over
 80 artists that will be performing as well as all of
 the great on-site
 activities. Hopefully, you will still have a good
 time. I can understand
 your concerns, but if you don't like the DEMF
 production in some way, let me
 know specifically what you'd like to see and our
 artist advisory board will
 listen to what you have to say so that you can
 assist us in furthering the
 event next year. Thank you for taking the time to
 let us know how important
 the DEMF is to you.
 
 
 Carol Marvin
 
 
 
 
 --

**
  nothing is an end
   because it can always be used
  as a basis for something new and
 different.
 -keith
 haring

**
 [EMAIL PROTECTED]  
   
 [EMAIL PROTECTED]  
 [EMAIL PROTECTED]

**
 
 
 --
 

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Re: [313] rob hood at motor

2001-05-18 Thread Kevin Conrad
Just line up at the door.  Try and hit up Detroit
Threads beforehand.  On certain nights Motor has
passes that get you in free before 11 that you'll find
at Threads (maybe Recordtime too).

   Kevin


--- Dharma Fowler [EMAIL PROTECTED] wrote:
 anybody know how i get into motor for saturday
 nightdo i have to buy 
 tickets ahead of time or just line up at the door?
 thanks.
 
 dharma

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Re: [313] websites with dj sets -recommendations please!! :)

2001-05-18 Thread Kevin Conrad
http://www.paxahau.com
http://www.betalounge.com

  Those will keep you busy for awhile :)

Kevin


--- J S [EMAIL PROTECTED] wrote:
 
 I finally am allowed to use a sound card at
 work...so please..tell me any
 sites that have good dj sets to listen to...I know
 you all have great taste
 in music..so I would really appreciate it!!!
 
 Thanks much!!
 
 -Jill
 
 
 
 
 

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Re: [313] Help! How do I get tix for the tronic treatment party during DEMF in advance???

2001-05-14 Thread Kevin Conrad
I called Record Time in Ferndale on Friday and they
didn't have any tickets, nor were they expecting any.
I'd call Threads, but I have to find their number
first.

Kevin


--- Lorie R [EMAIL PROTECTED] wrote:
 You can get them in detroit @ record time.. or some
 other record store there
 when you get there... OR email Viktor
 [EMAIL PROTECTED]  and he will get you
 one personally.
 That goes for anyone else wondering also.
 
 Lorie
 - Original Message -
 From: J S [EMAIL PROTECTED]
 
 Subject: [313] Help! How do I get tix for the tronic
 treatment party during
 DEMF in advance???
 
 
 

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Re: [313] in support of Carl

2001-05-12 Thread Kevin Conrad
Or you could slap a planet E sticker on the bumper of
every Ford Focus you see  :)

   Kevin

--- diana potts [EMAIL PROTECTED] wrote:
 well there's always planet E stickers you can slap
 on
 the front of a shirt.(speaking as some one who
 doesn't
 own a planet E T shirt)
 
 d
 --- M Elliot-Knight [EMAIL PROTECTED] wrote:
  Well, I don't have a Planet E shirt but you can be
  damn sure I'm gunna buy 
  one once I land in the D. Plus, hitting the 10
 year
  anniversary party!
  
  MEK
  
  
  From: diana potts [EMAIL PROTECTED]
  To: enlighten 313@hyperreal.org
  Subject: [313] in support of Carl
  Date: Fri, 11 May 2001 16:28:04 -0700 (PDT)
  
  I am saying this in the most non-political way I
  can...which is hard.
  
  What would happen if we started a bit of a
  underground resistance of our own. I'm not down
  with
  boycotting the festival but what if those who had
  planet E Tshirts wore them say on Saturday or
  Sunday..one day in particular in support of Carl
  and
  saying in a silent way that as a community we
  support
  him and recognize all this won't damage him or
 his
  career in anyway possible.
  
  
  just an idea-it's not meant to take one side or
 the
  other or fuel anymore drama...just tossin' it
 out
  there.
  
  
  peas
  d
  
 
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Re: [313] carl craig asked to step down!

2001-05-11 Thread Kevin Conrad
But who will be on this commitee, and who will choose
those people?  

Marvin said the role of creative director  will be
filled next year by an advisory  board made up of
artists and others in the Detroit techno industry.

That's still sort of vague.  I can think of other
commitees that aren't so good, like the people that
choose the Grammy awards.  Wasn't it the Beatles and
Led Zeppelin among others that never received one? 
And I remember Jethro Tull winning best metal (or was
it hard rock) album over Metallica one year. There's
politics involved there I'm sure, and I'd hate for the
same happen to the DEMF committee.

   Kevin


--- Samuel Hobbs [EMAIL PROTECTED] wrote:
 i was thinking about his whole advisory committee
 thing.  maybe its not a bad idea.  lets look to
 other
 areas of the world that use committees to choose. 
 the
 NCAA and the basketball tournament selection
 committee
 begin with parameters for who should make it into
 the
 tournament.  each member of the selection committee
 has different ideas and are fans of different teams.
 
 however when the committee meets, they use their
 collective opinion and ideas to select the teams.  i
 think that the artistic worth of future demf
 line-ups
 would be better with a committee that represents
 detroit as opposed to the (right or wrong?) opinion
 of
 carl craig.
 
 just my opinion...no harm no foul
 
 -sam
 
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Re: [313] carl craig asked to step down!

2001-05-11 Thread Kevin Conrad
 talking strictly as an outside observer looking in,
 i'd say there's been a
 lot of politics involved already, whether just one
 individual or a
 commitee.

 True.  Imagine the politics involved with a 20 or
more person committee with multiple sponsors. 
yikes  :)

   Kevin

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Re: [313] CKDK club plans...

2001-05-11 Thread Kevin Conrad
It will be more than just a club, it will be a super
entertainment complex

  I don't know why, but that just sounds funny.  I'm
picturing Dunk the DJ right now  :)
  Sounds like a cool idea though.  Isn't the
Guvernment in Toronto like that, multiple rooms with
different DJ's/genres?  I've never been there myself,
but friends have told me it's pretty nice.

   Kevin


--- Carissa Tintinalli [EMAIL PROTECTED]
wrote:
 
 

http://www.detroitfreepress.com/entertainment/music/rach11_20010511.htm

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Re: [313] OT? (808 Question + Detroit)

2001-05-09 Thread Kevin Conrad
Gear questions are best suited on the 313techknow
list.

http://groups.yahoo.com/group/313techknow

 But while I'm writing this, I might as well give an
answer.  I just purchased an sp-808 for $599 at
zzounds.com, it was a sale so I'm not sure if the
price is the same.  It's not the sp-808EX, but it's
pretty close (100MB zip as opposed to 250MB zip).
There's also a way to upgrade the sp-808 OS to the
sp-808EX OS and install the 250MB drive, making it
like the EX.
  I like the 808 alot, I had a Korg ES-1 beforehand
that I'm selling right now (I'd keep it if I were
rich).  Having a zipdrive is great, and it's pretty
easy to use.  The only drawbacks are 4 note polyphony
(which can be alleviated by combining 2 samples into
1) and the 3 control knobs for effects don't send midi
out which is somewhat annoying when used in a studio. 
Otherwise I love it.  But I wouldn't pay $1200 for it.

   Kevin

p.s. The Kooky Scientist gives it the thumbs up along
with Sean Deason who owns 2 of them.


--- Fred Lopster [EMAIL PROTECTED] wrote:
 I am considering purchasing an Roland 808 Groove
 Sampler and was wondering if anyone can clue me in
 as
 to whether or not $1200 is a reasonable price (brand
 new).
 
 I was also wondering which artist, Detroit in
 particular, currently use 808's in their setups?
 
 Any other feedback on the 808 would be greatly
 appreciated as well. Thanks!
 -Joe
 

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Re: [313] Real audio 2 CDR(was online mix track id)

2001-05-08 Thread Kevin Conrad
I just got done copying a real audio mix to wav for
burning to a CD.  Under the Volume Control in the
system tray, I selected Option-Properties-Recording,
then selected Mixed Output and hit OK.  I checked the
Selecet box under Mixed Output and used Soundforge
to record the wav file while the Real audio file was
playing.  Hope this works for you too.

   Kevin


--- dan ito [EMAIL PROTECTED] wrote:
 my thoughts exactly..
 
 
 From: Matthew L. Thompson [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: Re: [313] Real audio 2 CDR(was online mix
 track id)
 Date: Mon, 7 May 2001 16:35:13 -0500
 
 If you can locate the URL that links you directly
 to the .ra file itself,
 you can type the location into your web browser and
 download it onto your
 hard drive (unless of course, it is cgi-based, as
 someone properly pointed
 out... you could try it anyway to see if it works
 though).  Downloading the
 .ram file (metafile) does no good, as this file
 simply tells the web 
 browser
 to launch your realmedia player and then points the
 player to the actual
 location of the .ra file itself.  You can download
 the .ram file (right
 click as save as) and then open it with Notepad,
 that will tell you the
 location of the .ra file itself.  As far as burning
 it to CD, you'd have to
 convert the .ra file to .wav format... either the
 old fashioned analog way
 (speaker output to cassette deck or mini-disc or
 whatever, then back to the
 computer's hard drive via line input) or use a
 program like ra2wav that 
 will
 do it digitally for you.
 
 Matt
 E-mail: [EMAIL PROTECTED]
 Web Site: http://www.magicmattkelly.com
 
   Date: Mon, 7 May 2001 15:59:41 +0200
   To: =?iso-8859-1?B?SGFuc2kgR/znbPxlcg==?=
 [EMAIL PROTECTED],
   Chris Tourgelis [EMAIL PROTECTED],
   313@hyperreal.org
   From: fab137 [EMAIL PROTECTED]
   Subject: R: [313] Real audio 2 CDR(was online
 mix track id)
  
   
This might be a stupid question but HOW does
 one
download a realaudio-mix to the harddrive?
  
   When you open a RealAudio file a .ram file gets
 copied onto your HD,
 usually
   in your temporary internet files if youre on a
 pc. locate that file and
 open
   it in a text editor. there you should find the a
 link to the 
 downloadable
   .rm file on the server. it doesn't always work
 but there's no harm in
   trying! BTW, if the realaudio feed comes from a
 .cgi (like betalounge) 
 its
   not possible to do this.or at least i
 haven't found a way!!
  
   good luck
   fab
 
 
 

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Re: [313] mayday festival

2001-05-04 Thread Kevin Conrad
 Ermmm, who has this guy been talking to? I still
 have to read the article 
 thoroughly, but I've found so much bullshit for now
 that I'm taking a break 
 from it.

  I stopped reading after the Mike Banks part, I don't
know if there's a reason to go back reading :) 

  Kevin

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Re: [313] more political crap from me (OT)

2001-05-04 Thread Kevin Conrad
I laughed my ass of when I read that (in a black
comedy type of way).  I wish Bush would realize the US
isn't king of the world. This is just a signal to him
of that fact.  Maybe in time he'll learn to work with
the rest of the world, instead of trying to tell
everyone what to do.  But I doubt it.  :)

   Kevin

p.s. much appreciative of the info


--- diana potts [EMAIL PROTECTED] wrote:
 
 I got a lot of reactions from the first alike
 post(seems I'm not the only into (learning
 about)politics) so I thought I'd post this too.
 
 Basically, the US has been ousted from the UN Human
 Right's body-which it founded.Go Bush.
 

http://dailynews.yahoo.com/h/nm/20010504/ts/un_usa_rights_dc_5.html
 
 sorry.
 Diana
 
 
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Re: [313] t-1000 last dj on earth

2001-05-01 Thread Kevin Conrad
I just started listening to this last week, and that
would explain the oddness in the mix.  It starts out
with tribal techno moving into a trance track, then
moves onto old-school 303'ish techno all w/ just
smooth mixes.  The last old-school record fades out
then spins backwards for a bit (kinda like when a new
DJ comes on), then some bangin' swedish techno for the
rest of the mix w/ all sorts of tricks (cuts,
scratches, etc.) that I thought Sims was known for.
That's the pain w/ Napster, you're never sure on what
you're getting.
   
   Kevin

--- Lorie R [EMAIL PROTECTED] wrote:
 Live @fuse ...find someone on napster that has it.
 
 I have heard rumors that part 1 is not him, but part
 2 is. I *know* part 2
 is his style, part one could be him also...who
 knows.
 
 Lorie
 - Original Message -
 From: tim maughan [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]; 313
 313@hyperreal.org
 Cc: John Osselaer [EMAIL PROTECTED]
 Sent: Tuesday, May 01, 2001 2:34 PM
 Subject: Re: [313] t-1000 last dj on earth
 
 
  i don't know mr sim's style at all..but sounds
 good so far...anyone know
  anywhere i can hear or (preferably) download one
 of his sets? nothing on
  napster so far...
 
 
  - Original Message -
  From: Max Duley (ARCart)
 [EMAIL PROTECTED]
  To: 313 313@hyperreal.org
  Cc: John Osselaer [EMAIL PROTECTED]
  Sent: Tuesday, May 01, 2001 7:36 PM
  Subject: RE: [313] t-1000 last dj on earth
 
 
In that case you should be looking out for
 'Theory of Interpretation'
   mixed
by Ben Sims. Now, I sticked out my head once
 on this list saying that
  Mr.
Sims could beat Mr. Mills behind the decks
 resulting in a much too
 long
thread... That's why I was a bit disappointed
 Ben didn't really
mix the cd as furiously as he does when
 playing out. But, it still
  remains
a very good cd for those who like loops and
 tools. No less than 33
  tracks
(incl. looked grooves) on there. The cd
 contains twelve new
   interpretations  of Theory tracks and two
 unreleased tracks. The mixcd
   should be out mid
May.
  
   It's a great CD, I like it a lot. I mentioned to
 Ben that I thought it
   didn't seem to represent his ability as a DJ,
 which as John says, are
   absolutely awesome, in fact I have never seen
 ANYONE with such complete
  and
   total control over 2 decks let alone the 3 that
 Ben usually populates so
   easily. He put me firmly in my place saying that
 it is not meant to
   represent his DJ skills, but to represent the
 Theory label. I think he's
   done that perfectly. He hinted also that there
 may actually be a Sims
 mix
   CD proper at some point.
  
  
  

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Re: [313] @tkins gets second chance

2001-04-27 Thread Kevin Conrad
Here's a link from the Detroit Free Press:

http://www.freep.com/entertainment/music/demf27_20010427.htm

Juan, Stacey Pullen, and Kenny Larkin have been added
apparently.

  Kevin


--- Samuel Hobbs [EMAIL PROTECTED] wrote:
 earlier someone had posted something about juan
 atkins
 getting a second chance and then mentioned something
 about an interview that he gave before a party.  did
 this person mean that juan is going to play at demf?
 
 if not could i get a clarification of what this
 person
 meant.
 -sam
 
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Re: [313] Adam Beyer (RE: [313] numerous threads at once (swedes, t-1000, top 10, st germain))

2001-04-20 Thread Kevin Conrad
Conform 12 - Lost  Found EP is sweet too, there's one
track with some really nice strings and a smooth
bassline.

   Kevin

--- dan ito [EMAIL PROTECTED] wrote:
 check out phases-brazen display and Christian Smith
  Stryke-Highrider, more 
 quality releases from ab
 
 
 From: glyn [EMAIL PROTECTED]
 To: Gwendal Cobert [EMAIL PROTECTED]
 CC: '313' 313@hyperreal.org
 Subject: Re: [313] Adam Beyer (RE: [313] numerous
 threads at once (swedes, 
 t-1000, top 10, st germain))
 Date: Fri, 20 Apr 2001 13:22:23 -0700
 
 Gwendal Cobert wrote:
 
   talking about surprising stuff from Beyer...
 that's how I would qualify 
 his
   excellent Protechtion album, for example, some
 of the tracks there are 
 much
   more complex than what he is best known for !
 
 also, code red 9 and at least one of the earlier
 drumcode singles are both
 quite melodic, string-filled, and-- dare i
 say--detroit-sounding.
 
 glyn
 
 

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Re: [313] Ordering Records On-Line

2001-04-13 Thread Kevin Conrad
Groovetech is my favorite place.  The records you see
online are usually in stock, and it only takes 4 or 5
days to get them.
  I'd stay away from Sonic Groove.  They never update
their catalog so a lot of their stuff is not in stock,
and they're super slow.  I once ordered 13 records,
and got 2 in the mail about a month later.
  Satellite records (www.satelliterecords.com) is
pretty good because they update their site with new
releases every week.  It usually takes about 2 weeks
for an order to be received.
  Also try www.611records.com.  Their catalog tends to
be little out of date, but not as bad as Sonic
Groove's.  My experience has been about 1.5-2 weeks
for delivery.
  I just stick to Groovetech for the most part, and
fall back on 611 or Satellite if I'm looking for
something a little older that Groovetech doesn't have.

   Kevin


--- nathan goode [EMAIL PROTECTED] wrote:
 Hi peeps
 
 Can someone give me some advice for buying records
 online, ie - which
 stores should i but from? i've bought from submerge
 before, but was
 wondering about other stores like groovetech,
 recordtime, sonic groove.
 
 i've seen  listened to plenty of records from the
 groovetech site that
 i want to buy. how long does it take to receive the
 records once
 ordering  how are they with postage?
 
 are there any other sites i should try?
 
 any help will be greatly appreciated.
 
 cheers
 
 nath
 
 

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Love Parade

2001-04-06 Thread Kevin Conrad
I remember some people asking about the Love Parade,
so I thought I'd share this info I found in Yahoo
news:

http://dailynews.yahoo.com/h/nm/20010405/re/germany_parade_dc_1.html

  Kevin

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Re: [313] Last Night A Raver Broke My Tonearm

2001-03-31 Thread Kevin Conrad
Ouch.  Are we going to see a post on some BBS with the
subject Last night a DJ broke MY arm?  ;)

   Kevin
  
--- Phonopsia [EMAIL PROTECTED] wrote:
 So I'm about half-way through my set last night @ a
 house party when this
 guy with *that crazy look in his eye* comes up to
 the turntables. I finished
 mixing out of a record and he was just about to put
 his finger on the record
 to stop it just as I grabbed it out from under him.
 As I filed the record
 away and looked for the next track I noticed he put
 his finger on the
 platter and stopped it. As I stood back up with the
 new record time slowed
 down. I watched this guy (who was in another world)
 grab the tonearm, and
 rip it off the turntable. He literally grabbed it
 and yanked as hard as he
 could. However, the tonearm did not completely
 detatch, the wires inside the
 tonearm were still connected to the headshell. This
 did not satisfy him. He
 gave another yoink and ripped it completely off. I
 think everyone who could
 see this happen that owns a turntable let out a
 horified gasp. As we all
 stood there in awe, someone eventually restrained
 him before he could pull
 the effects box down from on top of a speaker. As he
 was pulled away from
 the tunrtables he managed to say but I'm having
 fun.
 
 Talk about being upstaged... Despite having a third
 turntable there, the
 rest of my set suffered accordingly. Unfortunately,
 this turntable was on
 loan for the party. In the immortal words of Mr.
 Mackey, Drugs Are Bad,
 MmmK?
 
 Tristan
 --
 http://www.mp3.com/stations/313 - Great music from
 around the globe
 http://www.mp3.com/Frogbot - My music
 http://ampcast.com/phonopsia - My newest music
 http://phonopsia.tripod.com - Mixes, pics,
 travelogue  info
 [EMAIL PROTECTED] - email
 FrogboyMCI - AOL Instant Messenger
 
 

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Re: [313] i have to dj and i'm scared.

2001-03-28 Thread Kevin Conrad
I've always found most tag team lineups to be a
gimmick that promoters use to make their party look
special.  I know people who've been in tag teams where
the promoter just slapped it together, and the
individual didn't even know the other dj.  I would
think it would be difficult to create something unique
in a set when you don't know what the other person is
thinking.

   Kevin


--- paul [EMAIL PROTECTED] wrote:
 jesus, if he's this worried why is he even djing.
 and for a 'dj' to even ask other people what they
 feel he should play,
 well.
 
 
 
 
 - Original Message -
 From: peter mueller [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]; 313@hyperreal.org
 Sent: Wednesday, March 28, 2001 10:11 PM
 Subject: Re: [313] i have to dj and i'm scared.
 
 
  i don't understand the whole thing. i think doing
 a tag team requires that
  both dj's know each other very good and therefor
 also know the records of
  each other, or at least the style of each other.
 so why would you want to
  buy some new records specifically for this gig?
 just take some stuff with
  you that you like and you're familiar with. i
 can't imagine that it will
  work with trance anyway, but i'd be very
 interested to hear the result, so
  if it's going to be broadcasted or recorded,
 please let me know.
 
  peter
 
  - Original Message -
  From: Simon Dennis [EMAIL PROTECTED]
 
  : i need some suggestions for good traks to buy
  : as i have to do a tagteam djing thing with a
  : guy heavily into paul van dyk style trance
  : anthems.
  : bear in mind i haven't bought any new vinyl
  : for about eight months, anything deemed
  : essential from this time period would be great.
  : maybe someone who works in a shop (say, Record
 Time)
  : could advise me on all the new releases coming
  : out of detroit and the u.s. as i wouldn't want
  : to ignore those...:)
  :
  : and how the hell do you blend hands-in-the-air
 trance
  : with deepest detroit?
  : any suggestions please.
 
 
 
 

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Re: [313] Mills and the 909

2001-03-28 Thread Kevin Conrad
 get the jeff mills live at liquid room cd. 
 extensive use of the 909 and 
 performed very well.
 

Do you mean Liquid Room 2000, because he doesn't use
the 909 on the 1995 recording of the Liquid Room.

 I'm wondering what it sounds like
 and how it compares
 (sonically, complexity-wise, etc.) to Hawtin's use
 of it

  I have a handful of live mixes where he uses the
909, and I find his style tends to be a little
groovier than Hawtin's pounding approach to it.  I
don't really have a preference though, both use it
well from different angles.

   Kevin


--- dj revolver [EMAIL PROTECTED] wrote:
 get the jeff mills live at liquid room cd. 
 extensive use of the 909 and 
 performed very well.
 
 
 From: Rhythm Droid [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: [313] Mills and the 909
 Date: Wed, 28 Mar 2001 10:48:47 -0800
 
 I have never had the chance to see hear Mills spin
 and utilize the
 TR-909 (or spin period, for that matter).  Has
 anyone heard him do this
 (with the 909)?  I'm wondering what it sounds like
 and how it compares
 (sonically, complexity-wise, etc.) to Hawtin's use
 of it.  Any info is
 appreciated.  Thanks! = )
 
 Devon

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Re: [313] Juan Atkins 7th Cancelled So Prepare DEMF Next

2001-03-27 Thread Kevin Conrad
You stole my joke Dennis.  
Die you must now.

I would like to know who's behind Detroit Is The
Homeland, it's very funny.

   Kevin


--- Dennis Donohue [EMAIL PROTECTED] wrote:
 I have to know -
 
 
 Are you yoda?
 
 creates controversy he nice. good thing he in area
 for detroit soap opera
 yes.
 
 Sure sounds like the little green guy from the
 Dagaba system...
 
 Dennis (the bandwidth hog)
 
 From: DETROIT ISTHE HOMELAND
 [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: [313] Juan Atkins 7th Cancelled So Prepare
 DEMF Next
 Date: Tue, 27 Mar 2001 00:05:41 -0500
 
 juan atkins cancel for sure sorry now can create
 demf news. glad see hdn 
 one
 creates controversy he nice. good thing he in area
 for detroit soap opera
 yes. was not ready for him be anonymous so good
 thing he let know in email.
 good thing he not go into drama cause I no read
 well but I hear it deep.
 also if calling to get refund or sausage kit
 remember number is 
 734-464-8447
 so call lots. reply.

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Re: [313] LOVE PARADE: info needed IMMEDIATELY!!!

2001-03-27 Thread Kevin Conrad
There's a tab where you can change the site to 
english. The latest press release said that some other

organization has dibs on Saturday July 14 for the 
parade, and they're deciding on whether to have the 
Love Parade on Friday the 13th, Sunday the 15th, or 
try to combine the parade with the other groups event.

 Hopefully someone has more info, as I'd like to find 
out before I plan my trip to Germany in July. 

  Kevin


--- Rachael Ann Stiegel [EMAIL PROTECTED] wrote:
 
 I actually would like to know he dates as well since
 I will be interning
 in Germnay this summer. Also if any German 313ers
 have any suggestions
 about what to do/where to go while there please
 email me privately. I will
 be in Munich from mid June through early September.
 
 -Rachael
 
 On Tue, 27 Mar 2001, David Bitterman wrote:
 
  Hi! I'm subscribed to the digest, so if anyone
 could reply to me directly I
  would really appreciate it. Does anyone know the
 EXACT dates of the Love
  Parade 2001? I could ask a few Germans, but I need
 to know in the NEXT FEW
  HOURS, and I have a very early morning @ work
 already!! Every site I find is
  in all german!
  
  If anyone knows, mail me directly @
 [EMAIL PROTECTED]
  
  
  Thanks in advance!-
  
  
  D 
  
 

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Re: [313] Plus_8 party on Friday

2001-03-20 Thread Kevin Conrad
I'm willing to pick up tickets for ya.  In honor of
Ticketmaster, there will be a $10 surcharge  ;)   j/k
of course, but let me know if you'd like me to grab 2
extra tickets.  I'm going to pick mine up in a couple
of hours, let me know by then if you can so I only
have to make 1 trip. 

   Kevin


--- Dennis Donohue [EMAIL PROTECTED] wrote:
 I have just spoken with someone from Record Time,
 that illustrated to me, 
 the fact that all ticket purchases must be made in
 person, and cash only.  
 There is a very limited number of tickets for the
 show (he said 400), and 
 they are unable to hold tickets.
 
 Would anyone who is going, be gracious enough to
 somehow help my wife and I 
 out, in purchasing tickets?  We're in Chicago, which
 makes it rather 
 difficult to get the tickets for Friday's show.
 
 Any other suggestions?
 
 Thanks for putting up with my garbage mails!
 
 Dennis Donohue
 
 PS - I spelled Firday correctly this time.

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Re: [313] site feedback required

2001-03-20 Thread Kevin Conrad
I just browsed through the sight, and it's pretty
nice. A little lacking in content, but being so new
it's to be expected.  The interviews are well done
IMHO.  It would look nicer to have them all listed in
a pull-down menu under the heading Interviews, with
the interview of the month listed on the front page
right next to the menu.  The soundbytes contest is
tough, I recognize everything but have no clue as to
the answers, I guess I'm just not old-skool enough ;)
I would like to know #4 eventually.
  My one other critique - I'd like to see a different
background color.  Maybe it's just my old monitor, but
it's a greenish-yellow, not the nicest of colors. 
Hope this helps.

  Kevin

p.s. lookin' forward to the Dan Bell interview

  
--- Stewart Caig [EMAIL PROTECTED] wrote:
 Hi
 
 I've been running www.worldtechnonation.com for 2
 months now and am looking
 for any feedback in order to develop the site
 further. The site has recieved
 a good number of hits, but so far very few people
 have entered the
 competition. I know only a CD has been up for grabs
 the past 2 months, but
 other than that are the soundbites too obscure for
 many? Also any comments
 regarding the interviews and artists section would
 be most appreciated. Are
 there any artists or features people would like to
 see?
 All feedback to me privatley will be most
 appreciated
 
 Regards
 [EMAIL PROTECTED]
 
 
 

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Re: [313] Record shopping in Detroit

2001-03-16 Thread Kevin Conrad
I hope it's still around, it's been a couple months
since I've been record shopping.  It's on Jos Campau,
just south of Caniff which is off I-75.  It's my
choice of stores to go to, prices are nice, usually
$8-$9 for imports.  But bring your own headphones :)

   Kevin


--- [EMAIL PROTECTED] wrote:
 Hmmm does anyone if Threads is still around?  Its
 half raver clothing/record 
 store.
 Think its on Joseph Campos (sp?) St or Ave.  Near
 Motor too.
 
 G.
 
 In a message dated 3/16/01 2:32:35 AM,
 [EMAIL PROTECTED] writes:
 
 Sure - there are:
 
 
 
 RecordTime - two locations - check out
 www.recordtime.com
 
 
 
 Neptune records is at 503 S Main St in Royal Oak,
 MI - check
 
 www.expediamaps.com for directions...
 
 
 
 Those are my favorites anyhow...there is Tron
 though too and some others
 I
 
 am sure you will hear about.
 
 
 
 -Dustin
 

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Re: [313] Autecher @ DEMF

2001-03-12 Thread Kevin Conrad
Just curious - where did you get this info?  I hope
you're not teasing me :)


--- darw_n [EMAIL PROTECTED] wrote:
 Just found out that they will be there for those who
 want to know things as
 early as possible...
 
 darw_n
 
 create, demonstrate, toneshift...
 
 http://www.thedemonstration.com
 http://www.sphereproductions.com
 http://www.mannequinodd.com
 search djdarwin on napster
 
 

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NBA basketball commercial

2001-03-05 Thread Kevin Conrad
I was lovin' it, it made me think of something Aphex
Twin would do, random noises slowly morphing into a
nice rhythm.

  Kevin


--- Michael Kim [EMAIL PROTECTED] wrote:
 btw, did anybody see the new NBA basketball
 commercial with a bunch of 
 players dribbling the ball rhythmically?  i know
 this sounds kind of stupid, 
 but the sound in that commercial wouldn't sound so
 out of place in a 
 Plastikman set.  seriously.
 
 Mike

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Re: [313] jeff [EMAIL PROTECTED]

2001-03-01 Thread Kevin Conrad
Would you care to share those trade secrets?   :)

  Kevin


--- Hodgson, S. R. (Sean) [EMAIL PROTECTED] wrote:
 
  I just wanted to say that i really enjoyed
 chatting with Mr. Mills
  yesterday and feel sorry for all who could not
 make it out or just
  choose not to come out.  Well,  at least i was
 able to ask him and find
  out how to get the watered down sound with certain
 filters that he seems
  to know how to twist and manipulate just so right
 in his music.  Sweet
  for me in my music

making!!!
 
 
  --end
  sean
 
 
 [EMAIL PROTECTED] wrote:
  
  I should have gone to RT to have him sign my old
 Wizard mix show tapes.
  
  Rudy Delgado [EMAIL PROTECTED] on 03/01/2001
 11:25:54 AM
  
  To:   Benjamin Cuthbert \(Merch\)
 [EMAIL PROTECTED],
'Daniel E' [EMAIL PROTECTED],
 313@hyperreal.org
  cc:
  Subject:  RE: [313] jeff [EMAIL PROTECTED]
  
  --- Benjamin Cuthbert (Merch)
  [EMAIL PROTECTED] wrote:
   Smelled great to me!
  
  
 Agreed!  I had to get my From the 21st cd
 signed
  as well as get a picture with him which was most
  obviously the highlight :) I too was suprised that
 it
  was not more crowded for his appearance but at the
  same time I kind of liked the smaller atmosphere
 set
  by it.
  To all that will be at the state theater tonight I
  will see all of you there.
  
 Regards,
   Rudy
  
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 -- 


 Sean HodgsonFuel Cell Program C264
 Hydro-Cooling Designer  Ford Motor Company, TH!NK2
 shodgso2ford.com15000 Commerce Dr. North 
 Dearborn, MI 48120, U.S.A. 
 
 Phones:Desk(313)323.1033, Fax(313) 317-4758
 
 

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Re: [313] jeff [EMAIL PROTECTED]

2001-03-01 Thread Kevin Conrad
Ok, if you give me Mills' trade secret, I'll fill you
in on the drum machine Richie uses (hint: it's a
Roland.;)

   Kevin


--- Hodgson, S. R. (Sean) [EMAIL PROTECTED] wrote:
 I could for a small fee...  JUST JOKING with ya!!!
 
 sean
 
 Kevin Conrad wrote:
  
  Would you care to share those trade secrets?   :)
  
Kevin
  
  --- Hodgson, S. R. (Sean) [EMAIL PROTECTED]
 wrote:
  
I just wanted to say that i really enjoyed
   chatting with Mr. Mills
yesterday and feel sorry for all who could not
   make it out or just
choose not to come out.  Well,  at least i was
   able to ask him and find
out how to get the watered down sound with
 certain
   filters that he seems
to know how to twist and manipulate just so
 right
   in his music.  Sweet
for me in my music
  
 

making!!!
   
   
--end
sean
   
  
   [EMAIL PROTECTED] wrote:
   
I should have gone to RT to have him sign my
 old
   Wizard mix show tapes.
   
Rudy Delgado [EMAIL PROTECTED] on
 03/01/2001
   11:25:54 AM
   
To:   Benjamin Cuthbert \(Merch\)
   [EMAIL PROTECTED],
  'Daniel E' [EMAIL PROTECTED],
   313@hyperreal.org
cc:
Subject:  RE: [313] jeff [EMAIL PROTECTED]
   
--- Benjamin Cuthbert (Merch)
[EMAIL PROTECTED] wrote:
 Smelled great to me!

   
   Agreed!  I had to get my From the 21st cd
   signed
as well as get a picture with him which was
 most
obviously the highlight :) I too was suprised
 that
   it
was not more crowded for his appearance but at
 the
same time I kind of liked the smaller
 atmosphere
   set
by it.
To all that will be at the state theater
 tonight I
will see all of you there.
   
   Regards,
 Rudy
   
   
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   --
  
 


   Sean HodgsonFuel Cell Program C264
   Hydro-Cooling Designer  Ford Motor Company,
 TH!NK2
   shodgso2ford.com15000 Commerce Dr. North
   Dearborn, MI 48120,
 U.S.A.
  
   Phones:Desk(313)323.1033, Fax(313) 317-4758
  
  
  
 

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 -- 


 Sean HodgsonFuel Cell Program C264
 Hydro-Cooling Designer  Ford Motor Company, TH!NK2
 shodgso2ford.com15000 Commerce Dr. North 
 Dearborn, MI 48120, U.S.A. 
 
 Phones:Desk(313)323.1033, Fax(313) 317-4758
 


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Re: [313] jeff [EMAIL PROTECTED]/flame bait?

2001-03-01 Thread Kevin Conrad
I agree with Sean, I just wanted to gain some more
knowledge.  With all the equipment out there, it's
hard to tell what's flexible and what's not, except by
asking anyone and everyone and getting their opinions.
You can only spend so much time at Guitar Center
playing on a machine before they kick you out :)  
  I actually try to get stuff that people don't own so
I can try to get my own sound/style molded.  But in
the end, it's the person that makes the music, not the
gear.

Kevin


--- Hodgson, S. R. (Sean) [EMAIL PROTECTED] wrote:
 I agree, i only asked mills because I have always
 been fascinated with
 that specific sound he use's,  but that type of
 filtering and layer of
 certain effects could really help me out in
 experimenting with other
 sounds and creating new pieces of music for
 myself...Im just gaining
 more knowledge. hahaha
  
 ouch!
 
 
 tristan watkins wrote:
 
  For the most part I agree. Why do what's been
 done? At
  the same time, it's necessary to find gear that
 will
  allow you the flexibility to do what you want, and
  sometimes I think people are curious about
 acclaimed
  producer's gear because they like the direction of
 a
  sound rather than wanting to emulate it. And you
 need
  to start somewhere. Most innovators don't start
 out by
  making things in leftfield. You typically need to
  learn the basics of what's been done then deviate
  accordingly. If you simply try to make something
  different without putting in the time to learn the
  established technique it won't usually work. I'm
 the
  prime example. ;)
  
  Consider yourself flamed.
  
  Tristan

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Re: [313] OT / recording streams

2001-02-18 Thread Kevin Conrad
Try selecting Mixed Output as your recording source
if you can, that's how I am able to record streaming
audio.  

   Kevin


--- [EMAIL PROTECTED] wrote:
 
 howdy folks
 
 is there any way of recording streaming audio into a
 wave editor like
 soundforge or wavelab?
 
 reply privately thanks. sorry for the off topic post
 
 anyone heard the geology 2 mix CD?
 
 p-dogg
 
 

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Re: [313] alien rave kru chapter 273

2001-01-30 Thread Kevin Conrad
I'm surprised at how many people took this seriously
and flamed the kru in their guestbook.  Some of the
people's reactions are almost as funny as the website
itself.

  Kevin



--- peter mueller [EMAIL PROTECTED] wrote:
 some interesting news...
 
 http://home4.swipnet.se/~w-46401/DARK/index.html
 
 

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Re: [313] Stewart Walker

2000-12-15 Thread Kevin Conrad
I can't beleive a show like this isn't being promoted.
This will be great, because I really wanted to see
these guys at the Plus 8 party in October, but I
didn't make it.

   Kevin


--- [EMAIL PROTECTED] wrote:
 
 In a message dated 12/14/00 2:31:45 PM, [EMAIL PROTECTED]
 writes:
 
 Yes, he's definitely playing on December 27th at
Motor.  
 
 Awww yeah,  I'm there in that case!  Stewart rocks! 
 He's a must-see.  It'll 
 be a double treat for I never heard Theorem live
 before.
 
 See ya's then (look for tall asian chick and say
 hi),  =)
 
 G l y p h
 

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Re: [313] detroittechno.com

2000-12-14 Thread Kevin Conrad
I think you're right.  My wife has a hoodie sweatshirt
that she got from Motor and on the hood it says
detroittechno.com, and I remember going to the website
before.  Now the site just has a barebones index for
the frontpage.  Who knows, maybe Ford shelled out some
money for the URL.

  Kevin

--- DustinH [EMAIL PROTECTED] wrote:
 This is purely speculation, but some time ago there
 was a green flash
 animation that played on the website of a small
 circle getting larger and
 when it filled the screen a bass thump sounded... I
 had written an email to
 the detroittechno.com domain and for some reason I
 am thinking that Motor
 owned it...  I cant remember what gave that
 impression though -- I could be
 totally wrong on that one.
 
 -Dustin
 
 - Original Message -
 From: Matthew L. Thompson [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Wednesday, December 13, 2000 2:15 PM
 Subject: Re: [313] detroittechno.com
 
 
  Whoever has bought these domain names is more than
 likely practicing what
 is
  known as domain name squatting.  Basically, they
 purchased the domain
 name
  in hopes of reselling it later to someone else
 that wants it bad enough to
  pay them a sizeable profit for it.  Meanwhile,
 they'll continue to
 register
  and re-register the name(s) for $35/each per year
 (or whatever the fee is
  now) until they're successful with their easy
 get-rich scheme, or tired of
  spending money on something they can't sell for
 what they want.
 
  How about detroittechno.edu, detroittechno.gov or
 detroittechno.mil?  Any
 of
  those taken yet? ;-)
 
  Matt
  E-mail: [EMAIL PROTECTED]
  Web Site: http://www.magicmattkelly.com
 
   Does anyone know what is up with the people who
 bought detroittechno.com
   detroittechno.net, and detroittechno.org?  (all
 three are owned by the
   same people i think).  Like what do they plan on
 putting on there?
  
   -christos
 
 
 
 

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Stewart Walker

2000-12-14 Thread Kevin Conrad
I was at the Stewart Walker webpage, and he's listed
as playing Motor on Dec. 27.  But Motor doesn't list
anything for this date.  Anyone know if he's really
playing?

  Kevin

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Re: [313] Stewart Walker

2000-12-14 Thread Kevin Conrad
That's odd that they wouldn't promote it.  It only
takes a minute to update a webpage.  Too bad there's
no way of contacting Motor (that I know of) to find
out the deal.  If anyone knows a phone number/e-mail
address, please let me know.
  
   Kevin

--- Peter Leidy [EMAIL PROTECTED] wrote:
 Personally dont know for sure,
 But I've been to quite a few shows at Motor that
 were not advertised on
 their website. 
 
 Most recently- got to check out Phoenicia and Richie
 Devine of the
 Schematic crew in Florida. It was a really cool live
 show- basically a
 bunch of Mac Powerbooks making twisted beats and
 really thick soundscapes-
 so many layers of sound- my ears were killing but it
 was totally worth it.
 For those not familiar, the Schematic label has been
 putting out lots of
 good experimental electro stuff- sort of like
 autechre/rephlex sounds put
 to electro beats and breakbeats.
 
 anyhow there were only like 30 people there- i dont
 think Motor promoted
 it at all.
 
 p
 
 On Thu, 14 Dec 2000, Kevin Conrad wrote:
 
  I was at the Stewart Walker webpage, and he's
 listed
  as playing Motor on Dec. 27.  But Motor doesn't
 list
  anything for this date.  Anyone know if he's
 really
  playing?
  
Kevin
  
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Re: [313] goa, 303, 313, heavy metal

2000-12-12 Thread Kevin Conrad
I'm not sure if the origins are in heavy metal, but
some goa is kinda like Techno meets Slayer.  I had
some Dark Soho tracks that I got off Napster, and
there's some tracks where the song totally breaks into
a shearing guitar riff that's reminiscent of old
Slayer songs.  I spent most of High School and a part
of college listening to heavy/death metal, so I know a
rippin' guitar riff when I hear one (I never thought
I'd say that on this list ;)  I actually had to remove
the tracks from my computer so Winamp wouldn't shuffle
play them because they were sort of annoying to listen
to.  My heavy metal years are over...
  But there is goa that sounds more like techno, with
a trippiness flavor.  Goa does have some diversity,
like most other genres (except today's excuse for
trance).

 Kevin


--- mee-thod [EMAIL PROTECTED] wrote:
 On Mon, 11 Dec 2000, [iso-8859-1] Nick Walsh wrote:
  Goa is related to heavy metal music and gets it's
  sound from that... It doesn't have much to do with
  previous forms of electronic music (ie detroit
  influenced) at all...
 
 Really? First I've heard that, might wanna tell all
 the goa heads in aus
 the same thing too. what do u base this on?
 
 The oveerworked 303 sounds and other acid squigglies
 (tech term
 folks) don't really make me think heavy metal.
 
 mee-funk
 
 

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Re: [313] Metropolis on vinyl?

2000-11-29 Thread Kevin Conrad
Where do you live?

  Kevin

--- darw_n [EMAIL PROTECTED] wrote:
 Sorry, I know this has been discussed before, but
 after listening to Mills'
 Metropolis, I must find it on vinyl, anyone have any
 leads?
 
 darw_n
 
 create, demonstrate, toneshift...
 http://www.mp3.com/stations/clevelandunderground
 http://www.mp3.com/darw_n
 http://www.sphereproductions.com/topic/Darwin.html
 http://www.mannequinodd.com
 
 
 

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Re: [313] satellite rec. site

2000-11-26 Thread Kevin Conrad
Check your bookmarks.  www.satellite-records.com is
still the old website with all the old releases,
www.satelliterecords.com is the new one.  You'd think
they would link both to the same page.

   Kevin


--- Sanderson Dear [EMAIL PROTECTED] wrote:
 yo,
 
 anyone know what happened to satellite records' web
 site?
 
 
 sand.

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synth shops

2000-10-19 Thread Kevin Conrad
Does anybody know of any good synth shops in Detroit
and the surrounding areas?  Some places are just
guitar shops with a small synth section, and I want to
be able to talk to someone that's knowledgeable. 
Thanks.

   Kevin

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Re: [313] the D label

2000-10-17 Thread Kevin Conrad
I picked up a D record after meeting the owner (Rexx
aka XXX) at Threads one day and checking out the
label. I liked it so I bought it.  I think he writes
under a few of those names for a look of diversity. 
He seemed pretty cool, down to earth.  He's played out
at Metro before I think.  I don't know the connection
with Hawtin though.

 Kevin

--- Sakari Karipuro [EMAIL PROTECTED] wrote:
 howdy, 
 
 i've got few 12s by this mystery label D - music
 is really innovative
 and funky detroit techno, but i've never heard of
 the artists before and
 there seems to be connection to hawtin  co, since
 D website is
 http://d.m-nus.com/. website itself is annoingly
 slow flash stuff and
 offers very little information about the label.
 anybody knows anything
 about this label? some of the tracks really sound
 like hawtin just jammin
 live... 
 
 / sakke
 -- 
 work   http://www.teraflops.com/
 personal   http://www.vip.fi/~sakke/
 
 

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