Re: [h-cost] Costume events/groups in Sacramento

2017-06-08 Thread Lavolta Press
Not yet, although I need to visit the county historical society anyway. 
The local building permit and other records offices dumped all their 
pre-1980 records on the historical society and we want to get hold of 
our house plans.


I understand that it works for some others, but I absolutely refuse to 
volunteer. I've spent decades dealing with people who don't want to pay 
me for my professional work and I'm not going to go there any more. I'm 
just looking for social organizations.


Thanks, Fran

www.lavoltapress.com


On 6/8/2017 5:02 AM, Susan Data-Samak wrote:

Fran,

Congrats on your new home with all the trimmings.

Have you checked the local historical society for historic homes/museums?

About 15 years ago, I attended an open house at a local historic house/museum. 
Of all the beautiful artifacts, I stumbled on a dress form wearing a paper 
dress. Upon inspection, it was actually a life sized “invitation” to join a 
group of women who acted as living props for the museum’s open houses. I 
inquired and as a result, the sewing, socializing and modeling are still a part 
of my life. The ladies are so helpful and supportive of any/all sewing 
projects, historically based or not.

Susan
NJ




On Jun 7, 2017, at 10:54 PM, Lavolta Press  wrote:

My husband and I bought a huge, lovely old Colonial Revival house in Sacramento. 
We've been doing a lot of remodeling, and sometimes I think it will never end. 
Currently we're simultaneously working on remodeling a half-bath, extending the 
irrigation (the plot is 1.8 landscaped acres), and putting up some exterior Arts 
& Crafts lighting. Among many smaller projects. I have been reorganizing all my 
sewing stuff, which considering there are few things I hate more than tidying, is 
quite painful. But!  Someday we will be done.

I've been looking around on the net. As far as I can tell very little is going 
on here in terms of costuming, historic reenactment, etc. That's hard to 
believe, considering Sacramento is a reasonably large and sophisticated city. 
I'm sure I'm missing something. There must be local groups who don't have much 
of an Internet presence. Can anyone who lives in this area tell me more?

Au rest, if anyone is thinking of moving out of the SF Bay Area, Sacramento has 
much less expensive housing. Pricewise, our house here was pretty much a direct 
trade for what we were paid for an undistinguished 2-bedroom, 1-bathroom house 
in the Sunset district of San Francisco, complete with ancient galvanized 
plumbing and gravity furnace. This area has mature trees everywhere--all the 
streets, everybody's lawns, shopping malls, you name it. It's really lovely.  
We love the climate (no more fog!), and there's almost no traffic (compared to 
SF). You can get almost anywhere, including the suburbs, in 10-30 minutes. It's 
just great.

So, if anyone has any information on what to do here I'd be grateful.

Fran

Lavolta Press

Books on making historic clothing

www.lavoltapress.com


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[h-cost] Costume events/groups in Sacramento

2017-06-07 Thread Lavolta Press
My husband and I bought a huge, lovely old Colonial Revival house in 
Sacramento. We've been doing a lot of remodeling, and sometimes I think 
it will never end. Currently we're simultaneously working on remodeling 
a half-bath, extending the irrigation (the plot is 1.8 landscaped 
acres), and putting up some exterior Arts & Crafts lighting. Among many 
smaller projects. I have been reorganizing all my sewing stuff, which 
considering there are few things I hate more than tidying, is quite 
painful. But!  Someday we will be done.


I've been looking around on the net. As far as I can tell very little is 
going on here in terms of costuming, historic reenactment, etc. That's 
hard to believe, considering Sacramento is a reasonably large and 
sophisticated city. I'm sure I'm missing something. There must be local 
groups who don't have much of an Internet presence. Can anyone who lives 
in this area tell me more?


Au rest, if anyone is thinking of moving out of the SF Bay Area, 
Sacramento has much less expensive housing. Pricewise, our house here 
was pretty much a direct trade for what we were paid for an 
undistinguished 2-bedroom, 1-bathroom house in the Sunset district of 
San Francisco, complete with ancient galvanized plumbing and gravity 
furnace. This area has mature trees everywhere--all the streets, 
everybody's lawns, shopping malls, you name it. It's really lovely.  We 
love the climate (no more fog!), and there's almost no traffic (compared 
to SF). You can get almost anywhere, including the suburbs, in 10-30 
minutes. It's just great.


So, if anyone has any information on what to do here I'd be grateful.

Fran

Lavolta Press

Books on making historic clothing

www.lavoltapress.com


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Re: [h-cost] Victorian button boots

2016-08-30 Thread Lavolta Press

I have already asked, she says sizes under 6 just don't sell well enough.

Fran


On 8/30/2016 3:30 PM, Sharon Collier wrote:

Try asking Lauren (owner American Duchess) if she can make you a smaller
pair. There might be others who'd like smaller sizes.

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Lavolta Press
Sent: Tuesday, August 30, 2016 3:21 PM
To: Historical Costume
Subject: [h-cost] Victorian button boots

I had a nice pair of Victorian repro button boots with scallops. They looked
very authentic. I need to replace them. Does anyone know where I can get a
replacement?  American Duchess won't work for me. There are a number of
their shoes I would buy if they made smaller than a size 6, but I wear 5 or
5 1/2.

Thanks.

Fran

Lavolta Press

Books on historic clothing

www.lavoltapress.com

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[h-cost] Victorian button boots

2016-08-30 Thread Lavolta Press
I had a nice pair of Victorian repro button boots with scallops. They 
looked very authentic. I need to replace them. Does anyone know where I 
can get a replacement?  American Duchess won't work for me. There are a 
number of their shoes I would buy if they made smaller than a size 6, 
but I wear 5 or 5 1/2.


Thanks.

Fran

Lavolta Press

Books on historic clothing

www.lavoltapress.com

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Re: [h-cost] Question for 1920s reenactors

2016-08-04 Thread Lavolta Press
They're absolutely real, but all my dance books are packed for moving. 
For the 1920s they are old fashioned, 1890s is more like it.  But Henry 
Ford was  into promoting old-fashioned dances.


Fran

Lavolta Press

Books on historic clothing

www.lavoltapress.com


On 8/4/2016 10:10 AM, ruthan...@mindspring.com wrote:

Hello the list, after so long…

Doing a play (“Camping with Henry and Tom”) where the character Henry Ford 
refers to two dances:  The Ripple and The Newport. A quick Google doesn’t 
yiield anything. Did the playwright just make up these dance names, or were 
they real dances around 1920? I’d very much like to hear from any reenactor who 
has danced one or both, or even heard of one or both.

Any help appreciated!

—Ruth Anne Baumgartner



On Jun 9, 2016, at 11:14 PM, Christine Robb  wrote:

(Retrying - originally sent May 30 but it failed to be delivered)

Best website with a couple of pictures:
http://www.cbc.ca/news/canada/kitchener-waterloo/guelph-museum-lady-duff-gordon-lucile-1.3566150

Heard about this exhibit on the radio today.  There's a longer call-in
radio show here: http://www.cbc.ca/ontariotoday/episodes/ "For the
love of Lucille" with people calling in to share stories about
clothing that was personal to them in some way, and with some
additional content about the exhibition, but the 5 minute clip on the
first link is probably more informative about the exhibit.

Runs May 7 - November 13, 2016
http://guelphmuseums.ca/event/lucile-fashion-titanic-scandal/

Christine
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Re: [h-cost] Question for 1920s reenactors

2016-08-04 Thread Lavolta Press
The Newport and the Ripple are not the same dance. Try Melvin Ballou 
Gilbert's 1890s dance manual "Round Dancing" for instructions.



Fran


On 8/4/2016 10:27 AM, Katy Bishop wrote:

In vintage dance circles we've done the Newport and the Ripple--they are
real 1890s dance steps.

The NEwport (sort of a limping step:

NewportLeap back left, across LOD (gents) with a quarter
turn, Side right and close, Side right and Close, Leap forward right
(gents) with a quarter turn, Side left and close, Side left close..i.e.:
{1&2&3,4&5&6}.


Don't remember the ripple sequence of steps.

On Thu, Aug 4, 2016 at 1:10 PM, ruthan...@mindspring.com <
ruthan...@mindspring.com> wrote:


Hello the list, after so long…

Doing a play (“Camping with Henry and Tom”) where the character Henry Ford
refers to two dances:  The Ripple and The Newport. A quick Google doesn’t
yiield anything. Did the playwright just make up these dance names, or were
they real dances around 1920? I’d very much like to hear from any reenactor
who has danced one or both, or even heard of one or both.

Any help appreciated!

—Ruth Anne Baumgartner



On Jun 9, 2016, at 11:14 PM, Christine Robb 

wrote:

(Retrying - originally sent May 30 but it failed to be delivered)

Best website with a couple of pictures:
http://www.cbc.ca/news/canada/kitchener-waterloo/guelph-

museum-lady-duff-gordon-lucile-1.3566150

Heard about this exhibit on the radio today.  There's a longer call-in
radio show here: http://www.cbc.ca/ontariotoday/episodes/ "For the
love of Lucille" with people calling in to share stories about
clothing that was personal to them in some way, and with some
additional content about the exhibition, but the 5 minute clip on the
first link is probably more informative about the exhibit.

Runs May 7 - November 13, 2016
http://guelphmuseums.ca/event/lucile-fashion-titanic-scandal/

Christine
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[h-cost] Drafting/drawing table for sale

2016-07-16 Thread Lavolta Press
Bieffe brand table for drafting sewing patterns or drawing fashion 
illustrations. The top is 60 inches wide by 38 inches tall. It can be 
tilted to a variety of positions, and the chosen position locked by a 
foot brace. The base is very sturdy. The table is in very good 
condition. $50 cash. The table is in San Francisco and the buyer needs 
to pick it up. It can be disassembled.


Here is a link to a description of smaller models of the same table:

http://www.jerrysartarama.com/bieffe-artist-drafting-tables

Fran

Lavolta Press

Books on making historic clothing

www.lavoltapress.com

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[h-cost] Floor loom for sale

2016-07-07 Thread Lavolta Press

Similar to this:

http://www.gilmorelooms.com/MapleFloor.html

46" size, 8 harnesses, jack loom. Great condition. No bench included. I 
think I have a warping board around that I can include, if I can find 
it. Various reeds. Located in San Francisco and I will not try to ship 
it or deliver it. The buyer needs to find a truck and helpers and take 
it to their own home or studio. The back beam can be removed for 
transport. $500.



Fran

Lavolta Press

www.lavoltapress.com

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[h-cost] Large jewelry box with large compartments

2016-05-09 Thread Lavolta Press
I'm still packing my stuff to move to Sacramento. I have a fair amount 
of steampunk and historic-inspired costume jewelry that's just big. 
Large necklaces. Chunky cuff bracelets. Tiaras. It's been lying around 
on top of things because I didn't have any jewelry box big enough for it 
all. I'd like a nice box, not the kind of plastic bin people use for 
sewing supplies. (Artbin, anyone?) Preferably wooden, but leather would do.


And I'm not finding one. I've always thought the Reed & Barton jewelry 
boxes (bought on Ebay) were the best quality for the money, but half 
their drawers have small, fixed compartments for things like little 
pendants, which this stuff won't fit into. I need a big box with big 
compartments and deep drawers. Any suggestions?



Fran

Lavolta Press

Books on making historic clothing

www.lavoltapress.com



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Re: [h-cost] Craftsman decorating

2016-03-24 Thread Lavolta Press
The furniture mass-produced by Stickley and his imitators was extremely 
popular, as were all those prefab bungalow houses from Sears, etc., and 
the premade room dividers and other built-ins you could buy to put in them.


Thanks but I forgot to say, clear glasses.

Best,

Fran

On 3/24/2016 4:56 PM, Sharon Collier wrote:

The arts and crafts movement shunned mass produced items. So, how about
something like this:
http://www.worldmarket.com/product/carats+barware.do?&from=fn



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[h-cost] Craftsman decorating

2016-03-24 Thread Lavolta Press
Following on the lace curtain discussion, any suggestions for 
Craftsman/Arts & Crafts glasses, for iced tea and lemonade? About 14 
ounces?  My husband and I are drinking lemonade every day now that we 
have a Meyer lemon tree, which fruits pretty much continuously all 
year.  Meanwhile, we only had four, nonmatching glasses from different 
sets of ours and our respective parents', and one of those just broke.  
Does anyone know of any glasses that look Arts & Crafts?


Thanks for any help.

Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com


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[h-cost] Another historic-house lace curtain source

2016-03-02 Thread Lavolta Press

http://www.cottagelace.com/

Fran
Lavolta Press
www.lavoltapress.com
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Re: [h-cost] Curtains for old houses

2016-02-27 Thread Lavolta Press
Thanks. It had better be. We've been working on it for almost 7 months 
already.


Fran

On 2/27/2016 11:46 AM, Sharon Collier wrote:

Your home is going to be lovely!
Sharon

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Lavolta Press
Sent: Saturday, February 27, 2016 11:35 AM
To: Historical Costume
Subject: Re: [h-cost] Curtains for old houses

We saw the Hoot Judkins, but the quality is not as good as Barn Furniture
and Amish Direct. Both the latter places will cut deals. About 10-15% off
and free shipping is the range.

Fran

On 2/27/2016 11:09 AM, Sharon Collier wrote:

Good to know. I've seen Amish made furniture at the local Hoot
Judkins. It's lovely, but as you say, very pricey.  Good luck with the

hunt.

Sharon


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Re: [h-cost] Curtains for old houses

2016-02-27 Thread Lavolta Press
We saw the Hoot Judkins, but the quality is not as good as Barn 
Furniture and Amish Direct. Both the latter places will cut deals. About 
10-15% off and free shipping is the range.


Fran

On 2/27/2016 11:09 AM, Sharon Collier wrote:

Good to know. I've seen Amish made furniture at the local Hoot Judkins. It's
lovely, but as you say, very pricey.  Good luck with the hunt.
Sharon



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Re: [h-cost] Curtains for old houses--a fabric

2016-02-27 Thread Lavolta Press
BTW, I wanted curtain fabric by the yard because this house has six 
basic sizes of windows, plus a few outliers, and the architect had no 
problem with putting two or three sizes, shapes, and placements of 
windows in one room. I ended up buying lace drapes from all four of the 
historic lace drape sellers I mentioned, plus a heap of unused Quaker 
lace drapes from eBay.  But, back when I was searching for an 
all-natural fabric that would give me a uniform look on the sheer 
drapes, I bought some of this from the Etsy seller FabricTreasury:


https://www.etsy.com/listing/123909862/sheer-cotton-curtain-fabric-unbleached?ref=shop_home_feat_2

This is a very thin, good-quality, 100% cotton muslin suitable for a 
variety of historic dresses. The seller has several other woven patterns 
of it and as she points out, it can be dyed. I tested shrinkage and it 
shrinks a lot, so thorough preshrinking is essential.  It's the kind of 
fabric you could pull through a wedding ring and it will be a pain to 
sew.  I decided on hand sewing as being overall less trouble than 
machine sewing over tissue paper. Then decided not to use this fabric 
right now because I already have to sew all the outer drapes; the seller 
took all their window coverings.  Maybe I'll use it for sheer drape 
replacements. Anyway it's nice fabric at a good price.


Fran
Lavolta Press
www.lavoltapress.com
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Re: [h-cost] Curtains for old houses

2016-02-26 Thread Lavolta Press
We're not looking for used furniture (unless you know someone with some 
great antiques).  We'll just get the patio furniture we want to begin 
with, and buy it in Sacramento or by mail order and have it delivered. 
It's true Sacramento summers are so hot people seem to spend a lot of 
time outdoors, but we won't move for weeks. We're still waiting for the 
Amish indoor furniture we had made to be delivered. We ordered from two 
distributors and they both take 12-14 weeks from the order date to 
deliver. BTW, Amish-built furniture is the way to go if you want new 
Arts & Crafts furniture. We bought a lot of great Arts & Crafts and Art 
Nouveau antique furniture in the 1980s. But we needed more for a larger 
house, and discovered that Arts & Crafts is out of style these days. 
Hardly any local antique stores have it.


These are the distributors we bought from:

http://www.barnfurnituremart.com/

http://amishdirectfurniture.com/

We haven't seen any of our furniture yet, but Barn Furniture Mart is in 
LA. My husband flew down there to look at the display furniture in the 
store and was very impressed with their quality. All the Amish outdoor 
furniture, though, is rough, rustic picnic tables and that sort of thing.


Fran
Lavolta Press
www.lavoltapress.com











On 2/26/2016 9:44 PM, Sharon Collier wrote:

Around here, we have an email group called Next Door. There may be one in
your area. Also, have you checked Craigslist?  If you want, I can put out a
request for aluminum patio furniture. (I'm in Redwood City, have friends who
live in Sacramento.) Also, IKEA has some metal furniture that you might
find acceptable. Table and 2 chairs for$99. A stand-in, maybe until you find
the stuff you really like.
Sharon C.

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Lavolta Press
Sent: Friday, February 26, 2016 7:59 PM
To: Historical Costume
Subject: [h-cost] Curtains for old houses

Looking for lace curtains for our Sacramento house (which we are decorating
in Arts & Crafts style) has been a pain in the tail because lace curtains
are very much out of style.  I was unable to find any cotton lace drapery
fabric with an overall, antique-looking pattern. And very little lace fabric
at all, just sheers with modern patterns that scream synthetic.

However, I've found a number of pricey but authentic-looking sources for
old-house curtains:

* J. R. Burrows, as previously suggested on this list
http://www.burrows.com/lace.html

* Olde Worlde Lace
http://www.oldeworldelace.com/

* London Lace
http://www.londonlace.com/

* Albert Rackstand Lace on Etsy
https://www.etsy.com/shop/AlbertRackstandLace?section_id=16135864&ref=shopse
ction_leftnav_9

In addition I recommend trolling eBay and Etsy for:

* Quaker Lace curtains. A hugely popular 20th-century brand, so you can
still find 100% or at least 75% cotton lace curtains for sale in their
original packages.

* Quaker Lace tablecloths. Denser laces but usable, and often available for
low prices.  Try and stay away from the thicker ones made in the 1960s.

* Knotted lace tablecloths.  Also known as darned net, lacis, and sellers
may even call it crochet or bobbin lace or still other terms.
Whatever:  These are 100% natural fiber, sturdy, and very handsome. They
probably date from the 1940s, give or take some years. Patterns can be
either geometric or flowing.  I don't like the geometric ones as much, but
it's easier to find matching tablecloths in the geometric patterns.

The difficulty is finding two tablecloths with the same pattern and
especially, in *exactly the same shade of white or off-white*. But for rooms
with single windows, the tablecloth solution can be a handsome and
economical way to go.

For non-lace fabric, I recommend Restoration Fabrics and Trims:

*
http://www.restorationfabricsandtrims.com/store.html#ecwid:category=194227&m
ode=category&offset=0&sort=normal

Also plain linens available from:

* http://www.fabrics-store.com/ and also, various discount home-dec stores.
One of my projects is to stencil some linen drapes.

And silks, from:

* http://www.silkbaron.com

* http://www.hyenaproductions.com/

* And an eBay seller with three IDs:  brocadeandmore, exclusive_silks, and
pure_silks.

And, um, I'm using some tone-on-tone Renaissance brocade from my fabric
stash.  Look, the Victorians would have done it!

Now I'm beating my brains out over finding the patio furniture.
Specifically a dining set with a round table, and garden benches. There is a
brand called Oakland Living that has great-looking, other-metal-colored
aluminum pieces that imitate wrought iron.
Unfortunately, they have terrible reviews for quality. I'm not a fan of teak
(or any other wood) for outdoors. When new it looks gorgeous, but it
involves too much upkeep if you want it to stay gorgeous. Wrought iron
rusts, and plas

[h-cost] Curtains for old houses

2016-02-26 Thread Lavolta Press
Looking for lace curtains for our Sacramento house (which we are 
decorating in Arts & Crafts style) has been a pain in the tail because 
lace curtains are very much out of style.  I was unable to find any 
cotton lace drapery fabric with an overall, antique-looking pattern. And 
very little lace fabric at all, just sheers with modern patterns that 
scream synthetic.


However, I've found a number of pricey but authentic-looking sources for 
old-house curtains:


* J. R. Burrows, as previously suggested on this list
http://www.burrows.com/lace.html

* Olde Worlde Lace
http://www.oldeworldelace.com/

* London Lace
http://www.londonlace.com/

* Albert Rackstand Lace on Etsy
https://www.etsy.com/shop/AlbertRackstandLace?section_id=16135864&ref=shopsection_leftnav_9

In addition I recommend trolling eBay and Etsy for:

* Quaker Lace curtains. A hugely popular 20th-century brand, so you can 
still find 100% or at least 75% cotton lace curtains for sale in their 
original packages.


* Quaker Lace tablecloths. Denser laces but usable, and often available 
for low prices.  Try and stay away from the thicker ones made in the 1960s.


* Knotted lace tablecloths.  Also known as darned net, lacis, and 
sellers may even call it crochet or bobbin lace or still other terms. 
Whatever:  These are 100% natural fiber, sturdy, and very handsome. They 
probably date from the 1940s, give or take some years. Patterns can be 
either geometric or flowing.  I don't like the geometric ones as much, 
but it's easier to find matching tablecloths in the geometric patterns.


The difficulty is finding two tablecloths with the same pattern and 
especially, in *exactly the same shade of white or off-white*. But for 
rooms with single windows, the tablecloth solution can be a handsome and 
economical way to go.


For non-lace fabric, I recommend Restoration Fabrics and Trims:

* 
http://www.restorationfabricsandtrims.com/store.html#ecwid:category=194227&mode=category&offset=0&sort=normal


Also plain linens available from:

* http://www.fabrics-store.com/ and also, various discount home-dec 
stores. One of my projects is to stencil some linen drapes.


And silks, from:

* http://www.silkbaron.com

* http://www.hyenaproductions.com/

* And an eBay seller with three IDs:  brocadeandmore, exclusive_silks, 
and pure_silks.


And, um, I'm using some tone-on-tone Renaissance brocade from my fabric 
stash.  Look, the Victorians would have done it!


Now I'm beating my brains out over finding the patio furniture. 
Specifically a dining set with a round table, and garden benches. There 
is a brand called Oakland Living that has great-looking, 
other-metal-colored aluminum pieces that imitate wrought iron. 
Unfortunately, they have terrible reviews for quality. I'm not a fan of 
teak (or any other wood) for outdoors. When new it looks gorgeous, but 
it involves too much upkeep if you want it to stay gorgeous. Wrought 
iron rusts, and plastic/resin wicker might work but might blow over. 
Aluminum seems like a good idea but all I see is relentlessly modern in 
style. I'm also not a fan of super-deep or super-low seats in any material.


Any suggestions?

Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com
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Re: [h-cost] What's your dummy wearing this season?

2016-01-14 Thread Lavolta Press

Well, there is Gone with the Wind.

Fran

On 1/14/2016 6:00 PM, R Lloyd Mitchell wrote:

Devious mind, are ther literary referances to curtains being made from Garments?

From: h-costume-boun...@indra.com  on behalf of Lavolta 
Press 
Sent: Thursday, January 14, 2016 1:16 PM
To: Historical Costume
Subject: Re: [h-cost] What's your dummy wearing this season?

Mine is wearing hand-knotted lace drapes for the kitchen. They used to
be hand-knotted lace tablecloths.

Fran
Lavolta Press
www.lavoltapress.com

On 1/14/2016 8:56 AM, annbw...@aol.com wrote:

My mannequin is wearing a partially completed shift that was a massive fail. I 
have to re-think the whole thing, so there it hangs.


Ann Wass



-Original Message-
From: R Lloyd Mitchell 
To: Historical Costume 
Sent: Thu, Jan 14, 2016 10:37 am
Subject: Re: [h-cost] What's your dummy wearing this season?

One mannequin is holding a robe for Queen Anne, hems and trim are waiting 
patiently,
Queen Maud is fitfully pacing about because her coronation gown is still 
without the sleeve lace she has chosen and it  has not arrived yet. Her white 
morning robes are constantly being donned and cast aside. I fear they will be 
dusty before the package has arrived!

We have a new client, (Mrs Jack Gardner) Isabella. She has been asked to sit 
for Mr Sargent and has decided nothing in the closet will do. Measurements have 
been taken and a lovely bolt of black silk velvet chosen. The patterns are 
being drafted with the help of friend Miss Grimble. Mona is looking wildly 
about for pearls We may have to get them matched and restrung as they are to 
adorn the waist. Wish us God-speed as we have heard that she is Very 
particular) (Truth be told, after our exploits with Q.Maud, I think we should 
feel quite practiced in completing this project!!)

From: h-costume-boun...@indra.com  on behalf of michaela 
de bruce 
Sent: Wednesday, January 13, 2016 6:18 PM
To: Historical Costume
Subject: Re: [h-cost] What's your dummy wearing this season?

I have a display mannequin in the lounge, but she is naked, she is mainly
holding a sci-fi alien headpiece up to prevent it deforming. So I'm going
to put that on once I finish typing :)

My dressform is loaned out to a friend, and the one I have borrowed in
replacement is also naked while I tidy my art space. I have just restored
my sewing/ironing desk top so I can actually start working again :) I have
a new removeable cover to finish sewing as well. Then I can iron huge
applique pieces again.

As for current projects:
Finally finishing my c1600 Spanish gown, stage one anyway. I decided I
probably won't have enough trim for the doublet and the galerilla as I
thought so doublet is a higher priority. It means all new stays, finishing
the underlayers and tracking down lace of a suitable size.
While doing this I have documentation to write up, which means a fair
amount of scanning so, ugh. Got that to look forward to.

I also have an Elsa spring gown to make (Frozen Fever) as the ice gown
sleeves can get a little warm at big children's events :)

Michaela
--
http://arrayedindreams.com
https://instagram.com/i.chimaera/
https://www.facebook.com/mdb.i.chimaera
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Re: [h-cost] What's your dummy wearing this season?

2016-01-14 Thread Lavolta Press

Oh wait, the opposite.

On 1/14/2016 6:00 PM, R Lloyd Mitchell wrote:

Devious mind, are ther literary referances to curtains being made from Garments?

From: h-costume-boun...@indra.com  on behalf of Lavolta 
Press 
Sent: Thursday, January 14, 2016 1:16 PM
To: Historical Costume
Subject: Re: [h-cost] What's your dummy wearing this season?

Mine is wearing hand-knotted lace drapes for the kitchen. They used to
be hand-knotted lace tablecloths.

Fran
Lavolta Press
www.lavoltapress.com

On 1/14/2016 8:56 AM, annbw...@aol.com wrote:

My mannequin is wearing a partially completed shift that was a massive fail. I 
have to re-think the whole thing, so there it hangs.


Ann Wass



-Original Message-
From: R Lloyd Mitchell 
To: Historical Costume 
Sent: Thu, Jan 14, 2016 10:37 am
Subject: Re: [h-cost] What's your dummy wearing this season?

One mannequin is holding a robe for Queen Anne, hems and trim are waiting 
patiently,
Queen Maud is fitfully pacing about because her coronation gown is still 
without the sleeve lace she has chosen and it  has not arrived yet. Her white 
morning robes are constantly being donned and cast aside. I fear they will be 
dusty before the package has arrived!

We have a new client, (Mrs Jack Gardner) Isabella. She has been asked to sit 
for Mr Sargent and has decided nothing in the closet will do. Measurements have 
been taken and a lovely bolt of black silk velvet chosen. The patterns are 
being drafted with the help of friend Miss Grimble. Mona is looking wildly 
about for pearls We may have to get them matched and restrung as they are to 
adorn the waist. Wish us God-speed as we have heard that she is Very 
particular) (Truth be told, after our exploits with Q.Maud, I think we should 
feel quite practiced in completing this project!!)

From: h-costume-boun...@indra.com  on behalf of michaela 
de bruce 
Sent: Wednesday, January 13, 2016 6:18 PM
To: Historical Costume
Subject: Re: [h-cost] What's your dummy wearing this season?

I have a display mannequin in the lounge, but she is naked, she is mainly
holding a sci-fi alien headpiece up to prevent it deforming. So I'm going
to put that on once I finish typing :)

My dressform is loaned out to a friend, and the one I have borrowed in
replacement is also naked while I tidy my art space. I have just restored
my sewing/ironing desk top so I can actually start working again :) I have
a new removeable cover to finish sewing as well. Then I can iron huge
applique pieces again.

As for current projects:
Finally finishing my c1600 Spanish gown, stage one anyway. I decided I
probably won't have enough trim for the doublet and the galerilla as I
thought so doublet is a higher priority. It means all new stays, finishing
the underlayers and tracking down lace of a suitable size.
While doing this I have documentation to write up, which means a fair
amount of scanning so, ugh. Got that to look forward to.

I also have an Elsa spring gown to make (Frozen Fever) as the ice gown
sleeves can get a little warm at big children's events :)

Michaela
--
http://arrayedindreams.com
https://instagram.com/i.chimaera/
https://www.facebook.com/mdb.i.chimaera
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Re: [h-cost] What's your dummy wearing this season?

2016-01-14 Thread Lavolta Press
Mine is wearing hand-knotted lace drapes for the kitchen. They used to 
be hand-knotted lace tablecloths.


Fran
Lavolta Press
www.lavoltapress.com

On 1/14/2016 8:56 AM, annbw...@aol.com wrote:

My mannequin is wearing a partially completed shift that was a massive fail. I 
have to re-think the whole thing, so there it hangs.


Ann Wass



-Original Message-
From: R Lloyd Mitchell 
To: Historical Costume 
Sent: Thu, Jan 14, 2016 10:37 am
Subject: Re: [h-cost] What's your dummy wearing this season?

One mannequin is holding a robe for Queen Anne, hems and trim are waiting 
patiently,
Queen Maud is fitfully pacing about because her coronation gown is still 
without the sleeve lace she has chosen and it  has not arrived yet. Her white 
morning robes are constantly being donned and cast aside. I fear they will be 
dusty before the package has arrived!

We have a new client, (Mrs Jack Gardner) Isabella. She has been asked to sit 
for Mr Sargent and has decided nothing in the closet will do. Measurements have 
been taken and a lovely bolt of black silk velvet chosen. The patterns are 
being drafted with the help of friend Miss Grimble. Mona is looking wildly 
about for pearls We may have to get them matched and restrung as they are to 
adorn the waist. Wish us God-speed as we have heard that she is Very 
particular) (Truth be told, after our exploits with Q.Maud, I think we should 
feel quite practiced in completing this project!!)

From: h-costume-boun...@indra.com  on behalf of michaela 
de bruce 
Sent: Wednesday, January 13, 2016 6:18 PM
To: Historical Costume
Subject: Re: [h-cost] What's your dummy wearing this season?

I have a display mannequin in the lounge, but she is naked, she is mainly
holding a sci-fi alien headpiece up to prevent it deforming. So I'm going
to put that on once I finish typing :)

My dressform is loaned out to a friend, and the one I have borrowed in
replacement is also naked while I tidy my art space. I have just restored
my sewing/ironing desk top so I can actually start working again :) I have
a new removeable cover to finish sewing as well. Then I can iron huge
applique pieces again.

As for current projects:
Finally finishing my c1600 Spanish gown, stage one anyway. I decided I
probably won't have enough trim for the doublet and the galerilla as I
thought so doublet is a higher priority. It means all new stays, finishing
the underlayers and tracking down lace of a suitable size.
While doing this I have documentation to write up, which means a fair
amount of scanning so, ugh. Got that to look forward to.

I also have an Elsa spring gown to make (Frozen Fever) as the ice gown
sleeves can get a little warm at big children's events :)

Michaela
--
http://arrayedindreams.com
https://instagram.com/i.chimaera/
https://www.facebook.com/mdb.i.chimaera
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Re: [h-cost] drapery fabrics was . Re: Is h-costume still going?

2016-01-08 Thread Lavolta Press
Two or three weeks ago, I emailed the Whole 9 Yards about any Art 
Nouveau drapery fabrics they might have. They very kindly sent me two 
batches of swatches. Unfortunately, I wouldn't describe more than one 
swatch as plausibly Art Nouveau and that was in colors that won't go 
with our decor.  They really seem like a nice store to deal with but 
their current inventory is apparently not to our taste.


Fran
Lavolta Press
www.lavoltapress.com

On 1/8/2016 10:01 PM, Patricia Dunham wrote:

So, we had a trip north today and stopped by The Whole 9 Yards to see, as we had 
never heard of it, and fabric stores are few and far between here… it is gorgeous, 
VERY easy to find and has a small amount of off-street parking (important in that 
part of town). Very impressive displays (as far as we were concerned) but only a 
little that could have been applied to our interests (Tudor & Elizabethan 
costuming, if we were doing those…) Did not see a lot I would have described as Art 
Nouveau, but a little Arts-n-Crafts or Victorian, maybe. Definitely interior decor 
fabrics, with a few bits of costume-applicable overlap.

chimene & gerek

On Dec 17, 2015, at 12:56 PM, Agnes Gawne  wrote:


Frances:
The Whole 9 Yards fabric store in Portland had a great selection of Art
Nouveau and Arts and Craft type drapery textiles last time I was in there.
The good news is no sales tax in Oregon, the bad news, the store is in
Oregon.  They do shipping.

http://w9yards.com/
(503) 223-2880
Mon - Fri 10-6 Sat 10-5
1820 E Burnside St
Portland, OR 97214



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Re: [h-cost] Costumes in "War and Peace"

2016-01-05 Thread Lavolta Press
Oh sure, I just don't understand why some people think it's so much fun 
to get together and tear someone down. Which is really what's happening 
in a lot of those discussions. Some feel snarking is off limits with 
people they know, but the movie/TV industry is fair game.


Fran



On 1/5/2016 1:14 PM, annbw...@aol.com wrote:

If we all liked the same thing, there would only be vanilla ice cream, as they 
say.


Ann Wass



-Original Message-
From: Lavolta Press 
To: Historical Costume 
Sent: Tue, Jan 5, 2016 2:17 pm
Subject: Re: [h-cost] Costumes in "War and Peace"

I gave up on snarking at movie costumes many years ago.  Movies are
fiction. They are not documentaries, they are not meant to be
educational, and they are not made primarily for viewing by historic
reenactors. In many, much of the history itself is, at best, speculation.

I don't watch movies for the costumes. I watch them to see whether it's
good drama and looking for things to criticize just spoils the drama.
When I want solid information I look elsewhere. And really, some of the
Facebook discussions sound just like catty little junior-high girls
gleefully tearing down each other's clothes.

Fran
Lavolta Press
www.lavoltapress.com



On 1/5/2016 2:59 AM, annbw...@aol.com wrote:

Some of my Facebook friends are following. No one shoulder bare, or many, many, other 
things. I know it's theater, but even allowing for that, seems very weird. My opinion is, 
even though it is a story, it is based so firmly in a historical time and place, it seems 
downright strange to go off on such flights of fancy. Wonder if there will be a 
"making of" wherein it is explained?

Ann Wass



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Re: [h-cost] Victorian lace curtains

2016-01-05 Thread Lavolta Press
The house is a 1940s "Colonial Revival."  The floor layout is absolutely 
not Colonial, but the architect did their bit with window shutters, wide 
plank oak floors, some wood paneling, and windows with historically 
small panes, among other details. One south-facing window appears to 
have been replaced and it is a single pane.  Other than that, there's an 
issue trying to do something with all those small panes.  Also, 
Sacramento summers are sunnier and hotter than those in San 
Francisco--there were plenty of days over 100 degrees this past summer.  
The former owner painted the house for sale, apparently following a 
Sherwin & Williams historic color scheme (we saw it in their exterior 
paint brochure and it's OK). But our contractors have told us the 
exterior paint and the windows will really take a beating from the heat, 
especially on the south sides.


Other than that, the house conforms to Arts & Crafts decor as well as to 
anything else. In fact the living room fireplace (with onyx green tile) 
is more Arts & Crafts than Colonial. And some former owner put up a lot 
of nice brass door and window hardware, though it's mostly plated and 
many of the doorknobs need replacing by now.  I could wish away a couple 
of folding plantation/shutter doors into the living room, but my husband 
is taking up Arts & Crafts style woodworking and after he finishes my 
built-in closets I hope he will replace those doors. There are two 
bedroom-sized rectangular rooms next to my new sewing room that the 
former owners used as closets. (They were both political lobbyists with 
huge work wardrobes.) We took out the their open closet systems because 
stuff stored there would fade too much, and are building in closed 
closets with Arts & Crafts doors.


We decided not to put in any wallpaper after realizing how sunny all the 
rooms are.  The sewing room in our San Francisco house is on the ground 
floor, with the windows below a kind of ledge where the upper floor 
sticks out more.  And  I've always taken care to keep the shades down 
and curtains drawn at all times when the room is not in use. That's 
probably why the wallpaper there is unfaded.


One of our new neighbors used to manufacture Arts & Crafts style 
furniture for Rejuvenation, but he sold his business to them some years 
ago. Rejuvenation does send us their furniture catalogs and I'm not 
impressed with their current furniture.  (We are having a boodle of oak 
furniture custom made by the Amish, especially bookcases, but their work 
takes 12-14 weeks.) One of our other neighbors is a very experienced 
cabinet maker and has been very friendly, so my husband can probably get 
lots of advice on his woodworking.


The larger renovations are actually almost done (except for the closets 
my husband will build), but there a lot of some small stuff like 
refinishing some bathroom and pantry cabinets, which currently amply 
demonstrate why we'll never want a cat.  Also, my husband is doing a lot 
of tasks like restoring more antique light fixtures we bought, 
installing a some oak medicine cabinets we had made, putting up curtain 
rods, etc.  Considering we can't paint our SF house for sale till after 
the rainy season, and we won't get our Amish furniture till the middle 
to the end of February at least, we might as well actually live here and 
fix up the Sacramento house till then.


Fran
Lavolta Press
www.lavoltapress.com










On 1/5/2016 1:00 PM, Christine Robb wrote:

On Mon, Jan 04, 2016 at 11:40:40AM -0800, Lavolta Press wrote:

When we bought our San Francisco house over 30 years ago, we papered my
sewing room in J. R. Burrows William Morris wallpaper, still in wonderful
condition and unfaded. I'm really hoping to sell to someone who sees the
wallpaper as an asset rather than something weird to just paint over.  It
doesn't conform to the decoration I see in most houses for sale, which tends
to be beige, off-white, and modern.  As for our antique light fixtures,
we're moving them all to the new house and putting up cheap replacements for
sale.

We've uncovered some paintings on our walls that were buried under
wallpaper, and cleaned some others that had always been exposed but
become a bit grimy over the years.  So we hope for exactly the same
thing whenever we sell this house!  And we'll be taking almost all our
lights with us too.  Too bad we can't take the walls...

Great to hear that the wallpaper has stood up to the test of time.
I'd love to use some, someday.
  

The tablecloths actually look very good, although they are often heavier
than commercial lace curtains. At $30 or so per tablecloth instead of $250
or so per curtain, they're a deal. Being next to sunny windows, they'll rot
out and need to be replaced every few years. I've been dealing with that
forever in our San Francisco house.

We put window film in o

Re: [h-cost] Victorian lace curtains (Re: What costume-related gifts did everyone get?)

2016-01-05 Thread Lavolta Press
Those curtains are lovely. I've looked at them off and on for over 30 
years, since we bought our San Francisco house.  And the same or a 
similar manufacturer sells such curtains (with slight defects) for about 
half the price on Etsy.  But I don't like them as much as the ones I 
have.  I'm not restoring a historic house, I'm just furnishing my house 
the way I like it. I'm very glad we passed up on a couple of National 
Historic Register houses in Portland that we considered.  In fact, I'm 
glad we passed up on Portland.  Dealing with contractors in Sacramento 
and my husband driving there several times a week is enough of a 
headache.  There seems to be a new small issue every day. I really would 
not want to be dealing with historic accuracy or a longer distance in 
addition.


Fran
Lavolta Press
www.lavoltapress.com


On 1/5/2016 5:53 AM, Katy Bishop wrote:

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Content preview:  John Burrows lace curtains are lovely, I have some in my 
house.
They're made on historic looms in Scotland. On Mon, Jan 4, 2016 at 2:06 PM,
Christine Robb  wrote: > On Sat, Dec 26, 2015 at 
10:12:19AM
-0800, Lavolta Press wrote: > > In terms of what I'm doing, right now it's
making drapes. Or more like, > buy > > curtain rods, return half of them
   because they're theoretically Arts & > > Crafts style but they're ugly, buy
more rods. Buy brass electrical > plates, > > return half of them because
they are a lovely Art Nouveau style but > > oversized so would overlap the
baseboards, buy smaller ones. Order > swatches > > for curtain material,
   half haven't arrived because the fabric store > owners > > are busy this 
season.
Meanwhile, kitchen contractor goes on vacation for > two > > weeks. We won't
actually be moving to Sacramento till March at this rate. > > > > On the
   bright side, I found out that if you want more or less Victorian > lace >
   > drapes (I'm not claiming 100% accuracy), try those Quaker Lace brand > >
tablecloths that are all over eBay and Etsy every day, often at low > 
prices.
> > You can easily get them in 100% cotton. Just sew on curtain rings. Many
> of > > the expensive repro Victorian curtains actually look like 
tablecloths,
> with > > a large central motif and borders all around. Matching the shade
of > > off-white for several windows in a room is a trick but can be done.
> > I haven't ordered anything from him, but he's well known in social >
   dance circles so some of you may know him too: > http://www.burrows.com/ >
> He's done work at the MFA in Boston, tv shows, the list goes on. > 
Beautiful
photos on the website and facebook... I don't know my > Victorian lace 
curtains,
but would be willing to bet these aren't the > tablecloth variety. > > Fran,
I expect you know about them already, but in case not, > Rejuvenation and
Lee Valley both sell hardware that might be of > interest. > > Christine
   > > h-costume mailing list > h-costume@mail.indra.com > 
http://mail.indra.com/mailman/listinfo/h-costume
> [...]

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Re: [h-cost] Costumes in "War and Peace"

2016-01-05 Thread Lavolta Press
I gave up on snarking at movie costumes many years ago.  Movies are 
fiction. They are not documentaries, they are not meant to be 
educational, and they are not made primarily for viewing by historic 
reenactors. In many, much of the history itself is, at best, speculation.


I don't watch movies for the costumes. I watch them to see whether it's 
good drama and looking for things to criticize just spoils the drama.  
When I want solid information I look elsewhere. And really, some of the 
Facebook discussions sound just like catty little junior-high girls 
gleefully tearing down each other's clothes.


Fran
Lavolta Press
www.lavoltapress.com



On 1/5/2016 2:59 AM, annbw...@aol.com wrote:

Some of my Facebook friends are following. No one shoulder bare, or many, many, other 
things. I know it's theater, but even allowing for that, seems very weird. My opinion is, 
even though it is a story, it is based so firmly in a historical time and place, it seems 
downright strange to go off on such flights of fancy. Wonder if there will be a 
"making of" wherein it is explained?

Ann Wass




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Re: [h-cost] Victorian lace curtains (Re: What costume-related gifts did everyone get?)

2016-01-04 Thread Lavolta Press
When we bought our San Francisco house over 30 years ago, we papered my 
sewing room in J. R. Burrows William Morris wallpaper, still in 
wonderful condition and unfaded. I'm really hoping to sell to someone 
who sees the wallpaper as an asset rather than something weird to just 
paint over.  It doesn't conform to the decoration I see in most houses 
for sale, which tends to be beige, off-white, and modern.  As for our 
antique light fixtures, we're moving them all to the new house and 
putting up cheap replacements for sale.


The tablecloths actually look very good, although they are often heavier 
than commercial lace curtains. At $30 or so per tablecloth instead of 
$250 or so per curtain, they're a deal. Being next to sunny windows, 
they'll rot out and need to be replaced every few years. I've been 
dealing with that forever in our San Francisco house.


When we bought our San Francisco house, we got our hardware from a 
Rejuvenation print catalog, but I find their website hard to navigate. 
We've bought a lot of light switch plates and other hardware for our 
Sacramento house from http://www.houseofantiquehardware.com/, our 
cabinet hardware (kitchen, bathroom, and pantry doors) from 
http://www.rockler.com/ (if you search on terms like "stickley" and 
"arts and crafts" there's a lovely selection), and lots of antique door 
hardware and more antique light fixtures from eBay.  We buy antiques 
where we can find them, but it can be hard to get certain things as 
antiques when you want them. And we got some of our switch plates from 
this site: http://jamesmattson.com/collections/switchplates-bungalow-rose


Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com











---
I haven't ordered anything from him, but he's well known in social dance 
circles so some of you may know him too: http://www.burrows.com/ He's 
done work at the MFA in Boston, tv shows, the list goes on. Beautiful 
photos on the website and facebook... I don't know my Victorian lace 
curtains, but would be willing to bet these aren't the tablecloth 
variety. Fran, I expect you know about them already, but in case not, 
Rejuvenation and Lee Valley both sell hardware that might be of 
interest. Christine ___ 
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Re: [h-cost] What costume-related gifts did everyone get?

2015-12-26 Thread Lavolta Press
In terms of what I'm doing, right now it's making drapes.  Or more like, 
buy curtain rods, return half of them because they're theoretically Arts 
& Crafts style but they're ugly, buy more rods. Buy brass electrical 
plates, return half of them because they are a lovely Art Nouveau style 
but oversized so would overlap the baseboards, buy smaller ones.  Order 
swatches for curtain material, half haven't arrived because the fabric 
store owners are busy this season. Meanwhile, kitchen contractor goes on 
vacation for two weeks. We won't actually be moving to Sacramento till 
March at this rate.


On the bright side, I found out that if you want more or less Victorian 
lace drapes (I'm not claiming 100% accuracy), try those Quaker Lace 
brand tablecloths that are all over eBay and Etsy every day, often at 
low prices. You can easily get them in 100% cotton. Just sew on curtain 
rings. Many of the expensive repro Victorian curtains actually look like 
tablecloths, with a large central motif and borders all around. Matching 
the shade of off-white for several windows in a room is a trick but can 
be done.


Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com







On 12/26/2015 12:18 AM, Patricia Dunham wrote:

Well, I got my husband the civil war uniform pattern from McCall's for his some-day 
Steampunk wardrobe. We haven't sewn for SCA or anything else in years, sigh. He got 
me a truckload of period cookery resources, but the next MC&T isn't gonna' be 
out until Feb or some-such. A whole buncha' stuff will be arriving next year, 
apparently.

That's OK. I actually got my old-carpal-buzzy-nerveless fingers to do a couple 
of repairs on his everything-work-vest, very short stretches of very plain 
stitching, but now the saggy SAGGY front pocket is now looking much more 
respectable, as the velcro strips on both sides of the closure are actually 
attached!

Hmm, next maybe I'll tackle the other hem on his new shop coverall, he got one done and 
distracted… We also have a replacement everything-vest "safari coat" remodel to 
finish. If we can. Have taken it apart, ready to re-make, but… that was a couple of 
months ago. We may be in trouble…

oh well. looking forward to seeing what you all are doing!
chimene

On Dec 25, 2015, at 10:42 AM, Lavolta Press  wrote:


My husband gave me the following books:

The First Book of Fashion: The Book of Clothes of Matthaeus and Veit Konrad 
Schwarz of Augsburg

Fashion Plates: 150 Years of Style, by April Calahan

Regency Women's Dress: Techniques and Patterns 1800-1830, by Cassidy Percoco

and a biography:

Queen Victoria's Mysterious Daughter: A Biography of Princess Louise, by 
Lucinda Hawksley

Fran Grimble
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com


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[h-cost] What costume-related gifts did everyone get?

2015-12-25 Thread Lavolta Press

My husband gave me the following books:

The First Book of Fashion: The Book of Clothes of Matthaeus and Veit 
Konrad Schwarz of Augsburg


Fashion Plates: 150 Years of Style, by April Calahan

Regency Women's Dress: Techniques and Patterns 1800-1830, by Cassidy Percoco

and a biography:

Queen Victoria's Mysterious Daughter: A Biography of Princess Louise, by 
Lucinda Hawksley


Fran Grimble
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com





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Re: [h-cost] Stockings and Charity Sewing

2015-12-23 Thread Lavolta Press
I would think that, in the unlikely situation where a woman was visiting 
a family and did not bring enough "work" of her own, there would be a 
conversation like this:


Guest:  Please, let me help you darn those stockings.

Hosts: Oh no, we wouldn't dream of asking you to do that.

Guest:  Honestly, I'd really love to.

Hosts:  Well, if you insist . . .

And note that the hosts would be making their guest more comfortable by 
giving her something to do when she needed that.


Fran
Books on historic costuming
www.lavoltapress.com

On 12/23/2015 4:23 PM, Carol Kocian wrote:

Yeah, the idea of charity sewing adds another dimension…

The situation, theoretically, is a female relative visiting (cousin, maybe), 
with no problem for others to darn stockings or socks in her presence, but not 
expecting her to work on the immediate family’s old holey socks.

Rather than cutting a hole for her to mend, I think having charity sewing 
projects around would mean she could have worked on that. If it would be the 
norm to have projects like that in the basket, seems it would be preferred. Or, 
she could be working a new item, like making a shirt or shift.

Something done with new stockings is “running in” the heels. Researcher Steve Rayner 
found a Cuthbertson reference from 1768: …"running them in the heels will 
strengthen them exceedingly, therefore every Soldier should learn that piece of 
oeconomy, as well as to mend his stockings, it being very praise worthy, besides 
saving him a constant expence.”

Run-in heel reinforcements are something I’ve seen in extant early 19thC 
stockings, but before the above info I didn’t know how early we had it 
documented. (Pre Rev War, Yay!!!)

S, coming back around to the original story: If the relative could work on 
new stockings but not old ones, I think she could have done the heel 
reinforcements (running-in). Unless, by later eras, the running-in was part of 
the finishing done before you would buy the stockings.

Maybe I’ll never find the source of the “cutting a hole” story, but it would be 
nice to know if it was from real experience or not.

Thanks!
-Carol




On Dec 21, 2015, at 7:45 PM, Elena House  wrote:

(snip)

My first thought was that it was historical fiction, but not necessarily
modern historical fiction, if that makes sense.  It could have been written
say in the middle of the 20th century, when this practice might possibly
have occurred to someone--or it could be a result of the earlier pulp
fiction years, and possibly written by a male (who wouldn't know this
didn't sound quite right) under a female pen name.

My second thought was that from what I'm thinking is the original post, by
Carol, I couldn't really tell what era this was supposed to be, or what
class the young woman/women were supposed to belong to.  Surely there would
be a class divide between those who are socially expected to do 'pretty'
work to show off their accomplishments, and those who would feel they were
impressing the people they wanted to impress more by showing off their
usefulness...?  A middle-upper class family's daughter in say, 1880s NYC
would certainly sew different things when a guest was there than a farming
family's daughter in Ohio in the 1940s would.

I still find the idea of cutting a hole in NEW stocking a bit of a stretch,
but if it were a plot point in an
Isn't-Our-Heroine-Just-Too-Angelic-For-Words type of 1910s young adult
pulp, I wouldn't be at all surprised to find myself reading about it; it
sounds like the kind of story meant to show off someone's virtue.

-E House


On Fri, Dec 18, 2015 at 6:32 PM, Marjorie Wilser  wrote:


I vote for fiction. It seems wrong on so many levels. You don’t “cut a
hole" in a (new!) stocking to darn. You cut a thread and let it ravel a
little. In that day, I suspect making ANY kind of hole would never have
happened. You wouldn’t destroy new goods for any reason, much less to make
busy work.

However, the very idea of them darning stockings in a social setting is
suspect. It just wouldn’t be done in polite circles. Wish I could help on
the reference.

==Marjorie Wilser

@..@   @..@   @..@
Three Toad Press
http://3toad.blogspot.com/



On Dec 18, 2015, at 2:05 PM, aqua...@patriot.net wrote:

A young woman is visiting a household with other young women, and they

are

darning some stockings. It would not be proper to give her one of the
family's stockings to mend, so they cut a hole in a new stocking for her
to darn.

The whole idea seems silly to me, because it seems that there would be
some new clothing to be made or something for her to do that would not
require making busy work. That's why it sounds more like historical
fiction.

Does it sound familiar to anyone?

Thanks!
-Carol


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Re: [h-cost] Is h-costume still going?

2015-12-18 Thread Lavolta Press

Maybe, but the family was very much at home in that scene.

Fran
Lavolta Press
www.lavoltapress.com

On 12/18/2015 4:02 AM, Elizabeth Jones wrote:

I actually wonder about how charity sewing would fit in to the fancy
vs plain sewing rule in Mansfield Park there is one evening (I think
they have company over but I can't remember) when Mrs Norris complains
that Fanny should be sewing and if she has nothing of her own to work
on there is plenty of work in the 'poor box'. Implying that making
things for the poor (almost certainly underclothes, the workwoman's
guide is only slightly later than this novel and it has a lot to say
about making underclothes and baby clothes as charity) was a normal
and expected occupation for young ladies. If it was somehow clear that
what you were making was for the poor of the parish instead of your
own family working on that in public would show off your charitable
virtues (not a bad thing for a gentleman to look for in a wife as
anything that makes your tenants happier is likely to make your estate
more stable and profitable).
Elizabeth

On Fri, Dec 18, 2015 at 6:23 AM, Lavolta Press  wrote:

I get the impression that in the nineteenth century there was "private"
versus "public" needlework.  Unmarried young women, at least, tended to do
mending and make underclothes (shirts fell into that category) only within
the family (when no callers were expected) or at most, only in front of
intimate female friends. Their public, "fine" needlework showed off their
skills in embroidery, netting, and so forth. When they made calls, they
might be embroidering a flounce for a dress, or embroidering a fire screen,
but not mending stockings.  Unpretentious matrons and mothers of large
families might do plain sewing and mending in a more public way, but elegant
married women, not.

Fran
Lavolta Press
www.lavoltapress.com



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Re: [h-cost] drapery fabrics was . Re: Is h-costume still going?

2015-12-17 Thread Lavolta Press

Thanks, I just emailed them.

Fran

On 12/17/2015 12:56 PM, Agnes Gawne wrote:

Frances:
The Whole 9 Yards fabric store in Portland had a great selection of Art
Nouveau and Arts and Craft type drapery textiles last time I was in there.
The good news is no sales tax in Oregon, the bad news, the store is in
Oregon.  They do shipping.

  http://w9yards.com/
(503) 223-2880
Mon - Fri 10-6 Sat 10-5
1820 E Burnside St
Portland, OR 97214

Good luck with your house.


-
-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Lavolta Press
Sent: Thursday, December 17, 2015 10:57 AM
To: Historical Costume
Subject: Re: [h-cost] Is h-costume still going?

I'm still here and have been since h-costume started.  I am not sewing any
garments because I have to make all the drapes for a 5,000-square-foot house
my husband and I bought in June and have not moved into yet. (Not to mention
a lot of time-consuming stuff like picking out paint colors and Arts &
Crafts cabinet knobs.) Not a fixer-upper but lots of work being done, like
complete kitchen remodeling, installing hardwood floors in several rooms
that did not have them already, and painting. Then the landscaping needed
work too.
Everything takes longer than it was supposed to.

The house is a 1940s Colonial Revival and we are furnishing it combined Arts
& Crafts/Art Nouveau style. Many features like oak flooring and a fireplace
with green tile carry over quite well. The sellers took all the window
coverings, which we probably wouldn't have liked anyway.
Some of the windows are fairly strange sizes and we ordered historic
reproduction custom-made roller shades for most of them. Which BTW turned
out not to cost any more than most of the ready-made shades I looked at, and
they're actually cotton instead of polyester.

The challenge I am facing is getting the fabric for the drapes.  It seems I
want a fairly flat look, probably 1 1/2 times fullness. Since this is not a
bungalow, I figured a general-Victorian-look brocade is OK, and I have a lot
of that in my stash, though in many cases not enough for a window. And I had
some embroidered linen I bought online that turned out to have motifs too
large for clothes. For three rooms that only have one window, what with only
1 1/2 times fullness I managed to squeeze three windows' worth of drapes out
of stash fabric.

The rest of the fabric is proving to be a pain to find. So if anyone knows
where to buy repro Arts & Crafts or Art Nouveau drapery fabric in quantities
up to 18 yards for a single room, I'd LOVE to know.  It seems I can use a
textured fabric such as dupioni or linen (preferably stenciled linen) if I
have to, but I wanted to furnish some rooms with Art Nouveau brocades.

Have to say I think the average "bungalow" decorating book (trendier than
just Arts & Crafts) is somewhat misleading on recommending no drapes at all
or maybe only sheer drapes if you must have something.
The few period pictures mostly show the usual set of lace drapes, outer
drapes, sometimes a valance as well. The Victorians and Edwardians didn't
want the sun full on their faces at dawn, or the neighbors peering into
their windows, any more than we do.

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com

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End of h-costume Digest, Vol 14, Issue 54
*

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Re: [h-cost] Is h-costume still going?

2015-12-17 Thread Lavolta Press
I think the question is who a woman wanted (or needed) to impress, with 
both her fine needlework skills, and with the evidence that she had 
sufficient leisure to devote to those instead of mending and plain sewing.


Fran
Lavolta Press
www.lavoltapress.com


On 12/17/2015 12:13 PM, annbw...@aol.com wrote:

You are probably mostly right. However, Rachel Van Dyke did write once of taking her 
"bundles" of mending down when a friend called and so had one bundle less at 
the end of the visit. Of course, even those clothes in the bundle that needed mending may 
not have been the most intimate ones, or, as you say, it may have been an intimate 
friend--I don't think she specified. And yes, mending stockings seems to have been mostly 
a solitary pursuit and may have added to the drudgery of the chore. Hard to know if Ruth 
Henshaw was in company or alone when mending, but remember she was visiting away from 
home.


Ann Wass







-Original Message-
From: Lavolta Press 
To: Historical Costume 
Sent: Thu, Dec 17, 2015 2:23 pm
Subject: Re: [h-cost] Is h-costume still going?

I get the impression that in the nineteenth century there was "private" versus "public" needlework.  Unmarried young women, at least, tended to do mending and make underclothes (shirts fell into that category) only within the family 
(when no callers were expected) or at most, only in front of intimate female friends. Their public, "fine" needlework showed off their skills in embroidery, netting, and so forth. When they made calls, they might be embroidering a flounce for a 
dress, or embroidering a fire screen, but not mending stockings.  Unpretentious matrons and mothers of large families might do plain sewing and mending in a more public way, but elegant married women, not.FranLavolta Presswww.lavoltapress.comOn 12/17/2015 
6:38 AM, annbw...@aol.com wrote:> I have been getting the monthly reminders from indra.com, but I have to admit I don't read them.>>> I also have something to share--this is based on the paper I gave at the Jane Austen Society of North 
America's annual general meeting in Louisville in October.>>>> http://www.jasna.org/persuasions/on-line/vol36no1/wass.html>>> Ann Wass>>>> -Original Message-> From: Robin Netherton > 
To: Historical Costume > Sent: Thu, Dec 17, 2015 9:33 am> Subject: Re: [h-cost] Is h-costume still going?>> I'm here -- but my first post saying so (from an alternate address by mistake) was rejected.On 12/17/2015 
12:17 AM, Carol Kocian wrote:> Hi all,>> Is h-costume still going? I’m trying to change my e-mail address for it, but the link below does not work.>> Thanks!> -Carol>>>>> 
___>> h-costume mailing list>> h-costume@mail.indra.com>> http://mail.indra.com/mailman/listinfo/h-costume>>> ___> h-costume mailing 
list> h-costume@mail.indra.com> http://mail.indra.com/mailman/listinfo/h-costume>-- Robin NethertonEditor, Medieval Clothing and Textilesrobin@netherton.netvoice: (314) 439-1222Life is just a bowl of queries._
__h-costume mailing 
listh-costume@mail.indra.comhttp://mail.indra.com/mailman/listinfo/h-costume> 
___> h-costume mailing list> 
h-costume@mail.indra.com> 
http://mail.indra.com/mailman/listinfo/h-costume>>___h-costume
 mailing listh-costume@mail.indra.comhttp://mail.indra.com/mailman/listinfo/h-costume

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Re: [h-cost] Is h-costume still going?

2015-12-17 Thread Lavolta Press
Yeah, well, I've looked into Spoonflower and all I'd get is 
cheap-looking garment-weight cottons that fade fast.  The drapes will 
receive plenty of light from other windows in the rooms, so lining 
doesn't solve the whole problem. I'm looking for silks (or at least 
really good synthetic equivalents) and maybe 100% linens.


Fran

On 12/17/2015 11:51 AM, Sharon Collier wrote:

What if you lined them? That's what I do with my drapes; the lining takes the 
UV beating, not my fashion fabric.

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On 
Behalf Of Lavolta Press
Sent: Thursday, December 17, 2015 11:27 AM
To: Historical Costume
Subject: Re: [h-cost] Is h-costume still going?

I've heard of Spoonflower many times, and I'm staying firmly away from it. 
Their fabrics are not supposed to be very fast and some windows get a lot of 
sun. After going to all this trouble I want the drapes to last as many years as 
possible. Anyway, I don't want printed cotton drapes unless they are something 
really nice like Liberty home-dec.

Fran
Lavolta Press
www.lavoltapress.com


On 12/17/2015 11:15 AM, Sharon Collier wrote:

Have you heard of www.spoonflower.com?
It's a site where you can design your own fabric or choose from thousands of 
others designed by others.
After you find your design, you can choose to have it made in one of over a 
dozen fabrics. So you could have matching drapes and upholstery, for example.
Sharon C.

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com]
On Behalf Of Lavolta Press
Sent: Thursday, December 17, 2015 10:57 AM
To: Historical Costume
Subject: Re: [h-cost] Is h-costume still going?

I'm still here and have been since h-costume started.  I am not sewing any garments 
because I have to make all the drapes for a 5,000-square-foot house my husband and 
I bought in June and have not moved into yet. (Not to mention a lot of 
time-consuming stuff like picking out paint colors and Arts & Crafts cabinet 
knobs.) Not a fixer-upper but lots of work being done, like complete kitchen 
remodeling, installing hardwood floors in several rooms that did not have them 
already, and painting. Then the landscaping needed work too.
Everything takes longer than it was supposed to.

The house is a 1940s Colonial Revival and we are furnishing it combined Arts & 
Crafts/Art Nouveau style. Many features like oak flooring and a fireplace with 
green tile carry over quite well. The sellers took all the window coverings, which 
we probably wouldn't have liked anyway.
Some of the windows are fairly strange sizes and we ordered historic 
reproduction custom-made roller shades for most of them. Which BTW turned out 
not to cost any more than most of the ready-made shades I looked at, and 
they're actually cotton instead of polyester.

The challenge I am facing is getting the fabric for the drapes.  It seems I 
want a fairly flat look, probably 1 1/2 times fullness. Since this is not a 
bungalow, I figured a general-Victorian-look brocade is OK, and I have a lot of 
that in my stash, though in many cases not enough for a window. And I had some 
embroidered linen I bought online that turned out to have motifs too large for 
clothes. For three rooms that only have one window, what with only 1 1/2 times 
fullness I managed to squeeze three windows' worth of drapes out of stash 
fabric.

The rest of the fabric is proving to be a pain to find. So if anyone knows where to 
buy repro Arts & Crafts or Art Nouveau drapery fabric in quantities up to 18 
yards for a single room, I'd LOVE to know.  It seems I can use a textured fabric 
such as dupioni or linen (preferably stenciled linen) if I have to, but I wanted to 
furnish some rooms with Art Nouveau brocades.

Have to say I think the average "bungalow" decorating book (trendier than just Arts 
& Crafts) is somewhat misleading on recommending no drapes at all or maybe only sheer 
drapes if you must have something.
The few period pictures mostly show the usual set of lace drapes, outer drapes, 
sometimes a valance as well. The Victorians and Edwardians didn't want the sun 
full on their faces at dawn, or the neighbors peering into their windows, any 
more than we do.

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com



On 12/17/2015 9:36 AM, aqua...@patriot.net wrote:

You're welcome!

I suppose people could say what they are working on.

Right now I'm working on switching things to a new e-mail address.
:-)

So, the url below doesn't do anything. I suppose I could try the sub
and unsub options. Does anyone have the info for that?

I tried "help" but the message bounced.

Thanks!
-Carol




Thanks for letting me know you are all here.
Monica Spence

-Original Message-
From: h-costume-boun...@indra.com
[mailto:h-costume-bou

Re: [h-cost] Is h-costume still going?

2015-12-17 Thread Lavolta Press
I've heard of Spoonflower many times, and I'm staying firmly away from 
it. Their fabrics are not supposed to be very fast and some windows get 
a lot of sun. After going to all this trouble I want the drapes to last 
as many years as possible. Anyway, I don't want printed cotton drapes 
unless they are something really nice like Liberty home-dec.


Fran
Lavolta Press
www.lavoltapress.com


On 12/17/2015 11:15 AM, Sharon Collier wrote:

Have you heard of www.spoonflower.com?
It's a site where you can design your own fabric or choose from thousands of 
others designed by others.
After you find your design, you can choose to have it made in one of over a 
dozen fabrics. So you could have matching drapes and upholstery, for example.
Sharon C.

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On 
Behalf Of Lavolta Press
Sent: Thursday, December 17, 2015 10:57 AM
To: Historical Costume
Subject: Re: [h-cost] Is h-costume still going?

I'm still here and have been since h-costume started.  I am not sewing any garments 
because I have to make all the drapes for a 5,000-square-foot house my husband and 
I bought in June and have not moved into yet. (Not to mention a lot of 
time-consuming stuff like picking out paint colors and Arts & Crafts cabinet 
knobs.) Not a fixer-upper but lots of work being done, like complete kitchen 
remodeling, installing hardwood floors in several rooms that did not have them 
already, and painting. Then the landscaping needed work too.
Everything takes longer than it was supposed to.

The house is a 1940s Colonial Revival and we are furnishing it combined Arts & 
Crafts/Art Nouveau style. Many features like oak flooring and a fireplace with 
green tile carry over quite well. The sellers took all the window coverings, which 
we probably wouldn't have liked anyway.
Some of the windows are fairly strange sizes and we ordered historic 
reproduction custom-made roller shades for most of them. Which BTW turned out 
not to cost any more than most of the ready-made shades I looked at, and 
they're actually cotton instead of polyester.

The challenge I am facing is getting the fabric for the drapes.  It seems I 
want a fairly flat look, probably 1 1/2 times fullness. Since this is not a 
bungalow, I figured a general-Victorian-look brocade is OK, and I have a lot of 
that in my stash, though in many cases not enough for a window. And I had some 
embroidered linen I bought online that turned out to have motifs too large for 
clothes. For three rooms that only have one window, what with only 1 1/2 times 
fullness I managed to squeeze three windows' worth of drapes out of stash 
fabric.

The rest of the fabric is proving to be a pain to find. So if anyone knows where to 
buy repro Arts & Crafts or Art Nouveau drapery fabric in quantities up to 18 
yards for a single room, I'd LOVE to know.  It seems I can use a textured fabric 
such as dupioni or linen (preferably stenciled linen) if I have to, but I wanted to 
furnish some rooms with Art Nouveau brocades.

Have to say I think the average "bungalow" decorating book (trendier than just Arts 
& Crafts) is somewhat misleading on recommending no drapes at all or maybe only sheer 
drapes if you must have something.
The few period pictures mostly show the usual set of lace drapes, outer drapes, 
sometimes a valance as well. The Victorians and Edwardians didn't want the sun 
full on their faces at dawn, or the neighbors peering into their windows, any 
more than we do.

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com



On 12/17/2015 9:36 AM, aqua...@patriot.net wrote:

You're welcome!

I suppose people could say what they are working on.

Right now I'm working on switching things to a new e-mail address. :-)

So, the url below doesn't do anything. I suppose I could try the sub and
unsub options. Does anyone have the info for that?

I tried "help" but the message bounced.

Thanks!
-Carol




Thanks for letting me know you are all here.
Monica Spence

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Robin Netherton
Sent: Thursday, December 17, 2015 9:31 AM
To: Historical Costume 
Subject: Re: [h-cost] Is h-costume still going?

I'm here -- but my first post saying so (from an alternate address by
mistake) was rejected.


On 12/17/2015 12:17 AM, Carol Kocian wrote:

Hi all,

Is h-costume still going? I’m trying to change my e-mail address for
it, but the link below does not work.

Thanks!
-Carol




___
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--
Robin Netherton
Edito

Re: [h-cost] Is h-costume still going?

2015-12-17 Thread Lavolta Press
I get the impression that in the nineteenth century there was "private" 
versus "public" needlework.  Unmarried young women, at least, tended to 
do mending and make underclothes (shirts fell into that category) only 
within the family (when no callers were expected) or at most, only in 
front of intimate female friends. Their public, "fine" needlework showed 
off their skills in embroidery, netting, and so forth. When they made 
calls, they might be embroidering a flounce for a dress, or embroidering 
a fire screen, but not mending stockings.  Unpretentious matrons and 
mothers of large families might do plain sewing and mending in a more 
public way, but elegant married women, not.


Fran
Lavolta Press
www.lavoltapress.com


On 12/17/2015 6:38 AM, annbw...@aol.com wrote:

I have been getting the monthly reminders from indra.com, but I have to admit I 
don't read them.


I also have something to share--this is based on the paper I gave at the Jane 
Austen Society of North America's annual general meeting in Louisville in 
October.



http://www.jasna.org/persuasions/on-line/vol36no1/wass.html


Ann Wass



-Original Message-
From: Robin Netherton 
To: Historical Costume 
Sent: Thu, Dec 17, 2015 9:33 am
Subject: Re: [h-cost] Is h-costume still going?

I'm here -- but my first post saying so (from an alternate address by mistake) was rejected.On 12/17/2015 12:17 AM, Carol Kocian wrote:> Hi 
all,>> Is h-costume still going? I’m trying to change my e-mail address for it, but the link below does not work.>> Thanks!> 
-Carol>>>>> ___>> h-costume mailing list>> h-costume@mail.indra.com>> 
http://mail.indra.com/mailman/listinfo/h-costume>>> ___> h-costume mailing list> 
h-costume@mail.indra.com> http://mail.indra.com/mailman/listinfo/h-costume>-- Robin NethertonEditor, Medieval Clothing and 
Textilesrobin@netherton.netvoice: (314) 439-1222Life is just a bowl of queries.___h-costume mailing 
listh-costume@mail.indra.comhttp://mail.indra.com/mailman/listinfo/h-costume
___
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http://mail.indra.com/mailman/listinfo/h-costume




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Re: [h-cost] Is h-costume still going?

2015-12-17 Thread Lavolta Press
I'm still here and have been since h-costume started.  I am not sewing 
any garments because I have to make all the drapes for a 
5,000-square-foot house my husband and I bought in June and have not 
moved into yet. (Not to mention a lot of time-consuming stuff like 
picking out paint colors and Arts & Crafts cabinet knobs.) Not a 
fixer-upper but lots of work being done, like complete kitchen 
remodeling, installing hardwood floors in several rooms that did not 
have them already, and painting. Then the landscaping needed work too. 
Everything takes longer than it was supposed to.


The house is a 1940s Colonial Revival and we are furnishing it combined 
Arts & Crafts/Art Nouveau style. Many features like oak flooring and a 
fireplace with green tile carry over quite well. The sellers took all 
the window coverings, which we probably wouldn't have liked anyway.  
Some of the windows are fairly strange sizes and we ordered historic 
reproduction custom-made roller shades for most of them. Which BTW 
turned out not to cost any more than most of the ready-made shades I 
looked at, and they're actually cotton instead of polyester.


The challenge I am facing is getting the fabric for the drapes.  It 
seems I want a fairly flat look, probably 1 1/2 times fullness. Since 
this is not a bungalow, I figured a general-Victorian-look brocade is 
OK, and I have a lot of that in my stash, though in many cases not 
enough for a window. And I had some embroidered linen I bought online 
that turned out to have motifs too large for clothes. For three rooms 
that only have one window, what with only 1 1/2 times fullness I managed 
to squeeze three windows' worth of drapes out of stash fabric.


The rest of the fabric is proving to be a pain to find. So if anyone 
knows where to buy repro Arts & Crafts or Art Nouveau drapery fabric in 
quantities up to 18 yards for a single room, I'd LOVE to know.  It seems 
I can use a textured fabric such as dupioni or linen (preferably 
stenciled linen) if I have to, but I wanted to furnish some rooms with 
Art Nouveau brocades.


Have to say I think the average "bungalow" decorating book (trendier 
than just Arts & Crafts) is somewhat misleading on recommending no 
drapes at all or maybe only sheer drapes if you must have something.  
The few period pictures mostly show the usual set of lace drapes, outer 
drapes, sometimes a valance as well. The Victorians and Edwardians 
didn't want the sun full on their faces at dawn, or the neighbors 
peering into their windows, any more than we do.


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com



On 12/17/2015 9:36 AM, aqua...@patriot.net wrote:

You're welcome!

I suppose people could say what they are working on.

Right now I'm working on switching things to a new e-mail address. :-)

So, the url below doesn't do anything. I suppose I could try the sub and
unsub options. Does anyone have the info for that?

I tried "help" but the message bounced.

Thanks!
-Carol




Thanks for letting me know you are all here.
Monica Spence

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Robin Netherton
Sent: Thursday, December 17, 2015 9:31 AM
To: Historical Costume 
Subject: Re: [h-cost] Is h-costume still going?

I'm here -- but my first post saying so (from an alternate address by
mistake) was rejected.


On 12/17/2015 12:17 AM, Carol Kocian wrote:

Hi all,

Is h-costume still going? I’m trying to change my e-mail address for
it, but the link below does not work.

Thanks!
-Carol




___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume



--
Robin Netherton
Editor, Medieval Clothing and Textiles
ro...@netherton.net
voice: (314) 439-1222
Life is just a bowl of queries.

___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume



___
h-costume mailing list
h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume



___
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h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume




___
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h-costume@mail.indra.com
http://mail.indra.com/mailman/listinfo/h-costume


Re: [h-cost] Moving

2015-09-01 Thread Lavolta Press
I never post any photos online. Re fixups, my husband is turning two 
rooms, each the size of a small bedroom, into closet rooms, with closets 
all along the walls. One is for sewing stuff and one is for my clothes.  
I also want to replace two bifold "plantation"  doors to the living room 
(they look like big shutters) which are too fussy for my taste. He's 
taking up DIY carpentry (he's done a little before) and I am all for it. 
I've bought him several books. I hope to talk him into building the new 
fence, or at least the wood part of it. There is also a wrought iron 
area of fencing and a stucco wall area, but the wood is what we need to 
replace.


Fran
Lavolta Press
www.lavoltapress.com


On 9/1/2015 12:14 PM, Galadriel wrote:

Well now you've got me curious!  Are you willing to post some pictures?  Sounds 
divine!  My house is a vintage 1997... I love that it has good insulation and 
no electrical or plumbing problems, but it is a bit short in the charm 
department!  It's so fun to look at real estate and see how people fix things 
up!  We have been fixing our house up despite its newness (former forclosure - 
angry teenager punched 39 holes in the wall, multi-colored badly painted walls, 
that kind of thing).

--Rachel
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Re: [h-cost] Moving

2015-08-31 Thread Lavolta Press
In terms of the proportion of houses of different dates available, 1940s 
does seem old. Our SF house was built in 1941 and it's kind of scary to 
think that was 74 years ago.


Anyway, we are really glad to get this house.  It is so much better than 
anything we could possibly buy for that price anywhere in the SF Bay 
Area, even the far fringes. Even for Sacramento, getting two acres in an 
urban area, close to lots of shopping, is pretty unusual. It was a 
divorce sale. When the couple finally quit fighting about the house, 
they knocked the price way down to sell it and we bid soon after that.


We are liking the Sacramento climate. It doesn't feel as hot as we 
expected and it's not foggy like the Sunset in SF. One good thing about 
an older house is that it does not have wall-to-wall windows, which are 
trendy but not what I want in a hot, sunny climate.


Fran
Lavolta Press
www.lavoltapress.com



On 8/31/2015 12:10 PM, Ginni Morgan wrote:

Ummm, 1940s isn't old for Northern California considering Sacramento has been 
around since 1849/50 and the Sacramento and San Joaquin Valleys were pretty 
much completely settled and being farmed by the 1860s through 1880s.  And a lot 
of the other towns in the Valley are of similar age.

However, a 1940s house certainly can be considered to be of late middle age.  It's 
just not really a senior citizen in comparison to a lot of others houses around 
town.  ;>)

Congratulations on your new home and welcome to Sacramento!

Ginni
(Sacramento almost native since 1957)


-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On 
Behalf Of Lavolta Press
Sent: Sunday, August 30, 2015 2:43 PM
To: Historical Costume
Subject: Re: [h-cost] Moving

We're not going to take care of the garden ourselves. The previous owner had a 
team of two gardeners who come once a week and we kept them on.
Yes, there are many large, mature trees. Also an incredibly prolific Meyer 
lemon tree.  A lot of rose bushes but all white.  It's more like a landscaped 
park than a flower garden. It even has an outdoor lighting system for night use.

The previous owner didn't obey any water restrictions and the Sacramento water 
department asked us to cut down, so we cut down 50%. Things are a little droopy 
now, but would be better if the arrangement of the sprinkler system were more 
effective. We're going to get some landscaping people to look at the garden 
once we move in, move the sprinklers or install a drip system, prune some 
trees, and maybe we'll change gardeners. But that's not our first priority.  I 
want to plant a mandarin orange tree, which should flourish considering how 
well the lemon tree is doing.

I will look into the Sacramento heritage housing for information. 1940s is old 
for northern California, after all. Thanks for the suggestion.
Currently what information we have on remodels is from long-time neighbors.

Fran
Lavolta Press
www.lavoltapress.com

On 8/30/2015 2:16 PM, Patricia Dunham wrote:

Sounds MARVELOUS! We've been following American Bungalow magazine and the other 
major Arts-n-Crafts-houses one (which I can never remember the name of!) for 
quite a while now.

Since it's only the 40's, that's probably too recent for any Sacramento 
heritage-housing organization to be interested in??? Such a group MIGHT have 
info about the early days of your house. The Rehab Addict gal (HGTV) often 
finds wonderful pictures of early days of her houses that way.

Hope you have some medium or bigger, drought-resistant trees to help with 
microclimates and passive cooling! We have several maples and hazelnut trees 
that help our (VERY) little 50s rancher a LOT that way.  Also, 2-acre garden, 
oy!

Best wishes!
chimene the envious, 8-)

On Aug 30, 2015, at 12:30 PM, Lavolta Press  wrote:


The seller did a lot of work to prepare for the sale, including a new roof,  
and we now have estimates for all the indoor work we want to do. So I don't 
think there will be any more expensive surprises.

The other surprises are kind of fun. The house is almost 5,000 square feet 
(plus garage) and was built in the 40s as a Colonial Revival style. I grew up 
in an area where there were plenty of real Colonial houses and see little 
resemblance, unless you count wide hallways, and wide doorways to all the 
public rooms. It could as easily be Mission, which is more the look we're 
aiming at.  Anyway, there have been a number of owners and each one has 
remodeled the property in some significant way.  We're not even sure how much 
of the house is original and what was added on or when. We keep discovering 
things. The other day a painting contractor who came to give an estimate 
examined the drywall on the living room ceiling. He pointed out there were long 
patches indicating that the ceiling once had ornamental Mission style beams 
across it. I'd rather like to p

Re: [h-cost] Moving

2015-08-30 Thread Lavolta Press
We're not going to take care of the garden ourselves. The previous owner 
had a team of two gardeners who come once a week and we kept them on.  
Yes, there are many large, mature trees. Also an incredibly prolific 
Meyer lemon tree.  A lot of rose bushes but all white.  It's more like a 
landscaped park than a flower garden. It even has an outdoor lighting 
system for night use.


The previous owner didn't obey any water restrictions and the Sacramento 
water department asked us to cut down, so we cut down 50%. Things are a 
little droopy now, but would be better if the arrangement of the 
sprinkler system were more effective. We're going to get some 
landscaping people to look at the garden once we move in, move the 
sprinklers or install a drip system, prune some trees, and maybe we'll 
change gardeners. But that's not our first priority.  I want to plant a 
mandarin orange tree, which should flourish considering how well the 
lemon tree is doing.


I will look into the Sacramento heritage housing for information. 1940s 
is old for northern California, after all. Thanks for the suggestion. 
Currently what information we have on remodels is from long-time neighbors.


Fran
Lavolta Press
www.lavoltapress.com

On 8/30/2015 2:16 PM, Patricia Dunham wrote:

Sounds MARVELOUS! We've been following American Bungalow magazine and the other 
major Arts-n-Crafts-houses one (which I can never remember the name of!) for 
quite a while now.

Since it's only the 40's, that's probably too recent for any Sacramento 
heritage-housing organization to be interested in??? Such a group MIGHT have 
info about the early days of your house. The Rehab Addict gal (HGTV) often 
finds wonderful pictures of early days of her houses that way.

Hope you have some medium or bigger, drought-resistant trees to help with 
microclimates and passive cooling! We have several maples and hazelnut trees 
that help our (VERY) little 50s rancher a LOT that way.  Also, 2-acre garden, 
oy!

Best wishes!
chimene the envious, 8-)

On Aug 30, 2015, at 12:30 PM, Lavolta Press  wrote:


The seller did a lot of work to prepare for the sale, including a new roof,  
and we now have estimates for all the indoor work we want to do. So I don't 
think there will be any more expensive surprises.

The other surprises are kind of fun. The house is almost 5,000 square feet 
(plus garage) and was built in the 40s as a Colonial Revival style. I grew up 
in an area where there were plenty of real Colonial houses and see little 
resemblance, unless you count wide hallways, and wide doorways to all the 
public rooms. It could as easily be Mission, which is more the look we're 
aiming at.  Anyway, there have been a number of owners and each one has 
remodeled the property in some significant way.  We're not even sure how much 
of the house is original and what was added on or when. We keep discovering 
things. The other day a painting contractor who came to give an estimate 
examined the drywall on the living room ceiling. He pointed out there were long 
patches indicating that the ceiling once had ornamental Mission style beams 
across it. I'd rather like to put beams in there now, but my husband refuses. 
There is a family room next to it with an entirely wooden ceiling, massive (pr!

o!

  bably) nonsupportive beams and all, so I suppose that will have to do.

We hadn't even really examined the grounds closely till recently. There are a 
number of benches and things we may have to do something about at some point.

Fran
Lavolta Press
www.lavoltapress.com

On 8/30/2015 12:02 PM, WorkroomButtons.com wrote:

...   BTW, for the few who are left in h-costume, I just wanted to say my
husband and I are cashing in our SF house, which we've owned for over 30
years, to take advantage of the local real estate boom.  And we already
bought our dream house in the Sacramento area!  We don't expect to move
in till sometime in the fall. We're having the house painted in Arts &
Crafts colors, oak flooring put into the few rooms that don't already
have it, and remodeling the kitchen with custom "mission" cabinets. And
some fixups here and there. There is a gorgeous garden (almost 2 acres),
but we recently discovered the sprinkler system needs to be moved and
part of the fence needs to be replaced . . . My sewing room is a huge
master bedroom with a separate large room (formerly an indoor swimming
pool, according to the neighbors), for use as a closet. There are two
other bedrooms plus a guest suite, so we don't need to sleep in it,
anyway for a bedroom it's absurdly large. So we are really excited.

We also need to buy more furniture, preferably antique, late 19th/early
20th century.  Especially more bookcases.  So if anyone knows of any
great antique stores in that area, email me!


___
h-costume mailing list
h-costume@

Re: [h-cost] h-costume on facebook?

2015-08-30 Thread Lavolta Press
Really, Majordomo lists are superior except for not transferring images, 
which people discussing costuming often want to do.  I'd assume maybe 
they can, if the moderator sets it up?  People have more bandwidth now 
than they did 20+ years ago when I first joined.


Fran
Lavolta Press
www.lavoltapress.com

On 8/30/2015 12:13 PM, Brenda Bell wrote:



From: Carol Kocian 
Date: Sat, 29 Aug 2015 14:13:50 -0400
Subject: [h-cost] h-costume on facebook?

Does h-costume have a presence on facebook? Someone was just asking 
for an all-era sewing group, not just for patterns, not just for 
challenges, but a place to discuss and ask questions.


Thanks!
-Carol


From: Patricia Dunham 
Date: Sat, 29 Aug 2015 12:01:19 -0700
Subject: Re: [h-cost] h-costume on facebook?
Message: 2

I hope not, or if so, that it is an open site… I don't care to turn 
my life over to the world via Facebook and SO many research sites 
there are locked up where you can't see the info!


I'd encourage folk to join mailing lists like this one -- even though 
it's "older technology", there are no issues with Facebook's 
constantly changing privacy settings, harvesting user information, and 
so on. (I have not, and will not, join Facebook. That said, I *am* on 
LinkedIn, Google+, Twitter, Pinterest, and a number of Yahoo groups, 
which *also* do a bunch of privacy invasion/info harvesting).




Brenda F. Bell
webwar...@earthlink.net

Support me in riding the 2015 Tour de Cure to Stop Diabetes! 
http://main.diabetes.org/goto/tmana


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Re: [h-cost] Moving

2015-08-30 Thread Lavolta Press
The seller did a lot of work to prepare for the sale, including a new 
roof,  and we now have estimates for all the indoor work we want to do. 
So I don't think there will be any more expensive surprises.


The other surprises are kind of fun. The house is almost 5,000 square 
feet (plus garage) and was built in the 40s as a Colonial Revival style. 
I grew up in an area where there were plenty of real Colonial houses and 
see little resemblance, unless you count wide hallways, and wide 
doorways to all the public rooms. It could as easily be Mission, which 
is more the look we're aiming at.  Anyway, there have been a number of 
owners and each one has remodeled the property in some significant way.  
We're not even sure how much of the house is original and what was added 
on or when. We keep discovering things. The other day a painting 
contractor who came to give an estimate examined the drywall on the 
living room ceiling. He pointed out there were long patches indicating 
that the ceiling once had ornamental Mission style beams across it. I'd 
rather like to put beams in there now, but my husband refuses. There is 
a family room next to it with an entirely wooden ceiling, massive 
(probably) nonsupportive beams and all, so I suppose that will have to do.


We hadn't even really examined the grounds closely till recently. There 
are a number of benches and things we may have to do something about at 
some point.


Fran
Lavolta Press
www.lavoltapress.com

On 8/30/2015 12:02 PM, WorkroomButtons.com wrote:

That really does sound like a dream house!  Hope the transition goes smoothly 
and that there are no more surprises (at least not costly ones). :-)
-Dede _
West Village Studio
www.workroombuttons.com
   From: Lavolta Press 
  To: Historical Costume 
  Sent: Sunday, August 30, 2015 2:05 PM
  Subject: [h-cost] Moving

BTW, for the few who are left in h-costume, I just wanted to say my

husband and I are cashing in our SF house, which we've owned for over 30
years, to take advantage of the local real estate boom.  And we already
bought our dream house in the Sacramento area!  We don't expect to move
in till sometime in the fall. We're having the house painted in Arts &
Crafts colors, oak flooring put into the few rooms that don't already
have it, and remodeling the kitchen with custom "mission" cabinets. And
some fixups here and there. There is a gorgeous garden (almost 2 acres),
but we recently discovered the sprinkler system needs to be moved and
part of the fence needs to be replaced . . . My sewing room is a huge
master bedroom with a separate large room (formerly an indoor swimming
pool, according to the neighbors), for use as a closet. There are two
other bedrooms plus a guest suite, so we don't need to sleep in it,
anyway for a bedroom it's absurdly large. So we are really excited.

We also need to buy more furniture, preferably antique, late 19th/early
20th century.  Especially more bookcases.  So if anyone knows of any
great antique stores in that area, email me!

Fran
Lavolta Press
www.lavoltapress.com

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http://mail.indra.com/mailman/listinfo/h-costume


   
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[h-cost] Moving

2015-08-30 Thread Lavolta Press
BTW, for the few who are left in h-costume, I just wanted to say my 
husband and I are cashing in our SF house, which we've owned for over 30 
years, to take advantage of the local real estate boom.  And we already 
bought our dream house in the Sacramento area!  We don't expect to move 
in till sometime in the fall. We're having the house painted in Arts & 
Crafts colors, oak flooring put into the few rooms that don't already 
have it, and remodeling the kitchen with custom "mission" cabinets. And 
some fixups here and there. There is a gorgeous garden (almost 2 acres), 
but we recently discovered the sprinkler system needs to be moved and 
part of the fence needs to be replaced . . . My sewing room is a huge 
master bedroom with a separate large room (formerly an indoor swimming 
pool, according to the neighbors), for use as a closet. There are two 
other bedrooms plus a guest suite, so we don't need to sleep in it, 
anyway for a bedroom it's absurdly large. So we are really excited.


We also need to buy more furniture, preferably antique, late 19th/early 
20th century.  Especially more bookcases.  So if anyone knows of any 
great antique stores in that area, email me!


Fran
Lavolta Press
www.lavoltapress.com

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Re: [h-cost] h-costume on facebook?

2015-08-30 Thread Lavolta Press
I don't think GBACG restricts their FB membership to local residents, 
but they do focus primarily on local events. If you want a regional FB 
group that includes some discussion of more general costuming issues, 
there is a huge number of them for different areas.  Just look up  your 
city, state, region, and you'll probably find such a group.


Fran
Lavolta Press
www.lavoltapress.com

On 8/30/2015 10:02 AM, Carol Kocian wrote:

It is, and they seem to fit the criteria of an all-era group. Unless they limit 
membership to the Greater Bay Area?

I think the person asking (on facebook) wanted to see if there was a group 
already established before starting her own. There are a lot with a specific 
era of focus.

-Carol



On Aug 30, 2015, at 10:35 AM, costumrs  wrote:

I believe that is the FB page for the Greater Bay Area Costumers Guild.
Sandy


Sent from my Verizon Wireless 4G LTE smartphone

 Original message From: Wicked Frau  Date:08/29/2015  
2:41 PM  (GMT-06:00) To: Historical Costume  Subject: Re: [h-cost] h-costume on 
facebook? 
That is the official facebook page for this list?  I never knew there was
one.

On Sat, Aug 29, 2015 at 12:35 PM, Cin  wrote:


Yes, https://www.facebook.com/groups/gbacg/ and each Guild event often has
it's own FB event announcement.

--cin
Cynthia Barnes

On Sat, Aug 29, 2015 at 11:13 AM, Carol Kocian 
wrote:


Does h-costume have a presence on facebook? Someone was just asking for

an

all-era sewing group, not just for patterns, not just for challenges,

but a

place to discuss and ask questions.

Thanks!
-Carol

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--
-Sg-
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Re: [h-cost] h-costume on facebook?

2015-08-30 Thread Lavolta Press
I don't think many FB groups are invitation only or require a private 
request to a moderator to be added. But to post, you do have to join by 
clicking a "Join this group" button.


That said, FB is generally not a venue where long, substantive 
discussions take place. Its tiny message boxes encourage people not to 
write anything longer than two lines. You can post a longer message--the 
box expands to some extent--but many people don't.  The other thing 
about FB is that its basic setup, the culture the company has strongly 
encouraged, is for people to get torqued about how many people "like" 
what they say (and by extension themselves), which also does not 
encourage substantive discussion. Collecting likes is silly and 
juvenile, but it does appeal to something in human nature. There is no 
real substitute for Majordomo and Yahoo type groups.


Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com

On 8/30/2015 6:38 AM, Genie wrote:

Many of the groups on FB are closed/invitation only, or you request to be added.

there are options if you don't want to set up an open group.

FB doesn't have to be a black hole.

-Original Message-

From: Cin 
Sent: Aug 29, 2015 2:35 PM
To: Historical Costume 
Subject: Re: [h-cost] h-costume on facebook?

Yes, https://www.facebook.com/groups/gbacg/ and each Guild event often has
it's own FB event announcement.

--cin
Cynthia Barnes

On Sat, Aug 29, 2015 at 11:13 AM, Carol Kocian  wrote:


Does h-costume have a presence on facebook? Someone was just asking for an
all-era sewing group, not just for patterns, not just for challenges, but a
place to discuss and ask questions.

Thanks!
-Carol

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Re: [h-cost] h-costume on facebook?

2015-08-29 Thread Lavolta Press

You could start one.

Fran

On 8/29/2015 11:13 AM, Carol Kocian wrote:

Does h-costume have a presence on facebook? Someone was just asking for an 
all-era sewing group, not just for patterns, not just for challenges, but a 
place to discuss and ask questions.

Thanks!
-Carol
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Re: [h-cost] Stange detail on early 1900's shirtwaists - help?

2015-08-14 Thread Lavolta Press
I don't know where the blouse came from, but there is another issue with 
vintage items.  Dealers repair items to make them salable.  I have seen 
ties I am sure were modernly shortened (different thread and stitch 
lengths), probably because the ends were frayed.  And ties cut off 
altogether all the way up to the center back where they were sewed down.


Fran
Lavolta Press
www.lavoltapress.com

On 8/14/2015 11:02 AM, WorkroomButtons.com wrote:

Thanks so much!   We have shirtwaists that do have a longer front, but this one 
does not.  Also, even assuming a tiny waistline, the outside ties are not long 
enough for a bow -- they can only be knotted.  Would the knotted ties be hidden 
under the skirt top?

Any clue as to the purpose of the longer inner ties?
Dede
  _
West Village Studio
www.workroombuttons.com
   From: Lavolta Press 
  To: Historical Costume 
  Sent: Friday, August 14, 2015 1:31 PM
  Subject: Re: [h-cost] Stange detail on early 1900's shirtwaists - help?

The ties are quite usual in Edwardian blouses. They are sewn to the back

of the blouse and come around to tie in front. They are often too short
to tie in a bow rather than a knot, although possibly the original
wearer had a smaller waistline than a modern wearer. It's hard to tell
the waist size with a full style of blouse. The purpose of the ties is
to keep the blouse from riding up, and to secure the arrangement of
waist folds the wearer made when putting on the blouse, especially if
the blouse has a front "puff" (it will look longer in front than in back
when not being worn if that is the case).  Blouses of this period could
button in either the front or the back, but whichever has the ties sewn
to it is the back.

Hope this helps.

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com



On 8/14/2015 8:21 AM, WorkroomButtons.com wrote:

We've encountered a puzzling detail present on several early 1900's shirtwaists 
at the Reed Homestead (THS Clothing Collection).  One example can be seen here:
https://www.flickr.com/photos/workroombuttons/albums/72157657235770901

Please be sure to scroll down a bit and read the descriptions below the photos.
1.  What is the function of the ties?  Front ties are too short to be tied into 
a back bow, and inside ties...?2.  Which is the front side of the shirtwaist:  
pleats or buttons?

We're really stuck here!  Can anyone help us out?  Thanks!
Sincerely,Dede O'Hair _
West Village Studio
www.workroombuttons.com
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Re: [h-cost] Stange detail on early 1900's shirtwaists - help?

2015-08-14 Thread Lavolta Press
The ties are quite usual in Edwardian blouses. They are sewn to the back 
of the blouse and come around to tie in front. They are often too short 
to tie in a bow rather than a knot, although possibly the original 
wearer had a smaller waistline than a modern wearer. It's hard to tell 
the waist size with a full style of blouse. The purpose of the ties is 
to keep the blouse from riding up, and to secure the arrangement of 
waist folds the wearer made when putting on the blouse, especially if 
the blouse has a front "puff" (it will look longer in front than in back 
when not being worn if that is the case).  Blouses of this period could 
button in either the front or the back, but whichever has the ties sewn 
to it is the back.


Hope this helps.

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com

On 8/14/2015 8:21 AM, WorkroomButtons.com wrote:

We've encountered a puzzling detail present on several early 1900's shirtwaists 
at the Reed Homestead (THS Clothing Collection).  One example can be seen here:
https://www.flickr.com/photos/workroombuttons/albums/72157657235770901

Please be sure to scroll down a bit and read the descriptions below the photos.
1.  What is the function of the ties?  Front ties are too short to be tied into 
a back bow, and inside ties...?2.  Which is the front side of the shirtwaist:  
pleats or buttons?

We're really stuck here!  Can anyone help us out?  Thanks!
Sincerely,Dede O'Hair _
West Village Studio
www.workroombuttons.com
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Re: [h-cost] post-mortem photos

2015-01-16 Thread Lavolta Press
Didn't they ever use stands to keep live infants in position for the 
time necessary for the photo?  It's not like the parents can just tell 
them to keep still.


Fran
Lavolta Press
www.lavoltapress.com


On 1/16/2015 4:24 PM, stils...@netspace.net.au wrote:

What a bright and cheery way to start the year.

Was the cross added by family or could it be a mark made by the
photographer for the touch-up artist? Maybe not, it looks more like a
Christian cross than an X

Either way, speaking as someone who has just spent a week dressing
human forms filled with ballistics gel & latex (don't ask), it is
possible to prop something human-shape in the way shown in the
photograph. Loose clothing is the key.

To be really morbid, could one of the kids be holding the boy's upper
body up?

Still, my vote on this one is vertical pole behind, probably using the
belt to hold the bulk of the weight. Keeping the upper body from
flopping over is the problem.

It brought to mind the pic seen here:

http://artsearch.nga.gov.au/Detail.cfm?IRN=40548

&

http://bluerangestudio.com.au/wp-content/uploads/2014/08/Joe-Byrne-on-door-close-up-260x430.jpg

&

http://bluerangestudio.com.au/wp-content/uploads/2014/08/Joe-on-Door-side-view-300x217.jpg

the body of Joe Byrne, member of outlaw Ned Kelly's gang, suspended
for public viewing and for photographers on a police station door a
day or two after death (late June, 1880. Cause of death, bullet wound,
body then subjected to building fire).

Aside to self: I wonder how "scholarly" we would be if the portrait of
the child were a more recent pic.,

-C.

- Original Message -
From: "Historical Costume"
To:"Historical Costume"
Cc:
Sent:Fri, 16 Jan 2015 12:11:23 -0500
Subject:Re: [h-cost] post-mortem photos

  It isn't impossible. Difficult, yes. But not impossible. As any EMT
worker
  can tell you. Yes, it is difficult. But that's why you used things
like
  stands, or straps.
  
http://cabinetofcuriosities.ca/pictures-of-the-dead-the-truth-about-post-mortem-photography/

  On Fri, Jan 16, 2015 at 7:08 AM, mhprobe...@gmail.com
  wrote:

  > This question made me curious because I've seen so many photos
labeled PM
  > when I thought they weren't. And of course I stare with same morbid
  > curiosity as the next person (Thanatos?)! But standing poses - I
don't
  > know. It's practically impossible to hold an unconscious person
upright - I
  > know this - so imagine a corpse. To make the costume connection,
it's also
  > difficult to dress one!
  >
  > Anyway, these links were the first to come up. Interesting.
  >
  >
http://mourningportraits.blogspot.com/p/hoaxes-scams-ebay-optimism.html
  >
  >
  >
http://www.pinterest.com/angelusmortis2/post-mortem-photography-no-you-dont-see-dead-peopl/
  >
  > Melissa Roberts
  > ___
  > h-costume mailing list
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  > http://mail.indra.com/mailman/listinfo/h-costume
  >

  --
  http://dirtygirldesigns.wordpress.com/
  http://www.etsy.com/shop/dirtygirldesigns
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Re: [h-cost] New York garment district

2015-01-15 Thread Lavolta Press

Is there a printed exhibit catalog?

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com

On 1/15/2015 7:31 PM, Monica Spence wrote:

The Met has an awesome show called "Death Becomes Her" Mourning clothes from
1800-1915or so.  One of Queen Victoria's gowns is on display, and two from
Alexandra, Edward's wife. You should not miss it. It is in the costume
institute, below the Egyptian Exhibit.
  I believe the show runs until February.

Monica

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Brenda Bell
Sent: Thursday, January 15, 2015 9:11 AM
To: h-cost...@indra.com
Subject: [h-cost] New York garment district

AtMon, 01 Dec 2014 22:27:11 -0800, humbugfo...@att.net wrote:


Also, I've checked the Met and FITM for costume exhibits and there
doesn't seem to be anything particularly exciting on their schedules.
Can anyone suggest any other museums or exhibitions that would have
(historical) costumes on display?

I'd check the People Center at the American Museum of Natural History for
costumes of indigenous peoples. I might also check the Museum of the City of
New York, the New York Historical Society, the Museum of  Folk Art, and the
American Crafts Museum to see if there will be any interesting exhibits. You
might also check to see if you can do some specific study at the Met's
Costume Institute, if there's something particular you wish to research.


Brenda F. Bell
webwar...@earthlink.net

Support me in riding the 2015 Tour de Cure to Stop Diabetes!
http://main.diabetes.org/goto/tmana

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Re: [h-cost] Pomona Green: vote now!

2015-01-15 Thread Lavolta Press


My understanding is that it's a yellowish green, making the color in the 
middle link most accurate. At least on my monitor. Exclusive_silks is 
the same business as pure_silks on eBay; you might want to look at their 
listings too. For myself, I don't worry about not being able to find a 
solid fabric color, since I can always dye white or off-white fabric. 
See 
http://www.dharmatrading.com/dyes/dyes-for-dyeing-silk-wool-nylon.html?lnav=dyes.html


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com

On 1/15/2015 1:19 PM, Hope Greenberg wrote:


The color name "pomona green" appears throughout early 19th century 
fashion magazines. Fashion plates display women in pomona green gowns, 
or with pomona green accessories, and descriptions of the color 
usually refer to leaves or apples. First problem: the images depicted 
are showing a range of greens (understandable in that they are usually 
handpainted). Second problem: trying to find a green that matches any 
of the greens in that range is rather difficult in our current decade 
of very blue greens or very yellow/olive greens. Even the pantone 
color chart shows us that this range of greens doesn't seem to be in 
vogue.


So, here's a challenge! Which of the three fabrics linked here would 
you place in the "closest to pomona green" category. I know, "none of 
them" or "you can't tell from an online picture" are both logical 
responses as is "just buy some and then decide"! But I'm hoping some 
of you will take a stab at this. And if anyone knows of another site 
that has the perfect pomona green in a lightweight silk taffeta 
(especially at these prices) oh my! I would love to know about it. :-)


http://www.puresilks.us/index.php?route=product/product&product_id=4014
http://www.puresilks.us/index.php?route=product/product&product_id=2741
http://www.puresilks.us/index.php?route=product/product&product_id=2163

and this is the color I'm most in love with in an illustration:
http://www.pinterest.com/pin/194991858836404282/


- Hope

P.S. And my apologies for sending a question about greens amidst the 
discussion about post mortem photographs...(groan: ducking and running).


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Re: [h-cost] searching for a graphed pattern

2014-12-04 Thread Lavolta Press


I bought all the packets when they came out. They're somewhere around . 
. . They are not books, but sheets packaged in envelopes, so less likely 
to be in libraries than books would be.  Libraries don't like 
publications that have a lot of separate pieces that can get lost.


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com


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[h-cost] Amazon Warriors, including what they wore

2014-11-11 Thread Lavolta Press

This looks like a solid book.  My husband is interested in classical history 
and this one's all over the blogs. I asked him to give it to me for Christmas.

http://news.nationalgeographic.com/news/2014/10/141029-amazons-scythians-hunger-games-herodotus-ice-princess-tattoo-cannabis/

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com



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Re: [h-cost] pattern questions

2014-11-02 Thread Lavolta Press
Not very suitable. The issue is not the size, it's the garment shapes. 
The petticoat is for early 20th-century skirts, which were fuller than 
in the 1910s. The camisole is for the pouched bosom look of the early 
20th century, which was gone by the 1910s.  The 1910s drawers were also 
less full. See http://www.pastpatterns.com/1900.html for some pattern 
shapes with dates.


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com


On 11/2/2014 10:13 AM, llwa...@juno.com wrote:

I have two questions about the Folkwear "Edwardian Underthings" pattern for 
anyone who's used it: 1) How accurate would it be for the World War I era? 2) I know they 
say it goes to 3XL, but given Folkwear's habit of sizing things small I'm not counting on 
the pattern being usable straight out of the package -- how easy to resize is it? Thanks. 
Leah
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Re: [h-cost] any must-see exhibits in Dec or Jan?

2014-10-24 Thread Lavolta Press
My husband has years-old frequent flyer points that he keeps active by 
occasionally buying a book at Barnes & Noble online (specifically).  You 
might see whether your frequent flyer account enables you to buy 
something at a certain store, etc., to keep your points.


Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com

On 10/24/2014 10:25 AM, Charlene C wrote:

I need to fly somewhere in December or January to keep my frequent
flyer points active (apparently I've been using my husband's points
too much).

Therefore, I now have an excuse to go someplace in the continental US.
Are there any must-see museum exhibits you'd recommend? [Or any other
events, shows, points of interest, etc.; feel free to send to me
off-list.]

Thanks!
--Charlene
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Re: [h-cost] re wardrobe size, middle class

2014-10-12 Thread Lavolta Press
Sounds like you are looking at the lower middle class. As for parties, 
everybody had them, at least on holidays, weddings, and other special 
occasions.  The issue is how fancy the parties were.


Note that judging from period fiction, women of the Victorian lower and 
middle-middle classes were often financially anxious.  Unmarried women 
had few alternatives but to marry, but not all that many opportunities. 
Until they were "settled," they had to strive to look as good as 
possible and attend as many parties as possible, even on a small budget. 
They also had to work to acquire "accomplishments," such as singing, 
dancing, and playing the piano, to be more popular at parties and more 
attractive to potential husbands. If they were widowed, the anxiety 
started all over again, unless their husband had left them a comfortable 
amount of money. If they were matrons, they had to worry about marrying 
off their daughters. Even grandmothers, aunts, married older sisters, 
and family friends lent a hand. Women put an incredible amount of effort 
into achieving marriages for themselves and their relatives.


Fran
Lavolta Press
www.lavoltapress.com


On 10/12/2014 10:51 AM, Cascio Michael wrote:

Hi All,
 I've given some thought as to how I would describe middle class for my 
research project since you're all correct in that middle class covers a wide 
range.
I'm looking at people who had enough that they could grow or purchase enough 
food to not worry about having food, farm families would be included since even 
if the women didn't work outside the home as in more recent centuries they 
definitely contributed, maybe afford to throw the occasional gathering or party 
and had a special outfit or two for funerals or special occasions such as 
holidays.  I'm thinking yeoman or burgher class for earlier centuries.  People 
with enough not to feel threatened financially on a daily basis but not so much 
that the adults were idle.  I hope I'm making sense.
 And on a another note I just saw Lizzie Borden Took an Axe with Christine 
Ricci in it and the outfit she's wearing through most of the movie's day of the 
murder just seems wrong to me.  Is it supposed to be an underdress because it's 
hot or a housedress or a fantasy?


Cassandra

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Re: [h-cost] wardrobe size

2014-10-09 Thread Lavolta Press
And for the 19th and 20th centuries, manuals of wardrobe advice and 
articles about it in fashion magazines.


Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com


On 10/8/2014 7:27 PM, Heather Rose Jones wrote:

Wills are often a great place to research this type of question.


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Re: [h-cost] wardrobe size

2014-10-08 Thread Lavolta Press
What's middle class? For example, in the Victorian era this included 
people who were just barely managing to keep up a middle-class 
appearance, and an upper middle class that could be quite affluent.


Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com

On 10/8/2014 4:16 PM, Cascio Michael wrote:

Hello,
 I'm trying to look into the size of the average middle-class woman's 
wardrobe through the centuries.  Finding advice on the trousseau is easier, at 
least after the advent of ladies' magazines but I'm most interested in how many 
dresses a middle class woman would own.  How common was the one dress for every 
day and one for Sunday with a multitude of aprons?  Do women start having more 
dresses after the advent of cheap cotton?  Since the list covers a large span 
of history I'm hoping for answers from many centuries.

  Cassandra


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Re: [h-cost] Barge's cement

2014-09-01 Thread Lavolta Press
When gluing anything to anything else, you want the optimal glue to 
stick those specific two substances together, AND strong enough for the 
uses to which it is to be put. I've used Barge cement to glue leather to 
leather, with no respirator, gloves, or panic. I'm still alive and well. 
It's not very strong in my experience, though. Also in my experience, 
most white glues are optimized for wood and paper.


See the following website for advice on glues:

http://www.thistothat.com/

Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com



On 8/31/2014 11:33 PM, Marjorie Wilser wrote:

So I have a repair project which is only marginally costume-y.

However. It is a cheapie modern trunk made to look old with vinyl trim. The 
trim is stitched and then glued down. Yeah. Right. But it’s coming up all over 
and looks horrible. I still like the little trunk and want to make it shipshape 
again.

In examining the offerings on Amazon, I find (link below)
http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Daps&field-keywords=barge%27s+cement

Too many packages to make an intelligent choice from. All claim to be Barge’s 
cement.

So, users of Barge’s for shoemaking and other wonders— which is my best bet, 
please?

Many thanks!

==Marjorie Wilser


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Re: [h-cost] slashing fabric

2014-07-23 Thread Lavolta Press
If I recall, fish glue was sometimes applied to the slashed edges, or 
alternatively they were overcast.  Fabric cut on the bias *does* fray 
and stretch.


Fran
Lavolta Press
www.lavoltapress.com

On 7/23/2014 12:09 PM, Cherylyn Crill wrote:

There were also a variety of agents that could have been applied to cut edges 
that would have acted as glue, preventing fraying.

~Cherylyn




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[h-cost] Ancient Sythian day spas

2014-05-24 Thread Lavolta Press

Thought this might be of interest--ancient Sythian day spas.

http://www.wondersandmarvels.com/2012/09/beauty-secrets-of-the-ancient-amazons.html

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com
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Re: [h-cost] New Book!

2014-01-31 Thread Lavolta Press

I just ordered it, I have been waiting for it to come out.

Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com


On 1/31/2014 5:45 AM, annbw...@aol.com wrote:

I am pleased to announce that Susan Greene's book, "Wearable Prints, 
1760-1860," is finally out! It is published by Kent University Press and is 
available discounted on Amazon. For those of you who don't know Susan, she has been 
working on this project for years, and I am glad to see it finally come to fruition.

Ann Wass
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Re: [h-cost] Loot-n-Booty Report, 2013

2013-12-26 Thread Lavolta Press


Costume-related gifts I received from my husband:

A year of 1916 La Mode Illustree with the pattern sheets

The book Textiles, the Art of Mankind, by Mary Schoeser

Another book, Jacques Henri Lartigue: The Invention of an Artist, by 
Kevin Moore


Three identical crewel-embroidered shawls from Heritage Trading to make 
a Regency dress


And my gift to myself, a whole wad of 1908 La Mode Illustree with the 
pattern sheets


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com



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[h-cost] Historic costuming books

2013-11-20 Thread Lavolta Press
Because the holiday season is coming up, I thought people might want to 
be reminded about my books on making 19th- and early 20th-century 
clothing. Details are at www.lavoltapress.com and many online 
bookstores. Thanks!


Fran
Lavolta Press
www.lavoltapress.com
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[h-cost] Re the 15th-century undergarments

2013-10-07 Thread Lavolta Press
Someone pointed me to a couple of blog posts where people are making 
reconstructions:


http://renikasanachronisticadventures.blogspot.se/search/label/Lengberg

http://deventerburgerscap.blogspot.se/2013/04/making-my-bra-shirt-part-ii.html

As for the rest, I do hope NESAT does get around to publishing their XI 
proceedings at the end of this year.


Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com
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[h-cost] Where is publication of NESAT XI research?

2013-10-06 Thread Lavolta Press
This is one of the many popular-audience articles that appeared on the 
discovery of some 15th-century brassieres: 
http://ajw.asahi.com/article/behind_news/social_affairs/AJ201211140001 I 
heard that a paper would be presented on these brassieres at NESAT XI, 
which happened in 2011. I have been eagerly waiting its publication, 
presumably in the anthology of NESAT papers. But I cannot find such an 
anthology for NESAT XI, including on the NESAT website, though I may be 
missing something since I can't read German.  Does anyone know if this 
research has been published and if so where I can find it?


Thanks,

Fran
Lavolta Press
Books on making historic clothing
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Re: [h-cost] names for velvets...

2013-09-13 Thread Lavolta Press
"Doux" also means "soft," but here it seems to be a brand 
name/manufacturer's label rather than a type of fabric.


Velvet is a weave.  You *can* weave velvets from any fiber, though some 
fibers are more attractive than others, and some velvets are 
significantly more available and/or affordable than others.   If you 
want to make clothes, make sure you are not getting upholstery weight 
velvet, which can be very heavy indeed, except maybe for a small garment 
like a vest.   All the linen velvet (velvet weave, linen fiber) that I 
have seen has been upholstery velvet.  If you find any garment weight 
linen velvet, please post the source and I'll go buy some!  Cotton 
velvet may commonly be either garment or upholstery weight, but if it's 
from a home-dec store it's probably upholstery weight.   On 
housefabric.com, with the velvets labeled "Flanders," "Nevada," etc., 
those are just brand names/manufacturer's labels, not standard fabric 
names.   When you are buying garment-weight velvet, make sure it's not a 
stretch velvet unless you want stretch.


Fran

Frances Grimble
Books on making historic clothing
www.lavoltapress.com

On 9/13/2013 1:57 PM, Patricia Dunham wrote:

my steam-punker has been attracted recently by victorian velvet outfits from the 
"OMG that dress" site, so he's been looking on-line at velvets.

we have hit a term we can't find a real definition for. does anyone know what is meant by "doux cotton 
velvet". "doux" literally means "sweet". some of the descriptions say "100% cotton", 
which indicates warp, weft and PILE all of cotton.

we have also run across descriptions of linen velvet, and mohair velvet!

both the cotton and linen velvet appear to run around $17/yard; 54-56" width -- 
oh, the linen is on 66% sale, usually more like $50/yd!

flanders velvet, housefabric.com, 63% cotton, currently on sale $10/54" yd...

well, enough dithering, he can pull up examples faster than I can transcribe 
them, 8-)

so... doux cotton velvet, linen velvet, flanders velvet... any definitions?

thx much
chimene
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[h-cost] Wall calendars

2013-09-12 Thread Lavolta Press
Has anyone found any good (preferably pre-1930) costume related wall 
calendars for 2014?


Fran
Lavolta Press
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[h-cost] Nazi propaganda photos of occupied Paris in World War 2

2013-09-12 Thread Lavolta Press
http://www.dailymail.co.uk/news/article-2417335/Paris-Nazi-lens-Propaganda-images-occupied-French-capital-citizens-thriving-German-rule.html 


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[h-cost] Costume Society of America--free newsletter subscription

2013-09-01 Thread Lavolta Press


 The Costume Society of America is offering free electronic
 newsletter subscriptions to non-members. The newsletter
 contains information about current and future museum exhibits,
 new books, events, museum jobs, and similar topics. To
 subscribe, contact the newsletter editor at
 e-n...@costumesocietyamerica.com.


 Fran

 Lavolta Press

 Books on making historic clothing

 www.lavoltapress.com <http://www.lavoltapress.com>

 www.facebook.com/LavoltaPress

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[h-cost] Review of The White Queen

2013-08-10 Thread Lavolta Press

Very amusing review of "The White Queen," including the costumes:

http://www.sfgate.com/default/article/White-Queen-review-Royally-entertaining-romp-4717571.php

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com
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Re: [h-cost] Period Hair, and Accessories

2013-07-31 Thread Lavolta Press


On 7/31/2013 2:11 PM, R Lloyd Mitchell wrote:

An interesting Costume item from the OED, Costume is the whole experience of 
mind and body...Appearance is only a small part of being 'in costume'. The way 
you stand, walk, sit, what you are thinking about...all this is necessary to 
pull yourself backward to Be in the times of your dress! Hair, nails, shoes, 
hatted or not, props...all is necessary to be truely in Costume!



Well, if we are snarking, one of my pet peeves is the actresses in 
period productions who habitually walk as if they were trying to beat 
the traffic light in a New York intersection, who swing their arms 
wildly, or who have to constantly make little scrunchy faces at the camera.


Fran
Lavolta Press
Books on historic clothing
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[h-cost] BBC article on 16th-century fashion book

2013-07-10 Thread Lavolta Press

http://www.bbc.co.uk/news/magazine-22766029

Fran
Lavolta Press
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Re: [h-cost] Wedding in 1882

2013-06-19 Thread Lavolta Press
Early in 1882 she was probably wearing a dress with only a small bustle 
(the "natural form" era), though late in 1882 it would have been a 
larger bustle.  She had on either a polonaise (long tunic) over a skirt, 
or a bodice/overskirt/skirt ensemble.  Either the polonaise or the 
overskirt likely provided the back drapery.  Her dress probably had a 
high day neckline and 3/4 or full length sleeves, but might well have 
had detachable parts (a front gilet, and lower sleeves) to turn it into 
a lower-necked, shorter-sleeved evening dress, especially if it was an 
expensive dress.  Wedding dresses were often worn as evening dresses 
after the wedding, if the bride expected to attend many social events. 
Other than that, there's not enough detail to go on.  The dress was 
likely off-white, but might have been colored, if it were to be used 
later as a day dress by a bride who did not expect to attend many 
evening events.


As for the mother-in-law, a shiny fabric (satin) and glittering jewels 
(diamonds) were not mourning.


You might be interested in my book Fashions of the Gilded Age, which 
contains patterns, images, and descriptions of wedding dresses in Volume 2.


Fran
Lavolta Press
www.lavoltapress.com


On 6/19/2013 7:38 PM, Cathy Raitt wrote:

  On a recent trip "home" I found a letter written by my great grandmother to her sister 
describing her daughter's wedding, which I have been trying to transcribe.   The wedding took place 
at home and the bride's attire was described as a "simple costume."Her veil was 
described, but not the dress itself.  This is what I've been able to figure out so far.  (Some of 
the words might not be exactly right - I'm still deciphering the handwriting!)

  


"The pure white  ---   veiling(?) trimmedwith many rows of lace and with drapery of white 
watered ribbon at the back was very pretty.  The veil a large square of tulle fell a little over 
her face and was caught on one side of the head by a cluster of natural white roses.  
Anotherbunch at the left side of the neck among the laces and a third larger upon the skirts 
holding the veils back a little. Black stockings & slippers and long white gloves made up the 
t ensemble. The only ornaments  were a beautiful Silver comb & earrings sent her by 
Cousin..."



What would this dress have looked like?  We haven't been able to find any 
pictures that could be this gown.



She comments that the groom's mother looked  "uncommonly well in black satin & lace. 
Some beautiful diamonds at her throat."  Was it normal to wear black to a wedding?  How 
long would someone wear mourning for a son?  (The groom's brother had died in 1875.)



Thanks!

Cathy










  
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Re: [h-cost] Multiple machines

2013-04-02 Thread Lavolta Press
The Bernina 1008 is a solid, no-frills workhorse.  The sewing machine 
store tried to upsell me a fancier model of Bernina on the grounds that 
those make better buttonholes, but since I was having the Viking 
restored I stuck with my choice of the 1008.


No machine is perfect, but I still have a case of accumulitis, thinking 
about all the machines I could have bought and thinking another one 
wouldn't hurt . . .


Fran
Lavolta Press
Books on historic sewing
www.lavoltapress.com

On 4/2/2013 8:24 PM, annbw...@aol.com wrote:



  My new Bernina 1008 makes
cruddy buttonholes,

I'm surprised your Bernina makes cruddy buttonholes. I wonder if they've 
changed how it works. One reason I wanted a Bernina was their reputation for 
good buttonholes. They were at that time the only machine that did the zigzag 
of both sides forward, instead of going down one side and up the other--that is 
accomplished by going up the other side with a straight stitch and then coming 
down with a zigzag. Mine also has a optical buttonholer so, once I make one, 
all the others match exactly.  But that feature, of course, was possible with 
the buttonhole attachment. My old Kenmore has a buttonhole attachment, but it 
isn't the kind with the drop-in cams, so I'm limited to 5 sizes.

Ann Wass



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[h-cost] Multiple machines

2013-04-02 Thread Lavolta Press
I still keeping thinking about getting an embroidery-sewing machine, and 
if I did, I would probably leave it set up for embroidery and use my 
Bernina for sewing. However, I have been hesitating for a long time 
because machine embroidery is a whole new craft and I want to make sure 
I am committed enough for the machine to be worth the substantial 
investment.  When I was shopping for a workhorse machine, I didn't 
really investigate buttonholing closely.  My new Bernina 1008 makes 
cruddy buttonholes, which is acceptable because my old Viking 400 makes 
sort-of-OK buttonholes. But I find myself really longing for the great 
buttonholes made by a Greist or Singer attachment on my long-departed 
Sears Kenmore. Somewhere along the line I disposed of its buttonhole 
attachment but plenty of similar vintage ones are available. Are the 
buttonholes on the high-end embroidery machines like the Husqvarna 
Designer Diamond really good, or--an alternative--should I buy a cheap 
vintage Kenmore or some other old machine and a buttonhole attachment?  
I ran into someone who did that; they just use their $15, vintage 
thrift-store machine exclusively for buttonholes.


Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com




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Re: [h-cost] what is everyone working on?

2013-04-01 Thread Lavolta Press


On 4/1/2013 8:13 AM, annbw...@aol.com wrote:



I forgot about the post-apocalypse!





And I thought I knew all the excuses for having a fabric stash!

Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com
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Re: [h-cost] what is everyone working on?

2013-03-31 Thread Lavolta Press
I love my Bernina, but the Viking is also pretty good, now that it has 
been restored to like-new condition. For years I thought having two 
machines was unnecessary, but that was when there were more good local 
repair places that could fix a machine in only a few days. I originally 
planned to sell the Viking. But when I discovered the really good repair 
place I finally found was so popular there was a one-month wait, I 
realized I need two machines now.  Even if the Bernina chugs happily 
along for years, having the backup machine makes me feel more secure.


Fran
Books on making historic clothing
www.lavoltapress.com


On 3/31/2013 5:32 PM, Kim Baird wrote:

2 sewing machines are the minimum number a real sewer need. And Bernina is
cream of the crop!
Kim




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Re: [h-cost] what is everyone working on?

2013-03-31 Thread Lavolta Press
I've always done a lot of hand hemming and hand finishing, but lately I 
am having a hard time not hand sewing.  I started hand sewing everything 
when my Viking's straight stitch went wonky. There was a period of two 
or three months where I took it to repair places who did not fix it 
properly. In the meantime I was doing hand sewing exclusively. Then I 
replaced the Viking with my Bernina and furthermore, found a great 
repair place that fixed the Viking like new, meaning I now have two 
sewing machines in great working order. And I'm still wanting to hand 
seam everything. I just got into it.


Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com


On 3/31/2013 4:45 PM, Marjorie Wilser wrote:
Finally finished hemming a neck kerchief for my colonial. That's one 
long hem, but I insisted on doing a hand hem.


 == Marjorie Wilser

=:=:=:Three Toad Press:=:=:=
   http://3toad.blogspot.com/
"Learn to laugh at yourself and you will never lack for amusement." --MW


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Re: [h-cost] what is everyone working on?

2013-03-31 Thread Lavolta Press
In my lifelong effort to find something that looks pre-1930 to wear when 
that is not in style, Victorian/Edwardian and medieval-inspired 
lagenlook and daytime (watered-down) steampunk.  Also I have really 
gotten into using Japanese sewing pattern books.


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com





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[h-cost] Polyester is the great new fiber

2013-03-31 Thread Lavolta Press

The Wall Street Journal says so!

http://online.wsj.com/article/SB120430818244003421.html?mod=slideshow_overlay_mod

Fran
Lavolta Press
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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-30 Thread Lavolta Press
Whenever you make something you are transforming the materials into 
something else.


As for what eras should be remodeled, durability is a key issue. This is 
affected not only by the age of the materials but the fiber,  how 
thin/thick they are, how they were stored (for example with moth 
repellant or not, in the dark or not), how they were prepared for sale 
(for example soaked in chlorine bleach or not), and other factors.  I 
have no idea how purist anyone wants to get about the age (and it's easy 
to dictate an age if you never do it anyway), but many of the things 
people are going to get really agitated about cutting up or wearing 
aren't durable enough to be worth the effort.  And/or they are too 
expensive on today's market.


Somethings you can't easily buy or even get the look of today, such as 
handmade lace.  And handmade linen bobbin lace is often quite durable.


Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com




On 3/30/2013 10:41 AM, annbw...@aol.com wrote:

Costumers ARE consumers! Somebody or something is going to be wearing the 
product, right? Even if it is made for display on a mannequin, that is 
consumption.


And re-making something isn't destroying it.


But I don't collect vintage or antiques clothing or textiles, either. I just 
admire others'. I'm strictly making period style things from modern materials.


I have been known to buy 1950s and 1960s era things from thrift stores, though, 
and altering them to fit to wear for costume.


So, how far do we go? 1950s? 1040s? 1920s? 



Ann Wass



-Original Message-
From: Marjorie Wilser 
To: Historical Costume 
Sent: Sat, Mar 30, 2013 11:19 am
Subject: Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)


And here I thought this list was for *costumers* and not consumers and
destroyers.

 == Marjorie Wilser



On Mar 30, 2013, at 7:40 AM, Lavolta Press wrote:


But apparently you don't even collect antique textiles yourself. You
are certainly welcome to do so, but are in no position to dictate to
others regarding it.


Rather than taking that dress in or out, why not check out the

seam lines and see if you can recreate a pattern from it?

Because I don't want to.

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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-30 Thread Lavolta Press


On 3/30/2013 4:44 AM, annbw...@aol.com wrote:

Fran and I don't always see eye to eye. But I have to agree with her on this 
one. Sounds like these tunics/shifts, which started the discussion, exist in 
great numbers. Let us hope someone, somewhere, has saved a couple, along with 
their provenance (if they were indeed worn at institutions, or whatever). For 
the rest, well, we can't save EVERYTHING. If we did, we would be covered with 
mountains of stuff.




I am intrigued by these because in 40 years, I have never seen anything 
like them (this sturdy) from American, UK, or Canadian dealers.  French 
dealers seem to accept them as common and sometimes call them "rustic."  
Maybe, but then the French lower classes, rural or perhaps urban, were 
willing to sacrifice comfort for extreme durability more than the 
Americans or British.  I have not seen any from other European 
countries, but then, the vast majority of dealers I see on 
English-speakingwebsites are naturally from English-speaking countries.


They are all cut with the selvage across the hem of the bottom (except 
sometimes the side gores) and any sleeves (many are sleeveless) and 
there is no hem there, just the selvage.


I also see men's shirts made from the same fabric, but I have not bought 
any.


Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com



.


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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-30 Thread Lavolta Press



Also, in the Victorian age, they loved doing exactly what you are doing - taking antique 
dresses and outfits > to wear to fancy balls.  Do you have any idea how many we lost 
during that time period?   How many not only > Rococo but Elizabethan outfits?   Just 
because someone wanted to look pretty and was incapable of thinking > about the 
historic value of the item in their hands.


And that is one of the things I love about the Victorian era. I love 
reading about people in the late 1870s and early 1880s remodeling men's 
18th-century vests for dresses.


>Not only are you doing this yourself, but encouraging others to do 
this as well - which is where my outrage is coming from. I've > seen 
plenty of people post something to ebay/etsy/pick your favorite online 
flea market that they had no idea what it was. By > encourage others to 
do what you do to create a t-tunic - beginners garb for most Medieval 
groups- you are encouraging people who have little knowledge on the 
subject of historical textiles to rip apart something that may be very 
valuable.


Apparently, you don't have the slightest idea what is valuable on the 
vintage market and what is not. Perhaps you should do some research 
before you express outrage.


>  That supposed 19th C chemise may actually be 17th C.

Since I have been studying and collecting textiles for over 40 years, I 
do know the difference.


> You may not consider yourself a "custodian" of historical wears but 
we all are.


But apparently you don't even collect antique textiles yourself. You are 
certainly welcome to do so, but are in no position to dictate to others 
regarding it.


> Rather than taking that dress in or out, why not check out the seam 
lines and see if you can recreate a pattern from it?


Because I don't want to.

 >As for the items being yours - well, the old house was your parents', 
right? I highly doubt they were allowed to do whatever they pleased with it.


Of course they were allowed to do whatever they pleased with it. You are 
under a major misconception that every older house is under historic 
protection.  There are a great many of them around and the vast  
majority are not.  The only thing the owners have to conform to is local 
zoning relations and the building code.  Everybody remodels and upgrades 
older homes all the time. Check your local real estate section for the 
ads for older homes and what the realtors say has been done to them.


>I know you won't listen, Fran. I've been on this list long enough to 
know that.


Well, naturally, I don't regulate my life by the advice of a perfect 
stranger who doesn't have a clue what she is talking about.


Fran
Lavolta Press
www.lavoltapress.com
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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press

I fail to see how it's any of your business.

Fran


On 3/29/2013 10:45 PM, Marjorie Wilser wrote:

Dear Isabella,

Likewise. I am sure. Brava! for saying so out loud.

 == Marjorie Wilser


On Mar 29, 2013, at 1:25 PM, . . wrote:

I am HORRIFIED at the idea of using an antique piece of our cultural 
history as something to wear; let alone cut it and dye it!  Would you 
buy a slightly rundown Victorian house and tear it up to sell off the 
pieces and remake it into a modern home?   Of course not!  Most 
countries now have regulations to protect these homes as part of our 
cultural heritage.  It's sad that we do not have similar laws to 
protect against the destruction of antiquities as is being described 
here.  I'm completly revolted at the idea of tearing up a garmet that 
is not shreaded, not in rags, just to make a t-tunic?   You can make 
a t-tunic out of good old linen for far less than $40 if watch for 
coupons and stash reduction sales.   There is no reason whatsoever to 
destroy a piece of history just to get something to wear.


-Isabella


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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
Unless you are buying direct from an estate auction where everything's 
been untouched in the attic for decades and nothing has been prepared 
for sale except to throw it in a box lot, you're not seeing most 
garments in their original state anyway.  Dirty rags don't sell well.  
Dealers take anything salvageable off badly damaged garments and throw 
the rest out.  They not only clean and mend others, and replace buttons: 
They often dye stained items. They alter waistlines to fit the modern 
figure where at all possible. They cut off damaged parts to do things 
like make a petticoat much shorter or turn a nightgown into a blouse. If 
white dresses with empire waists are in style, they sew a petticoat onto 
a crocheted yoke.  I've been seeing a bunch of those on eBay lately. If 
knee-length skirts gathered all around are in style, they shorten 
petticoats and redistribute the gathering all around. I've been seeing a 
lot of those on eBay too.  They turn chemises  into camisoles, which 
people are more likely to wear--I see a lot of those alterations. If 
heavily trimmed drawers are in style, they add trimming to plainer ones.


Dealers do whatever it takes to give a garment rack appeal to someone 
who wants to wear it and who will pay the highest price obtainable. You 
are often not getting a pristine historical item, and almost never one 
with any provenance.


Vintage jewelry dealers (at least the higher end ones) commonly restring 
pearls and beads and replace clasps.  With other items it depends.  But, 
for example, I see Edwardian sash pins made into not only belt buckles 
but statement necklaces. I adore Art Nouveau sash pins, but they are not 
very wearable in modern life and it can be preferable to have a necklace 
you will wear than a sash pin you will not.


Fran
Lavolta Press
www.lavoltapress.com

On 3/29/2013 7:52 PM, Sybella wrote:

Never mind. I give up. LOL!

Maggie, I love the Bake King glass baking dishes for the philbe and
sapphire design. And I do use them. I'm sure I'd like your mother's
depression glass but it's usually delicate, which makes me nervous. :)

'Bella


On Fri, Mar 29, 2013 at 7:31 PM, Lavolta Press wrote:


People are entitled to preserve their own items for any aesthetic or
sentimental reason they want.  I certainly have things I think are
beautiful that I would not alter for style (at least not right now), but
that is different from being a custodian of history, let alone a custodian
of someone else's stuff, and different from thinking everything old is
precious and should be inviolable.

Fran
Lavolta Press
www.lavoltapress.com


On 3/29/2013 7:22 PM, Sybella wrote:


Yeee!! Maggie's got it!! :)

Though, I do use my vintage gold and silver hat pins, jewelry, hair combs,
etc. they will never be altered while I own them. Their history is an
important part of why I adore them so much. I have a few vintage hats that
I have considered hand-sewing some vintage bobbles to but I'm having a
hard
time convincing myself that it's okay to alter them.

One time I hurt my finger and had to get a ring off quick because my
finger
was swelling. You should have seen me stressing about cutting it off! It
was comical! The inside is inscribed "10 29 1895-1945" because it was
someone's 50 year anniversary ring at one time. The people that were with
me were looking at me funny because I couldn't bring myself cut the center
middle. "What are you doing?!!?" they were saying, "You don't cut a ring
toward the front!" All the while, I was just hoping I would miss the
inscription. Finger, be damned! LOL!

Clothing, household textiles and whatnot, I don't have that same problem
with. I do buy linen at thrift stores just to harvest the fabric for other
projects.

'Bella




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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
People are entitled to preserve their own items for any aesthetic or 
sentimental reason they want.  I certainly have things I think are 
beautiful that I would not alter for style (at least not right now), but 
that is different from being a custodian of history, let alone a 
custodian of someone else's stuff, and different from thinking 
everything old is precious and should be inviolable.


Fran
Lavolta Press
www.lavoltapress.com

On 3/29/2013 7:22 PM, Sybella wrote:

Yeee!! Maggie's got it!! :)

Though, I do use my vintage gold and silver hat pins, jewelry, hair combs,
etc. they will never be altered while I own them. Their history is an
important part of why I adore them so much. I have a few vintage hats that
I have considered hand-sewing some vintage bobbles to but I'm having a hard
time convincing myself that it's okay to alter them.

One time I hurt my finger and had to get a ring off quick because my finger
was swelling. You should have seen me stressing about cutting it off! It
was comical! The inside is inscribed "10 29 1895-1945" because it was
someone's 50 year anniversary ring at one time. The people that were with
me were looking at me funny because I couldn't bring myself cut the center
middle. "What are you doing?!!?" they were saying, "You don't cut a ring
toward the front!" All the while, I was just hoping I would miss the
inscription. Finger, be damned! LOL!

Clothing, household textiles and whatnot, I don't have that same problem
with. I do buy linen at thrift stores just to harvest the fabric for other
projects.

'Bella




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Re: [h-cost] Reusing antiques, was: Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press




But you never know what you have in the attic. Her rags could be a 
rare example that could be conserved, preserved and displayed.




Then again, maybe not.  My father bought me a fair number of auction 
lots of clothes at rural estate auctions.  I threw many of them out 
immediately (especially the woolens which were usually moth-riddled). 
Some fell apart while I cleaned them and I threw those out.  After, of 
course, removing any salvageable laces and buttons.   The vast majority 
of stuff available to the average person is hardly rare.


Fran
Lavolta Press
www.lavoltapress.com
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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
I buy garments close to my size and sure, I hem them, let them out, take 
them in, whatever is needed.  As for the components issue, it depends on:


* Whether I like the style/bought the garment to wear in that style
* Whether the fiber is sturdy enough to warrant reuse
* Whether the fabric is unique enough to warrant reuse
* Whether the price is low enough to warrant reuse
* Whether the item is actually suitable for making into a garment. For 
example, tablecloths with very large patterns are more problematic than 
ones with smaller patterns


Although I've altered plenty of pre-1930 silk dresses to wear, I don't 
reuse silks of that era for other projects because they are not sturdy 
enough to work with. If it's a plain silk, I can often buy a modern silk 
that looks similar and which is sturdy enough to work with. I like 
buying hand-embroidered and intricately tucked cottons and linens 
(usually in the form of home textiles or lingerie) because there is all 
that decoration to use, which would be time-consuming to duplicate.  
But, I often see petticoats at $250 and almost identical ones at $25, 
both in great condition.  I don't buy the $250 ones for any purpose; why 
should I?  I know items I dye may fall apart in the process and if they 
go, they go.  I know old lace may be fragile and if a seller misleads 
me, and I tug on it and it rips, into the garbage can it goes.


What I am saying is my decisions about what to cut up and what not are 
based on practicality.  They are not based on any feeling that things 
are terribly precious, historic, etc. or that I am obliged to be a 
custodian.


Fran
Lavolta Press
www.lavoltapress.com


On 3/29/2013 6:54 PM, Maggie Koenig wrote:

Fran,

I think what is being asked is are there antique items of any kind that you 
won't mess with. For example, my mom's antique cups and saucers that she 
collected were never used. However, we did use the antique depression glass 
that she collected on a daily basis.

Personally, I won't take apart a textile to use its components. However I will 
use vintage ribbon and trims on reproduction items that won't get heavy use. I 
don't wear vintage clothing at all which is fine since I'm a little fluffy for 
it.

 Maggie Koenig.




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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
Absolutely no item that belongs to anyone else is sacred to me. It's not 
my business to decide that for other people.


My collection and my wardrobe freely overlap.  I bought everything I own 
with the possibility of wearing it someday, even if only on rare 
occasions. Otherwise I would not enjoy it. I don't have room to display 
clothes and for me there's no point in acquiring things that just sit 
around in a closet or chest for decades. What I wear and don't wear 
changes over time, depending on the occasions I have to wear things and 
on whatever vintage styles may currently be in fashion. I have pulled 
out garments I wasn't wearing to dye or to cut up.  I've put away other 
garments, most merely because I currently have no occasion to wear 
them.  It's whatever I need and want at the moment. I don't make a 
permanent decision never to wear or alter anything.


Fran
Lavolta Press
www.lavoltapress.com


On 3/29/2013 6:36 PM, Sybella wrote:

Oh no...please don't feel I'm putting you in the place to defend yourself.
I'm not judging you, Fran. I agree that people can do what they want with
what they own but there are a few things that I wish people would leave
alone.

(The Wittelsbach Diamond, for example -- 400 years went down the toilet in
2011.)

However, those that have responded to this thread seem to fall in different
areas of a save or reuse spectrum. I find that interesting! Compared to
Isabella's outrage, you're on the other extreme.

I'm just curious if there is anything "sacred" to you, any certain item
that should be saved, not reused or recycled. If so, what is it?? ;)
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Re: [h-cost] Easy way to get a hand sewn T-Tunic

2013-03-29 Thread Lavolta Press


I like Fortuny but I think his simpler styles, while elegant, are 
somewhat overrated. There is a European label called Cocoon 
Commerz/Privatsachen that makes crinkle silk dresses and tunics rather 
like Fortuny, in a variety of colors that change from season to season.  
You can buy one on eBay for two or three hundred dollars, which may be 
pricey but it's a lot cheaper than a  vintage Fortuny.  They are 
probably actually made in India for a depressingly low price.


Fran



On 3/29/2013 6:21 PM, A. Thurman wrote:

I too am torn between the Indiana Jones impulse ("It belongs in a
museum!") and realizing that clothes are ultimately made to be worn.

For example, much as I revere Fortuny gowns as the artworks that they
are, I can't say I wouldn't be tempted to wear one if given the
opportunity (after showering thoroughly and having a vintage textile
conservator lined up to take the gown off my hands once I'm out of
it).

Re: vintage: there's something to be said for older clothing, in that
often I find anything from the 1950s or earlier seems to be so much
better made. If it's lasted this long, why NOT wear it?

Allison T.




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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
Sorry, I meant it's not other people's business to criticize it. For me, 
one issue is how I feel about the item aesthetically, which is a 
personal judgement.  There is some mega-ugly antique jewelry out there, 
for example.  Of course, someone else might like it, but if it were 
mine, their liking something I hated would do me no good.


Fran


On 3/29/2013 6:10 PM, Lavolta Press wrote:
What I am saying is the do-not-cross line is strictly up to the owner 
of the item.  The families wealthy enough to have "family jewels" have 
traditionally often reset them to current styles and sometimes, recut 
stones with new techniques.   The 18th-century diamond necklace might 
be lovely, and so is the Victorian one later made from the same 
diamonds, and so is the Art Deco one even later made from the same 
diamonds.  It's other people's business to criticize the owners for 
their goal of having stylish jewelry to wear now instead of unstylish 
jewelry preserved in a vault. And it's useless. Everyone on this list 
can get together in a committee and decide no one should ever alter 
any jewelry set after 1920, or whatever, and the owners will go right 
ahead and do it. I doubt I'm ever going to have to face that 
particular issue personally, but if someone ever gives me a whopping 
diamond necklace in a style I don't like, I will certainly feel free 
to have it reset in a style I do like.


Fran
Lavolta Press
www.lavoltapress.com


On 3/29/2013 5:51 PM, Sybella wrote:
Ha. Wicked, wicked woman!! Hands off my precious!!! LOL! (When my 
eyeballs
popped out of my head, my dogs thought they were new toys and didn't 
want

to give them back.)

Fran, isn't there something you are partial to?? It can't be all 
materials

to reuse. You already know my weakness. I don't want anyone messing with
old fine jewelry. Come on...fess up. There's got to be something old 
with a

do-not-cross line.

'Bella


On Fri, Mar 29, 2013 at 4:47 PM, Lavolta Press 
wrote:


Your mother will never notice if you mail all those embroidered 
linens to

me.  Trust me.  Here's my address!



And if I owned a huge historic diamond and wanted to wear it, I'd
certainly consider having it recut.  If you've got any diamonds 
around the

house, send those along too.

Fran
Lavolta Press
www.lavoltapress.com



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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
What I am saying is the do-not-cross line is strictly up to the owner of 
the item.  The families wealthy enough to have "family jewels" have 
traditionally often reset them to current styles and sometimes, recut 
stones with new techniques.   The 18th-century diamond necklace might be 
lovely, and so is the Victorian one later made from the same diamonds, 
and so is the Art Deco one even later made from the same diamonds.  It's 
other people's business to criticize the owners for their goal of having 
stylish jewelry to wear now instead of unstylish jewelry preserved in a 
vault.  And it's useless. Everyone on this list can get together in a 
committee and decide no one should ever alter any jewelry set after 
1920, or whatever, and the owners will go right ahead and do it. I doubt 
I'm ever going to have to face that particular issue personally, but if 
someone ever gives me a whopping diamond necklace in a style I don't 
like, I will certainly feel free to have it reset in a style I do like.


Fran
Lavolta Press
www.lavoltapress.com


On 3/29/2013 5:51 PM, Sybella wrote:

Ha. Wicked, wicked woman!! Hands off my precious!!! LOL! (When my eyeballs
popped out of my head, my dogs thought they were new toys and didn't want
to give them back.)

Fran, isn't there something you are partial to?? It can't be all materials
to reuse. You already know my weakness. I don't want anyone messing with
old fine jewelry. Come on...fess up. There's got to be something old with a
do-not-cross line.

'Bella


On Fri, Mar 29, 2013 at 4:47 PM, Lavolta Press wrote:


Your mother will never notice if you mail all those embroidered linens to
me.  Trust me.  Here's my address!



And if I owned a huge historic diamond and wanted to wear it, I'd
certainly consider having it recut.  If you've got any diamonds around the
house, send those along too.

Fran
Lavolta Press
www.lavoltapress.com



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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
Your mother will never notice if you mail all those embroidered linens 
to me.  Trust me.  Here's my address!


Seriously, hand-embroidered linens are far from rare on eBay.  You can 
buy oodles of embroidered pillow cases, table/dresser runners (great for 
camisoles, blouses, skirt borders, and other things), tablecloths (great 
for skirts), not to mention crocheted doilies (which can be hard to use, 
but they are good for lace patchwork). Plain linen tablecloths are a 
costumer favorite for getting cheap linen fabric to make into clothes.  
The late 19th-century and early 20th-century chemises I spoke of are all 
over the place. The minute I bought the four for $40 (which just arrived 
in today's mail, and they are great), the seller contacted me to offer 
me another four. There are oodles of eyelet-trimmed petticoats around 
too, and if they are sturdy they dye up nicely for skirts, and if not, 
the eyelet ruffles are often useful for trimming other garments.  I am 
currently adding one to the bottom of a chemise, having dyed the eyelet 
in the same batch.


Most museums receive public funding to preserve artifacts.  I don't. 
That's not my mission in life. Everyone is welcome to make their own 
decisions regarding their own property--I certainly have some items in 
my collection I would not cut up. But, I haven't saved every garment 
I've owned in my life for posterity, either, and everything I make from 
vintage textiles is also part of history.  Maybe someone will someday 
display part of it is "early 21st-century upcycling." Who knows.


And if I owned a huge historic diamond and wanted to wear it, I'd 
certainly consider having it recut.  If you've got any diamonds around 
the house, send those along too.


Fran
Lavolta Press
www.lavoltapress.com



On 3/29/2013 4:26 PM, Sybella wrote:

Ha. I'm with Fran on this one. If we saved every vintage textile we found,
we could fill a warehouse...and it would all just sit there. What would be
the point? Mom has boxes and boxes of vintage embroidered sheets, pillow
cases, dish towels, table clothes, etc. Since she wants to "save" them,  we
don't use for them. Frankly, I'm sick of trying to live with boxes, lugging
them around to get to other things, and endlessly moving "useless" stuff
around the house. If I could do it without Mom noticing and getting ticked
off, I'd start mailing it all to Fran. LOL!

That said, I also understand where Isabella is coming from because I HATE
it when people take a piece of vintage jewelry and destroy it by tweaking
it into something modern. I find stuff on eBay all the time that just blows
my mind.

I cry when I read about someone who bought an historic diamond then had it
recut. If it used to be in a royal crown and can be seen in portraits from
hundreds of years ago, leave it alone! Man, oh man, I want to smack some
people!! Things like that can never be replaced.

But really, linen tunics?? Eh, they're nothing special. It's the rare
stuff, especially things that have significant history, presses my buttons.

'Bella



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Re: [h-cost] Easy way to get a hand sewn T-Tunic (Lavolta Press)

2013-03-29 Thread Lavolta Press
I've been a vintage clothing collector since I was 16.  I've always worn 
items from my collection.  I've always altered them for size, and in any 
and every other way I felt like.  Lately, I have been been buying a lot 
of chemises and petticoats to dye and alter, transforming embroidered 
linens into clothes, and so on.


When I was five, my parents bought a house that was built in 1860 and 
pristine, untouched, except for paint jobs (still in the original colors 
of white with green shutters).  I am one of the few members of my 
generation with an intimate knowledge of what it's like to plunk my 
bottom on an icy privy seat in the middle of winter.  Believe me, that 
house was vastly improved by the installation of modern central heating 
and plumbing.   Termite extermination was nice too.  Oh, and a covered 
well with an electric pump?  And a septic tank? Definitely.


No doubt, if the house had been a museum, there might have been 
regulations against changing it.  But it was a private residence. 
Likewise, the clothing I buy is mine, not part of a museum.  I am 
entitled to do whatever I want with it, have always done so, and will 
continue to do so.  Obviously, if you have a clothing collection you may 
do whatever you wish with your own property--just as I do.


Fran
Lavolta Press
Books on historic clothing
www.lavoltapress.com

On 3/29/2013 1:25 PM, . . wrote:

I am HORRIFIED at the idea of using an antique piece of our cultural history as 
something to wear; let alone cut it and dye it!  Would you buy a slightly 
rundown Victorian house and tear it up to sell off the pieces and remake it 
into a modern home?   Of course not!  Most countries now have regulations to 
protect these homes as part of our cultural heritage.  It's sad that we do not 
have similar laws to protect against the destruction of antiquities as is being 
described here.  I'm completly revolted at the idea of tearing up a garmet that 
is not shreaded, not in rags, just to make a t-tunic?   You can make a t-tunic 
out of good old linen for far less than $40 if watch for coupons and stash 
reduction sales.   There is no reason whatsoever to destroy a piece of history 
just to get something to wear.
  
-Isabella
  
  


Today's Topics:

1. Easy way to get a hand sewn T-Tunic (Lavolta Press)


--

Message: 1
Date: Thu, 28 Mar 2013 16:00:45 -0700
From: Lavolta Press 
To: Historical Costume 
Subject: [h-cost] Easy way to get a hand sewn T-Tunic
Message-ID: <5154cb9d.8050...@lavoltapress.com>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

Really easy way to get a handsewn T-tunic: Buy one of the heavy French
linen chemises regularly sold by sellers on Etsy. They are sometimes
labeled as nightgowns, sometimes labeled as hemp (maybe they are, but I
suspect poor translation), sometimes labeled as "metis" (apparently a
linen/cotton blend), sometimes labeled as handwoven which I don't think
they are, but they *are* often (not always) completely hand sewn. They
are sometimes labeled as Regency or Georgian but the tradition cut hung
on and most are likely late 19th or early 20th century. The necklines
tend to be round or square, but not V. Sometimes there is a front slit,
sometimes not. Some have sleeves, some are sleeveless. Prices vary, but
are often reasonable (especially for a hand sewn garment in good
condition). I recently bought a lot of four for $40 on eBay.

Here is one:

http://www.etsy.com/listing/127568458/french-nightgown-thick-rustic-metis?ref=sr_gallery_41&ga_search_query=chemise&ga_view_type=gallery&ga_ship_to=US&ga_order=date_desc&ga_page=0&ga_search_type=vintage

There are enough of these regularly for sale (especially on Etsy) from
different vendors, and all apparently French, that I suspect some kind
of common institutional use, boarding schools or convents or hospitals,
perhaps. These chemises are practically bulletproof. They are always in
great condition in my experience, and they machine dye beautifully in
Procion dyes. I personally think wearing one either as an undergarment
crammed under a corset (which was usual for chemises at the time they
were made), or as a nightgown over bare skin, would be uncomfortable.
Apparently, at the time these were made plenty of French women
disagreed. These are, however, great worn as dresses or tunics over
another garment. You can decorate them with braid, embroidery, what you
fancy. You will probably need to add a piece to enlarge the sleeves.

Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com
www.facebook.com/LavoltaPress




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End of h-costume Digest, Vol 12, Issue 61
*

  

[h-cost] Easy way to get a hand sewn T-Tunic

2013-03-29 Thread Lavolta Press
Really easy way to get a handsewn T-tunic:  Buy one of the heavy French 
linen chemises regularly sold by sellers on Etsy. They are sometimes 
labeled as nightgowns, sometimes labeled as hemp (maybe they are, but I 
suspect poor translation), sometimes labeled as "metis" (apparently a 
linen/cotton blend), sometimes labeled as handwoven which I don't think 
they are, but they *are* often (not always) completely hand sewn. They 
are sometimes labeled as Regency or Georgian but the tradition cut hung 
on and most are likely late 19th or early 20th century. The necklines 
tend to be round or square, but not V. Sometimes there is a front slit, 
sometimes not. Some have sleeves, some are sleeveless. Prices vary, but 
are often reasonable (especially for a hand sewn garment in good 
condition). I recently bought a lot of four for $40 on eBay.


Here is one:

http://www.etsy.com/listing/127568458/french-nightgown-thick-rustic-metis?ref=sr_gallery_41&ga_search_query=chemise&ga_view_type=gallery&ga_ship_to=US&ga_order=date_desc&ga_page=0&ga_search_type=vintage

There are enough of these regularly for sale (especially on Etsy) from 
different vendors, and all apparently French, that I suspect some kind 
of common institutional use, boarding schools or convents or hospitals, 
perhaps. These chemises are practically bulletproof. They are always in 
great condition in my experience, and they machine dye beautifully in 
Procion dyes. I personally think wearing one either as an undergarment 
crammed under a corset (which was usual for chemises at the time they 
were made), or as a nightgown over bare skin, would be uncomfortable. 
Apparently, at the time these were made plenty of French women 
disagreed. These are, however, great worn as dresses or tunics over 
another garment. You can decorate them with braid, embroidery, what you 
fancy. You will probably need to add a piece to enlarge the sleeves.


Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com
www.facebook.com/LavoltaPress


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[h-cost] Greenland dress on eBay

2013-03-24 Thread Lavolta Press
Aside from the Empire waist seam and the wider fabric used, doesn't this 
look rather familiar?


http://www.ebay.com/itm/Privatsachen-Cocon-Commerz-Kleid-Hebenaht-aus-Ecoflachs-Farbe-weidenkatzch-/261163276651?pt=DE_Damen_Kleider&var=&hash=item826d69d1df

Fran
Lavolta Press
Books on making historic clothing
www.lavoltapress.com
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Re: [h-cost] Terms for pants

2013-03-20 Thread Lavolta Press
I look absolutely horrible in both jumpsuits and farmer-style overalls, 
so have never worn either style.  Pity, because farmer overalls can be 
cute, though I've never liked jumpsuits.


Fran
Books on making historic clothing
www.lavoltapress.com

On 3/20/2013 4:24 PM, costumegal66 wrote:

I wore gauchos for my modeling portfolio in 1977 and my husband bought me a red 
corduroy knicker jumpsuit in 1982.  Still have both of them.

Penny Ladnier
The Costume Gallery Websites
Www.costumegallery.com


>From my Android phone on T-Mobile. The first nationwide 4G network.

 Original message 
From: Lynn Downward 
Date: 03/20/2013  7:08 PM  (GMT-05:00)
To: Historical Costume 
Subject: Re: [h-cost] Terms for pants
  
Tongue stuck firmly in cheek:

It never changes. Some guy (Charles Worth, for example) decides we all need
to wear hoop skirts (for example) and we all follow along. I bet it's been
going on since Mankind first started wearing clothes. And I don't mean only
women who follow fashion slavishly; men are right in there too. We finally
figure it out, Terry figured it out once she got out of high school. It
takes other people decades to realize that the most up to date fashion
isn't always the one for them. I love people!

And what would we costumers do if no one followed fashion? How could we
tell an 1875 bonnet from an 1885 one?

Lynn

On Wed, Mar 20, 2013 at 3:57 PM, Terry  wrote:


Hey, be loud and proud about your sartorial choices.  I had two pairs of
knickers I got in my last year or two of high school--'81 or '82--the kind
with the band just below the knee.  One pair was a tasteful tweed.  The
other was lilac corduroy that I wore with cream colored socks and lavender
shoes.  I actually had two pairs of lavender shoes, but only one pair was
deemed dressy enough for the knickers.  After that, I stopped following
fads...

Terry

-Original Message-
From: h-costume-boun...@indra.com [mailto:h-costume-boun...@indra.com] On
Behalf Of Sybella

Yes, I did mean the 1980s and "capri" is another one, Cynthia!  And Carol
may be right, where my memories blended '70s with the '80s...but I do
distinctly remember asking Mom to take me shopping for a pair of knickers,
pants that came to a gather just below the knee, during my childhood.
Honestly, it's something I'd rather not admit to so I'll trust you all to
keep it a secret! ;)


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Re: [h-cost] Terms for pants

2013-03-20 Thread Lavolta Press
in the 1980s I had green velvet knee breeches/knickers a la Princess 
Diana, and several pairs of (vintage, 20s or 30s) natural linen jodhpurs 
a  la Ralph Lauren. I just thought I'd throw in a mention of the 
jodhpurs, because both styles looked great on me.  I enjoy following 
fashion trends I really like, but since most trends are not historic 
(which to me is pre-1930), I follow many of the historic ones and ignore 
most of the others.


Fran
Lavolta Press
www.lavoltapress.com
www.facebook.com/LavoltaPress

On 3/20/2013 3:57 PM, Terry wrote:

Hey, be loud and proud about your sartorial choices.  I had two pairs of




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Re: [h-cost] Fabrics Medieval vs Modern

2013-03-12 Thread Lavolta Press
Ramie was trendy in the 1980s.  I had a couple of 100% ramie blouses.  
They were like a slightly bristly linen, less shiny after ironing, and 
did not wear quite as well as linen.  They retained dye at about the 
same level as linen, that is, less well than cotton.


Then again, some of that may have been due to the quality of the 
blouses, which although not rock bottom quality/label/price were not 
high end, either.


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com
www.facebook.com/LavoltaPress


On 3/12/2013 7:40 AM, Kate Bunting wrote:

I once had a cardigan which included ramie fibre. According to Wikipedia this is the same plant as 
the "Chinese grass" that Fran mentioned, a kind of nettle. Apparently it is difficult to 
use alone as it doesn't stretch and has many projecting "hairs". I can vouch that this is 
true of stinging nettle fibre, which I once had a try at hand-spinning.

Kate Bunting
Librarian & 17th century reenactor
Derby, UK




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Re: [h-cost] Fabrics Medieval vs Modern

2013-03-10 Thread Lavolta Press
Vintage tablecloths made of Chinese "grass cloth," made from nettle 
fibers, are sold on eBay from time to time.  It's a cellulose fiber. On 
the tablecloths, it's like a good grade of handkerchief linen, with that 
sheen linen gets after ironing,  not really like silk.


Fran
Lavolta Press
Books of historic clothing patterns
www.lavoltapress.com


On 3/10/2013 1:34 PM, Simone Bryan wrote:

I have been working on that here in the West Kingdom (Northern California)
for many years!  I give a class and demonstration on such,
So what specific information are you looking for? Like what fibers are
still used and what materials?

For example, there was a fabric created from Stinging Nettle, we don't
currently have this material that I know ofbut you can use silk gauze
or organza and soft organza. There are many things when working to find
fabrics and fibers that mimic the Medieval look.

Then you need to look at your pocket book, because we can get fabrics that
are like medieval fabrics but they come at a cost, some as much as $86.00
or more per yard/meter!

So What it that you really want?

Cilean



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