RE: MD: Fw: Fw: Transferring MD to CD
Fair points. I guess you've had better luck with the room acoustics than I have. And I agree with the recording at conservative levels. I do exactly the same, to avoid nasty surprise clipping. Besides, if I do make a mess of the editing, that's what the Undo feature is for 3#-) Adios, LarZ --- TAMA - The Strongest Name in Drums --- -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]] On Behalf Of Magic Sent: Tuesday, 4 April 2000 10:09 To: [EMAIL PROTECTED] Subject:Re: MD: Fw: Fw: Transferring MD to CD I often get the mix just right direct from live source to MD, so I don't need to adjust the EQ much if at all. All that usually needs to be done is to boost the volume. I deliberately record low so that if I get sudden dynamics occurring on stage they don't get clipped. It's also nice to run off a virtually untouched copy of the original onto CD as a WAV file before I do any production editing because that means I have a backup I can restore if I make a mess of the editing. It's far easier to recover 74 mins from a CD in about 5 mins than to re-record the MD to the hard disc again. - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: Subject: Sony has seen the light!
Matt White wrote: Huh? Companies already spend far more on MiniDisc than they do on MP3. There really isn't all that much MP3 stuff out there, yet. Meanwhile Sony and Sharp and friends seem to keep pumping out new MD units of varying types. You must live in a metropolitan area! Where I live, we only have two big electronics stores that EVERYONE shops at for electronics: Best Buy and Circuit City. In both places, sadly, MD has come and gone. Best Buy had MD a long time ago, since it came out. I remember seeing the cool MDS-501 there back in the early 90's. However, they only ever had 1 or 2 units. They DID however, have a prerecorded MD stand, which went away sometime in '94 or so. Then in 1998, I started getting excited because the MDS-JE520/JE320/R30/R50, several minisystems, and a whole slew of portables showed up. MD got its own aisle, and the prerecorded MDs came back, a whole ton of MD blanks from different companies were offered, and MD got its own endcap with a caveman video. Today, there is the JE330 and the one with the CD/MD combo deck, MZ-R70, Sharp MD-MT15, a couple play-only portables, and a few blanks. The rest of the aisle is filled with at least 4 or 5 different audio CD-recorders, and there are at least 5 MP3 players where MD players used to be. The endcap is still there, but I didn't look to see if they changed it to advertise CD recorders or not. It looks much less exciting for MD at Best Buy now, and I find it a little disappointing. As for Circuit City, I HEARD that other cities actually had Aiwa and Sony portables. None ever showed up at the local one here. Circuit City had the MDS-JB920 for a little while in 1998, but now they don't have MD equipment at all. They do, however, have CD recorders. It's nice to see the price of MD blanks has dropped over the years, but it looks like retailer interest has dropped as well, at least here, where I think I am a lone MD user. -- Shawn Lin http://www2.cybercities.com/g/gmwbodycars/ _ NetZero - Defenders of the Free World Click here for FREE Internet Access and Email http://www.netzero.net/download/index.html - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: coax v. toslink
[EMAIL PROTECTED] wrote: Comparing coaxial and Toslink, there is actually a measurable difference between what you get at the other end of the line. The archives of rec.audio.pro have discussions of this phenomenon, though it's been a number of years since I've kept up with this subject. The issue is "transport jitter", where the timing between the bits varies by some amount (in the range of 5 to 500 picoseconds, if memory serves). The bits received are in fact the same as those that were transmitted, so if you are transporting the bits with the intention of storing them (i.e., on a CD or an MD) it doesn't make a difference what you use. However, when you feed these timing variations into a D/A converter, it can affect the output waveforms. Inside single-box setups, clocking tends to be fairly jitter resistant. It can be a bigger issue if you put together systems with separate transport and D/A sections (e.g., a home theatre surround decoder fed by DVD). It's also an issue for pro audio setups where they have to transport audio around the studio or remote recording location for monitoring. There may have been advances in the past few years that reduce such effects; I'm not sure. Anyhow, Toslink tends to exhibit greater amounts of jitter than coax or other fiber optic media. If you don't hear a difference, don't let it bother you. Romain Kang Siemens Info/Comm Products, San Jose RD [EMAIL PROTECTED] formerly Pyramid Technology Corporation Note that if you buffer the signal, jitter is almost eliminated! Cheers, Ralph -- === Ralph SmeetsFunctional Verification Centre Of Competence - CMG Voice: (+33) (0)4 76 58 44 46 STMicroelectronics Fax:(+33) (0)4 76 58 40 11 5, chem de la Dhuy Mobile: (+33) (0)6 82 66 62 70 38240 MEYLAN E-Mail: [EMAIL PROTECTED] FRANCE === "For many years, mankind lived just like the animals. And then something happened that unleashed the powers of our imagination: We learned to talk." -- Stephen Hawking, later used by Pink Floyd -- === - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: coax v. toslink
[EMAIL PROTECTED] wrote: * [EMAIL PROTECTED] (Romain Kang) on Mon, 03 Apr 2000 | Comparing coaxial and Toslink, there is actually a measurable | difference between what you get at the other end of the line. The | archives of rec.audio.pro have discussions of this phenomenon, though | it's been a number of years since I've kept up with this subject. If it were an analog signal, it would matter. But whether a "1" has an intensity of X or several times X does not change its value one bit :). | The issue is "transport jitter", where the timing between the bits | varies by some amount (in the range of 5 to 500 picoseconds, if memory | serves). Which is compensated by the error correction inherent in the protocol and the data buffering in the receiver. A string of 16 bits is a string of 16 bits, period. In other words, the "audiophiles" are hearing what they want to hear, not what is really getting to their ears. Sorry "Rat", but you're wrong. I agree that bits are bits. But coax and TosLink don't do error-correction since the S/PDIF protocol doesn't do error-correction. I agree that for recording, it doesn't matter that there is jitter. But before we go any further, I think it's time to explain 'what is jitter'. Jitter is an effect that is caused by the fact that the interval between the samples varies a little. This variation isn't constant. Ie, consider a series of samples: T1, T2, T3 and T4. Let's say they where recorded at 0, 1, 2 and 3 seconds. The value of T1, T2, T3 and T4 equals 1, -1, 1, -1. Ie: 1 @ 0.0 -1 @ 1.0 1 @ 2.0 -1 @ 3.0 So lets play them back. But with some jitter introduced of -0.1 +0.1 +0.1 -0.1. Thus, 1 @ -0.1 -1 @ 1.1 1 @ 2.1 -1 @ 2.9 I think you agree that this series of bits represents another waveform. That's what we call jitter! Cheers, Ralph -- === Ralph SmeetsFunctional Verification Centre Of Competence - CMG Voice: (+33) (0)4 76 58 44 46 STMicroelectronics Fax:(+33) (0)4 76 58 40 11 5, chem de la Dhuy Mobile: (+33) (0)6 82 66 62 70 38240 MEYLAN E-Mail: [EMAIL PROTECTED] FRANCE === "For many years, mankind lived just like the animals. And then something happened that unleashed the powers of our imagination: We learned to talk." -- Stephen Hawking, later used by Pink Floyd -- === - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: MZ-R110PDA
[EMAIL PROTECTED] wrote: Hi Kyle, Thanks for the note, hope you don't mind if I cc MD-L too. You write: Beautiful Photoshop work, they look great! Please send the page to SONY so hopefully they will make one, or get the person who mocked it up a job at SONY. If they do I would never have to go home again, everything I need would be in that tiny little box. That was Shawn Lin's fantasy, he does great work. Apparently www.pdabuzz.com picked up on our posting and put it in their news section! I heard from someone else that Sony has scheduled a meeting tomorrow to discuss such a product. Can't help wondering if I'm being subject to an April Fools joke myself, I mean this idea has to have crossed a few minds at Sony already. Rick Well, 3Com (Palm) already licensed the memory stick technology of Sony. Maybee Sony is going to license the Palm-OS? Cheers, Ralph - Palm III owner. -- === Ralph SmeetsFunctional Verification Centre Of Competence - CMG Voice: (+33) (0)4 76 58 44 46 STMicroelectronics Fax:(+33) (0)4 76 58 40 11 5, chem de la Dhuy Mobile: (+33) (0)6 82 66 62 70 38240 MEYLAN E-Mail: [EMAIL PROTECTED] FRANCE === "For many years, mankind lived just like the animals. And then something happened that unleashed the powers of our imagination: We learned to talk." -- Stephen Hawking, later used by Pink Floyd -- === - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: Stereo Review's Sound Vision magazine
Has any one seen the latest Stereo Review's Sound Vision magazine review of a Dell computer system and it's sound card. It's a pretty scathing review of computer sound cards and I'm would like to hear some opinions about the review. Can you really do accurate copying of music digitally with a computer?. - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: Memory Stick Walkman
How long has this Memory Stick Walkman (NW-MS7) been out? (or isn't it out yet?). I noticed it uses Atrac3 and you get 80 min of audio on the 64meg memory stick. It also looks like the MagicGate media is different to the normal Memory Sticks in that it has copyright protection. Cheers Chris - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
RE: MD: coax v. toslink
Ralphie explained jitter: So lets play them back. But with some jitter introduced of -0.1 +0.1 +0.1 -0.1. Thus, This is a useful exposition, but in practice, what you may get is: 1 @ -0.0001 -1 @ 1.0001 1 @ 2.1 -1 @ 2.9 the question is, does this make any difference ? These jitters are measured in picoseconds. There are 22 675 737 picoseconds between samples at 44.1 kHz. I think you agree that this series of bits represents another waveform. In the digital domain, it is easy to measure the jitter with suitable equipment. Is there ANYTHING (other than a golden ear) that can measure a difference in the analog output from the D/A as a result of this jitter, even if it isn't reclocked ? simon - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: coax v. toslink
[EMAIL PROTECTED] wrote: Ralphie explained jitter: So lets play them back. But with some jitter introduced of -0.1 +0.1 +0.1 -0.1. Thus, This is a useful exposition, but in practice, what you may get is: 1 @ -0.0001 -1 @ 1.0001 1 @ 2.1 -1 @ 2.9 the question is, does this make any difference ? These jitters are measured in picoseconds. There are 22 675 737 picoseconds between samples at 44.1 kHz. Sorry simon, but there are 2 S/PDIF frames of 32 bits in each sample Ie, 22 675 737 / 64 = 354.3 ns per sample... Hmm, I agree, 1 ps of jitter is probably un-noticable. I think you agree that this series of bits represents another waveform. In the digital domain, it is easy to measure the jitter with suitable equipment. Is there ANYTHING (other than a golden ear) that can measure a difference in the analog output from the D/A as a result of this jitter, even if it isn't reclocked ? I'll try see if I can come up with two FFTs to compare It'll take me some time, probalby the time of my boss Hmmm... Maybee that's not a very bright idea Cheers, Ralph - Trying to spend less time on md-l and more on ST -- === Ralph SmeetsFunctional Verification Centre Of Competence - CMG Voice: (+33) (0)4 76 58 44 46 STMicroelectronics Fax:(+33) (0)4 76 58 40 11 5, chem de la Dhuy Mobile: (+33) (0)6 82 66 62 70 38240 MEYLAN E-Mail: [EMAIL PROTECTED] FRANCE === "For many years, mankind lived just like the animals. And then something happened that unleashed the powers of our imagination: We learned to talk." -- Stephen Hawking, later used by Pink Floyd -- === - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: Memory Stick Walkman
The NW-MS7 press release gave a launch date of December 21, 1999. It was announced on the same day as those three Vaio peripherals. The MagicGate sticks can be used like normal sticks in any other equipments, but the walkman will only accept MagicGate sticks. Now, Sony says ATRAC3 compression gives MD-like quality. And they said MD gives CD-like quality. Notice the difference? :) In case you're a Mac user... the software that comes bundled with the walkman is Windows only. Leon How long has this Memory Stick Walkman (NW-MS7) been out? (or isn't it out yet?). I noticed it uses Atrac3 and you get 80 min of audio on the 64meg memory stick. It also looks like the MagicGate media is different to the normal Memory Sticks in that it has copyright protection. Cheers - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: md-l-digest V2 #588
I've got just the green marker you need! It's on special too. Step right this way. Don't mind those technical guys, they don't know what the heck they are talking about.. Besides, I can't get them to accept any kick backs from my Green Markers For You, Inc. Now those What HiFI guys, those are the ones ya gotta listen to.. damn straight. -- What people do not realise about What Hi-Fi is that it is a great time-saver. You only have to read the adverts. Mind you, that takes longer than reading the articles, Doh! Hmmm Bits is bits eh - must be why all CD players sound the same. Steve - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
RE: MD: md-l-digest V2 #587
Steven Debski wrote: I choose to believe my ears - if one sounds better to you - then use it If one sounds better, marvel at the suggestibility of the human sensorium. Bits are not just bits, For those of you who believe bits are not just bits, try this: wrap your computer's hard disc in three layers of aluminium foil to "exclude harmful electromagnetic radiation* ", and check out how much more smoothly your programs run, with significantly less errors, and brighter colours too. simon * sorry, I think that should have been "reduce read head jitter", or was it - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
RE: MD: australia/sydney cheap 60m blanks, mz-r90 released here
arghh... I want one... now what can I hock? Chris -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On Behalf Of Luke Rayner Sent: Wednesday, 5 April 2000 9:54 AM To: [EMAIL PROTECTED] Subject: MD: australia/sydney cheap 60m blanks, mz-r90 released here i went to the sony shop at chatswood,sydney at the weekend. they're having a moving sale. they were selling the mz-r90(silver) for $749(right next to the mz-r55 on sale for $699 down from it's rrp of $749!). none of the other portables were discounted much either. - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: CDs with graphics
About 10 or so years ago some CDs on the market had graphics included, but you needed a special player to see them; it was usually lyrics and maybe some artwork. Does anyone know of a Windows CD player program that would display those graphics? I still have the Hendrix Smash Hits and I think it was Van Dyke Parks' Tokyo Rose but have never seen the graphics on them. - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: toslink v. coax
Thanks, everyone, who answered my query about toslink v. coax; I figured it was BS. The info came from a book by Robert Harley, who I'm told is "controversial" among audiophiles. I'm not an audiophile yet, but hope one day to have the bux to do so. But no matter how rich I ever get, I plan not to be stupid enough to spend Eight Thousand Dollars on speaker cables; that really takes the cake!! - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: coax v. toslink
* Ralph Smeets [EMAIL PROTECTED] on Tue, 04 Apr 2000 | I agree that bits are bits. But coax and TosLink don't do error-correction | since the S/PDIF protocol doesn't do error-correction. I know, and I apologise for misusing the term, because what is going on in the receiver is not really error correction per se. -- Rat [EMAIL PROTECTED]\ Happy Fun Ball contains a liquid core, Minion of Nathan - Nathan says Hi! \ which, if exposed due to rupture, should PGP Key: at a key server near you! \ not be touched, inhaled, or looked at. - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: Sharp Bootleg Record Level
I know I can adjust the record level on the fly with my Sharp 831, but I'm not sure what kind of lighting I'll have at the Red Hot Chili Peppers / Foo Fighters concert I will be attending. Bring a small red light source (a good LED keychain light works great), and get a decent level during the opening band. Then, sit back and enjoy the show. During postprocessing, you can run it through a compressor to get fewer transient sound level fluctuations. Anyone have any advice on this? I was thinking 15, but not sure. I've used shitty mics (I mean, *truly* shitty -- used a set of headphones from a $5 portable tape deck, but backwards, as a stereo mic -- decent quality, belive it or not) in my '702, and find my settings at ~22 or so if I'm in a small-to-medium club venue, and within the first 10 rows of people on the floor. On the '702, 15 is the threshold between 'low' and 'high' mic sensitivity, so there's a big jump in response. I'll try to adjust, but don't want to give myself away... Don't worry -- once you're into a show, and there's lots of people around, it's rare for someone to actually pick you out of the crowd. This is my first time using the Sharp for a show that I care about. I always used a Sony before, but got sick of worrying about End Search... Well, I can't say much for the musical choice (my boots are of techno shows like Underworld, Orbital, and such), the Sharp should behave quite nicely, and give you good performance for recording the show. good luck, /Andrew - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: toslink v. coax
At 16:29 03/04/00 -0400, you wrote: Thanks, everyone, who answered my query about toslink v. coax; I figured it was BS. The info came from a book by Robert Harley, who I'm told is "controversial" among audiophiles. I'm not an audiophile yet, but hope one day to have the bux to do so. But no matter how rich I ever get, I plan not to be stupid enough to spend Eight Thousand Dollars on speaker cables; that really takes the cake!! Totally agree. As I said before, mains cable every time. 100m for 10 quid :-) Chrz, Wrighty - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: Memory Stick Walkman
On Tue, 4 Apr 2000, Leon wrote: Now, Sony says ATRAC3 compression gives MD-like quality. And they said MD gives CD-like quality. Notice the difference? :) In case you're a Mac user... the software that comes bundled with the walkman is Windows only. I was looking at this yesterday at the ComputerWorld Expo here in New Zealand, looks quite flash, nice and small, but at a price of NZ$200 for a 80minute memory stick, hell no - I'll stick to my Sharp 722! Mark - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
Re: MD: CDs with graphics
From: Jim Gray [EMAIL PROTECTED] To: md [EMAIL PROTECTED] Sent: Monday, April 03, 2000 9:56 PM Subject: MD: CDs with graphics About 10 or so years ago some CDs on the market had graphics included, but you needed a special player to see them; it was usually lyrics and maybe some artwork. Does anyone know of a Windows CD player program that would display those graphics? I still have the Hendrix Smash Hits and I think it was Van Dyke Parks' Tokyo Rose but have never seen the graphics on them. No, but some CD writer software will let you pull the graphics etc. off onto the hard disc and you can then open them in Paint Shop Pro. Magic -- "Creativity is more a birthright than an acquisition, and the power of sound is wisdom and understanding applied to the power of vibration." Location : Portsmouth, England, UK Homepage : http://www.mattnet.freeserve.co.uk EMail : [EMAIL PROTECTED] - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: Aiwa AM-C80?
I just got off the phone with customer support from www.cdeals.com. I was trying to buy an Aiwa AM-F70 from them, and they said they were out of stock, but they recieved this new AM-C80 model just a few days ago, and it was a replacement for the AM-F70. It was selling for about $30 less, and I confirmed that it wasn't the AM-F80. I told the sales rep that I hadn't heard of it before, and if she had any information on it. She asked what I wanted to know about it, and told me she would call her supplier. I asked her if it had a jog dial, the battery life, and if the remote is the same as the old one. About two hours later I got a call back, and I guess neither of them were incredably knowledgeable because she told me it had a "40 second jog". Oh well. Almost out of curiousity I ordered it, UPS 3 day select. She agreed that since she couldn't get any information on it, I could send it back without being charged a restocking fee if it wasn't what I had expected. The way I understood it, the C80 is a new model that is designed to replace the AM-F70, and it has "equal or better" features. I guess I'll let you guys know what it is in three or four days. - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: Sony computer + slink question
Hi, I just got a Sony PCV-E302DS Digital Studio computer primarily for its slink integration ability (and price, since it is pretty old) I have it connected to my CDP-CX240 200 disk changer, and MDS-JE630 MD deck. The software that came with it works OK for playing disks from either machine, but is somewhat limited in recording. I would like to grab info from CDDB or FreeDB, to title the disks/tracks in the changer, and MD deck. The sony software allows me to title the disks in the changer manually, and stores the information locally. The changer itself will only store short (~12 character) track names. The MD Editor software is fairly flexible. It will allow you to build a playlist of CD tracks (from the DVD-rom, or the external changer), or any playable audio files for output to MD through the optical connection. It allows you to enter titles for any of these, but again doesn't use an online DB for disk/track names, and doesn't seem to use the ID3 info from MP3s either. I read back a little bit in the archives (the search function doesn't seem to be working, sorry if this has been addressed before), and saw mention that the S-link port on the DS computers accepts s-link commands sent to it via serial (I believe it is using com3 or 4) Is there any software available that can do the machine control and/or titling from online DBs? Alternately, is there software that can insert the info into the local DB the Sony software uses "md1.db" Thanks for any thoughts and information, sorry for the long first post. -- Stephen Oetjen [EMAIL PROTECTED] - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: Sony R90/R91: I found one major difference
Well, all reports were that the MZ-R91 and R90 were functionally "identical", but I've found one thing that suggests otherwise: The VU (level) meter is calibrated differently on the two units. Read on: The R90's (at least MY R90, this might not be the case with newer units) level meter will hit the ninth (and final) bar regularly, while "OVER" is somewhere to the right of the final bar, making it difficult to measure whether a recording is going OVER or not. This is unlike the R55, where 0dB was between the 8th and 9th bars, and OVER was indicated by the ninth bar (this was much easier to read). The 91 (at least my roommate's R91) is calibrated like the R55, where the 8th is about as high as it goes normally, and OVER is indicated by the 9th bar. I have compared a number of discs between the two units, and on all of them, the 9th bar on the R90's meter corresponds to the 8th bar of the R91. Well, this is a major difference to me, as I have found the R90's VU meter almost useless in some cases because I can't tell if I'm going OVER or not. In this sense I would say the R91 is better, but some might not care. Anyway, just reporting my findings... If anyone with a newer (US model?) R90 can tell me if perhaps this has been changed with the newer releases, I would like to know. (as in, does the 9th bar on the meter get hit regularly, or does it almost never get hit? Even at the highest recording level?) Oh yeah, the R91 I tested is faster to detect NO DISC than my R90 by 2 seconds, but that's really not worth knowing... --Brian Youn-- The University of Texas at Austin Electrical and Computer Engineering, 4th Year Go Lakers! - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: MP3 to Optical Out
Hi List, I've got another doosey of a question. I want to record MP3s with my PC onto MD. I'm using a Midiman Dio 2448. I want to go optical out into my Sharp 831, but am having no luck... Do I need to convert the MP3 to some type of digital file and then go out? Any help would be appreciated! Sincerely, Mark J. Linkhorst MD Link http://www.angelfire.com/md2/MDLink __ Get Your Private, Free Email at http://www.hotmail.com - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
RE: MD: australia/sydney cheap 60m blanks, mz-r90 released here
that price ya speak about... what currency is it? :-) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On Behalf Of Luke Rayner Sent: Wednesday, 5 April 2000 9:54 AM To: [EMAIL PROTECTED] Subject: MD: australia/sydney cheap 60m blanks, mz-r90 released here i went to the sony shop at chatswood,sydney at the weekend. they're having a moving sale. they were selling the mz-r90(silver) for $749(right next to the mz-r55 on sale for $699 down from it's rrp of $749!). none of the other portables were discounted much either. - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: Sharp Bootleg Record Level
Hi List, I know I can adjust the record level on the fly with my Sharp 831, but I'm not sure what kind of lighting I'll have at the Red Hot Chili Peppers / Foo Fighters concert I will be attending. I use Core-Sound Binaural Mics with Bass Filter. I'll definetly use the Bass Filter since this place (Bryce Jordan [EMAIL PROTECTED] Pennsylvania) is a sardine can. Anyone have any advice on this? I was thinking 15, but not sure. I'll try to adjust, but don't want to give myself away... This is my first time using the Sharp for a show that I care about. I always used a Sony before, but got sick of worrying about End Search... Sincerely, Mark J. Linkhorst MD Link http://www.angelfire.com/md2/MDLink __ Get Your Private, Free Email at http://www.hotmail.com - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
RE: MD: australia/sydney cheap 60m blanks, mz-r90 released here
Figure it out dude. He mentions Australia in the subject. That would mean Australian dollars, wouldn't it? 3#-) Adios, LarZ --- TAMA - The Strongest Name in Drums --- -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]] On Behalf Of Wei Han Kurt Wee Sent: Wednesday, 5 April 2000 11:02 To: [EMAIL PROTECTED] Subject:RE: MD: australia/sydney cheap 60m blanks, mz-r90 released here that price ya speak about... what currency is it? :-) - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
MD: australia/sydney cheap 60m blanks, mz-r90 released here
i went to the sony shop at chatswood,sydney at the weekend. they're having a moving sale. they were selling the mz-r90(silver) for $749(right next to the mz-r55 on sale for $699 down from it's rrp of $749!). none of the other portables were discounted much either. they also had sony 60m blanks for $3AUD each. the other blanks were pretty much normal price, discounted maybe 10-15%. 74es for $10.[a while ago i posted about the 74es being sold cheaply at a duty free store in sydney, but i was wrong. they were $9 duty free and $11 normal, i think. which doesnt make them good value after all.] can anybody hear the difference between the 74es blanks and any other disc? __ Get Your Private, Free Email at http://www.hotmail.com - To stop getting this list send a message containing just the word "unsubscribe" to [EMAIL PROTECTED]
