Re: [mb-style] Genre support

2011-12-12 Thread Pete Marsh
one of my favourite things about Musicbrainz is that it doesn't try and deal 
with genre. 

Genres are massively subjective and also incredibly fluid and i'm not sure how 
useful they'd be to end users of MB data. i think attaching an artist to a 
genre in particular isn't a good start. eg Miles Davis might be assigned as a 
jazz artist but there are many prople who would not consider something like 
Bitches Brew to be jazz. so recordings might be a better place to start. 

But my instinct is to think that it would be a very bad idea. Again, it's one 
of those things that would take away from MB's core purpose, which is as a 
repository of veriable facts. There's nothing factual about Genres in the main 
- they're a necessary evil when it comes to marketing but they're not necessary 
for MB IMHO

sorry to be so negative!


P



-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Lukáš 
Lalinský
Sent: 12 December 2011 15:58
To: MusicBrainz style discussion
Subject: [mb-style] Genre support

Hi,

This discussion is a little off-topic here, but I can't think of a better group 
of active MB users to discuss a feature like this.

I'd like MB to have some support for genres. This was apparently discussed at 
the last MB summit, but I don't know details about that.

http://wiki.musicbrainz.org/MusicBrainz_Summit/11/Session_Notes#Genres

I've created a ticket that seems to be a superset of the genre features 
discussed at the summit:

http://tickets.musicbrainz.org/browse/MBS-3738

The idea for now is just to define the genre lists and relations between them. 
It does not deal with the problem of assigning entities like artists to genres 
(I think that SoundUnwound has a nice solution to this though). My idea is to 
add the concept of genres to MusicBrainz, make it editable by users, linkable 
to other genres and URLs. That way we can define genre trees. Then I'd like for 
each genre to have a list of tags that the genre can appear as. This can be 
used for autocompleting genres when adding tags, and whitelisting tags in 
applications like Picard (it can be used to whitelist tags also from other 
sources, like Last.fm).

Does any of this make sense? Do you think it's a good idea?

Lukas

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Re: [mb-style] Deprecating collaborations

2011-08-24 Thread Pete Marsh
Their history definitely warrants that they that they be included as a
single entity in MB.
 
definitely agree with this. their solo releases (such as they are) came
some while after their collaboration began. Hall  Oates releases form
the vast bulk of both men's recorded output. they're essentially a band
with an unimaginative name.
 
what would you do with simon  garfunkel? i would say they're a similar
case (actually possibly less strong than Hall  Oates in that both have
had successful solo careers)
 
it's always going to be fuzzy, this one. and i'm not sure exactly what
to do with CSNY etc. 
 
p


From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Paul C. Bryan
Sent: 24 August 2011 16:13
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Deprecating collaborations


I wrote:



Here's a performance collaboration worthy of review: Daryl Hall
 John Oates, at least judging by their album covers:



On Tue, 2011-08-23 at 21:44 -0700, Ryan Torchia responded: 


How does that put them in the same boat?  That sometimes they
were credited using their full names rather than just last names is
really kind of trivial, IMO.  Their history definitely warrants that
they that they be included as a single entity in MB.  The line can be
fuzzy for collaborations like Lennon/Ono, but really not for Hall 
Oates.



How does their history definitely warrant they be included as a single
entity in MB? How is it fuzzy for other collaborations and not so for
Hall  Oates? Length of time in collaboration? Number of releases? As
the majority of their albums appear to credit them individually on the
cover, it seems on its face like a collaboration, not a group. As
such, this collaboration seems like a logical migration from
collaboration artist to joint artist credit-especially absent any
guidelines to direct us otherwise.



Related to this, I'd like to see people work out what we should
do with Crosby, Stills, Nash  Young. (And Crosby, Stills  Nash),
Crosby  Nash, Stills  Nash, the Stills-Young Band, David Crosby,
Stephen Stills, Graham Nash, Neil Young, and of course... Buffalo
Springfield.)



I get the part about the Crosby* cases. I don't get the Buffalo
Springfield case (isn't it a rock band, i.e. group-or was this made in
jest?) 

Paul 


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Re: [mb-style] Arrange on works

2011-08-22 Thread Pete Marsh
i would have thought that most Orchestrator relationships are at recording 
level 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Nicolás 
Tamargo de Eguren
Sent: 22 August 2011 16:47
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Arrange on works

On Mon, Aug 22, 2011 at 6:41 PM, Lemire, Sebastien m...@benji99.ca wrote:
 Well this is more of a case of incorrect wording on discogs (checked 
 the edits).
 This credit should be arranger and not orchestrator (as per the 
 booklet), I'll go and remove all the orchestrator credits and addin 
 him as an arranger at the recording level.

Hmm, I still have several orchestrator relationships that apply to recordings 
more than to works (will be recorded just once, in most cases, including, now 
that I think about it, stuff like Metallica playing with an orchestra and the 
like)

 Sebastien

 2011/8/22 Nicolás Tamargo de Eguren reosare...@gmail.com

 On Sun, Aug 21, 2011 at 8:24 PM, Lemire, Sebastien m...@benji99.ca
 wrote:
  I would also like a warning added to the use of the Orchestrator AR 
  at work which similarly doesn't apply to most non-classsical works.
  Examples:
  http://musicbrainz.org/work/8627f9e0-6743-304f-aecf-5fd687650cb8
  http://musicbrainz.org/work/d6e72540-d65c-3cb6-b02f-e6989e09790a
  http://musicbrainz.org/work/836ad30c-e0fb-3198-8970-1d840b66d62b

 The problem with this is that orchestrator is not currently present 
 at recording level, so there's no other place to enter it. I think we 
 should also add it to the recording level.

  Sebastien
 
  2011/8/21 Nicolás Tamargo de Eguren reosare...@gmail.com
 
  On Sun, Aug 21, 2011 at 8:04 PM, Paul C. Bryan pbr...@anode.ca wrote:
   On Sat, 2011-08-20 at 21:40 +0300, Nicolás Tamargo de Eguren wrote:
  
   On Sat, Aug 20, 2011 at 9:23 PM, Paul C. Bryan pbr...@anode.ca
   wrote:
   Okay, but unless it can be demonstrated that pop/jazz/other 
   genres support this, I think we should still consider cleaning 
   house somehow.
  
   I don't really see why something should be not used because 
   other genres do not support it. Other genres do not usually 
   support chorus master either and we don't remove those...
  
   Sorry, I wasn't being clear. I'm suggesting that we attempt 
   cleanup of arranger-on-work instances where they currently does 
   not make sense, namely pop and jazz titles.
 
  Oooh, I see then. Anyone cares to RFC a nice warning against the 
  widespread use of arranger on works? Murdos maybe?
 
   Paul
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Re: [mb-style] Add work types

2011-08-15 Thread Pete Marsh
I think that no matter how controversial work types can be, they are
essential for filtering works in prolific composers as mentioned above.

could you not just use filtering on the title field to sort? symphonies,
nocturnes, sonatas, concertos etc are titled as such which is why i'm
not sure work types are that useful (i'm not sure if anyone agrees with
this point, but i'll make it again till someone responds and tells me
i'm wrong...:)
 
Also I would love it if the work types are hierarchical with broader
work types and more specific work types:

wah. i can imagine the edit wars now, and they're not pretty. this is
the kind of thing that could wake Skynet.

Another note, I had suggested via a ticket
(http://tickets.musicbrainz.org/browse/MBS-2638) to add the Period for
composers, I think this would be a fantastic addition allowing us to
categorize/filter by period. 

again, this seems a bit fuzzy to me, particularly at composer level (how
would you classify Schnittke?) maybe it would work at work level, but
it's still contentious i think)...

cheers

p
 





From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Lemire, Sebastien
Sent: 15 August 2011 13:59
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Add work types


I think that no matter how controversial work types can be, they are
essential for filtering works in prolific composers as mentioned above. 

I think that a single attribute (as of now) would cover without too much
controversy 90%+ of the classical work types and if  we structure it in
a tag format where multiple types can be selected, it could cover 98%+
of the works.

Therefore for the vast majority of the works, it would work well and
should be very useful.

Also I would love it if the work types are hierarchical with broader
work types and more specific work types:

Music for Keyboard
- Serenade
- Nocturne
- etc

Symphony
- Romantic Symphony
- Classical Symphony

Chamber music
- String Quartet
- Trio

Concerto
- Piano Concerto
- Violin Concerto
- Cello Concerto

etc... (note the work types above may be incorrect, just examples)

Also I think until we can find a way to implement them for popular
music, they should be discouraged. Personally I definitely wouldn't mind
adding Genres on MB, even with the controversy in edits, and should also
work fine for the majority of the works in MB. It can also be argued
that that information perhaps should be at the RG level rather than the
Works level.

Another note, I had suggested via a ticket
(http://tickets.musicbrainz.org/browse/MBS-2638) to add the Period for
composers, I think this would be a fantastic addition allowing us to
categorize/filter by period. Example periods would be:
- Medieval
- Renaissance
- Baroque
- Classical
- Romantic
- Post-Romantic
- Modern
- Contemporary

This information could also be stored at Work level (rather than
Artist/Composer level as I had suggested)
What do you guys think?

Sebastien



On Fri, Aug 12, 2011 at 2:00 PM, David Gasaway d...@gasaway.org wrote:


On Fri, Aug 12, 2011 at 09:54, Nikki aei...@gmail.com wrote:

 And given that we deliberately don't have genre fields,
instead only
 having folksonomy tags, I wonder if that is an argument for
removing
 work types entirely...


I still think there's a use in classical for a select list of
work
types, with an Other catch-all, for the purpose I already
stated.
As long as people don't expect it to be especially precise.


--
-:-:- David K. Gasaway
-:-:- Email: d...@gasaway.org

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Re: [mb-style] Add work types

2011-08-12 Thread Pete Marsh
i'd have to say probably not, but that's a personal view...the issue is whether 
the concept of a work type is actually useful in MBz. it's a lot more nuanced 
than the usual type of objective data. i wou;ld look elsewhere if i wanted that 
info. same with genres. 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Frederic 
Da Vitoria
Sent: 12 August 2011 11:10
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Add work types

2011/8/12, Pete Marsh pete.ma...@bbc.co.uk:
 as someone (David?) suggested, tagging is the way to go. otherwise 
 when it comes to non-classical material it's difficult to imagine a 
 work definition being separate from a genre definition...

Tagging indeed, but would folksonomy work?

--
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » - 
http://www.april.org

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Re: [mb-style] Add work types

2011-08-12 Thread Pete Marsh
hi

in case anyone's interested here's the work types spreadsheet I put
together some while ago. it was compiled using definitions taken from
Radio 3's specialist Classical Music d/base - some are clearly rather
eccentric as a result - i whittled it down to 18 work types I thought
were workable but this is the original.
https://spreadsheets.google.com/spreadsheet/ccc?key=0AuVpjiSn_606dGFXa3Q
0SEtXOEtYd1ZxblFhcU9kVlEhl=en_US
 
 
this doc explains what i thought i was up to...
https://docs.google.com/document/d/1gD_lYCZLS1kX-PohRC4ZscXpX6RKmdIA8mk4
5A52IAM/edit?hl=en_US

p

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Re: [mb-style] Add work types

2011-08-12 Thread Pete Marsh
yes, i think what i wrote is an argument for abandoning work tyoes
(certainly as structured data). 
 



From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Paul C. Bryan
Sent: 12 August 2011 18:27
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Add work types


On Fri, 2011-08-12 at 18:54 +0200, Nikki wrote: 

And given that we deliberately don't have genre fields, instead
only 
having folksonomy tags, I wonder if that is an argument for
removing 
work types entirely...



Tacit +1.

Paul 

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Re: [mb-style] Add work types

2011-08-11 Thread Pete Marsh
Some while ago I started compiling a list of work types, predominantly for 
classical music use. But even there (where one could argue that the work type 
is an important concept) it's often hard to arrive at an objective definition. 
Most work types in classical music are explicit in the title (Symphony, Sonata, 
Fugue, Nocturne, Polonaise etc etc - Operas are an exception of course). 
whereas others aren't (how would you objectively define 'Music for 18 
Musicians' by Steve Reich or '4.33' by Cage or even 'Pierrot Lunaire' by 
Schoenberg?)

When it gets to popular music, it would seem that 'song' or 'instrumental' are 
almost meaningless as definitions. And here too it would seem that a Work Level 
definition is at too high a level and doesn't allow for instrumental versions 
of songs or vice versa. I think these definitions are best left to the likes of 
Wikipedia. It doesn't seem to me that this can work as useful structured data.

P





-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Frederic 
Da Vitoria
Sent: 11 August 2011 09:57
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Add work types

2011/8/11, Ryan Torchia anarchyr...@gmail.com:
 On Wed, Aug 10, 2011 at 8:20 AM, Alex Mauer ha...@hawkesnest.net wrote:

 On 08/09/2011 09:39 PM, Ryan Torchia wrote:
  Well songs, by definition, have singing. -- 
  http://dictionary.reference.com/browse/Song --  Works or pieces
 refer to
  a broader category, but that includes vocal and instrumental works.

 Hmm, Mendelssohn and Holst both have works entitled Song without words
 so it seems that in at least some cases there is a broader definition 
 at play.  In fact, that's given as an example in definition 2.


 True, but I did say that songs had *singing*, not that they 
 necessarily had words.  (And arguably, not that they'd have human 
 beings singing.)  But even those tend to be somewhat unusual cases.  
 Pretty much any category we come up with is going to have some 
 exception, given how many cultures we're trying to cover and how frequently 
 artists try to blur boundaries.

 What is the purpose to all this, anyway?  I'm not asking to be snarky 
 -- if we have a clear idea how the data is going to be used 
 functionally, we can design this to fit that purpose better.  Right 
 now it doesn't seem clear whether we're trying to use this field to 
 define ensemble, structural form, function, or some other musical property.

Yes, Rupert asked more or less the same question earlier in this thread and I 
believe it should be answered first. These informations are quite interesting 
and relevant to a music database and it would be nice being able to enter them 
somewhere, but is this the right place?
And what about covers? If we are too specific here, there will probably be 
covers which we would have otherwise set under the same Work which we will have 
to separate because the Work Types differ.
Actually, this could help defining the limits both of what constitutes a 
separate work and how specific work types should be.

--
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » - 
http://www.april.org

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Re: [mb-style] Works and remixes/covers

2011-06-09 Thread Pete Marsh
thanks Paul!
 
i still think the criteria for a remix becoming a work rather than a
recording need a bit more discussion. credits for additional lyrics or
compositions on such things are going to be the exception rather than
the rule. in fact i would argue that in the vast majority of cases
remixes will introduce additional material, yet very rarely is the
remixer given a composition credit. so my feeling is that by default a
remix a should be a new work (a different duration is usually a
giveaway).  those cases where we are merely dealing with just a
rebalancing of the material (ie a remix in the strict sense of the word)
then could be a recording-recording relationship (in the same way a
remastered recording might).

am i being too philosophical here?
:-) 
 


From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Paul C. Bryan
Sent: 08 June 2011 23:46
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Works and remixes/covers


On Tue, 2011-06-07 at 16:16 +0100, Pete Marsh wrote:



This makes my head hurt, but here's a couple of questions just
to make sure I'm kind of understanding it



Take 2 ARs and call us in the morning. ;-)



1) how do we ascertain that a remix has enough new content to
make it a new work? (it's going to be the exception rather than the rule
to have new lyricist/composer credits). it would seem to me that most
contemporary remixes would fall under that category. some are almost
indistinguishable from the original (Aphex Twin has been known to pass
off completely original new works as remixes)



I suggest it be when the derivative work has work attributions that are
distinct from the original (e.g. additional composer or lyricist).



2) wouldn't the relationship be to a recording, not a work?  so
the remix is a work extrapolated from a recording?



Yes, it would be too. It wouldn't be a remix if it did not contain
recordings from the original it is a remix of. The issue is that a remix
can contain additional work of another artist.

Paul 

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Re: [mb-style] Works and remixes/covers

2011-06-07 Thread Pete Marsh
This makes my head hurt, but here's a couple of questions just to make sure I'm 
kind of understanding it

1) how do we ascertain that a remix has enough new content to make it a new 
work? (it's going to be the exception rather than the rule to have new 
lyricist/composer credits). it would seem to me that most contemporary remixes 
would fall under that category. some are almost indistinguishable from the 
original (Aphex Twin has been known to pass off completely original new works 
as remixes)

2) wouldn't the relationship be to a recording, not a work?  so the remix is a 
work extrapolated from a recording?

cheers

P

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Calvin 
Walton
Sent: 07 June 2011 12:28
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] Works and remixes/covers

On Mon, 2011-06-06 at 23:50 +0100, Dr Andrew John Hughes wrote:
 On 6 June 2011 18:22, Paul C. Bryan pbr...@anode.ca wrote:
  Sorry for jumping into the discussion so late in the game-real life 
  has been demanding much of my time lately.
 
  I would suggest the test could boil-down to whether a new artist 
  work AR is required to distinguish one remix from another (if a 
  particular remix contains new content, and has additional 
  composer/lyricist/etc. credit). If so, then a separate (but related) 
  work would seem to be in order. If not, then the original work would be 
  used.
 
  Thoughts?
 
 
 Pretty much what I think too.  It has the benefit of being a very 
 straight-forward test based on clear technical grounds (do I need an 
 AR specific to this mix -- Yes, add a new work).
 Now it would be nice if we actually had a work to work remix AR to go 
 with that...

One thing that concerns me a bit with a work→work remix ar: Remixes are 
typically based on a specific recording of a work. How do we represent this in 
Musicbrainz? Should we continue to use the recording→recording AR alongside the 
work→work AR on any remixes which are based on a specific recording, but also 
add e.g. new lyrics?

--
Calvin Walton calvin.wal...@kepstin.ca


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Re: [mb-style] NGS guidelines

2011-05-24 Thread Pete Marsh
I support the complete overhaul and that the normal process has been
circumvented. Most of the old guidelines don't make sense with NGS, and
doing such a big change by RFC/RFV would have been extremely painful. I
think we're much better off taking the rewrite and working from there.

I couldn't agree more. (I know, I've tried).
 

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Re: [mb-style] NGS guidelines

2011-05-24 Thread Pete Marsh
and IMHO it would have been impossible to get the guidelines right in
advance 

I think it would have been possible, but we would still be waiting for
NGS two or three years down the line.

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Re: [mb-style] CSG: Less VA?

2011-05-20 Thread Pete Marsh
/ gets a +1 from me...

p 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Nikki
Sent: 20 May 2011 09:28
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] CSG: Less VA?

Lukáš Lalinský wrote:

 I'd suggest  / , as that's what we use to separate other things and 
 I'd like to start using it for tracks with multiple artists 
 (http://wiki.musicbrainz.org/TracksWithMultipleArtists).

Exactly what I was thinking. I would use for tracks with multiple artists and 
split releases too.

Nikki

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Re: [mb-style] CSG: Work aliases

2011-05-18 Thread Pete Marsh
looks sensible to me, though I'm imagining that Urtexts for some 
composers/works might be hard to find.

and with Mozart for instance...would Köchel numbers go into the comment field 
for diambiguation too (as they're not Mozart's) but be allowed in aliases?

cheers

p 



-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of symphonick
Sent: 18 May 2011 10:36
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] CSG: Work aliases

On Wed, 18 May 2011 08:04:45 +0200, caramel carame...@ymail.com wrote:

 For me, Work name should be Klavierkonzert Nr. 5 Es-Dur op. 73: III
 Rondo:
 Allegro ma non troppo in German and without Emperor, name not given 
 by Beethoven.
 Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73
 Emperor:
 III. Rondo. Allegro could be an alias even if would prefer Piano 
 Concerto No. 5 Emperor in E-flat major, Op. 73: III Rondo: Allegro 
 (ma non troppo?) et Concerto pour piano no 5 L'Empereur en mi b 
 majeur, op.
 73:
 III Rondo: Allegro ma non troppo

There's no point in storing both variants for searching, right?
English aliases:
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 Emperor:  
III. Rondo. Allegro
Piano Concerto No. 5 in E-flat major, Op. 73 Emperor: III. Rondo. Allegro

I'm not sure I'd even bother with it for tagging anymore.

 My vote is for limiting CSG Work Aliases to standardized [1] titles.
 Track Titles are a perfectly good place to store the 
 non-standardized variants.

So can we say that aliases should be translated versions of the official 
standardized workname, or the local version(s) of the name; don't translate an 
English common name that's not used in France?


Which leads us to: can we agree on a strategy for language for the official 
workname?
Just brainstorming:
1. Urtext or first performance/first published or manuscript title?
2. catalogue language?
3. composer's language? at the time?

Some things to remember:
It may not be possible to tag from Work names.
It may not be possible to tag from Work aliases.
It will be possible to tag from recording names.
For now, recording names don't have aliases.
Let's assume that default work title = recording title.


One example from Beethoven (Könemann Urtext):
Joseph Edlem von Sonnenfels gewidmet
Grande Sonate pour le pianoforte

It has number 15  Op. 28 1801. The tempo marking is allegro  the key is D 
major.

Dedication goes into annotation  I assume there's a field for date.  
Artificial movement number could go in comment field for disambiguation.
the urtext title: Grande Sonate pour le pianoforte, Op. 28: Allegro (needs 
French caps? 15 doesn't fit  is not by Beethoven, would have to go in 
comment field)

title looks French to me, so I think a French standardized title is next in 
line (just an approximation, I took German in school):
Sonate pour Piano no. 15 [+key], op. 28: Allegro

what's next, cataloguer?  
http://en.wikipedia.org/wiki/Catalogues_of_Beethoven_compositions looking at 
http://en.wikipedia.org/wiki/List_of_compositions_by_Ludwig_van_Beethoven
it's opus by publisher for this work.  
http://www.raptusassociation.org/son15e.html says it's A. Crantz, Hamburg.
Sonate für Klavier Nr. 15 D-Dur Op. 28: Allegro

What's your opinion on this?

/symphonick


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Re: [mb-style] CSG: Work aliases

2011-05-18 Thread Pete Marsh
it wasn't a suggestion to add them to comments - just looking for clarification 
based on your Beethoven example. 

are dedicated catalogue number fields on any roadmap, do we know?

cheers

p

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of symphonick
Sent: 18 May 2011 12:03
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] CSG: Work aliases

On Wed, 18 May 2011 12:51:00 +0200, Pete Marsh pete.ma...@bbc.co.uk
wrote:

 looks sensible to me, though I'm imagining that Urtexts for some 
 composers/works might be hard to find.

 and with Mozart for instance...would Köchel numbers go into the 
 comment field for diambiguation too (as they're not Mozart's) but be 
 allowed in aliases?

In an ideal world we will have fields to add all catalogue numbers. (I think 
you're the first to suggest using the comment field). I suppose we will 
continue like before  add opus/our choosen catalogue (Köchel for
Mozart) to the titles.

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Re: [mb-style] RFC: Extends Wikipedia Relationship Type to entity Work

2011-05-18 Thread Pete Marsh
+1. absolutely essential! 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Maurits 
Meulenbelt
Sent: 18 May 2011 13:52
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFC: Extends Wikipedia Relationship Type to entity Work

Just came across the same limitation, +1 from me.

Op 18-5-2011 14:49, Nikki schreef:
 Definitely +1

 Nikki

 Aurélien Mino wrote:
 It seems pretty obvious: Wikipedia has a lot of pages about songs that 
 should really be linked on Work level.

 Any objections?

 - Aurélien / murdos

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Re: [mb-style] CGS: Comment field for recording names disambiguation

2011-05-18 Thread Pete Marsh
+1 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
symphonick
Sent: 18 May 2011 17:10
To: MusicBrainz Style Discussion
Subject: [mb-style] CGS: Comment field for recording names
disambiguation

Title says it all, really. Can we agree on using the comment field on
recordings for performer disambiguation, instead of entering performers
in recording names?

Here's a small example:  
http://ngs.musicbrainz.org/work/ed31a76e-6b51-3939-9c32-72c0004f5206/rel
ationships

If we use the same names for works  recording and don't do anything, we
will get a list w. identical titles.
IMO it's at least a better workaround than the last. I hope we can get a
real solution to this someday.

Can we also try and encourage people to try and keep the information in
the comment field to a minimum?

/symphonick

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Re: [mb-style] IRC Chat re: Works: Mon. Dec. 20 @ 7PM GMT

2010-12-16 Thread Pete Marsh
i'm definitely up for this...any opportunity to discuss concept albums
is too good to miss. :-)



From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Paul C. Bryan
Sent: 15 December 2010 19:54
To: musicbrainz-style@lists.musicbrainz.org
Subject: [mb-style] IRC Chat re: Works: Mon. Dec. 20 @ 7PM GMT


I'd like to moderate an IRC chat to discuss works in the next-generation
schema, namely to address the following issues:



*   What should be and what should not be a work? 
*   What level(s) of granularity should works have? (e.g. concept
albums, opus, composition, movement, song...) 
*   What hierarchy (if any) should works have? 
*   Implications of opera and classical music tracks. 


The goal of this discussion will be to have enough material to draft a
style guideline for works, and continue its refinement with the style
council in the mailing list.

I propose we meet in #musicbrainz-style on irc.freenode.net on Monday,
December 20 at 7 PM GMT, 8 PM CET, 11 AM PST http://bit.ly/gVQqRk .

Please let me know if you can attend.

Thanks,

Paul 

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Re: [mb-style] Artist Credits for Works

2010-11-10 Thread Pete Marsh
Q1. Should a work have an primary artist credit (AC) or are advanced
relationships (ARs) more appropriate?

 ARs.

Q2. What is your rationale for your answer to Q1?

As Brian and others have pointed out, it's hard to quantify who is the
artist 'most associated' with a work. Who would you associate with 'Mr
Tambourine Man', for instance? The Byrds or Bob Dylan? Answers to such
questions depend on your age and geographical location. When it comes to
standards ('Summertime', 'All The Things You Are', 'Body and Soul' etc
etc) the problem becomes even more insoluble. I thought MusicBrainz was
about verifiable facts, and this doesn't seem to be about that. 


Q3. Under what circumstances would you be willing to accept the opposite
of what you answered in response to Q1?

I'm not sure there are any.

 Q4. If you answered that there should be ACs in response to Q1, what
should the primary artist for a work be?

N/A

Peter

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Re: [mb-style] RFC/RFV delay (was: RFV3: Writer Relationship Type)

2010-10-22 Thread Pete Marsh
I suggest that a minimum delay be applied between the last answer to a
RFC and the RFV. This would avoid frustration for the champion.

+1 to that idea.

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Re: [mb-style] New release types?

2010-10-11 Thread Pete Marsh
hi brian
 
Live Compilation would be for compilations of live tracks.  

i think this could do with a bit of expansion. do you mean various
artists? (eg woodstock, live at the roxy etc)
 
or would this kind of thing count as well? (even though none of the
tracks had been previously issued)
http://musicbrainz.org/release/70a251f1-3bfa-4f77-9ade-8a189386e987.html
http://musicbrainz.org/release/70a251f1-3bfa-4f77-9ade-8a189386e987.htm
l 
 
technically aren't most live albums compilations, in that they will
usually feature recordings taken from different gigs or tours? (a
philosophical point, maybe...)
 
cheers
 
p
 

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Re: [mb-style] RFC: Re-add [traditional]

2010-10-11 Thread Pete Marsh
that is a really nice (in the true sense of the word) definition.
 
+1



From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of SwissChris
Sent: 11 October 2010 18:25
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFC: Re-add [traditional]



Yes! 
+1
great job

On Mon, Oct 11, 2010 at 7:21 PM, Jeroen Latour f.j.lat...@gmail.com wrote:


+1. Beautiful work.

- Jeroen




Op 11 okt. 2010 om 17:57 heeft caller#6 
meatbyproduct-musicbra...@yahoo.com het volgende geschreven:



Hi all,

On 10/11/2010 04:16 AM, Jeroen Latour wrote:


2010/10/10 torn  mailto:m.strzalkow...@gmail.com 
m.strzalkow...@gmail.com


So, the [traditional] AR should be applied to 
works, where there's no definite
original source, there are many versions of the 
work of which each one could
be the original and there are many possible 
authors throughout extended
period of time.



I share Brian's concerns about the distinction being 
hard to make. However, I like Michał's definition.
My preference would be that Michał tries to craft an 
alternative definition (like above) to be added to the proposal page.




This is how I understand the intent of the [traditional] SPA.

[unknown]
A canonical version of the work exists, written and/or composed 
by one individual (or several, in collaboration) whose identity is unknown, but 
is potentially discoverable with further research. Please do some research 
before using this artist; this artist should not be used simply as a lazy easy 
solution to an artist you don't happen to know offhand.

[anonymous]
A canonical version of the work exists, written and/or composed 
by one individual (or several, in collaboration) whose identity is both unknown 
and unknowable.

[traditional]
No canonical version of the work exists, as it was originally 
passed down from musician to musician in non-written, non-recorded form. The 
work often exists in multiple variations, representing the contributions of 
generations of artists rather than one [unknown] or [anonymous] writer/composer.


best,
Alex / caller#6 

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Re: [mb-style] RFV2: Music can be streamed for free at

2010-09-03 Thread Pete Marsh
hi
 
my feeling is that video is outside the scope of this AR and that if
video is included the AR becomes so generalised and vague as to be
useless. there's already a youtube channel AR, isn't there?  if that's
not seen as adequate for outr YT needs then why not expand or alter that
AR?
 
cheers
 
P

 

I suggest we just link to Artist's YouTube pages (as we would
for MySpace
pages), where applicable. Example URI:
http://www.youtube.com/user/TheMarsVoltaVEVO (The Mars Volta
VEVO user
page.)

Failing that, if the artist has a label on YouTube, and that
label has
published a playlist for that artist, use that.
Example URI:

http://www.youtube.com/watch?v=ajwxt_BZJNAp=FFCA9C7B5E07B876playnext=1
index=2
(Epitaph Records' Fear Before playlist.)

These URIs, when entered, would be automatically formed to look
like the
above examples (I'm not sure if index=2 in the second example
is
necessary, though). Ideally, the AR's wording would change,
depending on the
type of link.



Well, the other option, which occurred to me today, would be to make
this AR not just a part of the Get Music class, but also the External
Website class.  That would make the YouTube AR the correct one, rather
than both, or just this one, as the External Website ARs  External
Information ARs guideline (
http://wiki.musicbrainz.org/Category:External_Information_Relationship_C
lass#Guidelines ) would then kick in.

One other thought would be to add a video attribute to this AR, to
allow IDing if the AR links to a video stream, rather than just a
(default) audio-only stream, so that for any (non-YouTube) video stream
URL, those can be easily differentiated - say you want only the music,
or you do only want the music video for a given song...

Brian

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Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

2010-08-25 Thread Pete Marsh
Hi Brian
 
Yes, the original intent was a deep link to the stream, but it is within
the context of a service; you would end up a page on the Spotify/We7 or
whatever's player.  The services that host those streams offer users the
opportunity to share and link to those streams, so I think we can assume
that the artists/labels are ok with that. Spotify and other services are
regularly linked to all over t'internet as far as i can see.  
 
Obviously with artist pages and other sites there will be a page
available to link to. I wouldn't argue that those should be deep links
that would open in your media player, if that's what you're assuming.
 
Best
 
Peter



From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Brian Schweitzer
Sent: 25 August 2010 03:41
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for free at'


I'm only confused by one thing in your prior reply.  If I understand
correctly, your intent is that the AR be used to link to the stream, not
the page on which the stream can be found.  Am I misunderstanding, or is
this correct?  If it is correct, I'd disagree, with similar rationale -
the artist makes the stream available, and while I think it's fair to
assume that there's an inherent grant of permission to link to the page
with the stream, I don't think I could support the same rationale for a
deep link to the stream - unless the artist/label expressly grants that
permission.  They may want to provide stream users with other info, etc.
(I'd note that the same is actually true of the other online music ARs;
it's somewhat unclear as to whether the free download should be the mp3,
or the page with the mp3's link, for example.)
 
Brian


On Tue, Aug 24, 2010 at 11:00 AM, Pete Marsh pete.ma...@bbc.co.uk
wrote:


Hello

I've removed the Whitelist from the proposal...


http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_free_
at

any other feedback welcomed...I've kept Nikki's link phrasing on
the URL
as it's consistent with existing ARs which makes sense to me...




-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On
Behalf Of

Andrew Conkling
Sent: 20 August 2010 14:25
To: MusicBrainz Style Discussion

Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for
free at'

On Aug 20, 2010, at 5:57, Brian Schweitzer wrote:
 Does this AR really need a whitelist?  Many labels' and
artists' pages
that I run across these days are have streaming music.  Isn't it
a fair
assumption to think that, if a label or artist is providing
streamed
music, it's safe to assume they'd want people to know about it -
ie, to
link back to them?  Yet going through the whole permission
whitelisting
and RFC for each and every such URL would be sufficiently
troublesome
that I know I'd never do it.

Totally agreed; I feel the same way about cover art (though I
realize
that's a bit of a different animal). Since we're not doing
anything with
the streaming music actually on our site (just linking to it), I
don't
see why a whitelist would be that necessary.

Pete, I think linking to artist sites might also be useful; I'd
say it's
better to keep this AR broader. Regarding a whitelist, I'd think
a
hyperlink would be acceptable without a whitelist (since we're
not doing
anything but linking), except in particular cases?


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Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

2010-08-25 Thread Pete Marsh
We're not linking to the stream directly and the AR has never been intended for 
that purpose. The whitelist was there in order to both focus the types of links 
in and to mitigate against dodgy and potentially illegal services. 

example destination from WE7
http://www.we7.com/#/song/The-Fall/Mr-Pharmacist




-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Mark 
Woodson
Sent: 25 August 2010 15:46
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

Wouldn't that depend on the service? Implying intent would seem a dangerous 
game to play. I would think that using deep links would require inspecting each 
services ToS/AUP. If the assumption is that it's deep linked to the stream 
directly then I think it has to be white listed, no?

I'd assumed throughout this discussion that we were talking about linking to 
the landing pages for the streams, not the stream directly.

-Mark / InSinU8

On Wed, Aug 25, 2010 at 3:15 AM, Brian Schweitzer 
brian.brianschweit...@gmail.com wrote:
 Yes, I was thinking of those little embedded Flash players; I'd doubt 
 they're intended to be deep-linked...  After all, theoretically, you 
 can download from those, as well, but I'd suspect that most artists 
 never intend that either, so I'd not add that Flash-embedded mp3's url 
 as a download link.  But yes, for a stream service which is as you 
 describe - essentially the rss version of a stream, then I'd agree, 
 because of the implicit permission grant.
 Brian

 On Wed, Aug 25, 2010 at 5:55 AM, Pete Marsh pete.ma...@bbc.co.uk wrote:

 Hi Brian

 Yes, the original intent was a deep link to the stream, but it is 
 within the context of a service; you would end up a page on the 
 Spotify/We7 or whatever's player.  The services that host those 
 streams offer users the opportunity to share and link to those 
 streams, so I think we can assume that the artists/labels are ok with 
 that. Spotify and other services are regularly linked to all over t'internet 
 as far as i can see.

 Obviously with artist pages and other sites there will be a page 
 available to link to. I wouldn't argue that those should be deep 
 links that would open in your media player, if that's what you're assuming.

 Best

 Peter
 
 From: musicbrainz-style-boun...@lists.musicbrainz.org
 [mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of 
 Brian Schweitzer
 Sent: 25 August 2010 03:41
 To: MusicBrainz Style Discussion
 Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

 I'm only confused by one thing in your prior reply.  If I understand 
 correctly, your intent is that the AR be used to link to the stream, 
 not the page on which the stream can be found.  Am I 
 misunderstanding, or is this correct?  If it is correct, I'd 
 disagree, with similar rationale - the artist makes the stream 
 available, and while I think it's fair to assume that there's an 
 inherent grant of permission to link to the page with the stream, I 
 don't think I could support the same rationale for a deep link to the 
 stream - unless the artist/label expressly grants that permission.  
 They may want to provide stream users with other info, etc.  (I'd 
 note that the same is actually true of the other online music ARs; 
 it's somewhat unclear as to whether the free download should be the 
 mp3, or the page with the mp3's link, for example.)

 Brian

 On Tue, Aug 24, 2010 at 11:00 AM, Pete Marsh pete.ma...@bbc.co.uk wrote:

 Hello

 I've removed the Whitelist from the proposal...

 http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_f
 ree_
 at

 any other feedback welcomed...I've kept Nikki's link phrasing on the 
 URL as it's consistent with existing ARs which makes sense to me...



 -Original Message-
 From: musicbrainz-style-boun...@lists.musicbrainz.org
 [mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf 
 Of Andrew Conkling
 Sent: 20 August 2010 14:25
 To: MusicBrainz Style Discussion
 Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

 On Aug 20, 2010, at 5:57, Brian Schweitzer wrote:
  Does this AR really need a whitelist?  Many labels' and artists' 
  pages
 that I run across these days are have streaming music.  Isn't it a 
 fair assumption to think that, if a label or artist is providing 
 streamed music, it's safe to assume they'd want people to know about 
 it - ie, to link back to them?  Yet going through the whole 
 permission whitelisting and RFC for each and every such URL would be 
 sufficiently troublesome that I know I'd never do it.

 Totally agreed; I feel the same way about cover art (though I 
 realize that's a bit of a different animal). Since we're not doing 
 anything with the streaming music actually on our site (just linking 
 to it), I don't see why a whitelist would

Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

2010-08-24 Thread Pete Marsh
Hello

I've removed the Whitelist from the proposal...

http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_free_
at

any other feedback welcomed...I've kept Nikki's link phrasing on the URL
as it's consistent with existing ARs which makes sense to me...

 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Andrew Conkling
Sent: 20 August 2010 14:25
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

On Aug 20, 2010, at 5:57, Brian Schweitzer wrote:
 Does this AR really need a whitelist?  Many labels' and artists' pages
that I run across these days are have streaming music.  Isn't it a fair
assumption to think that, if a label or artist is providing streamed
music, it's safe to assume they'd want people to know about it - ie, to
link back to them?  Yet going through the whole permission whitelisting
and RFC for each and every such URL would be sufficiently troublesome
that I know I'd never do it.  

Totally agreed; I feel the same way about cover art (though I realize
that's a bit of a different animal). Since we're not doing anything with
the streaming music actually on our site (just linking to it), I don't
see why a whitelist would be that necessary.

Pete, I think linking to artist sites might also be useful; I'd say it's
better to keep this AR broader. Regarding a whitelist, I'd think a
hyperlink would be acceptable without a whitelist (since we're not doing
anything but linking), except in particular cases?


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Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

2010-08-20 Thread Pete Marsh

 
I think that artist pages/sites that carry streaming music are covered
well enough by other ARs to official sites/myspace etc. As you say, most
artists sites will offer streaming, but the location of the streaming
might be such that it's impossible to link to (a java player that sits
on every page, for example) or they don't have much longevity/stability
as URLs. The intention here is to link to services rather than artist
sites.
 
So I'd say yes, it does need a whitelist. And I think Jamendo and
Archive.org are good additions. I would say that Wikimedia commons
content is a bit patchy and also covered by the standard Wikipedia entry
URL?

best

Peter



From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Brian Schweitzer
Sent: 20 August 2010 10:57
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for free at'


Does this AR really need a whitelist?  Many labels' and artists' pages
that I run across these days are have streaming music.  Isn't it a fair
assumption to think that, if a label or artist is providing streamed
music, it's safe to assume they'd want people to know about it - ie, to
link back to them?  Yet going through the whole permission whitelisting
and RFC for each and every such URL would be sufficiently troublesome
that I know I'd never do it.  

Re non-artist/label streaming sites, I'd also suggest Jamendo, Wikimedia
Commons, and Archive.org be added to that list.

Re the wording, I'd agree that Artist music can be streamed for free at
URL is awkward.  Perhaps Artist has music which can be streamed for
free at URL?

Brian


On Wed, Aug 18, 2010 at 3:32 PM, Andrew Conkling and...@andrewski.net
wrote:


On Aug 18, 2010, at 10:40, Nikki wrote:
 jacobbrett wrote:
 I think Artist music can be streamed for free at URL looks
odd, shouldn't
 it be Artist's music can be streamed for free at URL?

 It's not possible to do that because link phrases always have
a space
 before and after. The download and purchase links use
artist music
 can be ... at url which is why I suggested the current
wording.


artist has music that can be streamed for free at URL sounds
more natural, IMO.



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[mb-style] RFV: - 'Add Music can be streamed for free at'

2010-08-18 Thread Pete Marsh
1. Expected Passage Date - 20/08/10
 
2. The proposal is at
http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_free_
at and is essentially unchanged from the initial proposal apart from
some clarification around the Whitelist.

Peter
 

Peter Marsh | BBC Music Interactive | Room 718 | Henry Wood House | 3 -
6 Langham Place London W1B 3DF | 020 7765 2949

*   http://www.bbc.co.uk/music/
http://www.bbc.co.uk/music/jazz 


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Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

2010-08-18 Thread Pete Marsh
Hi

 I think Artist music can be streamed for free at URL looks odd, 
 shouldn't it be Artist's music can be streamed for free at URL?

I think you're probably right there. and thanks for fixing the URL
(worked ok for me!)

I'd add that NPR should be on the whitelist. As was pointed out before
they have a large body of music available for streaming   online and the
content remains up.

Again, that seems fine with me. My initial thought was that this AR
would deal with commercially available catalogue rather than live
sessions (which i'm assuming makes up most of the NPR content). Hence
the release and recording level relationships. But unless we want to
make two separate ARs for sessions and catalogue, I think NPR would be a
good candidate. As would this, maybe!

http://www.daytrotter.com/al/artists/alphabetical.html

Peter 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Mark Woodson
Sent: 18 August 2010 15:13
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFV: - 'Add Music can be streamed for free at'

I'd add that NPR should be on the whitelist. As was pointed out before
they have a large body of music available for streaming online and the
content remains up.

-Mark / InSinU8


On Wed, Aug 18, 2010 at 6:56 AM, jacobbrett jacobbr...@hotmail.com
wrote:

 I think Artist music can be streamed for free at URL looks odd, 
 shouldn't it be Artist's music can be streamed for free at URL?

 Also, your link was broken; this works:
 http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_fre
 e_at
 ;)
 --
 View this message in context: 
 http://musicbrainz-mailing-lists.2986109.n2.nabble.com/RFV-Add-Music-c
 an-be-streamed-for-free-at-tp5436230p5436374.html
 Sent from the Style discussions mailing list archive at Nabble.com.

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Re: [mb-style] RFC - AR proposal - Add Music can be streamed forfree at

2010-08-16 Thread Pete Marsh
Hi Alex

Sorry, missed your mail somehow so apologies for the delay.

Where's the emphasis? music, longevity, or large catalog?

I think all three. My thoughts were to do with specifically covering
'commercially available' recordings from streaming services rather than
say, interviews or live sessions from broadcasters. The AR title
excludes spoken word by implication anyhow. Maybe live sessions should
have their own AR? Not sure.

Best

P  

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Alex Mauer
Sent: 12 August 2010 18:55
To: musicbrainz-style@lists.musicbrainz.org
Subject: Re: [mb-style] RFC - AR proposal - Add Music can be streamed
forfree at

On 08/12/2010 12:04 PM, Pete Marsh wrote:
 services that have a large catalogue of legally available streamed
music [...] with a reasonable longevity to that content. 

Where's the emphasis? music, longevity, or large catalog?

NPR for example has streamable archives of some shows going back to
about 2000 or so.  That covers longevity and large catalog.  Of course,
it's mostly spokenword stuff, but there's some music as well.

-Alex Mauer hawke


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Re: [mb-style] RFC - AR proposal - Add Music cn be streamed for fre at

2010-08-13 Thread Pete Marsh
I didn't know they'd got rid of that... do they not let people stream
any full tracks now?

no, not on demand anyhow. you can listen to full tracks as part of a
radio station or playing your library, but you can't determine which
track unless you're a subscriber, when you can create a playlist. they
are apparently bringing back full track streams for what they call
'indie artists', so i guess we should put it on the list?

http://www.last.fm/forum/21717/_/617074

and thanks for putting it in the template. 

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Nikki
Sent: 13 August 2010 00:36
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFC - AR proposal - Add Music cn be streamed for
fre at

Pete Marsh wrote:
 Thanks Nikki

 I think a whitelist would be the most sensible option.
   
That works for me.

 Last FM was one of
 those, but now they've got rid of full track streaming on demand I 
 don't think they'd fit either!
   
I didn't know they'd got rid of that... do they not let people stream
any full tracks now?

 I'm (obviously) quite happy for you to do the shoehorning for the 
 template, but let me know if you change your mind or if you need 
 anything else.
   

Ok, I've edited the page so that it's using the template. If I've
accidentally changed the meaning of something, feel free edit it
yourself or let me know. :) If you're happy with it, I'll give it a +1.

Does anyone else think any sites should be added before the RFV? I don't
use sites like that so I'm not sure what other options are out there.

Nikki

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Re: [mb-style] RFC - AR proposal - Add Music cn be streamed for fre at

2010-08-12 Thread Pete Marsh
Thanks Nikki

I think a whitelist would be the most sensible option.

I wasn't imagining that YouTube and MySpace would be appropriate, mainly
as they have their own URL relationships already. And they're not quite
streaming services in the sense I was thinking. Last FM was one of
those, but now they've got rid of full track streaming on demand I don't
think they'd fit either! 

Those link phrases look absolutely fine. Thanks.

I'm (obviously) quite happy for you to do the shoehorning for the
template, but let me know if you change your mind or if you need
anything else.

Thanks again

Peter

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of
Nikki
Sent: 12 August 2010 01:39
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFC - AR proposal - Add Music cn be streamed for
fre at

Pete Marsh wrote:
 RFC Expires 22/07/10
  
 The purpose of this AR is to allow linkage from Artist Pages and 
 Release Group/Releases or Tracks/Recordings to free streaming music 
 services such as Spotify or we7.
  
 http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_fre
 e_
 at
   

Are you intending this to have a whitelist (like the lyrics and cover
art relationships) where people have to request new sites, or is it
supposed to be like most of the other relationships (e.g. free download
relationship) where we suggest sites but people can link to anything
within reason?
I get the feeling that people will try to link to YouTube videos,
Last.fm and MySpace using this relationship. What's your thoughts on
that? Are they ok or should they be excluded?

The relationship needs link phrases for us to use on the site. For
artists I'd suggest  artist music can be streamed for free at URL
URL is a free music streaming page for artist Then for releases and
tracks I'd suggest:
 release/track can be streamed for free at URL  URL is a free
music streaming page for release/track Are they ok?

The last thing is that we need to shoehorn the information on the page
that we need into the template we use for relationship pages [1] so that
we've got a page that will be part of the documentation. I can try doing
that though with the answers to the above questions if you want.

Nikki

[1] http://wiki.musicbrainz.org/Template:Relationship

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Re: [mb-style] RFC - AR proposal - Add Music cn be streamed for freat

2010-08-12 Thread Pete Marsh
I'm thinking primarily of services that have a large catalogue of legally 
available streamed music like Spotify, We7 etc with a reasonable longevity to 
that content. So NPR, Paste and Stereogum wouldn't be on the list as far as I 
was concerned...

-Original Message-
From: musicbrainz-style-boun...@lists.musicbrainz.org 
[mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of Mark 
Woodson
Sent: 12 August 2010 17:47
To: MusicBrainz Style Discussion
Subject: Re: [mb-style] RFC - AR proposal - Add Music cn be streamed for freat

I've got questions about what's going to be on the whitelist. Paste?
NPR? Stereogum? etc. etc. etc.

-Mark/InSinU8


On Thu, Aug 12, 2010 at 3:26 AM, Pete Marsh pete.ma...@bbc.co.uk wrote:
 Thanks Nikki

 I think a whitelist would be the most sensible option.

 I wasn't imagining that YouTube and MySpace would be appropriate, 
 mainly as they have their own URL relationships already. And they're 
 not quite streaming services in the sense I was thinking. Last FM was 
 one of those, but now they've got rid of full track streaming on 
 demand I don't think they'd fit either!

 Those link phrases look absolutely fine. Thanks.

 I'm (obviously) quite happy for you to do the shoehorning for the 
 template, but let me know if you change your mind or if you need 
 anything else.

 Thanks again

 Peter

 -Original Message-
 From: musicbrainz-style-boun...@lists.musicbrainz.org
 [mailto:musicbrainz-style-boun...@lists.musicbrainz.org] On Behalf Of 
 Nikki
 Sent: 12 August 2010 01:39
 To: MusicBrainz Style Discussion
 Subject: Re: [mb-style] RFC - AR proposal - Add Music cn be streamed 
 for fre at

 Pete Marsh wrote:
 RFC Expires 22/07/10

 The purpose of this AR is to allow linkage from Artist Pages and 
 Release Group/Releases or Tracks/Recordings to free streaming music 
 services such as Spotify or we7.

 http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_fr
 e
 e_
 at


 Are you intending this to have a whitelist (like the lyrics and cover 
 art relationships) where people have to request new sites, or is it 
 supposed to be like most of the other relationships (e.g. free 
 download
 relationship) where we suggest sites but people can link to anything 
 within reason?
 I get the feeling that people will try to link to YouTube videos, 
 Last.fm and MySpace using this relationship. What's your thoughts on 
 that? Are they ok or should they be excluded?

 The relationship needs link phrases for us to use on the site. For 
 artists I'd suggest  artist music can be streamed for free at URL 
 URL is a free music streaming page for artist Then for releases 
 and tracks I'd suggest:
  release/track can be streamed for free at URL  URL is a free 
 music streaming page for release/track Are they ok?

 The last thing is that we need to shoehorn the information on the page 
 that we need into the template we use for relationship pages [1] so 
 that we've got a page that will be part of the documentation. I can 
 try doing that though with the answers to the above questions if you want.

 Nikki

 [1] http://wiki.musicbrainz.org/Template:Relationship

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[mb-style] RFC - AR proposal - Add Music cn be streamed for fre at

2010-07-14 Thread Pete Marsh
RFC Expires 22/07/10
 
The purpose of this AR is to allow linkage from Artist Pages and Release
Group/Releases or Tracks/Recordings to free streaming music services
such as Spotify or we7.
 
http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_free_
at
http://wiki.musicbrainz.org/Proposal:Add_Music_can_be_streamed_for_free
_at 
 
Thanks all - this my first bash at a proposal, so
hints/tips/advice/abuse welcomed!
 
Peter
 

Peter Marsh | BBC Music Interactive | Room 718 | Henry Wood House | 3 -
6 Langham Place London W1B 3DF | 020 7765 2949

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