[NSP] BBC Antiques Roadshow

2011-11-17 Thread richard.hea...@tiscali.co.uk
Next week's issue of 'Radio Times' lists 'Antiques Roadshow' this 
coming Sunday - the 20th - as coming from Delaval Hall.  Julia took 
some pipes along which generated interest, although there are no 
guarantees that they will appear.  BBC1, 8pm, Sunday 20th - possibly 
worth a look,

Richard



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[NSP] NPS Concert reminder

2011-09-29 Thread richard.hea...@tiscali.co.uk
Hi All,
Forgive the plug, but this is a reminder that the NPS Annual Concert 
takes place in St Mary's Heritage Centre in Gateshead on Saturday 8th 
October at 7:30pm.  For those within reach of Gateshead, this will be a 
super evening of fine piping and traditional music.

The artists appearing are: Pauline Cato, who needs no further 
introduction on this list!,

The Bottle Bank Band - brilliant fiddling from four top rank fiddlers 
including two BBC Young Folk Musician of the Year winners,

Jarlath Henderson - a remarkable uilleann piper and also winner of BBC 
Young Folk Musician of the Year,

Paul Martin - a border piper from Horseplay and Wulfengrimm whosr 
dexterity is amazing,

Tristan Selden - one of the finest young NSP players of a new 
generation.

Tickets are only £10, and can be reserved by contacting Susan Craven on 
01 six 70 7 six 1872 or by email on su...@northumbriansandpipers.com

A concert not to be missed!

Thanks for reading this, and we hope to see you there!

Richard



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[NSP] Re: Harvest tunes

2011-09-01 Thread richard.hea...@tiscali.co.uk
Hi Richard,
I think Cut and Dry Dolly is named for the celebration of the last 
cut of corn/grain/hay, whatever it was.
Here's an abc of the tune as given in Bruce and Stokoe's 
Northumbrian Minstrelsy:

X:1

T:Cut and Dry Dolly

M:2/4

L:1/8

R:Reel

S:Bruce  Stokoe - Northumbrian Minstrelsy   (1882)

Z:AK/Fiddler's Companion

K:G

g|d/B/A/G/ B2|d/B/A/G/ g/f/e/f/|gG B2|Gddg|

d/B/A/G/ B2|d/B/A/G/ g/f/e/f/|gA c2|Aee:|

|:f|gefd|ecdB|gG B2|Bd de/f/|

gefd|ecdB|gA c2|Aee:||



There are also variations for it the NPS Repertoire of Variation Sets 
book - copies are still available from the NPS.

Cheers,

Richard





Original Message

From: rich...@lizards.force9.co.uk

Date: 01/09/2011 12:44 

To: NSP groupnsp@cs.dartmouth.edu

Subj: [NSP] Harvest tunes



Our band is playing for a Harvest Festival in a church in MK later 
this

   month, partly to accompany their hymns, and partly to play a few

   seasonally relevant tunes at some point.

   Other than the obvious Harvest Home h'pipe and one or two others, 
I'm

   not finding many good tune titles yet, and would welcome 
suggestions.

Useful ones would be good, though I suspect the usual suspects 
will

   think of others too...

   Not necessarily nsp repertoire, just anything you know of, please.

   (Playford and John Offord both seem to have very little to offer,

   surprisingly, I was expecting loads of trad titles to leap out at 
me,

   as they do for some other times of the year.)

   With thanks,

   Richard,

   --





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[NSP] Info: BBC Prom tonight

2011-08-02 Thread richard.hea...@tiscali.co.uk
Hi,
Just information - there is a late night BBC Prom to be broadcast 
tonight (Tuesday 2nd August 2011) at 22:15 BST, lasting until 23:45.
Its theme is music collected and arranged by Percy Grainger and it 
is performed by June Tabor (singer), the Wilson Family (Shanty 
singers), the Katrhyn Tickell Band (needs no introduction), the BBC 
Singers (men's voices) and the Northern Sinfonia.

My impression is that the traditional musicians might be reverse 
engineering Grainger's work to revitalise it in a more modern 'folk' 
context.  A very short feature on the BBC Breakfast programme this 
morning showed Kathryn playing a tune collected by Grainger in a way 
reflecting a traditional style of piping, as in the old tunes with 
their lilts and pauses and variations.

Richard



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[NSP] Re: [NPS-Discussion] KVR online

2011-06-29 Thread richard.hea...@tiscali.co.uk
Hi Julia,
Thanks for these links - what a super find!
The links do work if you just copy the entire link (not just the blue 
part) and paste it into the URL address box of your browser.
Cheers,
Richard

 

Original 
Message

From: julia@nspipes.co.uk

Date: 29/06/2011 17:24 

To: nsp@cs.dartmouth.edu

Subj: [NPS-Discussion] KVR online



Kohler's Violin Repository, a hard to find but much used source of 
tunes for 

fiddlers in this area in the C19. It was sold in weekly or monthly 
instalments and 

then copies were passed from hand to hand.



http://imslp.org/imglnks/usimg/d/db/IMSLP106889-PMLP217734-

koehlersviolinrepository_1.pdf


http://imslp.org/imglnks/usimg/9/96/IMSLP106890-PMLP217734-

koehlersviolinrepository_2.pdf


http://imslp.org/imglnks/usimg/0/02/IMSLP106891-PMLP217734-

koehlersviolinrepository_3.pdf


The editor possibly knew James Hill, 
certainly he lived in N. Shields for many 
years.

Disclaimer - not original 
research on my part - I found the URL on a folk forum I 

occasionally frequent (mudcat.org)



Hope it's of interest to someone, anyway.



Julia



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[NSP] Re: abc visualizer

2011-05-28 Thread richard.hea...@tiscali.co.uk
Hi Dave,
Thabks for posting info about this.  It looks most useful - a super 
find.
Just for general info it downloaded painlessly and installed 
rapidly and cleanly - my OS on this conmputer is Vista.

Richard





Original Message

From: david...@pt.lu

Date: 28/05/2011 15:30 

To: Dartmouth nsp list N.P.S. sitensp@cs.dartmouth.edu

Subj: [NSP] abc visualizer



Hi all,



For ABC fans I came across this FREE player from Myriad -- it will 
load 

midis abc and other types of music files -- and give the notation 
from 

the abc or midi -- and play them back - can handle multiple staves

http://www.myriad-online.com/en/products/melodyplayer.htm
It will 
handle fairly large abc's -- excellent for practise as it has a 

metronome

Try it out --



enjoy



Dave S







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[NSP] Thomas Saunders

2011-01-19 Thread richard.hea...@tiscali.co.uk
Hello All,
There's a super tune called Thomas Saunders, and for a project with 
Alnwick Pipers I need to know who wrote it - I'm assuming that it was 
not Mr. Trad.  I've found nothing by digging around on the web, and 
I've also asked a number of individuals I thought might know.  It 
remains a mystery.

Can anyone help, please?

Thanks,

Richard

 



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[NSP] Thomas Sander !

2011-01-19 Thread richard.hea...@tiscali.co.uk
Hello All
I'd like to thank all the people who replied to my question.  I've 
gleaned some of the recent history of the tune, and rediscovered a 
couple of websites I've not visited for a while.

Especial thanks to Ian Lawther, though, whose very specific reply has 
solved my problem - I'm really grateful,

Richard



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[NSP] Sharing Thomas Sander

2011-01-19 Thread richard.hea...@tiscali.co.uk
Thanks to Ian I knew what to look for, and found this YouTube recording 
of the Tunes of Glory pipe band playing a medley that starts with 
Thomas Sander:
http://www.youtube.com/watch?v=oxwiA7wTKHc
I'm afraid I can't write 
abc, so I can't post a transcription of it.  It's a 4/4 march in D.

Richard



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[NSP] Kathryn Tickell award

2010-03-24 Thread richard.hea...@tiscali.co.uk
Hi All,

A quick note.  The Newcastle Journal (local morning newspaper) today 
carries the news that they have honoured Kathryn Tickell in their 
Journal Culture Awards for 2010.  She has been given their Award for 
Special Contribution to Arts and Culture.  She is featured in a large 
front page photo and there is a full page spread about her in the 
'Culture Awards' supplement.

As far as I can see they haven't yet put this on their website.

Congratulations to Kathryn!

Richard





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[NSP] Re: Fame

2010-02-28 Thread richard.hea...@tiscali.co.uk
Hi N713PNL and NSP1,

Excellent ideas, both!

Sorry I've just found this - I've only logged on for the first time 
today.  I've just been reminded that tomorrow is Chantry night - will 
N731PNL and his co-driver be going?  I bet NSP1 is jealous as he's just 
got London Pipers to look forward to, even if Inky-Adrian turns up

Cheers

WV04KCZ


Original Message
From: oatenp...@googlemail.com
Date: 28/02/2010 13:51 
To: tim rolls BTtim.ro...@btconnect.com
Cc: Dartmouth NPSnsp@cs.dartmouth.edu
Subj: [NSP] Re: Fame

Or the more expensive option . . .  change both to NSP1

Francis
On 28 Feb 2010, at 13:24, tim rolls BT wrote:

 Money saving tip. Rather than spending hundreds, or even thousands, 
on a personalised number plate for your car, simply change your name by 
deed poll to the registration you already have.
 
 N713PNL



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[NSP] Re: Is this spam?

2010-01-31 Thread richard.hea...@tiscali.co.uk
Hi Wayne, Hi All,

I think that this post is some sort of 'spam' which seems to have been 
posted to the NSP/Dartmouth list address - and presumably not by a bona 
fide subscriber to the list.  Clicking the link brings up an 
advertisement and I don't want adverts.

I'm not sure if I can block and report this without thereby blocking 
my access to 'Dartmouth' itself.  Is it possible that Wayne or anyone 
else could advise on how best to deal with it, please?

Thanks,

Richard

Original Message
From: edit...@hotmail.com
Date: 31/01/2010 12:05 
To: bmontcombr...@gmail.com, croco.dun...@msa.hinet.net, d.
ge...@gmail.com, d...@irishflutestore.com, kwh...@monarch.net, 
nsp@cs.dartmouth.edu, irishflutest...@gmail.com, p...@wave.co.nz, 
qim...@snet.net, toadh...@mts.net
Subj: 


http://sites.google.com/site/yyt56et4tw/ammt8k  
  
_
Say Happy New Year with Messenger for Mobile.
http://go.microsoft.com/?linkid=9706117


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[NSP] Re: reporting spam

2010-01-31 Thread richard.hea...@tiscali.co.uk
Hi Wayne,

Thanks for sorting this out ... and for maintaining the list, as well,

Richard

Original Message
From: wst...@cs.dartmouth.edu
Date: 31/01/2010 16:09 
To: richard.hea...@tiscali.co.ukrichard.hea...@tiscali.co.uk
Cc: nsp@cs.dartmouth.edu
Subj: [NSP] reporting spam

Hi Richard and everyone -

  It is best to send any complaints about unwanted messages directly 
to me
for several reasons ..

- I don't read the nsp list in real time so I may not see anything
posted to the list for a day or two, especially when I am busy.

- When you copy the offending message to the list you are 
effectively 
sending out spam yourself!  You may find that future posts you make
may be blocked to some people because of that.

- I will eventually see the offending message anyways.  And once it 
hits the list robot I have only a few minutes to stop it, and 
the chance of seeing at in that time window is not good.  It is
not possible for me to remove it once it has been put on your mail 
server.
This message was sent by an apparently valid list member.  Perhaps 
his
computer has been taken over by a virus.  One of the best defenses
I have against this sort of message is blocking messages from people
who aren't members of the nsp list, but this fellow, unfortunately, 
was a member.

  I am sorry that you all have to see this message, and I would 
advise
against clicking on any links that you are suspicious of, no matter
what their origin.

   Wayne



On Jan 31, 2010, at 7:56 AM, richard.hea...@tiscali.co.uk wrote:

 Hi Wayne,
 
 I posted this query on the list, but someone then suggested I post 
it 
 directly to you and that you could deal with it.  Sorry to bother 
you 
 with it
 
 Richard
 
 
 Hi Wayne, Hi All,
 
 I think that this post is some sort of 'spam' which seems to have 



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[NSP] Concert at Alnwick - a PS

2010-01-23 Thread richard.hea...@tiscali.co.uk
When I posted this information yesterday I forgot to include a contact 
number - sorry!

Tickets are available from Alnwick Playhouse, Telephone: 01665 
510785   Website at http://www.alnwickplayhouse.co.uk

I've also amended the information (below) so that it is accurate in 
case you want to send it to anyone else.

This is to let you know about the traditional music concert on 
February 5th hosted by Alnwick Pipers' Society at the  Alnwick 
Playhouse.

The concert features the Alnwick Pipers' Society Band, Bob Bolam, 
Peter Athey, Malcolm Bennet, Avril Huntley, the Monkseaton Morris Men, 
Adrian Ions, and Fiddlezonely.  It's compered by Alex Swailes.

It offers a good Northumbrian evening of music and humour.

Proceeds were to go to the APS Young Musician Fund, but it has been 
decided instead to give them to the Haiti earthquake emergency fund.

Tickets cost £8 (Adult), £7 (Children/Concession). 
Alnwick Playhouse Telephone: 01665 510785   Website at http://www.
alnwickplayhouse.co.uk

I hope you might be able to get there - it's always good fun.

Richard






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[NSP] Concert at Alnwick

2010-01-22 Thread richard.hea...@tiscali.co.uk
Hello All, but especially those of you within reach of Alnwick,

This is to let you know about the traditional music concert on 
February 5th hosted by Alnwick Pipers' Society at the  Alnwick 
Playhouse.

The concert features the Alnwick Pipers' Society Band, Bob Bolam, 
Peter Athey, Malcolm Bennet, Avril Huntley, the Monkseaton Morris Men, 
Adrian Ions, and Fiddlezonely.  It's compered by Alex Swailes.

It offers a good Northumbrian evening of music and humour.

Proceeds were to go to the APS Young Musician Fund, but it has been 
decided instead to give them to the Haiti earthquake emergency fund.  
Tickets cost £8 (Adult), £7 (Children/Concession). Alnwick Playhouse 7:
30pm.

I hope you might be able to get there - it's always good fun.

Richard





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[NSP] Re: Changes at recent NPS meeting

2010-01-17 Thread richard.hea...@tiscali.co.uk
Hi All,

If Julia's link does not work, then try adding .htm immediately after 
the word 'news' - it worked for me,

Richard

Original Message
From: julia@nspipes.co.uk
Date: 17/01/2010 21:07 
To: nSP groupnsp@cs.dartmouth.edu
Subj: [NSP]  Changes at recent NPS meeting

These may be found at:

www.northumbrianpipers.org.uk/news

Anyone wishing to discuss it should please do so on the NPS list 
(details available 
from me - offlist), 
not this one, so that non-members are not inconvenienced.

Julia



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[NSP] Re: Tyne Electrical Engineers

2009-12-06 Thread richard.hea...@tiscali.co.uk
Hello Jim,

Thanks for your response to my question in the Newsletter about the 
TEE pipers' badge.  I'm afraid I don't have any information as to the 
size or date of the badge - I only know the information the 
auctioneers' website gave.

I've also had some very interesting information from Alan Bailey, who 
was a member of the TEE squadron of the 72 RE when it was based at 
Gateshead.

At the moment it seems as if the TEE at that time (and probably 
throughout its various incarnations) never used Northumbrian small 
pipes and that their pipers used GHB exclusively.  If the final 
collation of information seems worth it, I'll write a summary, but if 
there is no connection with NSP then I'll simply state that alone.

Thanks again,

Richard Heard


Original Message
From: jim43r...@hotmail.com
Date: 03/12/2009 15:31 
To: Newsletter newslet...@northumbrianpipers.org.uk, n...@cs.
dartmouth.edu
Subj: [NSP] Tyne Electrical Engineers

The illustration on page 13 of N/letter appears to be the bonnet 
badge
   (what size is it ?) of the former pipe-band of the Engineers, at 
one
   time in Gateshead.  [I think they're in Walker now.]  For the 
former
   history of the unit I would suggest that you consult the history 
tome
   [probably in Officers Mess]
   This looks like a 're-strike, as the original badge [and/or 
brooch]
   would have been pierced.
   The T.E.E. originally had one [or maybe two] highland pipers, 
wearing
   Ferguson Tartan [this being the Squadran Commanders name.]

   Jim Richmond
 Border Pipes, SSP, NSP, GHP





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[NSP] Cut and Dry Dolly

2009-09-17 Thread richard.hea...@tiscali.co.uk
Hello,

Heslop’s “Northumberland Words” (1892 and 1893-4), a glossary of words 
used in Northumberland and on Tyneside, has several references to the 
word “dolly”. I give these below.

Claydolly – the woman worker in a brickfield, who carries the brick 
from the moulder’s table to the open field where it is to be dried

Cloot-dolly – a doll made of cloth

Dolly – a clothes washing stick, made with feet but otherwise like a 
poss-stick

Dolly – a contrivance attached to a chainmaker’s anvil for pressing 
the link after it is welded.  A machine for punching iron

Dolly – a woman’s name (given by Heslop in three references)

Kairn-dolly – the kairn baby

Kirn-dolly – the last handful of corn cut, dressed up to resemble a 
female figure

Pot-dolly – an earthenware of porcelain doll

Speaking purely personally, and without further evidence at this 
stage, the definition that most appeals to me is that relating to a 
“kirn-dolly” – the last corn to be cut which is then dressed as a 
female.  This event appears to be a suitable cause for celebration and 
just the sort of event to name a tune after; further the “cut and 
dried” part of the name appears consistent with the cutting and drying 
of corn (or other cereals, perhaps).  The test application of good old 
Occam’s Razor may support this straightforward explanation. 

Richard




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[NSP] Re: [NPS-Discussion] Robert Bewick tune

2009-08-04 Thread richard.hea...@tiscali.co.uk
Hi Matt,

Thanks for producing the 'abc' of the tune.  That's really helpful.  
In web searches I've so far found transcriptions in D and in C but both 
appear to me to go back to Oswald.

In regard to what you said about where this search might go, I've not 
yet found any local variant, not any other tune under the same or a 
very similar name  (having said that, I've been busy over the last few 
days, so I haven't looked very thoroughly).

Thanks again,

Richard

Original Message
From: theborderpi...@googlemail.com
Date: 04/08/2009 10:43 
To: Dartmouth NPSnsp@cs.dartmouth.edu, NPS Discussion
discuss...@northumbrianpipers.org.uk
Subj: [NSP] Re: [NPS-Discussion] Robert Bewick tune

This thread seems to have been split between the dartmouth and NPS
   groups so I'm resending this bit to both. I've since checked SMM 
and
   found that the link ([1]www.gleeman.org) provided by Richard gives 
an
   inaccurate transcription and midi of SMM, which is actually closer 
to
   Oswald than it appears. I will post a corrected version later. Is
   anyone still interested in this tune?

   ---
   As promised, Oswald's version. I'd be interested in people's
   preferences between this and the Burns/SMM, and also which key 
sits
   better. Any other versions known?

   X: 1

   T:What shou'd a Lassie do wi an auld Man

   Z:Matt Seattle

   R:Song or Jig

   B:Oswald's Caledonian Pocket Companion vol. 6

   M:6/8

   L:1/8

   N:Brisk

   K:Em

   B|efe gab|abg ~fed|efe gab|dBB B2:|]

   [|:d|(BG)G (BA)A|(dB)B B(e/f/g)|(BG)G (BA)A|(dB)B e2d|

   (BG)G (BA)A|(dB)B g2a|(ba)g (fba)|(ge)e e2:|]

   --

References

   1. http://www.gleeman.org/


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[NSP] Re: Robert Bewick tune

2009-07-25 Thread richard.hea...@tiscali.co.uk
Hi Francis,

Thanks for this further information - you are clearly more efficient 
at web-searches than I was.

This is fascinating.  Delving into the details given on the 'gleeman' 
website reveals the following source for this tune:

Transcribed by: J T Hallel, 2005. (www.gleeman.org)
Source: Johnson, James, The Scots Musical Museum, (Edinburgh: James 
Johnson, 1787-1803), No. 316; vol , p327.
Notes: Original by Burns.

I don't have access to Johnson's collection, but if he published it 
before 1799 then it could have been current when Robert Bewick learn 
it.  According to the website 'Burns Country' this poem/song was 
written in 1791.  Burns died in 1796.

It is interesting to speculate (and at the moment it is just 
speculation) that IF this is the song that Bewick knew, then there 
can't have been many tunes written for it or adapted to it between its 
creation in 1791 and Bewick knowing it by 1799.

I agree about Robert probably playing a keyless chanter at that time, 
but do you think some variation of this tune have been played on one?

Brilliant bit of devilling here - well done!

Richard

Original Message
From: oatenp...@googlemail.com
Date: 25/07/2009 18:28 
To: nsp@cs.dartmouth.edu
Cc: richard.hea...@tiscali.co.uk
Subj: Robert Bewick tune

Richard wrote:

In his letter Robert writes, ... I have got some nice new tunes 
from

Jemmy Maffin my father likes the one called What would a Lassie de we
an auld Man the best of any of them and I have jingled them up since 
I
came home. (sic)

I have two points on which I seek help.

Can anyone identify this tune?



I can’t help with the tune, though a bit of Googling provided a text
by Robert Burns and a fine melody that fits.

http://gleeman.org/songs/collection/young_lassie_auld_man_01.html

So is this the tune that young Robert got off Jemmy Maffin? It seems
unlikely. My tentative guess is that at 11, Robert was still playing 
a
keyless chanter. That thought is based on what I can make out from 
the
portrait by John Bell reproduced on the cover of the NPS Magazine
1982.  That issue contains Iain Bain’s excellent article: Thomas and
Robert Bewick and their Connection with Northumbrian Piping. In it,
Bain includes some speculation on when Robert may have acquired a
keyed chanter. I have scanned the article and I hope he will not mind
my sharing it here:

http://www.mediafire.com/?
sharekey=09ff1cf99500a89441446e35a78dc463e04e75f6e8ebb871

This doesn’t get us much further with an answer to your question,
Richard. But as is often with these things the journey is just as
interesting as the destination.

Francis






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[NSP]

2009-04-21 Thread richard.hea...@tiscali.co.uk
Hi Wayne,

Can you block this character for spamming, please?:  Inman Damien 
[...@cs.dartmouth.edu]

Richard




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[NSP] Re: Halsway playaround

2009-03-13 Thread richard.hea...@tiscali.co.uk
Hi Alan,

I also thought the Sunday session was a high point, but I would 
certainly not like to see tuition time reduced.  I value highly the 
tuition time and, although it requires sutained concentration and is 
cumulatively tiring, it is a time when a combination of enormous 
expertise is available, together with time to consolidate learning.  
The tuition (quality and quantity) is one of my primary reasons for 
going to Halsway.

I do rather like Geoffrey's suggestion of an additional informal 
session on the Saturday afternoon, though.

It was a great weekend - thanks again.

Richard


Original Message
From: a...@bcorkett.freeserve.co.uk
Date: 13/03/2009 7:47 
To: Mike and Enid Waltonmikeande...@worcesterfolk.org.uk
Cc: NSP LISTnsp@cs.dartmouth.edu
Subj: [NSP] Halsway playaround


HALSWAY SUNDAY PLAYAROUND
So many have commented on the Sunday evening being a successful 
element of
the piping weekend, that I wonder if we ought to reduce some of the 
tuition
session and introduce another informal play period.

Any comments?

Alan Corkett
-Original Message-
From: Mike and Enid Walton [mailto:mikeande...@worcesterfolk.org.uk]
Sent: 12 March 2009 05:16
To: Dartmouth NSP
Subject: [NSP] Re: Tune Phrasing / Rants / Reels / Polkas



I suppose it's a problem you face whenever playing music not from 
your own
tradition.  It took a melodeon workshop in Ireland to make me 
realise that
I had a local style of box playing, and that I want to keep it !  If 
it's an
Irish reel or jig, it normally goes on the whistle now.  Some polkas 
fit
well on the box though.

With the pipes, it's a question of whether we stick to the style for 
the
area where the pipes came from, or just use them for our own local 
music, in
our own local style.  I play lots of Northumbrian tunes, but also 
nationally
common tunes (including Jimmy sorry Jamie sorry Jimmy Allen) and I 
played
Dorset Four Hand Reel on Sunday.  I'm trying to learn the 
Worcestershire
Hornpipe.

Yes, I really enjoyed Halsway, especially the informal session /
play-a-round on Sunday.  I was struggling at times during the 
tutorials
though.  I wish my sight-reading was better !

Mike

- Original Message -
From: Paul Rhodes oxpi...@hotmail.com
To: Dartmouth NSP nsp@cs.dartmouth.edu
Sent: Thursday, March 12, 2009 3:08 PM
Subject: [NSP] Re: Tune Phrasing / Rants / Reels / Polkas


   Hi Mike,

   This is a forum for the Northumbrian Pipes and the traditional 
music of
   the north east, and as such is often very interesting and 
informative.
   It helps us all to work on playing the pipes well and to figure 
out how
   we can improve our playing in the Northumbrian tradition. But 
please
   don't ask the northerners how we should play tunes in our own 
area! We
   can be proud of our own tradition here, which is rich and 
thriving even
   if we don't shout quite so loud.

   Let the northerners do the ranting, we can enjoy playing them 
however
   we like.

   Wasn't Halsway great as always?

   All the best,

   Paul

Date: Wed, 11 Mar 2009 21:23:19 +
To: nsp@cs.dartmouth.edu
From: mikeande...@worcesterfolk.org.uk
Subject: [NSP] Re: Tune Phrasing / Rants / Reels / Polkas
   
So we've had a long discussion about rants, reels, polkas.
   
I'm sure that those resident in the North-East should continue 
to
   play these
tunes with a good traditional rant rhythm.
   
What about those pipers like me, resident in the far south ? 
Some of
   the
tunes we play on the pipes (Salmontails, Winster Gallop for 
instance)
   are
common across the whole country, and are played as polkas 
hereabouts.
   When
I introduce some other North Eastern tunes, even if I had the
   ability to
ensure they started as rants, the other mujsicians around me 
would
   probably
turn them into polkas. Yet tunes have always historically 
drifted
   across
the country, into Ireland and Scotland and back, etc such than 
you
   often
can't tell where they started !
   
It also begs the question as to whether, as a southerner, I 
should be
   trying
to play them as rants at all !
   
Mike
   
   
   
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[NSP] Spelling of names

2009-03-12 Thread richard.hea...@tiscali.co.uk
Hi,

With reference to the variable spelling of names, there is a (possibly 
relevant) example of this in Roxby's Lay of the Redewater Minstrel 
published in 1809 at Newcastle.  

In a footnote on p.26 in relation to Elishaw he writes:

Here was the rendezvous of the vagrant train of faa's, tinklers, 
c.  The celebrated Wull Allen frequently sojourned here, in the 
progress of his fishing and otter-hunting expeditions; and here often 
resounded the drones of his no less celebrated son, Jamie Allan, the 
Northumberland piper.

It is believed that Roxby was a frequent visitor to Elishaw and 
personally knew the people of whom he wrote.  It is interesting to see, 
in the same footnote, the different spelling of the surname of father 
and son.  It is also possible, perhaps, that the use of the name 'Wull' 
reflects a phonetic spelling of the actual pronunciation used by man 
himself.

Richard



Original Message
From: phi...@gruar.clara.net
Date: 12/03/2009 19:30 
To: nsp@cs.dartmouth.edu
Subj: [NSP] Re: J Allen (and Rants)

Irrespective of the origin and age of the tune, surely - as anyone 
who has
done any research into family history knows - the spelling of names 
in the
18th and early 19th century was subject to almost infinite variation 
(and
how many spellings are there for Shakespeare??)

so - when James, Jem, Jemy, Jemmy, Jamie, Jim, Jimmy, Jimmie, Allen, 
Allan,
Alan gave his name orally to someone who then wrote it down, the 
clerk may
have (aurally?) heard the name correctly and used any number of 
spellings to
write it down. I suppose the question hangs on what spelling Allen 
himself
used when (and if) he wrote it. A couple of generations before him, 
his
family certainly wouldn't have been literate, and would neither know 
nor
care about the spelling. The way it is spelt in the published Life 
is
probably just a snapshot of one time in the name's life. More 
relevant may
be how Allen's family said it - what accent, and did they use a more 
or less
Scottish pronunciation? Does it matter, or is it a question of 
rival
nationalisms either side the Border?

Just a thought from Philip (often mispelled Phillip - preferably not 
Phil,
and certainly not Pip if you don't mind) Gruar - whose not very 
distant
ancestor, a tenant farmer on the Highland Line at the time J. Allen 
was
around, was spelt at different times Gruar, Gruer, Grewar and Growar.

Now - Rants. I can theorise endlessly about the precise relative 
length of
paired quavers in baroque music, but I'm not a particularly good 
piper, and
don't live in the centre of The Tradition. For the benefit of those
reading this who live completely outside it, could experts please 
confirm if
I'm right that in Rant playing the quavers are very *slightly* 
uneven, but
not as dotted as in a hornpipe, and giving a heavier feel than in 
a 
reel,
because in a reel you feel two minim (half-note) beats in a bar - 
each beat
made of four equal quavers (quarter-notes). In Rants and Hornpipes 
it's
definitely four crotchet (quarter note) beats to the bar, each beat 
normally
consisting of two uneven quavers, but in a hornpipe the first quaver 
is
strongly accented and lengthened, and the second one is very light 
and
short. The rant gives much more equal weight to the two quavers. Is 
this
easier to understand than tomato soup and gobstoppers, or am I 
talking 
through my hat?

Oh, and welcome to the list Anthony, it's great to have your 
contributions.

Philip 




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[NSP] Confused!

2009-03-09 Thread richard.hea...@tiscali.co.uk
Hi All,

Do we mean oral/orally or aural/aurally ... or perhaps both?

Richard




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[NSP] Re: Confused!

2009-03-09 Thread richard.hea...@tiscali.co.uk

.. on second thoughts, and in light of the number of Oirish tunes we 
seem to play in our Northumbrian repertoire, perhaps it should be 
O'Reilly,

Richard


Original Message
From: malcra...@aol.com
Date: 09/03/2009 22:46 
To: richard.hea...@tiscali.co.uk, nsp@cs.dartmouth.edu
Subj: [NSP] Re: Confused!

Or really?
Malcolm

-Original Message-
From: richard.hea...@tiscali.co.uk richard.hea...@tiscali.co.uk
To: nsp@cs.dartmouth.edu
Sent: Mon, 9 Mar 2009 10:36 pm
Subject: [NSP] Confused!

Hi All,

Do we mean oral/orally or aural/aurally ... or perhaps both?

Richard




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[NSP] Archive programmes about Northumberland and Newcastle

2009-02-03 Thread richard.hea...@tiscali.co.uk

Hi All, 

Local ITV are celebrating 50 years by showing some of their old 
programmes each month on their website.  There are two interesting 
programmes up at present.  One is about the redevelopment of 
Scotswood, 
but perhaps the more interesting to pipers is the programme about 
the 
North Tyne valley before the Keilder reservoir was built.  There's a 
fair bit of lovely (?) piping in the soundtrack and some shots of an 
unidentified piper in a concert with a harper called Jean Clough, 
and 
also shots of a piper at the Belliongham show.  I don't know who it 
is.

Here's the URL: http://info.itvlocal.com/Archive.shtml

Worth a look.

Richard



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[NSP] Archive programmes about Northumberland and Newcastle (2)

2009-02-03 Thread richard.hea...@tiscali.co.uk

Hi All, 

Regarding the piper at Bellingham, Malcoln Craven has identified him 
as Tommy Breckons.  Thanks Malcolm!

Richard



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[NSP] Piper print

2009-01-14 Thread richard.hea...@tiscali.co.uk
Hi Honor,

I'm no expert, but I think quite a lot of bagpipe iconography depicts 
the bag under the right arm.  I have no idea whether or not that is due 
to the artist (obviously it is in the case of original paintings) or 
the printmaker reversing things.

You'll see another example in David Allan's painting A Highland 
Dance at http://www.nationalgalleries.org/collection/online_az/4:
322/result/0/21917?initial=AartistId=4483artistName=David%
20Allansubmit=1

Here is shown two Scottish bagpipers playing for dancing, both having 
the bag under their right arm.  It was painted c.1780.  There are also 
examples in Hugh Cheape's recent book about bagpipes.

Richard



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[NSP] Re: Piper print

2009-01-14 Thread richard.hea...@tiscali.co.uk
Hi Barry,

I find it interesting, as well, that in other David Allan pictures (e.
g.  the famous 'Highland Wedding at Blair Atholl' that is believed to 
show Neil Gow) the other instrumentalists are depicted playing in the 
normal way.  In that particular picture the bagpiper in the background 
is holding his bag under the right arm, but he's also shown to be 
drinking, so it doesn't necessarily depict him in playing position.

Hmmm!

Richard

Original Message
From: barr...@nspipes.co.uk
Date: 14/01/2009 10:09 
To: nsp@cs.dartmouth.edu
Subj: [NSP] Re: Piper print

On 14 Jan 2009 at 9:43, tim rolls BT wrote:

 Hi Richard,
 
 I haven't got my physics head on this morning, but would this be
 anything to do with the fact that many painters used a sort of 
camera
 obscura device to project the model onto a canvas, then did a quick
 sketch round the projected image, I can never get my head round
 whether the image just inverts vertically or swaps L-R as well.
 
 Tim
 - Original Message - 


Hi All,

I had the same thought, but I came to the conclusion that image 
swaps 
top to bottom and left to right leaving the image unchanged. If it 
hadn't, all the paintings would have looked 'wrong' and clock faces 
etc would have given the game away.

--

For those who have been taught symmetry operations.

A mirror causes a mirror transformation (obvious).
A pinhole is a centre of inversion.

Thes are technical terms and I refuse to start a discussion on 
Symmetry and Group theory on this list. It would beo off-topic.

--

Barry



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[NSP] Reel of Tullochgorum

2009-01-13 Thread richard.hea...@tiscali.co.uk
Hi All,

There's a print in the collection of National Museums Scotland that 
may be of interest:

http://nms.scran.ac.uk/database/record.php?usi=000-000-579-620-C

Richard



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