Re: Inspection of Camera Gear at Airports

2001-09-19 Thread Kenneth Waller

I travel with camera gear as part of my job. Have just been advised that if
you have any electrical devices with batteries installed in checked luggage,
this will lead to additional searches/delays. Was told to remove all
removable batteries from all devices if they are going to be checked.
Ken Waller
- Original Message -
From: Shel Belinkoff <[EMAIL PROTECTED]>
To: Pentax List <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 1:17 PM
Subject: Inspection of Camera Gear at Airports


> This question was posed on another list, and I thought I'd toss it out
> here as well, especially since there may be more frequent and complete
> inspections in the near future.  It's been reported that some
> inspectors have even removed lenses from camera bodies, removed the
> lens caps, and looked through the lenses, as well as opening the backs
> of cameras, etc.:
>
> > > Prior to boarding the plane, at the gate,
> > > we were again put through the metal detector,
> > > and all hand luggage was hand inspected.
> >
> > As an aside to the point of your post, I have a question.
> > Basically, what if your "gear" is damaged during the course
> > of inspection.  Who pays for the damage?
> >
> > I've ALWAYS been nervous about just "handing over" my
> > [expensive gear] to someone who "does not care for it
> > the way I do" (I tried to say this as nice as I could),
> > and say they drop it...somehow damage it...the consequences
> > to me are quite high...it could ruin an entire trip or
> > business deal.
> >
> > Anyone ever have any experience with damage in this manner?
> > If so, what was the resolve?
>
> --
> Shel Belinkoff
> mailto:[EMAIL PROTECTED]
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RE: Slide Mounts

2001-09-19 Thread William D. Sawyer

Albano,

Wow! This is REALLY an expensive hobby for you!! (and I thought things were pricy 
here)  With that scenario, I'd get the better quality frames, too, and maybe a 
second job to pay for them ;-)

Gracias!  (My best , if weak, shot at a language other than my own)

Bill Sawyer
[EMAIL PROTECTED]


-Original Message-
[mailto:[EMAIL PROTECTED]]On Behalf Of
[EMAIL PROTECTED]
Sent: September 19, 2001 9:18 AM

 
Hi, Bill.
Here in Argentina, when you buy a roll of slide film, it doesn't includes
the processing. So, you have the price of the film (from 4 usd of CT
Precisa to 16 usd of Velvia. This prices are from a big retailer. If you
buy them in your photo store, they cost between 25 and 50 percent more).
Then, you have the price of processing (7 usd for processing, and about 12
usd for processing plus framing). But they use crappy cheap frames, so I
prefer to pay just for processing and then mount them myself in my dear
Gepe frames. I pay 8 usd for a box of 100 frames (they cost 12 to 14 in
photo stores)
It's no extra cost, I pay about the same, or less than having them mounted,
but I obtain better frames, and I'm sure an idiot don't cut one of my
slides by error (the only possible idiot damaging them is myself)
Regards

Albano

PS: They can easily be written and re written with a common pen (and
pencils too)
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Re: Piezography

2001-09-19 Thread Maris V. Lidaka, Sr.

Piezography, essentially, is a set of black/graytone inks which replace the
colored inks in an Epson printer.  The inks are available at
http://www.inkjetmall.com/store/piezographyBW.html and there is information
there as well.  MIS is their primary competitor from what I have read, and
there are (of course) arguments as to which system is better, though MIS is
apparently substantially less costly.

If you are seriously interested, there is a newsgroup devoted to B&W
printing called Digital B&W which you can join at
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

The website also has uploaded files and information which may be of help.

Maris

- Original Message -
From: "Nicholas Wright" <[EMAIL PROTECTED]>
To: "PDML" <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 9:22 PM
Subject: OT: Piezography


| Normally, I would not have brought this up here. But, in light of some of
| the current topics I thought I'd go ahead and ask my question. I've seen
in
| the back of Shutterbug magazine ads for kits to convert your Epson Photo
| printer into a B&W "Piezography" printer. First question, what exactly is
| "Piezography?" Second question, has anyone tried these conversion kits?
How
| well does it work? What do the prints look like? I am not asking for a
| comparison between a Piezography print and a trad darkroom print. Is there
a
| better way to digitally print B&W at home? Thank you for your replies.
|
| Nick Wright
| -
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Re: Film advice needed

2001-09-19 Thread tom

At 09:30 PM 9/19/2001 -0300, you wrote:
>Tom,
>
>The PZ-1p manual states that the RTF flash range is from ISO 25 up to 800
>(page 125). On the other hand, the AF500FTZ declares a maximum ISO speed of
>1600 (page 31).
>I believe that if I set the film speed at the body to 3200 and dial -2 stops
>at the flash compensation for the RTF flash or -1 stop for the AF500FTZ, as
>David suggested, I should get properly exposed photos.


Try it and see. If it doesn't work, you'll get overexposed shots...which 
generally look ok. You'd have to compare the actual negs to make sure.


>What do you mean by:
>
> > Could be, though I suspect the camera just can't quench the flash fast
> > enough.


In TTL flash operation the camera actually sends a signal to the flash to 
turn it off when the flash meter determines that the flash has discharged 
enough light. In other words, the flash is on until the camera turns it off.

I'm saying that it's probable that the camera can't turn the flash off in 
time to avoid overexposure.


>I think I'll go the distance and get two or three more rolls and see for
>myself what works better... :-)


That's probably a good idea, I didn't try testing it that way. I guess I 
figured it would be too complicated for me in actual use.

Let us know what happens.

tv
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September PUG - Irlanda

2001-09-19 Thread Frank Theriault

Well, I had hoped to get my last couple of critiques done early last
week, but events were such that I really didn't feel up to it.  So, in
the spirit of "better late than never", I intend to finish off with my
last two tonight, starting with:

Gianfranco Irlanda, "Summer Storm"

Wow!  I love it!

Everything about it speaks to those first few hectic moments of a storm
when everything is helter-skelter.  That feeling is reinforced by the
non-horizontal horizon, the fact that the front of the lead scooter is
cut off, and just a little bit fuzzy.  It appears (and is probably the
case) that the photographer is basically in the same situation as the
subjects. It doesn't surprise me, Gianfranco, that you took the image in

the way that you did, probably with one hand on the camera, and the
other on the steering wheel.

The riders of the scooters are still trying to shelter themselves from
the rain, as evidenced by the driver trying (in vain, no doubt) to
shield himself with a t-shirt or towel.  They are obviously in a hurry
to reach their destination, or at least a shelter, and one gets the
feeling that they may be driving somewhat recklessly to that end.

It would appear that no one here was prepared for what was apparently a
quick summer deluge, and you've captured that feeling beautifully.

I don't think that my little critique has done this dynamic image
justice.  It seems to break all the rules, but works in spite of, or
perhaps because of that.

Thanks for it!

-frank



--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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September PUG - Bill Peifer

2001-09-19 Thread Frank Theriault

Last image for this month:

Bill Peifer, "Tyshaun:  A Memorial"

The subject matter of this image is quite moving, but were it not for
the description, I really wouldn't have known what this was about.  I
can't read the white sign, but maybe that's the scan, and it's much
sharper in the original print.  To be honest with you, Bill, when I
first looked at it, I thought that the objects hanging on the fence was
laundry or something.  Then, upon closer inspection, before reading your
description, I thought maybe it was some sort of a yard sale or
something - I just couldn't make out what's hanging there.

The graffiti on the sidewalk, other than the "I love you T.Y." (which
could be anything) really doesn't add much to the meaning of the image.

The image seems very cluttered to me;  so much happening that it's hard
to focus in on any one thing to get a feel for what's going on.

I really hate to dump on your image this way, but I have to be honest
about how the image moves me.  It simply doesn't "stand on its own" and
tell a story in and of itself, imho.  Maybe that's not a fair criticism,
but the ability of an image to speak in and of itself is important to me
in this type of a gallery, and I just don't feel that.

I think that perhaps seeing the image displayed as a photo essay, along
with a number of the other images that you took of the memorial would
have been very effective, but alone, well, I'm just not sure...

regards,
frank

--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread PAUL STENQUIST

Mike Johnston wrote:
 Shakespeare probably got the historical reference from
> Holland's translation of Suetonius.

Or quite possibly from Plutarch's Lives, which was the historical source
of many Shakespearean plots. Plutarch wrote, "Some say, he (Caesar)
opposed the rest , and continued struggling and crying out, till he
perceived the sword of Brutus; then he drew his robe over his face, and
yielded to his fate." 
Paul
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OT: Piezography

2001-09-19 Thread Nicholas Wright

Normally, I would not have brought this up here. But, in light of some of 
the current topics I thought I'd go ahead and ask my question. I've seen in
the back of Shutterbug magazine ads for kits to convert your Epson Photo
printer into a B&W "Piezography" printer. First question, what exactly is
"Piezography?" Second question, has anyone tried these conversion kits? How
well does it work? What do the prints look like? I am not asking for a
comparison between a Piezography print and a trad darkroom print. Is there a
better way to digitally print B&W at home? Thank you for your replies.

Nick Wright
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Mike Johnston

Anand wrote:

> what is "Et tu" ?

It means "You too?" (literally, "and you") in Latin. According to
Shakespeare it was what Julius Caesar said to Brutus after Brutus had
mortally stabbed him. Shakespeare probably got the historical reference from
Holland's translation of Suetonius.

--Mike
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Re: LX flash question

2001-09-19 Thread Gianfranco Irlanda

Thanks Steve and William.
I was thinking about something wrong when it happened to only
one LX, but all acting the same way...
My first LX was purchased in 1997 and I never noticed that...
probably because for daylight flash work I usually switch to
other cameras.
You never stop learning...

Thanks again,

Gianfranco

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Re: Sv: WTB: Pentax AF 500 FTZ flash

2001-09-19 Thread Nicholas Wright

Yes, I've seen those. Honestly, I was hoping that I could find one for a 
little less than that... for the price they're asking I should just spend a
little more and get a new one. Thank you.

Nick

--
>From: "Bruce Dayton" <[EMAIL PROTECTED]>
>To: <[EMAIL PROTECTED]>
>Subject: Re: Sv: WTB: Pentax AF 500 FTZ flash
>Date: Wed, Sep 19, 2001, 7:17 PM
>

> Nick,
>
> There are four used ones on KEH right now.  Take a look at
> http://www.keh.com/shop/product.cfm?bid=PK&cid=21&sid=newused&crid=2299812
>
> Bruce Dayton
> Sacramento, CA
>
>
> - Original Message -
> From: "Nicholas Wright" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Wednesday, September 19, 2001 5:05 PM
> Subject: Re: Sv: WTB: Pentax AF 500 FTZ flash
>
>
>> No thanks, I'd rather not deal with international shipping. Thank you
>> though.
>>
>> Nick
>>
>> --
>> >From: [EMAIL PROTECTED]
>> >To: [EMAIL PROTECTED]
>> >Subject: Sv: WTB: Pentax AF 500 FTZ flash
>> >Date: Wed, Sep 19, 2001, 2:44 PM
>> >
>>
>> > Hi Nick
>> > I just saw one in a UK magazine. Please answer if you want address.
>> > Jens
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Maris V. Lidaka, Sr.

Latin - translated it is "and you"  Generally used in reference to Caesar
who is reputed to have said "Et tu, Brutis" - colloquially, 'even you,
Brutus'

Maris

- Original Message -
From: "Anand DHUPKAR" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 7:51 PM
Subject: Re: Digicams and 35mm--Warning! Long post


| what is "Et tu" ?
|
|
| >From: "Robert Wetmore" <[EMAIL PROTECTED]>
| >Reply-To: [EMAIL PROTECTED]
| >To: [EMAIL PROTECTED]
| >Subject: Re: Digicams and 35mm--Warning! Long post
| >Date: Wed, 19 Sep 2001 14:41:39 -0400
| >
| >Mike wrote:
| >
| >"Personally I'm extremely surprised by my own reaction to trying
| >digital."  [A long description of the wonders of digital snipped to avoid
| >offending the guy who hates inclusion of long excerpts in reponses.]
| >
| >Have you tried McDonald's food?  I think you'll find it really exquisite.
| >And have you ever driven a Ford F-150?  These things corner like a dream!
| >
| >All I can say is "Et tu?"
| >
| >Rob
| >
| >_
| >Get your FREE download of MSN Explorer at
http://explorer.msn.com/intl.asp
| >-
| >This message is from the Pentax-Discuss Mail List.  To unsubscribe,
| >go to http://www.pdml.net and follow the directions. Don't forget to
| >visit the Pentax Users' Gallery at http://pug.komkon.org .
| >
|
|
| _
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Re: Tokina SL 400 mm f5.6

2001-09-19 Thread PAUL STENQUIST

I meant to say, "I covet the A," not "I cover the A." Although if I had
one, I would cover it. Right now, I just covet it.
Paul

Doug Franklin wrote:
> 
> Hi Frits,
> 
> On Wed, 19 Sep 2001 22:47:22 +0100, Frits J. W*thrich wrote:
> 
> > Anybody know how well a Pentax A 400mm f5.6 is? What would be a reasonable
> > price for it?
> 
> I don't know how much better it is than the SMC version, since I've
> never tried one.  Right now, there are a couple on Keh's web site.
> They range in price from US$484 for excellent condition to $616 for
> excellent plus condition.
> 
> TTYL, DougF
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Re: LX flash question

2001-09-19 Thread William Robb

- Original Message -
From: "Gianfranco Irlanda" <
Sent: Wednesday, September 19, 2001 6:23 PM
Subject: LX flash question


> Hi everybody,
>
> Maybe some LX owner could help me to understand the strange
> behaviour of my various LX when the AF280T is on the camera.
> What happened is that the camera refused to fire the flash in
> daylight. It happened for something like 7 shots, then I quit
> taking pictures thinking of a faulty thing.
> Back home, I tried the camera, same settings (A, flash on TTL,
> in vertical position, lens on f/4,5), and the flash fired.
> Moving around my room I framed the lamp under the ceiling
and...
> no flash. Only when I closed the aperture to a value that
> allowed the camera to chose a speed under 1/60 (I think 1/50,
> the working speed in TTL flash) then the flash fired again.
> All my LX cameras and both my AF280T act this way.
> Is it normal?
> I always thought that the camera wouldn't bother about the
> amount of light in the frame when in TTL mode.
> Does this mean that there is a sort of Auto flash mode in the
> circuit that controls the flash, or what?
>
> Thanks in advance.

The camera will not trip the flash in TTL Auto unless there is a
full stop difference between the ambient illumination and the
amount of light the camera is actually allowing to hit the film.
If you cover the small contact on the left (I think) side of the
hot shoe with a piece of tape, you can defeat this "feature". It
is the only thing I don't like about the LX.
OTOH, it saved my first one from being worn out shooting
weddings, which is a good thing.
William Robb
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Re: Tokina SL 400 mm f5.6

2001-09-19 Thread PAUL STENQUIST

Doug Franklin wrote:
> 
> Hi Frits,
> 
> On Wed, 19 Sep 2001 22:47:22 +0100, Frits J. W*thrich wrote:
> 
> > Anybody know how well a Pentax A 400mm f5.6 is? What would be a reasonable
> > price for it?
> 
> I don't know how much better it is than the SMC version, since I've
> never tried one.  

They're considerably more desirable than the SMC version in that they
have auto aperture and a far shorter minimum focus distance. I have the
SMC version, and it's a very nice lens, but I cover the "A." A very nice
one went for $400 on ebay a few weeks ago, but I'm having to watch my
pennies at the moment.
Paul
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Digital Darkroom: Was Digicams and 35mm

2001-09-19 Thread PAUL STENQUIST

Mike Johnston wrote:

> Do I love S800 color prints MORE? No way.
> 
> But I like them a lot. And I'm having a lot of fun learning how to do them.
> That's probably the key word to my whole experience of digital: FUN. It's
> just an enormous kick. Truly a blast. I'm really, really enjoying myself.

I can understand that. I enjoy darkroom work, but I've also become a
huge fan of the digital darkroom. I don't start with digital exposures.
I start with hi-res (60 Meg) scans of color transparencies. But I love
working on them in PhotoShop and printing them on my Epson 1200 inkjet.
The results are very rewarding.
   And while we're on the subject of the digital darkroom, I wanted to
mention that I've found a paper that I really like. It's called Ilford
Fine Art, and it prints with spectacular brilliance and color saturation
on the Epson 1200. 
Paul
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Re: More Film Advice

2001-09-19 Thread Maris V. Lidaka, Sr.

I would stay with the Fuji 400 and/or try out Kodak Supra 400 - the RG 1000
does not look to hot.

Maris

- Original Message -
From: "Doug Franklin" <[EMAIL PROTECTED]>
To: "PDML" <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 7:24 PM
Subject: More Film Advice


| Howdy, folks,
|
| Well, I'm going to the Petit le Mans at Road Atlanta again this year.
| I need some advice on film that will help me get the "brake rotors
| glowing at night" images.  Last year I used RG 1000, and wasn't
| completely pleased with it.  Does anyone out there have a favorite
| color print film for this sort of thing?  Some examples of the shots
| I'm trying to get are
|
| http://jehosephat.home.mindspring.com/PetitLeMans98/PetitLeMans20.jpg
| http://jehosephat.home.mindspring.com/PetitLeMans98/PetitLeMans21.jpg
| http://jehosephat.home.mindspring.com/PetitLeMans00/Audi-Night-1.jpg
| http://jehosephat.home.mindspring.com/PetitLeMans00/Viper-Night-1.jpg
| http://jehosephat.home.mindspring.com/PetitLeMans00/Viper-Night-2.jpg
|
| The last three are RG 1000; the first two are Fuji 400. The last two
| weren't really night but it was deep dusk, and they're overexposed in
| the print.  I don't know enough about evaluating the negatives to know
| if they're overexposed in the negatives, too.
|
| TTYL, DougF
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Re: If you don't now own a Mac, better get one (from "Forbes Magazine"

2001-09-19 Thread Anthony Farr

- Original Message -
From: "Aaron Reynolds" <[EMAIL PROTECTED]>

(snip)
> People have started sending me e-mails that are .doc file
> attachments...it's hard to tell them that I really don't want to shell
> out for Word (MS Office is $800-ish Canadian last time I checked) just
> to read their e-mail.  Usually they respond that I should just copy it
> from someone, I gently point out that it would be illegal to do that
and
> I'd never consider running pirated software on my work machines.
>
(snip)

Although I am a PC user my IBM box shipped with Lotus SmartSuite, and
while Lotus Word Pro can open .doc files the graphics content doesn't
always load successfully.  So I downloaded "MS Word Viewer" from the
Microsoft
download site.  I don't know if a Mac OS version is available but it may
be worth a look.

Regards,
Anthony Farr
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Anand DHUPKAR

what is "Et tu" ?


>From: "Robert Wetmore" <[EMAIL PROTECTED]>
>Reply-To: [EMAIL PROTECTED]
>To: [EMAIL PROTECTED]
>Subject: Re: Digicams and 35mm--Warning! Long post
>Date: Wed, 19 Sep 2001 14:41:39 -0400
>
>Mike wrote:
>
>"Personally I'm extremely surprised by my own reaction to trying
>digital."  [A long description of the wonders of digital snipped to avoid
>offending the guy who hates inclusion of long excerpts in reponses.]
>
>Have you tried McDonald's food?  I think you'll find it really exquisite.
>And have you ever driven a Ford F-150?  These things corner like a dream!
>
>All I can say is "Et tu?"
>
>Rob
>
>_
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Re: LX flash question

2001-09-19 Thread Steve Larson

Hi Gianfranco, That`s what my LX does also, so I think it`s a normal
behavior. When there is enough light it won`t fire the flash in TTL,
if you need fill flash, take it off of TTL.
Steve Larson
Redondo Beach, California
- Original Message - 
From: "Gianfranco Irlanda" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 5:23 PM
Subject: LX flash question


> Hi everybody,
> 
> Maybe some LX owner could help me to understand the strange
> behaviour of my various LX when the AF280T is on the camera.
> What happened is that the camera refused to fire the flash in
> daylight. It happened for something like 7 shots, then I quit
> taking pictures thinking of a faulty thing.
> Back home, I tried the camera, same settings (A, flash on TTL,
> in vertical position, lens on f/4,5), and the flash fired.
> Moving around my room I framed the lamp under the ceiling and...
> no flash. Only when I closed the aperture to a value that
> allowed the camera to chose a speed under 1/60 (I think 1/50,
> the working speed in TTL flash) then the flash fired again.
> All my LX cameras and both my AF280T act this way.
> Is it normal?
> I always thought that the camera wouldn't bother about the
> amount of light in the frame when in TTL mode. 
> Does this mean that there is a sort of Auto flash mode in the
> circuit that controls the flash, or what?
> 
> Thanks in advance.
> 
> Gianfranco
> 
> PS: I've found a Hotshoe Adapter F. According to the
> instructions of the cable I already own it cannot be used with a
> flash on it, at least when the cable is attached to the adapter.
> Anybody tried to mount a flash on the adapter and another via cable?
> 
> __
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Answers to Shel's many questions

2001-09-19 Thread Mike Johnston

Shel asked:

> What is it that you like about the look of the prints?

I like the color purity especially; I like the surface of the ink on the
Epson Archival Matte paper, which I think is lovely; and I like the softer
contrast range and better shadow detail.

> Do you like
> them more than a wet print?

Than wet color prints, yes, I have to say, although that's maybe too broad a
generalization. It simply makes color as controllable, or more so, than
tones are in traditional b&w printing. I think it liberates creativity in
color like no traditional color method can even touch.

> Are you printing in color or B&W?

Color.

> How
> large are you making the prints?

I'm printing only on letter-sized (8.5 x 11) sheets. This is the tradeoff I
made when I decided to try this, mainly to limit the expense. Most of my own
prints so far are smaller image area prints (typically up to about 6x8, most
smaller) made on vertically-oriented sheets of letter-sized paper. I think
full 8x10 image size is getting a bit borderline with 3 megapixels with the
moderate JPEG compression I use, although they look pretty good at that
size. Of course there are utilities such as Genuine Fractals that allow you
to "extropolate upwards" to make better-looking larger prints from smaller
files. If you want to make full-sized 11x14 prints or somewhat larger, I'd
probably recommend one of the new 4- or 5-megapixel cameras such as the
just-announced Nikon CoolPix 5000. Even a 5-megapixel camera and a 12-wide
printer aren't terribly expensive--the Nikon is about $1.1k, and the printer
(Epson 1280) is $600. Of course you can spend more if you want to.

> Have you compared a well-printed B&W
> photo to a digitally made print, same size, same subject, same light?

No, I haven't. They're different media...I'm not asking or expecting digital
to either duplicate or replace 35mm.

> For those of us living in caves, what's the "green dot" and how does
> that relate to making a photograph?

It's the focus confirmation indicator. It appears as a bright green LED in
the viewfinder window. You can see it clearly using either viewing method.
It means that focus is locked on. With focus locked, the shutter lag of this
camera is about 200ms, or a fifth of a second, which is about the same as a
slower SLR (for comparison, a Canon EOS-1n is 60ms, and a Leica M6 is 18ms).
I find it tolerable. Without focus locked, the lag can be a whole second or
longer, which I find intolerable.
 
> So, how do you get a more selective DOF?
> What if you want just a
> small area in focus and lots of out of focus area in front of or
> behind the subject?

Use a different camera? D.o.f. is significantly increased for the same
apertures compared to a 35mm SLR.

>Can you set the focus between two subjects, where
> there is essentially nothing to focus on?

I haven't felt the need to do such a thing yet...with any AF camera I just
know where I want the plane of focus to be placed, and I simply find
something at that distance and lock focus on that and then recompose. If
there really is nothing at that distance, there is a "manual focus" mode on
my camera that allows you to manually set any focus distance from 8 inches
to infinity in very closely-spaced steps (the scale has reference markers at
8, 16, 24, and 31 inches, and 2,8, 6.5, 10, and 16 feet, but the settings
are much finer than that), but it's not a "native" mode for the camera and I
haven't used it yet. Setting manual focus requires going into a menu and
making the sitting using a toggle switch, It's relatively simple, but it's
not something you'd do on every single shot no matter how dedicated you
were.

> Can you control the
> aperture yourself and see what's in focus, or does the camera decide
> aperture and focus for you?

Either way. This camera has aperture priority, manual, shutter priority, or
program modes. You set A, S, or M default in the menu and then can quickly
switch between program and your chosen mode using the main dial. Of course
you can fairly easily reprogram your mode as you shoot, too.

You can see exactly what's in focus because the LCD screen on the back of
the camera is WYSIWYG. If it's too small and you can't really discern
sharpness or exact focus, you can check it after you take the picture by
going into "review" mode and zooming in on any area of the picture you just
took to see it more clearly. The zoom is about a 4X. This is mainly for
checking focus to see if you got what you wanted or need to reshoot.

> Here again I question the value of great DOF when shooting macros.

Possibly, but my admittedly limited experience so far is that too little
d.o.f. is as much a problem in macro photography as too much, and this makes
it easier to get better d.o.f. while still using wide apertures. There's
still a lot out of focus in macro mode, of course.

> Not that it's never a good thing, but can you control it?

You can control it by selecting different apertures, same as with 35mm, but
you can't get

Re: Film advice needed

2001-09-19 Thread Eduardo Carone Costa Júnior

Tom,

The PZ-1p manual states that the RTF flash range is from ISO 25 up to 800
(page 125). On the other hand, the AF500FTZ declares a maximum ISO speed of
1600 (page 31).
I believe that if I set the film speed at the body to 3200 and dial -2 stops
at the flash compensation for the RTF flash or -1 stop for the AF500FTZ, as
David suggested, I should get properly exposed photos.

What do you mean by:

> Could be, though I suspect the camera just can't quench the flash fast
> enough.

I think I'll go the distance and get two or three more rolls and see for
myself what works better... :-)
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LX flash question

2001-09-19 Thread Gianfranco Irlanda

Hi everybody,

Maybe some LX owner could help me to understand the strange
behaviour of my various LX when the AF280T is on the camera.
What happened is that the camera refused to fire the flash in
daylight. It happened for something like 7 shots, then I quit
taking pictures thinking of a faulty thing.
Back home, I tried the camera, same settings (A, flash on TTL,
in vertical position, lens on f/4,5), and the flash fired.
Moving around my room I framed the lamp under the ceiling and...
no flash. Only when I closed the aperture to a value that
allowed the camera to chose a speed under 1/60 (I think 1/50,
the working speed in TTL flash) then the flash fired again.
All my LX cameras and both my AF280T act this way.
Is it normal?
I always thought that the camera wouldn't bother about the
amount of light in the frame when in TTL mode. 
Does this mean that there is a sort of Auto flash mode in the
circuit that controls the flash, or what?

Thanks in advance.

Gianfranco

PS: I've found a Hotshoe Adapter F. According to the
instructions of the cable I already own it cannot be used with a
flash on it, at least when the cable is attached to the adapter.
Anybody tried to mount a flash on the adapter and another via cable?

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More Film Advice

2001-09-19 Thread Doug Franklin

Howdy, folks,

Well, I'm going to the Petit le Mans at Road Atlanta again this year. 
I need some advice on film that will help me get the "brake rotors
glowing at night" images.  Last year I used RG 1000, and wasn't
completely pleased with it.  Does anyone out there have a favorite
color print film for this sort of thing?  Some examples of the shots
I'm trying to get are 

http://jehosephat.home.mindspring.com/PetitLeMans98/PetitLeMans20.jpg
http://jehosephat.home.mindspring.com/PetitLeMans98/PetitLeMans21.jpg
http://jehosephat.home.mindspring.com/PetitLeMans00/Audi-Night-1.jpg
http://jehosephat.home.mindspring.com/PetitLeMans00/Viper-Night-1.jpg
http://jehosephat.home.mindspring.com/PetitLeMans00/Viper-Night-2.jpg

The last three are RG 1000; the first two are Fuji 400. The last two
weren't really night but it was deep dusk, and they're overexposed in
the print.  I don't know enough about evaluating the negatives to know
if they're overexposed in the negatives, too.

TTYL, DougF
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Re: Sv: WTB: Pentax AF 500 FTZ flash

2001-09-19 Thread Bruce Dayton

Nick,

There are four used ones on KEH right now.  Take a look at
http://www.keh.com/shop/product.cfm?bid=PK&cid=21&sid=newused&crid=2299812

Bruce Dayton
Sacramento, CA


- Original Message -
From: "Nicholas Wright" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 5:05 PM
Subject: Re: Sv: WTB: Pentax AF 500 FTZ flash


> No thanks, I'd rather not deal with international shipping. Thank you
> though.
>
> Nick
>
> --
> >From: [EMAIL PROTECTED]
> >To: [EMAIL PROTECTED]
> >Subject: Sv: WTB: Pentax AF 500 FTZ flash
> >Date: Wed, Sep 19, 2001, 2:44 PM
> >
>
> > Hi Nick
> > I just saw one in a UK magazine. Please answer if you want address.
> > Jens
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Re: Sv: WTB: Pentax AF 500 FTZ flash

2001-09-19 Thread Nicholas Wright

No thanks, I'd rather not deal with international shipping. Thank you 
though.

Nick

--
>From: [EMAIL PROTECTED]
>To: [EMAIL PROTECTED]
>Subject: Sv: WTB: Pentax AF 500 FTZ flash
>Date: Wed, Sep 19, 2001, 2:44 PM
>

> Hi Nick
> I just saw one in a UK magazine. Please answer if you want address.
> Jens
>>
>> Fra: "Nicholas Wright" <[EMAIL PROTECTED]>
>> Dato: 2001/09/19 Wed AM 05:45:44 CEST
>> Til: PDML <[EMAIL PROTECTED]>
>> Emne: WTB: Pentax AF 500 FTZ flash
>>
>> I would like to purchase this model of flash, if someone has one they're
>> willing to part with please contact me off-list. [EMAIL PROTECTED] or
>> [EMAIL PROTECTED]
>>
>> Thanks!
>>
>>
>> --
>> Nick
>> www.wrightfoto.com
>> -
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>> go to http://www.pdml.net and follow the directions. Don't forget to
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>>
>
> -
> WebMail fra Tele2 http://www.tele2.dk
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Re: If you don't now own a Mac, better get one (from "Forbes Magazine"

2001-09-19 Thread Aaron Reynolds

"Frits J. Wüthrich" wrote:
> 
> Isn't there a free reader for .doc files available from Microsoft? I agree
> people shouldn't send you .doc files though. Do they work for MS?

Dunno.  I've found some shareware that'll do it, but why in the heck
should I have to?

They don't work for MS, just companies that are infected with MS products.

-Aaron
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Re: Film advice needed

2001-09-19 Thread Eduardo Carone Costa Júnior

Aaron,

I first decided to give this film a try because I wanted to be able to shoot
some interior photos on dim lighted places without being intrusive. I would
like to avoid the use of flash if possible.

The first time I tried this kind of photo, using T400cn, I only managed to
get 1/15 sec. and f 2.8. I suppose that by using ISO 3200 film I would be
able to handheld at 1/60 sec and f4.
This is the photo I mentioned;
http://photos.yahoo.com/bc/eccarone/vwp?.dir=/Images+of+the+week&.dnm=Nearby
+Bar.jpg&.src=ph&.view=t&.hires=t
Do you believe that by setting the ISO down to 1600 I would get more details
in the dark areas?
Thanks for sharing you knowledge.


- Original Message -
From: Aaron Reynolds <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 4:00 PM
Subject: Re: Film advice needed


> tom wrote:
>
> > Above that I start losing shadow detail, and I don't like the way the
> > grain looks.
> >
> > This is a personal choice. There are folks, (Aaron comes to mind) that
> > regularly shoot it faster.
>
> I've shot it as high as 12,800, but it does lose most of its dark detail
> up there.  At 6400 ISO I've had good (and grainy) results when
> processing in Microphen and Studional.
>
> An important thing to remember when shooting fast black and white film
> in a dingy bar or under similar conditions: cut your film speed in half
> to compensate for the colour of the lights, because b&w film is less
> sensitive to red than the rest of the spectrum, and most bars are lit by
> tungsten light, which is very red.  So, if you are shooting 3200 speed
> film, set your ISO dial to 1600.  If you're pushing it to 6400, set your
> ISO dial to 3200.
>
> -Aaron
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Re: AF converter together with AT-X 100-300?

2001-09-19 Thread Mark Cassino

I've never used this combination, but do own both the older, one-touch ATX 
100-300 f4 and the 1.7 AF converter.

I just tried the combo with both the Mz-S and a Pz-20 body.

AF works but at the 300 end of the zoom the AF rand is limited.  You would 
have to manually focus to within about 1 meter of the required focus 
distance, and then the AF adapter could pick up the rest of the 
focusing.  Note that I was focusing on a lamp in my living room (its dark 
outside right now).  I was pretty close to the minimum focusing distance 
and the amount of manual focusing may be much less at further distances.

This seems to be a basic limitation of the AF adapter.  When you get into 
longer focal lengths it just does not have the range for focusing that you 
need.  But a comibination of rough manual focusing with the adapter picking 
up the difference works fine.

I did not take any actual pictures to test the quality of this combo.  I 
have tried using my ATX with teleconverters, and have not been happy with 
the results.  I'll also break from the consensus here and say that I don't 
consider the 1.7 AF converter to be all that good.  When I combine mine 
with a 50mm f1.4, point it at a bright shiny object in the sun, and 
de-focus I see all sorts of wild rainbow / prism patterns.  This is 
consistent with different lenses.

But, I may have a bad sample.

Hope this helps!

- MCC

At 09:01 AM 9/19/01 +0200, Erik wrote:

>I have an opportunity to buy a 1.7 AF converter (from another PUG member
>here in Sweden, by the way - guess who). The obvious use for it right now
>would be together with my MZ-3 and the Tokina AT-X 100-300/4 MF zoom (great
>lens, by the way). Anybody got any experience from that particular
>combination?
>
>I know the converter is specified to work with lenses from f2.8, but that
>some f4-lenses also work fine.

- - - - - - - - - -
Mark Cassino
Kalamazoo, MI
[EMAIL PROTECTED]
- - - - - - - - - -
Photos:
http://www.markcassino.com
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Mark D.

From: Mike Johnston <[EMAIL PROTECTED]>

> But I like them a lot. And I'm having a lot of fun learning how to do
them.
> That's probably the key word to my whole experience of digital: FUN. It's
> just an enormous kick. Truly a blast. I'm really, really enjoying myself.

Well there it is Mike! That's your problem! You're having fun and that's
simply not allowed around here...

Mark
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Crazy Canadians

2001-09-19 Thread Ken Archer

Have you seen this one?  BIN for $13 and the shipping is $15.

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1276557093

-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail
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RE: Request for comments, criticism on posted image

2001-09-19 Thread Peifer, William [OCDUS]

Len Paris wrote:
> If the title is "Cosmic Fire" the picture link is broken.

Hi Len,

Seems a couple of list members had this problem with the last Photocritique
posting I put up.  If you go to the Photocritique homepage, then look in the
"Abstract" category, you should be able to find my photo.

Thanks,
-- Bill
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Re: FW: NASA Photo Tonight

2001-09-19 Thread Martin Corro

They use Bulb! ;-)
Martin (looking for 4 dozens of candles)
-Original Message-
From: Mr. Wm Kane <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Date: Wednesday, September 19, 2001 8:12 PM
Subject: Re: FW: NASA Photo Tonight


Um,

   Call me stupid (not you William Robb), but wouldn't it be kinda hard for a
single candle to outlight the light produced by everyones patio lights?  It
would seem to me that it wouldn't be enough to be able to see a difference from
the normal photo's . . .

Illionois Bill
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RE: Tokina SL 400 mm f5.6

2001-09-19 Thread Doug Franklin

Hi Frits,

On Wed, 19 Sep 2001 22:47:22 +0100, Frits J. Wthrich wrote:

> Anybody know how well a Pentax A 400mm f5.6 is? What would be a reasonable
> price for it?

I don't know how much better it is than the SMC version, since I've
never tried one.  Right now, there are a couple on Keh's web site. 
They range in price from US$484 for excellent condition to $616 for
excellent plus condition.

TTYL, DougF
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Re[2]: Ball Point Pens & Pencils (Was Re: THE NEW PENTAX)

2001-09-19 Thread Bob Walkden

Hi,

it was while I was working there that the new building was announced.
It took about 20 years to fund and build.

I recently got myself a reader's ticket so I can use the reading rooms,
which is a real pleasure. It's a great place to go to study, and the
building and facilities are superb.

---

 Bob  

mailto:[EMAIL PROTECTED]

Wednesday, September 19, 2001, 2:03:40 PM, you wrote:

> Bob:

> Having visited the British Library in February, I'm certain that they were
> indeed able to supply even the most arcane of tomes.  The new Library is quite
> an impressive place.  The statue of Newton was not only immense, but inspiring,
> and the room with all the ancient documents was one of the highlights of our
> trip.  The "virtual book"  where you can leaf though digital versions of
> precious manuscripts was fascinating, as well as the "Juke Boxes" that played
> famous speeches, poems and words, as well as historic music.  We went on the
> evening it's open late, Tuesday I believe, and were almost alone (with the
> guard) in the room with the Magna Carta, Gutenburg Bible and other rare
> manuscripts.  The tower of books in shelves was also a wonder.  Quite an
> impressive place, and all free!  You should be proud to have been associated
> with such an institution.
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OT: RE: If you don't now own a Mac, better get one (from "Forbes Mag azine"

2001-09-19 Thread Doug Franklin

On Wed, 19 Sep 2001 10:57:15 -0400, Mick Maguire wrote:

> True Confession: I am a Windows software engineer by profession. (ducks for
> cover!)

So am I.  Well, I'm doing embedded stuff now, but I made my living on
Windows development (mainly servers, device drivers, and other
high-reliability, low-level code) for almost 20 years.

> I see and hear people doing Microsoft down all the while, I wont say whether
> I think it's justified or not, but keep these points in mind:

Without going into the whole long, messy story, Microsoft is the only
company that has ever tried to get me fired for reporting a bug in
their product.  No kidding.  And it really was a bug in their product,
I had the proof, and I followed normal channels for reporting it, quite
politely, with all supporting documentation included.

I got to listen in on the speaker phone while my boss told one of their
VPs (might have been Ballmer, it was about 1985) to blow it out his
tailpipe. :-)

I guess you can tell there's no love lost between me and the hordes
from Redmond. :-)

> 5. I know that Microsoft weren't and aren't pleased with Windows 95 98 98SE
> or ME. to be blunt internally the company thinks these are poor products and
> wishes nobody used them. Consumer demand created all of them from 98 on, MS
> wanted to ditch the 95 technology years ago as the NT technology which ended
> up as w2000 was far more stable.

Microsoft allowed consumer demand to "create" the 9x/ME products
because they couldn't get reasonable performance on games in NT or
support for the specialized gaming devices, like force-feedback
joysticks and steering wheels.  "Common" consumers (not IT pros or
developers or people like that) demand games.  This point cannot be
laid at the feet of the consumers.  If MS feels these to be poor
products then they have no one but themselves to blame for it.

TTYL, DougF
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Re: FW: NASA Photo Tonight

2001-09-19 Thread Mr. Wm Kane

Um,

   Call me stupid (not you William Robb), but wouldn't it be kinda hard for a
single candle to outlight the light produced by everyones patio lights?  It
would seem to me that it wouldn't be enough to be able to see a difference from
the normal photo's . . .

Illionois Bill

"Lindamood, Mark" wrote:

> >  -Original Message-
> > From: Ratkiewicz, Ken
> > Sent: Wednesday, September 19, 2001 11:58 AM
> > Subject:  NASA Photo Tonight
> >
> > Please pass this on if you wish. A formal request from NASA: 10:30 EASTERN
> > TIME 9:30 Central, 8:30 Mountain, 7:30 Pacific NASA has asked that
> > everyone step out on their lawns tonight at 10:30 and light a candle. They
> > will be positioning a satellite to take a picture of the U.S. and posting
> > it on the news tomorrow morning.
> > Please pass this on to as many people as possible.
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Re: MZ-S is 100th AF SLR on market.

2001-09-19 Thread William Robb

- Original Message -
From: "Pål Jensen
Subject: Re: MZ-S is 100th AF SLR on market.


> Jeff wrote:
>
> > I don't know if this has been discussed or not, but Pop
Photo has reported
> > that the MZ-S is the 100th AF SLR to hit the market since
the introduction
> > of the Minolta Maxxum 7000 in 1985.
>
>
> Why on earth would anyone start counting from the Minolta
7000? By 1985 the AF SLR had been on the market for four years.
Minolta was a latecomer to AF.

Perhaps they are starting the count from the ones that actually
were viable AF cameras. The ME-F and T-80 were not commercially
successful.
William Robb
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Re: Film advice needed

2001-09-19 Thread tom

"David A. Mann" wrote:
> 
>  You might be OK if you dial in -2 stops of flash compensation.  Or manually
> set to 800ISO and -2 stop exposure compensation instead.

Could be, though I suspect the camera just can't quench the flash fast
enough. 

It gets a little confusing if you read both manuals. The PZ-1p says
something to the effect that ttl flash is possible up to ISO 800. The
AF5000FTZ manual, IIRC, says something to the effect that ttl flash is
possible up to ISO 1600 with the PZ-1p.

I vaguely recall doing a test and thinking it worked up to 800...

tv
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Re: Alkaline vs. Lithium flash cycle times LONG

2001-09-19 Thread Brendan

I have only done a few informal test of alk vs. the
NIMH in flashes
and the performace is very noticable, the alkaline
batteries will
recharge the flash faster for 20 full power flashes
then they take
longer and longer, the NIMH kept consistanly 4-5 sec
recharging right
up untill they died. I know you should not use
rechargables in long
term slow/low use stuff like smoke alarms, remotes,
light meters. For
me I will keep alkalines in the Fg due to the fact
rechargables loose
their charge about a 2 weeks of non use. For flashes
since they eat
batteries having the 1 hr recharger and car charger I
always have
fresh batteries, that and I notice that some alkaline
batteries just
plain suck in flashes. Most long lasting alks are slow
charging but
last almost forever, most photo grade alk's recharge
faster but don't
last long or are as expensive as lithiums. Flashes
since they eat
batteries rechargables are cost effective, I went thru
12 AA batteries
in one night and they still powered a remote after but
won't charge
the flash, with me using 10 rolls of flash work every
weekend the
cost of even cheap AA's gets outrageous since I needed
to swap
alkalines every other roll to keep rcharge times up,
the NIMH lasts
almost the whole night.


 
 --- Robert Wetmore <[EMAIL PROTECTED]> wrote:
> Hello, all-
> 
> In the recent discussions concerning the value of
> the AA Battery Pack FG for 
> ZX/MZ series cameras - the use of which, by the way,
> I recommend highly on 
> the basis of greatly improved handling in what I
> consider to be under-sized 
> and under-weighted cameras incapable of otherwise
> balancing even medium 
> telephotos of large aperture - I noticed no
> reference to the issue of flash 
> cycle times, which seems to me an important
> functional consideration, and 
> which I recall was a selling point of lithium
> battery technology.  Does 
> anyone have any detailed information comparing flash
> performance amongst 
> various battery technologies, such as alkaline,
> lithium, and perhaps 
> nickel-cadmium or nickel-metal hydride batteries in
> terms not of total 
> lifespan, but only of recycle times?  Secondly, was
> either of those a run-on 
> sentence?
> 
> Rob
Get your free @yahoo.ca address at http://mail.yahoo.ca
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Re: MZ-S is 100th AF SLR on market.

2001-09-19 Thread Pål Jensen

Jeff wrote:

> I don't know if this has been discussed or not, but Pop Photo has reported
> that the MZ-S is the 100th AF SLR to hit the market since the introduction
> of the Minolta Maxxum 7000 in 1985.


Why on earth would anyone start counting from the Minolta 7000? By 1985 the AF SLR had 
been on the market for four years. Minolta was a latecomer to AF. 


Pål 
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RE: If you don't now own a Mac, better get one (from "Forbes Mag azine"

2001-09-19 Thread David A. Mann

Richard Klein writes:

> I upgraded it to 512MB RAM and a 40GB hard drive and it crashes every week
> or so.  I think it's the new memory modules, but I haven't messed around
> with it too much yet.

 A couple of years ago at work they upgraded my group's PCs from 32 to 
64Mb (Oracle apps is a dog).  One guy's machine must have had an 
incompatibility of some sort with the new memory and started freezing up 
several times a day requiring a reboot every time.  The helpdesk's response?  
"Have you tried rebooting?"

> My work PC runs Win NT 4 with 128MB and crashes once or twice a year.

 I have an old 486 with Linux which serves as a general file/print server, web 
cache internet gateway and a little software development.  It went down last 
Friday due to a power cut, after just two years eight months and three days 
continuous uptime.  I'm not really disappointed though because now I can put 
in a 56k modem and some more hard disk space without feeling guilty :)

> The most common software is going to be
> the target of the most viruses no matter who makes it.

 There are some basic precautions you can take to limit their spread.  
Anything that auto-executes an attachment is bad news, and any system that 
gives any old software unrestricted access to system files is even worse.

Cheers,


- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Shel Belinkoff

Mike Johnston wrote:

> I would imagine that now we're going to get into a theoretical argument
> about resolution, based on numbers. I've never cared for--or given much
> credence to--any of that kind of nonsense. I look at pictures. If it looks
> good, it is good. If it looks like crap, I don't care how many numbers say
> it doesn't--it does.

Indeed!  It amazes me how many people on photo lists look at the
numbers garnered from test results and make buying decisions based on
those numbers.  Most of the time they don't even know how those
numbers were arrived at.  As an example, Erwin Puts, the Leica Lens
Maven, has been writing about the optical qualities of various lenses
for a long time, even comparing lenses, but I've never seen a
photograph showing the qualities and differences that he discusses. 
Yet he is held in high esteem by numerous Leicaphiles - FEH!
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Re: Film advice needed

2001-09-19 Thread David A. Mann

tom writes:

> 3200 seems plenty grainy to me. That's the number on the box, so why not
> give it a shot? See what it does at that EI, and if you want to
> experiment some more you'll at least have a base to start from.

 I've shot it at 12,800 (ie pushed two stops).  Yeah it gets grainy :)

> Bear in mind that if you're using ttl flash, Pentax cameras/flashes
> can't go up to 3200. I believe the PZ-1p says it can only handle ttl
> flash up to 800. 

 You might be OK if you dial in -2 stops of flash compensation.  Or manually 
set to 800ISO and -2 stop exposure compensation instead.

Cheers,


- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

"Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets?" -- Garfield
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Off again

2001-09-19 Thread Raimo Korhonen

I´m off to Latvia for some days so I´ll unsubscribe. So it does not mean I´m offended 
by somebody´s posts.
All the best!
Raimo
Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen
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Re: Re: Film advice needed

2001-09-19 Thread David J Brooks

Thanks Tom and Aaron.I was going to pose this query soon my
self.Some friends play in a Blues band and are going to play 
the local fair next week and i was planning to use a roll
of the Ilford Delta 3200 if possible.(is it available at the
big stores like Henry's etc?)They will be indoor with
probably better than average bar lighting plus their own.
I also want to shoot a roll of colour.What do you suggest?
Something around asa1000 i imagine.
Aaron,i think a previous post you mentioned you shot at
about a 60th or 30 sec at wide open.Is this about right.
I have a monopos which i will take with me and use.I'll
probably use the SF-1 35-70 and or K1000 35-80 

Thanks for the help guys

Dave

 Begin Original Message 

From: Aaron Reynolds <[EMAIL PROTECTED]>
Sent: Wed, 19 Sep 2001 15:00:09 -0400
To: [EMAIL PROTECTED]
Subject: Re: Film advice needed




: cut your film speed in half
to compensate for the colour of the lights, because b&w film is less
sensitive to red than the rest of the spectrum, and most bars are lit 
by
tungsten light, which is very red.  So, if you are shooting 3200 speed
film, set your ISO dial to 1600.  If you're pushing it to 6400, set 
your
ISO dial to 3200.

-Aaron
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 End Original Message 




 Pentax User
 Stouffville Ont Canada
Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Mike Johnston

Alin wrote:

>Sorry Mike, to me narrow dof is a big loss. And please don't tell me
 >you can fix that in Photoshop.

Alin, 
I'm not trying to talk you out of your own methods. Honest. We all use what
we need and choose. All I can talk about are my own experiences, and that's
all I'm doing. I wouldn't dream of presuming to say one person's methods are
"wrong" and another's "right." If you can't get the results you want with
one method and choose another, who am I--or who is anyone--to criticize?


> MJ> MACRO work is laughably easy--the camera has a "macro mode" and the d.o.f.
> MJ> is so great that it allows virtually "macro snapshooting." Bokeh is
> superb.
> 
> Bokeh? What bokeh can you possibly get at such high dof? Really,
> I thought the limited series defined bokeh here. Now we're supposed
> to give up to this and other insignificant features like sharpness,
> resolution, just for the sake of convenience. Frankly, I don't see
> anything else in your argumentation besides it's so easy.

If you'll look again, I was talking there about macro shooting, where you
certainly do get bokeh. You also get it in portraits where the lens is set
to a longer focal length and the background is further away. The whole head
is in focus, though, not just part of it, and the background blur is not so
extreme.

And who says you give up sharpness and resolution? In fact, I'm getting
comments from non-photographers about how "clear" the pictures are which in
my experience seldom happens with any sort of photography (non-photographers
just don't care about the things we photographers concern ourselves about).
As far as the image is concerned, they can be plenty sharp. In fact, you
control the amount of sharpness or blur. One of the many great features of
Photoshop is the Unsharp Masking controls. I used to joke with Howard Bond
that he was one of the few photographers who could make unsharp masking pay,
because he sold multiple copies of his prints for hundreds of dollars each,
so it made sense to spend the hours of hard work needed to make unsharp
masks. In Photoshop anybody can do the same thing in seconds.

When you add blur, it's like adding spherical aberration to the lens, or any
one of a number of soft-focus filters. And you do this after the fact,
without corrupting the original data. With film, you're locked into whatever
soft focus filter you select when you shoot. Try shooting a picture with a
soft-focus filter and then going back after the fact and making a sharp
picture out of it!

Another great control in PSE is called "fill flash." You can select shadow
areas--even with very complicated outlines--and up pops a slider which
allows you to selectively lighten that area to whatever degree you choose
WITHOUT losing contrast. Wh! I tell you guys, this shit is a BLAST.

I would imagine that now we're going to get into a theoretical argument
about resolution, based on numbers. I've never cared for--or given much
credence to--any of that kind of nonsense. I look at pictures. If it looks
good, it is good. If it looks like crap, I don't care how many numbers say
it doesn't--it does.

--Mike
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Re: Re: OT: Let's Pray

2001-09-19 Thread arkibladt

Hi Bob
I agree that we/you must fight terrorism. With all means available that doesn’t 
hurt innocent people.
What I don’t want is annother “wholy war” against muslims or the 
arab world. In my country – God help us – some parties have already 
suggested that all muslims shold be sent “home”! That my friend is also 
very, very tragic! The wholy war has already started in some peoples heads! It seems 
mr. Bush already has shown a more subtle approach to fighting terrorism, than it 
seemed a few days ago. Of cource Nato/we will asssist you as far as we can. But is it 
really possible to pinpoint the responsible and punish them and only them?
Regards
Jens

> 
> Fra: Bob Blakely <[EMAIL PROTECTED]>
> Dato: 2001/09/18 Tue PM 11:41:17 CEST
> Til: [EMAIL PROTECTED]
> Emne: Re: Re: OT: Let's Pray
> 
> Yes, damn right, and I agree with my president, but sorry, I don't get how this 
>relates to
> the question. Again...
> 
> What has Bin Laden said that he wants? Please try not to leave anything out so as to 
>make
> him seem more acceptable. You don't think we've heard it from his own lips, but we 
>have.
> Again... Surely your version will be without bias.
> 
> Separate question. Now, exactly what do you think the United States should do about 
>the
> three acts of terror resulting in the loss of more than 5000 lives now. Now 
>remember, I
> didn't ask what the US shouldn't do.
> 
> Ignore them?
> Apologize because most of the people in the towers were able to escape so that we
> could not learn our full lesson?
> Apologize for all past indiscressions and hold a day of national suicide to ride 
>the
> world of our nastiness?
> Send a diplomat over to say "Naughty, naughty! Grown up nations don't act like 
>this?"
> 
> Exactly what would be your response if the situation was reversed? What if some 
>disaster
> from the same folks who brought this last disaster is visited upon your country? 
>What if
> it happens simply because your country is a member state of NATO or simply because 
>your
> nation has described this disaster as brought by evil men whereas they believe it is 
>a
> holy thing?
> 
> Give me a break! There will be retribution and the ability of terrorists to wage 
>their
> "war" on this scale will be eliminated.
> 
> Generally, turn about is the essence of fair play. (If you say it's ok to do what 
>you do,
> well then, we agree.) What if the US picks symbols the terrorists hold dear and 
>clear them
> to the ground? We won't do that, but what if we do? You'll get mad? And then what? 
>You'll
> destroy the US? What do you think the US (or any other country) would do? Do you 
>think any
> country will allow itself to be laid waste and wiped from existence without using 
>the best
> weapons in it's arsenal?
> 
> Arrogant? Damn right. I'm sure you can find some better words too. Then I'll agree 
>with
> you that we're (whatever description you think will be insulting). Then what? 225 
>years
> ago we gave up caring what the nations of Europe thought of us.
> 
> Keep in mind, there is no place in the Middle East that we've been that we weren't
> invited, or that we didn't ask first except Iraq. We went at the request of Kuwait 
>and
> Saudi Arabia.
> 
> Regards,
> Bob...
> ---
> "In the carboniferous epoch
> we were promised perpetual peace.
> They swore if we gave up our weapons
> that the wars of the tribes would cease.
> But when we disarmed they sold us,
> and delivered us, bound, to our foe.
> And the gods of the copybook headings said,
> 'Stick to the devil you know.' "
> --Rudyard Kipling
> 
> From: <[EMAIL PROTECTED]>
> 
> 
> > Hi
> > You see - that's the kind of arrogance I'm talking about! I saw/heard Mr. Bush on 
>CNN
> say that he would - make no mistake - hunt down and punish the responsible! Didn't 
>you?
> > Jens
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> 

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Sv: WTB: Pentax AF 500 FTZ flash

2001-09-19 Thread arkibladt

Hi Nick
I just saw one in a UK magazine. Please answer if you want address.
Jens
> 
> Fra: "Nicholas Wright" <[EMAIL PROTECTED]>
> Dato: 2001/09/19 Wed AM 05:45:44 CEST
> Til: PDML <[EMAIL PROTECTED]>
> Emne: WTB: Pentax AF 500 FTZ flash
> 
> I would like to purchase this model of flash, if someone has one they're 
> willing to part with please contact me off-list. [EMAIL PROTECTED] or
> [EMAIL PROTECTED]
> 
> Thanks!
> 
> 
> --
> Nick
> www.wrightfoto.com
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> 

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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Shel Belinkoff

Hi Tom ... yes, I was talking about print quality, not the subject or
composition of his photos.  And yes, you're probably correct in
assuming that Mike knows a bit about what makes a quality print,
however, we all have different standards and preferences. I've spent
some time with a photographer who has had numerous covers, and the
technical work (print quality, sometimes lighting, sometimes exposure)
was terrible. Yet his pictures captured the spirit of the people he
photographed quite well, and some, from that POV, were exceptional. 
And to put my comments in perspective (because we all know how
critical I can be) the photographer even said a lot of his work was
pretty poor from a technical standpoint.  So, we'll wait and see.

tom wrote:

> Well, this is probably true. I guess I'm making an assumption. However,
> it's based on the fact that he's run a b+w lab, edited a darkroom
> magazine, looked at thousands of prints that were all assumed by their
> submitters to be their best work, and has publicly stated he's a very
> good printer.
> 
> I guess he could have faked his way this far, but I'll give him the
> benefit of the doubt.
> 
> Btw, we're talking about print quality, not whether he takes good or
> interesting photos.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Re: City lights (was: NASA Photo Tonight)

2001-09-19 Thread Robert Harris

Skofteland, Christian wrote:

> 
> Are these candles? 
> 
> http://antwrp.gsfc.nasa.gov/apod/image/0011/earthlights_dmsp_big.jpg

Nah. That's a thousand points of light.

Bob Harris
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread tom

Shel Belinkoff wrote:
> 
> > The interesting aspect of Mike's post
> > is that he's an avowed and
> > accomplished darkroom freak who really
> > seems to like the output he gets
> > from a middle of the road digital camera.
> 
> Since I've never seen Mike's prints, and don't know what he considers
> a quality print to be, I can't get too excited when he says that the
> prints he gets from this camera and his post-exposure setup is of
> excellent quality.  Being an "avowed darkroom freak" doesn't mean that
> one's capable of producing high quality work.  And, just to be clear
> on this, I'm not suggesting that Mike's work is of poor quality, it's
> just that none of us (to the best of my knowledge) has seen any of his
> photography.

Well, this is probably true. I guess I'm making an assumption. However,
it's based on the fact that he's run a b+w lab, edited a darkroom
magazine, looked at thousands of prints that were all assumed by their
submitters to be their best work, and has publicly stated he's a very
good printer. 

I guess he could have faked his way this far, but I'll give him the
benefit of the doubt. 

Btw, we're talking about print quality, not whether he takes good or
interesting photos.

tv
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RE: Request for comments, criticism on posted image

2001-09-19 Thread Paris, Leonard

Bill,

If the title is "Cosmic Fire" the picture link is broken.

Len
---

-Original Message-
From: Peifer, William [OCDUS] [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, September 19, 2001 11:46 AM
To: '[EMAIL PROTECTED]'
Subject: Request for comments, criticism on posted image


Hi all,

Just posted an image on Photocritique.net, and I'd greatly appreciate any
comments or criticisms.  This was one of the ones I was considering for
submission to the coming month's PUG, since it fit the Elements theme so
well.  However, I'll be submitting a different photo to PUG that I like a
little better.  The link is listed below.

http://www.photocritique.net/g/s?00ntOn

Thanks in advance,

Bill Peifer
Rochester, NY
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Re: Inspection of Camera Gear at Airports

2001-09-19 Thread Aaron Reynolds

Shel Belinkoff wrote:

> > Anyone ever have any experience with damage in this manner?
> > If so, what was the resolve?

Didn't Mafud have a story about the destruction of one of his beloved
Super Programs at the hands of a customs officer?

-Aaron
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Re: Film advice needed

2001-09-19 Thread Aaron Reynolds

tom wrote:

> Above that I start losing shadow detail, and I don't like the way the
> grain looks.
> 
> This is a personal choice. There are folks, (Aaron comes to mind) that
> regularly shoot it faster. 

I've shot it as high as 12,800, but it does lose most of its dark detail
up there.  At 6400 ISO I've had good (and grainy) results when
processing in Microphen and Studional.

An important thing to remember when shooting fast black and white film
in a dingy bar or under similar conditions: cut your film speed in half
to compensate for the colour of the lights, because b&w film is less
sensitive to red than the rest of the spectrum, and most bars are lit by
tungsten light, which is very red.  So, if you are shooting 3200 speed
film, set your ISO dial to 1600.  If you're pushing it to 6400, set your
ISO dial to 3200.

-Aaron
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Alkaline vs. Lithium flash cycle times

2001-09-19 Thread Robert Wetmore

Hello, all-

In the recent discussions concerning the value of the AA Battery Pack FG for 
ZX/MZ series cameras - the use of which, by the way, I recommend highly on 
the basis of greatly improved handling in what I consider to be under-sized 
and under-weighted cameras incapable of otherwise balancing even medium 
telephotos of large aperture - I noticed no reference to the issue of flash 
cycle times, which seems to me an important functional consideration, and 
which I recall was a selling point of lithium battery technology.  Does 
anyone have any detailed information comparing flash performance amongst 
various battery technologies, such as alkaline, lithium, and perhaps 
nickel-cadmium or nickel-metal hydride batteries in terms not of total 
lifespan, but only of recycle times?  Secondly, was either of those a run-on 
sentence?

Rob

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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Shel Belinkoff

Robert Wetmore wrote:

> And have you ever driven a Ford F-150?  
> These things corner like a dream!

Have you ever driven an Aston Martin?  Those things can't carry 4x8
sheets of plywood worth a shit!
-- 
Shel Belinkoff
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Re: Confessions of an old timer

2001-09-19 Thread Shel Belinkoff

Sheesh!  What a low-life comment, even if it was made in jest.  It so
happens that a few list members here use, or have used, Canon gear,
and one in particular comes to mind.  While he gave up his Canon
equipment because it didn't suit him, he's far from scum for having
used it.  And who knows, perhaps one day you'll need a specialized
piece of gear that's produced by Canon, and you too will become scum.

Robert Wetmore wrote:
> 
> Shel Wrote:
> 
> "Those on the list who use Nikons, Leicas, view cameras, Minoltas, and
> the like, would not consider such use to be a "low action"."
> 
> True.  But I'm sure we can all agree that the Canon users amongst us are
> scum.

-- 
Shel Belinkoff
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City lights (was: NASA Photo Tonight)

2001-09-19 Thread Skofteland, Christian

> -Original Message-
> From: dave o'brien [mailto:[EMAIL PROTECTED]]
> 
> Jeez, this is a list of photographers and no-one thought that maybe
> some candles couldn't actually drown out city lights?

Are these candles? 

http://antwrp.gsfc.nasa.gov/apod/image/0011/earthlights_dmsp_big.jpg

Christian Skofteland
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Shel Belinkoff

tom wrote:
 
> soon you'll be able to mount all
> your Pentax lenses on an MZ-D. 
> You'll be able to manually focus and
> expose to your heart's content.

When I see it, I'll believe it.  I know that there are those who swear
it's coming, and I hope it does, and that it's a well-designed
camera.  But it ain't here yet.
 
> The interesting aspect of Mike's post 
> is that he's an avowed and
> accomplished darkroom freak who really 
> seems to like the output he gets
> from a middle of the road digital camera.

Since I've never seen Mike's prints, and don't know what he considers
a quality print to be, I can't get too excited when he says that the
prints he gets from this camera and his post-exposure setup is of
excellent quality.  Being an "avowed darkroom freak" doesn't mean that
one's capable of producing high quality work.  And, just to be clear
on this, I'm not suggesting that Mike's work is of poor quality, it's
just that none of us (to the best of my knowledge) has seen any of his
photography.

> It's quite surprising and should give you 
> pause to think. An *average* digital p+s 
> has the former editor of Darkroom Techniques 
> gushing over PRINT QUALITY.

I did think - see above.

> Again, the proof is in the prints.

Absolutely.  Mike has promised to send me some prints, and I promised
to comment on them publicly.

-- 
Shel Belinkoff
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Request for comments, criticism on posted image

2001-09-19 Thread Peifer, William [OCDUS]

Hi all,

Just posted an image on Photocritique.net, and I'd greatly appreciate any
comments or criticisms.  This was one of the ones I was considering for
submission to the coming month's PUG, since it fit the Elements theme so
well.  However, I'll be submitting a different photo to PUG that I like a
little better.  The link is listed below.

http://www.photocritique.net/g/s?00ntOn

Thanks in advance,

Bill Peifer
Rochester, NY
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Robert Wetmore

Mike wrote:

"Personally I'm extremely surprised by my own reaction to trying
digital."  [A long description of the wonders of digital snipped to avoid 
offending the guy who hates inclusion of long excerpts in reponses.]

Have you tried McDonald's food?  I think you'll find it really exquisite.  
And have you ever driven a Ford F-150?  These things corner like a dream!

All I can say is "Et tu?"

Rob

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Re: Confessions of an old timer

2001-09-19 Thread Robert Wetmore

Shel Wrote:

"Those on the list who use Nikons, Leicas, view cameras, Minoltas, and
the like, would not consider such use to be a "low action"."

True.  But I'm sure we can all agree that the Canon users amongst us are 
scum.

Rob


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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread tom

Shel Belinkoff wrote:
> 
> 
> So, how do you get a more selective DOF?  What if you want just a
> small area in focus and lots of out of focus area in front of or
> behind the subject?  Can you set the focus between two subjects, where

and Alin said:

>   Bokeh? What bokeh can you possibly get at such high dof? Really,
>   I thought the limited series defined bokeh here. Now we're supposed
>   to give up to this and other insignificant features like sharpness,
>   resolution, just for the sake of convenience. Frankly, I don't see
>   anything else in your argumentation besides it's so easy.

It seems to me that a lot of these questions have to do with the
*particular* camera Mike has. Those questions are valid, but possibly
irrelevant in light of the fact that soon you'll be able to mount all
your Pentax lenses on an MZ-D. You'll be able to manually focus and
expose to your heart's content.

The interesting aspect of Mike's post is that he's an avowed and
accomplished darkroom freak who really seems to like the output he gets
from a middle of the road digital camera.

It's quite surprising and should give you pause to think. An *average*
digital p+s has the former editor of Darkroom Techniques gushing over
PRINT QUALITY.

A year ago I wouldn't have believed it possible.

Again, the proof is in the prints.

tv  (who will quite happily spend 4 hours in the darkroom tonight making
fiber 11x14's)
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Re: Film advice needed

2001-09-19 Thread tom

"Eduardo Carone Costa Jr." wrote:
> 
> Thanks, Tom.
> I had never used any film faster than ISO 800 before, and I don't know
> exactly what to expect from this one.
> Why do you rate it at "only" 1250?

Above that I start losing shadow detail, and I don't like the way the
grain looks. 

This is a personal choice. There are folks, (Aaron comes to mind) that
regularly shoot it faster. I just find it doesn't work for me, and I
tend to use TMAX 3200 when I want a fast film.

OTOH, all the shops in my area were out of TMAX 3200 last week,
seemingly due to shipping problems, so I had to shoot a wedding on
Neopan 1600 on Saturday.

tv
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Inspection of Camera Gear at Airports

2001-09-19 Thread Shel Belinkoff

This question was posed on another list, and I thought I'd toss it out
here as well, especially since there may be more frequent and complete
inspections in the near future.  It's been reported that some
inspectors have even removed lenses from camera bodies, removed the
lens caps, and looked through the lenses, as well as opening the backs
of cameras, etc.:

> > Prior to boarding the plane, at the gate, 
> > we were again put through the metal detector, 
> > and all hand luggage was hand inspected.
> 
> As an aside to the point of your post, I have a question.  
> Basically, what if your "gear" is damaged during the course 
> of inspection.  Who pays for the damage?
> 
> I've ALWAYS been nervous about just "handing over" my 
> [expensive gear] to someone who "does not care for it 
> the way I do" (I tried to say this as nice as I could), 
> and say they drop it...somehow damage it...the consequences 
> to me are quite high...it could ruin an entire trip or 
> business deal.
> 
> Anyone ever have any experience with damage in this manner?  
> If so, what was the resolve?

-- 
Shel Belinkoff
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Re: SMC Pentax-M 1:3.5/28mm

2001-09-19 Thread Shel Belinkoff

Hi Ken ...

These lenses are all excellent and should fit your needs:

K or A 15/3.5 (although my experience with it is very limited)
K24/2.8
K35/3.5
K85/1.8
A*85/1.4
K105/2.8
K135/2.5
A*135/1.8 (also very limited experience with this lens)
A*200/2.8

Ken Archer wrote:
> 
> It seems like I have been trying to wear this lens out lately.  The
> quality, sharpness, color, etc., is great.  I can't take every picture
> with a 28mm lens, however.  What other K-mount manual focus lens
> (Pentax or third-party) are on par with the SMC Pentax-M 1:3.5/28mm?
> I would use primes or zooms as long as they compare favorably.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
"Why should I use a meter?  What if the darn thing broke on me
when I was out making a photograph? Then what would I do?"
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MZ-S is 100th AF SLR on market.

2001-09-19 Thread Jeffrey D. Jonsson

I don't know if this has been discussed or not, but Pop Photo has reported
that the MZ-S is the 100th AF SLR to hit the market since the introduction
of the Minolta Maxxum 7000 in 1985.

The story is here:
http://www.popphoto.com/Camera/ArticleDisplay.asp?ArticleID=51

Jeff
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RE: NASA Photo Tonight

2001-09-19 Thread Richard Klein

Regardless of whether or not it's a hoax, I got this same notice from
someone else yesterday that said it was scheduled for last night, so I think
we've missed the boat.

   -Rich


Skofteland, Christian wrote:
> 
> > -Original Message-
> > From: Lindamood, Mark [mailto:[EMAIL PROTECTED]]
> 
> > > 
> > > Please pass this on if you wish. A formal request from 
> > NASA: 10:30 EASTERN
> > > TIME 9:30 Central, 8:30 Mountain, 7:30 Pacific NASA has 
> > asked that
> > > everyone step out on their lawns tonight at 10:30 and light 
> > a candle. They
> > > will be positioning a satellite to take a picture of the 
> > U.S. and posting
> > > it on the news tomorrow morning. 
> > > Please pass this on to as many people as possible. 
> 
> Does anyone have the OFFICIAL request from NASA?
> 
> Thanks.
> 
> Christian Skofteland
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Re: NASA Photo Tonight

2001-09-19 Thread Robert Harris

Skofteland, Christian wrote:


> 
> Does anyone have the OFFICIAL request from NASA?

Just visited the NASA web site and can find no mention of it there. 
Looked at list of press releases and no release on this subject.

Bob Harris
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SMC Pentax-M 1:3.5/28mm

2001-09-19 Thread Ken Archer

It seems like I have been trying to wear this lens out lately.  The 
quality, sharpness, color, etc., is great.  I can't take every picture 
with a 28mm lens, however.  What other K-mount manual focus lens 
(Pentax or third-party) are on par with the SMC Pentax-M 1:3.5/28mm?
I would use primes or zooms as long as they compare favorably.
-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Shel Belinkoff

Mike Johnston wrote:
 
> Personally I'm extremely surprised by my own reaction to trying digital. 

Yes, you seem like a kid let loose in a candy store with a gold card


> What has caught me completely by surprise is that I find I love it. I love
> PICTURES--I love exploring the look of the world with a camera, the
> serendipitous, quasi-accidental manner in which good photographs occur (I
> almost can't go out to shoot without getting something good, but I never
> know beforehand what it will be); I love crafting the
> results--"post-processing" has always been very satisfying for me; I very
> much enjoy darkroom work--and I love looking at results. Where some people
> will reach for a book to read in bed before falling asleep, I often reach
> for a stack of prints to look through, study, and enjoy.

OK - so far there's no real difference between digital and
conventional photography here. 

> So far I am extremely enthused about much of what I'm doing in digital. I
> like the look of the prints, I like the radical streamlining of my working
> process (so fast, so easy, so cheap in both money and time). But what I
> think I really love and have been MOST surprised by is the versatility of
> the camera.

What is it that you like about the look of the prints?  Do you like
them more than a wet print?  Are you printing in color or B&W?  How
large are you making the prints? Have you compared a well-printed B&W
photo to a digitally made print, same size, same subject, same light?

> I have a decent-quality $650 3-mp p/s that's pretty limited--it simply has
> to be prefocused to be at all responsive, for instance. You have to achieve
> the "green dot" first or the camera is so slow as to be useless. 

For those of us living in caves, what's the "green dot" and how does
that relate to making a photograph?


> But because
> of the extremely small size of the CCD and the extreme shortness of the
> lens, wonderful things become possible. First of all, depth of field is so
> great that at moderate apertures (I mean like f/2.8 or f/4) and ordinary
> camera-to-subject distances, pan-focus (i.e., everything in focus front to
> back) is the rule rather than the exception. d.o.f. at maximum aperture
> (f/1.8 on my camera) is amazing---

So, how do you get a more selective DOF?  What if you want just a
small area in focus and lots of out of focus area in front of or
behind the subject?  Can you set the focus between two subjects, where
there is essentially nothing to focus on?  Can you control the
aperture yourself and see what's in focus, or does the camera decide
aperture and focus for you?

> MACRO work is laughably easy--the camera has a "macro mode" and the d.o.f.
> is so great that it allows virtually "macro snapshooting." Bokeh is superb.
> Panoramics, even of numerous frames, are now simple.

Here again I question the value of great DOF when shooting macros. 
Not that it's never a good thing, but can you control it? 
> 
> It really seems like many 35mm cameras in one. It's a zoom lens, but it's a
> high-speed lens too (how many film cameras have f/1.8 zooms??). It's a GOOD
> macro lens. It's three film cans in one camera, switching automatically or
> manually between ISO 100, 200, and 400. 

A good macro lens compared to what?  How does it stack up against a
Pentax A*200/4.0 macro for example, or the A100/2.8?  What sort of
working distance can you get between the lens and the subject?  What's
the magnification ratio?

Three films in one sounds a little strange, in the "Jack of all trades
master of none" context.  It's my understanding that there's a
noticeable drop in quality as one moves to the higher speeds.  Have
you noticed that?  What do you do if you want a slower/faster speed? 
Does the camera have exposure compensation?  Can you set it to over or
under expose depending on what you want to see in the final "print"? 

Well, that's enough questions for now.  Gotta get to work  I may
continue with the rest of your post later.

-- 
Shel Belinkoff
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RE: NASA Photo Tonight

2001-09-19 Thread Mark Roberts

If the absurdity of the idea didn't tip anyone off, the phrase "pass this
on to as many people as possible" should have been a red flag ;)

Gerald E. Lewis wrote:

>This is a HOAX
>
>> Please pass this on if you wish. A formal request from NASA: 10:30 EASTERN
>> TIME 9:30 Central, 8:30 Mountain, 7:30 Pacific NASA has asked that
>> everyone step out on their lawns tonight at 10:30 and light a candle.
They
>> will be positioning a satellite to take a picture of the U.S. and posting
>> it on the news tomorrow morning. 
>> Please pass this on to as many people as possible. 


-- 
Mark Roberts
www.robertstech.com
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RE: NASA Photo Tonight

2001-09-19 Thread Skofteland, Christian

> -Original Message-
> From: Lindamood, Mark [mailto:[EMAIL PROTECTED]]

> > 
> > Please pass this on if you wish. A formal request from 
> NASA: 10:30 EASTERN
> > TIME 9:30 Central, 8:30 Mountain, 7:30 Pacific NASA has 
> asked that
> > everyone step out on their lawns tonight at 10:30 and light 
> a candle. They
> > will be positioning a satellite to take a picture of the 
> U.S. and posting
> > it on the news tomorrow morning. 
> > Please pass this on to as many people as possible. 

Does anyone have the OFFICIAL request from NASA?

Thanks.

Christian Skofteland
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RE: NASA Photo Tonight

2001-09-19 Thread Lewis, Gerald

This is a HOAX

Gerald E. Lewis
Lockheed Martin Space Operations
HRF Flight Operations
Johnson Space Center
Houston, TX




-Original Message-
From: Lindamood, Mark [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, September 19, 2001 11:14 AM
To: '[EMAIL PROTECTED]'; '[EMAIL PROTECTED]';
'[EMAIL PROTECTED]'; '[EMAIL PROTECTED]'; '[EMAIL PROTECTED]'
Cc: '[EMAIL PROTECTED]'
Subject: FW: NASA Photo Tonight


>  -Original Message-
> From: Ratkiewicz, Ken  
> Sent: Wednesday, September 19, 2001 11:58 AM
> Subject:  NASA Photo Tonight
> 
> Please pass this on if you wish. A formal request from NASA: 10:30 EASTERN
> TIME 9:30 Central, 8:30 Mountain, 7:30 Pacific NASA has asked that
> everyone step out on their lawns tonight at 10:30 and light a candle. They
> will be positioning a satellite to take a picture of the U.S. and posting
> it on the news tomorrow morning. 
> Please pass this on to as many people as possible. 
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Re: Film advice needed

2001-09-19 Thread Eduardo Carone Costa Jr.

Thanks, Tom.
I had never used any film faster than ISO 800 before, and I don't know
exactly what to expect from this one.
Why do you rate it at "only" 1250?
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FW: NASA Photo Tonight

2001-09-19 Thread Lindamood, Mark

>  -Original Message-
> From: Ratkiewicz, Ken  
> Sent: Wednesday, September 19, 2001 11:58 AM
> Subject:  NASA Photo Tonight
> 
> Please pass this on if you wish. A formal request from NASA: 10:30 EASTERN
> TIME 9:30 Central, 8:30 Mountain, 7:30 Pacific NASA has asked that
> everyone step out on their lawns tonight at 10:30 and light a candle. They
> will be positioning a satellite to take a picture of the U.S. and posting
> it on the news tomorrow morning. 
> Please pass this on to as many people as possible. 
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread Alin Flaider

Mike wrote:

MJ> lens, wonderful things become possible. First of all, depth of field is so
MJ> great that at moderate apertures (I mean like f/2.8 or f/4) and ordinary
MJ> camera-to-subject distances, pan-focus (i.e., everything in focus front to

  Sorry Mike, to me narrow dof is a big loss. And please don't tell me
  you can fix that in Photoshop.

MJ> MACRO work is laughably easy--the camera has a "macro mode" and the d.o.f.
MJ> is so great that it allows virtually "macro snapshooting." Bokeh is superb.

  Bokeh? What bokeh can you possibly get at such high dof? Really,
  I thought the limited series defined bokeh here. Now we're supposed
  to give up to this and other insignificant features like sharpness,
  resolution, just for the sake of convenience. Frankly, I don't see
  anything else in your argumentation besides it's so easy.

  Oh well, I must be getting a tory before the proper age...

  Servus,  Alin
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Re: Confessions of an old timer

2001-09-19 Thread Shel Belinkoff

Conrad Samuels wrote:

> It came as a shock recently to read about 
> the members who used "other" makes in real life.  
> [...] 
> Just surprised dedicated Pentaxites could actually 
> admit to such low actions

I'm sure your comment about using other makes of cameras is meant in
jest, or perhaps there's a cultural or language difference here. 
Those on the list who use Nikons, Leicas, view cameras, Minoltas, and
the like, would not consider such use to be a "low action".

-- 
Shel Belinkoff
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Re: If you don't now own a Mac, better get one (from "Forbes Mag azine"

2001-09-19 Thread Daniel J. Matyola

Isn't that an oxymoron?

Mick Maguire wrote:

>  I am a Windows software engineer by profession.

--
Daniel J. Matyola  mailto:[EMAIL PROTECTED]
Stanley, Powers & Matyola  mailto:[EMAIL PROTECTED]
Suite203, 1170 US Highway 22 East  http://danmatyola.com
Bridgewater, NJ 08807  (908)725-3322  fax: (908)707-0399
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Re: Digicams and 35mm--Warning! Long post

2001-09-19 Thread tom

Mike Johnston wrote:
> 
> I have a decent-quality $650 3-mp p/s that's pretty limited--it simply has
> to be prefocused to be at all responsive, for instance. You have to achieve
> the "green dot" first or the camera is so slow as to be useless. 

So what's next on your shopping list?

> When you think of it, it's really quite a lot
> of work to go from clicking the shutter button to making a finished b&w fine
> print if you do everything yourself, especially if you make workprints as an
> aid to editing. 

Amen.

As far as digital goes, it just comes down to trying it, or at least
being open to it. I know that I personally had no interest in it as
recently as a year ago. Then I saw some prints...surprise, they're
pictures, not cheesy pixellated amalgamations of bad snapshots.

The proof is in the prints.

Again, I'll probably wait till I can get some gear that'll produce a
decent 11x14 at EI 1600. I'm also interested in seeing some specs for
the MZ-D.

tv
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Re: If you don't now own a Mac, better get one (from "Forbes Magazine"

2001-09-19 Thread Maris V. Lidaka, Sr.

That's plenty.  I hope you find the problem.

Maris

- Original Message -
From: "Mark D." <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 1:06 AM
Subject: Re: If you don't now own a Mac, better get one (from "Forbes
Magazine"


| From: Maris V. Lidaka, Sr. <[EMAIL PROTECTED]>
|
| > A shot in the dark Mark, but I kept crashing too until I added more
| memory.
| > How much do you have now?
|
| 512meg ram, top notch video card, modem, nic card, sound card (I spared no
| expense for this POS). A friend and I are going to go through it this
| weekend piece by piece.
|
| Mark
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|
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Re: Film advice needed

2001-09-19 Thread tom

"Eduardo Carone Costa Jr." wrote:
> 
> Hi everybody,
> 
> I just bought my first roll of Ilford Delta 3200 B&W film and would
> appreciate any information you could give me about the best way to use it. I
> would like to get some night shots, probably at a show or a bar; something
> grainy and moody. should I use it at its nominal rated speed or try to push
> it? 

3200 seems plenty grainy to me. That's the number on the box, so why not
give it a shot? See what it does at that EI, and if you want to
experiment some more you'll at least have a base to start from.

Personally, when I shoot it in 120,  I shoot it at 1250.

> What can you tell me about the use of fill flash or a typical B&W
> filter, like the Y1, under such conditions?

One caution about fill-flash in low-light...if you're not getting enough
ambient light for a proper exposure, and you set your flash to give less
then proper exposure, guess what? You won't get a proper exposure. Fill
flash means you're using flash to fill in shadows...you're not adding a
little flash to a little ambient light in the hopes of them adding up to
a decent exposure. You just underexpose.

If it's dark, and you decide to use flash, do this: pick the lowest
shutter speed you can handhold, or maybe one stop below. Then set the
aperture as wide as you can. The stop you set the aperture at will be
determined by how well you can see to focus - if you can barely see,
you'll probably want to stop down a bit to cover focusing errors. If you
have ttl, fire away...if not, set it to match your aperture and subject
distance.

The key to this is getting the longest shutter speed and largest
aperture you can get away with...this will give you more ambient light,
illuminating te background and eliminating the 'dark tunnel' look.

If you're shooting in marginal light, a filter is only a hindrance, imo.
It'll just suck up more light.

Bear in mind that if you're using ttl flash, Pentax cameras/flashes
can't go up to 3200. I believe the PZ-1p says it can only handle ttl
flash up to 800. 

> I'll probably use a KM with a K 50/1.2 or, if you tell me to push it to a
> higher ISO, a MZ-M. I'm not considering autofocus because I don't think it
> will work for this kind of photo.

AF will work if you've got AF-assist.

Good luck.

tv
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Re: Biro, ball point pen

2001-09-19 Thread Sas Gabor

Hi, 

On 17 Sep 2001, Shel Belinkoff wrote:
> Now to the ball point pen.  The ball point pen is almost as old as
> photography itself, having been invented prior to October, 1888, the
> date when it was patented.  It was met with mixed success, although it
> worked well for rough marking of items, as the ball was not very
> precisely ground and the ink was rather thick.  However, in 1944 an
> Argentinean by the name of Lazlo Biro (coincidentally, a distant
> relative to a high school classmate, Barbara Biro) was able to
> successfully produce an accurately ground ball that would ride in a
> brass socket.  This was the first ball point pen that could achieve
> fine enough detail for correspondence and be able to compete with the
> fountain pen in producing even lines.

Almost true ;-)

Biro Laszlo and Biro Gy÷rgy were Hungarians. They invented the 
first versions of the pen here in Hungary, but didn't do anythig to
put it in production. Later they moved to Argentina (because of
WWII), and found some investors there and marketed the pens.
It needed heavy redesign before the success...


Gabor
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Re: film grain and digital

2001-09-19 Thread Aaron Reynolds

Collin Brendemuehl wrote:
> 
> Aaron,
> 
> You must write this technique into an article for
> publication & submit it.  It's one of the most
> novel & fascinating technology transition adaptions I've heard yet.

Hey, thanks for the encouragement.  I wonder who to submit it to?

-AA+ ron
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RE: Confessions of an old timer

2001-09-19 Thread Peifer, William [OCDUS]

Conrad Samuels wrote:
[Nice essay on the joys of using old equipment]

Shel replied:
> What is it that you don't understand about some list members
> using meterless cameras, or, at times, eschewing their cameras'
> built-in meters?

Hi Shel,

I didn't get the impression that Conrad doesn't understand.  Rather, I got
the impression he not only understands, but to some extent espouses, the
philosophy of those of us -- yourself, for instance -- who make the
conscious effort to maintain and use rugged and reliable equipment from an
earlier era.  It's the same philosophy, I think, that drives some of us to
fix our own appliances instead of replacing them, or to yearn for an old
pre-1967 VW Beetle instead of a newer car.  He just can't find the words to
succinctly describe this philosophy.  "Anti-new"?  Not at all!  Samuel, I'm
not putting words in your mouth, am I?

Bill Peifer
Rochester, NY
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Re: Tamron 28-105 Lens.

2001-09-19 Thread Flavio Minelli

Jim Moniz wrote:
> 
> I was shown this lens today and fell in love!  I'm "doomed" to buy it in a
> month or two!  

[...]

Jim,

some time ago I spent a few hours trying to get to the bottom of the
28-105 theme. I even made some web pages with my findings. They should
be at: space.tin.it/arte/flamin/28-105.html but right now I can't go and
find out myself.

Anyway I finally chose the Tokina which I still have and are rather
satisfied of.

Bottom line is: stay away from the faster Sigma, the dimmer Tamron and 
Sigma are not too bad. The Tokina is out of production by now.

Contact me if you have more questions.

Ciao, Flavio
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Re: If you don't now own a Mac, better get one (from "Forbes Magazine"

2001-09-19 Thread Doug Franklin

On Wed, 19 Sep 2001 17:43:21 +1000, Anthony Farr wrote:

> It's not entirely Microsofts fault because the duplications are being
> made by independent software developers, but they should have foreseen
> it.  Why there couldn't have been a register of system file names to
> prevent the situation I don't know.

It's mostly their fault, though. :-)  When Office 97 wanted to replace
KERNEL.EXE (one of the main operating system files) I almost blew a
gasket.  They don't exactly set a good example for "development and
system hygiene".  And they're the one that created "DLL Hell" in the
first place, by hacking some odd something together without thinking
the issue through.  I'm about ready to go to work as a bus driver or
something. :-)

TTYL, DougF
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RE: Visiting PDML'er - a little ray of sunshine

2001-09-19 Thread Matamoros, Cesar A.

> -Original Message-
> From: Jody [SMTP:[EMAIL PROTECTED]]
> Sent: Monday, September 17, 2001 4:20 AM
> Subject:  Re: Visiting PDML'er - a little ray of sunshine
> 
>  --- Ann Sanfedele <[EMAIL PROTECTED]> wrote:
> 
> > We both shot a few frames and pretty soon I'll post
> > a couple
> > so you can see what
> > he looks like.
> 
> Do we really want to? Just kidding :)
> 
[Cesar writes >]  Hey!  It may be a mug only a mother could love, but it is
mine ;-)

> > Cesar had treated me to lunch
> 
> Now where do I get a man like that?
> 
[Cesar writes >]  We are around.  You just don't travel the same circles ;-)
My door is always open, and I am known to be a pretty good cook - so come on
over!  I know that people will never make it to my isolated corner of the
world, but i may have to start making a world tour of PDMLers.

Cesar
NYC raised
Panama City, Florida
in Baltimore, Maryland


>  
> Jody.
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RE: If you don't now own a Mac, better get one (from "Forbes Ma g a zine"

2001-09-19 Thread Skofteland, Christian

> -Original Message-
> From: David A. Mann [mailto:[EMAIL PROTECTED]]
> 
>  The down side is that when I went to Magnum Mac to pick up 
> my tablet the 
> other day I looked at the prices.  A good G4 box is not for 
> the faint-hearted, at 
> least until the G5 comes out.  And that titanium laptop is 
> one sweet piece of 
> gear...
> 
> Cheers,
> 
> 
> - Dave

I was thinking a laptop would be nice to play with until I win the
lottery...

Christian Skofteland
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RE: Battery Pack FG

2001-09-19 Thread Matamoros, Cesar A.

> -Original Message-
> From: Paul Jones [SMTP:[EMAIL PROTECTED]]
> Sent: Wednesday, September 19, 2001 7:55 AM
> Subject:  Re: Battery Pack FG
> 
> In Australia I paid $70au for it, which is about $37us. $110us is a joke.
> 
> 
[Cesar writes >]  The original price was about US$100.  There was a point in
time that they dropped to about US$40 if not lower.  I know of a few stores
that were still asking the original price since they bot them when the price
was still high.  It could be the case here.

Cesar
Panama City, Florida
Sitting in Baltimore, Maryland

> - Original Message -
> From: "Erik Nordin" <[EMAIL PROTECTED]>
> Sent: Wednesday, September 19, 2001 4:54 PM
> Subject: RE: Battery Pack FG
> 
> 
> > Just to clarify my opinion - in Sweden the FG pack costs something like
> USD
> > 50, and I think it's worth it. However, I could never dream of another
> place
> > being more expensive than Sweden, and for USD 110 - well, the battery
> > economy argument is simply not valid anymore. However, it's worth it for
> the
> > improved handling with large lenses nevertheless. The difference was
> > apparent with the Tamron macro 90/2.8, which definitely isn't the
> largest
> > lens in the world.
> >
> > By the way, I got both the Tamron lens and the FG pack from B&H in NYC -
> 25
> > USD for the pack. Still, sooner or later I would have bought it in
> Sweden.
> >
> > /Erik
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Re: Battery Pack FG

2001-09-19 Thread Paul Jones

In Australia I paid $70au for it, which is about $37us. $110us is a joke.


- Original Message -
From: "Erik Nordin" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, September 19, 2001 4:54 PM
Subject: RE: Battery Pack FG


> Just to clarify my opinion - in Sweden the FG pack costs something like
USD
> 50, and I think it's worth it. However, I could never dream of another
place
> being more expensive than Sweden, and for USD 110 - well, the battery
> economy argument is simply not valid anymore. However, it's worth it for
the
> improved handling with large lenses nevertheless. The difference was
> apparent with the Tamron macro 90/2.8, which definitely isn't the largest
> lens in the world.
>
> By the way, I got both the Tamron lens and the FG pack from B&H in NYC -
25
> USD for the pack. Still, sooner or later I would have bought it in Sweden.
>
> /Erik
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
> Sent: den 18 september 2001 18:22
> To: [EMAIL PROTECTED]
> Subject: RE: Battery Pack FG
>
>
> (Augustine is wondering whether the FG battery pack is worth its price.)
>
> Value for money depends on how much you pay for it.  Here in the UK, the
FG
> pack retails for the equivalent of about USD 110, a crazy price for a
> plastic box with a prong on one end, whatever it does for the feel of the
> camera.
> I was fortunate that a US-based friend happened to be travelling this way
> last year, so she brought me one from B&H in NYC for about USD 25 - still
a
> lot for a plastic box with a prong on one end, but almost reasonable by
> comparison.
>
> And yes, although the 'nude' -5n never felt bad in my hands, it feels
better
> with the FG attached.  Whether it'll save me any money on batteries is
> questionable - almost a year on, I'm still on the first set of AAs I put
in
> it.  If you're a moderate user, like me, you might save more by finding a
> cheaper source of lithium batteries - the mark-up in the High Street is
> huge.
>
> Hope that's some help,
> Clive.
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Re: What the hell was that?

2001-09-19 Thread David J Brooks

It was on my machine this morning to Frank.I want
the old millinium back.
Dave

 Begin Original Message 

From: Frank Theriault <[EMAIL PROTECTED]>
Sent: Tue, 18 Sep 2001 20:36:31 -0400
To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
Subject: What the hell was that?


I just got an e-mail from "Rapture".  Apparently it was from PDML, but
for some reason it didn't get filtered off into my Pentax folder.  I
wouldn't say it was pornographic, but it did mention breasts and 
nipples
(oh dear!).  It certainly didn't have anything to say about Pentaxes 
or
photography or anything of that nature!  At the bottom of the e-mail
were the words:
"[demime 0.98e removed an attachment of type application/octet-stream
which had a name of withdrew.exe]"

Anyone get one as well?  Anyone know what the heck it was?

Not worried, just curious,
frank

--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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 End Original Message 




 Pentax User
 Stouffville Ont Canada
Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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RE: There, this is for your souvenir, Maybe you have a virus ?

2001-09-19 Thread tom

At 04:57 AM 9/19/2001 -0400, you wrote:
>Does this mean there really are no nipples?  You mean it was all a hoax?
>:(

No Ed, there *are* nipples, you just have to know where to look.

tv
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Re: PUG auto submission page not accessible?

2001-09-19 Thread Cotty

>FWIW, I submitted my October image last night by autoPUG, and it worked
>just fine.  Got almost instantaneous confimation of receipt by e-mail.
>Only problem was that I tried to submit an image that was 80K, and it
>wouldn't accept it, so I had to go "shrink" it and re-submit  ;)

Me too, all went fine.

Cotty

___
Personal email traffic to [EMAIL PROTECTED]
MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
www.macads.co.uk
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Re: Phictionary

2001-09-19 Thread Martin Trautmann

On Fri 2001-09-14 (14:20), Martin Trautmann wrote:
> As a collection from various source I now have about 500 English terms and
> matching German expressions, plus 500 more German expressions without
> English ones.

Ok, I see that this topic may be of little interest in PDML.
(still more concerned in WTC, no more interest in foreign affairs?).

The current version is available on
http://people.freenet.de/traut/Phictionary.html 

(total almost 2500 entries, more than 800 in Italian, none in French or any
other language yet)

Minor upgrades will go on without further notification here.

Anyone willing to help might contact me by private email.

Regards
Martin 
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Re: What the hell was that?

2001-09-19 Thread Rapture

Guys, this is Jason aka Rapture. I subscribed back with my other isp mail
yesterday as I have not been able to
access my ficnet.net pop account for a couple days. I had thought it was
the typhoon and the flood over here in
Taipei, Taiwan that caused much flooding and affected many companies
including my isp which caused it to go down.
Today, i got back and received this email from myself, from this address ->
[EMAIL PROTECTED]
I do not know what is wrong but I have mcafee in my pc and it isnt affected
as far as I know. Even then when ficnet
was still up, it has virus detection and informs me each time an infected
exe file is being received. Hinet also automatically
deletes the virus file as u can see below. I also do not open any unknown
exe file and always delete away shit.
I do know the pc stuff and will not ever get myself infected, unless some
goon friend does it without me knowing.

I will do my investigation over my side and let you guys know of the outcome.

Thanks Kelvin for explaining on my behalf, appreciate.

Jason Kiew



At 12:58 PM 9/18/2001 +0800, you wrote:
I blankly received the thing … it was a brownish round patch.
Selina stood up and whispered into my ears. "I stick this on my nipples so
that they are not as revealing … I don't like to wear bra ..." (me either!)
… and as if she could read my mind, "by the way, they are 39CC. " and she
bit my ear lope before whooshing away and out of the door.
I stood there totally stunned.

[demime 0.98e removed an attachment of type application/octet-stream which
had a name of withdrew.exe]
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At 08:36 PM 9/18/2001 -0400, you wrote:
>I just got an e-mail from "Rapture".  Apparently it was from PDML, but
>for some reason it didn't get filtered off into my Pentax folder.  I
>wouldn't say it was pornographic, but it did mention breasts and nipples
>(oh dear!).  It certainly didn't have anything to say about Pentaxes or
>photography or anything of that nature!  At the bottom of the e-mail
>were the words:
>"[demime 0.98e removed an attachment of type application/octet-stream
>which had a name of withdrew.exe]"
>
>Anyone get one as well?  Anyone know what the heck it was?
>
>Not worried, just curious,
>frank
>
>--
>"The optimist thinks this is the best of all possible worlds. The
>pessimist fears it is true." -J. Robert
>Oppenheimer
>-
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Re: There, this is for your souvenir,.

2001-09-19 Thread Rapture

Guys, this is Jason aka Rapture.  I subscribed back with my other isp mail 
yesterday as I have not been able to
access my ficnet.net pop account for a couple days.  I had thought it was 
the typhoon and the flood over here in
Taipei, Taiwan that caused much flooding and affected many companies 
including my isp which caused it to go down.
Today, i got back and received this email from myself, from this address -> 
[EMAIL PROTECTED]
I do not know what is wrong but I have mcafee in my pc and it isnt affected 
as far as I know.  Even then when ficnet
was still up, it has virus detection and informs me each time an infected 
exe file is being received.  Hinet also automatically
deletes the virus file as u can see below.  I also do not open any unknown 
exe file and always delete away shit.
I do know the pc stuff and will not ever get myself infected, unless some 
goon friend does it without me knowing.

I will do my investigation over my side and let you guys know of the outcome.

Thanks Kelvin for explaining on my behalf, appreciate.

Jason Kiew



At 12:58 PM 9/18/2001 +0800, you wrote:
>I blankly received the thing … it was a brownish round patch.
>Selina stood up and whispered into my ears. "I stick this on my nipples so 
>that they are not as revealing … I don't like to wear bra ..." (me 
>either!) … and as if she could read my mind, "by the way, they are 39CC. " 
>and she bit my ear lope before whooshing away and out of the door.
>I stood there totally stunned.
>
>[demime 0.98e removed an attachment of type application/octet-stream which 
>had a name of withdrew.exe]
>-
>This message is from the Pentax-Discuss Mail List.  To unsubscribe,
>go to http://www.pdml.net and follow the directions. Don't forget to
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Snail:  Pobox 56-86, Taipei, Taiwan ROC
Email:  [EMAIL PROTECTED]
 [EMAIL PROTECTED]
 [EMAIL PROTECTED]
Tel:02-27136283, 02-27699236
HP: 0930636190(Roc), 98322170(Sg)

 Aren't your pictures worth a
 Pentax
?
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RE: There, this is for your souvenir, Maybe you have a virus ?

2001-09-19 Thread Ed

Does this mean there really are no nipples?  You mean it was all a hoax?
:(

Thanks,
Ed
http://lightandsilver.com 
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Re: Tokina SL 400 mm f5.6

2001-09-19 Thread Flavio Minelli

Hi Peter, Doug and all,

Peter Jesser wrote:
> 
> Has anyone had one of these? Got any thoughts on it? 
> ...

Yes I have it. I didn't use it a lot but if you think it would be useful
I could post some samples to the net.
It doesn't seem so bad for me, but I have nothing to compare it to.
Is not a lens you can handhold very easily and the tripod collar is not
really sturdy but useful nonetheless. When I use it I try to keep it on
the monopod (Manfrotto) at all times.

> Not a Pentax in
> sight until I saw this Tokina 400mm at the back. M42 mount (but that's no
> problem with a converter) new, in its box, marked "Was $310, today only
> $210". That's Australian dollars! I know it isn't top drawer, but I have a
> new 400mm for about US $108. 
> ...

The price is certainly interesting, although the screwmount makes it
slower to use.
I paid mine 199USD last year from KEH in BGN conditions.

> So - if you have used one and can give me an idea of what to expect, I would
> like to hear about it. I am not a professional, but some of my pics get
> published with my hunting and conservation articles. I won't get to try it
> until next weekend.
> ...

It could be a good deal but at 5.6 is not a fast lens, especially since
you're supposed to stop it down a bit.
I think it could be a fair starting point.

Hope it helps, Flavio
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