RE: Back from vacation - equipment experiences

2001-10-23 Thread Erik Nordin

Actually I didn't stay at an A/C hotel (when I was there I sure wished I
did...) and the problems occured after almost a whole day of shooting during
which the camera worked just fine.

Thanks for the tip, though. I know that condensation is a problem when
changing the climate, and it frequently occurs here in Sweden in winter time
when you use the camera outdoors. Bringing it indoors create exactly the
problem you describe, unless you let it adjust to room temperature in a
sealed plastic bag. It didn't occur to me that the same mechanism can occur
in the jungle - from cool and dry to warmer and humid.

regards, Erik

-Original Message-
From: Anthony Farr [mailto:[EMAIL PROTECTED]]
Sent: den 23 oktober 2001 04:42
To: [EMAIL PROTECTED]
Subject: Re: Back from vacation - equipment experiences


Erik,

Liquid penetration is possible with a non sealed camera like an MZ-3 but
in the tropics it's condensation that you need to beware of.  Perhaps
you spent the night in an air-conditioned hotel room so that when you
went out for a day's touring the camera was still cool for a while and
became a target for condensation from the surrounding air, especially if
the humidity was in the 90% to 100% range at 35ºC plus.

The best system of prevention is to store the camera overnight in a
sealed plastic bag with dessicant, and each day upon leaving your cool,
dry hotel room leave the camera sealed in its bag until it has reached
ambient temperature.  Result: no condensation :)

Regards,
Anthony Farr

- Original Message -
From: Erik Nordin [EMAIL PROTECTED]

 (snip) ... due to
 some equipment problems... And this is where it might be interesting
also
 for you...

 First, my MZ-3 stopped working in the rain forest. It was obviously
partly
 my own fault, since I didn't protect it sufficiently. After one day of
 trekking it just died. No response whatsoever, no info on the display
 either. It didn't help to change from the battery pack to normal
lithium
 cells. So, I left the place and went to Kuala Lumpur where the camera
woke
 up after two days. Now everything is back to normal...

 So, what's to learn from this? Well, keep the camera in a bag to
prevent it
 from being wet by dripping water. The humidity is difficult to handle,
but I
 should have protected it from the sweat pouring off my body...

(snip)
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Angle of View

2001-10-23 Thread William Robb

  Date: Mon, 22 Oct 2001 14:22:02 -0700
  From: Shel Belinkoff
  Subject: OT: Angle of View
 
  When it is said that a lens has a certain angle of view,
where is point
  from which the angle is measured - film plane, somewhere
inside the
  lens, front element?

The angle of view is measured from the optical center of the
lens.
William Robb
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Spotted FS: MX underwater housing...

2001-10-23 Thread Cotty

Spotted for sale in UK dealer:

'Ikolite underwater housing with flash to fit Pentax MX...GBP 250'

MPS Photographic, England 0191 232 3558

http://wwwmps-photographic.co.uk

Just saw it in a magazine advert - not seen it. Unusual, I would have 
thought?

Cheers,

Cotty

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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread aimcompute

- Original Message -
From: Rob Studdert [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 4:13 PM
Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 On 22 Oct 2001, at 14:07, aimcompute wrote:

  When we
  get down to it, it's not the size of the 35mm frame that renders a high
quality
  photo or not (stating the obvious... sorry).  It's the overall quality
of the
  lenses and recording device, regardless of the dimensions of the frame
size.
  Certainly a CCD of higher density is overall more important than it's
  dimensions.

Rob wrote:

  Certainly is not, what do you reckon the quality of a 6MP CCD of 2mm x
 3mm dimension would be?

Tom Says:

Well I'm sure you're correct and I was technically vague.  I was speaking
more to the desire that a CCD be particular x dimension by y dimenson, than
I was small vs. large.
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread aimcompute

Hey... now that's the spirit!

Tom C.
 
- Original Message - 
From: Aaron Reynolds [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 7:17 PM
Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 Bah, I'll never buy it until they make a full size 6x7 sensor on a body 
 that takes my 67 lenses! ;)
 
 If the price were right, I'd consider a smaller-than-35mm sensor body 
 that took my existing lenses, provided that it was as 
 backwards-compatible as the MZ-S -- I want to be able to use my 67 
 lenses on it with an adaptor.
 
 -Aaron
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Re: Spotted FS: MX underwater housing...

2001-10-23 Thread mike wilson

Hi,

This shop is reasonably local to me.  If anyone wants further
details, I could go and look at it one evening or at the
weekend.

mike

Cotty wrote:

 'Ikolite underwater housing with flash to fit Pentax MX...GBP 250'
 
 MPS Photographic, England 0191 232 3558
 
 http://wwwmps-photographic.co.uk
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Re: The demise of Kodachrome ... T-Max 400 ... :-

2001-10-23 Thread Chris Stoddart

On Mon, 22 Oct 2001 Alexander Grigolia wrote:

 Hmm, I wonder if Paul Simon will record a song honoring T-Max 400?
 Everything's symbolic in black  white! ... Nah.

I read somewhere that because Kodak forced Paul Simon to include the
little Trade Mark logo (the 'R' in a circle) at the end of the word
'Kodachrome' on all his record/tape/CD sleeves, at some live perfomances
he actually changed the lyric And everything looks worse in black and
white to Everything looks BETTER in black and white. Way to go
Kodak!

Strikes me that if he changed 'Nikon' to 'Pentax' that song would be
perfect :-)

Chris
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Re: photographic magazine.....

2001-10-23 Thread Cotty

This is often the case with periodicals. I think it's more to do with the 
costs involved in shipping items larger or bulkier than the actual 
magazine - including the odd free roll of film on the cover.

A couple of months ago I decided to subscribe to Practical Photography.

Rang up the subscriptions department, quoting the ref number they give in 
the mag. Subscriptions dept quoted me a dearer price for 12 issues and said 
they didn't send the gifts outside of the UK - even though there is NO 
mention of this in the mag.

Cost is certainly an issue (d'oh!) with me. I subscribed to AP during an 
promotional offer and the cost worked out to about 69 quid a year (I live 
in England), where the normal UK subs rate is 94 quid. (Sorry, 'quid' = 
GBPounds) I certainly would not subscribe to a paper-based production, 
even weekly, if the cost were the other side of a hundred pounds. There's 
too much information, quicker, accessed on the net to warrant that. But I 
might spend that much (and more) if I were living somewhere like India. 
Then again, I might try setting up my own magazine!

They ship abroad, rates to 'Middle-East' are £118 per year (51 issues)
and to 'Far East' are £138. India might scrape into 'Middle' ?? Call +44
(0) 1444 475675 or email [EMAIL PROTECTED] for info regarding payment.
Hey I should get a finder's fee!

Paper magazines are in decline. I used to subscribe to 'MacWorld', a 
monthly costing about 3 or 4 quid an issue. Being monthly, all the news 
in it was out of date by up to 6 weeks (publishing a monthly means 
'putting to bed' so early that any news is stale by the time you read it. 
Okay, features and how-to's are always worth a look, but other than that, 
it just wasn't worth it. Online websites provide up-to-the-minute news 
and response, at little cost to the reader.

However, at the moment, there's still nothing like rolling up a 
well-thumbed issue of something like AP and stuffin it in yer back pocket 
for a quick nosy in the cafe. At least, not until we have pliable, 
roll-up PDA's (stuffed in a pocket) that connect up wirelessly for email 
and net. Then the paper mags will have a real fright...

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Re: Spotted FS: MX underwater housing...

2001-10-23 Thread Jerome

Spotted for sale in UK dealer:

'Ikolite underwater housing with flash to fit Pentax MX...GBP 250'
MPS Photographic, England 0191 232 3558
http://wwwmps-photographic.co.uk

The real name is Ikelite, they are still in business.
http://www.ikelite.com

Regards
Jerome
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Re: Ebay Offender list?

2001-10-23 Thread Cotty

Is there a list of Ebayers that are known for shoddy deals? I'm new to this 
list and I'm looking manual K-mount lenses.I'd like to avoid those who 
wronged the listmembers in the past.

Dean,

With eBay, the real 'bad guys' wouldn't let it get to the stage where 
they were blacklisted by eBay officialdom (although then they would just 
give false registration info, or certainly different info than before). 
If a user gets too many negative feedbacks, they can just change their 
ID, hence the 'shades' icon next to their username. Personally I wouldn't 
bid on anything being auctioned by a user with zero feedback. Not worth 
it. Unless I had numerous email contact during the auction, but even 
then, I would still be extremely cautious.

The anonymity the internet provides is ideal for 'bad guys', but 
fortunately - as I jave found to my absolute joy - the good guys 
outnumber the bad guys overwhelmingly. I have had fabulous buys with 
great sellers - even made some friends along the way.

I think that one can tell an awful lot simply by looking at the auction 
page: a lack of information about the item tells me that that sloppiness 
will probably filter down through to the actual buying and transporting 
of the item too. I once bought my most expensive purchase from a US 
seller. It was an A*85mm 1.4 and the auction page had detailed 
descriptions, loads of good pics of the item, including detailed 
close-ups. He had taken great care in promoting it. We had good email 
before the auction closed, and the vibes were excellent. It was mint in 
box and I paid through the nose (960 bucks) in the last 20 seconds or so, 
but it was well worth it. The transaction went very smoothly, with good 
communication (vital during an international sale) and I was over the 
moon.

If I see something I really like (and can't afford!) that is poorly 
described, shoddy or no pictures, minimal or no email, I wouldn't touch 
it. There's too many good users out there, it's just a matter of time 
before the same item comes up again.

My .02 Euros ;-)

Cotty

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Pentax digital direction

2001-10-23 Thread clivew

[Thoughts on Mike J.'s comments on possible future digital SLRs]

Illuminating as ever, Mike, and the point that there is no law of nature that favours 
a 36x24mm frame is a fair one.  However, if Pentax is to move to a smaller-frame 
digital SLR, while still maintaining compatibility with the lenses we all value so 
highly, there's some work to do in the area of wideangles.

One friend has recently bought a Canon D30.  He lives in the US, uses it mainly to 
photograph baseball and is delighted that it gives him magnification equivalent to 
320mm from a 200mm lens.  Many of us though, me included, take more 'wide' pictures 
than 'long' ones, and don't relish the idea of paying a four-figure sum for a 15mm 
just to get the width we're used to from 24mm.

So I have a suggestion.  Assuming for the moment that Pentax does decide to take the 
smaller-CCD route and make something like the D30, how about adding a couple of 
'digital-only' wideangles - say 12mm and 16mm?  These could be made more cheaply than 
lenses that have to cover the full 36x24mm, and could have an extra prong on the mount 
to keep them from being inadvertently attached to a film body.  I think I'd buy one.  
Would anyone else?

Clive Williams
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Re: Pentax Digital news

2001-10-23 Thread Camdir

In a message dated 22/10/01 19:35:56 GMT Daylight Time, 
[EMAIL PROTECTED] writes:

 Does anyone think that someone from Pentax reads this list!!!???
 
 Can I place my order right now?
  
 As I recall, when the list was hosted by the Pentax site, someone from 
Pentax did keep an ear to the ground.

Kind regards

Peter
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Minolta 16's (was: Cheating)

2001-10-23 Thread Skofteland, Christian

I was lucky enough to find a film cartridge from 1980 at my parents' house.
Film sources can be found at www.subclub.org  I don't have the patience yet
to buy 16mm bulk film and load it.  I used my QT when I was a kid on a
vacation to Peru and Mexico.  It was a great shooter.  I wanted to use it
again (20 years later!) as a very pocketable PS and alternative to my
auto-everything and brick-like IQ120.  Then I found out about how hard it is
to get film... and then batteries  I'm saving for a Minox B!

Christian Skofteland

 -Original Message-
 From: Frank Theriault [mailto:[EMAIL PROTECTED]]
 
 
 Hi, Christian,
 
 I may have told you this already, but I just bought a Minolta 
 16II on eBay
 (it's been three weeks now, and the thing still hasn't 
 arrived yet...).
 
 I expect to have problems finding film - I don't even know if 
 it has a cassette
 in it (probably not).  If you ever find film or cassettes for 
 yours, lemme know
 where.  I may need to exploit the same source.
 
 thanks,
 frank
 
 Skofteland, Christian wrote:
 
  I have a Minolta 16 QT that I've used in the past.  I just 
 need to get film
  for it which is a nightmare.
 
  Christian Skofteland
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Mark Roberts

Mike Johnston [EMAIL PROTECTED] wrote:

Mark wrote:

 This sudden change, whatever the rationale, is inexcusable. Yes, digital
 technology is advancing at a tremendous rate and the market for it isn't
 stable. But in October of 2001 they can't really expect me to believe that
 this is NEWS to them and that it's taken them by surprise.

While I sympathize with you, Mark, I don't think I agree...if you're getting
a complex cutting-edge electronic product from a subcontractor, and the
subcontractor runs into unexpected problems and delays, what are you going
to do? You can't very well will a product to market that you can't bring
to market. 

Ah, you're assuming it's delays in availability of parts from the subcontractors
driving this. I was assuming that they were telling the truth and had *decided*
to halt or push back development of the digital SLR because the market's moving
too fast.

I believe you may be right.

-- 
Mark Roberts
www.robertstech.com
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Re: Pentax Digital news

2001-10-23 Thread lbparis

Yeah, they used to read the list then.  They kicked us out
because they were afraid that the things we were saying might be
mistaken as official Pentax views.  They probably didn't want
to spend money in the courts, either, trying to defend the
indefensible.

Len
---

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 5:23 AM
Subject: Re: Pentax Digital news


 In a message dated 22/10/01 19:35:56 GMT Daylight Time,
 [EMAIL PROTECTED] writes:

  Does anyone think that someone from Pentax reads this
list!!!???

  Can I place my order right now?
   
  As I recall, when the list was hosted by the Pentax site,
someone from
 Pentax did keep an ear to the ground.

 Kind regards

 Peter
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Re: Cheating

2001-10-23 Thread Frank Theriault

Hi, Aaron,

Yeah, that's what it takes.  Minolta used to sell it in cassettes that looked
much like 110 cassettes.   They stopped doing that about 10 years ago.

So my problem won't be finding the rolled film, but a cassette (either with
or without old film in it), so that I can load the cassettes myself.  I've
seen guys trying to sell loaded cassettes on eBay (obviously expired film)
for around $25US plus shipping  - and getting it.  That's twice what I paid
for the camera!

Once I find a cassette, getting the film won't be a problem.  Thanks anyway.

regards,
frank

Aaron Reynolds wrote:

 On Monday, October 22, 2001, at 04:55  PM, Frank Theriault wrote:
 
  I may have told you this already, but I just bought a Minolta 16II on
  eBay
  (it's been three weeks now, and the thing still hasn't arrived yet...).
 
  I expect to have problems finding film - I don't even know if it has a
  cassette
  in it (probably not).  If you ever find film or cassettes for yours,
  lemme know
  where.  I may need to exploit the same source.

 What kind of film does it take?  Isn't it rolled 16mm?

 If it is, I can point you towards some Toronto sources of 25 and 100
 foot rolls of bw.

 -Aaron
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--
The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true. -J. Robert
Oppenheimer
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Re: Minolta 16

2001-10-23 Thread LEDMRVM

Here are sources for Minolta 16 film:
 A HREF=http://members.fortunecity.com/minivanman/min16film.html;Minolta 
16 Film 
/AA HREF=http://www.subclub.org/;The Sub Club/A  

Regards,
Ed M.
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Re: Angle of View - William Robb

2001-10-23 Thread Gary L. Murphy

On Mon, 22 Oct 2001 21:52:57 -0600, William Robb wrote:

Bill,

When I send email to you, it keeps getting bounced back or delayed. HAve any idea?

Did you get me PUG submission?






Later,
Gary
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Re: Pentax digital direction

2001-10-23 Thread Nicholas Wright

It'd depend upon alot of things for me... how much, how cheap, image 
quality, and when it looked like we could expect of full-frame camera (from
any manufacturer). I cringe when I see other PJs at an event with their D30
and a 17-35 zoom... *shrugs*

Nick

--
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Pentax digital direction
Date: Tue, Oct 23, 2001, 4:19 AM


  I think I'd buy one.  Would anyone else?
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RE: The REAL reason the Pentax MX rules!

2001-10-23 Thread Skofteland, Christian

Actually, I don't think I was misreading you at all.  I use an LX as a
primary camera and wanted an all mechanical (battery only needed for meter)
second body.  But DOF preview is important to me as is interchangeable
focusing screens.  If there is a K body that fits these requirements I'd
like to know.  I thought the MX was the only camera that fit the bill.  I
know the KX and KM have some features but do they accept motors/winders?  

I hope the MX I bought is not a total dog  

Christian Skofteland

 -Original Message-
 From: Chris Brogden [mailto:[EMAIL PROTECTED]]
 On Mon, 22 Oct 2001, Skofteland, Christian wrote:
 
  Which K-series body provides a full mechanical shutter 
 speed range (1sec -
  1/1000 ) DOF preview, interchangeable focusing screens and a decent
  motor/winder?
 
 I think you're misreading what I'm saying.  I'm not saying 
 that the MX is
 a bad camera, or that it isn't well-spec'ed.  I'm not saying that you
 shouldn't use one, or that it doesn't have its good points.  All I'm
 saying is that, based on the cameras I've seen, the MX 
 doesn't hold up to
 heavy use as well as some Pentaxes, like the K-series bodies, 
 do.  I'm not
 trying to argue that the MX is a bad camera or that people 
 should switch
 to the K bodies.  Use what you like, and what works well for you.  I'm
 sure some people have had the opposite experience from what 
 mine has been,
 and that's prefectly valid.
  
  I just bought an MX on ebay for half of what I normally see 
 them go for.
  I'll let you know how it is when i get it later this week.
 
 Hope it's a keeper!
 
 chris
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Lucky, I think

2001-10-23 Thread Bob Rapp

A package arrived yesterday containing a Spotmatic Kit that I won on Ebay.
One of the items was a 135 f2.5 SMC Takumar. There were 2 with that
designation. The earliest was a 5 element in 4 groups and the other a 6 by
6. The 6 by 6 is the same as the famous K135 2.5. As luck would have it, I
got the 6 by 6! I have the K and was able to make a comparison by counting
reflections. The lens is mint along with the Super Takumar 200 f4, SMC 55
f1.8, Metz 30BCT4 ( with 3 auto settings plus manual ) and Spotmatic II
body.

The battery door was welded closed and I was able to soak it in WD40 and
finally removed the old battery. I installed a new one and the meter worked.
I checked out all the speed setting and the ASA resistor is perfect. The
only blemish on the camera in on the mirror otherwise it looks new. Now I
have 3 bodies, but most important I have a lens selection that can do
justice to this Classic camera.

Bob Rapp
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread John Coyle

The Acer Scanwit ain't bad if you ensure the particular one you get does focus 
accurately (I had to return the first example I had).  The included software 
(Mira, in Australia) is reasonably competent and fast, and the only problem 
scans I have had so far have been with very old and thin colour slides.  The 
software attempted to correct the density and cocked it up completely.
No problems installing and running, and it does both 24-bit and 36-bit colour 
density.

HTH

John Coyle
Brisbane, Australia


On Tuesday, October 23, 2001 2:41 PM, Doug Franklin 
[SMTP:[EMAIL PROTECTED]] wrote:
 On Tue, 23 Oct 2001 12:49:30 +1000, Rob Studdert wrote:
SNIP

 PS. My latest field experience has pushed me over the edge.  I'm going
 to get a film scanner and give up getting prints of my film.  I've
 looked at the HP Photo Smart, the Canon CanoScan 2720, the Acer ScanWit
 2700, and the Polaroid SprintScan 4000.  With the rebate that
 Polaroid's running, they're about the same total cost.  Can any of you
 give a thumbs up or down on any of these?  Or others?
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RE: Bizarro PDML! (Re: The REAL reason the Pentax MX rules!)

2001-10-23 Thread Mick Maguire

Jim Apilado wrote: I now own - LX, SF1n, and PZ1-P.

hi Jim, if you get a moment I would love to hear your thoughts on the SF1n
vs. the PZ1-p as an owner of both. I have 2 SF1n's and keep wondering about
swapping one out for a PZ1(p) and would value your thoughts on it.

Regards,
/\/\ick...

++
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Re: A Week in the Life (long response to everyone)

2001-10-23 Thread Leon Altoff

On Mon, 22 Oct 2001 10:18:49 -0700, tom wrote:

 I actually use Excel to create large numbers of near identical html
 pages.  Once I have the formulas all sorted out I just fill in what
 specifics are required and run a macro.  For your situation once you
 have the standard formulas you could create pages for different
 weddings quite easily.

What I'd like to do, and my script is pretty close to doing, is read a
directory of jpegs, create an index page of thumbnails, and an
individual html page from a template for each one. Can excel do that? 

It can if you are good at writing formulas in Excel.  My wife started
it by using Excel to create the code for her webpages.  I automated it
by adding a macro that took the code and created the html files with
the help of wordpad.  If your pearl script is doing what you want (or
nearly so) then stick to that.  

There are lots of ways of doing things in html, I wrote a page once
that created it's own code for other pages using Java Script. It had
problems with Netscape 6 so I scrapped it in favour of simple pages
automatically created.

I didn't think to see if a spreadsheet could solve my html problems...;)

My wife is an Excel guru, she uses it for most of her work.

 The first time is what takes the time.  If you set up some automation
 and get the scans right it should be quicker from now on.

I think you're right, some automation will cut the time down a bit, but
I'm still not satisfied with the scans.

It seems to me you can develop your b+w and optimize for printing or
scanning, but not both. 

Maybe I'll try a different labmaybe I just need someone with a
scanner that can handle more contrast. 

I've seen lots of very bad BW scans.  The scanners are optimised for
colour.  I normally just scan in 36 bit (Primefilm 1800u) and adjust
levels in Photoshop.  It comes out quite well.  Autolevels in Photoshop
sometimes get it right but not always so I just hand do all of my scans
- it's like working in a darkroom, after a while you get quite quick at
it.


 Leon

http://www.bluering.org.au
http://www.bluering.org.au/leon
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Re: Angle of View

2001-10-23 Thread Shel Belinkoff

Thanks for all the great answers to the question g.

  When it is said that a lens has a 
  certain angle of view, where is the
  point from which the angle is measured
   - film plane, somewhere inside the
  lens, front element?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Matamoros, Cesar A.

 -Original Message-
 From: Juan J. Buhler [SMTP:[EMAIL PROTECTED]]
 Sent: Monday, October 22, 2001 5:23 PM
 Subject:  RE: Pentax Digital NEWS! Part one
 
 On Mon, 22 Oct 2001, John Francis wrote:
 
  Longer, effectively.  The lens produces an image of exactly
  the same size, but only the central portion of that image
  falls on the digital sensor.  The effect is exactly the same
  as taking the central portion of a 35mm negative and using that
  to produce a standard print.
 
 One interesting possibility would be to still have a full viewfinder,
 with framelines, so you can see outside of the frame, as in a
 rangefinder. Anyone know if this is the way the Canon and Nikon bodies
 are designed?
 
 j
 
 --
 --
 -
  Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
 --
 -
 -
 Juan,

We received our Nikon D1H and D1X yesterday afternoon.  I
will begin playing with them today.

The manual states that the viewfinder shows 96% of the frame
recorded. 

César Matamoros II
Panama City, Florida
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Kent Gittings

Well one problem is that, at least right now, a 6MP camera in a 35mm capable
body will be perceived as a professional camera with all the pros and cons
that means for the company bringing it out. Not to mention that the top of
the market is going to be very fluid when it comes to pixel counts and
features. And to be honest Pentax has aimed more for the top of the amateur
or semi-pro market for several years because you have to provide logistic
support for your cameras if you want to compete and sell at the top of the
heap. By aiming a digital more at the PZ-1p/MX-S level you can produce a
camera with the kind of advance features you want without having to get into
the pixel count race and without having to provide professional services
which you don't currently have.
Minolta has found out the pitfalls of this when they brought out the Maxxum
9. They can't afford to have mobile support services like Canon and Nikon so
they provide the kind of 2nd tier service that gets you fast turnaround when
you have a problem. But that's it.
Just remember that a digital body as an add-on to a 35mm system camera could
get by with 3-4 MP easily at a price that would compete with cameras like
the E-10 and Dimage 7. Frankly I'd take a 35mm lens capable body with 3.5 MP
over a permanent lens camera with over 5 MP. In fact most of the higher end
Minolta users feel the same way. We'd all like a camera with a full size CCD
array but if it's going to cost $5K-$7k I'd take something less that fit my
lenses in the 3-4 MP range. Doesn't seem to bother the Canon/Nikon guys
because the important thing is you get to use the lenses you want. You'd
have about the same pixel count as a D30 or D1, but you could make it in the
price range of your target consumer, somewhere in the range of the MZ-S. In
fact a 3 MP with interpolation to 6MP would be good, like the Fuji, while
saving a significant cost over a full 6 MP camera.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of aimcompute
Sent: Monday, October 22, 2001 2:03 PM
To: [EMAIL PROTECTED]
Subject: Re: Pentax Digital NEWS! Part one


Bruce wrote:

 My concern is if you are going to do no better than the competition, and
 they are more entrenched, how are you going to compete.  The motto We're
no
 worse than the rest comes to mind.

Agreed.  I guess all they want to do is have some offering, no matter what.


 A full frame CCD was, IMHO, one of the big differences between the Pentax
 and a D30 or D1.  Pentax may be able to sell a lesser model to some of us,
 but it will *not* lure Canon and Nikon users away.  You don't really gain
 any market share.  At best, you may hang on to what you have.  But it
seems
 that you are sending the same old signal, we will not compete.


Probably a dumb question, but I'll ask it anyway.

I think I understand that a perceived advantage to using a full frame CCD
was that the CCD captures the entire scene entering the camera thru the
lens.  Is this correct?

It seems to me that the real issue is, do I like the results I get... does
the captured scene match my vision through the viewfinder.  Does the frame
size really matter that much?

Tom C.
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Re: Pentax Digital news

2001-10-23 Thread Aaron Reynolds

On Tuesday, October 23, 2001, at 06:48  AM, lbparis wrote:

 Yeah, they used to read the list then.  They kicked us out
 because they were afraid that the things we were saying might be
 mistaken as official Pentax views.

I believe, at the time, we were also in the midst of a Kirkland/Mafud 
(or maybe it was Gregory/the who)  flameup that had become pretty 
nasty.  I don't blame 'em.

I'm certain that certain Pentax people still monitor the list.  Why 
wouldn't they?  It's a free source of perfectly-targeted demographic 
research material.  They'd be insane not to.

-Aaron
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Re: My new 6x7! (questions)

2001-10-23 Thread Aaron Reynolds

Hey, congrats on the find, Chris!  How much was it?

I can't help with the leaf shutter, since I don't have one (but I do 
know that the body should be set to 1/8), but I can help on the 
auto/manual switch.  It's spring loaded.  On the 105, it slips over to 
manual and then a tap on the top will pop it back to auto.  Maybe the 
mechanism that locks it in place has worn down?  It should feel like a 
tab is slipping under something when you slide it all the way over to 
manual.

 For a big camera it seems very well balanced.  I carried it over my
 shoulder for a while and never even noticed it.  It's not as heavy as I
 expected it to be, but it's definitely got some heft to it.

I think that the P67 has an unfair rep as being scarily heavy.  It isn't 
THAT bad, really.  I got one of them Optex neoprene springy straps, 
which really helped distribute the weight when over my shoulder.  The 
strap included by Pentax is next to useless because it is so thin -- it 
feels like it is cutting into your skin.

 What's the 6x7 like to use?  Any fun or interesting stories out there?

It's great!  It's just a big KX, after all.  I have now had two 
different people approach me while I was shooting something in order to 
tell me that if I want to go anywhere I need a better camera (the one 
guy: Like one of them Hasselblads).  The first one I didn't really 
know what to say -- I was at one of Vanessa's hockey games, and really, 
a Hasselblad would have been next to useless for hockey action shots.  I 
mean, what's the advantage?  The smaller negative?  The more awkward 
(for sports) controls?  That fella obviously had no idea what he was 
talking about.  The more recent guy I challenged to a shoot-out.  Much 
like the guy who came into my lab and dissed my A* 200mm f2.8 (My 
Nikkors will kick that thing's ass all over the place), he chickened.  
(The ass-kicking Nikkor guy even declined my $100 bet.)  In the land of 
put up or shut up, they both picked shut up.

I think that the old-school SLR look of the 67 lulls these gearheads 
into some kind of sense of false superiority. :)

A more positive anecdote: Vanessa, my fiancee, was explaining to someone 
at her school what I do.  He started asking about cameras, and at one 
point he said, You know, the camera I've always wanted is that 120 
camera that looks like a great big SLR.  Vanessa says, The Pentax 
67!  He says, Yeah, I love that thing!  She tells him I have one, he 
asks if he can come over to see it.

-Aaron
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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Aaron Reynolds

On Tuesday, October 23, 2001, at 02:23  AM, Rob Studdert wrote:
 Can't say that I'm too fussed on the mechanical build and function of 
 the
 SS4000, also the Polaroid software is just pathetic, I would really be 
 looking
 at the new Nikons if I were you. Pssst want to buy a SS4000 cheap :-)

I never had any issues with my SS4000...of course, I only used it for 
about a year before I  took the plunge and bought an SS120.  Yes, the 
Polacolor Insight software is clunky, and yes, sometimes the poor thing 
can't figure out what carrier you have loaded, but the SS4000 does make 
a great scan.  Thank God the SS120 came with SilverFast, though.

What are the resolutions and d-maxes of the others?  4000 dpi is a joy 
to work with, especially for bigger prints.

By the way, if anyone in the Toronto/Oakville/Mississauga area wants to 
see what a 20x30 inch print from a 4000dpi scan (from the SprintScan 
120) of a 6x7 Provia 100F transparency looks like, there's one up on the 
wall now at the store.  The detail is just phenomenal...not that I 
needed the assurance, but this print shows me that I really did make the 
right decision when I bought this stuff. ;)

When I think about it, the $4000 CDN that the SprintScan 120 cost was 
really a bargain compared to the estimated $10,000 CDN that the 6mp 
full-frame CCD Pentax digital would have cost.  I can process a lot of 
film for $6000, and the final result, when printed big, is most 
certainly superior.

By the way, anyone looking at an SS120, please note that if you have 
anything less than 500 megs of RAM, you'll scream and tear your hair out 
trying to manipulate a full-sized 48-bit scan (for reasons too complex 
to get into, I was down to 384 megs of RAM for about a week, and lemme 
tell you, it sucked.  Good news is that RAM is cheap -- the computer 
store next door has 256 sticks for $55 CDN -- and now I'm running north 
of 700 megs, which is much nicer).

-Aaron
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Francis Tang

Dear Mike,

On Mon, Oct 22, 2001 at 02:37:11PM -0500, Mike Johnston wrote:
 P.S. I have to say that I'm totally NOT sold on the idea that a full-size
 sensor (meaning 35mm size, 24mm x 36mm) is a good idea. I'm really not sure
 it is. A smaller sensor size is really a great advantage: it means lenses
 can be significantly smaller and lighter and significantly faster, and depth
 of field can be greater for a given angle of view. All these are true
 advantages. I suspect that 24 x 36mm sensors will prove to be an
 evolutionary dead end in the long run. Right now we think we want this
 because it conforms to the old standards. But once digital shakes free of
 35mm conventions, the smaller CCD size will seem like just one more natural
 advantage of digital.

I am curious about your comment about increased DOF with a smaller
format.  I was always under the impression that we get more DOF with
35mm over MF because the typical print magnification is less.  Am I
missing something more subtle here?

Yours sincrely,

Frank.

-- 
Francis Tang, Postgraduate Research Student.
LFCS, Div. of Informatics, Uni. of Edinburgh, EH9 3JZ, UK.
Tel: +44 131 6505185.  Fax: +44 131 6677209.  Office: 1603, JCMB, KB.
Email: [EMAIL PROTECTED] WWW: http://www.dcs.ed.ac.uk/home/fhlt/
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Geek shopping in Munich.

2001-10-23 Thread Francis Tang

Fellow list members,

I'm in Muenchen for at least the next two months.  Any tips as to where to
shop for gear (just for my weekly drooling session) and more
realistically, where to buy E6 film and processing?  If I am right, I
should be able to get some pretty good deals on E6 (dias) with processing
vouchers for about 2,- DM (without frames.)

Yours faithfully,

Frank.

P.S. I don't like these German keyboards!  When I visited TU Darmstadt,
they gave us US keyboards.

-- 
Francis Tang, Postgraduate Research Student. LFCS, Edinburgh.
Visiting: TCS, Informatik, LMU-Muenchen, Deutschland.
Tel: +49 89 2178 2120  Fax: +49 89 2178 2238  Office: D.11
Email: [EMAIL PROTECTED] WWW: http://www.dcs.ed.ac.uk/home/fhlt/
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Mick Maguire

Here's a thought:

surely the only reason that the 3MP camera would not be full frame is the
distance of the sensor array from the lens. If when designing the 3MP camera
the array were place closer to the lens then surely full frame would be
achieved. Wouldn't this solve the lens issue, (if not the resolution). I
accept that this could mean major design issues such as mirror positioning
and a different distance to the focusing screen, but if you are designing
the camera from scratch, this may not be such a problem. As I said just a
thought and perhaps I haven't thought it through enough...


Regards,
/\/\ick...

++
||
 __/)   Mick Maguire |
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Re: OT: Ill-timed failures

2001-10-23 Thread dave o'brien

A scroll of mail from David A. Mann [EMAIL PROTECTED] on Mon,
22 Oct 2001 11:52:24 +1300
Read it? y
 I believe that MS pulled a fair bit of networking code off one of the free BSD 
variants for use in NT.  They'd rip stuff off Linux as well but the GPL (license) 
won't let them, which is why they complain about it.

They used a lot of the BSD code in the winsock.  You can find it if
you open ftp.exe in a text editor.  There are strings saying
copyright regents of the university of california.  It's legal to do
that with BSD code, however.

dave
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RE: Manual vs. motor

2001-10-23 Thread Matamoros, Cesar A.

 -Original Message-
 From: Rob Studdert [SMTP:[EMAIL PROTECTED]]
 Sent: Monday, October 22, 2001 6:16 PM
 To:   [EMAIL PROTECTED]
 Subject:  Re: Manual vs. motor
 
 On 22 Oct 2001, at 13:24, Mike Johnston wrote:
 
  We all have our preferences, and for some they are strong preferences
 (which is
  perfectly legitimate) but any photographer should be able to adapt to
 either
  manual film advance or motorized film advance. It just takes a while to
 get used
  to it. But we are capable of adapting.
 
 Motors are nice, I am a left eyed shooter, however there are still
 instances 
 where motors are entirely inappropriate due to the cacophony that they 
 produce.
 
 
 
 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://www.ozemail.com.au/~distudio/publications.html
 -
I am not familiar with models, but I have been around a few
Canons that are pretty much silent in terms of winding.  Until that point in
time I was not aware that a camera sould be that quiet.

Why are Pentaxes so much noisier?  I have no problem with
it, when I want quiet I grab another camera - my friend's wedding available
light during the ceremony shots were taken with one of my LXs.

César Matamoros II
Panama City, Florida
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Re: photographic magazine.....

2001-10-23 Thread Robert Wetmore

Being monthly, all the news in it was out of date by up to 6 weeks


God forbid anyone hears information that's six weeks old!



At least, not until we have pliable, roll-up PDA's (stuffed in a pocket) 
that connect up wirelessly for email and net. Then the paper mags will 
have a real fright...


How about a feature where a sentence can change as you read it - you don't 
want information that is as old as the length of time it takes to read 
sentence, do you?

Rob

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RE: photographic magazine.....

2001-10-23 Thread Matamoros, Cesar A.

 -Original Message-
 From: Paul Jones [SMTP:[EMAIL PROTECTED]]
 Sent: Monday, October 22, 2001 8:28 PM
 To:   [EMAIL PROTECTED]
 Subject:  Re: photographic magazine.
 
 Oh yeah the best part is they dont look like camera bags.
 
 if anyones interested in having a look at them then go to
 www.crumpler.com.au
 
 
 - Original Message -
 From: Paul Jones [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Tuesday, October 23, 2001 10:21 AM
 Subject: Re: photographic magazine.
 
 
  Hi,
 
  I have a crumpler bag with a camera bag insert and its great. I have the
  Weenie bag which i'm selling as i'm going to change to the wonder
 weenie.
 
  Paul
snip

Interesting that this was brought up.  

While I was in Baltimore, Maryland in September I ended up
getting two of their small pouches for a couple of my lenses.  I believe
they are the Minor and the Jacksie.  The larger one can hold my 28 and 77.
They work great and can be added onto a belt.  I had never heard of them
before.  They looked durable.

César Matamoros II
Panama City, Florida
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Our Faces

2001-10-23 Thread Albano_Garcia

I konw this subject pops up from time to time, but I want to say it again:
Why we don't put together a page with recent portraits (or even better
selfportraits) of we the members in order to have an idea of how we are, or
at least how we look.
I think it could be nice and fun
Regards

Albano
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RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Rob Brigham

MF print magnification is less than 35mm, so that cant be the reason...

 -Original Message-
 From: Francis Tang [mailto:[EMAIL PROTECTED]]
 Sent: 23 October 2001 14:15
 To: [EMAIL PROTECTED]
 Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.
 
 
 Dear Mike,
 
 On Mon, Oct 22, 2001 at 02:37:11PM -0500, Mike Johnston wrote:
  P.S. I have to say that I'm totally NOT sold on the idea 
 that a full-size
  sensor (meaning 35mm size, 24mm x 36mm) is a good idea. I'm 
 really not sure
  it is. A smaller sensor size is really a great advantage: 
 it means lenses
  can be significantly smaller and lighter and significantly 
 faster, and depth
  of field can be greater for a given angle of view. All 
 these are true
  advantages. I suspect that 24 x 36mm sensors will prove to be an
  evolutionary dead end in the long run. Right now we think 
 we want this
  because it conforms to the old standards. But once digital 
 shakes free of
  35mm conventions, the smaller CCD size will seem like just 
 one more natural
  advantage of digital.
 
 I am curious about your comment about increased DOF with a smaller
 format.  I was always under the impression that we get more DOF with
 35mm over MF because the typical print magnification is less.  Am I
 missing something more subtle here?
 
 Yours sincrely,
 
 Frank.
 
 -- 
 Francis Tang, Postgraduate Research Student.
 LFCS, Div. of Informatics, Uni. of Edinburgh, EH9 3JZ, UK.
 Tel: +44 131 6505185.  Fax: +44 131 6677209.  Office: 1603, JCMB, KB.
 Email: [EMAIL PROTECTED] WWW: 
http://www.dcs.ed.ac.uk/home/fhlt/
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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Eric Lawton

I believe that (some of?)the Fuji cameras use a non-rectangular array of 
sensors (heaxagonal/honeycomb pattern maybe?).  This requires them to re-map 
(interpolate) the data from the sensors to a rectangular pixel pattern.

Eric

From: Doug Franklin [EMAIL PROTECTED]

On Mon, 22 Oct 2001 11:43:01 -0700, Shel Belinkoff wrote:


  Also, how does Fuji (?) get 6mp from a CCD that is only rated at 3mp?
  Doesn't that screw with quality, especially with larger prints?

Interpolation. The same low-budget method used by a flatbed scanner
with 600 dpi optical resolution to get 9600 dpi resolution in software.
  It takes the 600 dpi image (or 3mp image) and figures out what ought
to be between the large pixels it has to get the small pixels it
wants.

For example, say you're interpolating from 100 dpi to 200 dpi. That
means that for each pixel you have, you need to create three more, for
a total of four, because four 200 dpi pixels fit underneath each 100
dpi pixel.



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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Rob Brigham

Trouble is - you would lose either infinity focus or close focus, as
your sensor is no longer mounted on the normal plane of focus.

 -Original Message-
 From: Mick Maguire [mailto:[EMAIL PROTECTED]]
 Sent: 23 October 2001 14:26
 To: [EMAIL PROTECTED]
 Subject: RE: Pentax Digital NEWS! Part one
 
 
 Here's a thought:
 
 surely the only reason that the 3MP camera would not be full 
 frame is the
 distance of the sensor array from the lens. If when designing 
 the 3MP camera
 the array were place closer to the lens then surely full 
 frame would be
 achieved. Wouldn't this solve the lens issue, (if not the 
 resolution). I
 accept that this could mean major design issues such as 
 mirror positioning
 and a different distance to the focusing screen, but if you 
 are designing
 the camera from scratch, this may not be such a problem. As I 
 said just a
 thought and perhaps I haven't thought it through enough...
 
 
 Regards,
 /\/\ick...
 
 ++
 ||
  __/)   Mick Maguire |
 |   Email: [EMAIL PROTECTED]  |
 (_/)  ICQ: 48609010  |
  \/  |
   \  /---+
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Kent Gittings

You have to remember that with the smaller CCD array you basically cut out
any edge distortion the lens may have. This is a bonus especially with wide
angle lenses. I think this was the reason Sigma brought out the 15-30 EX
zoom. However the multiplication ratio of these cameras vary some because
some ,like the Nikon D1 series, comes in bodies with 2 different arrays with
different sizes and therefore different multiplication ratios. Most fall in
the 1.2-1.5 range.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Matamoros, Cesar A.
Sent: Monday, October 22, 2001 3:09 PM
To: '[EMAIL PROTECTED]'
Subject: RE: Pentax Digital NEWS! Part one


The 'magnification' factor is one of the reasons I have not truly
looked at a digital SLR.  I have started to enjoy wide angle shooting and
would not relish having to get a 17mm to get a 25mm.  And I have heard of
the problems with distortion with the 17mms.  People have corrected this
with photo s/w but again something I do not relish doing.

Another aspect of the 'magnification' factor is that with only the
central part of the lens being used people have been finding they have to
really watch the shutter speed as any motion is more noticeable since the
image is enlarged more to get the same size image as with a non-digital SLR.
Though people point out that you are using the 'sweet spot' of lenses if you
are not using toward the edges.

By the end of next month I should have the possibility to begin
spending some time with a Nikon D1x and D1H here at work.  I am still
looking at Pentax since most of my lenses are in that system and I love the
glass I have.

César Matamoros II
Panama City, Florida


 -Original Message-
 From: Bruce Dayton [SMTP:[EMAIL PROTECTED]]
 Sent: Monday, October 22, 2001 2:54 PM
 To:   [EMAIL PROTECTED]
 Subject:  Re: Pentax Digital NEWS! Part one

 Currently, no SLR on the shelf from Nikon or Canon has a full frame CCD.
 Telephoto lenses are also multiplied.  If you shoot lots of telephoto,
 this
 could be an advantage.  The point I was making was that part of the reason
 to use Pentax is that I already have the lenses.  But if the CCD isn't
 full
 frame, then I will have to do some changes on the wide end.  If I am going
 to make changes, it gives me more reason to look seriously at the
 competition.

 Bruce Dayton

 - Original Message -
 From: Shel Belinkoff [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 11:43 AM
 Subject: Re: Pentax Digital NEWS! Part one


  Do other quality digital cameras offer FF CCD that can be used with the
  lenses from their SLRs?  What happens with a telephoto lens - is, for
  example, a 300mm lens longer or shorter when used with a less than FF
  CCD?
 
  Also, how does Fuji (?) get 6mp from a CCD that is only rated at 3mp?
  Doesn't that screw with quality, especially with larger prints?
 
  Bruce Dayton wrote:
  
   The big advantage to a full frame CCD is that our existing wide angle
 lenses
   will remain as such.  Nothing quite so exciting as having your 20mm
 behave
   like it was a 35mm.  So, if I have to buy some new lenses (I like
 wides),
   then why buy Pentax.  It seems to me, that lens compatibility with my
   *existing* lenses is a big reason to consider a digital Pentax.
  
   So now I look at a company who appears not to want to compete in this
 arena
   coupled with me having to revamp part of my system.  Sure pushes me to
 want
   to look at competitors who are competing and providing equipment at a
 much
   faster rate.
 
  --
  Shel Belinkoff
  mailto:[EMAIL PROTECTED]
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Rob Brigham

You know the real people who seem to be benefitting from this digital
whatnot are Sigma.  This is all due to the smaller sensors.  Apparently
none of the camera manufacturers make any money out of the bodies, but
Sigma sell s**tloads of wide angle lenses now.

I keep reading user reviews which say they couldnt afford the OEM
version, but the Sigma is great.  They dont have the development costs
for doing anything digitalwise, they just make cheap wide angles and
super wide angles which people need.  The OEM versions are soo expensive
that the manufacturers MUST be losing lens business as well as not
making enough money on the bodies to cover the development costs.

If pentax brings out a 'non-full-frame' digital SLR, how many people
will be buying the Sigma 15mm, or the 17-35mm, or the 15.30mm?  PEntax
is either too expensive or they dont have a wide enough competitor, so
they will lose lens sales.  For this reason I think they should have
waited until they could do full frame.  I want an FA24/2, but I am not
spending that much for what will be a 35mm equivalent!!

Never mind the number of pixels (to a degree), BUT GIVE US FULL FRAME!!!
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Server glitch:

2001-10-23 Thread William Robb

My ISP was doing maintenance last night, for what seemed like
forever. My apologies if it caused a bunch of bounced email
messages. All is well now.
William Robb
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Re: Funny OT: Canon ad

2001-10-23 Thread Bruce Dayton

Nothing scream AMATEUR louder than ads like that.  It is also on the outside
back cover of Nov. Pop Photography.  I would truly be embarrased if I were a
Canon shooter.  Obviously Pentax isn't the only one who can create sappy
ads.

Bruce Dayton

- Original Message -
From: Juan J. Buhler [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 10:34 AM
Subject: Funny OT: Canon ad


 Full page ad in Nov. Scientific American:

 Nothing screams AMATEUR like a third party lens

 For best results, use a Canon lens on a Canon camera


 Just wanted to share...

 j


 --
 --
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Re: The REAL reason the Pentax K1000 rules!

2001-10-23 Thread Evan Hanson

Who needs DOF, K,M,  A lenses have easy to read scales. ; ).  And one touch
zooms have those crazy lines.

Evan

- Original Message -
From: Skofteland, Christian [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 1:19 PM
Subject: RE: The REAL reason the Pentax K1000 rules!


 but it doesn't have DOF preview!!!   otherwise I'd own 3 or 4! :-)

 Christian Skofteland

 
 
  Bah, enough with all this MX nonsense, everyone knows the K1000 is the
  benevolent ruler of the Pentax world.
 
  Evan
  Whose K1000 has never failed once in 19 years of not so gentle use.
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OT:Good weekend it was sunny to

2001-10-23 Thread David Brooks

Had a very enjoyable weekend,last.I was invited by a stable
in our zone to take portraits of the riders, after
our banquet,with their ribbons,trophys horses etc.
Took the D1 and computers and 2 helpers(wife/daughter).They
had it well organized with a rider every 15 minutes or so
and have a very nice front lawn for backgrounds(blue spruce
and white birch trees)
I thought at best to sell 1 pic per person with some
buying a second for grama,but no.Everyone liked the pictures
and wound up printing 90 for 25 riders.I stopped shooting at 4pm
and finished the prints at home by 5pm the next day.Talk
about mouse withdrawl.
One thing i did learn was shooting this type of portrait you
have to think and setup quickly as horse and rider move about
quite rapidly and have your eye in the finder always or you'll
miss some good shots.
I quess the point of this is by using methods from lifes 
experiences and helpfull hints from the list members i had
a great day and a great learning experience.

Dave

Ps sorry about the D1 but if Pentax made a slr digital, well.




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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RE: Funny OT: Canon ad

2001-10-23 Thread Mark Roberts

Full page ad in Nov. Scientific American:

Nothing screams AMATEUR like a third party lens

Yeah. Saw it. Just about the most offensive ad I've seen since the famous
Nike You don't win the silver you lose the gold ad.

Nothing screams TWIT like a person who buys expensive stuff so they can
LOOK like a professional.

I think Sigma's latest EX series lens offerings are scaring the sh*t out
of a lot of camera manufacturers. Canon seems worried, anyway ;)


-- 
Mark Roberts
www.robertstech.com
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Vs: Yashica Electro 35 - was: Vs: Cheating

2001-10-23 Thread Raimo Korhonen

Hi Frank!
It is a nice (but heavy) camera and the lens is very good. The electronics cannot be 
repaired but you can always find another one.
All the best!
Raimo
Personal photography homepage at http://personal.inet.fi/private/raimo.korhonen

-Alkuperäinen viesti-
Lähettäjä: Frank Theriault [EMAIL PROTECTED]
Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
Päivä: 22. lokakuuta 2001 23:32
Aihe: Re: Yashica Electro 35 - was: Vs: Cheating


Hi, Raimo,

Yeah, I know you can pretty much figure out the shutter speed with the method you 
mention.  Thats what I've been doing, and it works acceptably well for what I've been 
using the camera for.  My point simply was that I would prefer a manual override, or 
at least some sort of indicator in the viewfinder or
somewhere as to what the shutter speed is.  No big deal, though.  For what I paid for 
it, I am more than happy with the results I've been getting.

As for the poor man's Leica thing, well, that wasn't from me.  A lovely camera (for 
the price) it may be, but it ain't no Leica!  I am a poor man though...   :-)

regards,
frank

Raimo Korhonen wrote:

 If you want a specific shutter speed it is not that difficult to get: overexposure 
is over 1/500 and shake warning is under 1/30 - so watch when one of those 
illuminates and adjust aperture the required number of stops. I tested one a couple 
of years back for the Finnish magazine and the lens is really good.
 But poor man´s Leica is the Canonet GIII.
 All the best!
 Raimo


--
The optimist thinks this is the best of all possible worlds. The pessimist fears it 
is true. -J. Robert
Oppenheimer
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Re: Funny OT: Canon ad

2001-10-23 Thread Robert Harris

Juan J. Buhler wrote:

 Full page ad in Nov. Scientific American:
 
 Nothing screams AMATEUR like a third party lens
 
 For best results, use a Canon lens on a Canon camera


Same ad appears in current (November) Shutterbug.

I assume it means that their lens sales are suffering from the 
interesting new offerings from third-party vendors. (E.g., Sigma 15-30, 
Tamron 24-135, Tokina 24-200, etc.)

Bob Harris
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Re: Funny OT: Canon ad

2001-10-23 Thread dick graham

Obviously Canon is feeling the pressure from 3rd party lens sales.

DG


At 10:34 AM 10/23/01 -0700, you wrote:
Full page ad in Nov. Scientific American:

Nothing screams AMATEUR like a third party lens

For best results, use a Canon lens on a Canon camera


Just wanted to share...

j


--
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---
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RE: Ebay Offender list?

2001-10-23 Thread Kent Gittings

Just look at their feedback. If they have few and some are bad avoid them.
If they have lots and a few are bad usually they are Ebay marketers and you
can't please everybody. Meaning there are just as many if not more rotten
buyers as sellers.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Dean
Sent: Tuesday, October 23, 2001 1:41 AM
To: [EMAIL PROTECTED]
Subject: Ebay Offender list?


Is there a list of Ebayers that are known for shoddy deals? I'm new to this
list and I'm looking manual K-mount lenses.I'd like to avoid those who
wronged the listmembers in the past. thanks.
-dy
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RE: Non-Pentax equipment

2001-10-23 Thread Skofteland, Christian

Don't start that again  When I first joined the list a few months ago
there was a lot of angry messages flying around about what is acceptable and
what is not.

Christian Skofteland

 -Original Message-
 From: John Francis [mailto:[EMAIL PROTECTED]]
 
 Which reminds me ... when did the PUG suddenly become so restrictive?
 When I unsubscribed a few months ago for my European vacation it was
 OK to use just about anything on non-themed months, although use of
 Pentax equipment was requested for the themed galleries.
 
 Now, however, I find wording that demands Pentax-compatible equipment
 be used for every submission.
 
 -- 
 John Francis  .   .   .   .   .   .   .   .   .   .  (650) 565-4427
 MyWay.com   1070 Arastradero Rd,Palo Alto,   CA  94304-1334
 
 Hello.  My name is Darth Vader.  I am your Father.  Prepare to die.
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RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Kent Gittings

Correct. The chip technology itself is always changing which generally
requires totally different technology around it to make it work. For
sharpness CCD chips are going from front illumination to rear illumination
because it eliminates the illumination hardware in front of the CCD pixel
which the light has to filter through. However rear illumination has its own
physical difficulties because to reach the same light recording levels the
separation of the light has to be as little as possible, meaning the CCD
array needs to be only around 10 microns thick.
The only upgrades I've seen for CCD hardware is in the design and
manufacture of a new version of the same chip array with some new
performance like increased sensitivity to various light levels and reduced
noise. Like going from the regular to the Kodak E CCD chips.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mike Johnston
Sent: Tuesday, October 23, 2001 1:40 AM
To: [EMAIL PROTECTED]
Subject: RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


Frits wrote:

 If the one that we already saw is upgradable, would it be possible it
would
 hit the market with a smaller CCD to begin with? That might be an
 interesting upgrade path.

The possibility of an earlier camera being upgradeable is very close to
zero.

--Mike
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RE: The REAL reason the Pentax K1000 rules!

2001-10-23 Thread Skofteland, Christian

I do! Try taking close-ups of bugs and flowers and such without DOF
preview

Christian Skofteland

 -Original Message-
 From: Evan Hanson [mailto:[EMAIL PROTECTED]]
 
 
 Who needs DOF, K,M,  A lenses have easy to read scales. ; ). 
  And one touch
 zooms have those crazy lines.
 
 Evan
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Re: Our Faces

2001-10-23 Thread GLewis4457

Sorry, left out the smiley...8-)
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Re[2]: Circular polarizer suggestions

2001-10-23 Thread Bob Walkden

Hi,

the serious answer is this:

Yes, you have to rotate it. It eliminates reflections, so the time to
use it is when there are a lot of reflections around, eg sunlight on
water, or reflections off glossy leaves. You can preview the effect by
watching it through the viewfinder. The effect is greater the nearer
you are to an angle of 35 degrees with the reflecting surface. It also
darkens skies (by reducing the reflections off airborne vapour) so that
clouds stand out, and it increases colour saturation. It reduces the
light transmission to the film by about 1.3 stops, so your viewfinder
will be a little darker than normal.

I personally wouldn't use it in conjunction with a red filter, but
then, I wouldn't use a red filter. You shouldn't use it all the time.
Use it only when it gives you the effect you want.

You can use use them anywhere on Earth. You don't have to be in the
polar regions.

---

 Bob  

mailto:[EMAIL PROTECTED]

Tuesday, October 23, 2001, 6:37:03 PM, you wrote:

 I am using exclusively black and white film too.


 - Original Message -
 From: Bob Walkden [EMAIL PROTECTED]

 Hi,

 I hope you didn't pay too much for it. Circular polarizers are
 specifically designed only to be used above the Arctic circle, or
 below the Antarctic circle. If you're shooting penguins in black 
 white (and why woudn't you?) the use of one of these filters increases
 the contrast, particularly on King Penguins. If you use it in
 conjunction with a red filter then you'll get pictures of flamingos.

 ---
 That was a plug'n'play answer, brought to you by
  Bobook of the North

 mailto:[EMAIL PROTECTED]

 Tuesday, October 23, 2001, 6:00:36 PM, you wrote:

  Howdy all,
  I just got a new circular polarizing filter for my ZX7 and was wondering
 if
  there is anythign special I have to do to use it (rotating,etc) or is
 this
  just a plug and play filter. Should I use it all the time? Coupled
 with a
  red filter will it work any better or shoudl I just use one or the
 other?
  Thanks
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RE: Funny OT: Canon ad

2001-10-23 Thread Amita Guha

Funny, all the recent model Canons I've handled have
felt flimsy and amateur to me. I like the
AE1, but that's about it. The Eos series cameras feel
and handle like toys.
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Re: Non-Pentax equipment

2001-10-23 Thread Shel Belinkoff

Perhaps angry s far to strong a word to describe the discussion at
that time.

Skofteland, Christian wrote:
 
 Don't start that again  When I first 
 joined the list a few months ago
 there was a lot of angry messages flying 
 around about what is acceptable and
 what is not.

From: John Francis [mailto:[EMAIL PROTECTED]]

  Which reminds me ... when did the PUG suddenly become so restrictive?

  [...] I find wording that demands Pentax-compatible equipment
  be used for every submission.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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RE: Non-Pentax equipment

2001-10-23 Thread Juan J. Buhler

 Which reminds me ... when did the PUG suddenly become so restrictive?
 When I unsubscribed a few months ago for my European vacation it was
 OK to use just about anything on non-themed months, although use of
 Pentax equipment was requested for the themed galleries.
 
 Now, however, I find wording that demands Pentax-compatible equipment
 be used for every submission.

I have an idea everybody! Let's try to define what's Pentax equipment
and what isn't!

(John, if the archives are still there, look for a neverending series
of threads along the lines of what is Pentax equipment, from about 3
moths ago or so)

j

--
---
 Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
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Re: Our Faces

2001-10-23 Thread Albano_Garcia

I never thought it in a PUG way.
I mean I think any pic of you is valid, no matter what camera was used,
even could be the horrible pic of your ID or driver's licence.
I thought about it to know more about each other, to see how old are us, if
we look friendly or in example, if Shel looks like Hannibal Lecter
:-P

Seriously, I think it could be fun and easy to do in an autopug style of
submitting.
Just a guess

AG
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RE: Non-Pentax equipment

2001-10-23 Thread Skofteland, Christian

ok, how about heated?

Christian Skofteland

 -Original Message-
 From: Shel Belinkoff [mailto:[EMAIL PROTECTED]]
 
 Perhaps angry s far to strong a word to describe the discussion at
 that time.
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RE: The REAL reason the Pentax K1000 rules!

2001-10-23 Thread Amita Guha

 I do! Try taking close-ups of bugs and flowers and such without DOF
 preview

I dunno, I've done ok without DOF. You can't miss what you've never
had. ;) Not that I wouldn't like to have it, of course...

--Amita
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Re: Pentax 645 News

2001-10-23 Thread Cotty

What Cotty didnt want to type:

PENTAX TARGETS 'ADVANCED AMATEURS' WITH 645N II 

Ha! Sorry Rob, I was glancing through it really fast - didn't see that 
bit - honest.

I don't get paid for taking stills (well hardy ever) so that makes me an 
amateur, but I don't call myself advanced - in fact I'm still learning 
(after 24 years...) so that 645 can't be aimed at me! Whew, that was 
close - I've just about broken the bank getting my LX, so that's saved 1/ 
relationship 2/ my sanity and 3/ I can stil buy some film..

I think I would only consider medium format for landscapes - and I must 
admit I was green with envy at a certain Australian's Mamiya 7 ll - who 
needs an SLR for landscapes, hell you don't really need a viewfinder!

But I don't really do landscapes. People. And that's 35 mil all over it.

Rambling,
Cotty

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my weekend

2001-10-23 Thread Amita Guha

I took my K1000 and my new (to me) Vivitar 75-205mm
zoom out to an informal dog show/fundraiser run by a
local animal shelter. This was my first real shoot with
the zoom. It was great not having to juggle different
lenses, and I took more chances pressing the shutter even
when I wasn't sure all my settings were quite right, so I
hope I got more keepers this time.

One advantage of having old, rugged equipment was that I
wasn't that worried when a couple of friendly
doggies jumped on me and the camera. :)

--Amita
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Re: My new 6x7! (questions)

2001-10-23 Thread Cotty

Woo hoo!  I managed to snag a Pentax 6x7 (w/ MLU) at a local flea market
for a very reasonable price.

C'mon Chris, don't keep us in suspense - what's a reasonable price

Cotty

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Re: OT:Good weekend it was sunny to

2001-10-23 Thread Cotty

Had a very enjoyable weekend,last.I was invited by a stable
in our zone to take portraits of the riders, after
our banquet,with their ribbons,trophys horses etc.
Took the D1 and computers
[mr. snippy visits]
I thought at best to sell 1 pic per person

Dave, I hope you don't mind me asking - if I were sat on a horse and just 
had myself and beast shot by you, how much would I have to pay for a 
print?

Ignore this if you'd rather not say.

Cheers,

Cotty

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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Kent Gittings

Also the focus ability of the lens depends on the registration distance to
the film plane. All the lenses would no longer focus at the normal ranges.
Kent Gittings
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mick Maguire
Sent: Tuesday, October 23, 2001 9:26 AM
To: [EMAIL PROTECTED]
Subject: RE: Pentax Digital NEWS! Part one


Here's a thought:

surely the only reason that the 3MP camera would not be full frame is the
distance of the sensor array from the lens. If when designing the 3MP camera
the array were place closer to the lens then surely full frame would be
achieved. Wouldn't this solve the lens issue, (if not the resolution). I
accept that this could mean major design issues such as mirror positioning
and a different distance to the focusing screen, but if you are designing
the camera from scratch, this may not be such a problem. As I said just a
thought and perhaps I haven't thought it through enough...


Regards,
/\/\ick...

++
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|   Email: [EMAIL PROTECTED]  |
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RE: Our Faces

2001-10-23 Thread Skofteland, Christian

looking through the archives, wasn't self portrait a PUG theme at one
point?

Christian Skofteland


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
 Sent: Tuesday, October 23, 2001 2:54 PM
 To: [EMAIL PROTECTED]
 Subject: Re: Our Faces
 
 
 I never thought it in a PUG way.
 I mean I think any pic of you is valid, no matter what camera 
 was used,
 even could be the horrible pic of your ID or driver's licence.
 I thought about it to know more about each other, to see how 
 old are us, if
 we look friendly or in example, if Shel looks like Hannibal Lecter
 :-P
 
 Seriously, I think it could be fun and easy to do in an 
 autopug style of
 submitting.
 Just a guess
 
 AG
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RE: Non-Pentax equipment

2001-10-23 Thread Brendan

No heated is too mild a word.

--- Skofteland, Christian
[EMAIL PROTECTED] wrote:
 ok, how about heated?
 
 Christian Skofteland
 
  -Original Message-
  From: Shel Belinkoff
 [mailto:[EMAIL PROTECTED]]
  
  Perhaps angry s far to strong a word to describe
 the discussion at
  that time.
 -
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RE: Our Faces

2001-10-23 Thread Amita Guha

If anyone wants to see a picture of me,
look here:

http://www.picturesofmyfinger.com/aboutme.htm
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Re: RE: The REAL reason the Pentax K1000 rules!

2001-10-23 Thread David Brooks

Minor point.If used ones up here did not cost 
what the K1000 did in 1997 when i bought mine,I'd
own at least one more.

Dave(K man )Brooks

 Begin Original Message 



but it doesn't have DOF preview!!!   otherwise I'd own 3 or 4! :-)

Christian Skofteland




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: Pentax 645n Rules !!!

2001-10-23 Thread Ryan Charron

It just does, that's all there is to it!

No Canon or Nikon even comes close. 


Ryan
Make a great connection at Yahoo! Personals.
http://personals.yahoo.com
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Re: Our Faces

2001-10-23 Thread tom

[EMAIL PROTECTED] wrote:
 
 I never thought it in a PUG way.
 I mean I think any pic of you is valid, no matter what camera was used,
 even could be the horrible pic of your ID or driver's licence.
 I thought about it to know more about each other, to see how old are us, if
 we look friendly or in example, if Shel looks like Hannibal Lecter
 :-P
 
 Seriously, I think it could be fun and easy to do in an autopug style of
 submitting.

Well, there's this:

http://pug.komkon.org/00augu/index.html

Is this being added to? I didn't think there were so many submissions...

Also, Dan K. has a page somewhere.

tv
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OT: Barbie (was: Bizarro PDML!)

2001-10-23 Thread Tom Ivar Helbekkmo

dave o'brien [EMAIL PROTECTED] writes:

 For it to be a proper Barbie camera, all the large numbers should be
 repainted with 'Math is hard!'

If we're going to go OT with Barbie jokes, here's my favorite:

A rather inexperienced father is browsing the doll section of the toy
store, searching for a doll for his daughter.  Looking confused, and
holding a doll in each hand, he accosts a saleswoman, asking: Excuse
me; does Barbie come with Ken?  She answers: No, honey, Barbie comes
with G.I. Joe.  She fakes it with Ken.

-tih
-- 
Puritanism -- the haunting fear that someone, somewhere, may be happy.
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RE: The REAL reason the Pentax K1000 rules!

2001-10-23 Thread Brendan

Oh it is possible take good close ups with out DOF
alright I'll crawl into the cave now :)

--- Amita Guha [EMAIL PROTECTED] wrote:
  I do! Try taking close-ups of bugs and flowers and
 such without DOF
  preview
 
 I dunno, I've done ok without DOF. You can't miss
 what you've never
 had. ;) Not that I wouldn't like to have it, of
 course...
 
 --Amita
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Re: The REAL reason the Pentax K1000 rules!

2001-10-23 Thread Nicholas Wright

Yes, it does.

Nick

--
From: Skofteland, Christian [EMAIL PROTECTED]
To: '[EMAIL PROTECTED]' [EMAIL PROTECTED]
Subject: RE: The REAL reason the Pentax K1000 rules!
Date: Tue, Oct 23, 2001, 12:19 PM


 but it doesn't have DOF preview!!!   otherwise I'd own 3 or 4! :-)

 Christian Skofteland
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RE: Non-Pentax equipment

2001-10-23 Thread Ed

Are you looking for adjectives to describe that discussion?  What a
slippery slope we would descend to go there again.  Let's just one
side won and one side lost.  It was a very polarizing, dividing
discussion, with two pretty much mutually exclusive groups.

Thanks,
Ed
http://lightandsilver.com 

 -Original Message-
 From: [EMAIL PROTECTED] 
 [mailto:[EMAIL PROTECTED]] On Behalf Of 
 Skofteland, Christian
 Sent: Tuesday, October 23, 2001 2:56 PM
 To: '[EMAIL PROTECTED]'
 Subject: RE: Non-Pentax equipment
 
 
 ok, how about heated?
 
 Christian Skofteland
 
  -Original Message-
  From: Shel Belinkoff [mailto:[EMAIL PROTECTED]]
  
  Perhaps angry s far to strong a word to describe the 
 discussion at 
  that time.
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Re: Our Faces

2001-10-23 Thread Cotty

I thought about it to know more about each other, to see how old are us, if
we look friendly or in example, if Shel looks like Hannibal Lecter
:-P

Judging from the last Self-Portrait PUG, I would have said Francis Ford 
Coppola.

;-)
Cotty

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Pentax digital direction

2001-10-23 Thread Patrick White

Clive Williams writes:
So I have a suggestion.  Assuming for the moment that Pentax does decide to
take the
smaller-CCD route and make something like the D30, how about adding a
couple of
'digital-only' wideangles - say 12mm and 16mm?  These could be made more
cheaply than
lenses that have to cover the full 36x24mm, and could have an extra prong
on the mount
to keep them from being inadvertently attached to a film body.  I think I'd
buy one.
Would anyone else?

I suppose some extra piece of glass that shrinks the 36x24mm coverage from
a lens down to the size of the CCD is not possible?  Sort of like the
opposite of a teleconverter.
Build it into the camera body itself and suddenly everybody gets happy --
the engineers can use a smaller CCD, the wideangle lens junkies still get
their wide angle views, the cost-conscious consumers don't have to pay $$$
for the 36x24mm sensor and the advanced amateurs can still use all their
beloved K-mount lenses.

Must be some sort of catch though, cause it seems such an obvious solution
yet nobody seems to be doing it.

later,
patbob ([EMAIL PROTECTED] [EMAIL PROTECTED])
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Pentax teleconverters

2001-10-23 Thread Frits J. Wüthrich

I see 1.4X-S and 1.4X-L converters on the web and was wondering what the
differences are. Which one is best suited for the SMC-A 400mm f/5.6?

Thanks in advance.

Frits Wüthrich
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Re: Pentax digital direction

2001-10-23 Thread Juan J. Buhler

On Tue, 23 Oct 2001 [EMAIL PROTECTED] wrote:

 [Thoughts on Mike J.'s comments on possible future digital SLRs]
 
 Illuminating as ever, Mike, and the point that there is no law of
 nature that favours a 36x24mm frame is a fair one.  However, if
 Pentax is to move to a smaller-frame digital SLR, while still
 maintaining compatibility with the lenses we all value so highly,
 there's some work to do in the area of wideangles.

Well, this would break compatibility with film cameras, but how about
making lenses that are optimized for the smaller CCDs? They wouldn't
have to have as big a coverage, and you'd get heavy vignetting if you
used them on a K-mount film camera, but they'd probably be compact and
high quality...

j


--
---
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RE: Funny OT: Canon ad

2001-10-23 Thread David Hatfield

Gee,  and all this time I thought poorly focused, poorly composed, poorly
lit pictures screamed amateur!  If I had only known!!

Dave
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Re: OT:Good weekend it was sunny to

2001-10-23 Thread Cotty

Cotty.I assume you meant the D1 not 30-06 (ha ha)
The price for these in our area run from $20.00 to 
$25.00 Canadian for a 8x10.I charge $20.00, plus
air fare to your neck of the woods(hills)

Thanks Dave,

That's really very reasonable. I work out 25 Can bucks to be about 11 
GBP. I've just done a shoot on a tv set (news titles being shot with 
presenters sat round a big table looking like they know what they're 
doing etc while camera flies past on a crane etc) and am charging 10 quid 
each. There are 20 shots to choose from.

I think I want to come over to Canada and shoot horses if you sold 90 
prints in an afternoon!

Nice one mate.

Cotty

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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Juan J. Buhler

On Tue, 23 Oct 2001, Matamoros, Cesar A. wrote:

   We received our Nikon D1H and D1X yesterday afternoon.  I
 will begin playing with them today.
 
   The manual states that the viewfinder shows 96% of the frame
 recorded. 

Ouch. That means a *really* tiny viewfinder then...

j

--
---
 Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
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Good Job

2001-10-23 Thread Cory or Brenda Waters

I just want to say how much I like Coming... By Edward Kreis in this
month's PUG.
The colors, the light posts, the shore and the sky
REALLY nice shot.

Cory Waters
who did NOT send that binocular question more than once, really

PS I REALLY like this picture.
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Re: Pentax teleconverters

2001-10-23 Thread Bruce Dayton

I have an A 400 f:5.6 and I use the 1.4X-L.  It has a snout on the end that
fits into the recess at the back of the lens.  It is my understanding that
there are less vignetting problems with it.

Bruce Dayton
Sacramento, CA


- Original Message -
From: Frits J. Wüthrich [EMAIL PROTECTED]
To: Pentax-Discuss [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 3:09 PM
Subject: Pentax teleconverters


 I see 1.4X-S and 1.4X-L converters on the web and was wondering what the
 differences are. Which one is best suited for the SMC-A 400mm f/5.6?

 Thanks in advance.

 Frits Wüthrich
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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Tom Rittenhouse

You forgot the small matter of focus. :)
--graywolf


- Original Message -
From: Mick Maguire [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 9:25 AM
Subject: RE: Pentax Digital NEWS! Part one


 Here's a thought:

 surely the only reason that the 3MP camera would not be full frame is
the
 distance of the sensor array from the lens. If when designing the 3MP
camera
 the array were place closer to the lens then surely full frame would be
 achieved. Wouldn't this solve the lens issue, (if not the resolution). I
 accept that this could mean major design issues such as mirror positioning
 and a different distance to the focusing screen, but if you are designing
 the camera from scratch, this may not be such a problem. As I said just a
 thought and perhaps I haven't thought it through enough...


 Regards,
 /\/\ick...

 ++
 ||
  __/)   Mick Maguire |
 |   Email: [EMAIL PROTECTED]  |
 (_/)  ICQ: 48609010  |
  \/  |
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Re: OT: Leica

2001-10-23 Thread Bob Walkden

Hi,

it should take ordinary 35mm film. There should be an empty take-up
spool which comes out. You thread the film leader into the take-up spool,
drop it all back into the camera, put the bottom on and start
photographing.

---

 Bob  

mailto:[EMAIL PROTECTED]

Tuesday, October 23, 2001, 10:49:33 PM, you wrote:

 A colleague bought a Leica copy:
 http://cgi.ebay.co.uk/aw-cgi/eBayISAPI.dll?ViewItemitem=1282762104
 I have seen the camera and was impressed, but wondered as well about the
 film.
 The bottom can be removed, and something that might look like a 35mm film
 canister can be placed, but I wonder if there was a take up spool to be
 used. The film had to be dropped in from the bottom. Anybody any guess on
 what kind of film that was?

 Frits Wüthrich
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Re[2]: Funny OT: Canon ad

2001-10-23 Thread Bob Walkden

Hi,

no - that's Artist...

---

 Bob  

mailto:[EMAIL PROTECTED]

Tuesday, October 23, 2001, 11:15:53 PM, you wrote:

 Gee,  and all this time I thought poorly focused, poorly composed, poorly
 lit pictures screamed amateur!  If I had only known!!

 Dave
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BW Scanning

2001-10-23 Thread Bruce Dayton

Well,

I just scanned a couple of rolls of Kodak Black + White chromogenic film and
then a roll of TMax.  First glance, the chromogenic scans ok, but the TMax
scans extremely grainy.  The lab prints of both look about the same as far
as grain is concernced but my scanner (Minolta Scan Dual II) seems to do
much better with the chromogenic.  Has anyone else seen the same thing, or
perhaps getting the right settings is in order.  I used Hamrick's Vuescan
software.

Bruce Dayton
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Re: Pentax 645 News

2001-10-23 Thread Brian Campbell (PM)

On 23 Oct 2001, at 20:03, Cotty wrote:


 But I don't really do landscapes. People. And that's 35 mil all over it.
 
 Rambling,
 Cotty

I dunno, I LOVE shooting people in 6 x 7.  Since I got my 67II, 
I almost don't like using 35mm anymore.  Formal portraits, 
casual portraits, kids portraits, are S much better
handled by the 6x7 negative, what happens when that child's
parents want an 11 x 14 of their kid?  The advantage over 
35mm becomes clear pretty soon.

Landscapes?  Night shots? anything where you have time
to compose and consider your exposure?  The bigger neg
wins out everytime. 

Where the 35mm rules is getting those fast moving
subjects like hyperactive kids at play or actors on stage...  
35mm works well for actors headshots and newspaper style
promos that won't see over 8 x 10.  Also when out with a tripod 
and the 600mm shooting birds or that grizzly bear with cubs  

Cheerz!
Brian
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Re: Circular polarizer suggestions

2001-10-23 Thread Jim Moniz

But whatever you do, don't, don't, for God's sake DON'T use it while on the
Equator, or it will destroy the space-time continuum as we know it...



 Hi,

 I hope you didn't pay too much for it. Circular polarizers are
 specifically designed only to be used above the Arctic circle, or
 below the Antarctic circle. If you're shooting penguins in black 
 white (and why woudn't you?) the use of one of these filters increases
 the contrast, particularly on King Penguins. If you use it in
 conjunction with a red filter then you'll get pictures of flamingos.

 ---
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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Mark Roberts

Juan J. Buhler [EMAIL PROTECTED] wrote:

On Tue, 23 Oct 2001, Matamoros, Cesar A. wrote:

  We received our Nikon D1H and D1X yesterday afternoon.  I
 will begin playing with them today.
 
  The manual states that the viewfinder shows 96% of the frame
 recorded. 

Ouch. That means a *really* tiny viewfinder then...

No, I think perhaps you're confusing image coverage with image magnification.
96% coverage (which is what's being discussed here) just means that 4% of what's
recorded by the CCD will be cropped from the view in the viewfinder. The
remaining 96% can be *magnified* (or reduced or presented life size).


-- 
Mark Roberts
www.robertstech.com
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Fast 35mm Lenses

2001-10-23 Thread William D. Sawyer

35mm is my favorite focal length for general photography.  I like the perspective 
better than a Normal lens. I also like the speed of an f2 version, as it allows me 
to shoot in many of the spots walking around lands me in.

I currently have the A version of the 35mm f2, which I got at a very good price. I'm 
VERY disappointed in it's performance, as evidenced by a series of shots I recently 
took of some old buildings with very weathered wood.  The grain in the wood simply is 
not sharp.  It was shot with XP-2 rated at 400 in daylight, so the lens was well 
stopped down, probably in the f8-f16 range. I was using a Super Program, motordriven, 
on a monopod. Likely shutter speeds in the 1/60-1/250 range. 

Maybe mine is a bad sample, but I am thinking of spending the money to get the new AF 
version, which has gotten good reviews here on the list from people whose opinions I 
always respect.

My question for the list, is whether anyone has ever compared the M/A' versions with 
the AF one. I'm not interested in the f3.5 version, which is considered quite sharp, 
and I do prefer autofocus because of my deteriorating-with-age eyesight. Is the new 
lens appreciably superior to the older model?  $300 worth?


Thanks to all who take the time to reply.

Bill Sawyer
[EMAIL PROTECTED]
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Re: Funny OT: Canon ad

2001-10-23 Thread Mark Roberts

Frank Theriault [EMAIL PROTECTED] wrote:

But I AM an amateur...

Maybe, but you're saying it quietly and with dignity, not screaming it.

-- 
Mark Roberts
www.robertstech.com
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Re: Pentax digital direction

2001-10-23 Thread Mark Roberts

Juan J. Buhler [EMAIL PROTECTED] wrote:

On Tue, 23 Oct 2001 [EMAIL PROTECTED] wrote:

 [Thoughts on Mike J.'s comments on possible future digital SLRs]
 
 Illuminating as ever, Mike, and the point that there is no law of
 nature that favours a 36x24mm frame is a fair one.  However, if
 Pentax is to move to a smaller-frame digital SLR, while still
 maintaining compatibility with the lenses we all value so highly,
 there's some work to do in the area of wideangles.

Well, this would break compatibility with film cameras, but how about
making lenses that are optimized for the smaller CCDs? They wouldn't
have to have as big a coverage, and you'd get heavy vignetting if you
used them on a K-mount film camera, but they'd probably be compact and
high quality...

...and those who shoot film and digital would have to have two sets of lenses
instead of one. And *carry* both sets whenever we're out shooting both film and
digital.

-- 
Mark Roberts
www.robertstech.com
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Re: The REAL reason the Pentax K1000 rules!

2001-10-23 Thread Mark Roberts

Frank Theriault [EMAIL PROTECTED] wrote:

Bah, yourself!  K1000's are just Spotmatics with no dof and lots of plastic
parts.

Plastic parts on a K1000?
Not on the early ones. 

(OK, now lets get the early K1000 owners fighting with the late K1000
owners!)

-- 
Mark Roberts
www.robertstech.com
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Re: Circular polarizer suggestions

2001-10-23 Thread Mark Roberts

And definitely don't use it for portraits.
Makes everyone look like Lech Walesa.

But whatever you do, don't, don't, for God's sake DON'T use it while on the
Equator, or it will destroy the space-time continuum as we know it...

 I hope you didn't pay too much for it. Circular polarizers are
 specifically designed only to be used above the Arctic circle, or
 below the Antarctic circle. If you're shooting penguins in black 
 white (and why woudn't you?) the use of one of these filters increases
 the contrast, particularly on King Penguins. If you use it in
 conjunction with a red filter then you'll get pictures of flamingos.

-- 
Mark Roberts
www.robertstech.com
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Re: Stereo Adaptor

2001-10-23 Thread E. van Ginkel

I have one which I rarely use nowaday.
There are indeed two parts, one is the viewer. You have to work on slidefilm
(chromes). You have to screw the camera part in front of the lens, like a
filter. The part is intended to be used with a 50 or 55 mm standardlens. You
get to vertical oriented pictures on a 24x36mm slide which can be viewed
with the viewer. The 3D effect can be very nice on some pictures.

- Original Message -
From: Gary J Sibio [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 5:37 PM
Subject: Stereo Adaptor


 Has anyone ever used the stereo adaptor that Pentax used to market? (I'm
 assuming they no longer do so.) I know it had two parts to it: one that
 went on front of the lens and the other that was used for viewing the
 image. How did it work?

 Gary J. Sibio
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