May PUG favorites

2002-05-06 Thread Amita Guha

Here are my favorites for the month...

" Walkway " by  Martin Mielke - because it makes me want to be there

" The Summer Palace " by  Aconquija - the different sepia shades
create a true work of art

" LOVE " by  Satish Kumar - beautiful shot and sentiment

" The Ice House " by  Jeff Post - I like how the lines of the icicles
compliment the lines of the porch

" Fruits of labor " by  Jan van Wijk - the raspberries look so
inviting...

" kot " by  alehandr suhoverhov - the kitten is adorable and I like
the angle you caught him at

" Matisse " by  Naomi van der Lippe - I like the close-up angle, the
depth of field (or lack of it) and the intense expression on the cat's
face

" Just how long does it take? " by  Mick Maguire - great composition
and title :)

" Annie and Brodie " by  James Donnellan - the lighting, the
reflection, the identical poses of the dog & woman...gorgeous shot...
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Shel Belinkoff

Which leads to another question: can the speed at which the tank rotates
be changed?  Does faster/slower speeds effect contrast, shadow detail,
or EI?

William Robb wrote:
 
> Unfortunately, not really. The tank rests on its side in the
> processor, and exceesive overfilling just pours out the drain
> tube. I think chemistry volume is closer to 1/3, but will vary
> depending on how much film is in the tank. One could certainly
> process a single roll of film in 600ml of chemistry if desired.


-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: May PUG - my comments

2002-05-06 Thread Amita Guha

> "Windy Picnic" - Amita Guha
> Like this one. Nicely observed.
> Is the lampost bending too, or is it alway like that?

Thanks, Wendy! Sadly, the lamp post is always like that. :) 
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Re: Kerosene Safelight

2002-05-06 Thread Paul Stenquist

Shel Belinkoff wrote:
> 
> Amazing!  Imagine what darkroom work was like in the days when kerosene
> powered safelights were used.
> 

You mean back in the days when film was made out of wood? 
Paul
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Paul Stenquist

Aaron Reynolds wrote:
> 
> I find I'm very happy
> with Agfa Studional in the Jobo with most films.  I've also had great
> success with Microphen and DD-X in the Jobo, 

Just curious, but have you tried Microdol X in the Jobo? I used to like
it with near constant agitation in a hand processing tank.
Paul
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Re: A little more about MX mirror lock-up

2002-05-06 Thread mohamed amr

Who modified your MX for mirror lock-up. How much did it cost?

- Original Message -
From: "Peter Spiro" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, May 05, 2002 10:26 PM
Subject: A little more about MX mirror lock-up


> I have recently conducted an experiment to see if there is a noticeable
> difference in sharpness from locking up the mirror -- and in fact, there
> is, at slow shutter speeds such as 1/15th second. If you would like to
> see a side by side comparison, go to
http://ca.geocities.com/spirope/mxmlu.htm BTW,
> I now have my MX modified so that a gentle push on the shutter button
> locks up the mirror, and the "quick flick" is not needed.
>
> 
>
> MSN Photos is the easiest way to share and print your photos: Click Here
> -
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Re: Ni-Cd Battery Pack M questions

2002-05-06 Thread Rob Studdert

On 6 May 2002 at 18:46, Tim Engel wrote:

> Rob,
> 
> Ni-Cd Battery Pack M only has one trigger button...   in the center of the
> mode switch...  other than the one on the grip, of course.

Hi Tim,

Thanks for the information, from what I recall (I had one well over ten years 
ago) it's a small silver chromed button in the middle of the mode switch, good 
for pressing with your thumb?

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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Re: OT Kodak film in Japan

2002-05-06 Thread Shel Belinkoff

Wow ... that's more exciting than the beer case at the local Pic n Pac.

Man, it would be nice to have film laid out like that ... just walk down
the aisle and grab whatever you fancy.

Rob Studdert wrote:

> I friend showed me some images from his recent trip to Japan, there seems no
> lack of Kodak films in the Japanese photo shops he visited, check this out:
> 
> http://www.home.aone.net.au/audiobias/IMG_0646.jpg

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Ni-Cd Battery Pack M questions

2002-05-06 Thread Rfsindg

Rob,
The center of the mode switch is a chrome trigger button.
E-mail image on the way...
Regards,  Bob S.

[EMAIL PROTECTED] writes:

<< Hi Team, 
 
 Does the Pentax Ni-Cd Battery Pack M have a trigger button on the rear or 
only 
 a mode switch? Can anyone email me a small image of the rear of the pack? 
 
 Cheers, 
 
 
 Rob Studdert >>
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Re: Ni-Cd Battery Pack M questions

2002-05-06 Thread Tim Engel

Rob,

Ni-Cd Battery Pack M only has one trigger button...   in the center of the
mode switch...  other than the one on the grip, of course.

Regards,
Tim Engel


- Original Message -
From: "Rob Studdert" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, May 06, 2002 5:41 PM
Subject: Ni-Cd Battery Pack M questions


> Hi Team,
>
> Does the Pentax Ni-Cd Battery Pack M have a trigger button on the rear or
only
> a mode switch? Can anyone email me a small image of the rear of the pack?
>
> Cheers,
>
>
> Rob Studdert
> HURSTVILLE AUSTRALIA
> Tel +61-2-9554-4110
> UTC(GMT)  +10 Hours
> [EMAIL PROTECTED]
> http://members.ozemail.com.au/~distudio/publications.html
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Re: OT Kodak film in Japan

2002-05-06 Thread Steve Larson

Holy Mackerel! Nope, no shortage in Japan.
Steve Larson
Redondo Beach, California
- Original Message -
From: "Rob Studdert" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, May 06, 2002 4:16 PM
Subject: OT Kodak film in Japan


> Hi Team,
>
> I friend showed me some images from his recent trip to Japan, there seems
no
> lack of Kodak films in the Japanese photo shops he visited, check this
out:
>
> http://www.home.aone.net.au/audiobias/IMG_0646.jpg
>
> Cheers,
>
> Rob Studdert
> HURSTVILLE AUSTRALIA
> Tel +61-2-9554-4110
> UTC(GMT)  +10 Hours
> [EMAIL PROTECTED]
> http://members.ozemail.com.au/~distudio/publications.html
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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RE: Hey, Aaron (and other TO folks)

2002-05-06 Thread David Chang-Sang

heehee :)

What better way to select the cake and flowers then by letting the local
members of the PDML help in the selection ? :)
I mean really; you KNOW that we'll be HAPPY to test out your cake choices...
and we all know how good beautiful flowers look when they've been
photographed with nice Pentax glass :)

Think about it :)

Dave

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Aaron Reynolds
Sent: Monday, May 06, 2002 5:29 PM
To: [EMAIL PROTECTED]
Subject: Re: Hey, Aaron (and other TO folks)


On Friday, May 3, 2002, at 09:49  PM, frank theriault wrote:
>
> Except for Aaron, everyone seems to like May 11.

I think I might be able to at least show up for some of it, though we
are in the final stages of wedding planning, so much of my weekend time
is consumed with flower and cake choices.

The 24th is way off-limits, as it is likely gonna be my geek bachelor
party.

-Aaron
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Re: May PUG - my comments

2002-05-06 Thread Gianfranco Irlanda

wendy beard <[EMAIL PROTECTED]> wrote:
> Some fabulous entries this month.
> (...)
> "Walking Shadow" - Gianfranco Irlanda
> This is an excellently observed shot.
> My eyes tell me it's a shadow. My head tells me it's either
upside down or 
> the shot is taken from underneath a glass pavement. i habe to
keep going 
> back to look at this one.

Hi Wendy,

Many thanks for the kind words!

Gianfranco


=
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Paul Stenquist

[EMAIL PROTECTED] wrote:

> Shoot colour and convert it to B&W, and your off and running. I would
> hesitate to invest any money in traditional B&W techniques at this point...

Ouch!
I'm a big fan of digital color printing. I love working on a scan in
PhotoShop and then trying to make a perfect print. And I've desaturated
some color and printed it as BW. And I've scanned some BW for web use
and printing. But so far I can't touch the quality I can get on a silver
print. Ditto the enjoyment. Plus, BW printing is no more expensive than
digital printing. When you add up the cost of ink and good ink jet
paper, it's at least as expensive as the conventional darkroom. I can't
see giving up BW any time soon.
Paul
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Has anyone order/purchase a non-USA Pentax?

2002-05-06 Thread Ron Bhanukitsiri

Hi,

Short of traveling to Europe or Japan, has anyone in the US bought a Pentax
camera from a dealer outside the US?  Does B&H or Adorama do special
order?  If so, any specific dealer you would recommend?  I'm talking about
models that are imported into the US by Pentax Corp. 

Thanks,
Ron B[ee]
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OT Kodak film in Japan

2002-05-06 Thread Rob Studdert

Hi Team,

I friend showed me some images from his recent trip to Japan, there seems no 
lack of Kodak films in the Japanese photo shops he visited, check this out:

http://www.home.aone.net.au/audiobias/IMG_0646.jpg

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Rob Studdert

On 6 May 2002 at 8:18, Shel Belinkoff wrote:

> Can't you just add more solution to the tank?  IIRC, one generally runs
> a Jobo using less chemistry than when doing hand processing, about 1/2
> the chemistry, right?  If that's correct, couldn't you just fill the
> tank with more solution?

Hi Shel,

The recommended chemistry requirements printed on the jobo tanks for hand 
processing is no different to a Patterson tank. If you used the same amount of 
chemistry for rotary processing whilst inversion processing only a small 
section of film would be in solution for the majority of the time.

Jobo 1510 35mm tank for one film:
Rotation 160ml, Inversion 250ml

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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Ni-Cd Battery Pack M questions

2002-05-06 Thread Rob Studdert

Hi Team, 

Does the Pentax Ni-Cd Battery Pack M have a trigger button on the rear or only 
a mode switch? Can anyone email me a small image of the rear of the pack? 

Cheers, 


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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RE: Question Regarding Developing Tanks

2002-05-06 Thread William D. Sawyer

Tom,  if this question was directed to my original question,  I'm talking about tanks. 
 I am moving from my old Agfa plastic tank and reel, to SS reels and tanks.  But I 
wonder if the plastic or stainless tops work best.  The SS tops are much more 
expensive, and I suspect they may not be all that durable.  The responses so far 
generally seem to bear this out - that a small dent can make them unusable.

> -Original Message-
> [mailto:[EMAIL PROTECTED]]On Behalf Of tom
> Sent: May 06, 2002 11:27 AM
> > On Sunday, May 5, 2002, at 02:34  PM, William D. Sawyer wrote:
> > > Does anyone have preferences regarding plastic or 
> > stainless tops for 
> > > developing tanks?  Other than cost, of course.  Are the 
> > stainless ones 
> > > superior?  Do they get stuck more often?  Do they wear better?
> > 
> > Stainless are better in almost every way, except if you drop 'em, 
> > they're pretty much toast.  I use plastic because of my 
> > fumble-fingers.
> 
> Are you talking about reels or tanks?
> 
> tv
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Re: ZX-L and Pentax Metering

2002-05-06 Thread Joseph Tainter

Nitin is right. I forgot that the 5n also has center-weighted and spot
metering.

I'm very anxious to see a 5n replacement. As it is, I can't recommend
the camera (as I've noted here several times). In bright sunlight (most
of my shooting) one can't see the exposure information in the
viewfinder, and it's not duplicated on the external lcd.

The 5n replacement will presumably fix this problem, and probably add
some other goodies, like pentax functions. I'm looking forward to seeing
it. I hope they put aperture priority on the body.

Joe
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Re: Which Ricoh Program body? (was: Re: Exposure Lock on ME Super?)

2002-05-06 Thread Nitin Garg

On Mon, May 06, 2002 at 06:13:33PM -0400, [EMAIL PROTECTED] wrote:
> I'll reply in all caps, point by point:
> 
> Nitin Garg wrote:
> 
>  Built in winder on xr-m (+ for me, - for paul. he prefers to attach winder 
> if needed). 
> 
> YEP. YOU CAN THUS SEE THE WIND LEVER MOVING, FOR REASSURANCE. AND YOU
> CAN CHOOSE TO ADD A BATTERY-LADEN MOTOR, FOR HEFT, OR SIMPLY USE THE
> FEATHERWEIGHT GRIP, WITH ITS EXCELLENT AUXIILIARY SHUTTER RELEASE.

that is true :) At times i do wish the xr-m weighed like the xr-p :)

> 
> spot-metering in xr-m. not in xr-p. xr-m also has backlight compensation but 
> thats usually better done yourself. 
> 
> THESE AND OTHER XR-M/XR-X FEATURES ARE ALSO FOUND ON THE XR-M'S
> REPLACEMENT, THE XRX-3P. ALSO, THESE TWO MODELS, UNLIKE THE XR-P, SHOW
> YOU THE SHUTTER SPEED ON A TOP-PANEL LCD. 

xr-x3p is a little more harder to obtain than xr-m and is not as cheap.
Which is why i dont have it :)

> 
> The caveat ofcourse is getting program lenses (ricoh P lenses) is not 
> easy. 
> 
> TRUE, BUT ONCE YOU HAVE IT, YOU HAVE IT. THE 50/2 IS A FINE LENS AND
> WIDELY AVAILABLE IN P, THOUGH IT WAS NEVER MULTICOATED. THE P 50/1.4
> IS SCARCER THAN A PENTAX 50/1.2; I'VE NEVER SEEN ONE FOR SALE IN THREE
> MONTHS OF LOOKING.

You didnt look well enough :) I got mine less than 3 months ago. Pentax
50/1.2 doesnt seem scarce. KEH has 3 of them listed.

> 
> CONCLUSION: ALL PROGRAM RICOHS OFFER TTL FLASH AND EASY VERTICAL
> SHOOTING. IF YOU LIKE THE CLASSIC CAMERA FEEL AND OPERATION OR MUST
> HAVE THE APERTURE WINDOW, GET THE XR-P. IF YOU PREFER MODERN
> AMENITIES, SKIP THE XR-M/XR-X AND GO FOR AN XR-X 3P. IT ADDS A 1/3000
> SECOND SHUTTER AND A BUILT-IN FLASH WITH 28MM COVERAGE AND EXCELLENT
> (EASY) TTL FLASH FILL.

Theres one on ebay right now 
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Re: Hey, Aaron (and other TO folks)

2002-05-06 Thread Jeff

- Original Message - 
From: "Aaron Reynolds" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, May 06, 2002 5:29 PM
Subject: Re: Hey, Aaron (and other TO folks)


> On Friday, May 3, 2002, at 09:49  PM, frank theriault wrote:
> >
> > Except for Aaron, everyone seems to like May 11.
> 
> I think I might be able to at least show up for some of it, though we 
> are in the final stages of wedding planning, so much of my weekend time 
> is consumed with flower and cake choices.

I have an idea. Why don't we all go cake tasting.

> 
> The 24th is way off-limits, as it is likely gonna be my geek bachelor 
> party.

Are we invited to take some compromising shots?
> 
> -Aaron

Jeff.
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re: Rear lens caps

2002-05-06 Thread Joseph Tainter

> You can buy lens caps from Pentax, along with many other things.
> 
Ha! PentaxUSA once charged me $10.00 for a ZX remote control cover.
(Well, the camera was new and I was trying to keep it intact.) Then (as
a joke?) they mailed it in an enormous box.

Try KEH.

Joe
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Re: Hey, Aaron (and other TO folks)

2002-05-06 Thread frank theriault

Hi, Aaron,

Geez, I learned to stay out of the way for that stuff!  Sample
conversation:

"Frank, what flowers do you like?"
"Hmmm, I like the pretty blue ones."
"No, I think we'll go with something else."
"Okay"

"Frank, what should we do for a wedding cake?"
"I like chocolate."
"For a wedding cake?  Silly, we'll have the white-cake with the champagne
glasses between the layers."
"Okay."

After that, she stopped asking.

Seriously, I know you're busy, but hope to see you for a bit, if you can
afford the time.  1:00 at C'Est What, this Saturday is what was suggested,
and I haven't heard any nay-sayers.  Hey, if no one else shows, I'll just
have to drink alone!  "Hey baby, wanna see my new Sigma Zoom?"  ;-)

regards,
frank

Aaron Reynolds wrote:

> On Friday, May 3, 2002, at 09:49  PM, frank theriault wrote:
> >
> > Except for Aaron, everyone seems to like May 11.
>
> I think I might be able to at least show up for some of it, though we
> are in the final stages of wedding planning, so much of my weekend time
> is consumed with flower and cake choices.
>
> The 24th is way off-limits, as it is likely gonna be my geek bachelor
> party.
>
> -Aaron
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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--
"The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true." -J. Robert
Oppenheimer
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Which Ricoh Program body? (was: Re: Exposure Lock on ME Super?)

2002-05-06 Thread [EMAIL PROTECTED]

I'll reply in all caps, point by point:

Nitin Garg wrote:

The 2 that I have experience with are xr-p and xr-m. Paul has used xr-p 
too and has given it favourable review here. 

ACTUALLY, I BROKE IT BEFORE I COULD USE IT. I STILL HAVEN'T FIRED A SHOT WITH A RICOH, 
SO MY OPINIONS ARE BASED ON SPECS, FEEL, REVIEWS, AND ONLINE COMMENTS I'VE SEEN.

He found it to have a less 
vibration compared to his Super A (wrong model?). 

UNQUESTIONABLY. AND LESS THAN THE XR-2S.

Our comparitive points 
about the 2 are: 

+ Bright viewfinder and 0.88x mag for xr-p (.80 for M).

THE BRIGHT FINDER WAS INTRODUCED ON THE XR-P (AND XR-10 AND 7, MAYBE) AND CONTINUED ON 
THE SUBSEQUENT PROGRAM MODELS: XR-X (XR-M IN USA), XR-3000 (A BUDGET MODEL), AND 
XRX-3P (THE FINAL HIGH-END MODEL). BUT THE XR-P WAS THE LAST TO USE THE 0.88X 
MAGNIFICATION; AFTER THAT, ALL USED, I THINK, 0.82X.
 
 Built in winder on xr-m (+ for me, - for paul. he prefers to attach winder 
if needed). 

YEP. YOU CAN THUS SEE THE WIND LEVER MOVING, FOR REASSURANCE. AND YOU CAN CHOOSE TO 
ADD A BATTERY-LADEN MOTOR, FOR HEFT, OR SIMPLY USE THE FEATHERWEIGHT GRIP, WITH ITS 
EXCELLENT AUXIILIARY SHUTTER RELEASE.

spot-metering in xr-m. not in xr-p. xr-m also has backlight compensation but 
thats usually better done yourself. 

THESE AND OTHER XR-M/XR-X FEATURES ARE ALSO FOUND ON THE XR-M'S REPLACEMENT, THE 
XRX-3P. ALSO, THESE TWO MODELS, UNLIKE THE XR-P, SHOW YOU THE SHUTTER SPEED ON A 
TOP-PANEL LCD. 

BUT AMONG RICOH PROGRAM BODIES, ONLY THE XR-P SHOWS YOU THE APERTURE IN A WINDOW IN 
THE VIEWFINDER.

The caveat ofcourse is getting program lenses (ricoh P lenses) is not 
easy. 

TRUE, BUT ONCE YOU HAVE IT, YOU HAVE IT. THE 50/2 IS A FINE LENS AND WIDELY AVAILABLE 
IN P, THOUGH IT WAS NEVER MULTICOATED. THE P 50/1.4 IS SCARCER THAN A PENTAX 50/1.2; 
I'VE NEVER SEEN ONE FOR SALE IN THREE MONTHS OF LOOKING.

One could try to make their pentax-a lenses into AP lenses :) or 
use 3rd party ones. 
YES, MANY THIRD-PARTY LENSES, ESPECIALLY VIVITAR'S, INCLUDE PROGRAM CONTACTS FOR 
PENTAX AND RICOH.

If the trend continues, soon I will not qualify to submit anything to PUG :) 

FEWER THAN HALF OF MY LENSES ARE NOW PENTAX, AND SOON THAT NUMBER WILL BE A THIRD. 
MIXING AND MATCHING IS ALL PART OF THE K-MOUNT ADVANTAGE.

CONCLUSION: ALL PROGRAM RICOHS OFFER TTL FLASH AND EASY VERTICAL SHOOTING. IF YOU LIKE 
THE CLASSIC CAMERA FEEL AND OPERATION OR MUST HAVE THE APERTURE WINDOW, GET THE XR-P. 
IF YOU PREFER MODERN AMENITIES, SKIP THE XR-M/XR-X AND GO FOR AN XR-X 3P. IT ADDS A 
1/3000 SECOND SHUTTER AND A BUILT-IN FLASH WITH 28MM COVERAGE AND EXCELLENT (EASY) TTL 
FLASH FILL.

[EMAIL PROTECTED]


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Re: Rear lens caps

2002-05-06 Thread Alan Chan

>Over the years I have purchased lenses with KA or KAF mount
>without rear caps. Ebay sellers does not seem to know the  what
>a KA or KAF mount rear cap is.
>I prefere caps that protect the contacts and the AF shaft
>as well as the rear lens/inside of the barrel.
>Do any of you know where to buy caps with a collar (KA/KAF-mount)

Both front and rear Pentax caps are available as accessories from Pentax. 
Local dealers might not stock them, but they are available.

regards,
Alan Chan


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Re: Stan H Tinkers In Toronto

2002-05-06 Thread frank theriault

Ooo, crap.  Didn't even think of that one!  Sorry, Stan.  Hope you never
have to sell that one.

OTOH, Aaron, you're welcome for the warning!  

Aaron Reynolds wrote:

> Note to self: do not buy any 645s from Stan.
>

--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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Re: Pentax K 300mm f/4

2002-05-06 Thread Alan Chan

>The Pentax 200/4 Macro collar will fit the 300/4.5 FA. I don't know how 
>easily one could obtain it, or what it would cost

I bought one recently from Pentax Canada and it costed CAD121. But then it's 
so unpopular that they didn't even know they had one.

regards,
Alan Chan


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Re: May PUG - my comments

2002-05-06 Thread frank theriault

Thanks for the kind words, Wendy.

It is a b&w print.  Sometimes, however, when scanning a b&w print, I forget, and
scan it in colour.  For some reason, some bits of colour show up on small
diagonal lines in the scan.  I know that's not a very technical description, but
maybe that's what happened?  I don't know.  I thought I scanned this one in b&w,
but maybe not.  My moniter's starting to go kaput, (no red), so maybe I can't see
the colours you refer to.  Or maybe it is your moniter, I don't know...

Referring back to your earlier post about how dis-satisfied you were with your
scan, let me tell you that I spent at least an hour trying to get this one right,
and never did.  It's too dark.  But, whenever I lightened it, it was too bright,
so I had to put up with a too dark scan.  The print is much nicer looking than
the scan, but I was so frustrated, I thought, "I've invested so much time in
this, it's going in, no matter what!"

FWIW, I really liked yours.  The pensive look of concentration on the boy's face
is priceless, although I did, I must admit, prefer the crop that another
list-member did for you (sorry, I forget who).  You certainly had the seed of a
wonderful shot, though.

I hope you continue to submit to PUG.  It's a great way to get feedback from
peers and learn from them - although looking at some of my submissions, I guess I
should practice what I preach!  

Thanks again,
frank

wendy beard wrote:

> "Flatiron in the Fog" - Frank Theriault
> Looks like a postcard out of the 1920s. Hard to believe this is Toronto, 2002
> Just one thing puzzles me - this is black and white film, but I can see
> colour in the image - or is it my monitor?
>

--
"The optimist thinks this is the best of all possible worlds. The pessimist fears
it is true." -J. Robert
Oppenheimer
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Re: Telescopes instead of super telephotos? (WAS: Pentax-A* 1200/8 ED IF)

2002-05-06 Thread george de fockert

> George wrote:
>
>
> >That must be very irrational, because pentax has more interresting
> >telescopes in that focal range.
> >And these have the additional advantage, that they can be used for medium
> >format !
>
>
> How are these telescopes for ordinary photography? Do they compare in
> quality and price?
>
> Pål
>

Unfortunately for most list readers, its all german.

for a test : http://www.astrostudio.at/pentaxtest.htm

for price, they are not cheap, and have one disadvantage for daytime use, no
aperture mechanism.

http://www.astrostudio.at/125sdp.htm

http://www.telescopes-by-pentax-gmbh.com/DE/download/Pentaxpreisliste.pdf

more info starting at their homepage
http://www.telescopes-by-pentax-gmbh.com/DE/homepage/index.html

Personally, I think they are a bit too expensive for me, but so are the SMC
PENTAX-A 1200/8 etc.

George
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RE: Kerosene Safelight

2002-05-06 Thread Łukasz Kacperczyk

No sh@#!!!??
Lukasz

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of Shel Belinkoff
Sent: Monday, May 06, 2002 7:43 PM
To: [EMAIL PROTECTED]
Subject: Re: Kerosene Safelight


Perfect for dodging and burning.  BTW, did I tell you I have a kerosene
powered TV?  Takes forever to warm up, but when it does, the picture has
a beautiful, transcendent glow to it, like the much ballyhooed Leica and
Hasselblad glass 

William Robb wrote:

> Imagine what exposure times were like when using kerosene
> powered enlargers.
>
> William Robb
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> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Hey, Aaron (and other TO folks)

2002-05-06 Thread Aaron Reynolds

On Friday, May 3, 2002, at 09:49  PM, frank theriault wrote:
>
> Except for Aaron, everyone seems to like May 11.

I think I might be able to at least show up for some of it, though we 
are in the final stages of wedding planning, so much of my weekend time 
is consumed with flower and cake choices.

The 24th is way off-limits, as it is likely gonna be my geek bachelor 
party.

-Aaron
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Re: Kerosene Safelight

2002-05-06 Thread Aaron Reynolds

On Monday, May 6, 2002, at 01:43  PM, Shel Belinkoff wrote:

> Perfect for dodging and burning.  BTW, did I tell you I have a kerosene
> powered TV?  Takes forever to warm up, but when it does, the picture has
> a beautiful, transcendent glow to it, like the much ballyhooed Leica and
> Hasselblad glass 

That would be perfect for viewing my ancient CED videodiscs on!

-Aaron
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Re: Slight OT:My IR report

2002-05-06 Thread Maciej Marchlewski

- Original Message -
From: "Aaron Reynolds"

> > As far as Konica goes maybe Aaron can answer
> > that.
>
> I believe that the Konica 750nm stuff is gone.  I have a few rolls still
> in my freezer, but they're mine.
>
> -Aaron

Darn! I should've got into that sooner. I already went into the store with a
plan of buying about 5 to 10 rolls of it because it was said to problematic
to get it. And now it's gone for good. I really hoped for some lower price
than Kodak's stuff which is somehow expensive. They ask 10 bucks for a
135/36 roll. And in the wholesale shop they've told me that they would have
to order it especially for me so I should go for at least 20 rolls pack.
Almost felt of the chair when I multiplied everything...
Well, tough world. Lucky there is a pro lab that claimed on the phone they
have it at about the same price and I can get one roll at the time.
Ilford SFX 200 in a 135 rolls seems to sit almost in every fridge, but I
want something really strong.

Maciej
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Re: Pentax Program Plus - Latest

2002-05-06 Thread James Adams

The Sender is in New England.
James
- Original Message - 
From: "William Robb" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, May 06, 2002 1:31 PM
Subject: Re: Pentax Program Plus - Latest


> - Original Message -
> From: <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Monday, May 06, 2002 10:29 AM
> Subject: Re: Pentax Program Plus - Latest
> 
> 
> > It occurs to me that if you specified, "Send by USPS," a
> Canadian seller unfamiliar with the abbreviation may easily have
> misread it as UPS.
> 
> UPS is only a problem when shipping into Canada. If the shipping
> is within Canada, UPS is fine, though no better than the post
> office.
> 
> William Robb
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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Re: Exposure Lock on ME Super?

2002-05-06 Thread Nitin Garg

The 2 that I have experience with are xr-p and xr-m. Paul has used xr-p
too and has given it favourable review here. He found it to have a less
vibration compared to his Super A (wrong model?). Our comparitive points
about the 2 are:

+ Bright viewfinder and 0.88x mag for xr-p (.80 for M)
. Built in winder on xr-m (+ for me, - for paul. he prefers to attach winder if 
needed).
- ISO overide in xr-m only by taping over the DX contacts or setting
  exp. comp
+ exposure comp is in 1/3rd steps.
. xr-p has aperture relay port. xr-m doesnt.
+ DOF in xr-m. not available in xr-p.
+ spot-metering in xr-m. not in xr-p. xr-m also has backlight compensation but thats 
+usually better done yourself.
. xr-m takes 4 AA batteries. Which is good because I sort of carry a
spare set in the flash and they last longer. I drained the battery on my
xr-10 too quickly becuase i took several long exposure shots. On the -ve
side AA battery grip on the side also makes it a little oddball to grip
for me. Its nice when holding normally but when taking vertical shots, i
have found it better to keep the battery side (which is also the shutter
release side) below or the camera is less stable in my hands due to the
top being heavier. The fact that i have found the xr-m's shutter button
a little stiff doesnt help either. xr-10 (non-prog) is great this way.
metering is activated by a longish button that falls under your right
hand fingers and shutter release is sensitive and quick.
. xr-p takes standard threaded cable release. you need a wireless or
wired plug-in (2.5mm jack?) type thingie for xr-m.

I havent had experience with the other program models (kr-30sp, 20sp,
xr-3xpf etc) but have read favorable reviews about them.

The caveat ofcourse is getting program lenses (ricoh P lenses) is not
easy. One could try to make their pentax-a lenses into AP lenses :) or
use 3rd party ones. I have been able to (tho i must say i was lucky) to
get the 50/1.4, 28/2.8, 28-100/4, 70-210/3.9,70-300/4.5-5.6 P lenses.
Vivitar 19/3.8 also works in program mode. If the trend continues, soon
I will not qualify to submit anything to PUG :)


On Mon, May 06, 2002 at 01:22:12PM -0700, James Adams wrote:
> Thanks Nitin,
> Before I bought the ME's and ME Super, I bought a Ricoh KR-10 and
> subsequently a Winder, and I love it. What Ricoh 'Program' models would you
> recommend, and why?
> James
> 
> BTW
> Just received two items via USPS,
> 1. Salyut-S  for $160{Air Parcel[10 days]) Customs opened it because no
> customs label was attached. I was  lucky, it was assessed as $50CDN for
> customs purposes, and charged $7.25 GST/PST + postal handling fee $7.00).
> 2. Vivitar 70-150mm f3.8 Zoom (Identical to my Hoya Pentax Screw) for
> $20(USPS Air insured [Posted Thursday]).
> 
> There was a combined handling charge + GST/PST that came to $21.75 CDN. No
> customs duty. That might explain how I, and most others in Canada prefer US
> Postal Service, to UPS (They tried to skin me for the Prog Plus for $130 CDN
> in charges today).
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Re: Anyone interested in getting the Prntax poster?

2002-05-06 Thread Dario Bonazza 2

Hi everybody,

We (the AOHC board) still have to decide if we want to give away the
posters to everybody for free (just charging for postage) or selling them
outside
AOHC.
I believe at the end we'll charge something, just for funding AOHC and for
making some difference between AOHC members (which will get it for free) and
others.
In that case, I'm wishing to apply a reduced cost for PDML'ers (well below
$10 for sure) compared to other 'unknown' people. I believe we could arrange
to ship a batch to USA (and maybe one to Canada, one to UK, and so on
according to interest raised in the different countries) and maybe
distributing them around
$10 (hopefully even less) including postage and mailing tube.  I'll keep you
informed.
In the mean time I'm collecting 'booking' messages (10 so far) to get an
idea of the
batch I'll have to print and then ship. Please write to me, not to PDML, so
that we won't add unnecessary noise to the list.

Dario Bonazza

http://digilander.iol.it/pentaxday/
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Re: Exposure Lock on ME Super?

2002-05-06 Thread Shel Belinkoff

I don't think I'd be interested in those cameras ... they're a little to
avante gard in the styling department.

Chris Brogden wrote:

> Hmmm... even the LX and Super Program don't offer exposure lock.  You'll
> have to go to the P-series bodies to find both at once.  The P30 (P3 in
> U.S.) would work, as would the P50 (P5) and P30N (same as P30, but with
> cosmetic changes).  These cameras still allow for manual film advance and
> rewind, but I much prefer the feel and handling of earlier models.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Favorite Body Survey Results UPDATE 31

2002-05-06 Thread Bill D. Casselberry

 Aaron wrote:
 
> Did we gain a 6x7 vote?  
> My Brotherhoodical memory is acting up today.

You're on target - though I haven't (I don't think) voted
in the survey - methinks you're picking up etherial transmission
of my virtual vote.

!8^DBill

-
Bill D. Casselberry ; Photography on the Oregon Coast

http://www.orednet.org/~bcasselb
[EMAIL PROTECTED]
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Re: Kerosene Safelight

2002-05-06 Thread Shel Belinkoff

Perfect for dodging and burning.  BTW, did I tell you I have a kerosene
powered TV?  Takes forever to warm up, but when it does, the picture has
a beautiful, transcendent glow to it, like the much ballyhooed Leica and
Hasselblad glass 

William Robb wrote:

> Imagine what exposure times were like when using kerosene
> powered enlargers.
> 
> William Robb
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> go to http://www.pdml.net and follow the directions. Don't forget to
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-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread William Robb

- Original Message -
From: Shel Belinkoff
Subject: Re: Running Film Through The Spin Cycle


> Can't you just add more solution to the tank?  IIRC, one
generally runs
> a Jobo using less chemistry than when doing hand processing,
about 1/2
> the chemistry, right?  If that's correct, couldn't you just
fill the
> tank with more solution?

Unfortunately, not really. The tank rests on its side in the
processor, and exceesive overfilling just pours out the drain
tube. I think chemistry volume is closer to 1/3, but will vary
depending on how much film is in the tank. One could certainly
process a single roll of film in 600ml of chemistry if desired.

William Robb
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May pug

2002-05-06 Thread Ann Sanfedele

Thanks for the kudos!
Re yours - you are kicking yourself too hard on that one... although the

played around with version that another pug-ite did was very nice.
The crossing lines just convey a different message with and without the
red and white stripe.

God, the way you were going on about it, girl, I thought it was going to

be some muddy underexposed mess :)

You do _not_ need to return to sports photography 101.  The look on the
kids
face is great.

best,
ann
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Re: Rear lens caps

2002-05-06 Thread Shel Belinkoff

Contact Rob Studdert.  I believe he still has a few for sale.

Jens Bladt wrote:
> 
> Hi All
> Over the years I have purchased lenses with KA or KAF mount
> without rear caps. Ebay sellers does not seem to know the  what
> a KA or KAF mount rear cap is.
> I prefere caps that protect the contacts and the AF shaft
> as well as the rear lens/inside of the barrel.
> Do any of you know where to buy caps with a collar (KA/KAF-mount)

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Question Regarding Developing Tanks

2002-05-06 Thread William Robb

- Original Message -
From: tom <
Subject: RE: Question Regarding Developing Tanks

> >
> > The plastic lids are not necessarily IR tight, so if you are
> > processing IR film, leave the lights off until the film is
in
> > the fixer.
>
> Jobo tanks are IR tight. They claim it and I've tested it.

As have I, and found them to be IR proof as well. However, the
plasic lids on SS tanks may or may not be.

William Robb
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Re: Pentax Program Plus - Latest

2002-05-06 Thread William Robb

- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, May 06, 2002 10:29 AM
Subject: Re: Pentax Program Plus - Latest


> It occurs to me that if you specified, "Send by USPS," a
Canadian seller unfamiliar with the abbreviation may easily have
misread it as UPS.

UPS is only a problem when shipping into Canada. If the shipping
is within Canada, UPS is fine, though no better than the post
office.

William Robb
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Re: Kerosene Safelight

2002-05-06 Thread William Robb

- Original Message -
From: Shel Belinkoff
Subject: Kerosene Safelight


> Amazing!  Imagine what darkroom work was like in the days when
kerosene
> powered safelights were used.
>
> http://home.earthlink.net/~belinkoff/darkroom/klight.jpg

Imagine what exposure times were like when using kerosene
powered enlargers.

William Robb
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Re: Exposure Lock on ME Super?

2002-05-06 Thread James Adams

Thanks Nitin,
Before I bought the ME's and ME Super, I bought a Ricoh KR-10 and
subsequently a Winder, and I love it. What Ricoh 'Program' models would you
recommend, and why?
James

BTW
Just received two items via USPS,
1. Salyut-S  for $160{Air Parcel[10 days]) Customs opened it because no
customs label was attached. I was  lucky, it was assessed as $50CDN for
customs purposes, and charged $7.25 GST/PST + postal handling fee $7.00).
2. Vivitar 70-150mm f3.8 Zoom (Identical to my Hoya Pentax Screw) for
$20(USPS Air insured [Posted Thursday]).

There was a combined handling charge + GST/PST that came to $21.75 CDN. No
customs duty. That might explain how I, and most others in Canada prefer US
Postal Service, to UPS (They tried to skin me for the Prog Plus for $130 CDN
in charges today).
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Re: Exposure Lock on ME Super?

2002-05-06 Thread Nitin Garg

Or get the undervalued ricoh bodies and get both :)

On Mon, May 06, 2002 at 11:25:19AM -0700, Ron Bhanukitsiri wrote:
> Hi Shel,
> 
> The Pentax MX is totally manual, no aperture priority.  The
> exposure is always locked, but it may not be what you want ;-).
> 
> I've always wondered which is the most often used by photographer
> and if he/she can pick only one what would it be: AE lock or
> exposure compensation.  Well, at least the AF bodies seem to
> have both ;-).
> 
> Ron B[ee]
> 
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Shel Belinkoff
> Sent: Monday, May 06, 2002 7:46 AM
> To: [EMAIL PROTECTED]
> Subject: Re: Exposure Lock on ME Super?
> 
> 
> Thanks, Chris ...
> 
> Sounds like a good, quick workaround .
> 
> So, if I wanted to use a manual focus camera, which Pentax has aperture
> priority and exposure lock ... besides the MX .
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RE: Got One! (Was: Held an MZ-S Last Night)

2002-05-06 Thread Pat White

Fred, the auto-rewind can be switched on or off, as a Pentax Function.

Pat White
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Spotmatic F, mint in box

2002-05-06 Thread Jens Bladt

I know ebay hints are not very popular here. But there's a boxed mint
Spotmatic F on ebay right now!!!
Best Regards,
Jens
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RE: Exposure Lock on ME Super?

2002-05-06 Thread Jens Bladt

Hi Shell and all
Pentax P30 (P3) and Pentax P50 (P5) both have exposure lock (button on the
left side of the penta prism housing) as well as aperture priority auto
exposure! I own both cameras. Want to buy my P30?
Regards
Jens

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]På vegne af Tim Engel
Sendt: 6. maj 2002 20:15
Til: [EMAIL PROTECTED]
Emne: Re: Exposure Lock on ME Super?


Shel,

Pentax K2 DMD,  but good luck finding one.   When in the automatic mode
(aperture priority),  the mirror lock-up also activates the exposure memory
hold (push the knob up).   But you can move the knob down to activate the
memory hold function without the mirror lock-up.

Regards,
Tim Engel



- Original Message -
From: "Shel Belinkoff" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, May 06, 2002 9:46 AM
Subject: Re: Exposure Lock on ME Super?
(Snip)...
> So, if I wanted to use a manual focus camera, which
> Pentax has aperture priority and exposure lock ...
> besides the MX .
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re: Rear lens caps

2002-05-06 Thread Pat White

You can buy lens caps from Pentax, along with many other things.

Pat White
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Re: Bellows Question...

2002-05-06 Thread Alexander Krohe

Bruce wrote: -

Also, the bellows can handle mounting a lens reversed
for further magnification.  In that case, you do have
to stop the lens down - the double cable release
doesn't help much.
--

I don't think that is quite correct. I have the
A-bellows unit and I can confirm that the double cable
release works when the lens is mounted reversed. The
entire front part of the unit including the cable
release connection can be reversely mounted. IMO this
is a big advantage of the A-bellows. 

I ~think~ this is not possible with the K-bellows unit
where a reverse adaptor is needed for mounting the
lens reversed. I don't know the M-bellows but I
~think~ it works similar to the A-bellows unit. 
Alexander
Yahoo! Health - your guide to health and wellness
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RE: Pentax K 300mm f/4

2002-05-06 Thread Jens Bladt

Hello William
I'm not sure what the optical differences are, but I have The M* 4.0/300mm.
It is an excellent lens and doesn't really need a tripod mount. It's quite
small/compact (I guess that's what the M* stands for) for a 300mm lens. It's
perfectly usable for hand held shooting with fast film/or in bright light.
An old fashioned Pentax camera is supposed to be strong enough (metal
bayonet) to hold the lens, while the camera is on a tripod. However I
believe that some companies offer a tripod mount ring put on the lens, if
you want one. Others might know more about this, but I think I remember
seeing one in a magasine...

Best Regards,
Jens
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RE: Exposure Lock on ME Super?

2002-05-06 Thread Ron Bhanukitsiri

Hi Shel,

The Pentax MX is totally manual, no aperture priority.  The
exposure is always locked, but it may not be what you want ;-).

I've always wondered which is the most often used by photographer
and if he/she can pick only one what would it be: AE lock or
exposure compensation.  Well, at least the AF bodies seem to
have both ;-).

Ron B[ee]

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Shel Belinkoff
Sent: Monday, May 06, 2002 7:46 AM
To: [EMAIL PROTECTED]
Subject: Re: Exposure Lock on ME Super?


Thanks, Chris ...

Sounds like a good, quick workaround .

So, if I wanted to use a manual focus camera, which Pentax has aperture
priority and exposure lock ... besides the MX .
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Re: Kerosene Safelight

2002-05-06 Thread David Brooks

Probably did little C-41 work too

Dave

 Begin Original Message 

From: Shel Belinkoff <[EMAIL PROTECTED]>
Sent: Mon, 06 May 2002 10:41:16 -0400
To: Pentax List <[EMAIL PROTECTED]>
Subject: Kerosene Safelight


Amazing!  Imagine what darkroom work was like in the days when 
kerosene
powered safelights were used.

http://home.earthlink.net/~belinkoff/darkroom/klight.jpg
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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 End Original Message 




Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: Exposure Lock on ME Super?

2002-05-06 Thread Tim Engel

Shel,

Pentax K2 DMD,  but good luck finding one.   When in the automatic mode
(aperture priority),  the mirror lock-up also activates the exposure memory
hold (push the knob up).   But you can move the knob down to activate the
memory hold function without the mirror lock-up.

Regards,
Tim Engel



- Original Message -
From: "Shel Belinkoff" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, May 06, 2002 9:46 AM
Subject: Re: Exposure Lock on ME Super?
(Snip)...
> So, if I wanted to use a manual focus camera, which
> Pentax has aperture priority and exposure lock ...
> besides the MX .
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Rear lens caps

2002-05-06 Thread Jens Bladt

Hi All
Over the years I have purchased lenses with KA or KAF mount
without rear caps. Ebay sellers does not seem to know the  what 
a KA or KAF mount rear cap is.
I prefere caps that protect the contacts and the AF shaft 
as well as the rear lens/inside of the barrel. 
Do any of you know where to buy caps with a collar (KA/KAF-mount)

Best Regards, 
Jens
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Re: Exposure Lock on ME Super?

2002-05-06 Thread Chris Brogden

On Mon, 6 May 2002, Shel Belinkoff wrote:

> Thanks, Chris ...
>
> Sounds like a good, quick workaround .
>
> So, if I wanted to use a manual focus camera, which Pentax has aperture
> priority and exposure lock ... besides the MX .

Hmmm... even the LX and Super Program don't offer exposure lock.  You'll
have to go to the P-series bodies to find both at once.  The P30 (P3 in
U.S.) would work, as would the P50 (P5) and P30N (same as P30, but with
cosmetic changes).  These cameras still allow for manual film advance and
rewind, but I much prefer the feel and handling of earlier models.

chris
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OT; Photoshop seminar

2002-05-06 Thread Butch Black

Hi:

Is anyone going to the Photoshop seminar at the Jacob Javits center in NYC
tomorrow. If so, do you want to meet for coffee or lunch?

BUTCH

"Each man had only one genuine vocation - to find the way to himself"
Hermann Hesse (Demian)
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Re: Exposure Lock on ME Super?

2002-05-06 Thread Shel Belinkoff

Thanks, Chris ...

Sounds like a good, quick workaround .

So, if I wanted to use a manual focus camera, which Pentax has aperture
priority and exposure lock ... besides the MX .

Chris Brogden wrote:
> 
> On Mon, 6 May 2002, Shel Belinkoff wrote:
> 
> > My sister has my ME S manual and I was wondering if the camera offers
> > exposure lock.  Probably not, but thought I'd ask anyway.  Anyway, if it
> > does, how is it activated.
> 
> Easy... remember the reading you want to lock, turn the dial to "manual"
> and set the shutter speed appropriately.  Presto... instant exposure lock!
> ;)  If you're asking about a seperate button, then no, it doesn't have
> anything like that.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: Pentax SMC 135/2.5K vs Vivitar Series One 135/2.3K: color

2002-05-06 Thread Butch Black

You might want to check the backs of the prints. Most minilabs print a
series of numbers and/or letters that will tell what corrections, if any,
were made. If both prints have the same numbers/ letters they were printed
the same.

It strikes me that if flare can lower contrast and mute colors then a lens
with an inferior lens coating could produce images with less contrast and
saturation compared to a lens with better coatings on its lenses.

BUTCH

"Each man had only one genuine vocation - to find the way to himself"
Hermann Hesse (Demian)
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread gfen

Just thought I'd point out:

http://www.surplusshed.com/list.cfm?Category=Cameras

Second from bottom, your very own minilab for $925.



-- 
http://www.infotainment.org
 "The destructive character is cheerful."  - Walter Benjamin
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Kerosene Safelight

2002-05-06 Thread Shel Belinkoff

Amazing!  Imagine what darkroom work was like in the days when kerosene
powered safelights were used.

http://home.earthlink.net/~belinkoff/darkroom/klight.jpg
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Exposure Lock on ME Super?

2002-05-06 Thread Chris Brogden

On Mon, 6 May 2002, Shel Belinkoff wrote:

> My sister has my ME S manual and I was wondering if the camera offers
> exposure lock.  Probably not, but thought I'd ask anyway.  Anyway, if it
> does, how is it activated.

Easy... remember the reading you want to lock, turn the dial to "manual"
and set the shutter speed appropriately.  Presto... instant exposure lock!
;)  If you're asking about a seperate button, then no, it doesn't have
anything like that.

chris
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Re: MF: Pentax 67, 6x7 and 67II compatibility

2002-05-06 Thread Jan van Wijk

Thanks Bruce,

That is good to know.

Now trying to find a reasonably priced 67 body and finder ...

What I have seen sofar is between US $500 and 800 for 
a used 67 including the standard (non-TTL) prism ...


Regards, JvW


On Mon, 6 May 2002 08:28:39 -0700, Bruce Dayton wrote:

>
>There are new versions of all the finders for 67II but the only older
>version that cannot be used on the new 67II is the TTL Pentaprism
>Finder.

--
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Re: Exhibition?!? -Too good to be true?

2002-05-06 Thread Nitin Garg

On Mon, May 06, 2002 at 06:24:03PM +0200, Jostein wrote:
> 
> Searches in Google and Yahoo! turns up references from a spanish
> newsgroup, but I can't read a word of Spanish... :-( 

Didnt the language translation tool help to get a rough idea ?
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Re: Pentax Program Plus - Latest

2002-05-06 Thread Bill D. Casselberry

William Johnson, after deliniating differences, wrote:
 
> I think that the P30t is a likable enough camera, but I'm
> unsure if I would prefer it over a Program Plus.

I had a P30t for a (very) short while. I rapidly let it
go on to someone else. Most frustrating was the non-
overridable DX coding - I am a firm believer in +1/3rd
stop for print films. The memory lock only holds for a few
seconds, so exposure comp is far preferable, IMHO. Lack of
winder attachment also was a negative.

I'd go for the ProgramPlus between the two.

Bill


-
Bill D. Casselberry ; Photography on the Oregon Coast

http://www.orednet.org/~bcasselb
[EMAIL PROTECTED]
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Re: Pentax K 300mm f/4

2002-05-06 Thread David Dixon

William Robb wrote:

>Hi;
>I have the opportunity to purchase the above named lens. One
>thing that bothers me is the lack of a tripod mount. If any
>owners of the lens would care to comment on the qualities of it,
>and whether the lack of a tripod socket is a fatal flaw, I would
>be interested in your responses.
>Thanks
>
>William Robb


I had one of these until recently, but sold it and bought a Sigma 300/4 
apo macro instead, partly to get a tripod mount.  I used the lens with a 
monopod on a number of occasions, and using the camera tripod mount 
makes the camera & lens very front-heavy and difficult to use, 
especially with a ball & socket head, and even more so if using a 
teleconverter or extension tube.  I eventually resorted to cobbling 
together a make-shift tripod mount for the lens, which while not 
particularly sturdy, did allow for easier use on a monopod.
The optics were fine, except that very high contrast subjects would show 
the effects of slight chromatic aberration, giving magenta fringes 
around very bright objects (not usually a problem though).  The Sigma 
lens appears to be much better corrected (but with significantly poorer 
lens coatings).
The focusing on the Pentax is beautifully smooth and well damped, but 
quite slow due to the long travel; the Sigma is loose with a very short 
travel, but suprisingly easy to focus manually, with the added advantage 
of a much closer focus, although the internal focus effectively shortens 
the focal length even at quite modest distances - at 4m, the view is 
~20% wider than the Pentax.
Hope this helps,

David Dixon
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Re: In a nutshell - Is Pentax ever going Digital SLR

2002-05-06 Thread Patrick White

"Nitin Garg" wrote:
>The best way to merge digital and film is to make *digital film* IMO.
>Dont know if its possible. Dont think anyone is doing it :)

Yes, someone is (or perhaps, was).  It's been vapor hardware for something
like 4 years now, so no need to provide a web address.  Last I recall, the
resolution they were talking about was so low that the product wouldn't be
viable anymore.
My guess is they have the patent and are waiting for some camera company to
buy them out for it.  Unfortunately, they haven't realized that allowing
consumers to reuse existing gear instead of buying new isn't in anybody's
interest except the consumers, and they apparently don't have enough money
to make the development happen.

>On Thu, May 02, 1996 at 07:01:40PM -0700, Jeremy Clegg wrote:
>> I have been away, so I apologize if this topic has been beat to death.
>> Can I be relatively confident that *at some point less than 5 years from
>> now* Pentax will release a Digital SLR that can take all my nice Pentax
>> lenses?

As said by someone else, don't hold your breath -- the MZ-S itself took
nearly 6 years of this-conference-that-event rumors before it was real.  I
don't know what took them so long to perfect on it, so it was probably some
sort of delay for the proper market.  Therefore, Pentax is probably waiting
for the dust to settle on what the proper resolution and features should be
and for the proper market before releasing their digital SLR.  I doubt they
have figured out that this combination of factors is unlikely to happen
until the market is nearly saturated and sales begin to slow.
Of course, I suppose it is possible that Pentax will release the DSLR
sooner.

later,
patbob ([EMAIL PROTECTED])
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Re: Pentax Program Plus - Latest

2002-05-06 Thread b_rubenstein

The P30t is plastic and rubber on the outside and metal 
on the inside. The grey paint on the top plate tends to 
wear on the edges. Functionally, the cameras are pretty 
similar. The Program Plus was a more expensive camera 
and it shows in a number of areas: better finish, better 
viewfinder & less vibration, among others. One thing the 
P30t does have is AE lock (button marked ML). This is a 
very handy feature for AE cameras.
Neither camera seems to sell for very much these days, 
but I think a PP is worth more.
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OT Need a module

2002-05-06 Thread Collin Brendemuehl

I'm needing a Pentax dedicated module for my Sunpak 611.  It came with a non-dedicated 
shoe, but I'd like a dedicated one.  Anyone know of one out there?

TIA

--

Collin Brendemuehl, KC8TKA

---
"Get over it."
Dr. Laura

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Exposure Lock on ME Super?

2002-05-06 Thread Shel Belinkoff

My sister has my ME S manual and I was wondering if the camera offers
exposure lock.  Probably not, but thought I'd ask anyway.  Anyway, if it
does, how is it activated.
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Pentax Program Plus - Latest

2002-05-06 Thread William Johnson

The P30t (as I understand it) has a metal chassis and is plastic and
rubber covered.  It sets film speed via DX coding, there is no manual
setting of film speed available.  Non DX cartridges code in at ISO 100. 
The setting of shutter speeds is more traditional than the push buttons
of a program plus.  There is no exposure compensation available like a
Program Plus, but it does have a "memory lock" button.  It does not
accept a motor or winder.  Slow speeds  go down to only one second.  

It's been a while since I picked up a Program Plus, but my Super
Programs (concurrent model with the Program Plus) have a much brighter
viewfinder than does the P30t.  

I think that the P30t is a likable enough camera, but I'm unsure if I
would prefer it over a Program Plus.

HTH

William in Utah.


James Adams wrote:
> 
> Help
> Just received this offer from D... (In dealing for the delays)
> 
> I know I'll have to deal with the hassle of UPS when the camera returns,
> which I will do as it was my error in using UPS, so I have a proposition.
> 
> If you would like I have a Pentax P30T in excellent+  condition with either
> an SMC 1.7 lens that has minor mark on the filter ring (optics are fine) or
> a pristine SMC 2.0 lens.  The camera is a much newer (and in my opinion)
> superior model - I will send that directly via USPS if you would like it.
> 
> Otherwise I will deal with UPS and send the Program Plus out when I get it
> back... the offer is there, its up to you.
> 
> Sorry about the hassle,
> D...
> 
> Is the Program Plus a metal bodied camera, and P30T one of those plastic
> ones.
> Is this a good deal? (Pentax Program Plus was bought for $102)
> James
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Re: Alternative processes for dev and print.

2002-05-06 Thread Delano Mireles

Thanks, Tom.

That's exactly what I'm looking for!

D

on 5/6/02 11:06 AM, tom at [EMAIL PROTECTED] wrote:

>> -Original Message-
>> From: [EMAIL PROTECTED]
>> [mailto:[EMAIL PROTECTED]]On Behalf Of Delano Mireles
>> 
>> Hi all,
>> 
>> I'm currently reading more on different developing and
>> printing techniques
>> and just curious on where does one get actual chemicals to try these
>> alternatives?  Is this common in larger cities where you
>> would just go to a
>> photo shop and get this stuff?  Can it be mail ordered?
> 
> http://www.photoformulary.com/
> 
> You also might want to do a google search in rec.photo.darkroom, as
> there are a couple of lesser known places that are cheaper. I just
> don't know what they are off the top of my head.
> 
> tv
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RE: LX noise redux (Was: Re: Got One! (Was: Held an MZ-S Last Night))

2002-05-06 Thread Lukasz Kacperczyk

Same thing happened to me last week when I was photographing a cat, also
from a distance (I know - it's not a tiger, but you can't have everyhting
you want I guess). I don't have a LX, but a MX with a winder was noisy
enough for the animal to perfectly pose for the second shot.
Lukasz

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of Christian Skofteland
Sent: Monday, May 06, 2002 5:15 PM
To: [EMAIL PROTECTED]; Fred
Subject: LX noise redux (Was: Re: Got One! (Was: Held an MZ-S Last Night))


I found a venue where the ka-chunk of the LX is an asset.  I was a t the zoo
with my daughter over the weekend photographing anything that I could.  The
tigers, Serval and small tree-shrew type animals would not look at me whilst
I composed.  So: Ka-Chunk! went the LX as I photographed their backs.  Their
heads would whip around to see what made the noise and Ka-Chunk! I'd get a
nice portrait!  The tigers were outdoors and far away an yet they would
still
react to the sound!  Amazing!  Remind me not to go to India with the LX
The zoo is one thing, out in the open with a tiger would not be time to draw
attention to one's self.

I still love the LX though!  ;-)

Christian

On Monday 06 May 2002 10:52, Fred wrote:
>
> > P.S. Peter, compared to my LX ("ka-chunk, whirr"), I *like* the
> > hamster-sneeze shutter!
>
> Yeah.  As much as I love my LX's, they're not really capable of
> ~any~ stealth mode operation - .  I just reactivated an old ME
> Super (equipped with the clever Short Soft Case ME, for my own
> "hamster sneezes") as my dedicated "church camera".
>
> Fred (still reservedly curious about AF bodies)
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Re: Re: Question Regarding Developing Tanks

2002-05-06 Thread David Brooks

Vouched.

Dave

 Begin Original Message 

From: Aaron Reynolds <[EMAIL PROTECTED]>
Sent: Mon, 6 May 2002 12:03:48 -0400
To: [EMAIL PROTECTED]
Subject: Re: Question Regarding Developing Tanks


On Monday, May 6, 2002, at 11:26  AM, tom wrote:

> Jobo tanks are IR tight. They claim it and I've tested it.

Dave Brooks can vouch for that: his IR was developed in a Jobo 
plastic 
tank.

-Aaron
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 End Original Message 




Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Exhibition?!? -Too good to be true?

2002-05-06 Thread Jostein

Gang,
Has any of you received an offer to participate in an exhibition in
Spain lately?
I just received a generous offer from:

Grupo Batik Art

in Barcelona, but I don't know what to make of it. I could be just
spam, but it's an original way of presenting it. There were two
attachments to the mail, a CV for the exhibitor and the conditions for
the exhibition. The text was in pretty poor english, but the CV and
conditions were nice.

Searches in Google and Yahoo! turns up references from a spanish
newsgroup, but I can't read a word of Spanish... :-(Also, I found
a pile of links to artists' webpages who have put up the exhibition in
their own CVs. I will contact any of them that speak English or
scandinavian languages, but maybe any of you have heard of them too?

Thanks for any help,
Jostein
http://oksne.net
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Re: Pentax Program Plus - Latest

2002-05-06 Thread [EMAIL PROTECTED]

It occurs to me that if you specified, "Send by USPS," a Canadian seller unfamiliar 
with the abbreviation may easily have misread it as UPS.

[EMAIL PROTECTED] 


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RE: Alternative processes for dev and print.

2002-05-06 Thread tom

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Delano Mireles
>
> Hi all,
>
> I'm currently reading more on different developing and
> printing techniques
> and just curious on where does one get actual chemicals to try these
> alternatives?  Is this common in larger cities where you
> would just go to a
> photo shop and get this stuff?  Can it be mail ordered?

http://www.photoformulary.com/

You also might want to do a google search in rec.photo.darkroom, as
there are a couple of lesser known places that are cheaper. I just
don't know what they are off the top of my head.

tv
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Re: Question Regarding Developing Tanks

2002-05-06 Thread Aaron Reynolds

On Monday, May 6, 2002, at 11:26  AM, tom wrote:

> Jobo tanks are IR tight. They claim it and I've tested it.

Dave Brooks can vouch for that: his IR was developed in a Jobo plastic 
tank.

-Aaron
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Re: Question Regarding Developing Tanks

2002-05-06 Thread Aaron Reynolds

On Monday, May 6, 2002, at 11:26  AM, tom wrote:

> Are you talking about reels or tanks?

Aaron is not paying attention today and is talking about reels when the 
question is about tank lids.  Coffee needed.

-Aaron
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Aaron Reynolds

On Monday, May 6, 2002, at 07:46  AM, Shel Belinkoff wrote:

> With Studional do you get full film speed?  Can you achieve subtle
> detail in the shadows, especially good differentiation between Zones
> 1,2, and 3?

Full film speed, for most films I would say yes.  Delta 100 seems a 
little slow in it, as does FP4 (which I quite dislike in it).  Most 
everything else comes out fabulously.

Shadow detail is quite good with most films, especially TMax 100 and 
400, Delta 400, APX 100, Ilford Pan F 50, and all of the Fuji Neopans.

> Carefully collected notes! 

Well, they're collected in yer head, ain't they? ;)

-Aaron
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Re: MF: Pentax 67, 6x7 and 67II compatibility

2002-05-06 Thread Aaron Reynolds

On Monday, May 6, 2002, at 10:42  AM, Jan van Wijk wrote:

> Can the older viewfinders (non-TTL) for the 67 and 6x7 be used on the 
> 67II ?
>
> I'd like to know since I might be getting an older 6x7 or 67 and if I 
> get additional
> viewfinders with that, will they work on the 67II if I ever get one of 
> those ?

The non-metering finders from the 6x7/67 are all compatible with the 
67II.

> As far as I could see, the lenses are compatible. Are there exceptions ?

Nope!

-Aaron
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Re: OT: Alternative processes for dev and print.

2002-05-06 Thread Shel Belinkoff

What techniques are of interest?

Delano Mireles wrote:
> 
> Hi all,
> 
> I'm currently reading more on different developing and printing techniques
> and just curious on where does one get actual chemicals to try these
> alternatives?  Is this common in larger cities where you would just go to a
> photo shop and get this stuff?  Can it be mail ordered?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Shel Belinkoff

Hi Vic ...

I understand the point you're trying to make, but for me using the
computer, desaturated color film, and an ink jet printer just doesn't
provide the results I'm looking for. Desaturated color film does not
have the same tonality as B&W negative film, and please, don't even
suggest chromogenic B&W.  While it has its place, it's quite limited in
the results it can deliver, and there are very few emulsion choices and
but one speed of film.

Apart from different results, there's the pleasure derived from working
in a darkroom that I don't get from sitting in front of a computer
screen.

I don't believe that the costs between a wet darkroom and computer
generated prints are that different, and suspect that a wet darkroom is
less expensive, especially in the long run.  Printing ink for B&W work
is quite spendy, and good quality paper is not cheap either.  A printer
that's capable of making high quality 11x14 prints is probably as
expensive, or even more expensive, than an enlarger, which doesn't wear
out and never becomes obsolete.

Apart from chemicals and paper, and perhaps safelight filters, all
darkroom purchases are one-time only affairs.  Enlargers, lenses, trays,
tanks, etc., are not consumables.  They don't wear out or become
obsolete as does computer gear.  A forty year old enlarger works just as
well today as it did when new.

The environmental concerns may be similar, IMO, between computers and a
chemical darkroom., although I believe that computers, overall, are more
of an environmental disaster.  But, IAC, it comes down to choosing your
poison and how it effects you and the rest of the world.  Old computers,
monitors, and the like are a real disposal hazard, and the manufacture
of chips and circuits can wreak environmental havoc.  


[EMAIL PROTECTED] wrote:
> 
> Shel: This is probably going off in a completely different direction than you
> wanted but I'm wondering why you, or anyone for that matter, would continue
> to process film and work in the darkroom when you have the option of doing it
> all with the computer. I recognize that there is a certain amount of
> enjoyment going into the darkroom and watching your film and pictures develop
> right there in front of you. But the health concerns, the time and, of
> course, the money involved in darkroom work makes a scanner, computer and
> printer such a tempting alternative. And if it's B&W we're talking about.
> Shoot colour and convert it to B&W, and your off and running. I would
> hesitate to invest any money in traditional B&W techniques at this point...
> Just my opinion

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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OT: Alternative processes for dev and print.

2002-05-06 Thread Delano Mireles

Hi all,

I'm currently reading more on different developing and printing techniques
and just curious on where does one get actual chemicals to try these
alternatives?  Is this common in larger cities where you would just go to a
photo shop and get this stuff?  Can it be mail ordered?

Thanks for any leads,

Delano
(wishing he had paid more attention in his HS Chemistry class)
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Re: LX noise redux (Was: Re: Got One! (Was: Held an MZ-S Last Night))

2002-05-06 Thread Sas Gabor

Hi,

On 6 May 2002 at 11:14, Christian Skofteland wrote:
> I found a venue where the ka-chunk of the LX is an asset.  I was a t the zoo 
> with my daughter over the weekend photographing anything that I could.  The 
> tigers, Serval and small tree-shrew type animals would not look at me whilst 
> I composed.  So: Ka-Chunk! went the LX as I photographed their backs.  Their 
> heads would whip around to see what made the noise and Ka-Chunk! I'd get a 
> nice portrait!  

The 67 should also work with a def leppard ...


Gabor
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Re: MF: Pentax 67, 6x7 and 67II compatibility

2002-05-06 Thread Bruce Dayton

Jan,

My P67II manual clearly states:
"The Pentaprism Finder, Folding Focusing Hood or Rigid Magnifying Hood
used for the 67 camera can also be attached to the 67II camera.  The
TTL Pentaprism Finder used for the 67 Camera cannot be used to the
67II camera."

There are new versions of all the finders for 67II but the only older
version that cannot be used on the new 67II is the TTL Pentaprism
Finder.

HTH,


Bruce



Monday, May 06, 2002, 7:42:29 AM, you wrote:

JvW> Hi,

JvW> I am still trying to find these answers in documentation too, 
JvW> but PDML is still the best source :-)

JvW> Can the older viewfinders (non-TTL) for the 67 and 6x7 be used on the 67II ?

JvW> I'd like to know since I might be getting an older 6x7 or 67 and if I get 
additional
JvW> viewfinders with that, will they work on the 67II if I ever get one of those ?

JvW> As far as I could see, the lenses are compatible. Are there exceptions ?

JvW> Regards, JvW
JvW> --
JvW> Jan van Wijk;   http://www.dfsee.com/gallery
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RE: Question Regarding Developing Tanks

2002-05-06 Thread tom

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of William Robb
> 
> 
> The plastic lids are not necessarily IR tight, so if you are
> processing IR film, leave the lights off until the film is in
> the fixer.

Jobo tanks are IR tight. They claim it and I've tested it.

tv
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RE: Question Regarding Developing Tanks

2002-05-06 Thread tom

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Aaron Reynolds
> 
> On Sunday, May 5, 2002, at 02:34  PM, William D. Sawyer wrote:
> 
> > Does anyone have preferences regarding plastic or 
> stainless tops for 
> > developing tanks?  Other than cost, of course.  Are the 
> stainless ones 
> > superior?  Do they get stuck more often?  Do they wear better?
> 
> Stainless are better in almost every way, except if you drop 'em, 
> they're pretty much toast.  I use plastic because of my 
> fumble-fingers.

Are you talking about reels or tanks?

tv
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Shel Belinkoff

Can't you just add more solution to the tank?  IIRC, one generally runs
a Jobo using less chemistry than when doing hand processing, about 1/2
the chemistry, right?  If that's correct, couldn't you just fill the
tank with more solution?

I think that, to a degree, you're correct about developer, although
there are enough differences between *certain* developers (IMO) that
you'd not be able to match results, depending, of course, on what
results you're trying to match.  For example, I just can't see how
Acufine will produce results similar to FG-7 .

William Robb wrote:

> Developer capacity. I haven't used X-Tol, but D-76 and its close
> cousin ID-11 are run very close to capacity at full strength in
> a Jobo if the tank is at its film capacity.
> Frankly, I went to HC:110 because of its flexibility WRT
> dilution, and I haven't tried many onther developers in the
> Jobo. ID-11 works fine at full strength, I haven't tried 1:1
> because of capacity concerns.
> I have this possibly wrong belief that developer is developer is
> developer, and the results from any two different developers can
> be matched with some testing.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Pentax Program Plus - Latest

2002-05-06 Thread James Adams

Help
Just received this offer from D... (In dealing for the delays)

I know I'll have to deal with the hassle of UPS when the camera returns,
which I will do as it was my error in using UPS, so I have a proposition.

If you would like I have a Pentax P30T in excellent+  condition with either
an SMC 1.7 lens that has minor mark on the filter ring (optics are fine) or
a pristine SMC 2.0 lens.  The camera is a much newer (and in my opinion)
superior model - I will send that directly via USPS if you would like it.

Otherwise I will deal with UPS and send the Program Plus out when I get it
back... the offer is there, its up to you.

Sorry about the hassle,
D...

Is the Program Plus a metal bodied camera, and P30T one of those plastic
ones.
Is this a good deal? (Pentax Program Plus was bought for $102)
James
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Fujinon 400/4.5

2002-05-06 Thread [EMAIL PROTECTED]

I'm surprised no PDMLer--not even JCO--bid on the beautiful Fujinon EBC 400/4.5 in M42 
that was sniped for $335 at 
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1349563526 . 

- EBC-multicoated
- takes 49mm rear filters
- 5 elements, 4 groups
- 1990 g
- close focus: 8 meters (reason enough, perhaps, to be glad you didn't get it)

Not sure if it has the Auto switch.

Other multicoated M42 Fujinon lenses included a 600/5.6 and a a 1000/8! Both take 49mm 
rear filters.

Other M42 fast 400 bargains include the Piesker 400/4.5 (400/4?) and Enna Tele-Ennalyt 
400/4.5. The latter was also available in K mount, but without aperture.

[EMAIL PROTECTED]


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Re: Film scanners

2002-05-06 Thread Aaron Reynolds

On Friday, May 3, 2002, at 06:26  PM, Ryan Charron wrote:

> If you've got a medium format camera, you might as
> well
> go for a real medium format film scanner.
> You'll never be sorry you did. The scans must be
> awesome! (excuse me, I'm licking my lips and lusting
> here)

Ryan, I had a Sprintscan 4000 and moved up to a Sprintscan 120, which, 
in addition to the ability to scan medium format, has better DMax.  
Wow.  The difference between that and our old Agfa Duoscan T1200 is 
astonishing, even at the same resolution.

Anyone who has medium format gear and who is thinking about investing in 
digital, I recommend spending your money on a good medium format neg 
scanner.

-Aaron
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Re: Stan H Tinkers In Toronto

2002-05-06 Thread Aaron Reynolds

On Friday, May 3, 2002, at 11:05  PM, frank theriault wrote:

> Wasn't that just around the time that Stan ~dropped~ the 645? (ouch)

Note to self: do not buy any 645s from Stan.

;)

-Aaron
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Re: Running Film Through The Spin Cycle

2002-05-06 Thread Pentxuser

Shel: This is probably going off in a completely different direction than you 
wanted but I'm wondering why you, or anyone for that matter, would continue 
to process film and work in the darkroom when you have the option of doing it 
all with the computer. I recognize that there is a certain amount of 
enjoyment going into the darkroom and watching your film and pictures develop 
right there in front of you. But the health concerns, the time and, of 
course, the money involved in darkroom work makes a scanner, computer and 
printer such a tempting alternative. And if it's B&W we're talking about. 
Shoot colour and convert it to B&W, and your off and running. I would 
hesitate to invest any money in traditional B&W techniques at this point... 
Just my opinion
Vic

In a message dated 5/5/02 6:03:38 PM, [EMAIL PROTECTED] writes:

<>
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RE: Got One! (Was: Held an MZ-S Last Night)

2002-05-06 Thread Łukasz Kacperczyk

Good for you. As soon as I rob a bank I'll also get it (or wouldn't it be
easier to rob a camera store? ;)
Lukasz

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of Stephen Moore
Sent: Monday, May 06, 2002 3:33 PM
To: Pentax List
Subject: Got One! (Was: Held an MZ-S Last Night)


Arrived Friday from B&H, along with an BG-10.
The not-inconsiderable manual has been at the
top of the bathroom-reading pile all weekend.

Basically, I'm thrilled. The build quality and
overall heft/feel are impressive. So far the
control logic and layout shout "Pentax!" i.e.,
what you really need, where you need it. Played
with the trap-focus feature, which I think is
going to serve me well at the racetrack this
summer.

It's my first AF body, so I can't nitpick it
in comparison to, say, the PZ1-P. I'm sure there'll
be minor annoyances that pop up as I learn the beastie,
but no camera's perfect. For now I'm impressed. I think
by tonight I'll be ready go out and actually burn some
film with it. (Then it'll be time to start agonizing over
my first AF lens...)

Thanks to everyone who helped out with my AF questions
a few weeks back.

Regards,
Stephen

P.S. Peter, compared to my LX ("ka-chunk, whirr"),
I *like* the hamster-sneeze shutter!

__
"You got a Zarg in here? Are you *nuts*???
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Got One! (Was: Held an MZ-S Last Night)

2002-05-06 Thread Stephen Moore

Arrived Friday from B&H, along with an BG-10.
The not-inconsiderable manual has been at the
top of the bathroom-reading pile all weekend.

Basically, I'm thrilled. The build quality and
overall heft/feel are impressive. So far the
control logic and layout shout "Pentax!" i.e., 
what you really need, where you need it. Played
with the trap-focus feature, which I think is
going to serve me well at the racetrack this
summer. 

It's my first AF body, so I can't nitpick it
in comparison to, say, the PZ1-P. I'm sure there'll 
be minor annoyances that pop up as I learn the beastie,
but no camera's perfect. For now I'm impressed. I think 
by tonight I'll be ready go out and actually burn some 
film with it. (Then it'll be time to start agonizing over
my first AF lens...)

Thanks to everyone who helped out with my AF questions
a few weeks back.

Regards,
Stephen

P.S. Peter, compared to my LX ("ka-chunk, whirr"), 
I *like* the hamster-sneeze shutter!

__ 
"You got a Zarg in here? Are you *nuts*???
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Re: Pentax K 300mm f/4

2002-05-06 Thread gfen

On Mon, 6 May 2002, wendy beard wrote:
> Earlier in the day I'd nearly given myself a heart attack. Coming
> downstairs I dropped the lens. It landed big end down. Snatched it up and
> whisked off the lens cap. Horror! a chip in the glass. I nearly cried. Even
> worse, the glass was loose!

I planted the front end of my A50 f1.4 into the ground yesterday when I
slipped down an embankment. I gave up filters for protection, preferring
instead to stick to lens hoods.

If I hadn't finally replaced the rubber hood with a metal one that
morning, I'd have one less lens. I went on to nearly drop it in the stream
a few times, and having the tripod nearly slip into the stream as well,
that day. I guess no filter or hood would've protected it that well, but
hey, I figured it was time I show my camera a little abuse for once. :)

(I could go on about all the fabulous opportunities I missed in NYC this
weekend, but it'd just depress me)

-- 
http://www.infotainment.org
 "The destructive character is cheerful."  - Walter Benjamin
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