Re: PAW39 - Sunset

2010-10-05 Thread Mark Roberts
DagT wrote:

http://www.thrane.name/page3/page7/files/page7-1000-full.html
K20D, da*16-5...@16mm, 1/90s, f/8, ISO200

Oh YEAH!


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Re: PAW39 - Sunset

2010-10-05 Thread Larry Colen

On Oct 5, 2010, at 5:51 PM, Mark Roberts wrote:

 DagT wrote:
 
 http://www.thrane.name/page3/page7/files/page7-1000-full.html
 K20D, da*16-5...@16mm, 1/90s, f/8, ISO200
 
 Oh YEAH!

Great shot!

 
 
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Re: Out of curiosity: A question for the pros

2010-10-05 Thread Larry Colen

On Oct 5, 2010, at 5:47 PM, Mark Roberts wrote:
 
 By this time next year, it'll be about half that.  If my time is worth any 
 money at all, it's practically not worth the time to go through the bother 
 of deleting them.
 
 Whenever I can't think of a better reason for keeping a shot than how
 cheap and easy it is to do so, I know that's a photograph that isn't
 worth keeping.


You make a good point.

My current rating system is:
0: not yet rated
1: completely unsalvageable
2: technically blown, but there may be a reason to try to salvage it
3: Nothing technically bad, but nothing particularly noteworthy
   (unless you happen to be in the photo and it's the only picture that anyone 
has taken of you doing something you enjoy)
4: Good enough to post on the web
5: Good enough to print

All of the photos rated 1  2 get deleted. 
Eventually, all that remains will go into a big archive, with the ones rated 4 
and up staying in a more active archive.

I also want to eventually change my rating system by bumping everything down a 
notch:

0: not yet rated
1: delete when convenient
2: meh, ( but might be interesting to the people in it or if the people in it 
are one day famous)
3: web worthy
4: print worthy
5: possibly show worthy

I could spend a lot more time deciding which shots I want to disappear forever, 
though I frequently have people asking about shots that I'd rate a 3, because 
they are special to them. It's easier for me to just shuffle off the vast 
majority to digital purgatory, than to spend the time carefully sorting them 
out to I'll never want and I might want at some time in the future.

YMMV

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RE: Out of curiosity: A question for the pros

2010-10-05 Thread Tanya Love
I concur.  There is no point in keeping stuff just because it is cheap to do
so.  It may only equate to 1TB per year, but it is also a whole lot of
filing, cataloguing etc that I don't have time to do.  There is no point in
me keeping stuff that is average at best.  I don't ever want to be an
average photographer, and want to be proud of my portfolio of work.  I
don't want to look back at stuff and go omg, that sucks, what the heck was
I thinking keeping that?!?

Wrt to editing vs deleting - I agree with that too - editing does not =
deleting - they are two separate processes for me.

My post workflow is a three step process, that I refer to as D.C.E -  1.
The mass delete. 2. A further, more refined cull. 3. The edit.

#1 - is a fast process - if it isn't completely engaging or usable at first
glance, it gets rejected immediately. 15 minutes max.
#2 - is a more discerning look, zooming in to view focus, details, etc., and
the rejection of those that looked ok at first glance, but upon finer
inspection of focus etc, I realised that there are better shots in the
collection. 30-60 mins.
#3 - editing and creative processing. 4-5 hours for an average 300 image
collection.

I never waste my time editing stuff that is average.  There just aren't
enough hours in the day.  UNLESS, I am on a tight deadline and have no time
for a reshoot and HAVE to deliver something to the client asap.  (I think
that I have only done this twice and it felt SHITE to do so).

Mark also said:  Good photographers have to be ruthless editors of their
own work.  

This is the point that I was making.  I keep heaps of average/crappy stuff
(I even take stuff on my iphone occasionally) if it is of my kids or
whatever, for emotional/memorial reasons, but I don't consider that to be
my photography.  If I wasn't a ruthless editor of my own work, I don't
think that I could ever improve on my work, AND I also think it would equate
in me developing a massive ego as I would start believing that everything I
do is great, which it most definitely isn't. 

I love editing/deleting my work harshly, it keeps me humble.


Tanya Love
Photographer

www.lovebytes.com.au
m: 0458 006 740




-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Mark
Roberts
Sent: Wednesday, 6 October 2010 10:47 AM
To: Pentax-Discuss Mail List
Subject: Re: Out of curiosity: A question for the pros

Mark said:

Whenever I can't think of a better reason for keeping a shot than how cheap
and easy it is to do so, I know that's a photograph that isn't worth
keeping.


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RE: About Studio Lighting kinds

2010-10-05 Thread Tanya Love



John Sessoms said:

I just replaced my cheap Chinese radio-slaves, which come to think were
Interfit Branded with Paul C. Buff Cybersync. Didn't go the CyberCommander
route yet, but the receivers  transmitter I have will work with it if I
ever get that far advanced.

Yeah, I am going to go with the CyberCommanders I think - they are a bit
more exxy which is why I haven't done it yet, but I think to have full
control over everything and to be able to add as many strobes as I like will
be really handy...

They do provide great customer service, and plus, ABs are cool.  The
ONLY studio set up that I have ever found that actually has a bit of
personality to it!  Sucks that they changed their website to look more
commercial (read: boring!) though, I used to love the old out there Alien
inspired one!



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Re: Out of curiosity: A question for the pros

2010-10-05 Thread William Robb


--
From: Tanya Love
Subject: RE: Out of curiosity: A question for the pros

I concur.  There is no point in keeping stuff just because it is cheap to 
do

so.  It may only equate to 1TB per year, but it is also a whole lot of
filing, cataloguing etc that I don't have time to do.  There is no point 
in

me keeping stuff that is average at best.  I don't ever want to be an
average photographer, and want to be proud of my portfolio of work.  I
don't want to look back at stuff and go omg, that sucks, what the heck 
was

I thinking keeping that?!?



I could come up with a very compelling reason, if you like. It's one of the 
fundamentals that I taught when I instructed beginner photography workshops.


William Robb 



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Re: Off list for a while - and why

2010-10-05 Thread Bob Sullivan
Sad news Ann, my condolences.  Regards, Bob S.

On Tue, Oct 5, 2010 at 11:06 AM, Ann Sanfedele ann...@nyc.rr.com wrote:
 My  oldest (in terms of years known) and one of two of my very dearest
 closest long term friends passed away on Friday ... so I'm off to Chicago to
 her home and family One of the reasons I could talk myself into the expense
 of the photo show at the Dank last spring was my concern that there would no
 be many more opportunities to be with her in person... the show became a
 reason to go to Chicago so Barb
 wouldn't think I was just hurrying to get there before she passed on... one
 had hoped  things were not as dire as they sounded from
 her daughter -- Barb always minimalized her troubles and was a real trooper
 ... She appreciated our lists penchant for puns and herself
 invented a few wonderful shaggy-dog groaners.

 No, not the big C - but enough other stuff to cause her to be in and out of
 hospital for a few months and cause her a lot of discomfort.

 While I was biting my nails waiting to see if my photo got in she said But
 you are coming anyway arent you? naturally, I was.

 How many of us can claim to still be friends and in touch with someone from
 childhood at my age? (gonna be 74 in December)
 Particularly sad for me not just for the loss of her friendship but to think
 of her only being two years my senior ...
 Her son Johnny took our photo in May and  said I should make a grouping of
 photos of the two of us  - so I did that for him on
 my web page...  he took the one of us last May.
 I've spent the last couple of days gathering more snaps from the past at her
 daughter's request to be displayed at the wake... it
 seems that is something of a fashion these days...

 I won't really be _in_ Chicago ... except to get to the communter rail to
 take me to the far burbs - I'll be taking the long way around
 returning (bus and trains) so if I can manage it at all I'll get to see a
 couple of you .
 Happily, my young roomie  will take care of Ashley .

 The gallery on my web page with vintage photos is called Barb and Barb
 Yeah, I was  _nee_ Barbara Ann... and is in the Friends and Family section
 - if you are curious...

 Sometimes my direct off-list mail doesnt get to people (something to do with
 my server) so Frank and Paul Stenquist - write me off list will ya? you both
 should have had email from me.

 I hope to at least get a cuppa with Christine and I'm going to pick up my
 photo and the one I traded for from Dank House

 I'll stay on list long enough to answer  stuff - but you can see why I've
 been quiet for a bit

 ann
 http://annsan.smugmug.com








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Re: Off list for a while - and why

2010-10-05 Thread Stan Halpin
So sorry to hear this Ann.  I know you had been concerned for her for some 
time. But expecting the worst doesn't make coping with the situation all that 
much easier.

stan

On Oct 5, 2010, at 11:06 AM, Ann Sanfedele wrote:

 My  oldest (in terms of years known) and one of two of my very dearest 
 closest long term friends passed away on Friday ... so I'm off to Chicago to 
 her home and family One of the reasons I could talk myself into the expense 
 of the photo show at the Dank last spring was my concern that there would no 
 be many more opportunities to be with her in person... the show became a 
 reason to go to Chicago so Barb
 wouldn't think I was just hurrying to get there before she passed on... one 
 had hoped  things were not as dire as they sounded from
 her daughter -- Barb always minimalized her troubles and was a real trooper 
 ... She appreciated our lists penchant for puns and herself
 invented a few wonderful shaggy-dog groaners.
 
 No, not the big C - but enough other stuff to cause her to be in and out of 
 hospital for a few months and cause her a lot of discomfort.
 
 While I was biting my nails waiting to see if my photo got in she said But 
 you are coming anyway arent you? naturally, I was.
 
 How many of us can claim to still be friends and in touch with someone from 
 childhood at my age? (gonna be 74 in December)
 Particularly sad for me not just for the loss of her friendship but to think 
 of her only being two years my senior ...  
 Her son Johnny took our photo in May and  said I should make a grouping of 
 photos of the two of us  - so I did that for him on
 my web page...  he took the one of us last May.  
 I've spent the last couple of days gathering more snaps from the past at her 
 daughter's request to be displayed at the wake... it
 seems that is something of a fashion these days...
 
 I won't really be _in_ Chicago ... except to get to the communter rail to 
 take me to the far burbs - I'll be taking the long way around
 returning (bus and trains) so if I can manage it at all I'll get to see a 
 couple of you .  
 Happily, my young roomie  will take care of Ashley .
 
 The gallery on my web page with vintage photos is called Barb and Barb 
 Yeah, I was  _nee_ Barbara Ann... and is in the Friends and Family section 
 - if you are curious...
 
 Sometimes my direct off-list mail doesnt get to people (something to do with 
 my server) so Frank and Paul Stenquist - write me off list will ya? you both 
 should have had email from me.
 
 I hope to at least get a cuppa with Christine and I'm going to pick up my 
 photo and the one I traded for from Dank House
 
 I'll stay on list long enough to answer  stuff - but you can see why I've 
 been quiet for a bit
 
 ann
 http://annsan.smugmug.com
 
 
 
 
 
 
 
 
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Re: It ain't like it used to be.

2010-10-05 Thread P. J. Alling

 On 10/5/2010 7:01 PM, John Francis wrote:

On Tue, Oct 05, 2010 at 01:49:18PM -0700, Larry Colen wrote:

On Oct 5, 2010, at 1:43 PM, John Sessoms wrote:

Well ... not a real car.

I'd get my MG running again, but that's not really for transportation.

I need to get my MGBGT back on the road too.  And being a BGT, it actually 
makes pretty decent transportation.

That's a matter of opinion ...

I grew up with MGBs.  They were perhaps a little better than the Ford Escort
beloved by the boy racers of the next generation, but only a little better.
Still, at least they were better than the Triumph Spitfire or MG Midget.

In those days I drove a Triumph Vitesse convertible; lighter than an MGB,
with a two-litre straight 6 engine (the MGB GT had an 1800cc 4-banger).

A friend of mine had an MGC.  Now *that* was a nice bit of machinery.

Too bad it didn't have nice electrics to go with it.

--
His lack of education is more than compensated for by his keenly developed moral 
bankruptcy.
 -Woody Allen


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Re: Out of curiosity: A question for the pros

2010-10-05 Thread P. J. Alling
 I should think that would be one of the best times to take pictures.  
Pretty shots of pretty places are easy...


On 10/5/2010 6:27 PM, Jeffery Smith wrote:

The PAW project came about as a result of the same thing we tend to do here 
(talk about equipment rather than taking pictures...but I blame that on 
Photokina). Kyle Cassity on the Leica Users Group came up (half-jokingly) that 
the LUG people should use their cameras rather than just talking about them, 
and challenged them to post one decent photo a week. I participated for several 
years, but when the demands of my job got to the point that I had almost no 
free time, I had to let the project go. Then Katrina hit us, and I didn't do 
much of anything photographic because the city looked like London after WWII.

Jeffery

On Oct 5, 2010, at 3:59 PM, Walter Gilbert wrote:


   Thanks for the input, Jeffery.

I've been curious about the PAW project, having seen references to it in 
subject lines on the list in the past.  I just assumed it was an individual 
effort.  Maybe a kind soul will explain it to me sometime.  Now, I've at least 
put together the fact that PAW stands for Picture-a-Week -- or something 
similar.

As for trying to capture birds ... the funny thing is, that was my main focus 
when I got my K-x.  It never occurred to me not to try it, inasmuch as I'd seen 
photos of birds in flight, so I just took it for granted that it was possible 
to do, and set about doing it.  I get a passable shot only about ten percent of 
the time, but it's sort of like the old saw about taking a rather forward 
approach with women:  Nine out of ten times, you get slapped.  But, that tenth 
time...

Thanks again!

Walt






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bankruptcy.
 -Woody Allen


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Re: Out of curiosity: A question for the pros

2010-10-05 Thread P. J. Alling
 Just try to add an interesting background to a good foreground shot in 
color in a chemical darkroom.  It was difficult enough to do in BW, 
Photoshop's a snap.


On 10/5/2010 4:59 PM, Walter Gilbert wrote:

   Thanks, P. J.

Good point about storage.  I guess I still think of hard drive space 
as coming at a rather high premium -- and also, there's the fact that 
I'm not the most well-organized person in the world.  I tend to 
scatter copies of images in various forms hither and yon, throughout 
my drive.  Though, I have gotten considerably better about it, now 
that I'm doing more editing.


As for the Photoshop making it easy to combine elements into an 
interesting image ... all I can say to that is that easy is a very 
relative term.  :-)


As for selling photos to the AP ... if I were going to try and pull of 
something like that, I'd go to Reuters.  ;-)


Best,

Walt


On 10/5/2010 2:55 PM, P. J. Alling wrote:

 Apply some blur, some motion striping and call it art...

Hell, I seldom throw anything out, (unless it's just silly, like 100 
pictures of  a doorknob),  storage is cheap, and you never know when 
a great idea for combined images will strike you.


Somewhere on film I have a very nice photograph of an egret, with a 
dead white sky.  I also have a number of establishing shots on that 
same roll of film that had nice blue sky fluffy clouds and 
interesting Jungle type foliage, Photoshop makes it easy to combine 
those elements to get an interesting image, where before there were 
several boring and flawed images.  Just don't sell the result to the AP.




On 10/5/2010 1:37 PM, Walter Gilbert wrote:
 As I hasten to stipulate at every opportunity, I'm pretty new to 
photography, and I have what may seem to be a stupid question.  So, 
please indulge me.


That said, what do all of you real photographers do with images that 
may be flawed, but still have some redeeming qualities to them.  For 
instance, a shot that's too poorly focused to rescue with sharpening 
tools and so forth, but does capture a sense of action that is 
somewhat appealing.  Like this one, for example:


http://picasaweb.google.com/lh/photo/7X4Utq1sTP4AoZG2S3S0zQ?feat=directlink 



As you can see, it's a fairly severe crop, and has been sharpened 
already to the point where it exhibits a pretty prominent halo as a 
result.  I do have a copy of the image, pre-halo, but not the 
original file -- which I seem to have deleted somehow.  I don't see 
the image ever being finessed to the point where it's printable, but 
I hate to just discard it because of the sense of action.  Do you 
all generally keep images like these, or just send them down the 
memory hole to rid yourself of torment and temptation to return it 
in futility?


Any guidance and/or damnation with faint praise are, as always, 
greatly appreciated.


Best,

Walt












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bankruptcy.
 -Woody Allen


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Re: Out of curiosity: A question for the pros

2010-10-05 Thread P. J. Alling

 On 10/5/2010 8:47 PM, Mark Roberts wrote:

Larry Colen wrote:


On Oct 5, 2010, at 4:30 PM, John Francis wrote:


On Wed, Oct 06, 2010 at 08:57:04AM +1000, Tanya Love wrote:

I know this is an opposing view to what most have posted here, but it works
for me.  And when I am shooting 2-3000 frames every week, the storage space
and time it would take to keep the average shots, would be ridiculous.

2000 images a week, 50 weeks a year, at 10MB/image, is one TB a year.
I don't think that's a ridiculous amount of storage; A decades worth
of storage will fit in a single RAID array the size of a desktop PC.

AT today's prices, that's about a buck a week for storage.  With backups, call 
it $4/week or about $0.50 per day.

By this time next year, it'll be about half that.  If my time is worth any 
money at all, it's practically not worth the time to go through the bother of 
deleting them.

Whenever I can't think of a better reason for keeping a shot than how
cheap and easy it is to do so, I know that's a photograph that isn't
worth keeping.



YOU!

--
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bankruptcy.
 -Woody Allen


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Re: Out of curiosity: A question for the pros

2010-10-05 Thread Ken Waller
In general I try to only keep those images that don't require an explanation 
for the viewer as far as technical deficiencies go. And I don't keep images 
that I wouldn't be proud to show others.


Upon download, I make a fast  ruthless selection of keepers and trash the 
rest. I'll do that again after I've perfected all the images from a 
particular shoot.


The more you shoot the better you can be - work an image so you wind up with 
variations to choose from and keep only the best of those.


Unless you use them for teaching purposes, keeping less than perfect images 
is a waste in time and effort.


my $.02 worth.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Walter Gilbert ldott...@gmail.com

Subject: Out of curiosity: A question for the pros


 As I hasten to stipulate at every opportunity, I'm pretty new to 
photography, and I have what may seem to be a stupid question.  So, please 
indulge me.


That said, what do all of you real photographers do with images that may 
be flawed, but still have some redeeming qualities to them.  For instance, 
a shot that's too poorly focused to rescue with sharpening tools and so 
forth, but does capture a sense of action that is somewhat appealing. 
Like this one, for example:


http://picasaweb.google.com/lh/photo/7X4Utq1sTP4AoZG2S3S0zQ?feat=directlink

As you can see, it's a fairly severe crop, and has been sharpened already 
to the point where it exhibits a pretty prominent halo as a result.  I do 
have a copy of the image, pre-halo, but not the original file -- which I 
seem to have deleted somehow.  I don't see the image ever being finessed 
to the point where it's printable, but I hate to just discard it because 
of the sense of action.  Do you all generally keep images like these, or 
just send them down the memory hole to rid yourself of torment and 
temptation to return it in futility?


Any guidance and/or damnation with faint praise are, as always, greatly 
appreciated.


Best,

Walt



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Special ping

2010-10-05 Thread Boris Liberman

Hello there.

If you receive this message more than once please reply. Otherwise, you 
don't /really/ have to bother.


Cheers.

Boris

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Re: It ain't like it used to be.

2010-10-05 Thread John Sessoms

From: Larry Colen

On Oct 5, 2010, at 3:10 PM, John Sessoms wrote:



Problem number 2 is what's really kept it off the road.

Vandals smashed the windshield and driver's side window and I
can't get the broken glass out of the existing interior. I'm
going to have to strip it out and completely replace it, which is
just beyond my finances right now.

That seems mighty extreme.  At the very least a detailing place
should be able to clean it all out for, at most, $200.



Even if you ignore how the interior looked after having all that glass 
smashed into the upholstery, there are thousands of tiny little 
splinters of glass embedded throughout.


I scrubbed and vacuumed and brushed and vacuumed and scrubbed and 
vacuumed and ... no amount of detailing is going to remove it.


Trust me, I tried; they just wouldn't come out. I was still getting 
cuts, and glass splinters hurt like hell.



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Re: It ain't like it used to be.

2010-10-05 Thread John Sessoms

From: P. J. Alling

  On 10/5/2010 7:01 PM, John Francis wrote:

 On Tue, Oct 05, 2010 at 01:49:18PM -0700, Larry Colen wrote:

 On Oct 5, 2010, at 1:43 PM, John Sessoms wrote:

 Well ... not a real car.

 I'd get my MG running again, but that's not really for transportation.

 I need to get my MGBGT back on the road too.  And being a BGT, it actually 
makes pretty decent transportation.

 That's a matter of opinion ...

 I grew up with MGBs.  They were perhaps a little better than the Ford Escort
 beloved by the boy racers of the next generation, but only a little better.
 Still, at least they were better than the Triumph Spitfire or MG Midget.

 In those days I drove a Triumph Vitesse convertible; lighter than an MGB,
 with a two-litre straight 6 engine (the MGB GT had an 1800cc 4-banger).

 A friend of mine had an MGC.  Now *that* was a nice bit of machinery.

Too bad it didn't have nice electrics to go with it.


'cause Lucas also makes refrigerators ... yada, yada yada!

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Re: It ain't like it used to be.

2010-10-05 Thread Jerry in Arizona
A, Lucas, the Prince of Darkness

I still like my RED '87 Alfa Romeo Quadrafoglio

http://i896.photobucket.com/albums/ac164/gelewis_2010/Bisbee%20Blues%20Fest%202010/_ORI8154A1.jpg


Jerry

From: P. J. Alling webstertwenty...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: It ain't like it used to be.
Message-ID: 4cabde0d.1030...@gmail.com
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

  On 10/5/2010 7:01 PM, John Francis wrote:
 On Tue, Oct 05, 2010 at 01:49:18PM -0700, Larry Colen wrote:
 On Oct 5, 2010, at 1:43 PM, John Sessoms wrote:
 Well ... not a real car.

 I'd get my MG running again, but that's not really for transportation.
 I need to get my MGBGT back on the road too.  And being a BGT, it actually 
makes pretty decent transportation.
 That's a matter of opinion ...

 I grew up with MGBs.  They were perhaps a little better than the Ford Escort
 beloved by the boy racers of the next generation, but only a little better.
 Still, at least they were better than the Triumph Spitfire or MG Midget.

 In those days I drove a Triumph Vitesse convertible; lighter than an MGB,
 with a two-litre straight 6 engine (the MGB GT had an 1800cc 4-banger).

 A friend of mine had an MGC.  Now *that* was a nice bit of machinery.
Too bad it didn't have nice electrics to go with it.


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Re: Off list for a while - and why

2010-10-05 Thread Boris Liberman

Be strong, Ann!

Boris

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Re: It ain't like it used to be.

2010-10-05 Thread Boris Liberman

On 10/5/2010 2:01 AM, John Sessoms wrote:

If Pentax's customers lose the perception that Pentax offers superior
value, they will no longer be Pentax's customers.


Very well said indeed. This is probably what I've been trying to tell 
all along but did not manage it with proper brevity. I am never brief, 
ain't I?


Boris


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Re: Boris and Galia - few PESOs

2010-10-05 Thread Boris Liberman

On 9/30/2010 8:21 PM, Bob Sullivan wrote:

Boris,
Tell Galia I like her army better than yours.
She seems to have 3 cohorts on the attack,
and the stage(?) appears more parallel to the front rank in her shot.
The waves are just waves.
In the chair study, I especially like the choice of row 10.
It has so many links back to the Roman army's organzation.
Regards,  Bob S.


Thanks, Bob. I told Galia that her pictures were liked by many people 
and it made her shine :-).


Boris

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Re: Boris and Galia - few PESOs

2010-10-05 Thread Boris Liberman

On 10/1/2010 12:19 AM, Bob W wrote:

I think you were both very clever to get that shot of the chairs, and to see
it in that way. Excellent.

Bob


Thanks, Bob. I did not know what Galia shot until we got home :-).

Boris

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Re: Boris and Galia - few PESOs

2010-10-05 Thread Boris Liberman

On 10/1/2010 3:59 AM, paul stenquist wrote:

What Bob said. Well seen.
Paul


Thanks, Paul!

Boris

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Re: Boris and Galia - few PESOs

2010-10-05 Thread Boris Liberman

On 10/1/2010 2:06 PM, Steven Desjardins wrote:

Good on you for taking the time to patiently teach and encourage her.
Even well intentioned people get busy and tired and family time
becomes nothing but a shared DVD.  You never know how her thinking i
general develops because she learned how to take the time to compose
and correctly expose photographs.

BTW, I obviously like the pics otherwise I'd be telling you to teach
her carpentry.  ;-)


Thanks, Steve. I think that actually she needs no encouragement any 
longer. She enjoys the process and the results as well.


You mean programming and write carpentry, don't you? :-)

Boris

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Re: Boris and Galia - few PESOs

2010-10-05 Thread Boris Liberman

On 10/3/2010 5:46 PM, frank theriault wrote:

I love the two armies of ~each~ of you, and I really like Galia's Wave Study!

Excellent shots

cheers,
frank


Me too, Frank. I was very pleasantly surprised by these pictures. Thanks!

Boris

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Re: Boris and Galia - few PESOs

2010-10-05 Thread Boris Liberman

On 10/4/2010 11:22 PM, David J Brooks wrote:

Lovely
Dave


Thanks!

Boris

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Re: Boris and Galia - few PESOs

2010-10-05 Thread Boris Liberman

On 10/1/2010 12:24 AM, Walter Gilbert wrote:

  My upbringing won't permit me to express in properly brutal terms the
unmitigated spite and envy I'm currently feeling toward a mere child.

Beyond that ... nice work!

-- Walt


Thanks, Walt... :-)

Boris

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RE: All right, which one of you is responsible for this?

2010-10-05 Thread Bob W
 Mark Roberts wrote:
  I was just voting on photos for the Pentax Photo Gallery and what
  should come up but a shot titled Cormorants at Sunset...
 
 
 
 
 I think if it was one of us, it would say Cormorants (Official Bird of
the
 PDML[tm]. All Rights Reserved. Do Not Fold, Spindle, or Mutilate.
 Subject to Credit approval. Tell your doctor about all medications you're
 taking, and ask if you're healthy enough for sexual activity.
 Most common side-effects are death and purchasing Bee Gees albums on
 iTunes. This title is intended for the named recipient only. Be Kind--
rewind.
 Where's Waldo? Offer subject to change without notice.
 Participating dealers only.) at Sunset

I expect we'll be reading this again on New Year's Day...




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RE: Learning Lightroom

2010-10-05 Thread Bob W
  My impression is that Lightroom isn't really intended for moving photos
 around.
 
 Thanks, John. That's not what I had in mind, at least not in perpetuity.
Rather
 I was imagining that immediately after importing all the images into a
single
 folder there would be categories of images that in my mind at least it
would
 be helpful to have in separate folders. I wouldn't envision much moving
 around after that.

in general you'll find things easier if you keep everything in one folder
and use keywords and collections to organise things within LR. This is the
approach I take (LR creates date folders for me as I import, but since I
never look into the photo folder using the OS they might as well not be
there). Some people do use a small number of folders, say 2 or 3, for
large-scale workflow separation and that seems to work ok, but whenever I've
heard of people using many folders it's been because they've got themselves
into a sticky mess and need help getting out of it.

Bob


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Re: It ain't like it used to be.

2010-10-05 Thread Joseph McAllister

On Oct 4, 2010, at 21:54 , Joseph McAllister wrote:

Well PDML'rs, you forced me to break out my DA* 50-135 ƒ2.8 today. I  
hadn't used it since I tested it when I bought it almost two years  
ago, at least as far as I can recall. I used the DA* 16-50 ƒ2.8 and  
the DA* 60-250 ƒ4.0 for all my canine action shooting. The 16-50  
only occasionally.


So I hooked it up to the K-7 figuring after all, it's getting dark  
earlier, the AF could use the extra stop  a half. Focused on a few  
things around the house. Zip zip. No focus problems. Batteries  
charged a few days ago still good. Packed it up and headed off to a  
sunny late afternoon of shooting.


Got to the park, set up, (that means sitting on a bench and turning  
the camera around to shoot as I carry it upside down on it's strap  
so it doesn't bang into doorways and nearby walls) and start  
shooting. Couple of shots of dogs playing 5 feet away from me, zip  
zip - sharp focus. Took another shot about 25 feet away — that  
didn't look so sharp… Another about 6 feet away — ok - that looked  
sharp didn't it?  Woah. Now there's a pooch running and coming at  
me…  Nothing.


Removed and reset lens on body with power off. Power on. Prefocused  
lens so it could follow action. Nothing. Went through everything I  
could think of, moving switches on camera body and lens that would  
affect focusing. Nada. By the time I got home the batteries were  
indicating half charge, both of them. Mounted the DA* 16-50 ƒ2.8 to  
see if low voltage was the problem. Nope - it focused fine, and  
fast, even in room light after dark. So does the DA* 60-250 ƒ4.0.


I'll finish this paragraph after both batteries are charged. I know  
one should do, but if it's sticky, the amps of two might free it.  
This could take all night -



After inserting a freshly charged NiMH battery in the body alone  
(couldn't wait), I mounted the DA* 50-135 ƒ2.8 and turned 'er on.  
Nada. Messed with the switches again.  Nada. Ran the focus back and  
forth manually from end to end, taking care not to slam into the  
stops that I guess are physical limits of some kind. After a dozen  
tries going from manual focus to SDM, the darn thing started working,  
and continued to do so until I got bored and watched TV some more.


This is similar to what I recall having to do at times to get the DA*  
16-50 ƒ2.8 to do it's SDM thing.


I think I will let this slide for now, even though it is a crappy  
system that makes these kinds of side-show shenanigans (worked that  
into a sentence) with Pentax's top of the line DA optics.


I'm sure they are working on it and all will be well in the world  
again soon.


I wonder if the electrical energy to move these circular disks/plates  
is shaped in the camera body or the lens itself. If Pentax comes out  
with this new-fangled DC focus drives, then I would think the body  
will have to ascertain the lens's needs and supply it through those  
two contacts or… or… or… turning the drive shaft ! That makes me  
wonder if the polarity of the supply is reversed in the body  
controlled by the FAFOX system, or just supplied and letting the  
lens's circuits determine the polarity in situ based on data from SAFOX.


I think about these things too much!


Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac








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Re: I don't like being the squeaky wheel, but...

2010-10-05 Thread Joseph McAllister
My following comments are a duplicate of what I sent under the title  
It ain't like it used to be but are a follow up in this thread as  
well, perhaps even more germane.


On Oct 2, 2010, at 09:16 , Carlos R wrote:


El 02/10/2010 13:26, paul stenquist escribió:
What's DC? Have you had trouble with an SDM lens, Ecke? I know Robb  
and Celio did. Has anyone else on the list had a failure? I'm  
genuinely curious.
I have three that SDM lenses I've used extensively since they were  
first released, and they work very well. Maybe I got lucky. Or  
perhaps failures are magnified on the web, because the victims  
complain loudly, while those of us who are satisfied are mum for  
the most part.

Paul


DC is a new type of AF motor in Pentaxland. It will appear first in  
their 18-135 WR zoom.
By the way, the SDM motor in my 50-135 also died, after very little  
use.


Carlos



On Oct 4, 2010, at 21:54 , Joseph McAllister wrote:

Well PDML'rs, you forced me to break out my DA* 50-135 ƒ2.8 today. I  
hadn't used it since I tested it when I bought it almost two years  
ago, at least as far as I can recall. I used the DA* 16-50 ƒ2.8 and  
the DA* 60-250 ƒ4.0 for all my canine action shooting. The 16-50 only  
occasionally. (It's redundant in that FL range)


So I hooked it up to the K-7 figuring after all, it's getting dark  
earlier, the AF could use the extra stop  a half. Focused on a few  
things around the house. Zip zip. No focus problems. Batteries charged  
a few days ago still good. Packed it up and headed off to a sunny late  
afternoon of shooting.


Got to the dog park, set up, (that means sitting on a bench and  
turning the camera around to shoot as I carry it upside down on it's  
strap so it doesn't bang into doorways and nearby walls) and start  
shooting. Couple of shots of dogs playing 5 feet away from me, zip zip  
- sharp focus. Took another shot about 25 feet away — that didn't look  
so sharp… Another about 6 feet away — ok - that looked sharp didn't  
it?  Woah. Now there's a pooch running and coming at me…  Nothing.


Removed and reset lens on body with power off. Power on. Prefocused  
lens so it could follow action. Nothing. Went through everything I  
could think of, moving switches on camera body and lens that would  
affect focusing. Nada. By the time I got home the batteries were  
indicating half charge, both of them. Mounted the DA* 16-50 ƒ2.8 to  
see if low voltage was the problem. Nope - it focused fine, and fast,  
even in room light after dark. So does the DA* 60-250 ƒ4.0.


I'll finish this paragraph after both batteries are charged. I know  
one should do, but if it's sticky, the amps of two might free it. This  
could take all night -

laeter
After inserting a freshly charged NiMH battery in the body alone  
(couldn't wait), I mounted the DA* 50-135 ƒ2.8 and turned 'er on.  
Nada. Messed with the switches again.  Nada. Ran the focus back and  
forth manually from end to end, taking care not to slam into the  
stops that I guess are physical limits of some kind. After a dozen  
tries going from manual focus to SDM, the darn thing started working,  
and continued to do so until I got bored and watched TV some more.


This is similar to what I recall having to do at times to get the DA*  
16-50 ƒ2.8 to do it's SDM thing.


I think I will let this slide for now, even though it is a crappy  
system that makes these kinds of side-show shenanigans (worked that  
into a sentence) with Pentax's top of the line DA optics.


I'm sure they are working on it and all will be well in the world  
again soon.


I wonder if the electrical energy to move these circular disks/plates  
is shaped in the camera body or the lens itself. If Pentax comes out  
with this new-fangled DC focus drives, then I would think the body  
will have to ascertain the lens's needs and supply it through those  
two contacts or… or… or… turning the drive shaft ! That makes me  
wonder if the polarity of the supply is reversed in the body  
controlled by the FAFOX system, or just supplied and letting the  
lens's circuits determine the polarity in situ based on data from SAFOX.


I think about these things too much!



Joseph McAllister
pentax...@mac.com

“ It is still true, as was first said many years ago, that people are  
the only sophisticated computing devices that can be made at low cost  
by unskilled workers!”

— Martin G. Wolf, PhD


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Re: OT: A use for the K-x's video capabilities

2010-10-05 Thread David Mann
On Oct 5, 2010, at 5:35 AM, Walter Gilbert wrote:

 I've finally found something worth firing up the K-x's HD video.  I just need 
 to find funding for the trip.
 
 Anybody care to float me a loan?  Any New Zealand Pentaxians have a couch I 
 can crash on for a day or two?
 
 http://www.dailymail.co.uk/news/article-1317168/Too-hot-handle-Daredevils-abseil-depths-live-volcano-boiling-hot-lava.html

Yeah I have a couch you can use but the volcano is in Vanuatu so you may as 
well stay there...

Dave
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Re: Peso's Approaches, waiting

2010-10-05 Thread Joseph McAllister

On Oct 2, 2010, at 11:28 , Ken Waller wrote:


Dave, seems like you have a very cooperative group of squirels  Jays!

IMO the backgrounds in most of your squirrel/Jay images are  
distracting. Repositioning (higher, lower, left or right) the camera  
to capture their antics without the distracting background would  
greatly improve these images.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller




But then Dave would have to move his favorite outdoor easy chair! :-)


- Original Message - From: David J Brooks pentko...@gmail.com 


Sent: Saturday, October 02, 2010 2:08 PM
Subject: Peso's Approaches, waiting



Table for two please:
http://photo.net/photodb/photo?photo_id=11735912

More landings;
http://photo.net/photodb/photo?photo_id=11735913

Night landing:
http://photo.net/photodb/photo?photo_id=11735911


Joseph McAllister
pentax...@mac.com

“If I could tell the story in words, I wouldn’t need to lug a camera.”
–Lewis Hine


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Re: Photokina observations...

2010-10-05 Thread Joseph McAllister

Jump on the spiral up staircase why don't ya!

Bigger Sensor?  More Mega-Pixel$…  Fa$ter proce$$or in the camera,  
faster larger $D card$, longer tran$fer times to your computer, Fa$ter  
computer, more RAM, Larger $torage, new I/O $pecification$ to enable  
better transfer times, means another new computer to handle the new  
card that handles the new I/O.


Six months later, a newer faster bigger sensor and the search goes on  
for your wallet to pay for that 5-10% increase in speed, none of which  
does anything to improve your photography.


And I need to improve my photography! As soon as I finish the next  
level in Mafia Wars, then find all my old lady friends that are still  
alive on Facebook and Google to help me remember my life!


On Sep 26, 2010, at 11:46 , Jeffery Smith wrote:

grin


By full-sized, I was referring to a sensor that was the size of 35mm  
film (24mmx36mm or thereabouts).


What on earth is an official rumor?

Jeffert


On Sep 26, 2010, at 1:33 PM, P N Stenquist wrote:

I wouldn't describe Pentax is stalled. The upgrades have been  
continuous. There have never been any official rumors of a larger  
sensor in a Pentax compact DSLR body. (What's full? Al sensors are  
full size if they're not nicked or chipped.) The K5 is  
substantially improved over the K7. But let the whining begin:-)

Paul
On Sep 26, 2010, at 11:56 AM, Jeffery Smith wrote:

My overall feeling is the Pentax is stalled in RD. There have  
been rumors of a full-sized sensor Pentax, which would be  
wonderful for us who have Pentax  lenses designed for film (that  
would be ALL of my Pentax lenses except for the 40mm pancake).  
There is little that would entice me to move from the K-x with  
43/1.9 to something else. The combination is lightweight and fast  
and comfortable in my hand.


Joseph McAllister
pentax...@mac.com

“ The early bird gets the worm, but the second mouse gets the cheese.”
— Kevan Olesen


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Re: It ain't like it used to be.

2010-10-05 Thread Boris Liberman

On 10/5/2010 9:30 AM, Joseph McAllister wrote:

I think I will let this slide for now, even though it is a crappy system
that makes these kinds of side-show shenanigans (worked that into a
sentence) with Pentax's top of the line DA optics.


Joe, with all due respect, I think that you might be making a mistake here.

Boris

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Re: Learning Lightroom

2010-10-05 Thread Boris Liberman

On 10/5/2010 8:54 AM, Bob W wrote:

in general you'll find things easier if you keep everything in one folder
and use keywords and collections to organise things within LR. This is the
approach I take (LR creates date folders for me as I import, but since I
never look into the photo folder using the OS they might as well not be
there). Some people do use a small number of folders, say 2 or 3, for
large-scale workflow separation and that seems to work ok, but whenever I've
heard of people using many folders it's been because they've got themselves
into a sticky mess and need help getting out of it.

Bob


Right. But the stickiness of the mess may be different from instance to 
instance. Personally, I organize my stuff in folders in such a way that 
if tomorrow LR goes banana (or orange, or even tomato), I still will 
have some notion of what is where. So I have a structure something like:


\Family Album\
\year
\year-month
\Travel
\Tel Aviv
\year-month-day
\Jerusalem
\year-month-day
\International Travel
\London 2005
\Norway 2006
\Belgium 2008
\Unsorted
\year-month-day -- from where stuff will get moved accordingly

and so on. Never had any stickiness problems, me... And LR makes 
folder/file management pretty straightforward as well.


Boris


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Re: Photokina observations...

2010-10-05 Thread Joseph McAllister

On Sep 27, 2010, at 07:23 , William Robb wrote:

It like having a whole group of ADHD anal retentives in the same  
room griping about how the new caramel Mars bar isn't as nice as the  
white chocolate Mars bar because there is goo inside the caramel bar.



Wrong!

We'd gripe about how the white chocolate Mars bar doesn't taste as  
good as the white Pentax k-x balances on inexpensive tripods from  
Ritz. Do they sell candy too?  Nah - just crackers.


Where are my keys?

--
It's not that life is too short, it's that you're dead for so long..
— Anon

Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac







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Re: Learning Lightroom

2010-10-05 Thread Eric Weir

On Oct 4, 2010, at 10:07 PM, David Parsons wrote:

 There are two ways of moving files when using LR.
 
 1.  Move files inside of LR.  It will move the files and update all
 the database references automatically.
 
 2.  Move the files using your OS.  You will need to tell LR where the
 new location of the files are after you move them.  If you are moving
 more than a few folders, it gets really tedious to repeat the update
 steps for each folder.

Thanks, David. I'll try to keep moving to a minimum, but this helps.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net






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Re: Learning Lightroom

2010-10-05 Thread Eric Weir

On Oct 4, 2010, at 10:11 PM, David Parsons wrote:

 The tagging allows me to have multiple ways to find my pictures, but
 I'm usually shooting a group of pictures around a central theme or
 location, so having the folders will allow me to find them later if
 there is a problem with LR.

Thanks again, David. I think you've put your finger on my concern: to be able 
to identify/locate files outside of LR should it be necessary or desirable.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net





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Re: Learning Lightroom

2010-10-05 Thread Eric Weir

On Oct 4, 2010, at 10:29 PM, William Robb wrote:

 As Stan says, keywords are so important to learn to use. With keywords you 
 can pull up every file on a particular subject/theme in moments.

I'm pretty good at that. In work, with paper files, my colleagues often came to 
me for copies of *their* documents; I would go over to the file cabinet, open 
the right drawer, pull out the right folder, and give them a copy of their 
document. 

For the last few years I've been using a nifty and versatile little application 
called TiddlyWiki [http://www.tiddlywiki.com/ and 
http://tiddlywiki.org/wiki/Main_Page] that makes heavy use of tagging, and I've 
figured out how to organize my notes on writing projects. The cool thing here 
is that I don't have to have an organizing structure set up in advance. It can 
evolve out of my note taking and sketching, and I can easily modify the working 
structure in response to my changing thoughts about the topic. 
   
--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net






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Re: Learning Lightroom

2010-10-05 Thread Eric Weir

On Oct 5, 2010, at 5:08 AM, Boris Liberman wrote:

 Personally, I organize my stuff in folders in such a way that if tomorrow LR 
 goes banana (or orange, or even tomato), I still will have some notion of 
 what is where

Thanks, Boris. Again, that puts the finger on my interest. I think it's 
possible to do this and remain largely in within LR for file management.

--
Eric Weir
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Re: Learning Lightroom

2010-10-05 Thread Boris Liberman

On 10/5/2010 1:38 PM, Eric Weir wrote:


On Oct 5, 2010, at 5:08 AM, Boris Liberman wrote:


Personally, I organize my stuff in folders in such a way that if
tomorrow LR goes banana (or orange, or even tomato), I still will
have some notion of what is where


Thanks, Boris. Again, that puts the finger on my interest. I think
it's possible to do this and remain largely in within LR for file
management.


Well, yes, Eric, this is how I've been using LightRoom since LR 1.0 came 
out. With time I have refined a little my system and I am aware of its 
drawbacks, but I find it /personally/ convenient.


Apparently (almost forgot) I wrote a wordy and lengthy blog entry on 
this subject. You can read it here:

http://pentax-ways.blogspot.com/2009/03/on-workflow-and-archiving.html
if you don't mind its length.

Boris

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Re: OT: A use for the K-x's video capabilities

2010-10-05 Thread Walter Gilbert
   True enough, but I figured it would be a while before I heard back 
from any of the Vanuatuan Pentaxians on the list.  So far, it's been my 
experience that they tend to keep pretty much to themselves.  As do the 
Fijian Pentaxians, lamentably enough.


Thanks for the crash space offer, though.  I'll be in touch the moment I 
secure the financing and silver suit.


Best,

Walt


On 10/5/2010 3:01 AM, David Mann wrote:

On Oct 5, 2010, at 5:35 AM, Walter Gilbert wrote:


I've finally found something worth firing up the K-x's HD video.  I just need 
to find funding for the trip.

Anybody care to float me a loan?  Any New Zealand Pentaxians have a couch I can 
crash on for a day or two?

http://www.dailymail.co.uk/news/article-1317168/Too-hot-handle-Daredevils-abseil-depths-live-volcano-boiling-hot-lava.html

Yeah I have a couch you can use but the volcano is in Vanuatu so you may as 
well stay there...

Dave



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Re: Learning Lightroom

2010-10-05 Thread Stan Halpin

On Oct 5, 2010, at 1:54 AM, Bob W wrote:
 
 in general you'll find things easier if you keep everything in one folder
 and use keywords and collections to organise things within LR. . .
 
 Bob

Eric - by now you have heard two somewhat opposing views on folder/file 
organization for your photos when working with LR.
Option A - create some small or large folder hierarchy by subject matter. 
[Often said to be a useful backup strategy in case LR goes wonky on you, and 
you want to be able to find your flower or model or automotive or whatever 
category of images on your hard drive.]
Option B - throw everything into one folder and do your organization within LR 
using keywords plus special collections for particular interests.
Option C - a common mixed strategy. As you import into LR, let it create 
subfolders by date. If LR ever goes wonky or you need to track things down 
within your OS for some other reason, if you can remember that the flower image 
you are looking for was taken in July or August 2010, your search won't be 
impossibly large.

I agree with Godfrey, Bob W. and others; I personally have found that the 
Option B or Option C approach is far superior. I use the date subfolder 
approach, and have one higher-level folder for each year. Using a keyword 
hierarchy within LR to tag and locate images is far less busywork than using 
the folder-category approach, both when importing the images and when working 
with them. LR is designed to serve as a database organization tool for your 
images; use it that way. Yes, I suppose that there is some small chance that LR 
may someday go wonky on you. I would not give that more than a passing thought. 
I've used LR since version 1.0 or 1.1 and have seen no reason for such 
concerns. The only other reason I can see for the organize-folders-by-category 
approach is for convenience if/when you ever switch to a different LR-like 
program. But even then, as part of doing the switch, you could easily let LR 
create a folder structure for you. E.g., sort/select by keyword, create a new 
folder, move selected images to the new folder, repeat as needed until all 
images have been re-distributed into a folder hierarchy.

stan
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Re: Learning Lightroom

2010-10-05 Thread Godfrey DiGiorgi
 On Oct 4, 2010, at 9:39 PM, John Sessoms wrote:

 My impression is that Lightroom isn't really intended for moving photos 
 around.

Lightroom poses no restrictions on moving files around, but it's not
the most efficient way to work.

On Mon, Oct 4, 2010 at 7:07 PM, Eric Weir eew...@bellsouth.net wrote:

 Thanks, John. That's not what I had in mind, at least not in perpetuity. 
 Rather I was imagining that immediately after importing all the images into a 
 single folder there would be categories of images that in my mind at least it 
 would be helpful to have in separate folders. I wouldn't envision much 
 moving around after that.

The most efficient way to work is to put your original files where you
want them on import, then grade and keyword them. Once they're
keyworded, you can group them (automatically/dynamically with smart
collections, statically with regular collections) for working on.
Moving them around in the file system is optional and unnecessary. If
you don't like to keep rejects for future possibilities, just delete
them ... Lightroom gives you the option of just removing them from the
catalog or additionally putting them in the trash.

There's little point to moving things around in the file system other
than to make the original files easier to backup and replicate. Use
Lightroom as the organizer, not the file system.
-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: It ain't like it used to be.

2010-10-05 Thread Godfrey DiGiorgi
My perspective is simple: I'm utterly and terminally bored with new
equipment discussions. Cool new things to buy is not why I'm
interested in Photography. With one or two small exceptions, I've got
all the equipment I need to do Photography and am only interested in
new things occasionally when there seems to be an advantage to improve
on what I'm doing or add something new to what I'm doing.

-- 
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Re: It ain't like it used to be.

2010-10-05 Thread mark
Godfrey DiGiorgi gdigio...@gmail.com wrote:

My perspective is simple: I'm utterly and terminally bored with new
equipment discussions. Cool new things to buy is not why I'm
interested in Photography. With one or two small exceptions, I've got
all the equipment I need to do Photography and am only interested in
new things occasionally when there seems to be an advantage to improve
on what I'm doing or add something new to what I'm doing.

What he said.


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Re: It ain't like it used to be.

2010-10-05 Thread Boris Liberman

On 10/5/2010 4:14 PM, m...@robertstech.com wrote:

Godfrey DiGiorgigdigio...@gmail.com  wrote:


My perspective is simple: I'm utterly and terminally bored with new
equipment discussions. Cool new things to buy is not why I'm
interested in Photography. With one or two small exceptions, I've got
all the equipment I need to do Photography and am only interested in
new things occasionally when there seems to be an advantage to improve
on what I'm doing or add something new to what I'm doing.


What he said.


Interesting that you say that, Mark. Not recently, if I understand 
correctly, you bought into Sony Alpha system with A-850 and lenses. 
Doubtless you did some research on the matter before committing your 
money. I wonder if part of that research were equipment discussions...


Boris


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Re: It ain't like it used to be.

2010-10-05 Thread Jeffery Smith
I'm getting to be that way as well. I usually drive a car for at least 100,000 
miles before even thinking about getting a new one, and that is only when 
keeping the old car running costs the same as a monthly payment on a new car. 

What has surprised me a bit is that prime lenses choices are disappearing 
altogether, replaced by zooms.  I'm not too crazy about the bulk and size of 
zooms. 

Jeffery


On Oct 5, 2010, at 9:09 AM, Godfrey DiGiorgi wrote:

 My perspective is simple: I'm utterly and terminally bored with new
 equipment discussions. Cool new things to buy is not why I'm
 interested in Photography. With one or two small exceptions, I've got
 all the equipment I need to do Photography and am only interested in
 new things occasionally when there seems to be an advantage to improve
 on what I'm doing or add something new to what I'm doing.
 
 -- 
 Godfrey
  godfreydigiorgi.posterous.com
 
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Re: It ain't like it used to be.

2010-10-05 Thread Charles Robinson
On Oct 5, 2010, at 9:20, Jeffery Smith wrote:

 I'm getting to be that way as well. I usually drive a car for at least 
 100,000 miles before even thinking about getting a new one, and that is only 
 when keeping the old car running costs the same as a monthly payment on a new 
 car. 
 

Hell, I usually only buy a car AFTER it has 100,000 miles on it.  Then I drive 
it until it is no longer drivable.  230,000 so far on the Subaru Legacy

 -Charles

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Re: It ain't like it used to be.

2010-10-05 Thread Rob Studdert
On 6 October 2010 01:19, Boris Liberman bori...@gmail.com wrote:

 Interesting that you say that, Mark. Not recently, if I understand
 correctly, you bought into Sony Alpha system with A-850 and lenses.
 Doubtless you did some research on the matter before committing your money.
 I wonder if part of that research were equipment discussions...

I'm more interested in getting the shot than the gear but
unfortunately gear becomes the focus when it's not up to the job and
the current Pentax k-mount kit is not up to the jobs that I do. So I'm
keen to discuss what equipment's in the pipeline just in case it gets
me closer to my equipment requisites.

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: It ain't like it used to be.

2010-10-05 Thread P N Stenquist
I find it helpful to keep abreast of what's new, what's problematic,  
and what works well. And digital technology progresses rather quickly.  
To get the best results for my clients, I want to use the best  
options. I also believe in a replacement cycle. As a relatively heavy  
volume user, I find that replacing my oldest camera when the market  
offers a superior choice is sound policy. That way I don't end up  
being a test case for durability.

Paul

On Oct 5, 2010, at 10:09 AM, Godfrey DiGiorgi wrote:


My perspective is simple: I'm utterly and terminally bored with new
equipment discussions. Cool new things to buy is not why I'm
interested in Photography. With one or two small exceptions, I've got
all the equipment I need to do Photography and am only interested in
new things occasionally when there seems to be an advantage to improve
on what I'm doing or add something new to what I'm doing.

--
Godfrey
  godfreydigiorgi.posterous.com

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Re: It ain't like it used to be.

2010-10-05 Thread Boris Liberman

On 10/5/2010 4:29 PM, Rob Studdert wrote:

On 6 October 2010 01:19, Boris Libermanbori...@gmail.com  wrote:


Interesting that you say that, Mark. Not recently, if I understand
correctly, you bought into Sony Alpha system with A-850 and lenses.
Doubtless you did some research on the matter before committing your money.
I wonder if part of that research were equipment discussions...


I'm more interested in getting the shot than the gear but
unfortunately gear becomes the focus when it's not up to the job and
the current Pentax k-mount kit is not up to the jobs that I do. So I'm
keen to discuss what equipment's in the pipeline just in case it gets
me closer to my equipment requisites.


I am probably geekier than either of you... Not sure if it is healthy 
though...


Boris




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Re: It ain't like it used to be.

2010-10-05 Thread mark
Boris Liberman bori...@gmail.com wrote:

On 10/5/2010 4:14 PM, m...@robertstech.com wrote:
 Godfrey DiGiorgigdigio...@gmail.com  wrote:

 My perspective is simple: I'm utterly and terminally bored with new
 equipment discussions. Cool new things to buy is not why I'm
 interested in Photography. With one or two small exceptions, I've got
 all the equipment I need to do Photography and am only interested in
 new things occasionally when there seems to be an advantage to improve
 on what I'm doing or add something new to what I'm doing.

 What he said.

Interesting that you say that, Mark. Not recently, if I understand 
correctly, you bought into Sony Alpha system with A-850 and lenses. 
Doubtless you did some research on the matter before committing your 
money. I wonder if part of that research were equipment discussions...

Nope. My research consisted of almost everything but equipment
discussions (on this and in various other fora).

But I do, as Godfrey says,now  have pretty much the gear I need to do
the photography I want to do. I see few equipment purchases in my near
future. Maybe another lens for the Sony next year. Maybe not.


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Re: It ain't like it used to be.

2010-10-05 Thread William Robb


--
From: Jeffery Smith
Subject: Re: It ain't like it used to be.

I'm getting to be that way as well. I usually drive a car for at least 
100,000 miles before even thinking about getting a new one, and that is 
only when keeping the old car running costs the same as a monthly payment 
on a new car.


What has surprised me a bit is that prime lenses choices are disappearing 
altogether, replaced by zooms.  I'm not too crazy about the bulk and size 
of zooms.


I'll risk incurring the wrath of the people who despise equipment talk to 
mention that Pentax still makes a very nice selection of prime lenses


William Robb 



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Re: It ain't like it used to be.

2010-10-05 Thread William Robb


--
From: m...@robertstech.com

Subject: Re: It ain't like it used to be.


Godfrey DiGiorgi gdigio...@gmail.com wrote:


My perspective is simple: I'm utterly and terminally bored with new
equipment discussions. Cool new things to buy is not why I'm
interested in Photography. With one or two small exceptions, I've got
all the equipment I need to do Photography and am only interested in
new things occasionally when there seems to be an advantage to improve
on what I'm doing or add something new to what I'm doing.


What he said.


So, we can't talk about equipment because a few find it boring, and we can't 
talk about pictures because critiques end up with the critiquer being mass 
flamed.


The PDML no longer has a reason for existing.
Doug, you can pull the plug anytime, we're done here.

William Robb 



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Re: PESO - sometimes she's still

2010-10-05 Thread Doug Brewer

paul stenquist wrote:

Nice informal portrait. Great expression. Good tonality.
Paul
On Oct 4, 2010, at 6:48 PM, Doug Brewer wrote:


http://dougbrewer.posterous.com/sometimes-shes-still

enjoy


thanks, Paul

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Re: How to fix a missing mode dial

2010-10-05 Thread Ken Waller
Alright, 
I guess we should branch out a little


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: John Mullan k...@hotmail.com

Subject: Re: How to fix a missing mode dial



Yew crack me up.

jm

--
From: P N Stenquist pnstenqu...@comcast.net
Subject: Re: How to fix a missing mode dial


On Oct 4, 2010, at 3:51 PM, Ken Waller wrote:


?Wood you do something like this?


Probably knot.


Saw that coming.


- Original Message - From: John Celio n...@neovenator.com
Subject: How to fix a missing mode dial


?Wood you do something like this?
http://www.flickr.com/photos/vamapaull/5024383806/
John
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Re: It ain't like it used to be.

2010-10-05 Thread Boris Liberman

On 10/5/2010 4:56 PM, m...@robertstech.com wrote:

Nope. My research consisted of almost everything but equipment
discussions (on this and in various other fora).

But I do, as Godfrey says,now  have pretty much the gear I need to do
the photography I want to do. I see few equipment purchases in my near
future. Maybe another lens for the Sony next year. Maybe not.


You're a fascinating person, Mark.

Boris


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Re: PESO - sometimes she's still

2010-10-05 Thread Boris Liberman

On 10/5/2010 12:48 AM, Doug Brewer wrote:

http://dougbrewer.posterous.com/sometimes-shes-still

enjoy



Mischief managed :-)

Boris


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Re: Learning Lightroom

2010-10-05 Thread John Sessoms

A question I've run across.

I'm working toward building a RAID system for local storage of image 
files. I'm paranoid that I don't currently have enough 
redundancy.[Off-site backup is another thread.]


But with regard to having my image files on a local network, I've heard 
that Lightroom won't work with network drives. Can someone clarify that?


The files I'm currently working on will be on the local computer, but 
storage will be on a network drive.


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Re: Learning Lightroom

2010-10-05 Thread David Parsons
You can put the image files anywhere you want.  LR does not work well
when the catalog is stored on a network drive.  The catalog wants to
live on your local computer.

On Tue, Oct 5, 2010 at 11:17 AM, John Sessoms jsessoms...@nc.rr.com wrote:
 A question I've run across.

 I'm working toward building a RAID system for local storage of image files.
 I'm paranoid that I don't currently have enough redundancy.[Off-site backup
 is another thread.]

 But with regard to having my image files on a local network, I've heard that
 Lightroom won't work with network drives. Can someone clarify that?

 The files I'm currently working on will be on the local computer, but
 storage will be on a network drive.

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RE: PESO; The Bench at the Winery

2010-10-05 Thread John Sessoms

From: Jerry in Arizona

Taken at the vineyard of Callaghan Winery in Sonoita, AZ.? Pentax K20D, Pentax
SMC DA 1:3.5-5.6 18-55mm w/2X telextender.? The plaque recognizes the area as a
Backyard Habitat.

Jerry

http://i896.photobucket.com/albums/ac164/gelewis_2010/_ORI8190A1_peso.jpg



Seems like the lower right-hand corner is out of focus, almost as if you 
took a diagonal from the upper right to the bottom center.


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Re: It ain't like it used to be.

2010-10-05 Thread Ken Waller
Gear, for me, is irrelevant until the lack of a particular piece prevents me 
from capturing an image as I want.
Gear discussions help me to keep up with new developments, whether I need 
them or not.


Its all about the output.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Godfrey DiGiorgi gdigio...@gmail.com

Subject: Re: It ain't like it used to be.


My perspective is simple: I'm utterly and terminally bored with new
equipment discussions. Cool new things to buy is not why I'm
interested in Photography. With one or two small exceptions, I've got
all the equipment I need to do Photography and am only interested in
new things occasionally when there seems to be an advantage to improve
on what I'm doing or add something new to what I'm doing.

--
Godfrey
godfreydigiorgi.posterous.com



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RE: About Studio Lighting kinds

2010-10-05 Thread John Sessoms

From: Tanya Love

Following the advice of the oh-so-wise Thomas Van Veen, I set myself up with
Alien Bees when I was in the US for my GFM trip.  They were awesome.  I then
sold off most of my gear when I retired from photography, circa 2007, and
have just finished re-enabling myself with a studio set up.  I researched
the market heavily and was planning on spending the big bucks to make sure
that this time I did it correctly.  What I ended up doing was going back
to Alien Bees!  I looked at Elinchrom, I looked at Bowens, I looked at a
zillion other brands and the thing that had me back to Alien Bees is the way
they are built.  They are TOUGH.  They are designed to be tough.  They also
now have an Aussie distributor who happens to only be a few suburbs from me,
which is even better!  They also come in pink!  Hehehe.  Oh, and did I
mention that they cost wy less than the big name brands?  They are also
easy to get accessories for - most Soft Boxes etc come with White Lightening
or ABs adapters (or can be purchased separately to suit).  So, I just set
myself up with their Vagabond battery pack (which can be used anywhere in
the world!), 2 x 400w ABs in black, and 2 x 800w ABs in pink - the whole lot
cost me about aud$2k as compared with about $5-$6k for the equivalent in a
Bowens set up.  I am now trying to decide if I will go for their Commander
system for my radio triggers or Pocket Wizards with the dedicated AB adapter
thingy.  (I've been using Cactus and they are just that - CACTUS.  Absolute
SHITE.  Don't waste your $$$).   The Pocket Wizards have the advantage of
being able to transmit directly to my Sekonic light meter, but cost more.
ABs also have their new fancy schmancy Einstein heads but they aren't yet
available in Australia.  Supposedly before Christmas though.

Anyways, that's my take, and my plan is that by Christmas I will have my
studio set up complete with my new radio triggers, a nice long softbox,
possibly a purpose built product table, and of course, my new K-5 to round
it all out!  Woot!

Then, next year, will be the year of the lens for me!



I just replaced my cheap Chinese radio-slaves, which come to think 
were Interfit Branded with Paul C. Buff Cybersync. Didn't go the 
CyberCommander route yet, but the receivers  transmitter I have will 
work with it if I ever get that far advanced.


One thing I found, the cybersync 1/4 mono adapter cable wouldn't work 
with my older White Lightning 1s, which require a 1/4 stereo wired 
to tip  ring. I contacted Paul C. Buff tech support and as soon as I 
explained the problem they sent me additional cables wired for the older 
1/4 stereo - no charge.


I would have willingly paid for those cables, since it is an older tech 
that is no longer standard.


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Re: It ain't like it used to be.

2010-10-05 Thread Jeffery Smith
Agreed (particularly the LE models). I was thinking more like Sony and Olympus 
four-thirds. Zooms have gotten much better in the past 30 years. I used to have 
a Komuranon zoom that was rated as good as a prime lens back in the 1970's. The 
other zooms often lacked contrast because (I assume) all of the air/glass 
surfaces of their elements.

Jeffery

On Oct 5, 2010, at 9:29 AM, William Robb wrote:

 
 --
 From: Jeffery Smith
 Subject: Re: It ain't like it used to be.
 
 I'm getting to be that way as well. I usually drive a car for at least 
 100,000 miles before even thinking about getting a new one, and that is only 
 when keeping the old car running costs the same as a monthly payment on a 
 new car.
 
 What has surprised me a bit is that prime lenses choices are disappearing 
 altogether, replaced by zooms.  I'm not too crazy about the bulk and size of 
 zooms.
 
 I'll risk incurring the wrath of the people who despise equipment talk to 
 mention that Pentax still makes a very nice selection of prime lenses
 
 William Robb 
 
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Re: Learning Lightroom

2010-10-05 Thread John Sessoms

From: Boris Liberman

On 10/5/2010 8:54 AM, Bob W wrote:

 in general you'll find things easier if you keep everything in one folder
 and use keywords and collections to organise things within LR. This is the
 approach I take (LR creates date folders for me as I import, but since I
 never look into the photo folder using the OS they might as well not be
 there). Some people do use a small number of folders, say 2 or 3, for
 large-scale workflow separation and that seems to work ok, but whenever I've
 heard of people using many folders it's been because they've got themselves
 into a sticky mess and need help getting out of it.

 Bob

Right. But the stickiness of the mess may be different from instance to
instance. Personally, I organize my stuff in folders in such a way that
if tomorrow LR goes banana (or orange, or even tomato), I still will
have some notion of what is where. So I have a structure something like:

\Family Album\
\year
\year-month
\Travel
\Tel Aviv
\year-month-day
\Jerusalem
\year-month-day
\International Travel
\London 2005
\Norway 2006
\Belgium 2008
\Unsorted
\year-month-day -- from where stuff will get moved accordingly

and so on. Never had any stickiness problems, me... And LR makes
folder/file management pretty straightforward as well.

Boris




I use the OS to copy images from the card to the computer.

Organizationally, I think I keep it pretty simple
\Photography\
\2010_Photography\
\20101006_descriptor_whatever_I_was_doing\ - PEF files
\working\ - PSD files
\output\ - JPEG files

I have a TRANSFER directory that I bring the files into and use Bridge 
to batch rename them [K20D-n, K10D-n, ...] and update the 
metadata with Copyright and any keywords.


I also use Bridge to create the directory, load the files into it and 
move it into the hierarchy.


I do all this before culling the duds because I find it helps me keep 
track of how high a percentage of good images I'm getting, which in my 
case is necessary reinforcement.


I find it's a good idea to wait awhile before culling the duds so that 
my emotional attachment to them has time to subside, and I can be more 
objective in editing.


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Re: It ain't like it used to be.

2010-10-05 Thread eckinator
2010/10/5 Boris Liberman bori...@gmail.com:

 Joe, with all due respect, I think that you might be making a mistake here.

What Boris said.
a) don't buy a lens and let it rot in your basement
b) if a lens is bad and still near warranty end date get it fixed
c) if SDM is bad get it fixed all the more
d) if you still can't see yourself using it, sell it to someone who
will - lenses have feelings, too, you know
Ecke

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Re: Copie non autorisée

2010-10-05 Thread Michel Carrère-Gée

 Finally, he withdrew his page.

Michel



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Re: It ain't like it used to be.

2010-10-05 Thread John Sessoms

From: Charles Robinson

On Oct 5, 2010, at 9:20, Jeffery Smith wrote:


I'm getting to be that way as well. I usually drive a car for at
least 100,000 miles before even thinking about getting a new one,
and that is only when keeping the old car running costs the same
as a monthly payment on a new car.


Hell, I usually only buy a car AFTER it has 100,000 miles on it.
Then I drive it until it is no longer drivable.  230,000 so far on
the Subaru Legacy



I think you get better value looking for something in the 50 - 60K 
range. That's enough miles for someone else to take the depreciation, 
but not enough miles for benign neglect of preventive maintenance to 
adversely affect longevity.


I recently sold at 204,000 miles the Mazda I purchased at 59,000 miles. 
My current Ford Focus Wagon was purchased at 58,000 miles. I expect it 
to last until at least 200K if not longer.


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Off list for a while - and why

2010-10-05 Thread Ann Sanfedele
My  oldest (in terms of years known) and one of two of my very dearest 
closest long term friends passed away on Friday ... so I'm off to 
Chicago to her home and family One of the reasons I could talk myself 
into the expense of the photo show at the Dank last spring was my 
concern that there would no be many more opportunities to be with her in 
person... the show became a reason to go to Chicago so Barb
wouldn't think I was just hurrying to get there before she passed on... 
one had hoped  things were not as dire as they sounded from
her daughter -- Barb always minimalized her troubles and was a real 
trooper ... She appreciated our lists penchant for puns and herself

invented a few wonderful shaggy-dog groaners.

No, not the big C - but enough other stuff to cause her to be in and out 
of hospital for a few months and cause her a lot of discomfort.


While I was biting my nails waiting to see if my photo got in she said 
But you are coming anyway arent you? naturally, I was.


How many of us can claim to still be friends and in touch with someone 
from childhood at my age? (gonna be 74 in December)
Particularly sad for me not just for the loss of her friendship but to 
think of her only being two years my senior ...  

Her son Johnny took our photo in May and  said I should make a grouping 
of photos of the two of us  - so I did that for him on
my web page...  he took the one of us last May.  

I've spent the last couple of days gathering more snaps from the past at 
her daughter's request to be displayed at the wake... it

seems that is something of a fashion these days...

I won't really be _in_ Chicago ... except to get to the communter rail 
to take me to the far burbs - I'll be taking the long way around
returning (bus and trains) so if I can manage it at all I'll get to see 
a couple of you .  


Happily, my young roomie  will take care of Ashley .

The gallery on my web page with vintage photos is called Barb and Barb 
Yeah, I was  _nee_ Barbara Ann... and is in the Friends and Family 
section - if you are curious...


Sometimes my direct off-list mail doesnt get to people (something to do 
with my server) so Frank and Paul Stenquist - write me off list will ya? 
you both should have had email from me.


I hope to at least get a cuppa with Christine and I'm going to pick up 
my photo and the one I traded for from Dank House


I'll stay on list long enough to answer  stuff - but you can see why 
I've been quiet for a bit


ann
http://annsan.smugmug.com








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Re: It ain't like it used to be.

2010-10-05 Thread John Sessoms

From: P N Stenquist

I find it helpful to keep abreast of what's new, what's problematic,
and what works well. And digital technology progresses rather quickly.
To get the best results for my clients, I want to use the best
options. I also believe in a replacement cycle. As a relatively heavy
volume user, I find that replacing my oldest camera when the market
offers a superior choice is sound policy. That way I don't end up
being a test case for durability.
Paul


Sounds like a plan.

I wonder what I should ask for my *ist-D? Should I sell the battery grip 
seperately? What about the FAJ-18-35? Should I throw in the CF cards as 
a bonus?


Should I offer it all as a kit or part it out? I'm pretty sure I do 
still have all the boxes and packing material. I don't do eBay, 'cause I 
don't really understand it.


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Re: Life Savers

2010-10-05 Thread eckinator
2010/10/3 Ken Waller kwal...@peoplepc.com:

 Comments, critiques, recommendations, and insider trading tips welcome.

 Buy low, sell high - psst, its a secret so keep it under your hat

buy Uranium related shares - prices are going through the ceiling
almost as fast as DU charges...

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Re: Off list for a while - and why

2010-10-05 Thread CheekyGeek
Ann,
Please let me be among the first to share my condolences for your loss.
Thank you for sharing.

Darren Addy
Kearney, Nebraska

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Re: All right, which one of you is responsible for this?

2010-10-05 Thread Cotty
On 5/10/10, Bob W, discombobulated, unleashed:

I expect we'll be reading this again on New Year's Day...

Mark!

--


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: Off list for a while - and why

2010-10-05 Thread Cotty
On 5/10/10, Ann Sanfedele, discombobulated, unleashed:

but you can see why
I've been quiet for a bit

Take care Ann XX

--


Cheers,
  Cotty


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Re: It ain't like it used to be.

2010-10-05 Thread P. J. Alling

 On 10/5/2010 12:04 PM, eckinator wrote:

2010/10/5 Boris Libermanbori...@gmail.com:

Joe, with all due respect, I think that you might be making a mistake here.

What Boris said.
a) don't buy a lens and let it rot in your basement
b) if a lens is bad and still near warranty end date get it fixed
c) if SDM is bad get it fixed all the more
d) if you still can't see yourself using it, sell it to someone who
will - lenses have feelings, too, you know
Ecke


Yes, but mostly feelings of rage and disappointment.

--
His lack of education is more than compensated for by his keenly developed moral 
bankruptcy.
 -Woody Allen


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Re: It ain't like it used to be.

2010-10-05 Thread eckinator
2010/10/5 P. J. Alling webstertwenty...@gmail.com:

 Yes, but mostly feelings of rage and disappointment.

you can tell by how far the front element bulges out... fisheye lenses
often tend to have distorted views of reality... there were even cases
of walleye vision reported in scientific publications...

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Re: Life Savers

2010-10-05 Thread Walter Gilbert
   As it happens, I live less than five miles from a uranium enrichment 
plant.  I can't believe it never occurred to me to enrich myself via 
uranium.  I mean, it's been right there in front of my face the whole 
time!  Glowing, even!



On 10/5/2010 11:10 AM, eckinator wrote:

2010/10/3 Ken Wallerkwal...@peoplepc.com:

Comments, critiques, recommendations, and insider trading tips welcome.

Buy low, sell high - psst, its a secret so keep it under your hat

buy Uranium related shares - prices are going through the ceiling
almost as fast as DU charges...




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Re: It ain't like it used to be.

2010-10-05 Thread P. J. Alling
 I think you should sell the seperatly, you'll probably only get about 
$200 for it with or without the grip.  If you can sell the grip 
separately it's gravy.


On 10/5/2010 12:09 PM, John Sessoms wrote:

From: P N Stenquist

I find it helpful to keep abreast of what's new, what's problematic,
and what works well. And digital technology progresses rather quickly.
To get the best results for my clients, I want to use the best
options. I also believe in a replacement cycle. As a relatively heavy
volume user, I find that replacing my oldest camera when the market
offers a superior choice is sound policy. That way I don't end up
being a test case for durability.
Paul


Sounds like a plan.

I wonder what I should ask for my *ist-D? Should I sell the battery 
grip seperately? What about the FAJ-18-35? Should I throw in the CF 
cards as a bonus?


Should I offer it all as a kit or part it out? I'm pretty sure I do 
still have all the boxes and packing material. I don't do eBay, 'cause 
I don't really understand it.





--
His lack of education is more than compensated for by his keenly developed moral 
bankruptcy.
 -Woody Allen


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Re: Life Savers

2010-10-05 Thread P. J. Alling

 On 10/3/2010 5:43 PM, Ken Waller wrote:

Comments, critiques, recommendations, and insider trading tips welcome.


Buy low, sell high - psst, its a secret so keep it under your hat


As my Econ 101 professor said, tell me when it's low, then tell me when 
it's high.




Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: Walter Gilbert ldott...@gmail.com
Subject: PESO: Life Savers



 Hi all,

Here's a shot I took back in mid-spring -- light streaming through 
stained glass windows onto the stone facade of a Methodist church in 
Paducah, KY.


http://www.flickr.com/photos/walt_gilbert/5048501986/?v=1#/
K-x, Asahi Takumar (Taiwan) 135mm, f/2.8, ISO 200, 1/80 second, 
aperture priority


Comments, critiques, recommendations, and insider trading tips welcome.

Best,

Walt






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 -Woody Allen


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Re: PAW39 - Sunset

2010-10-05 Thread DagT
Thanks Dan and Bob W!

DagT


Den 3. okt. 2010 kl. 23.48 skrev Daniel J. Matyola:

 Stunning!
 
 On Sun, Oct 3, 2010 at 3:07 PM, DagT li...@thrane.name wrote:
 http://www.thrane.name/page3/page7/files/page7-1000-full.html
 K20D, da*16-5...@16mm, 1/90s, f/8, ISO200
 
 DagT
 http://www.thrane.name/
 
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Re: It ain't like it used to be.

2010-10-05 Thread Steven Desjardins
Feel my wrath, dirty equipment talker!

I had the same thought, actually.



 I'll risk incurring the wrath of the people who despise equipment talk to
 mention that Pentax still makes a very nice selection of prime lenses

 William Robb

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-- 
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Re: Learning Lightroom

2010-10-05 Thread Eric Weir

On Oct 5, 2010, at 10:01 AM, Stan Halpin wrote:

 I personally have found that the Option B or Option C approach is far 
 superior. I use the date subfolder approach, and have one higher-level folder 
 for each year. Using a keyword hierarchy within LR to tag and locate images 
 is far less busywork than using the folder-category approach, both when 
 importing the images and when working with them. LR is designed to serve as a 
 database organization tool for your images; use it that way. Yes, I suppose 
 that there is some small chance that LR may someday go wonky on you. I would 
 not give that more than a passing thought. I've used LR since version 1.0 or 
 1.1 and have seen no reason for such concerns. The only other reason I can 
 see for the organize-folders-by-category approach is for convenience if/when 
 you ever switch to a different LR-like program. But even then, as part of 
 doing the switch, you could easily let LR create a folder structure for you. 
 E.g., sort/select by keyword, create a new folder, move selected images to 
 the new folder, repeat as needed until all images have been re-distributed 
 into a folder hierarchy.

You just might have persuaded me Stan. [1] I can see that limiting subfoldering 
to date categories could make importing less onerous. [2] As I said in response 
to another response, I have gotten pretty comfortable relying on tagging to 
retrieve information. 

I should also say that the latter is the case in an application in which 
reconfiguring/revising of the tagging system is easily done, e.g., you want to 
combine one tag with another? just rename one tag to the other and all the 
items will be tagged with the other tag. 

Another thing that makes me comfortable with tagging in this application is 
that there is a great deal of redundancy in  information retrieval, e.g., in 
addition to tagging, there's a list of items by date of creation/last revision, 
an alphabetical list, a hierarchical tree structure -- which is actually a 
graphical representation of the tagging system -- and a very sophisticated 
search function. I wonder if there is similar, if not so extensive redundancy 
in LR. 

Again, I need to get started and stop asking questions, or at least to hold off 
until I've tried it and have more specific and better informed questions. I 
appreciate your willingness to respond to my less well informed questions 
anyway -- your's and everyone else's.

Sincerely,
--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net





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Re: Learning Lightroom

2010-10-05 Thread Eric Weir

On Oct 5, 2010, at 7:57 AM, Boris Liberman wrote:

 Apparently (almost forgot) I wrote a wordy and lengthy blog entry on this 
 subject. You can read it here:
 http://pentax-ways.blogspot.com/2009/03/on-workflow-and-archiving.html
 if you don't mind its length. 

Thanks, Boris. Haven't checked it yet, but I'm pretty certain it will be 
informative.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net





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Re: Off list for a while - and why

2010-10-05 Thread Steven Desjardins
Best of Luck Ann.




-- 
Steve Desjardins

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Out of curiosity: A question for the pros

2010-10-05 Thread Walter Gilbert
 As I hasten to stipulate at every opportunity, I'm pretty new to 
photography, and I have what may seem to be a stupid question.  So, 
please indulge me.


That said, what do all of you real photographers do with images that may 
be flawed, but still have some redeeming qualities to them.  For 
instance, a shot that's too poorly focused to rescue with sharpening 
tools and so forth, but does capture a sense of action that is somewhat 
appealing.  Like this one, for example:


http://picasaweb.google.com/lh/photo/7X4Utq1sTP4AoZG2S3S0zQ?feat=directlink

As you can see, it's a fairly severe crop, and has been sharpened 
already to the point where it exhibits a pretty prominent halo as a 
result.  I do have a copy of the image, pre-halo, but not the original 
file -- which I seem to have deleted somehow.  I don't see the image 
ever being finessed to the point where it's printable, but I hate to 
just discard it because of the sense of action.  Do you all generally 
keep images like these, or just send them down the memory hole to rid 
yourself of torment and temptation to return it in futility?


Any guidance and/or damnation with faint praise are, as always, greatly 
appreciated.


Best,

Walt



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RE: It ain't like it used to be.

2010-10-05 Thread Bob W
 
 My perspective is simple: I'm utterly and terminally bored with new
 equipment discussions. Cool new things to buy is not why I'm
 interested in Photography. With one or two small exceptions, I've got
 all the equipment I need to do Photography and am only interested in
 new things occasionally when there seems to be an advantage to improve
 on what I'm doing or add something new to what I'm doing.
 
  What he said.
 
 So, we can't talk about equipment because a few find it boring, and we
can't
 talk about pictures because critiques end up with the critiquer being mass
 flamed.
 
 The PDML no longer has a reason for existing.
 Doug, you can pull the plug anytime, we're done here.
 
 William Robb

we can always talk about cormorants.

B


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RE: It ain't like it used to be.

2010-10-05 Thread Bob W
  I'm getting to be that way as well. I usually drive a car for at least
100,000
 miles before even thinking about getting a new one, and that is only when
 keeping the old car running costs the same as a monthly payment on a new
 car.
 
 
 Hell, I usually only buy a car AFTER it has 100,000 miles on it.  Then I
drive it
 until it is no longer drivable.  230,000 so far on the Subaru Legacy
 

cars? I can't imagine that I'll ever have a car again.

B


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Re: It ain't like it used to be.

2010-10-05 Thread Joseph McAllister

On Oct 5, 2010, at 10:58 , Bob W wrote:

I'm getting to be that way as well. I usually drive a car for at  
least

100,000
miles before even thinking about getting a new one, and that is  
only when
keeping the old car running costs the same as a monthly payment on  
a new

car.




Hell, I usually only buy a car AFTER it has 100,000 miles on it.   
Then I

drive it
until it is no longer drivable.  230,000 so far on the Subaru  
Legacy




cars? I can't imagine that I'll ever have a car again.



Segway won't fit in the back seat?

Or is it the Hoveround…


Joseph McAllister
pentax...@mac.com

There is no off position to the genius switch.
Genius can, however, be observed as insanity.


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RE: Life Savers

2010-10-05 Thread Bob W
 As it happens, I live less than five miles from a uranium enrichment
plant.  I
 can't believe it never occurred to me to enrich myself via uranium.  I
mean,
 it's been right there in front of my face the whole time!  Glowing, even!
 

http://www.youtube.com/watch?v=DqwS0Ew77WE




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RE: Out of curiosity: A question for the pros

2010-10-05 Thread Bob W
   As I hasten to stipulate at every opportunity, I'm pretty new to
 photography, and I have what may seem to be a stupid question.  So, please
 indulge me.
 
 That said, what do all of you real photographers do with images that may
be
 flawed, but still have some redeeming qualities to them.  For instance, a
shot
[...]
 
 Any guidance and/or damnation with faint praise are, as always, greatly
 appreciated.

that's how you learn to be better.

Bob


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Re: It ain't like it used to be.

2010-10-05 Thread Jeffery Smith
While we can't talk about bodies and lenses, there is always photo bags! And 
Godfrey carefully sidestepped the issue of bags. As you are no doubt aware, he 
has gone by the name Bagmelda Marcos in the past. ;-)

Jeffery


On Oct 5, 2010, at 12:56 PM, Bob W wrote:

 
 My perspective is simple: I'm utterly and terminally bored with new
 equipment discussions. Cool new things to buy is not why I'm
 interested in Photography. With one or two small exceptions, I've got
 all the equipment I need to do Photography and am only interested in
 new things occasionally when there seems to be an advantage to improve
 on what I'm doing or add something new to what I'm doing.
 
 What he said.
 
 So, we can't talk about equipment because a few find it boring, and we
 can't
 talk about pictures because critiques end up with the critiquer being mass
 flamed.
 
 The PDML no longer has a reason for existing.
 Doug, you can pull the plug anytime, we're done here.
 
 William Robb
 
 we can always talk about cormorants.
 
 B
 
 
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Re: Out of curiosity: A question for the pros

2010-10-05 Thread Jeffery Smith
I would post it and say how do y'all like the bokeh in this shot?  Dealing 
with focus and shutter lag when trying to photograph a flying bird (not to 
mention my poor reflexes) have convinced me never to even try them with my 
current equipment. So, you'll never hear me criticizing another one's efforts 
to do something I'm not even willing to try. :-)

But all of us have to edit our collection to what is most presentable. Digital 
has increased the number of acceptable shots, and has also increased the number 
of turkeys (I'n not talking about a flying bird here). When I look at HCB's 
collection of work, I am struck by how many photos he didn't publish (the guy 
exposed a lot of film!).

The PAW project was good for several things: (1) it got people and and shooting 
more regularly, (2) it forced us to edit a week's work down to a single photo, 
and (3) it allowed us to post some photos that weren't that good without 
feeling ashamed (it's the best one we got for that week). 

Jeffery


On Oct 5, 2010, at 12:37 PM, Walter Gilbert wrote:

 As I hasten to stipulate at every opportunity, I'm pretty new to photography, 
 and I have what may seem to be a stupid question.  So, please indulge me.
 
 That said, what do all of you real photographers do with images that may be 
 flawed, but still have some redeeming qualities to them.  For instance, a 
 shot that's too poorly focused to rescue with sharpening tools and so forth, 
 but does capture a sense of action that is somewhat appealing.  Like this 
 one, for example:
 
 http://picasaweb.google.com/lh/photo/7X4Utq1sTP4AoZG2S3S0zQ?feat=directlink
 
 As you can see, it's a fairly severe crop, and has been sharpened already to 
 the point where it exhibits a pretty prominent halo as a result.  I do have a 
 copy of the image, pre-halo, but not the original file -- which I seem to 
 have deleted somehow.  I don't see the image ever being finessed to the point 
 where it's printable, but I hate to just discard it because of the sense of 
 action.  Do you all generally keep images like these, or just send them down 
 the memory hole to rid yourself of torment and temptation to return it in 
 futility?
 
 Any guidance and/or damnation with faint praise are, as always, greatly 
 appreciated.
 
 Best,
 
 Walt
 
 
 
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Re: It ain't like it used to be.

2010-10-05 Thread P. J. Alling

 On 10/5/2010 1:56 PM, Bob W wrote:

My perspective is simple: I'm utterly and terminally bored with new
equipment discussions. Cool new things to buy is not why I'm
interested in Photography. With one or two small exceptions, I've got
all the equipment I need to do Photography and am only interested in
new things occasionally when there seems to be an advantage to improve
on what I'm doing or add something new to what I'm doing.

What he said.

So, we can't talk about equipment because a few find it boring, and we

can't

talk about pictures because critiques end up with the critiquer being mass
flamed.

The PDML no longer has a reason for existing.
Doug, you can pull the plug anytime, we're done here.

William Robb

we can always talk about cormorants.

B

Smelly black fish eaters, (nto that there's anything wrong with that).

--
His lack of education is more than compensated for by his keenly developed moral 
bankruptcy.
 -Woody Allen


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Re: monitor shopping

2010-10-05 Thread Christine Nielsen
Tanya,

If you can get me the same deal, I'll take two!

Thanks for chiming in on this.  The U2410 was one of the top 5
professional monitors on cnet.com - which was my first stop on the way
down this rabbit hole... It's still in the running... Good to hear
that you like it!

-c

On Tue, Oct 5, 2010 at 1:17 AM, Tanya Love tanyal...@bigpond.com wrote:
 Ok, so I was lucky enough to attend a workshop with Les Walkling  who is a
 really well-known Colour Management guru in Australia  (see here:
 http://www.leswalkling.com/ ).  He has close ties with Eizo and so obviously
 advocates their monitors.  However, I didn't have $5-$6k to spend on one
 (and I needed two!) .  I asked him to recommend something that is more
 within the average pro photographers reach, and he recommended either NEC or
 Dell.  He told me the specific models, but I can't remember them.  I will
 tell you though that the Dell he recommended has been superseded by another
 model, which is what I ended up with - the U2410.  I have two of them set
 up, side by side, and they KICK ARSE!  I also have a hood on them and
 calibrate them at least once a month with the Xrite i1 system that Les also
 recommended.

 I will also tell you a little secret - I only paid for one of them!  Dell
 mucked up and sent us two, a week apart, as per my request but we were only
 ever invoiced for one.  At the same time, there was a stack of people
 posting on www.wirlpool.net.au  (one of my favourite sites for news on all
 things geeky!) about $6000 laptops that they had ordered/received and never
 paid for!  Of course, those guys weren't revealing their true identities to
 anyone as Dell has staff who work on the Whirlpool site, but every so often
 another one crops up, and it seems to me that Dell must be losing a
 bucketload of $$$ due to their cross-communications and poor recordkeeping.
 Not that I am complaining! :)

 Anyways, I love my U2410s, and they were retailing at the time (about 6
 months ago) for aud$799, so pretty decently priced for what they are too.
 The first few batches came out of the factory with issues of a green or
 red glow over certain areas of the screen, but I  have had none of that
 and the complaints about them have all but disappeared now, and I believe
 that Dell was replacing them free of charge anyways.  They also come with a
 full calibration report out of the box, which is a nice touch.

 You can read about them here: http://forums.whirlpool.net.au/archive/1256560


 And if you go here, there are all manner of discussions about great monitors
 - these guys are all mainly gamers though, so you'll need to take only what
 is relevant to your own needs when reading:
 http://forums.whirlpool.net.au/forum/129

 Hope that helps!

 Tan. :)

 Tanya Love
 Photographer

 www.lovebytes.com.au
 m: 0458 006 740




 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Christine Nielsen
 Sent: Sunday, 3 October 2010 12:56 AM
 To: Pentax-Discuss Mail List
 Subject: monitor shopping

 Hi all,

 I've decided to quit hunching over my laptop  get a real monitor, to be
 properly calibrated, just like all the cool kids have.  Not only are my back
  eyes killing me, but I think I would stand a better chance of getting some
 images out of my hard drive and onto paper if I could get a reliable handle
 on the color management thing.

 I've done some research, and though I still feel a bit out of my depth on
 this topic, my initial inclination is toward a NEC P221W
 http://www.bhphotovideo.com/bnh/controller/home?O=NavBarA=getItemDetailQ=;
 sku=602072is=REGsi=rev#anchorToReadReviews

 The price is right, and it comes well-recommended.  Anyone care to disabuse
 me of this notion?  What am I missing by not going with a $1000+ model, like
 a higher-end NEC, or Apple Cinema display, or Dell Ultra Sharp...?  Are
 there others I should consider?  (I think we can safely leave Eizo out of
 the discussion for now...)

 I'd also welcome any suggestions for other resources (online or in
 print) to educate myself better on the whole topic.

 Thanks in advance,

 -c

 ps:  thank you to Fernando for raising the calibration question in a recent
 thread... I have taken notes...

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Re: Out of curiosity: A question for the pros

2010-10-05 Thread P. J. Alling

 Apply some blur, some motion striping and call it art...

Hell, I seldom throw anything out, (unless it's just silly, like 100 
pictures of  a doorknob),  storage is cheap, and you never know when a 
great idea for combined images will strike you.


Somewhere on film I have a very nice photograph of an egret, with a dead 
white sky.  I also have a number of establishing shots on that same roll 
of film that had nice blue sky fluffy clouds and interesting Jungle type 
foliage, Photoshop makes it easy to combine those elements to get an 
interesting image, where before there were several boring and flawed 
images.  Just don't sell the result to the AP.




On 10/5/2010 1:37 PM, Walter Gilbert wrote:
 As I hasten to stipulate at every opportunity, I'm pretty new to 
photography, and I have what may seem to be a stupid question.  So, 
please indulge me.


That said, what do all of you real photographers do with images that 
may be flawed, but still have some redeeming qualities to them.  For 
instance, a shot that's too poorly focused to rescue with sharpening 
tools and so forth, but does capture a sense of action that is 
somewhat appealing.  Like this one, for example:


http://picasaweb.google.com/lh/photo/7X4Utq1sTP4AoZG2S3S0zQ?feat=directlink 



As you can see, it's a fairly severe crop, and has been sharpened 
already to the point where it exhibits a pretty prominent halo as a 
result.  I do have a copy of the image, pre-halo, but not the original 
file -- which I seem to have deleted somehow.  I don't see the image 
ever being finessed to the point where it's printable, but I hate to 
just discard it because of the sense of action.  Do you all generally 
keep images like these, or just send them down the memory hole to rid 
yourself of torment and temptation to return it in futility?


Any guidance and/or damnation with faint praise are, as always, 
greatly appreciated.


Best,

Walt






--
His lack of education is more than compensated for by his keenly developed moral 
bankruptcy.
 -Woody Allen


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Re: About Studio Lighting kinds

2010-10-05 Thread Paul Sorenson

 John -

Did you have the original Buff slaves or the newer ones?  They weren't 
happy with the original ones and had a recall and an upgrade offer to go 
with the newer models.  You might check that out with them.  The older 
models were purchased off the shelf from somewhere in the Far East.  The 
newer ones have circuitry designed by the Paul C Buff people and are 
much more reliable.


-p

On 10/5/2010 10:32 AM, John Sessoms wrote:

From: Tanya Love
Following the advice of the oh-so-wise Thomas Van Veen, I set myself 
up with
Alien Bees when I was in the US for my GFM trip.  They were awesome.  
I then
sold off most of my gear when I retired from photography, circa 
2007, and
have just finished re-enabling myself with a studio set up.  I 
researched
the market heavily and was planning on spending the big bucks to make 
sure
that this time I did it correctly.  What I ended up doing was going 
back

to Alien Bees!  I looked at Elinchrom, I looked at Bowens, I looked at a
zillion other brands and the thing that had me back to Alien Bees is 
the way
they are built.  They are TOUGH.  They are designed to be tough.  
They also
now have an Aussie distributor who happens to only be a few suburbs 
from me,

which is even better!  They also come in pink!  Hehehe.  Oh, and did I
mention that they cost wy less than the big name brands?  They 
are also
easy to get accessories for - most Soft Boxes etc come with White 
Lightening
or ABs adapters (or can be purchased separately to suit).  So, I just 
set
myself up with their Vagabond battery pack (which can be used 
anywhere in
the world!), 2 x 400w ABs in black, and 2 x 800w ABs in pink - the 
whole lot
cost me about aud$2k as compared with about $5-$6k for the equivalent 
in a
Bowens set up.  I am now trying to decide if I will go for their 
Commander
system for my radio triggers or Pocket Wizards with the dedicated AB 
adapter
thingy.  (I've been using Cactus and they are just that - CACTUS.  
Absolute
SHITE.  Don't waste your $$$).   The Pocket Wizards have the 
advantage of
being able to transmit directly to my Sekonic light meter, but cost 
more.
ABs also have their new fancy schmancy Einstein heads but they 
aren't yet

available in Australia.  Supposedly before Christmas though.

Anyways, that's my take, and my plan is that by Christmas I will have my
studio set up complete with my new radio triggers, a nice long softbox,
possibly a purpose built product table, and of course, my new K-5 to 
round

it all out!  Woot!

Then, next year, will be the year of the lens for me!



I just replaced my cheap Chinese radio-slaves, which come to think 
were Interfit Branded with Paul C. Buff Cybersync. Didn't go the 
CyberCommander route yet, but the receivers  transmitter I have will 
work with it if I ever get that far advanced.


One thing I found, the cybersync 1/4 mono adapter cable wouldn't work 
with my older White Lightning 1s, which require a 1/4 stereo wired 
to tip  ring. I contacted Paul C. Buff tech support and as soon as I 
explained the problem they sent me additional cables wired for the 
older 1/4 stereo - no charge.


I would have willingly paid for those cables, since it is an older 
tech that is no longer standard.




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Checked by AVG - www.avg.com
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01:34:00




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Re: Off list for a while - and why

2010-10-05 Thread Paul Sorenson
 So sorry to hear that, Ann.  Was she the friend you visited in Zion?  
FWIW, I leave you with a quote which has been beneficial to me from time 
to time...Don't know the author...


What you leave behind is not what is engraved in stone monuments, but 
what is woven into the lives of others.


-p

On 10/5/2010 11:06 AM, Ann Sanfedele wrote:
My  oldest (in terms of years known) and one of two of my very dearest 
closest long term friends passed away on Friday ... so I'm off to 
Chicago to her home and family One of the reasons I could talk myself 
into the expense of the photo show at the Dank last spring was my 
concern that there would no be many more opportunities to be with her 
in person... the show became a reason to go to Chicago so Barb
wouldn't think I was just hurrying to get there before she passed 
on... one had hoped  things were not as dire as they sounded from
her daughter -- Barb always minimalized her troubles and was a real 
trooper ... She appreciated our lists penchant for puns and herself

invented a few wonderful shaggy-dog groaners.

No, not the big C - but enough other stuff to cause her to be in and 
out of hospital for a few months and cause her a lot of discomfort.


While I was biting my nails waiting to see if my photo got in she said 
But you are coming anyway arent you? naturally, I was.


How many of us can claim to still be friends and in touch with someone 
from childhood at my age? (gonna be 74 in December)
Particularly sad for me not just for the loss of her friendship but to 
think of her only being two years my senior ...
Her son Johnny took our photo in May and  said I should make a 
grouping of photos of the two of us  - so I did that for him on

my web page...  he took the one of us last May.
I've spent the last couple of days gathering more snaps from the past 
at her daughter's request to be displayed at the wake... it

seems that is something of a fashion these days...

I won't really be _in_ Chicago ... except to get to the communter rail 
to take me to the far burbs - I'll be taking the long way around
returning (bus and trains) so if I can manage it at all I'll get to 
see a couple of you .

Happily, my young roomie  will take care of Ashley .

The gallery on my web page with vintage photos is called Barb and 
Barb Yeah, I was  _nee_ Barbara Ann... and is in the Friends and 
Family section - if you are curious...


Sometimes my direct off-list mail doesnt get to people (something to 
do with my server) so Frank and Paul Stenquist - write me off list 
will ya? you both should have had email from me.


I hope to at least get a cuppa with Christine and I'm going to pick up 
my photo and the one I traded for from Dank House


I'll stay on list long enough to answer  stuff - but you can see why 
I've been quiet for a bit


ann
http://annsan.smugmug.com










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Checked by AVG - www.avg.com
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RE: Out of curiosity: A question for the pros

2010-10-05 Thread John Sessoms

From: Walter Gilbert

  As I hasten to stipulate at every opportunity, I'm pretty new to
photography, and I have what may seem to be a stupid question.  So,
please indulge me.

That said, what do all of you real photographers do with images that may
be flawed, but still have some redeeming qualities to them.  For
instance, a shot that's too poorly focused to rescue with sharpening
tools and so forth, but does capture a sense of action that is somewhat
appealing.  Like this one, for example:


I'm not yet a pro, but that's what I'm going to school for, so I'll 
stick my $0.02 in ...


If it's an image I'll never get the opportunity to do a better job on, I 
keep it. I *might* find something in it that I can use, if nothing more 
than inspiration to do better work in the future. But good image or not, 
it's the history of where I was.


If it's an image I might get to do again and do a better job, I keep it 
until I *can* do a better job. Once I've got a better image, I delete 
the inferior image.


Learn what you can to improve your image and once you do improve, delete 
the dud and keep the better one.


I probably should go ahead and delete it right away, but I find it's 
easier to allow some time to pass before evaluating my images. It seems 
like as I go back to them later, it's easier to see the real duds and it 
doesn't cause as much pain to delete them.


And sometimes, rarely, I find something of worth I didn't originally see 
in the image.


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Re: Off list for a while - and why

2010-10-05 Thread Scott Catron
Sorry for you loss, Ann.  Thanks for the link to your gallery - very 
heartwarming to see a friendship last that long.

 --- Scott Catron - z...@yahoo.com --- 
http://www.flickr.com/photos/zaui/collections/



- Original Message 
From: Ann Sanfedele ann...@nyc.rr.com
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tue, October 5, 2010 10:06:27 AM
Subject: Off list for a while - and why 

My  oldest (in terms of years known) and one of two of my very dearest closest 
long term friends passed away on Friday ... so I'm off to Chicago to her home 
and family One of the reasons I could talk myself into the expense of the photo 
show at the Dank last spring was my concern that there would no be many more 
opportunities to be with her in person... the show became a reason to go to 
Chicago so Barb
wouldn't think I was just hurrying to get there before she passed on... one had 
hoped  things were not as dire as they sounded from
her daughter -- Barb always minimalized her troubles and was a real trooper ... 
She appreciated our lists penchant for puns and herself
invented a few wonderful shaggy-dog groaners.

No, not the big C - but enough other stuff to cause her to be in and out of 
hospital for a few months and cause her a lot of discomfort.

While I was biting my nails waiting to see if my photo got in she said But you 
are coming anyway arent you? naturally, I was.

How many of us can claim to still be friends and in touch with someone from 
childhood at my age? (gonna be 74 in December)
Particularly sad for me not just for the loss of her friendship but to think of 
her only being two years my senior ...  

Her son Johnny took our photo in May and  said I should make a grouping of 
photos of the two of us  - so I did that for him on
my web page...  he took the one of us last May.  
I've spent the last couple of days gathering more snaps from the past at her 
daughter's request to be displayed at the wake... it
seems that is something of a fashion these days...

I won't really be _in_ Chicago ... except to get to the communter rail to take 
me to the far burbs - I'll be taking the long way around
returning (bus and trains) so if I can manage it at all I'll get to see a 
couple 
of you .  

Happily, my young roomie  will take care of Ashley .

The gallery on my web page with vintage photos is called Barb and Barb Yeah, 
I 
was  _nee_ Barbara Ann... and is in the Friends and Family section - if you 
are curious...

Sometimes my direct off-list mail doesnt get to people (something to do with my 
server) so Frank and Paul Stenquist - write me off list will ya? you both 
should 
have had email from me.

I hope to at least get a cuppa with Christine and I'm going to pick up my photo 
and the one I traded for from Dank House

I'll stay on list long enough to answer  stuff - but you can see why I've been 
quiet for a bit

ann
http://annsan.smugmug.com








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