OT: Can anyone work out what this is?

2011-11-25 Thread David Mann
I considered one of my photos of this for the upcoming PUG.  It's in a rather 
out-of-the-way graveyard on the West Coast that we had a quick look at last 
weekend.

I can't figure out what it is or what it was used for.  Given its shape and 
surroundings I assume it has something to do with burials.  I seem to remember 
that the rod sticking downwards protrudes below the base (you can just see it 
in the centre of the near side).

http://www.multi.net.nz/cemetery-thing/

Any ideas?

Cheers,
Dave


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Peso's jays and pumkin

2011-11-25 Thread David J Brooks
From last weekend back yard romp.

http://photo.net/photodb/photo?photo_id=14683533
Jay in tree, waiting

http://photo.net/photodb/photo?photo_id=14683534
Jay rewarded for waiting

http://photo.net/photodb/photo?photo_id=14683553
Pumpkin

K10D, D FA 50-200 AF 360 for fill.

Dave

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Re: December PUG - Time Running Out

2011-11-25 Thread Ann Sanfedele



On 11/25/2011 01:25, Christine Aguila wrote:

Too funny, Brian!  Thanks for the heads up.

For this theme--ravages of time--I keep thinking of doing a self portrait!  
Cheers, Christine

Christine - not only did I also want a deadline but had the same 
thought about a self-portrait.  Or perhaps a photo of... well, 
nevermind, I could get in trouble :-)


ann



On Nov 24, 2011, at 4:38 PM, Brian Walters wrote:


G'day all

So far we have 4 themed submissions plus one for the Open Gallery.



Theme: The Ravages of Time

Nominal Deadline (just for you, Christine):  30 November, but it
will probably slip by a few days.

Submit here:

http://pug.komkon.org/submit/


The main requirements are:

* Max. pixel dimensions: 800 x 800 pixels
* Max file size: 300k
* Third party equipment is acceptable provided either the camera body or
lens used is Pentax.
* If you embed a colour space in the image, it should be sRGB to ensure
the image looks right on line.

More detailed guidelines here:

http://pug.komkon.org/general/autosubmit.html



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
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Lightroom on sale at Newegg

2011-11-25 Thread David Parsons
http://www.newegg.com/Special/ShellShocker.aspx?nm_mc=EMC-SD112011

$99 for Lightroom, plus $49 for Elements 10 if you buy them together.

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Re: Peso's jays and pumkin

2011-11-25 Thread Bob Sullivan
Dave,
I don't really get the title on the last one. ??
I like the photos of the jays.  We've been feeding them too.
They beat the squirrels to the peanuts.
Regards,  Bob S.

On Fri, Nov 25, 2011 at 8:31 AM, David J Brooks pentko...@gmail.com wrote:
 From last weekend back yard romp.

 http://photo.net/photodb/photo?photo_id=14683533
 Jay in tree, waiting

 http://photo.net/photodb/photo?photo_id=14683534
 Jay rewarded for waiting

 http://photo.net/photodb/photo?photo_id=14683553
 Pumpkin

 K10D, D FA 50-200 AF 360 for fill.

 Dave

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PESO - Schumann

2011-11-25 Thread Rick Womer
http://photo.net/photodb/photo?photo_id=14683715

(K7, DA 50-200)

Rick


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Re: OT: Can anyone work out what this is?

2011-11-25 Thread Jack Davis
Is a puzzlement.

Jack
- Original Message -
From: David Mann d...@multisport.net.nz
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Friday, November 25, 2011 12:55 AM
Subject: OT: Can anyone work out what this is?

I considered one of my photos of this for the upcoming PUG.  It's in a rather 
out-of-the-way graveyard on the West Coast that we had a quick look at last 
weekend.

I can't figure out what it is or what it was used for.  Given its shape and 
surroundings I assume it has something to do with burials.  I seem to remember 
that the rod sticking downwards protrudes below the base (you can just see it 
in the centre of the near side).

http://www.multi.net.nz/cemetery-thing/

Any ideas?

Cheers,
Dave


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RE: Thanksgiving in the White Mountains

2011-11-25 Thread John Sessoms

From: Mark Roberts


We're spending the weekend hiking in New Hampshire from one of the
Appalachian Mountain Club's lodges. Here's a photo from the short walk
we took today (I'm not sure how it'll look on line - I find BW photos
really need a better-than-laptop conversion and post-processing):
http://www.robertstech.com/temp/index.htm


The snow looks flat and texture-less to me. I can't see detail in the 
blacks. Not much mid-tones.


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RE: OT: Can anyone work out what this is?

2011-11-25 Thread John Sessoms

From: David Mann


I considered one of my photos of this for the upcoming PUG.  It's in
a rather out-of-the-way graveyard on the West Coast that we had a
quick look at last weekend.

I can't figure out what it is or what it was used for.  Given its
shape and surroundings I assume it has something to do with burials.
I seem to remember that the rod sticking downwards protrudes below
the base (you can just see it in the centre of the near side).

http://www.multi.net.nz/cemetery-thing/

Any ideas?



The shape of the cutout mimics that of old coffins. There's not much to 
scale it by, but it appears to be sized for an infant's or a small 
child's coffin. Beyond that, I have not a clue.


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Re: Peso's jays and pumkin

2011-11-25 Thread David J Brooks
On Fri, Nov 25, 2011 at 10:03 AM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Dave,
 I don't really get the title on the last one. ??

Its the pumpkin i grew this summer sitting on an old rotten stump out back./;-)

 I like the photos of the jays.  We've been feeding them too.
 They beat the squirrels to the peanuts.

I have seen some good fights over the peanuts stash. To bad they are
all blurring, every one moves faster than 1/180.:-)

Dave
 Regards,  Bob S.

 On Fri, Nov 25, 2011 at 8:31 AM, David J Brooks pentko...@gmail.com wrote:
 From last weekend back yard romp.

 http://photo.net/photodb/photo?photo_id=14683533
 Jay in tree, waiting

 http://photo.net/photodb/photo?photo_id=14683534
 Jay rewarded for waiting

 http://photo.net/photodb/photo?photo_id=14683553
 Pumpkin

 K10D, D FA 50-200 AF 360 for fill.

 Dave

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Re: Thanksgiving in the White Mountains

2011-11-25 Thread David J Brooks
It looks great.

Dave

On Thu, Nov 24, 2011 at 9:15 PM, Mark Roberts m...@robertstech.com wrote:
 We're spending the weekend hiking in New Hampshire from one of the
 Appalachian Mountain Club's lodges. Here's a photo from the short walk
 we took today (I'm not sure how it'll look on line - I find BW photos
 really need a better-than-laptop conversion and post-processing):
 http://www.robertstech.com/temp/index.htm

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RE: Thanksgiving in the White Mountains

2011-11-25 Thread knarftheria...@gmail.com
Wow, that's beautiful, Mark!

Cheers,
frank 


--- Original Message ---

From: Mark Roberts m...@robertstech.com
Sent: November 24, 2011 11/24/11
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Thanksgiving in the White Mountains

We're spending the weekend hiking in New Hampshire from one of the
Appalachian Mountain Club's lodges. Here's a photo from the short walk
we took today (I'm not sure how it'll look on line - I find BW photos
really need a better-than-laptop conversion and post-processing):
http://www.robertstech.com/temp/index.htm

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Re: GESO - High Seas at South Haven

2011-11-25 Thread knarftheria...@gmail.com
Awesome photos, Mark. I especially like #2, that huge wave crashing into the 
lighthouse.

Cheers,
frank

--- Original Message ---

From: Christine Aguila christ...@caguila.com
Sent: November 25, 2011 11/25/11
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: GESO - High Seas at South Haven

Wow, these are great.  Love the guy shot--really great there.  Cheers, 
Christine/Chicago


On Nov 23, 2011, at 7:09 PM, Mark C wrote:

 Last night I finally got around to editing some images I took at South Haven 
 in mid October. The winds were not too wild and some windsurfers were out - 
 so a few shots of one of them well as the lighthouse. This time I had the K5. 
 I used a Sigma EX 70-200 f 2.8 for the more relaxed shots and a Sigma 135-500 
 f4.5-5.6 to get a little closer. I bought the 135-400 as a replacement for my 
 Tokina 400 f5.6, which(sadly) got the fungus. This was the first real workout 
 I gave the new lens and it's at least OK, might even be pretty good. (The 
 70-200 is great, IMO.)
 
 Anyhow - the snapshots:
 
 http://www.markcassino.com/b2evolution/index.php
 
 or
 
 http://www.markcassino.com/b2evolution/index.php/high-seas-at-south-haven
 
 Comments appreciated -
 
 Mark C.
 
 
 
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Re: Pentax K-r Walmart?

2011-11-25 Thread steve harley

on 2011-11-24 15:33 John Sessoms wrote

Quick check just now shows you can order either the K-5 with kit lens for
$1449.95 or K-5 body only for $1449.95 (that ain't a typo on my part).


whereas K-5 body is currently $1200 at pentaxwebstore.com (kit is $1350) ...

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Re: Pentax K-r Walmart?

2011-11-25 Thread P. J. Alling

On 11/25/2011 2:42 PM, steve harley wrote:

on 2011-11-24 15:33 John Sessoms wrote
Quick check just now shows you can order either the K-5 with kit lens 
for

$1449.95 or K-5 body only for $1449.95 (that ain't a typo on my part).


whereas K-5 body is currently $1200 at pentaxwebstore.com (kit is 
$1350) ...


Not to mention that it was just a bit less last time I checked at BH 
due to some kind of instant rebate...


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Dream camera

2011-11-25 Thread Tim Bray
I had this dream where it was all very complicated and busy and
crowded with lots of people, I think we were organizing a conference
or something (something I often help with), and I grabbed my camera
off the crowded table and ran, and then later I realized I’d grabbed
someone else’s K-R instead of my K-5.  This is really very imaginative
on the part of my dream generator since I’ve never actually touched a
K-R, just know that it’s the same size as a K-5. My dream K-R had a
film advance lever though!  Then the alarm woke me up and I was kind
of snickering and I knew that I should stop because I’d never be able
to explain to my spouse why this was funny... -T

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Q sensor gets a 47 at DXOmark

2011-11-25 Thread Steven Desjardins
http://www.dxomark.com/index.php/News/DxOMark-news/A-quality-review-of-the-Pentax-Q

This would be so much fun at $400-500.
-- 
Steve Desjardins

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OT: Best option for travel storage?

2011-11-25 Thread John Celio
Those of you who travel a lot: How do you store your photos while on long 
trips?


Next May I'll be spending some time in Australia with my company 
(specifically, in Melbourne for roughly a week and a half), and then I'm 
hoping to be able to take another week or two off for a bit of a vacation 
while I'm down there.


My little Chromebook only has a 16gb drive, so that won't do. Nor will my 
old Alienware laptop, which is effing massive and just way too slow. I'm 
thinking I just need to get a small laptop with a big-ish hard drive (say, 
250gb+), or get one of those portable hard drives with card slots you can 
dump stuff into (and take the Chromebook for internet), but I'm really 
curious what frequent travellers think is the best solution.


Thanks,
John

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Giving and taking criticism

2011-11-25 Thread Larry Colen
I've realized that one reason the PDML has helped me improve my photography is 
not only feedback on my photos, but looking at other people's photos and 
reading the feedback on them. It has exposed me to different styles of 
photography, given me a feel what other people like, or dislike, and why, and 
in many cases set the bar up much higher than when all I ever did was pretty 
much look at my own photos.  I've been on a few other forums which have a lot 
of people who are just barely past the stage of understanding how f/stop 
affects depth of field and think  that makes them a technical expert.  

One thing I haven't seen a lot of is discussion on how to give and take 
criticism. And a related discussion of what venues on the net, or off,  are 
good for that sort of discussion.

--
Larry Colen l...@red4est.com sent from i4est





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Re: Thanksgiving in the White Mountains

2011-11-25 Thread Mark C

On 11/24/2011 9:15 PM, Mark Roberts wrote:

We're spending the weekend hiking in New Hampshire from one of the
Appalachian Mountain Club's lodges. Here's a photo from the short walk
we took today (I'm not sure how it'll look on line - I find BW photos
really need a better-than-laptop conversion and post-processing):
http://www.robertstech.com/temp/index.htm

Beautiful shot - the tonality looks good to me, though the shadows are a 
little blocked up.


Mark

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Re: Q sensor gets a 47 at DXOmark

2011-11-25 Thread P. J. Alling
If it had provision for a decent evf, it would be a much better match 
for it's price, I wonder if that rumored large sensor EVIL camera from 
Pentax will ever see the light of day or is it the new 645D, the Flying 
Dutchman of digital photography.


On 11/25/2011 3:01 PM, Steven Desjardins wrote:

http://www.dxomark.com/index.php/News/DxOMark-news/A-quality-review-of-the-Pentax-Q

This would be so much fun at $400-500.



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Re: OT: Best option for travel storage?

2011-11-25 Thread Tim Bray
I have a 500G-or-so USB disk that I plug in and duplicate everything
onto.  Light, sticks in an internal pocket of my knapsack -T

On Fri, Nov 25, 2011 at 12:08 PM, John Celio n...@neovenator.com wrote:
 Those of you who travel a lot: How do you store your photos while on long
 trips?

 Next May I'll be spending some time in Australia with my company
 (specifically, in Melbourne for roughly a week and a half), and then I'm
 hoping to be able to take another week or two off for a bit of a vacation
 while I'm down there.

 My little Chromebook only has a 16gb drive, so that won't do. Nor will my
 old Alienware laptop, which is effing massive and just way too slow. I'm
 thinking I just need to get a small laptop with a big-ish hard drive (say,
 250gb+), or get one of those portable hard drives with card slots you can
 dump stuff into (and take the Chromebook for internet), but I'm really
 curious what frequent travellers think is the best solution.

 Thanks,
 John

 --
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RE: Dream camera

2011-11-25 Thread knarftheria...@gmail.com
What medications are you taking at this time?

;-)

cheers,
frank

--- Original Message ---

From: Tim Bray tb...@textuality.com
Sent: November 25, 2011 11/25/11
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Dream camera

I had this dream where it was all very complicated and busy and
crowded with lots of people, I think we were organizing a conference
or something (something I often help with), and I grabbed my camera
off the crowded table and ran, and then later I realized I’d grabbed
someone else’s K-R instead of my K-5.  This is really very imaginative
on the part of my dream generator since I’ve never actually touched a
K-R, just know that it’s the same size as a K-5. My dream K-R had a
film advance lever though!  Then the alarm woke me up and I was kind
of snickering and I knew that I should stop because I’d never be able
to explain to my spouse why this was funny... -T

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Re: OT: Best option for travel storage?

2011-11-25 Thread P. J. Alling
Get yourself a used Dell D410, and upgrade the harddrive to 250-320gb, 
(those are the largest capacity PATA drives available for laptops 
AFAIK).  The drive will probably cost you under $80, a refurbished 
laptop should  be well under $200. A good battery will give you 3 to 3 
1/2 hours of battery life.  The only other thing more you'll need to buy 
is the usb to ATA connector to clone the OS from the original drive to 
the replacement.


On 11/25/2011 3:08 PM, John Celio wrote:
Those of you who travel a lot: How do you store your photos while on 
long trips?


Next May I'll be spending some time in Australia with my company 
(specifically, in Melbourne for roughly a week and a half), and then 
I'm hoping to be able to take another week or two off for a bit of a 
vacation while I'm down there.


My little Chromebook only has a 16gb drive, so that won't do. Nor will 
my old Alienware laptop, which is effing massive and just way too 
slow. I'm thinking I just need to get a small laptop with a big-ish 
hard drive (say, 250gb+), or get one of those portable hard drives 
with card slots you can dump stuff into (and take the Chromebook for 
internet), but I'm really curious what frequent travellers think is 
the best solution.


Thanks,
John

--
http://www.jacelio.com




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lengthily search.


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Re: OT: Best option for travel storage?

2011-11-25 Thread Larry Colen

On Nov 25, 2011, at 12:08 PM, John Celio wrote:

 Those of you who travel a lot: How do you store your photos while on long 
 trips?
 
 Next May I'll be spending some time in Australia with my company 
 (specifically, in Melbourne for roughly a week and a half), and then I'm 
 hoping to be able to take another week or two off for a bit of a vacation 
 while I'm down there.
 
 My little Chromebook only has a 16gb drive, so that won't do. Nor will my old 
 Alienware laptop, which is effing massive and just way too slow. I'm thinking 
 I just need to get a small laptop with a big-ish hard drive (say, 250gb+), or 
 get one of those portable hard drives with card slots you can dump stuff into 
 (and take the Chromebook for internet), but I'm really curious what frequent 
 travellers think is the best solution.

Can you reliably estimate how many frames you expect to shoot?  Expect that 
your estimate is low by at least a factor of three.  :-)

Seriously though, it's not like Melbourne is the third world, if you run out of 
storage, you should be able to get more external drives when you're there.

You don't want to copy your photos to a harddrive, you want to copy your photos 
to at least two hard drives.

It's good to start thinking about this now, but wait until it is close to time 
to go to actually buy the drives, at least until the factories in Thailand are 
back on line and the price of drives has come back down.

I'd recommend that you get a USB to sata cable, one which will work with both 
desktop and laptop drives.  You get more storage for your money with desktop 
drives, but more storage per pound with laptop sata drives.  Note that a lot of 
those cables only work  with up to 2 TB drives.

https://www.google.com/search?q=usb+to+sata+cable

When you are coming home, don't carry both of your backup drives with you.  
Have a friend carry one in their luggage, or mail it home separately.  That way 
if your bag goes awol, you don't lose your photos.

--
Larry Colen l...@red4est.com sent from i4est





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Re: OT: Can anyone work out what this is?

2011-11-25 Thread Larry Colen

On Nov 25, 2011, at 8:37 AM, John Sessoms wrote:

 From: David Mann
 
 I considered one of my photos of this for the upcoming PUG.  It's in
 a rather out-of-the-way graveyard on the West Coast that we had a
 quick look at last weekend.
 
 I can't figure out what it is or what it was used for.  Given its
 shape and surroundings I assume it has something to do with burials.
 I seem to remember that the rod sticking downwards protrudes below
 the base (you can just see it in the centre of the near side).
 
 http://www.multi.net.nz/cemetery-thing/
 
 Any ideas?
 
 
 The shape of the cutout mimics that of old coffins. There's not much to scale 
 it by, but it appears to be sized for an infant's or a small child's coffin. 
 Beyond that, I have not a clue.


I suspect that it may be used for graveside services, to hold the coffin in the 
grave, but next to the surface where it's visible.  After everyone goes home, 
the staff laborers lift the whole assembly out of the ground, lower the coffin 
into place, and fill the hole with dirt.  The metal flanges are probably 
covered with astroturf during the ceremony.


 
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Larry Colen l...@red4est.com sent from i4est





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Re: OT - Zinio; $25 Gift Voucher for Digital Magazine Subscriptions

2011-11-25 Thread Darren Addy
It does take nearly 24 hours to get your voucher (and mine also went
to Gmail spam folder).

I got PC Magazine as my trial magazine and then with my $25 gift card opted for:
Outdoor Photographer ($7.50)
Popular Photography ($7.50)
and the book
50 Photo Projects (7.98)

Thanks again to Brian for sharing the info on this offer with the group!

Darren Addy
Kearney, Nebraska

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GESO - Occupy Toronto: The Final Days

2011-11-25 Thread frank theriault
Just a bit of what's happened with the Occupy Toronto thing, not
because you're interested, just because it'll put the gallery in
perspective.

On Monday a judge ordered that the city could proceed with it's
eviction, meaning that they could serve the occupiers with notices
under the Trespass Act to boot them out.  By Tuesday about 1/3 to 1/2
of the tents went down voluntarily and there weren't many people
around.  From discussions I had with protesters, many were talking
about what they'd do next, whether they'd give up for now and regroup,
or if they'd immediately set up in another park.

The first five photos in this gallery were taken on that quiet Tuesday.

Wednesday the police moved in ~en masse~ to get the last of them out.
Lots and lots of press were there along with many gawkers and
observers.  The final photos were taken that day.

I chatted with a few cops who really didn't want to be there - a huge
chance that things would get ugly.  But it didn't.  I think there were
three arrests after all was said and done, and no violence or
uprisings.  By Thursday, the park looked like they'd never been there.

So, here's the gallery, all taken with my phone camera:

http://knarfinthecity.blogspot.com/2011/11/occupy-toronto-final-days.html

Hope you enjoy.  Comments welcome.

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: OT: Best option for travel storage?

2011-11-25 Thread Rick Womer
John,

Generally I have my laptop along (320 gig hard drive), and download the pix to 
it, then back up to a portable external HD.  When I travel, the laptop is in my 
backpack (carry-on) and the portable HD is in my checked luggage.

When I've had a long flight ahead in a standard coach seat (no room to open the 
laptop), I've transferred the images to my Epson P3000 viewer.  That lets me 
spend about 2 1/2 hours doing a preliminary edit before the battery dies.  
Then, I import what's left on the viewer into LR on my home computer.

If I had an iPad, I'd use that instead.

Sounds like a great trip prospect!

Cheers,

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: John Celio n...@neovenator.com
To: pdml@pdml.net
Cc: 
Sent: Friday, November 25, 2011 3:08 PM
Subject: OT: Best option for travel storage?

Those of you who travel a lot: How do you store your photos while on long trips?

Next May I'll be spending some time in Australia with my company (specifically, 
in Melbourne for roughly a week and a half), and then I'm hoping to be able to 
take another week or two off for a bit of a vacation while I'm down there.

My little Chromebook only has a 16gb drive, so that won't do. Nor will my old 
Alienware laptop, which is effing massive and just way too slow. I'm thinking I 
just need to get a small laptop with a big-ish hard drive (say, 250gb+), or get 
one of those portable hard drives with card slots you can dump stuff into (and 
take the Chromebook for internet), but I'm really curious what frequent 
travellers think is the best solution.

Thanks,
John

--
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Re: OT: Best option for travel storage?

2011-11-25 Thread Mark Roberts
John Celio n...@neovenator.com wrote:

Those of you who travel a lot: How do you store your photos while on long 
trips?

I use a Dell 10v Mini (netbook). Small enough to be easily
transportable, about 6 hours battery life (I got the optional ouble
battery) and powerful enough (barely) to run Lightroom.


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Re: Shoot Insurance -- yikes!

2011-11-25 Thread Joseph McAllister
On Nov 23, 2011, at 15:23 , Paul Stenquist wrote:

 I have to shoot a car in a studio next week. Of course that requires a very 
 big studio -- 4000 square feet. Since there is an overabundance of big 
 studios in the Detroit metro area, the daily rental is reasonable: about six 
 hundred U.S. But to shoot a car in a studio, you have to buy shoot insurance. 
 That's more costly than the rental by about ten bucks.


Shoot wild animals instead, Paul. You get to travel to exotic locales, and ADD 
insurance is much less expensive.


Joseph McAllister
pentax...@mac.com

“ It is still true, as was first said many years ago, that people are the only 
sophisticated computing devices that can be made at low cost by unskilled 
workers!”
— Martin G. Wolf, PhD


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For Sale Friday

2011-11-25 Thread Paul Dunderdale
FSF

Hi, all,

I’m rationalising my photo gear, and have some Pentax bits to go.  I have not 
sold through this forum before, but I have 100% feedback (122 items) at Ebay: 
http://myworld.ebay.co.uk/dundertech (and I’m sure Godfrey will vouch for me).

FA135/2.8 - asking £250.  Photos:  http://gallery.me…uldunderdale/100218

FA20-35/4 - asking £200.  Photos:  http://gallery.me…uldunderdale/100226
The filter-adjusting door on the lens hood is missing (recognise this, Stan?), 
otherwise all is good.

FA50/1.4 - asking £175.  Photos:  http://gallery.me…uldunderdale/100233

K10-D body - Recent examples on eBay UK have fetched more than £200, so I’ll 
take £175.  There are all the bits that came with it, two spare batteries and 
the Bourque book ‘Pentax K10-D: Everything you need to know and then some’.  
Photos: http://gallery.me…uldunderdale/100234

RMSD (insured/trackable) at cost.  Payment by PayPal (gift).  

Thanks for looking.

Paul


Paul Dunderdale
dund...@mcb.net
pauldunderd...@me.com

http://www.flickr.com/photos/dunders/
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Re: Giving and taking criticism

2011-11-25 Thread William Robb

On 25/11/2011 2:18 PM, Larry Colen wrote:


One thing I haven't seen a lot of is discussion on how to give and take 
criticism. And a related discussion

of what venues on the net, or off,  are good for that sort of discussion.


--

That's because we don't offer criticism here. We had a regular member 
who attempted it one time; he was promptly chased off the island.
It put a very real chill on the entire concept of giving an honest 
critique of images that get shown here, since any honest critique will 
likely have some criticism accompanying it (that being what the word 
critique kind of come from.)
I tried to give a critique one time and was told to accept the 
photograph on it's own merits, and either accept it for what it was or STFU.
And now you know why most every photograph that is shown here, whether 
it be a stunning landscape or a tedious snapshot of a child playing with 
a kitten gets, more or less, the same response (great capture, stunning 
image, etc) or no comment at all.


Most people don't want a critique, they want an ego massage, and no one 
likes to be told that their image is an excruciatingly boring, poor 
rendering of a banal and cliched subject.


--

William Robb

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Re: Q sensor gets a 47 at DXOmark

2011-11-25 Thread William Robb

On 25/11/2011 2:01 PM, Steven Desjardins wrote:

http://www.dxomark.com/index.php/News/DxOMark-news/A-quality-review-of-the-Pentax-Q

This would be so much fun at $400-500.


It's fun at $800.00. What it would be at $400-500 is a plasticky piece 
of junk with decent imaging qualities (though Helen Keller could focus 
better than it's AF once the light levels drop).


--

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Re: GESO - Occupy Toronto: The Final Days

2011-11-25 Thread William Robb

On 25/11/2011 4:00 PM, frank theriault wrote:

Just a bit of what's happened with the Occupy Toronto thing, not
because you're interested, just because it'll put the gallery in
perspective.

On Monday a judge ordered that the city could proceed with it's
eviction, meaning that they could serve the occupiers with notices
under the Trespass Act to boot them out.  By Tuesday about 1/3 to 1/2
of the tents went down voluntarily and there weren't many people
around.  From discussions I had with protesters, many were talking
about what they'd do next, whether they'd give up for now and regroup,
or if they'd immediately set up in another park.

The first five photos in this gallery were taken on that quiet Tuesday.

Wednesday the police moved in ~en masse~ to get the last of them out.
Lots and lots of press were there along with many gawkers and
observers.  The final photos were taken that day.

I chatted with a few cops who really didn't want to be there - a huge
chance that things would get ugly.  But it didn't.  I think there were
three arrests after all was said and done, and no violence or
uprisings.  By Thursday, the park looked like they'd never been there.

So, here's the gallery, all taken with my phone camera:

http://knarfinthecity.blogspot.com/2011/11/occupy-toronto-final-days.html

Hope you enjoy.  Comments welcome.

cheers,
frank

It is telling that the Canadian protests seem to have been put to bed 
without the overarching police brutality that has been so common south 
of the border.
It seems that to a great extent, our cops still know the difference 
between right and wrong (and that perhaps they learned something from 
the way they behaved at the G20).


--

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Re: Giving and taking criticism

2011-11-25 Thread Tim Bray
I think it’s a little more nuanced than that.  If I think a PESO is
worthless, I say nothing. If I think it’s great, I’ll say so and if I
can, add a word or two about why.  If i think a picture is worthwhile
and could be improved by cropping or color adjustments or whatever,
I’ll say that too.

I don’t think I could bring myself to start verbally crapping on the
pix I don’t like here.  I suspect that most if not all of us are a
little too emotionally engaged with the pictures we take for that to
be comfortable.

Hmm... I could set up an email gateway that would post PESOs under an
alias like anon_pdm...@gmail.com with the understanding that we could
be gleefully brutal about them without criticizing anyone by name.
Mind you, there are a few competitors here whose styles are so
distinctive that it wouldn’t help.

 -T



On Fri, Nov 25, 2011 at 4:06 PM, William Robb
anotherdrunken...@gmail.com wrote:
 On 25/11/2011 2:18 PM, Larry Colen wrote:

 One thing I haven't seen a lot of is discussion on how to give and take
 criticism. And a related discussion

 of what venues on the net, or off,  are good for that sort of discussion.

 --

 That's because we don't offer criticism here. We had a regular member who
 attempted it one time; he was promptly chased off the island.
 It put a very real chill on the entire concept of giving an honest critique
 of images that get shown here, since any honest critique will likely have
 some criticism accompanying it (that being what the word critique kind of
 come from.)
 I tried to give a critique one time and was told to accept the photograph on
 it's own merits, and either accept it for what it was or STFU.
 And now you know why most every photograph that is shown here, whether it be
 a stunning landscape or a tedious snapshot of a child playing with a kitten
 gets, more or less, the same response (great capture, stunning image, etc)
 or no comment at all.

 Most people don't want a critique, they want an ego massage, and no one
 likes to be told that their image is an excruciatingly boring, poor
 rendering of a banal and cliched subject.

 --

 William Robb

 --
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Up Mount Washington

2011-11-25 Thread Mark Roberts
So today Lisa and I eschewed the opporunity to get pepper sprayed and
fight mobs of holiday shoppers. Instead we took advantage of beautiful
weather to hike up New Hampshire's Mount Washington. The trail we took
starts right at the lodge where we're staying; it's 4.1 miles to the
top, with about 4000 feet of elevation gain.

Weather was good and snow depth wasn't too bad. We were told we
wouldn't need full crampons and so went with mini spikes, which were
tremendously helpful: We saw many other hikers using crampons.

As expected, the wind got stronger as we climbed higher. At the bluff
called Lion's Head it must have been 60-65 mph. The snow had been
blown clear of many places but where it did remain it wes quite deep
in spots. Occasionally I would place a foot and find myelf crotch-deep
in snow. That and the wind made for slow going. When we got to the top
the wind notched up *considerably*. We checked later (the top of the
mountain consists largly of an elaborate weather station facility) we
learned the wind at the top had been around 75 mph with gusts in the
mid 80's. It felt like it. In the photo linked below, Lisa is
literally hanging on to the summit marker sign to avoid being blown
away.

http://www.robertstech.com/temp/lisa-1.jpg

The whole journey felt like a lot more than the 8.2 miles it actually
was. I barely have enough energy to enjoy my beer now. But I'll manage
;-)

More photos later.


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Re: OT: Best option for travel storage?

2011-11-25 Thread Paul Stenquist
A 13 inch Macbook laptop. :Light, small, but with plenty of storage and 
powerful enough to run PhotoShop quite efficiently.
Paul
On Nov 25, 2011, at 3:08 PM, John Celio wrote:

 Those of you who travel a lot: How do you store your photos while on long 
 trips?
 
 Next May I'll be spending some time in Australia with my company 
 (specifically, in Melbourne for roughly a week and a half), and then I'm 
 hoping to be able to take another week or two off for a bit of a vacation 
 while I'm down there.
 
 My little Chromebook only has a 16gb drive, so that won't do. Nor will my old 
 Alienware laptop, which is effing massive and just way too slow. I'm thinking 
 I just need to get a small laptop with a big-ish hard drive (say, 250gb+), or 
 get one of those portable hard drives with card slots you can dump stuff into 
 (and take the Chromebook for internet), but I'm really curious what frequent 
 travellers think is the best solution.
 
 Thanks,
 John
 
 --
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Re: Giving and taking criticism

2011-11-25 Thread Bong Manayon
There is an Ignatian(?) spiritual exercise where one is to either tell
the truth only at all times OR say only nice things at all times but
never at the same time.  Which is why--I guess--the gurus or the truly
wise as they grow...well, wiser..become more silent.

Bong :-)

On Sat, Nov 26, 2011 at 8:06 AM, William Robb
anotherdrunken...@gmail.com wrote:
 On 25/11/2011 2:18 PM, Larry Colen wrote:

 One thing I haven't seen a lot of is discussion on how to give and take
 criticism. And a related discussion

 of what venues on the net, or off,  are good for that sort of discussion.

 --

 That's because we don't offer criticism here. We had a regular member who
 attempted it one time; he was promptly chased off the island.
 It put a very real chill on the entire concept of giving an honest critique
 of images that get shown here, since any honest critique will likely have
 some criticism accompanying it (that being what the word critique kind of
 come from.)
 I tried to give a critique one time and was told to accept the photograph on
 it's own merits, and either accept it for what it was or STFU.
 And now you know why most every photograph that is shown here, whether it be
 a stunning landscape or a tedious snapshot of a child playing with a kitten
 gets, more or less, the same response (great capture, stunning image, etc)
 or no comment at all.

 Most people don't want a critique, they want an ego massage, and no one
 likes to be told that their image is an excruciatingly boring, poor
 rendering of a banal and cliched subject.

 --

 William Robb

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http://bong.manayon.net

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Re: Thanksgiving in the White Mountains

2011-11-25 Thread Mark Roberts
Ann Sanfedele ann...@nyc.rr.com wrote:

On 11/24/2011 21:15, Mark Roberts wrote:
 http://www.robertstech.com/temp/index.htm

It is quite pretty, but it will be more betterer when you get it back
to your big ole 'puter.

What it really needs, I think, is to be a print. Even on a 24 monitor
there's more detail than can be properly rendered. It might not even
make it as a print, but I think I'll have a go when I get home.


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Re: Up Mount Washington

2011-11-25 Thread Tim Bray
Wow, talk about capturing a moment. -T

On Fri, Nov 25, 2011 at 4:22 PM, Mark Roberts m...@robertstech.com wrote:
 So today Lisa and I eschewed the opporunity to get pepper sprayed and
 fight mobs of holiday shoppers. Instead we took advantage of beautiful
 weather to hike up New Hampshire's Mount Washington. The trail we took
 starts right at the lodge where we're staying; it's 4.1 miles to the
 top, with about 4000 feet of elevation gain.

 Weather was good and snow depth wasn't too bad. We were told we
 wouldn't need full crampons and so went with mini spikes, which were
 tremendously helpful: We saw many other hikers using crampons.

 As expected, the wind got stronger as we climbed higher. At the bluff
 called Lion's Head it must have been 60-65 mph. The snow had been
 blown clear of many places but where it did remain it wes quite deep
 in spots. Occasionally I would place a foot and find myelf crotch-deep
 in snow. That and the wind made for slow going. When we got to the top
 the wind notched up *considerably*. We checked later (the top of the
 mountain consists largly of an elaborate weather station facility) we
 learned the wind at the top had been around 75 mph with gusts in the
 mid 80's. It felt like it. In the photo linked below, Lisa is
 literally hanging on to the summit marker sign to avoid being blown
 away.

 http://www.robertstech.com/temp/lisa-1.jpg

 The whole journey felt like a lot more than the 8.2 miles it actually
 was. I barely have enough energy to enjoy my beer now. But I'll manage
 ;-)

 More photos later.


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Re: Giving and taking criticism

2011-11-25 Thread kwaller
I've attended critiques of participant images done during outdoor workshops 
by professional outdoor photogs.
For most of them it is really hard to offer honest critiques of attendees 
images for fear of crushing the spirit of the attendee. The better pros will 
give honest comment to an outstanding image and offer an area of improvement 
to those images that are not so good.


I've always solicit critiques from the pros I've shot with, knowing the 
quality of the images they have produced and that they are interested in 
helping to improve the work of the attendees.


I'll take critiques from others but will balance it by the quality of work 
that I've seen them produce.


Hell, they're only images.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: William Robb anotherdrunken...@gmail.com


Subject: Re: Giving and taking criticism



On 25/11/2011 2:18 PM, Larry Colen wrote:

One thing I haven't seen a lot of is discussion on how to give and take 
criticism. And a related discussion

of what venues on the net, or off,  are good for that sort of discussion.


--

That's because we don't offer criticism here. We had a regular member who 
attempted it one time; he was promptly chased off the island.
It put a very real chill on the entire concept of giving an honest 
critique of images that get shown here, since any honest critique will 
likely have some criticism accompanying it (that being what the word 
critique kind of come from.)
I tried to give a critique one time and was told to accept the photograph 
on it's own merits, and either accept it for what it was or STFU.
And now you know why most every photograph that is shown here, whether it 
be a stunning landscape or a tedious snapshot of a child playing with a 
kitten gets, more or less, the same response (great capture, stunning 
image, etc) or no comment at all.


Most people don't want a critique, they want an ego massage, and no one 
likes to be told that their image is an excruciatingly boring, poor 
rendering of a banal and cliched subject.


--

William Robb



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Re: Giving and taking criticism

2011-11-25 Thread Tim Bray

 Hell, they're only images.

Mark!


 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: William Robb
 anotherdrunken...@gmail.com

 Subject: Re: Giving and taking criticism


 On 25/11/2011 2:18 PM, Larry Colen wrote:

 One thing I haven't seen a lot of is discussion on how to give and take
 criticism. And a related discussion

 of what venues on the net, or off,  are good for that sort of discussion.

 --

 That's because we don't offer criticism here. We had a regular member who
 attempted it one time; he was promptly chased off the island.
 It put a very real chill on the entire concept of giving an honest
 critique of images that get shown here, since any honest critique will
 likely have some criticism accompanying it (that being what the word
 critique kind of come from.)
 I tried to give a critique one time and was told to accept the photograph
 on it's own merits, and either accept it for what it was or STFU.
 And now you know why most every photograph that is shown here, whether it
 be a stunning landscape or a tedious snapshot of a child playing with a
 kitten gets, more or less, the same response (great capture, stunning image,
 etc) or no comment at all.

 Most people don't want a critique, they want an ego massage, and no one
 likes to be told that their image is an excruciatingly boring, poor
 rendering of a banal and cliched subject.

 --

 William Robb


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Re: Thanksgiving in the White Mountains

2011-11-25 Thread Ann Sanfedele



On 11/25/2011 19:42, Mark Roberts wrote:

Ann Sanfedeleann...@nyc.rr.com  wrote:


On 11/24/2011 21:15, Mark Roberts wrote:

http://www.robertstech.com/temp/index.htm


It is quite pretty, but it will be more betterer when you get it back
to your big ole 'puter.


What it really needs, I think, is to be a print. Even on a 24 monitor
there's more detail than can be properly rendered. It might not even
make it as a print, but I think I'll have a go when I get home.



I look forward to seeing that !

ann

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Re: Giving and taking criticism

2011-11-25 Thread Paul Stenquist
It's important to note that the regular member didn't just critique the 
photo. He told the photographer that he should be ashamed at having posted such 
inferior work and generally directed his comments at the person rather than the 
phtotograph. He was way out of line and obviously had some personal problems 
that interfered with his ability to be civil.
Paul

On Nov 25, 2011, at 7:06 PM, William Robb wrote:

 On 25/11/2011 2:18 PM, Larry Colen wrote:
 
 One thing I haven't seen a lot of is discussion on how to give and take 
 criticism. And a related discussion
 of what venues on the net, or off,  are good for that sort of discussion.
 
 --
 
 That's because we don't offer criticism here. We had a regular member who 
 attempted it one time; he was promptly chased off the island.
 It put a very real chill on the entire concept of giving an honest critique 
 of images that get shown here, since any honest critique will likely have 
 some criticism accompanying it (that being what the word critique kind of 
 come from.)
 I tried to give a critique one time and was told to accept the photograph on 
 it's own merits, and either accept it for what it was or STFU.
 And now you know why most every photograph that is shown here, whether it be 
 a stunning landscape or a tedious snapshot of a child playing with a kitten 
 gets, more or less, the same response (great capture, stunning image, etc) or 
 no comment at all.
 
 Most people don't want a critique, they want an ego massage, and no one likes 
 to be told that their image is an excruciatingly boring, poor rendering of a 
 banal and cliched subject.
 
 -- 
 
 William Robb
 
 -- 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: Giving and taking criticism

2011-11-25 Thread Walt Gilbert

On 11/25/2011 2:18 PM, Larry Colen wrote:

I've realized that one reason the PDML has helped me improve my photography is 
not only feedback on my photos, but looking at other people's photos and 
reading the feedback on them. It has exposed me to different styles of 
photography, given me a feel what other people like, or dislike, and why, and 
in many cases set the bar up much higher than when all I ever did was pretty 
much look at my own photos.  I've been on a few other forums which have a lot 
of people who are just barely past the stage of understanding how f/stop 
affects depth of field and think  that makes them a technical expert.

One thing I haven't seen a lot of is discussion on how to give and take 
criticism. And a related discussion of what venues on the net, or off,  are 
good for that sort of discussion.
I'm a lot better at taking criticism than I am at giving it, which is 
essentially a product of my inexperience.  So, the fact that I may not 
offer a comment on an image could be taken as either, (1) I'm not in the 
position to offer a critique on it, (2) any suggestions I may have on 
how I might improve it have already been mentioned by someone else, or 
(3) I've allowed the list to get away from me and never saw the image.


In any event, I never quite saw the value in trashing people's work, 
even if I don't like what they've done.  I've taken lots and lots of bad 
photos, and I'll take lots and lots more.  Suggestions on how they might 
be improved, or what to do in future attempts at similar shots are 
infinitely more helpful that a litany of shortcomings -- which are 
generally a manifestation of the critic's need for a self-glorification 
in any event.


Typically, if I've posted something, it's either because I like the way 
it turned out, or I think it could have been a better image, but am just 
not sure what I needed to do to make it better.  And, of course, there 
have been times when I've posted an image that I liked, but others saw 
things that they would change about them that made perfect sense to me, 
but just didn't fit into the mood of the image I had in mind.  I don't 
take that sort of thing as a personal criticism -- just a matter of 
personal taste.


Of course, as someone who's still wet behind the ears, I'm going to take 
a lot of mundane, cliche-type shots.  That's part of the price of 
learning how to use a camera, I figure.  It's like playing scales and 
learning Smoke on the Water for a guitarist.  You have to start somewhere.


-- Walt



--
Larry Colen l...@red4est.com sent from i4est








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Re: Giving and taking criticism

2011-11-25 Thread Larry Colen
I wasn't referring to the PDML per se, but just the skills in general. 
Being an engineer, I could spend a lot of time designing an online 
photography critique community, but that is an exercise in mental 
masturbation that I'll leave for another day.


Here is a disorganized brain dump of some of my thoughts on the 
subjects. Maybe, at some point, I'll try and actually write a coherent 
piece on the subject. Or at least put in enough effort to find one that 
someone else has already written.


1) Opinions are neither right nor wrong. If someone doesn't like 
something, there's nothing to argue about. Different people will like 
different things. On several occasions two photos, or two versions, of 
the same photo, posted to a group of skilled photographers, with the 
question which is better, and invariably the results are split. And it 
can be for reasons as basic as I prefer color , I prefer black and 
white, or I hate the shade of teal in the second shot.


2) I can learn from anybody. Even if I know far more than someone about 
a particular topic, they can always see something that I missed.


3) I least enjoy hearing about what I did wrong, but that is usually 
what I most need to hear to improve my craft. If I don't know what's 
wrong, it is very hard to fix it.


4) It is just as important to tell someone what they did right, what 
worked, as what didn't work.


5) It is very rarely as useful to ask for critique of a set, as it is of 
a single photograph. The person reviewing them won't have time to devote 
to each one, and there will almost always be exceptions to observations 
like it looks like your horizon is crooked, or it looks like your 
autofocus is in love with the microphone and hates the vocalist.


6) It is often more useful to ask for feedback about a particular aspect 
of a photograph.


7) Don't just say that something is wrong, give suggestions on how to 
fix it.


8) I can learn as much from reading critiques of other people's work, as 
I can reading critiques of my own.


9) Someone looking at a photo on a wall generally won't care if it was 
taken at ISO 640, f/8 or with an instamatic, Hasselblad, or 645D. 
However, someone trying to help you improve your photography will need 
to know details like ISO, shutter speed, aperture, maybe the lens, was 
it on a tripod or hand held, what sort of lighting, did you shoot a grey 
card frame to set the color balance, was it taken on auto or manual 
focus, or any of the myriad of technical details that affect a shot.


--
Larry Colen l...@red4est.com (from dos4est)

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Re: Giving and taking criticism

2011-11-25 Thread Rick Womer
That is =such= a vintage Robb that it almost has to be a Mark!
 
Rick


- Original Message -
From: William Robb anotherdrunken...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Friday, November 25, 2011 7:06 PM
Subject: Re: Giving and taking criticism

Most people don't want a critique, they want an ego massage, and no one likes 
to be told that their image is an excruciatingly boring, poor rendering of a 
banal and cliched subject.

-- 
William Robb

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Re: Giving and taking criticism

2011-11-25 Thread Rick Womer
Having nominated Bill for a Mark!, I don't agree with him.

Over the summer I posted a view from a New Hampshire peak.  I got lots of 
interesting and useful comments, and one list member manipulated the photo in 
LR and posted a version much better than mine.  I learned a lot from that--it 
is this group at its best.

When a pic falls short, I want to know why.  Several people here are 
gratifyingly, constructively critical.

When I have a pic that works, it's nice to be told so, and also be told =why= 
people think it works.  Many listers are good at that, too.

What I don't like is getting no comments on a photo at all.  If it's an 
excruciatingly boring, poor rendering of a banal and cliched subject I'd like 
to know that.  If it's technically great but the subject is lacking, or vice 
versa, I'd like to know that, too.

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: William Robb anotherdrunken...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Friday, November 25, 2011 7:06 PM
Subject: Re: Giving and taking criticism

On 25/11/2011 2:18 PM, Larry Colen wrote:

 One thing I haven't seen a lot of is discussion on how to give and take 
 criticism. And a related discussion
of what venues on the net, or off,  are good for that sort of discussion.
 
 --
 
That's because we don't offer criticism here. We had a regular member who 
attempted it one time; he was promptly chased off the island.
It put a very real chill on the entire concept of giving an honest critique of 
images that get shown here, since any honest critique will likely have some 
criticism accompanying it (that being what the word critique kind of come from.)
I tried to give a critique one time and was told to accept the photograph on 
it's own merits, and either accept it for what it was or STFU.
And now you know why most every photograph that is shown here, whether it be a 
stunning landscape or a tedious snapshot of a child playing with a kitten gets, 
more or less, the same response (great capture, stunning image, etc) or no 
comment at all.

Most people don't want a critique, they want an ego massage, and no one likes 
to be told that their image is an excruciatingly boring, poor rendering of a 
banal and cliched subject.

-- 
William Robb

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Re: Giving and taking criticism

2011-11-25 Thread David Parsons
An idea was floated last year that if you wanted, or were okay with
critique to use a different tag than PESO.  Nothing ever came of it,
but it's always an option for people who just want to share, and those
who want active feedback.

On Fri, Nov 25, 2011 at 9:45 PM, Rick Womer rwomer1...@yahoo.com wrote:
 Having nominated Bill for a Mark!, I don't agree with him.

 Over the summer I posted a view from a New Hampshire peak.  I got lots of 
 interesting and useful comments, and one list member manipulated the photo in 
 LR and posted a version much better than mine.  I learned a lot from that--it 
 is this group at its best.

 When a pic falls short, I want to know why.  Several people here are 
 gratifyingly, constructively critical.

 When I have a pic that works, it's nice to be told so, and also be told =why= 
 people think it works.  Many listers are good at that, too.

 What I don't like is getting no comments on a photo at all.  If it's an 
 excruciatingly boring, poor rendering of a banal and cliched subject I'd 
 like to know that.  If it's technically great but the subject is lacking, or 
 vice versa, I'd like to know that, too.

 Rick

 http://photo.net/photos/RickW


 - Original Message -
 From: William Robb anotherdrunken...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Cc:
 Sent: Friday, November 25, 2011 7:06 PM
 Subject: Re: Giving and taking criticism

 On 25/11/2011 2:18 PM, Larry Colen wrote:

 One thing I haven't seen a lot of is discussion on how to give and take 
 criticism. And a related discussion
 of what venues on the net, or off,  are good for that sort of discussion.

 --

 That's because we don't offer criticism here. We had a regular member who 
 attempted it one time; he was promptly chased off the island.
 It put a very real chill on the entire concept of giving an honest critique 
 of images that get shown here, since any honest critique will likely have 
 some criticism accompanying it (that being what the word critique kind of 
 come from.)
 I tried to give a critique one time and was told to accept the photograph on 
 it's own merits, and either accept it for what it was or STFU.
 And now you know why most every photograph that is shown here, whether it be 
 a stunning landscape or a tedious snapshot of a child playing with a kitten 
 gets, more or less, the same response (great capture, stunning image, etc) or 
 no comment at all.

 Most people don't want a critique, they want an ego massage, and no one likes 
 to be told that their image is an excruciatingly boring, poor rendering of a 
 banal and cliched subject.

 --
 William Robb

 -- PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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http://www.davidparsonsphoto.com

Aloha Photographer Photoblog
http://alohaphotog.blogspot.com/

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Re: Giving and taking criticism

2011-11-25 Thread Bong Manayon
Larry,

Let me share what we have done in the local Pentax group here in the
Philippines, I get to be asked to critique photos ever so often and
Filipinos are the worst in either giving or receiving critique (okay,
someone out there might think their culture are worse...).  One thing
that I have done is to make a 'rules of engagement' that allows the
critique to be private.  This softens the shame factor of a really
scathing comment.  This also makes Facebook the worst place to
critique photos--its hard to make sober criticism when the
photographers' mom liked it.  So we have this ritual of having them
state they seriously want a critique and then they should put the
photo in the end of their stream in Flickr (by changing the date the
photo was uploaded) so it would not be randomly seen.

From then on a conversation follows in the comments page which,
depending on the one being critiqued, may either be deleted or shared
to the rest of the group.  I usually add a disclaimer that goes
...feel free to delete this comment after you have read it...  I
generally get a thank you for my comments, of which I assume to mean
thanks but no thanks (esp for the bad ones) then never hear from
them again.

A funny ending to one episode was after I deconstructed this guy's
photo, he went ahead and shared to the group the photo complete with
my comments.  I asked are you sure?  He said he's actually proud of
it--its like showing off a black eye given by Manny Pacquiao...

Bong :-)

On Sat, Nov 26, 2011 at 9:10 AM, Larry Colen l...@red4est.com wrote:
 I wasn't referring to the PDML per se, but just the skills in general. Being
 an engineer, I could spend a lot of time designing an online photography
 critique community, but that is an exercise in mental masturbation that I'll
 leave for another day.

 Here is a disorganized brain dump of some of my thoughts on the subjects.
 Maybe, at some point, I'll try and actually write a coherent piece on the
 subject. Or at least put in enough effort to find one that someone else has
 already written.

 1) Opinions are neither right nor wrong. If someone doesn't like something,
 there's nothing to argue about. Different people will like different things.
 On several occasions two photos, or two versions, of the same photo, posted
 to a group of skilled photographers, with the question which is better,
 and invariably the results are split. And it can be for reasons as basic as
 I prefer color , I prefer black and white, or I hate the shade of teal
 in the second shot.

 2) I can learn from anybody. Even if I know far more than someone about a
 particular topic, they can always see something that I missed.

 3) I least enjoy hearing about what I did wrong, but that is usually what I
 most need to hear to improve my craft. If I don't know what's wrong, it is
 very hard to fix it.

 4) It is just as important to tell someone what they did right, what worked,
 as what didn't work.

 5) It is very rarely as useful to ask for critique of a set, as it is of a
 single photograph. The person reviewing them won't have time to devote to
 each one, and there will almost always be exceptions to observations like
 it looks like your horizon is crooked, or it looks like your autofocus is
 in love with the microphone and hates the vocalist.

 6) It is often more useful to ask for feedback about a particular aspect of
 a photograph.

 7) Don't just say that something is wrong, give suggestions on how to fix
 it.

 8) I can learn as much from reading critiques of other people's work, as I
 can reading critiques of my own.

 9) Someone looking at a photo on a wall generally won't care if it was taken
 at ISO 640, f/8 or with an instamatic, Hasselblad, or 645D. However, someone
 trying to help you improve your photography will need to know details like
 ISO, shutter speed, aperture, maybe the lens, was it on a tripod or hand
 held, what sort of lighting, did you shoot a grey card frame to set the
 color balance, was it taken on auto or manual focus, or any of the myriad of
 technical details that affect a shot.

 --
 Larry Colen l...@red4est.com (from dos4est)

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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 follow the directions.




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http://bong.manayon.net

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RE: Up Mount Washington

2011-11-25 Thread knarftheria...@gmail.com
~Very~ cool pic. Literally. ;-)

Since you hiked up, does that mean you didn't get the ubiquitous bumper 
sticker?  ;-)

Look forward to more pix.

Cheers,
frank 

--- Original Message ---

From: Mark Roberts m...@robertstech.com
Sent: November 25, 2011 11/25/11
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Up Mount Washington

So today Lisa and I eschewed the opporunity to get pepper sprayed and
fight mobs of holiday shoppers. Instead we took advantage of beautiful
weather to hike up New Hampshire's Mount Washington. The trail we took
starts right at the lodge where we're staying; it's 4.1 miles to the
top, with about 4000 feet of elevation gain.

Weather was good and snow depth wasn't too bad. We were told we
wouldn't need full crampons and so went with mini spikes, which were
tremendously helpful: We saw many other hikers using crampons.

As expected, the wind got stronger as we climbed higher. At the bluff
called Lion's Head it must have been 60-65 mph. The snow had been
blown clear of many places but where it did remain it wes quite deep
in spots. Occasionally I would place a foot and find myelf crotch-deep
in snow. That and the wind made for slow going. When we got to the top
the wind notched up *considerably*. We checked later (the top of the
mountain consists largly of an elaborate weather station facility) we
learned the wind at the top had been around 75 mph with gusts in the
mid 80's. It felt like it. In the photo linked below, Lisa is
literally hanging on to the summit marker sign to avoid being blown
away.

http://www.robertstech.com/temp/lisa-1.jpg

The whole journey felt like a lot more than the 8.2 miles it actually
was. I barely have enough energy to enjoy my beer now. But I'll manage
;-)

More photos later.


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Re: Up Mount Washington (too)

2011-11-25 Thread Ann Sanfedele


On 11/25/2011 19:22, Mark Roberts wrote:

.
As expected, the wind got stronger as we climbed higher. At the bluff
called Lion's Head it must have been 60-65 mph. The snow had been
blown clear of many places but where it did remain it wes quite deep
in spots. Occasionally I would place a foot and find myelf crotch-deep
in snow. That and the wind made for slow going. When we got to the top
the wind notched up *considerably*. We checked later (the top of the
mountain consists largly of an elaborate weather station facility) we
learned the wind at the top had been around 75 mph with gusts in the
mid 80's. It felt like it. In the photo linked below, Lisa is
literally hanging on to the summit marker sign to avoid being blown
away.

http://www.robertstech.com/temp/lisa-1.jpg


This was taken in 1966 in _July_ by my ex... your snap of
Lisa sent me looking for this one of me back then.

That was scary enough - you guys are TOUGH!

http://annsan.smugmug.com/Other/Stuff-to-show-PDML-for-various/4796533_2JPwqh/1/1602441253_8kP3Bgp/Medium

ann

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Re: Giving and taking criticism

2011-11-25 Thread Brian Walters
On Friday, November 25, 2011 6:45 PM, Rick Womer
rwomer1...@yahoo.com wrote:
 Having nominated Bill for a Mark!, I don't agree with him.
 
 Over the summer I posted a view from a New Hampshire peak.  I got lots of
 interesting and useful comments, and one list member manipulated the
 photo in LR and posted a version much better than mine.  I learned a lot
 from that--it is this group at its best.
 
 When a pic falls short, I want to know why.  Several people here are
 gratifyingly, constructively critical.
 
 When I have a pic that works, it's nice to be told so, and also be told
 =why= people think it works.  Many listers are good at that, too.
 
 What I don't like is getting no comments on a photo at all.  If it's an
 excruciatingly boring, poor rendering of a banal and cliched subject I'd
 like to know that.  If it's technically great but the subject is lacking,
 or vice versa, I'd like to know that, too.
 


I pretty much agree with Rick on this.

I only vaguely recall the issue that Bill and Paul referred to, when a
particularly scathing and personal critique was given.  That must be
nudging 8-10 years ago, but it seems to have put a permanent moratorium
on providing full and frank feedback.  Can't we move on?


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/





 Rick
  
 http://photo.net/photos/RickW
 
 
 - Original Message -
 From: William Robb anotherdrunken...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Cc: 
 Sent: Friday, November 25, 2011 7:06 PM
 Subject: Re: Giving and taking criticism
 
 On 25/11/2011 2:18 PM, Larry Colen wrote:
 
  One thing I haven't seen a lot of is discussion on how to give and take 
  criticism. And a related discussion
 of what venues on the net, or off,  are good for that sort of discussion.
  
  --
  
 That's because we don't offer criticism here. We had a regular member who
 attempted it one time; he was promptly chased off the island.
 It put a very real chill on the entire concept of giving an honest
 critique of images that get shown here, since any honest critique will
 likely have some criticism accompanying it (that being what the word
 critique kind of come from.)
 I tried to give a critique one time and was told to accept the photograph
 on it's own merits, and either accept it for what it was or STFU.
 And now you know why most every photograph that is shown here, whether it
 be a stunning landscape or a tedious snapshot of a child playing with a
 kitten gets, more or less, the same response (great capture, stunning
 image, etc) or no comment at all.
 
 Most people don't want a critique, they want an ego massage, and no one
 likes to be told that their image is an excruciatingly boring, poor
 rendering of a banal and cliched subject.
 
 -- 
 William Robb
 
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Re: Up Mount Washington

2011-11-25 Thread steve harley

on 2011-11-25 17:22 Mark Roberts wrote

In the photo linked below, Lisa is
literally hanging on to the summit marker sign to avoid being blown
away.

http://www.robertstech.com/temp/lisa-1.jpg


heartwarming story, memorable picture, and i'm sure you'll find that beer 
helpful

... also a unique counterpoint to the 1981 National Geographic in which i was 
just seconds ago reading Reinhold Messner's account of his solo ascent of 
Everest ... and further, while i never climbed it, i spent many an evening in 
my Maine adolescence watching the most marvelous weirdo give the weather report 
from the top of Mt Washington





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Re: PESO - Schumann

2011-11-25 Thread Brian Walters
On Friday, November 25, 2011 7:15 AM, Rick Womer
rwomer1...@yahoo.com wrote:
 http://photo.net/photodb/photo?photo_id=14683715
 


That works.  I like the selective focus and the fact that you've got a
bit of motion blur on one hand while the other is still.  Adds some
action interest.


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/

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Re: Peso's jays and pumkin

2011-11-25 Thread Brian Walters
On Friday, November 25, 2011 9:31 AM, David J Brooks
pentko...@gmail.com wrote:
 From last weekend back yard romp.
 
 http://photo.net/photodb/photo?photo_id=14683533
 Jay in tree, waiting
 
 http://photo.net/photodb/photo?photo_id=14683534
 Jay rewarded for waiting
 
 http://photo.net/photodb/photo?photo_id=14683553
 Pumpkin
 


I like the first one because of its 'natural' setting.  The bird blends
in surprisingly well with the twigs and branches.

Pumpkin on a Stick' doesn't do a lot for me - unless I'm missing
something I should be seeing.


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



 K10D, D FA 50-200 AF 360 for fill.
 
 Dave
 
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Re: Giving and taking criticism

2011-11-25 Thread Bob Sullivan
Ken,
Nothing wrong with your criticisms.
I always look forward to them.
Regards,  Bob S.

On Fri, Nov 25, 2011 at 6:52 PM,  kwal...@peoplepc.com wrote:
 I've attended critiques of participant images done during outdoor workshops
 by professional outdoor photogs.
 For most of them it is really hard to offer honest critiques of attendees
 images for fear of crushing the spirit of the attendee. The better pros will
 give honest comment to an outstanding image and offer an area of improvement
 to those images that are not so good.

 I've always solicit critiques from the pros I've shot with, knowing the
 quality of the images they have produced and that they are interested in
 helping to improve the work of the attendees.

 I'll take critiques from others but will balance it by the quality of work
 that I've seen them produce.

 Hell, they're only images.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: William Robb
 anotherdrunken...@gmail.com

 Subject: Re: Giving and taking criticism


 On 25/11/2011 2:18 PM, Larry Colen wrote:

 One thing I haven't seen a lot of is discussion on how to give and take
 criticism. And a related discussion

 of what venues on the net, or off,  are good for that sort of discussion.

 --

 That's because we don't offer criticism here. We had a regular member who
 attempted it one time; he was promptly chased off the island.
 It put a very real chill on the entire concept of giving an honest
 critique of images that get shown here, since any honest critique will
 likely have some criticism accompanying it (that being what the word
 critique kind of come from.)
 I tried to give a critique one time and was told to accept the photograph
 on it's own merits, and either accept it for what it was or STFU.
 And now you know why most every photograph that is shown here, whether it
 be a stunning landscape or a tedious snapshot of a child playing with a
 kitten gets, more or less, the same response (great capture, stunning image,
 etc) or no comment at all.

 Most people don't want a critique, they want an ego massage, and no one
 likes to be told that their image is an excruciatingly boring, poor
 rendering of a banal and cliched subject.

 --

 William Robb


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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: GESO - Occupy Toronto: The Final Days

2011-11-25 Thread P. J. Alling

On 11/25/2011 7:13 PM, William Robb wrote:

On 25/11/2011 4:00 PM, frank theriault wrote:

Just a bit of what's happened with the Occupy Toronto thing, not
because you're interested, just because it'll put the gallery in
perspective.

On Monday a judge ordered that the city could proceed with it's
eviction, meaning that they could serve the occupiers with notices
under the Trespass Act to boot them out.  By Tuesday about 1/3 to 1/2
of the tents went down voluntarily and there weren't many people
around.  From discussions I had with protesters, many were talking
about what they'd do next, whether they'd give up for now and regroup,
or if they'd immediately set up in another park.

The first five photos in this gallery were taken on that quiet 
Tuesday.


Wednesday the police moved in ~en masse~ to get the last of them out.
Lots and lots of press were there along with many gawkers and
observers.  The final photos were taken that day.

I chatted with a few cops who really didn't want to be there - a huge
chance that things would get ugly.  But it didn't.  I think there were
three arrests after all was said and done, and no violence or
uprisings.  By Thursday, the park looked like they'd never been there.

So, here's the gallery, all taken with my phone camera:

http://knarfinthecity.blogspot.com/2011/11/occupy-toronto-final-days.html 



Hope you enjoy.  Comments welcome.

cheers,
frank

It is telling that the Canadian protests seem to have been put to bed 
without the overarching police brutality that has been so common south 
of the border.
It seems that to a great extent, our cops still know the difference 
between right and wrong (and that perhaps they learned something from 
the way they behaved at the G20).


The Canadian protesters seem to have been a bit less violent than those 
in America.  I'm not saying the US cops weren't rougher in some cases, 
they probably were.  But the protesters were not nearly as law abiding 
than the Canadians.


--
Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
lengthily search.


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Re: OT: Best option for travel storage?

2011-11-25 Thread Stan Halpin

On Nov 25, 2011, at 3:08 PM, John Celio wrote:

 Those of you who travel a lot: How do you store your photos while on long 
 trips?
 
 Next May I'll be spending some time in Australia with my company 
 (specifically, in Melbourne for roughly a week and a half), and then I'm 
 hoping to be able to take another week or two off for a bit of a vacation 
 while I'm down there.
 
 My little Chromebook only has a 16gb drive, so that won't do. Nor will my old 
 Alienware laptop, which is effing massive and just way too slow. I'm thinking 
 I just need to get a small laptop with a big-ish hard drive (say, 250gb+), or 
 get one of those portable hard drives with card slots you can dump stuff into 
 (and take the Chromebook for internet), but I'm really curious what frequent 
 travellers think is the best solution.
 
 Thanks,
 John

A 13 Macbook Pro w/ 500gb internal drive, about 400gb available to 
download/store images. Plus two external HD's @ 500gb. I download via Lightroom 
with renaming and autocopy to one external HD, and then I put that HD away and 
do a disc-to-disc copy for a backup on the 2nd HD. 
I used to carry one of the external HD's with its own battery and SD slot, and 
I would download images to that through the day when taking a coffee or 
lunchbreaks. Then: a) the newer SD cards weren't working reliably in my 
system,and  b) SD cards got larger capacity and cheaper, meaning that I could 
afford to have more than adequate cards to carry me thorough the day. So I save 
all of my downloading/processing for the evening working with the laptop and 
external drives.

stan
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Best option for travel storage?

2011-11-25 Thread Bipin Gupta
On a 3-week's holiday to wesrern Europe, UK and Spain with my family,
I carried 16 GB x 2 + 8 GB x 2 + 4 GB a 3 cards for my Pentax K20D and
my wife's Panasonic PS. We were shooting almost non stop 12 Hrs a
day. That is over 260 high resolution photos per day between the two
of us. We never had to bother about downloading.
Just a bit of hesitation though in Cologne Germany, where at Media
Mart we bought an 8 GB card on sale - just in case, but never needed
to use it.
Hey Pentaxians, CLASS 10 cards are pretty cheap, and available even in
Timbuktu, the Sahara Desert. So relax and enjoy your holiday.

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