Re: Thanksgiving

2007-11-22 Thread Ed Matthew
Cory -
Our Colts play your Falcons this evening. Best to you no matter who
wins - and Happy Thanksgiving to all you PDML'ers all over the world.

We were lucky - our son arrived yesterday morning before the Indy
airport loaded up.

Ed in Indianapolis

On Nov 22, 2007 9:35 AM, cbwaters [EMAIL PROTECTED] wrote:
 It's Thanksgiving day here in America.
 Yesterday was the busiest travel day of the year (or Sunday will be... it's
 neck and neck).  All the airports and highways are usually clogged to the
 breaking point or beyond.  Family members across our nation were stressed to
 the max trying to get their herds and shit together to make the trip to
 Grandma's or Aunt's house to have a family gathering that can be one of the
 best days of the year.

 Accidents happen.  Weather happens.  Cars break down.  People get drunk.
 Inter-family fights that can cause rifts that last years or for
 ever...happen.  People who have nobody might eat TV dinners alone.  We
 Americans have hundreds of thousands or troops overseas. They and their
 loved ones are sad today and probably more than a little afraid.

 Holidays cover the whole spectrum.

 But there's turkey, stuffing , green bean casserole, cranberries and of
 course the NFL.  So it's not all bad right?

 I had the turkey feast with my family last night.  I'm working tonight
 because the Falcons (Atlanta's pro football team) have a game.  It's the
 first time in my 35 years that I've not had turkey, family and football all
 together on this day.  It's a little weird.  But I cant *really* complain.
 I have a job that pays alright, a home that's warm or cool as the weather
 demands, more turkey than I can eat (where are those leftovers anyway?), and
 lots of family who love me.

 It's tradition on Thanksgiving to take stock of the things you're thankful
 for.

 I'm thankful for you lot.  Admittedly, you're not in the top tier on my list
 evil grin  Family and love take that spot pretty well.  But my friends on
 this list and others on the internet are a nice piece of life.

 So thanks guys and gals for being there, being funny, being thoughtful (yes,
 really), and being friendly (mostly).

 Cheers.

 Cory Waters

 /moody
 /introspective



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Re: PESO: Floats

2007-11-18 Thread Ed Matthew
Impact, rhythm, and the illusion of motion lift your float capture
above the usual pattern shot. Good work!

Ed

On Nov 17, 2007 5:55 PM, Rick Womer [EMAIL PROTECTED] wrote:
 In Seattle harbor, next to a pier, was
 this...umm...thing.  I think it is designed to contain
 an oil spill.  The pattern and colors intrigued me.

 http://photo.net/photodb/photo?photo_id=6650354size=lg

 K10D, DA 16-45, ISO 1600, f/4 at 1/6, handheld, RAW
 via Lightroom.

 Some of the floats are a bit blurred because they were
 moving with the waves.  If I had come upon this scene
 earlier in the evening I would have played with it
 (and been able to use a faster shutter speed), but the
 light was fading fast.

 Comments cordially invited.

 Rick


   
 
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 with Yahoo Mobile. Try it now.  
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Re: PESO: Bowling Night

2007-11-13 Thread Ed Matthew
I had to look a long time, but vertical banding seems to show up in
the black t-shirts.

Ed

On Nov 13, 2007 7:20 AM, David Savage [EMAIL PROTECTED] wrote:
 On Nov 13, 2007 8:55 PM, Paul Stenquist [EMAIL PROTECTED] wrote:
  I don't see the vertical pattern noise. Where do you see it? I'll
  post an enlarged clip. I've examined the tiff at up to 200%. There's
  some conventional noise -- it's ISO 500 -- but nothing that appears
  to create a pattern of any sort.

 Odd. it's quite obvious to me in the dark shirts of the 2 nearest ladies.

 It's not particularly strong, but the vertical banding is there.

 Cheers,

 Dave


   http://photo.net/photodb/photo?photo_id=6634039size=lg


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Re: A PDML jubilant?

2007-11-09 Thread Ed Matthew
On Nov 9, 2007 12:26 PM, William Robb [EMAIL PROTECTED] wrote:

 - Original Message -
 From: AlunFoto
 Subject: A PDML jubilant?


  IIRC, William Robb is turning 50 one of these days.
 
  I'll risk trusting my memory: Happy birthday, Wheatfield. :-)

 Thanks Jostein.
 Today is the sad day.
 Bill


Congratulations, Bill - no sympathy from here though. I did that 23 years ago.

Best and many more,
Ed

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Re: Kodak discontinues HIE and a bunch of Ektachrome

2007-11-09 Thread Ed Matthew
So it is the damned MBA's who want to make the corporation profitable?
I thought it was because digital capture is rapidly replacing
transparency film. Thanks for clearing that up for me.

I switched to Fuji slide film years ago, but I will miss HIE.

BTW, P.J. spells his last name O'Rourke - thought you would like to know :-)

Ed.



On Nov 9, 2007 12:14 PM, P. J. Alling [EMAIL PROTECTED] wrote:
 Well, that sucks, but it's not unexpected.  Kodak is run by the best
 available MBAs after all.

 Scott Loveless wrote:
  Dated November 2.
  http://www.kodak.com/global/en/professional/products/films/discontinuedNotice.jhtml?id=0.2.26.14.25lc=en
 
  http://tinyurl.com/22aq9o
 
  I don't use the slide films they're discontinuing, but the HIE kinda hurts.
 
 


 --
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 difference between Harvard University and the Harvard University football 
 team.

 -- P. J. O'Roark



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Re: Transporting wet prints

2007-11-06 Thread Ed Matthew
On Nov 6, 2007 2:57 PM, Scott Loveless [EMAIL PROTECTED] wrote:
 [EMAIL PROTECTED] wrote:
  That's okay with fiber based paper. Resin coated paper can't be
  washed that long. It will fog. Alternatively, you could string a
  piece of clothesline across the back seat of your car and hang the
  prints with clothespins to dry as you drive. Turn the heat up! Paul

 Thanks, Paul.  I was unaware that the resin coated paper would fog.  The
 string is a wonderful idea.  I'm sure my wife will get over the wet
 spots in the cargo area.  :)

  -- Original message -- From: Scott
  Loveless [EMAIL PROTECTED]
  Hey, gang!  Gots another darkroom question.


 --
 Scott Loveless
 http://www.twosixteen.com/fivetoedsloth/



Long wash times may wash out the brightener in RC paper, but they
won't cause fog. Some papers may begin to separate after 20 minutes or
so.

Ed

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Re: Transporting wet prints

2007-11-06 Thread Ed Matthew
You should throw them away. I have used RC paper since 1975 and only
the older papers were subject to fog (maybe), particularly Kodak, i
will try to 'fogwash' some current Ilford paper. Perhaps it is the
loss of brightener in your papers. To me, loss of brightness is not
the same as fog.

Ed

Ed

On Nov 6, 2007 3:40 PM,  [EMAIL PROTECTED] wrote:
 I have a lot of fogged RC prints I can show you. Perhaps it's actually 
 separation that causes the fogged look, but fog is the visual result. You're 
 right. It takes about twenty minutes of soaking to ruin RC paper.

  -- Original message --
 From: Ed Matthew [EMAIL PROTECTED]
  On Nov 6, 2007 2:57 PM, Scott Loveless [EMAIL PROTECTED] wrote:
   [EMAIL PROTECTED] wrote:
That's okay with fiber based paper. Resin coated paper can't be
washed that long. It will fog. Alternatively, you could string a
piece of clothesline across the back seat of your car and hang the
prints with clothespins to dry as you drive. Turn the heat up! Paul
  
   Thanks, Paul.  I was unaware that the resin coated paper would fog.  The
   string is a wonderful idea.  I'm sure my wife will get over the wet
   spots in the cargo area.  :)
  
-- Original message -- From: Scott
Loveless [EMAIL PROTECTED]
Hey, gang!  Gots another darkroom question.
  
  
   --
   Scott Loveless
   http://www.twosixteen.com/fivetoedsloth/
  
  
 
  Long wash times may wash out the brightener in RC paper, but they
  won't cause fog. Some papers may begin to separate after 20 minutes or
  so.
 
  Ed
 

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Re: OT - Brit and proud

2003-07-18 Thread Ed Matthew
From: Hans Imglueck [EMAIL PROTECTED]

This is all known by me. Best regards, Hans.
...and worst regards to you, glueck. When you and Mishka take every 
opprortunity to turn the PDML into an avenue for spreading your 
pseudo-wisdom, it is time for me to leave.

Bob - Whatever the best is for your son, I hope for it. May he heal and 
prosper.

Goodbye for now.

Ed Matthew

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Dumb question about the 645

2003-07-15 Thread Ed Matthew
Did the original 645 have a removable finder so it could be used as a waist 
level camera?

Ed

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Re: Zooms vs. primes: the final word and ultimate wisdom

2003-07-15 Thread Ed Matthew
I agree with this. I am annoyed, though, by those who write or say that you 
are not a serious or conscientous photographer if you use zooms. (I don't 
claim that this was said on PDML, but we were pointed recently to an 
article that did say something like that.)

I once waited 6-1/2 hours for the right light to photograph a scene. Then I 
photographed it with the FA 20-35 f4 and got a fine image. Am I less than a 
serious photographer?

Joe

Joe -

Many serious and conscientious photographers use zooms with great frequency. 
They are, however, not supposed to admit it on message boards g.

Ed

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Re: Sadly another one goes

2003-07-15 Thread Ed Matthew
Sorry for the post.I feel better typing this to my group of friends.

Dave


No apology needed. Speaking as a person owned by two cats, you have my 
sympathy.

Regards,
Ed
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Re: OT: Seeing IR

2003-07-13 Thread Ed Matthew
I thought there might be a IR group out there.
http://www.cocam.co.uk/CoCamWS/Infrared/INFRARED.HTM

http://www.a1.nl/phomepag/markerink/mainpage.htm

Regards,
Ed
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Re: OT: Seeing IR

2003-07-13 Thread Ed Matthew
From: [EMAIL PROTECTED]
I thought there might be a IR group out there.How does one join these folk?
To subscribe to the infrared photography discussion group, send an e-mail 
to:
[EMAIL PROTECTED]

In the body of the message:
SUBSCRIBE INFRARED
if you prefer the digest:
subscribe infrared-digest
Regards,
Ed
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Re: Camera Clubs - worrth it?

2003-07-10 Thread Ed Matthew
From: Lon Williamson [EMAIL PROTECTED]

A few of you have mentioned recently that you
belong to or once belonged to camera clubs.
What's it like?
Lon, your question is too broadg.

Camera clubs are all over the place in their procedures, goals, and 
activities. Our club meets twice each month, taking a hiatus in July and 
August. We have 35 or so active members, most of whom are 'serious advanced 
amateurs'. We have seven internal competitions annually and participate in 
several more salon competitioins and gallery shows. e also have a few group 
outings (shoots).The internal competitions (which include Open and a Topic) 
are juried by invited judges. The remainder of our meetings are 
photo-educational and sometimes just photo-entertaining. Although most 
members are well-supplied with equipment, most are avid photographers, and 
not just gearheads. Insofar as competition success is concerned, the group 
is friendly and mutually supportive.

Our group is dominated by 35mm, although a few of also use medium format. 
Film capture outnumbers digital capture by a wide margin. The club is almost 
evenly split between men and women. The age ranges from 25 to old - at 68, I 
am well above the median.

We are fortunate to have our meeting room furnished without charge by a 
local private club.

You may be interested in our competition judging, which is perhaps a factor 
in our almost exclusively good relations among members. We no longer ask 
judges to rank images by 1st, 2nd, 3rd, and Honorable Mention.  Instead, 
images are awarded Merit, Special Merit, and Honor Image. Thus, a judge is 
not forced to choose among good quality but drastically different images.

My years in the club have taught me much about applied photography; I have 
also learned that camera clubs vary greatly from group to group.

If any PDML'er passes through Indianapolis on the second or fourth Thursday 
of the month, I would like to have him/her as my guest at a meeting. Just 
e-mail me here or at [EMAIL PROTECTED]

Regards,
Ed
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Re: Camera Clubs - worrth it?

2003-07-10 Thread Ed Matthew
I forgot to mention that about a dozen of us shoot black and white at least 
part of the time.

Ed

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Re: Camera Clubs - worrth it?

2003-07-10 Thread Ed Matthew
Nothing like our organization, but I have judged for a couple of clubs like 
you describe.

Ed


From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Camera Clubs - worrth it?
Date: Thu, 10 Jul 2003 11:21:21 EDT
Only in my experience;

a little like this list, only you get to do some some real PuGilism.

Only ever enter competitions when you have a thick skin or a great left 
hook.

Cheers

Peter

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Re: Cheerleading Part Deaux

2003-07-10 Thread Ed Matthew
Marnie aka Doe :-)  My macro stuff has been fairly frivolous so far.
Enjoy photography frivolity, but never admit it g.

Ed

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Re: Cheerleading Part Deaux

2003-07-09 Thread Ed Matthew



You CHEATED, Ed!

Whiningly yours, Lon.  lol.
I had to cheat. I am not patient enough to make it all day with one lens.
Best,
Ed
Ed Matthew wrote:
Interesting choice. If I had to give up all but two lenses (don't ask me 
to go to one lens:-), I would keep my M50/1.4 and my M75-150/4 - even 
though I rarely use the 50 and most of my shooting is with AF lenses.

Ed


From: Lon Williamson [EMAIL PROTECTED]


What we need is a good ole fashioned thread where
everyone gets to justify a magic piece of Pentax
equipment.  So:  If you had to go photograph, and
you didn't know where or what or why, what lens would
you take with you?  You get only one.
I, personally, would take an M50mm f1.4.  Fast if you
need it, can be pressed into service as a near portrait
lens, capable of good scenics, and fast for any available
light opportunities.  The closest zoom I have to this is
an A 35-70, but it ain't nearly as easy to focus, so I'd leave
it behind.
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Re: High-end film bodies (WAS: Re: *ist D was not production type :-()

2003-07-06 Thread Ed Matthew
Can you really blame the voters for who's running things?

regards,
frank
Tom didn't refer to the President. He said politicians. It takes no 
particular knowledge/intellectual application/judgment to blame problems on 
the politicians. Never forget where elected politicians come from.

In answer to your question, blame them or credit them, Yes.

What in hell does this have to do with Pentax? After reading this list for a 
few years, I sometimes wonder what this list has to do with photography g.

Ed

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Re: No J-Lo, Pampita rules!!! was Re: D-ist blurb in American Photo magazine

2003-07-03 Thread Ed Matthew
If you think J-Lo is beauty, you must see this:
http://www.pampita-ardohain.com.ar/
It's worth some web-surfing. She is awesome

Regards

Albano

...a long way ahead of J Lo. Thanks.

Ed

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RE: Happy Birthday Canada

2003-07-02 Thread Ed Matthew
And for our neighbours to the south, you are worthy of our friendship. I
hope we are worthy of yours.
Just kidding.
And I hope that we are and continue to be worthy of Canada's friendship. 
National differences of opinion mean little; national good neighbors mean 
more than I can say! Too bad this isn't a worldwide view.
Not kidding :-)

Ed

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Re: Happy Birthday Canada

2003-07-01 Thread Ed Matthew
From north of the bridge, indeed!
Happy Birthday Canada, from south of Lake Michigan. I have travelled in your 
country several times, most recently from Banff to Vancouver on the Rocky 
Mountain Express. It is a great country. Enjoy your holiday.

Considering what our people  have in common, the differences are pretty 
damned unimportant.

Ed Matthew
Indianapolis
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RE: Digital vs. film again (was Re: I Am Pissed!)

2003-06-27 Thread Ed Matthew
You regularly make snide and derisive comments about anything having
to do with digital. Personally, I find your attitude annoying, and
your opinions ignorant.
tv
I have found that an application of Preparation Delete removes the PITA he 
causes.

Best, Ed

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Re: Is an inkjet print a photograph?

2003-06-21 Thread Ed Matthew
Valley??? Sinkhole, maybe g?.

Ed


Been a long time in this valley.  When do we get to climb the next 
mountain?

Otis Wright


T Rittenhouse wrote:

Well, I submit that each handmade custom photographic print is distinct,
that an expert can tell if it was printed by the photographer or by 
someone
else, that even two prints by the same photographer from the same negative
in the same printing session can be distinguished from one another. 
Whereas,
an inkjet or other photo-mechanical reproduction can be made by anyone and
is indistinguishable no matter who prints them. Uniqueness does enhance
value.

I guess it is just a case of being annoyed by people who use words to mean
what they want, rather than using words that say what they mean. When I
choose the wrong word, it is because I chose the wrong word. I resent it
when someone else chooses the wrong word then argues that I am stupid
because I didn't understand him. Sometimes I think it is a wonder that
humans can communicate at all.
Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
- Original Message -
From: frank theriault [EMAIL PROTECTED]
I think you're being too narrow in your view, Tom.  The best quality
photographs
may well be prints made from negatives directly on to photographic paper
(although I've seen some pretty damned good ink-jet prints - some done by
Aaron
come to mind), but that doesn't render everything else a non-photograph,
imho.







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Re: Is an inkjet print a photograph?

2003-06-20 Thread Ed Matthew



At 09:33 PM 6/20/2003 -0500, Ed Matthew wrote:


I make Ilfochromes, and both fiber-based and RC monochromes. However I 
have no problem with calling an inkjet print a photographic print.

...and grin I see no problem with your refusal to accept inkjet prints 
as 'photographic prints'.
As Dickens once put it - It's a wonder you don't run for Parliament!

=:-0

MCC
- - - - - - - - - -
Mark Cassino
G I might first have to break in via the Indiana state legislature - not 
an appealing thought.

BTW, your Michigan lighthouses would be excellent even if they became 
non-photographic prints  by being printed on non-photographic inkjet paper 
via a non- light sensitized computer by a non-photographer working in a 
non-darkroom.

I sent your link to some lighthouse enthusiasts in our photography club. 
They may choose to change to a different favorite subject.

Regards,
Ed
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Re: Velvia (wasRe: Exposure)

2003-06-16 Thread Ed Matthew
It can be projected, and looks good if you have a powerful enough lamp. The 
standard entry level 150 W is underpowered, 250 W works well, some Kodak 
carousel models have 300-350W lamps, and if you're really nuts you may go 
for a 500 W xenon lamp. Which will blow away your mind, you just won't 
believe those images.

cheers,
caveman
My experience is the same.

Ed

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Re: Velvia (wasRe: Exposure)

2003-06-16 Thread Ed Matthew
won't that reduce the life of the slides to a few dozen viewings?
Not in my experience. However, the best/least expensive dupe is accomplished 
in camera - one to print on Ilfochrome (or scan) and one to project. 
Paranoia does have some value.

Ed

Herb
 It can be projected, and looks good if you have a powerful enough lamp.
 The standard entry level 150 W is underpowered, 250 W works well, some
 Kodak carousel models have 300-350W lamps, and if you're really nuts you
 may go for a 500 W xenon lamp. Which will blow away your mind, you just
 won't believe those images.
caveman
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RE: OT: Slide projector recommendations

2003-06-16 Thread Ed Matthew
Dear Ed and Kenneth,

 If you are looking for a new projector check out the Kodak
 Ektagraphic series, it's what I've seen most used by the
 pros - before digital projection.

I'm no expert, but I was told the only difference between the cheaper
Kodak carousel projectors and the Ektagraphic projectors in the precision 
of
the slide registration from one machine to another so they can be used to 
do
dissolves between two projectors and so forth.

That if you are going to only use one projector, there is little reason to
go to the Ektagraphic line. Now I imagine the truth is more like that the
_main_ difference is the machine to machine registration, but I thought I
mention what the _salesman_ told me! :-)
- Have fun! THaller
Due to school use (past -retired now), photo club use, and personal use, I 
am familiar with both the Ektagraphic line and the standard carousel line. 
The Ektagraphics seem slightly sturdier. I would guess that machine to 
machine registration *is* the main difference, as you imply.

Regards,
Ed
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Re: OT: Slide projector recommendations

2003-06-13 Thread Ed Matthew




An old Bell  Howell slide cube projector or Kodak carosel will be just 
fine.
The slide cubes are easy to load and sort, carosels are less so.
The big images will amaze you.
Based on my experience years ago with two Bell and Howell slide cube 
projectors, I would suggest that they be avoided. Both were purchased new, 
both soon developed tendencies to jam. Garnted different preferences exist, 
but I find the carousels easier to load and easier to correct loading 
errors. Do not make the mistake of dropping two sllides into the same 
carousel slot - the resulting jam is fixable but frustrating. In reference 
to another post, the Leitz Prdovit is probably a better projector/lens, but 
carousel loading is easier.

The task of viewing more than 100 slides is daunting.
I would get a magnifying loop and a light box for sorting thru them.
The whole kit would be under US$75 new.
Spread the 36 slides out on the light box,
look at them overall,
check the interesting ones with the magnifying loop,
pick-out the best to display in the projector.
Emphatically agreed.

Regards,
Ed
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Re: Quote of the Day

2003-06-13 Thread Ed Matthew

Minolta also changed mounts, but that did not prevent them to be now in 
such a poor shape that they're looking for a buyer for the company (I hear 
they're in talks with Konica).

cheers,
caveman
Konica and Minolta announced their merger in January 2003.

Ed

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Re: Compatibility

2003-06-12 Thread Ed Matthew
Roland Mabo wrote:
The Nikon F/N 75 is in the same market segment as the *ist.
Isn't it strange that all Nikon's models below the F/N 80 are so bad 
(under featured cameras with strange restrictions), and still manage to 
sell in bucket loads?

It is not at all strange. It is a matter of public perception. The camera 
bodies say *Nikon*.

Ed

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Re: Odd Lens

2003-06-12 Thread Ed Matthew
Daniel Liu schrieb:

 Well, this is a little bit arcane to say the least, but i just looked
 at this old zoom lens' mount. It sports a KA mount, only it also
 features a tiny protruding contact that doesn't touch any of the
 contacts on the camera. I looked at the inside of the lens, and it
 seems the contact is connected to a resistor. To top it all off, two of
 the regular contacts are plastic, and three are little recessed metal
 bits. On the outside, it's a 28-85mm f/3.5-4.5 CPC Auto zoom. The
 apeture ring is also labled KR, so I'm guessing it was made for a
 ricoh k mount. Any thoughts?
Hi,
as far as I can remember, Ricoh released it's own kind of KA-mount for
the XR-P.
This mount wasn't compatible with Pentax' KA-mount.
Sigma then claimed to have the only line of lenses compatible both for
Ricoh and Pentax-A.
I have two such manual focus lenses, the Sigma 18mm/f2.8 and the
75mm/f2.8~200mm/f3.5 (both ca. 1986) - but never had a Ricoh to test
this.
They called it KPR-mount.
On my MZ-3 it works just fine. (But this won't help you, I'm afraid.)
Greetinx,

Thomas

Lea's Register describes the lens mount for the XR-P as follows:
Interchangeable Ricoh R-K bayonet (modified Pentax K with contacts for 
programmed AE modes.) The XR-P accepts the P 50 1.7 auto and K mount lenses 
in aperture-preferred and manual modes.

Regards,
Ed
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Re: Pentax proudly presents a new lens mount, the KAF3

2003-06-10 Thread Ed Matthew
BTW A system which *really* changed the mount twice
was Mamiya (their 35mm system). Their ZEX system was
way ahead of others at its time but it meant a second
change in lens mount within 2 or 3 years. The ZEX
mount was the first fully electronic lens-body
interface.
Mamiya changed their 35mm system mount more than twice.
They used the 42mm screw mount through 1975, adding the XTL bayonet in 1971. 
The 1971 NC1000 had a different bayonet.The electronic ZE mount, not 
compatable with the NC mount appeared in 1980.

Regards,
Ed
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Re: Late Saturday fun

2003-06-09 Thread Ed Matthew
It always seemed to me that the purpose of a hobby is to have fun. If you 
are having fun who the heck cares what someone else thinks of your 
hobby.
By the way, according to Mr. Rockwell, we are all in hell because we 
frequent this mailing list.
Rating of his site: Just another Pseudo-Pretentious Jerk.
Ciao,
Graywolf
I thought his site was funny - as in fun being a part of the hobby. I don't 
think that Mr. Rockwell intended to be taken entirely seriously. Note the 
*many* messages here regarding the *ist and the *D ist. Fun to discuss, fun 
to read (well, for a while) and it goes on and on.

My take is that he is laughing at all of us - himself included. When the 
instrument in hand becomes more considered than its purpose, the joke is on 
us.

...and it remains fun.

Regards,
Ed
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Re: bulk film loaders?

2003-06-05 Thread Ed Matthew
What is to stop him from using 'good film' bought in bulk?

Ed


Don't. Use expensive, good film. You'll be more critical to what you see in 
the viewfinder, and will do more planning, and eventually you'll get better 
pics.

Brendan wrote:
Ok who had some of these for sale cheap?

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Re: Moronism and more OT crap

2003-04-05 Thread Ed Matthew
From: Clive evans [EMAIL PROTECTED]
Irrespective of nationality a moron is a moron
Agreed.

Interestingly enough, as a  Brit living in France for over ten years , I 
have discovered that many French, like Americans, do not travel well,
Shouldn't you have said 'many Americans' rather than implying that you meant 
'all' Americans?

Just as a question - do Brits travel well by your standards? They certainly 
receive travellers well based on my several trips to the UK.

if at
all , in fact only around 10% have passports [a statistic shared with the 
USA, ] which produces a cerain sort of xenophobia [shared with the USA]
Please don't regard us all as Xenophobes. We have our share, certainly.
I would expect Europeans in general to be less Xenophobic than Americans due 
to the circumstance of geography.

rooted in a fear of not speaking the language, not understanding the
currency, mistrusting  the food, and a belief that there is no need to
travel as everything good is at home [does this sound familiar US readers?]
Not to all of us. I have travelled in thirty-one countries outside North 
America, including France, which I enjoyed.

I think you may have more in common than you think..
Indeed. Many Americans, like many other nationalities, and some expatriates, 
seem to have all the answers.

I had a citroen 2v for some time ...great !The DS convertible and 
the SM have to be two of the sexiest cars ever made,
grin There is no accounting for personal taste or sexual preference.

pity like so many car companies now everything is soo 
boring.
And, in the case of Japanese cars, dependable. I haven't owned an American 
car since 1983. I have never owned a Citreon. I have no regrets about 
either.

The antifreeze was indeed Austrian wine,good French wine like so many
things here is REALLY GOOD!
French wine here is good, too. It isn't as good as bourbon, but as I said, 
there is no accounting for personal taste.

Clive
Antibes
France
Did you feel better after your brief dissertation? Mine made me feel better. 
The bourbon helps too.

Ed
Indianapolis
Indiana
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Re: Vs: Vs: Moving on!

2003-04-05 Thread Ed Matthew
From: William Robb [EMAIL PROTECTED]
Bruce, could you pass the Matzah Balls please?
WW
grin Shouldn't that be Matzo Balls?

Ed

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Re: Moving on!

2003-04-04 Thread Ed Matthew


Exclude, perhaps not. However, you could change the subject line so that the 
war topics are easier to skip. This line started as a message about Tom 
going on the road.

Ed




From: Cycad [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Newsgroups are supposed to be
about conversation, you can't demand to exclude topics that don't interest
you. You don't have to read 'em if you don't want to.
Andy Phillips


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Re: Moving on!

2003-04-03 Thread Ed Matthew
All the best Tom. Come back as soon as you can.

Ed

 --- T Rittenhouse [EMAIL PROTECTED] wrote:
  Hi guys, I will be unsubscribing again Saturday
  night for an indefinate
  period. Going north to drive a bit in a friend's
  truck. Don't know if it
  will result in a job for sure, but it will
  definately get me a reference.
  Anyone wanting to e-mail me while I am on the road
  should use the
  [EMAIL PROTECTED] address.
 
  Ciao,
  Graywolf
  http://pages.prodigy.net/graywolfphoto


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Re: Now I need a lens or two

2003-03-30 Thread Ed Matthew







From: collinb [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Now I need a lens or two
Date: Sun, 30 Mar 2003 07:50:56 -0500
Sold the two lenses last week. (43  A100)
Hated to do it, but had to.
Nobody wanted the bodies, so it looks like they'll stay.
Now I need just a basic 50mm lens.
Something to allow me to shoot.
A or K 50/1.7.  Something basic  decent.
Thanks,

Collin
I have a Chinon 50/1.9 K that you can have for the postage and packing.
It isn't a great lens, but it isn't bad either.
Regards,
Ed
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Re: OT: Whiskey (Was the things we do for money)

2003-03-16 Thread Ed Matthew







From: Paul Stenquist [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: OT: Whiskey (Was the things we do for money)
Date: Sun, 16 Mar 2003 20:00:22 +
Ah

Keith Whaley wrote:
 Of course it's simpler...

 = more crass...

  ...to just drink whiskey neat.

Ah, but that all depends on what whiskey one is drinking. Of course
there are the many fine whiskeys made by our friends in Scotland and
Canada, but let us not neglect good Kentucky Whiskey.  Try a shot of
Labrot  Graham Woodford Reserve Distiller's Select. It's a 90 Proof
masterpiece distilled in Woodford County, Kentucky. They've been making
it there since 1812 and seemed to have gotten it right.It comes in a
flask shaped bottle with an appropriate cork. I'm a single malt drinker,
but I heartily recommend this bourbon.
Paul Stenquist
You recommend well and wisely. When (or where) LG is unavailable, have a go 
at Knob Creek Bourbon, or even Maker's Mark. You won't be disappointed.

Regards,
Ed
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Re: PhotoSIG (offending images) was Re: New Message from Mike Johnston

2003-03-06 Thread Ed Matthew
Generally the magazines, film, and albums are presented for what they are 
and with warning - not under any paticular guise - and I am neither a 
purchaser nor a back of the magazine shop 'viewer'. Barring the occasional 
epithet, the PDML is a pretty clean collection of expressed views and 
questions of photography enthusiasts and gearheads. With very few exceptions 
(you apparently being one of the exceptions), they yell duck this before 
sending a link which may offend some members.
Frankly, I found the image obnoxious, but less objectionable than the fact 
that you sent a link to it without warning.

Why is the defense of suggesting 'hypocrisy'so commonly used by the 
offensive?

Ed

From: Caveman [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: PhotoSIG (offending images) was Re: New Message from Mike Johnston
Date: Thu, 06 Mar 2003 10:18:13 -0500
frank theriault wrote:
Well, FWIW, I didn't particularly appreciate the image from PhotoSig.  I
now know that you were trying to make a point, but I think it could have
been made in a slightly more sensitive way than, without warning, showing
an image of a penis being fondled.
Well, there are far more objectionable images there on PhotoSIG. I would 
rate this particular one as mild when compared with the others.
My intention was indeed to shock. Without the surprise factor, you 
wouldn't be shocked at all. Maybe just disgusted.
Now, if you go to PhotoSIG through the main page, you may see that apart 
the self description as a Photo critique and discussion forum, you don't 
get any hint that you might find objectionable content there.
What I found to be really objectionable (especially without the necessary 
warnings) were some gory images (e.g. taken during a surgical operation, 
decapitated animals, etc).
The image of a p***s is objectionable just because we were educated that it 
should be so. What I was trying to do was to start a discussion about why 
in our society we are so convinced that certain parts of our bodies are so 
highly disgusting and objectionable. While, at the same time, we have a 
strong industry producing magazines, films and albums depicting exactly 
those parts (especially of women), and these materials sell very well. 
Isn't there some hypocrisy going on here ?

cheers,
caveman


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Re: Agfa Scala

2003-03-06 Thread Ed Matthew
For my taste, I find Scala overexposed at its nominal ISO of 200. I find 
that it looks better at EI 320 for most subjects. It makes good images on 
Ilfochrome, but the tonal scale balance requires some fiddling. I have had 
better luck making prints by using paper negatives.

Regards,
Ed
From: Albano Garcia [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: PDML [EMAIL PROTECTED]
Subject: Agfa Scala
Date: Thu, 6 Mar 2003 15:30:36 -0800 (PST)
Hi, gang
Thinking of trying this film. Somebody with experience
to share?
Thanks in advance
Peace


=
Albano Garcia
El Pibe Asahi
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Re: Olympus going pro

2003-03-03 Thread Ed Matthew

 The 650 was quickly followed by the 630, which had even better 
performance,

Not true either. There were two bodies release simultaneously. I think it 
was 620 and 630 (it could have been 650 and 630). They were practical 
speaking identical and amateur bodies like the competition at the time.

Pål


According to Lea's Register of 35mm SLR Cameras, Canon's early EOS line is 
dated as follows: 650 - 1987; 620 - 1988; 750 - 1988; 850 - 1988; 630 - 
1989.Specs indicate that the 620 was significantly more advanced than the 
650; the price also noticeably higher.

Ed

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Re: Shit, Crap Politics, Was:Re: Vs: car shit, not politics, not Pentax, butabout as valid as any of the crap that is allowed without rancor. WAS: bRe:PMA and Pentax DSLR

2003-02-01 Thread Ed Matthew


- Original Message -
From: Ken Archer
Subject: Shit, Crap  Politics, Was:Re: Vs: car shit, not politics, not
Pentax, but about as valid as any of the crap that is allowed without
rancor. WAS: bRe: PMA and Pentax DSLR


 Here we go again.  These subjects have no place on the PDML.  Take them
 off list or flush them where they belong.

Without wanting to be overly argumentative, it has as much place on the 
list
as ANY off topic stuff. When the WTC was demolished, the members of this
list were extremely gracious about the ranting Americans OT posts.
Now your country is looking like it is about to do what a lot of people
consider an unconscionable act.
We had the decency to let you spout off when you were feeling hard done by.
Perhaps you can show the same decency now.
Regards

William Robb

Also without wanting to be overly argumentive..

A significant number of Americans (me included) avoided discussing the WTC 
destruction here because we believed this list was not the place for 
political/terrorist issues.

Amateur political/military/global experts are a dime a dozen - I would like 
to think list members come at a higher price.

I respect your right to your opinion as I am sure you respect my right to my 
opinion no matter how seriously we disagree. However, I have no respect for 
you or anyone else who dwells on imflammatory subjects on a photography 
board.

Temporary regards,
Ed



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Re: Spotmatics are a Philosophy, WAS: Just a dream

2003-01-31 Thread Ed Matthew
Mike wrote:

 --Music listening as a hobby. Not only has vinyl been relegated to the
 margins (in my youth I was an enthusiastic record collector, and I still
 consider turntables to be among the most satisfying of toys), but
 two-channel recorded music is beginning to atomize, subsumed into a 
Babel of
 competing formats and various subspecies of home entertainment. The 
pure
 form of the art is, of course, acoustic instruments on vinyl on a
 two-channel stereo with a tube amp and pre-amp.

Mike - if you ever come through Indianapolis, let me know. I have a stack of 
LP's about five feet deep. Free, and I will throw in lunch g.

Pal wrote:
The house is filling over with books


My books I will keep - and continue adding to the collection...

Regards,
Ed



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Re: On topic?!

2003-01-29 Thread Ed Matthew
From: Boris Liberman [EMAIL PROTECTED]

Hi!

Something unusual happened to my latest submission to PhotoSIG. During
two days more than 150 people saw the picture (which is a lot to my
level) but only one of them said a word.

Here is the link:
http://www.photosig.com/viewphoto.php?id=660866

I'd like to know what do you think of it. Please, do criticize. I
really hope there is no rule on PDML that every single photo that is
posted to PDML should be just praised and applauded to...

Thanks in advance.


My comment: The lone critic who posted would find a negative remark for any 
image he viewed.

The image works. You found a mood; you captured it. I like it.

Regards,
Ed



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Re: OT: any info on this 1938 camera?

2003-01-27 Thread Ed Matthew
From: Alan Chan [EMAIL PROTECTED]



Subject: OT: any info on this 1938 camera?
Date: Mon, 27 Jan 2003 01:51:51 -0800

Not that I am going to bid, but interesting to know.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=3003525652category=709

regards,
Alan Chan




From McKeown's Guide to Antique and Classic Cameras, 2001-2002.


Manufactured by Jaeger LeCoultre  Cie., Sentier, Switzerland for Compass 
Cameras Ltd., London, England.

Compass Camera - c1938. The ultimate compact 35mm rangefinder camera system. 
A finely machined aluminum bodied camera of unusual design and incorporating 
many built-in features which include: f3.5/35mm lens, shutter from 4.5 
sec.to 1/900, RF, right-angle finder, panoramic and stereeo heads, level, 
extinction meter, filters, ground-glass focusing, etc.
For 24x36mm exposures on glass plates, or on film  with optional rollback 
for special compass film. There was also an aftermarket rollback for 828 
film. There are two distinct variations of the Compass. The later version 
has a folding focusing magnifier on the ground-glass back. Outfits with 
camera, plate back, case and instructions have sold in the $3000-4000 range 
and regularly sell at auction for at least $1500-2000. Camera only 
$1200-2000.
A separate rollback by LeCoultre for unperforated 35mm film on special 
spools is estimated at $300-450.
The 828 rollback, made in London, England, is estimated at $250-375.
The Compass Tripod, described as a rare accessory, is estimated at $600-900.

Regards,
Ed

PS Alan - after agreeing to send you the lens hoods, I fell victim to flu, 
and am just now out and about. If you still want the hoods, let me know.



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Re: OT: any info on this 1938 camera?

2003-01-27 Thread Ed Matthew




Not that I am going to bid, but interesting to know.

http://cgi.ebay.com/ws/ 
eBayISAPI.dll?ViewItemitem=3003525652category=709

regards,
Alan Chan


That is incredibly cool looking! One of two made?

Dan Scott


grin No - according to McKeown, there are two variations, not just two 
cameras.

Regards,
Ed

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Re: Question about Mamiya 500 DTL and Lenses

2003-01-27 Thread Ed Matthew
I wasn't speculating. I had a 500DTL; I still have a 1000DTL. Both were 
bought before I saw the light. They were damned good - if unrefined - 
cameras. I used Mamiya/Sekor lenses and Super Takumars on both.

Ed

From: Paul Stenquist [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Question about Mamiya 500 DTL and Lenses
Date: Mon, 27 Jan 2003 18:06:30 +

Okay, enough speculation. I'm heading to my camera closet to dig out the
two Mamiya SLRs that are buried there. Let's see, the first is a 1000TL.
It's a camera I used for about years, in the late seventies,shooting at
least 5000 rolls with it. I probably made more money with that camera
than any other I've ever owned, although I was trying harder. But I
digress, back to the camera. It has a mechanism for stopping down the
lens that appears to be identical to that of the Spotmatic-- i.e. a
paddle device at the bottom of the box that pushes a pin on the lens.
The 1000 DTL appears to be identical, except for the switch that changes
the meter from averaging to spot. The lens is an Auto Mamiya-Sekor
55/1.8. It has an auto/manual switch, and it is nearly identical to a
Super Takumar 55/1.8, albeit a bit larger. I can mount the lens on a
Spotmatic, and -- it works. I bought the DTL in 1990 or thereabouts,
thinking it would be fun to own another of these. It lasted about a week
before the mirror started sticking, but it's otherwise pretty close to 
mint.
Paul Stenquist

Peter Alling wrote:

 his camera.  It always p* me off that he
 Actually a friend of mine had a Mamiya 500DTL and the open aperture
 metering system was present on could borrow my Takumar's but
 I couldn't use any of
 his lenses.  It may have been that his camera was subject to some kind 
of
 Frankenstein repair that
 melded a DTL and a DTX.  I don't remember the lenses having an 
Auto/Manual
 switch but then I
 never used them.

 At 05:13 PM 1/26/2003 -0600, you wrote:
 The Mamiya
 M42 mount cameras had a open aperture metering system which not only 
was
 different than that adopted by Pentax but could cause damage to the 
exterior
 of a Pentax camera if they were mounted.
 
 The above statement applies only to those Mamiya lenses that were
 'redisgned' for the DSX and MSX series. The lenses originally sold with
 the 500DTL and 1000DTL were simply single pin stop-down metering 
lenses.
 There was no problem with those. The 500DTL/1000DTL and their
 predecessors, the 500TL and the 1000TL were capable of stop=down 
metering only.
 
 Also I believe that the Mamiya lenses lacked
 an auto manual switch which would make their use with a K-M42 adapter
 good only
 at maximum aperture unless you wish to preform some custom surgery on 
the
 lens.
 (I could be mistaken about that last point as I haven't looked at any 
of
 these
 lenses or cameras in a while).
 
 You are mistaken. The Mamiya/Sekor lenses as referred to above did have
 the auto/manual switch.
 
 Regards,
 Ed Matthew
 
 
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Re: Question about Mamiya 500 DTL and Lenses

2003-01-26 Thread Ed Matthew
The Mamiya

M42 mount cameras had a open aperture metering system which not only was
different than that adopted by Pentax but could cause damage to the 
exterior
of a Pentax camera if they were mounted.

The above statement applies only to those Mamiya lenses that were 
'redisgned' for the DSX and MSX series. The lenses originally sold with the 
500DTL and 1000DTL were simply single pin stop-down metering lenses. There 
was no problem with those. The 500DTL/1000DTL and their predecessors, the 
500TL and the 1000TL were capable of stop=down metering only.

Also I believe that the Mamiya lenses lacked
an auto manual switch which would make their use with a K-M42 adapter good 
only
at maximum aperture unless you wish to preform some custom surgery on the 
lens.
(I could be mistaken about that last point as I haven't looked at any of 
these
lenses or cameras in a while).


You are mistaken. The Mamiya/Sekor lenses as referred to above did have the 
auto/manual switch.

Regards,
Ed Matthew


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Re: OT: Obnoxious Sonofabitch Copyeditor

2003-01-22 Thread Ed Matthew



 that's [...]

 Add improper use of contractions to your list. Example: that's.

Gotta keep grist in the mill.  Intentionally or not. :-)

TTYL, DougF KG4LMZ


Gotta ain't right neither g.

Ed

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Re: Comparison

2003-01-15 Thread Ed Matthew








From: Gary L. Murphy [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: Pentax Users Group [EMAIL PROTECTED]
Subject: Comparison
Date: Wed, 15 Jan 2003 20:35:39 -0600

My experience with the Sigma 75-300 DL do not support your 'extremely soft' 
judgement.

Regards,
Ed

How does the Pentax FA 80-320mm zoom compare to the Sigma 70-300 DL macro?

I know the Sigma is extremley soft at 300, but is the Pentax any better?

Thanks!



Later,
Gary




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Re: which AF body has hyper-program/hyper-manual?

2003-01-05 Thread Ed Matthew
Use the program shift 'wheel', change the aperture, and check DOF each time 
it is changed.

Ed






From: Pål Jensen [EMAIL PROTECTED]

How do you manage to constantly use DOF preview and hyper-program mode on 
the Z-1p. Do you shoot at F:22?

Pål



- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, January 05, 2003 7:31 PM
Subject: Re: which AF body has hyper-program/hyper-manual?


 good afternoon pdml-ers:

 gray day here in the northeast, thoughts wander to what i'd like to
 photograph today.

 i took some early morning shots of tree branches shimmering w/their 
melting
 ice.  thankfully, my pz-1p has a dof preview which aided in determining 
how
 overexposed i should create or not create the silhoutte.

 why would any camera maker NOT included dof?  i find i use it 
constantly.

 i also use the pz-1p hyper-program and hyper-manual exposure modes.  i 
find
 the ability to look thru the viewfinder and change the details of the 
shot
 w/a simple thumb and index finder while never removing my eye from the
 viewfinder to be one of the most wonderful innovation on this most 
wonderful
 of cameras.

 does any other pentax af body employ hyper-program and/or hyper-manual?

 i went up to the boz site and under the z-50 he listed hym and hyp but 
when i
 went to see the camera on eBay, there was no mention of hyper-program 
or
 hyper-manual in the camera description.

 i can't imagine i'm the only one who relies upon hy-m and hy-p.

 any and all thoughts would be greatly appreciated

 be well

 rob



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Re: Beer and Pentaxians

2003-01-04 Thread Ed Matthew
Another non-beer drinker here. Bourbon for me.

Ed


From: [EMAIL PROTECTED]
Subject: Re: Beer and Pentaxians
Sometimes after reading all the beer-related comments on this list, I find
myself wondering if I'm the only one here who doesn't drink beer ...

ERNR



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FS Friday

2003-01-03 Thread Ed Matthew
I need to remove some litter, so here it is:

58mm lens hood: Takumar 1:2.5 135mm  1:4 200mmAsahi Opt. Co., Japan
49mm lens hood: Takumar 1:2.8 105mm 1:4 100mmAsahi Opt. Co., Japan
 both of above unmarked, pristine.
(I have no clue as to value of the lens hoods. Make an honest offer that 
includes a couple of dollars for shipping.)

49mm lens hood: Super-Takumar 1:3.5 35mm Asahi Opt. Co., Japan
no dents or dings, front rim paint is chipped

Vivitar 135/2.8 lens for 42mm thread mount, 55mm filter size. Clean and 
unmarked, some slight paint chipping on lens shade front rim.  $20 includes 
shipping.

2 49mm (generic) snap-on lens caps.
2 52mm (generic) snap-on lns caps.
1 55mm (generic) snap-on lens cap.
1 58mm (generic snap-on lens cap.
Assorted slip-on lens caps.

2 49mm Vivitar Polarizing filters, in box and maybe never used.
1 58mm Vivitar Polarizing filter, in box and maybe never used.
1 72mm (generic) Haze filter.
1 55mm Hoya UV(0) Haze filter
1 55mm B+W NL3 Closeup filter
1 52mm PRO UV filter
1 49-52 step-up ring
49mm filters, 1 of each: PRO ND8; PRO FLB, Vivitar 80B, Tiffen FLD, Vivitar 
VMC ND-3, Kalimar UV, Pentax Skylight.
1 Cokin square Sunsoft A series filter

Pentax ZX-50 Operating Manual

Mamiya/Sekor slip-on flash shoe - fits Spotmatics (?)

2 42mm screw thread Vivitar 2x Automatic Teleconverters.

1 Vivitar 3x Teleconverter

1 Vivitar 2800 Autoflash with filters and instruction floder. obviously used 
but intact and working.

1 Vivitar 102 manual flash.

A stack of series filters, mostly VI and a few larger.

Please accept my apologies for not pricing the listed items. I have little 
idea as to the value of most of them. Your offers will probably be accepted. 
Include estimated postage in offers. Pay after you receive.
If you want to make a package offer for multiple items, feel free.
*Make offers/requests off-list, please.

Thanks for wading through the list.

Regards,
Ed Matthew








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Re: Are the rules simply instinctive?

2003-01-03 Thread Ed Matthew
In my book, this is worth keeping.

Ed


--- Mike Johnston [EMAIL PROTECTED]
wrote:
  Many years ago, someone told me that brown belts
 make better karate
  instructors than black belts because the brown
 belts still remember and can
  still describe what they do.  For the black belts,
 on the other hand, the
  techniques have become instinctive, and the
 beginners' details now seem hard
  to explain, since they've been absorbed into
 muscle memory.
 
  The black belts see the bigger picture, the goal
 of winning the bout, and
  don't need to think consciously about their
 stance, etc.  In the same way,
  experienced, skilled, photographers know what
 looks right, and don't need
  to think about beginners' guidelines anymore.
 Does anyone else see it this
  way?


 Pat,
 Bob B. makes much the same point in his post about
 shooting. It's a valid
 point.

 I just think that when you're talking about rules
 of composition, you're
 talking about standardized ways of arranging
 subject-matter when you shoot a
 picture. These rules, being generalized, have to be
 broad. Thus they are
 things like the eye must have a way into the
 picture, so don't cut off the
 foreground, or place objects one-third from one
 border and two-thirds from
 the other, and focus on the front eye and don't
 cut peoples' heads off
 and blur out confusing backgrounds and Lordy, I
 don't know what-all.

 The fact is, nobody can possibly name a single rule
 of thumb a) such that
 it will usefully improve pictures in all situations
 where it can be applied
 and b) such that pictures which do not conform to
 the rule will not be
 strong or successful or good or whatever positive
 word you want to use.

 Furthermore, I personally contend that reflexively
 applying any such rules
 of thumb is just as likely to blind the
 photographer to recognizing other
 possibilities.

 The last time in even semi-serious photography that
 rules of composition
 were taken seriously were in the serious amateur
 journals of the 1930s and
 1940s. Compositional guidelines were much beloved
 of writers for these
 journals and posing guides were actually sold for
 money. An example I have
 in front of me right now, _The American Annual of
 Photography 1935_,
 published by American Photographic Publishing
 Company of Boston, features
 nicely-made photographs and a few that retain some
 small interest, in some
 cases incidentally. Most are pictorialist, stiff,
 posed, pretty, hackneyed,
 careful, trite, or superficial. Apart from Leonard
 Misonne, I don't
 immediately notice any names of photographers I know
 or that we still look
 at today--although sometimes one will indeed come
 across a famous name in
 one of these old journals.

 For the most part, this vein was mined thoroughly by
 the 1950s and most
 photographers began to see that far more
 photographic possibilities existed
 where the standardized approaches were done away
 with entirely and a sense
 of freedom and discovery were substituted. This
 freedom is simply taken for
 granted today; no photograph is necessarily
 dismissed because it isn't
 pretty or posed, standardized in some way, or
 explicable in terms of a set
 of guidelines.

 I'm not saying it's _wrong_ for anybody to make nice
 pretty pictures. My
 position is that photography belongs to no one, no
 one has the right to tell
 others what to do or not do, and, as long as it's
 not immoral or destructive
 or illegal, anybody can photograph anything they
 want to however they
 please. If anybody wants to make a list of rules and
 figure out eight things
 they'll allow themselves to photograph, well, it's
 not for me to tell 'em
 not to. They can knock themselves out.

 But I most definitely do _not_ think that good
 photographers are merely
 unconsciously or instinctively following all of
 these rules. Quite the
 contrary: I think that the rules themselves are
 deleterious to good work,
 and that each situation ought to be approached in
 any way you can devise or
 invent to try to make it new or unique or
 interesting or just pleasing to
 yourself. The challenge is not to make something
 pretty according to a set
 of rules; the challenge is to do something that is
 somehow distinctive to
 your own tastes or concerns and does _not_ look like
 eighty thousand
 pictures of the same thing already made by others.

 Just my $.02; like I say, I don't own photography
 and if somebody wants to
 do the exact opposite of what I suggest, they've got
 a perfect right.

 --Mike



=
Albano Garcia
El Pibe Asahi

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Re: Favorite MF, K Mount, Macro Lens?

2003-01-01 Thread Ed Matthew


On Wednesday, January 1, 2003, at 12:07  PM, Steve Pearson wrote:


I would like to know, from all of you whom I know have
taken a lot more pictures than I have, what is your
favorite manual focus, K mount, macro lens for flower
close ups?

Thanks again!


Kiron 105/2.8

Regards,
Ed Matthew


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Re: Turkey

2002-12-19 Thread Ed Matthew


I know, I know. I'll stop.

--Mike


Thank you.

Ed

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Re: If you left Pentax, what Scurvy Dawg system would you invite into your life?

2002-12-12 Thread Ed Matthew
grins All calm here. You are quite correct - my Pentax cameras would still 
work as well as before the possible abandonment, and I would still use them. 
However, I would miss the PDML if it went away!

Best regards,
Ed Matthew

From: Keith Whaley [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: If you left Pentax, what Scurvy Dawg system would you invite 
into  your life?
Date: Thu, 12 Dec 2002 14:16:14 -0800



Ed Matthew wrote:

 
 I'd go Olympus, or mebbe Nikon.
 
 This thread should flare on for a while.
 
 -Lon

 Since Olympus has abandoned the 35mm SLR, I wouldn't go there. Canon
 bell-ringers turn me off. Nikon, maybe.

 Regards,
 Ed

What if Pentax did an abandonment thing, in the same way Olympus did,
would you throw away all your old screwmounts, all the early and late
K-mounts, and say the hell with them all?
Maybe you would , but *I* wouldn't. There is so much Pentax 35mm gear
out there, it will take me the rest of my lifetime and then some, to
explore and buy/trade, and use all of it I can!
They haven't given up on ME, per se.
If anything, and that's not totally cast in concrete yet, they are
deciding to not make 35mm film cameras for a while.
Big deal. Everybody gets so UPSET!

Calm down folks.

keith whaley


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Re: Bare Arms-is ridiculously OT: GUNS, GUNS, AND MORE GUN

2002-12-07 Thread Ed Matthew
Frank-
The word is 'bear' arms. How can you properly hold a Pentax with bear arms? 
Of course, it wouldn't make any difference if you were using a Leica.

Regards,
Ed

From: frank theriault [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Bare Arms-was: Way OT: GUNS, GUNS, AND MORE GUN
Date: Sat, 07 Dec 2002 07:25:36 -0500

Gary,

Please, no one wants you to do anything with your arms.  If you prefer them 
bare, it's your prerogative, however here in Canada right now, you'd get 
pretty cold, being currently -2 degrees celsius (hmmm... metric, another 
liberal plot? g).  But, do keep them.  Better to hold a camera that way - 
you know, hands being at the end of arms and all, it makes it much better 
for holding things.

But, if what you meant is to keep and BEAR arms, well, you and I will 
just have to agree to disagree.  (I know, I'm perpetuating an evil thread, 
but I couldn't just leave that one alone vbg)

cheers,
frank

Gary L. Murphy wrote:


 snipI'm glad you are now in Canada as that's just one more liberal we 
will not have to deal with trying to take away our constitutional right to 
keep and bare arms. snip


--
The optimist thinks this is the best of all possible worlds. The pessimist 
fears it is true. -J. Robert
Oppenheimer


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Re: Joking about Security

2002-11-23 Thread Ed Matthew
It's something we all have to think about when we go out
before dawn with a tripod and a trenchcoat.
Paul Stenquist


Be sure to turn up your collar and wear dark glasses and a black hat grin.

Sorry, couldn't resist.

Ed Matthew




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Re: Poor list behaviour WAS Re: Terminology lesson. WAS Re: 28-105 vs 24-90 vs35-105

2002-11-21 Thread Ed Matthew

I had a feeling we were headed here
Hold on to your lenses this is going to get ugly..
Vic


Not necessarily. All you need to do is drop the subject.

Regards,
Ed

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Re: Of Prime Importance

2002-11-21 Thread Ed Matthew

Multi-pseudo-prime?

Regards,
Ed


From: Collin Brendemuehl [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Of Prime Importance
Date: Thu, 21 Nov 2002 12:13:51 -0500

Let's at least have some fun with this.

If a single-focal-length lens is prime, then what is a 
variable-focal-length lens (zoom)?

Less then prime?
Divisible?
Secondary?
Inadequate?  :)
A poor/cheap/tasteless cut?


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OT: Bokeh Jokeh

2002-11-15 Thread Ed Matthew
Courtesy of Alan Browne on rec.photo.equipment35mm

Smokin Filters Inc. announced today that they have released three new 
filters for the advanced amateur and professional market. The filters will 
be available immediately by mail order. The filters are:
Bokeh Plus
Bokeh Extra Creamy
Bokeh 4-Nikon
The filters come in a variety of sizes. They make good-bokeh lenses better 
and bad-boheh lenses marginally acceptable.
The filters are reasonably priced; for example in 55mm the prices are:
Plus $22.99, Extra Creamy $33.49, and 4-Nikon $119.99.
We're very excited by this lineup, said marketing VP T.P. Knowgood, it 
will allow even to most mediochre photographer using Canon digital bodies 
and lenses a chance to make bokeh. The high price on the 4-Nikon isn't 
because the filter is so hard to make, but rather because we know this user 
group will pay through the nose to add this filter to their bags. We will 
also be coming out with a $500 version for Leica users, but we don't expect 
it to be used to actually make photos.
Early testers of filters, including renowned bokeh shooter Takashita 
Reicadict have heaped praise on the Smokin filter lineup. We are bery 
preased with the smooth background highrights he said, but couldn't comment 
further as he was running to catch a flight to Berlin for a meeting of 
photojournalists in the red light district.
Smokin Filters is a highly lucrative privately owned company that reaps 
profits from gullibe camera owners.

Apologies to all,
Ed





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Re: Can We Help Tom?

2002-11-10 Thread Ed Matthew
Count me in. E-mail direct if you like - [EMAIL PROTECTED]
Ed Matthew


From: frank theriault [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED] [EMAIL PROTECTED]
Subject: Can We Help Tom?
Date: Sun, 10 Nov 2002 07:53:23 -0500

Just going through Greywolf's journal, he thanked Adelheid for her very
kind assistance of some badly needed money.

It looks like Tom may be having a really tough time right now, both in
terms of finance and health.  I'm wondering if there's anything we could
do to help him out financially.

I know we're in the process of getting together a little something for
Doug the List Guy (don't read this, Doug!), and I don't want to have
this list turn into the on-line equivalent of the office collections
that seem to pop up two or three times a week, but I'm worried that Tom
may be in real need here.

I'm up here in Canada, and Tom's down in the US, but hell, it wouldn't
be hard to send a money order or cheque down to where he is.  I could
try to contact him through his page (I don't know how often he's
on-line), to get an address or PO box to which it could go.  Obviously,
I wouldn't start collecting until I contact him, so we know that he'll
be able to receive the funds.

I'm thinking that if enough folks gave even $10 or $15, we could make
things a bit easier for him, at least for a while.

Anyone else in?  Contact me on or off list, as you wish.

thanks,
frank

--
The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true. -J. Robert
Oppenheimer



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Re: Let's Help Greywolf - Update.

2002-11-10 Thread Ed Matthew


I'm in discussions with another list member about the possibility of
setting up a PayPal thing, so donations can happen that way (I can't do
PayPal - no credit cards - don't ask! vbg).  I'm going to contact Tom
tonight, to let him know what we're up to, and to confirm a mailing
address that I got from another list member.


I don't use PayPal, so know nearly nothing about it. Count me in for $25
(check or US$ as you prefer - more if want to make a nice round figure). Jus 
tell me where to send it. Knowing my own tendency to procrastinate, I will 
suggest that we should move quickly.

Regards,
Ed Matthew

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Re: The all new PDML FAQ..

2002-11-06 Thread Ed Matthew
grin And for that matter, why omit us who enjoy accumulating 
'Pentaxotica'?

Best regards,
Ed Matthew

From: Fred [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: The all new PDML FAQ..
Date: Wed, 6 Nov 2002 08:07:14 -0500

 2.9 What's a Pentaxian?
 Why, its someone who uses a Pentax, of course. Additional regional
 suggestions included: Argentina, Pentaxino; Candian, Pentax-eh;
 Cyprus, Pentaxiot; French, Pentaxois; Greece, Pentaxa; Israel,
 Pentaxeli; Italy, Pentaxiano; Pennsylvania Dutch, Pentaxkopf;
 Spain, Pentaxol; Texas, Pentaxen, and so many others.

Whatever happened to Pentaxer?  For a long time, the debate over
our name went back and forth between Pentaxer and Pentaxian,
but the FAQ prototype above ignores Pentaxer, leaving behind its
rival Pentaxian and a bunch of silly substitutes.

Fred



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Re: The all new PDML FAQ..

2002-11-06 Thread Ed Matthew
And perhaps those of us (Boz as a sterling example) who know the product 
well have an understanding of Pentaxonomy,

Gotta' quit doing this,

Best,
Ed Matthew

From: William Robb [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: The all new PDML FAQ..
Date: Wed, 6 Nov 2002 06:36:50 -0600


- Original Message -
From: Michel Carrère-Gée
Subject: Re: The all new PDML FAQ..



 2.9 What's a Pentaxian?
 Why, its someone who uses a Pentax, of course. Additional
regional
 suggestions included: Argentina, Pentaxino; Candian,
Pentax-eh;  Cyprus,
 Pentaxiot; French, Pentaxois .

 We have choose PENTAXISTE !

I would think so. Pentaxois would be the language of Pentax, no?

William Robb



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Re: infra-red with K1000, MZ-5n

2002-11-04 Thread Ed Matthew
Konica is 750 nm. The Maco I have used (once) was 820 nm. I don't remember 
the Ilford SFX nm, but it is less than Konica, making it a near-infrared. My 
results with Konica 750 and Maco 820 were satisfactory - less grainy than 
Kodak HIE, but also less ethereal in the appearance achieved in prints. 
Since I find (subjectively, of course) that the grain enhances the ethereal 
effect, I prefer the Kodak version. The SFX just didn't ring my bell.
The Infrared Photography Handbook by Laurie White has been very useful.
Less useful but still a good reference is The Art of Infrared Photography by 
Joseph Paduano. If you buy Paduano's book, get the 4th edition - I found the 
earliest edition to be almost useless. Border's (and I assume others) often 
stocks both.

Regards,
Ed Matthew






From: David Brooks [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: infra-red with K1000, MZ-5n
Date: Mon, 4 Nov 2002 08:07:23 -0500

Martin.
I beleive Konica,Ilford?? and Maco Phot have low nm(720)
IR type of film with anti-halation layers,but do not seem to have
the dramatic effect as the HIE without.I have tried a roll of
Maco Cube 400 with #25 red and other than darkening the blue sky,
was not much different than reg bw.
Why not look for a used M42 mount,a 55 and or 35mm lens.
I use this and you dont have to worry about the plate.(I have a S3
for sale:):))

Dave
 Begin Original Message 

From: Martin Mielke [EMAIL PROTECTED]

Anybody on this list have any knowledge on these matters that they
can share
with me? Should I be looking at some other kind of Infra-red film,
one that
includes an anti-halation layer?

Martin



 End Original Message 




Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj/
http://brooks1952.tripod.com/myhorses
Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail



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Re: Re: infra-red with K1000 sliding OT

2002-11-04 Thread Ed Matthew
Grin 30 nm isn't much among friends.
A few years ago I read a rumor about a 1000nm infrared film from Russia - 
GOMZ, perhaps. I never could find the stuff here, in the UK or in Europe. My 
son had an equal lack of success on Asian travels. Does anyone have 
information?

Regards,
Ed Matthew

From: David Brooks [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Re: infra-red with K1000, MZ-5n
Date: Mon, 4 Nov 2002 09:13:43 -0500

D'oh.Sorry Ed,your correct on the 750nm,not 720.Aaron Reynolds
recently tried the Maco 820 and said it had pleasing results.My
only experience is with the Cube 400,which did not 'ring my
bell' either.Next time i'm at his store,and when i get my Y-M
back from the shop,i hope to try a roll of the 820,in 120
format.
I think the grain found in the Kodak film adds to
the ghostly,dramatics of the picture.

Dave
 Begin Original Message 

From: Ed Matthew [EMAIL PROTECTED]
Sent: Mon, 04 Nov 2002 07:55:37 -0600
To: [EMAIL PROTECTED]
Subject: Re: infra-red with K1000, MZ-5n


Konica is 750 nm. The Maco I have used (once) was 820 nm. I don't
remember
the Ilford SFX nm, but it is less than Konica, making it a near-
infrared. My
results with Konica 750 and Maco 820 were satisfactory - less grainy
than
Kodak HIE, but also less ethereal in the appearance achieved in
prints.
Since I find (subjectively, of course) that the grain enhances the
ethereal
effect, I prefer the Kodak version. The SFX just didn't ring my bell.
The Infrared Photography Handbook by Laurie White has been very
useful.
Less useful but still a good reference is The Art of Infrared
Photography by
Joseph Paduano. If you buy Paduano's book, get the 4th edition - I
found the
earliest edition to be almost useless. Border's (and I assume others)
often
stocks both.

Regards,
Ed Matthew









Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj/
http://brooks1952.tripod.com/myhorses
Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail



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Re: infra-red with K1000, MZ-5n (? For Ed M.)

2002-11-04 Thread Ed Matthew
I have used Kodak, Konica, and Maco in the ZX5n. All three have been trouble 
free - except for any failures introduced by me. Don't forget to be paranoid 
and black tape the window - I'm pretty sure it doesn't help, but it makes me 
feel better grins. The results most pleasing to me have been achieved with 
Kodak. However, a friend shoots Konica 750 in medium format and gets 
excellent results.

Regards,
Ed Matthew

From: Delano Mireles [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: infra-red with K1000, MZ-5n (? For Ed M.)
Date: Mon, 04 Nov 2002 09:12:30 -0600

Ed,

I'm glad to hear you've been successful running infrared through the zx5n.
I've been wanting to try but been hesitant on dropping $10/roll and then
have them fog up.  Can you let me know know which IR film you used?

Thanks,

Delano

on 11/4/02 6:16 AM, Ed Matthew at [EMAIL PROTECTED] wrote:

 - Original Message -
 From: Timothy Sherburne
 Subject: Re: infra-red with K1000, MZ-5n



 I can't personally vouch for the MZ-5n, but my ZX-M works fine
 with HIE. No
 fogging caused by a frame counter or the plastic back, and I
 put a piece of
 black electrical tape over the DX window to ease my paranoia.
 I can't
 imagine that the 5n would be any different.

 Good news!!!
 It must be those darned Canons I was thonking about.
 Though I still think the K1000 is the better choice.

 William Robb

 I have used the ZX5n with infrared with no fogging problems. I do black 
tape
 the DX window - whether or not it is necessary, I don't kmow. BTW, my
 'normal' choice for infrared is the K2.

 Regards,
 Ed Matthew

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Re: Re: infra-red with K1000, MZ-5n

2002-11-04 Thread Ed Matthew
Yes, when using Kodak. When I use Konica it is 1/60.

Regards,
Ed Matthew


From: David Brooks [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Re: infra-red with K1000, MZ-5n
Date: Mon, 4 Nov 2002 11:15:35 -0500

No truer words have ever been spoken.Trust the force,
repeat after us: f 11 at 1/125 etc etcG

Dave
 Begin Original Message 

From: gfen [EMAIL PROTECTED]
On a sunny day, just throw a #25 filter on your camera, set your
aperature
to f11, your shutter to 1/125, and bracket a full stop both ways.
Seriously, don't worry about anything else. The meter will be
essentially
useless, and you'll get a good shot at one of those 3 combiations (f8,
f11, f16).



--
http://www.infotainment.org #63728; #63728; #63728; - #63728; 
#63728; more fun than a poke in
your eye.
http://www.eighteenpercent.com #63728; #63728;- #63728; #63728; 
photography and portfolio.



 End Original Message 




Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj/
http://brooks1952.tripod.com/myhorses
Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail


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test

2002-11-03 Thread Ed Matthew
Test





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Re: What we call ourselves.

2002-11-03 Thread Ed Matthew








From: Keith Whaley [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: What we call ourselves.
Date: Sun, 03 Nov 2002 08:09:49 -0800

What is a person who likes and used a Contax called? Same name 
construction...

keith whaley

Jostein wrote:

 From: Steve Desjardins [EMAIL PROTECTED]
  I like Pentaxistes better than Pentaxians.  I saw this in another
  thread.

 Hm.
 Rhymes better with masochists...:-)
 Jostein

Or anarchists...

regards,
Ed

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Freebie for Spotmatic enthusiasts

2002-11-03 Thread Ed Matthew
I have a like new Honeywell-Pentax Copipod for grabs. Case, four original 
legs plus two sets of shorter legs, top holder and adapter. First e-mail to 
[EMAIL PROTECTED] gets it. You send postage after you receive it.

Regards,
Ed Matthew




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Free Copipod

2002-11-03 Thread Ed Matthew

[EMAIL PROTECTED] wins by six minutes. The Copipod is taken.

Regards,
Ed Matthew




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