Re: Kiss/truck

2011-07-22 Thread Eckehard Wegner
Hey, that's not a big city drug... =)

2011/7/22  drd1...@gmail.com:
 Mmm. . . Generic urban acid . . .
 -Original Message-
 From: Eckehard Wegner overpenta...@googlemail.com
 Sender: pdml-boun...@pdml.net
 Date: Thu, 21 Jul 2011 23:35:31
 To: Pentax-Discuss Mail Listpdml@pdml.net
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 Subject: Re: Kiss/truck

 Yuck... to me it looks like generic urban acid... effect for effect's sake IMO
 well at least it seems to polarize...

 2011/7/18 Tim Bray tb...@textuality.com:
 I normally hate HDR, but wow:
 https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

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Re: Kiss/truck

2011-07-21 Thread William Robb

On 19/07/2011 7:52 AM, Darren Addy wrote:

William's shot is a nice image, but it appears to me that it was taken
in a museum, under fluorescent lights with a wallpaper background. It
that IS where it is taken (or something similar), then this is
understandable and a nice representation of what was there. If it
wasn't taken there and was an outdoors illuminated shot in nature,
then I think the tone/color balance/tone mapping probably
misrepresents the original scene in a rather unsatisfying way.



That was shot beside a fairly large creek in my favourite part of BC 
(Rosebery) right at dusk. The wallpaper background is the stream 
itself with the rocks just below the surface of the water. The 
combination of the extended exposure and that they are somewhat out of 
focus is what is fooling you into thinking it is something that it isn't.
That is a combination of two exposures, one to get the bulk of the 
image, and one to get the mushroom, which was really dark. All I did was 
stack the main exposure over the brighter one and erase the layer to 
show the mushroom below it.
There was no tone mapping, and it is an accurate representation of what 
was there, with the exception of using the double exposure to secure 
what the camera couldn't do in one.
I should probably boost the gamma in the mushroom layer a bit, but it 
made a very nice print on my wall, and I'm pretty much done with the 
file so I probably won't.

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William Robb

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Re: Kiss/truck

2011-07-21 Thread Bob Sullivan
Bill,
I like it the way it is.
Nice image!
Regards,  Bob S.

On Thu, Jul 21, 2011 at 11:48 AM, William Robb
anotherdrunken...@gmail.com wrote:
 On 19/07/2011 7:52 AM, Darren Addy wrote:

 William's shot is a nice image, but it appears to me that it was taken
 in a museum, under fluorescent lights with a wallpaper background. It
 that IS where it is taken (or something similar), then this is
 understandable and a nice representation of what was there. If it
 wasn't taken there and was an outdoors illuminated shot in nature,
 then I think the tone/color balance/tone mapping probably
 misrepresents the original scene in a rather unsatisfying way.


 That was shot beside a fairly large creek in my favourite part of BC
 (Rosebery) right at dusk. The wallpaper background is the stream itself
 with the rocks just below the surface of the water. The combination of the
 extended exposure and that they are somewhat out of focus is what is fooling
 you into thinking it is something that it isn't.
 That is a combination of two exposures, one to get the bulk of the image,
 and one to get the mushroom, which was really dark. All I did was stack the
 main exposure over the brighter one and erase the layer to show the mushroom
 below it.
 There was no tone mapping, and it is an accurate representation of what was
 there, with the exception of using the double exposure to secure what the
 camera couldn't do in one.
 I should probably boost the gamma in the mushroom layer a bit, but it made a
 very nice print on my wall, and I'm pretty much done with the file so I
 probably won't.
 --

 William Robb

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Re: Kiss/truck

2011-07-21 Thread William Robb

On 21/07/2011 1:40 PM, Bob Sullivan wrote:

Bill,
I like it the way it is.
Nice image!


Thanks Bob. I appreciate that.

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Re: Kiss/truck

2011-07-21 Thread Eckehard Wegner
Yuck... to me it looks like generic urban acid... effect for effect's sake IMO
well at least it seems to polarize...

2011/7/18 Tim Bray tb...@textuality.com:
 I normally hate HDR, but wow:
 https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

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Re: Kiss/truck

2011-07-21 Thread drd1135
Mmm. . . Generic urban acid . . .
-Original Message-
From: Eckehard Wegner overpenta...@googlemail.com
Sender: pdml-boun...@pdml.net
Date: Thu, 21 Jul 2011 23:35:31 
To: Pentax-Discuss Mail Listpdml@pdml.net
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Kiss/truck

Yuck... to me it looks like generic urban acid... effect for effect's sake IMO
well at least it seems to polarize...

2011/7/18 Tim Bray tb...@textuality.com:
 I normally hate HDR, but wow:
 https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

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Re: Kiss/truck

2011-07-20 Thread William Robb

On 19/07/2011 12:17 PM, Ann Sanfedele wrote:





I agree about the labeling or not. If the first thing someone notices
is oh look that's HDR, how clever you've mucked it up.



One could say the same thing about any genre of the arts though, 
especially if it happens to be something that they have decided to have 
a hate on for.

What has become the de rigueur HDR is just another way of making pictures,
no more or less valid than any other, and shows no more, or less 
originality than snapping a
picture of someone jumping over a puddle in Paris and being lauded as a 
master.



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RE: Kiss/truck

2011-07-20 Thread Bob W
  I agree about the labeling or not. If the first thing someone notices
  is oh look that's HDR, how clever you've mucked it up.
 
 
 One could say the same thing about any genre of the arts though,
 especially if it happens to be something that they have decided to have
 a hate on for.
 What has become the de rigueur HDR is just another way of making
 pictures,
 no more or less valid than any other, and shows no more, or less
 originality than snapping a
 picture of someone jumping over a puddle in Paris and being lauded as a
 master.
 

I don't think he made it _over_ the puddle. I think he went straight in.

B


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Re: Kiss/truck

2011-07-20 Thread Larry Colen
I find it funny that one of the best features of the K-5 is the high dynamic 
range of the sensor, yet the thought of taking several photos to achieve the 
same thing is vilified. 

Mind you, the original photo has had more than just it's dynamic range 
expanded, but saying that you don't like HDR based on those techniques is like 
saying you don't like classical music based on opera.

On Jul 18, 2011, at 12:21 PM, Darren Addy wrote:

 I've expressed my opinion on this subject before, so I won't bore
 everyone again. Like nearly any form of artistic expression, I think
 anybody is free to do things anyway they like. I'm also free to like
 or dislike it. In my opinion, HDR has been ruined as label because
 of the stuff being done in the name of HDR. Say HDR to someone and
 they likely envision the over saturated, over sharpened, over
 contrasty stuff that in the old film days used to fall into the
 category of posterization. To me, HDR is extending the dynamic range
 of the image through the use of multiple exposures and then presenting
 more detail in the highlights and shadows than you could with a single
 image. I think the best (photorealistic) HDR does not scream HDR to
 you, but simply makes you go wow.
 
 The bottom line for me is, that I will never label any HDR that I do
 as such. I see no upside to the label. It is either a good image, or
 it isn't.
 
 Darren Addy
 Kearney, Nebraska
 
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Re: Kiss/truck

2011-07-20 Thread Ann Sanfedele



On 7/20/2011 10:09, William Robb wrote:

On 19/07/2011 12:17 PM, Ann Sanfedele wrote:





I agree about the labeling or not. If the first thing someone notices
is oh look that's HDR, how clever you've mucked it up.



One could say the same thing about any genre of the arts though,
especially if it happens to be something that they have decided to have
a hate on for.


I took me years to come over to digital at all, remember - you guys 
dragged me kicking and screaming.


well regardless of whether it is done with HDR or posterizing in 
photoshop, its true I don't like the look of that stuff... realizing 
this is intensely personal... It is the theatricality of it ... too 
vivid.  And I hate the stuff I did like that, too.  but I leave it

on my web site hoping some fool will want some anyway.

Don't like the circus, Cirque de Soleil, laser shows, rock concerts, 
prize fights, horror films, etc... either... doesn't matter how well 
they do it.



What has become the de rigueur HDR is just another way of making pictures,
no more or less valid than any other, and shows no more, or less
originality than snapping a picture of someone jumping over a puddle

 in Paris and being lauded as a  master.

and as you surely know, that's one of my favorite images :-)  and yet..
there is a funny similarity there... it is that he snapped at just the 
right moment that makes it interseting in addition to the nice geometry 
- we do see the technique...


ann




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Re: Kiss/truck

2011-07-20 Thread Cotty
On 17/7/11, Tim Bray, discombobulated, unleashed:

I normally hate HDR, but wow:
https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

Hate it!

--


Cheers,
  Cotty


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||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
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Re: Kiss/truck

2011-07-19 Thread Ann Sanfedele



On 7/19/2011 01:50, William Robb wrote:

On 18/07/2011 12:16 PM, Darren Addy wrote:

Isn't calling tone mapping a separate process from HDR sort of like
calling inhaling a separate process from breathing? You are
technically correct, except that without it you don't have the overall
process.
: )


You can tone map a single exposure if you want to. For that matter, tone
mapping is done after the exposure bracket has been run through the HDR
software as a separate process, so no, I would say the two are not
entwined as an overall process.
The HDR that I posted didn't even use an HDR program, but
notwithstanding, it is still an HDR image.
Sorry Ann, that you found it boring. Most of the people I show it to
think it quite nice.


I didn't know it was yours, Bill... I thought you had just pointed to
one on the web where it illustrated your point.
Open mouth, insert foot moment.  which is just to say I'd have responded 
a little more delicately knowing it was taken by a friend..


I liked the rendering of the flowers themselves..the background
bothered me and I'd have cropped differently.

WHen I first started working in photoshop I was doing all kinds of
kitchy stuff that makes me cringe now the way I cringe looking at that
garish sky in the truck photo.  someone mentioned posterization - yeah,
that too.

ann



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Re: Kiss/truck

2011-07-19 Thread Darren Addy
William's shot is a nice image, but it appears to me that it was taken
in a museum, under fluorescent lights with a wallpaper background. It
that IS where it is taken (or something similar), then this is
understandable and a nice representation of what was there. If it
wasn't taken there and was an outdoors illuminated shot in nature,
then I think the tone/color balance/tone mapping probably
misrepresents the original scene in a rather unsatisfying way.

Darren Addy
Kearney, Nebraska

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Re: Kiss/truck

2011-07-19 Thread Ann Sanfedele



On 7/19/2011 09:52, Darren Addy wrote:

William's shot is a nice image, but it appears to me that it was taken
in a museum, under fluorescent lights with a wallpaper background.


 It

that IS where it is taken (or something similar), then this is
understandable and a nice representation of what was there. If it
wasn't taken there and was an outdoors illuminated shot in nature,
then I think the tone/color balance/tone mapping probably
misrepresents the original scene in a rather unsatisfying way.

Darren Addy
Kearney, Nebraska


Thats interesting...  THe more I look at it..
(and I'm reinserting it's link  here)
http://users.accesscomm.ca/wrphoto/hdrshroom.html

the more I realise that what bothers me is that background.. like the
studio paper that seems to be popular in some portrait photo studios.
Maybe that, as much as the rendering, makes it look so false..

ann

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Re: Kiss/truck

2011-07-19 Thread Luka Knezevic-Strika
mushy brown shadows look like a job in ms paint.

On Tue, Jul 19, 2011 at 4:29 PM, Ann Sanfedele ann...@nyc.rr.com wrote:


 On 7/19/2011 09:52, Darren Addy wrote:

 William's shot is a nice image, but it appears to me that it was taken
 in a museum, under fluorescent lights with a wallpaper background.

  It

 that IS where it is taken (or something similar), then this is
 understandable and a nice representation of what was there. If it
 wasn't taken there and was an outdoors illuminated shot in nature,
 then I think the tone/color balance/tone mapping probably
 misrepresents the original scene in a rather unsatisfying way.

 Darren Addy
 Kearney, Nebraska

 Thats interesting...  THe more I look at it..
 (and I'm reinserting it's link  here)
 http://users.accesscomm.ca/wrphoto/hdrshroom.html

 the more I realise that what bothers me is that background.. like the
 studio paper that seems to be popular in some portrait photo studios.
 Maybe that, as much as the rendering, makes it look so false..

 ann

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Re: Kiss/truck

2011-07-19 Thread John Sessoms

From: Ann Sanfedele

On 7/19/2011 09:52, Darren Addy wrote:

William's shot is a nice image, but it appears to me that it was taken
in a museum, under fluorescent lights with a wallpaper background.

  It

that IS where it is taken (or something similar), then this is
understandable and a nice representation of what was there. If it
wasn't taken there and was an outdoors illuminated shot in nature,
then I think the tone/color balance/tone mapping probably
misrepresents the original scene in a rather unsatisfying way.

Darren Addy
Kearney, Nebraska


Thats interesting...  THe more I look at it..
(and I'm reinserting it's link  here)
http://users.accesscomm.ca/wrphoto/hdrshroom.html

the more I realise that what bothers me is that background.. like the
studio paper that seems to be popular in some portrait photo studios.
Maybe that, as much as the rendering, makes it look so false..

ann


I thought that was just a reflection of the sky in water; that this was 
taken on the edge of a pond somewhere. I do wonder if the mushroom is 
real or if it's a garden sculpture?


In either case, I find it much more appealing than the over-processed 
truck image. Bill created a nice image without going over-board.


My opinion, YMMV.


-
No virus found in this message.
Checked by AVG - www.avg.com
Version: 10.0.1390 / Virus Database: 1518/3773 - Release Date: 07/18/11


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Re: Kiss/truck

2011-07-19 Thread Bob Sullivan
Bill,
I agree with John.
It's a nice image and I prefer it to the truck/kiss.
Regards,  Bob S.

On Tue, Jul 19, 2011 at 10:39 AM, John Sessoms jsessoms...@nc.rr.com wrote:
 From: Ann Sanfedele

 On 7/19/2011 09:52, Darren Addy wrote:

 William's shot is a nice image, but it appears to me that it was taken
 in a museum, under fluorescent lights with a wallpaper background.

  It

 that IS where it is taken (or something similar), then this is
 understandable and a nice representation of what was there. If it
 wasn't taken there and was an outdoors illuminated shot in nature,
 then I think the tone/color balance/tone mapping probably
 misrepresents the original scene in a rather unsatisfying way.

 Darren Addy
 Kearney, Nebraska

 Thats interesting...  THe more I look at it..
 (and I'm reinserting it's link  here)
 http://users.accesscomm.ca/wrphoto/hdrshroom.html

 the more I realise that what bothers me is that background.. like the
 studio paper that seems to be popular in some portrait photo studios.
 Maybe that, as much as the rendering, makes it look so false..

 ann

 I thought that was just a reflection of the sky in water; that this was
 taken on the edge of a pond somewhere. I do wonder if the mushroom is real
 or if it's a garden sculpture?

 In either case, I find it much more appealing than the over-processed truck
 image. Bill created a nice image without going over-board.

 My opinion, YMMV.


 -
 No virus found in this message.
 Checked by AVG - www.avg.com
 Version: 10.0.1390 / Virus Database: 1518/3773 - Release Date: 07/18/11


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Re: Kiss/truck

2011-07-19 Thread Tom C
 To me, HDR is extending the dynamic range
 of the image through the use of multiple exposures and then presenting
 more detail in the highlights and shadows than you could with a single
image. I think the best (photorealistic) HDR does not scream HDR to
 you, but simply makes you go wow.

 The bottom line for me is, that I will never label any HDR that I do
 as such. I see no upside to the label. It is either a good image, or
 it isn't.

 Darren Addy

Well said and agreed.

Tom

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Re: Kiss/truck

2011-07-19 Thread Ann Sanfedele



On 7/19/2011 12:49, Tom C wrote:

To me, HDR is extending the dynamic range
of the image through the use of multiple exposures and then presenting
more detail in the highlights and shadows than you could with a single
image. I think the best (photorealistic) HDR does not scream HDR to
you, but simply makes you go wow.



The bottom line for me is, that I will never label any HDR that I do
as such. I see no upside to the label. It is either a good image, or
it isn't.



Darren Addy


Well said and agreed.

Tom

MIght be interesting to see the originals - of both the over the top 
truck and Bill's.


I agree about the labeling or not.  If the first thing someone notices
is oh look that's HDR, how clever you've mucked it up.

ann

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Re: Kiss/truck

2011-07-19 Thread Ken Waller


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Tom C caka...@gmail.com

Subject: Re: Kiss/truck



To me, HDR is extending the dynamic range
of the image through the use of multiple exposures and then presenting
more detail in the highlights and shadows than you could with a single
image. I think the best (photorealistic) HDR does not scream HDR to
you, but simply makes you go wow.



The bottom line for me is, that I will never label any HDR that I do
as such. I see no upside to the label. It is either a good image, or
it isn't.



Darren Addy


Well said and agreed.


Me three.



Tom



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Re: Kiss/truck

2011-07-18 Thread David J Brooks
I don't mind that shot

Dave

On Mon, Jul 18, 2011 at 12:48 AM, Tim Bray tb...@textuality.com wrote:
 I normally hate HDR, but wow:
 https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

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Re: Kiss/truck

2011-07-18 Thread Chris Mitchell
On 18 July 2011 05:48, Tim Bray wrote:
 I normally hate HDR, but wow:
 https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

I agree about HDR - it's the new infra red. Both are good for the
right picture, but are over used.

This is one that works for me. Excellent.

Chris

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Re: Kiss/truck

2011-07-18 Thread Darren Addy
I hate overcooked. This one is pretty darn good except for overcooking
evident in the sky, the truck box and (especially his) clothing.

Darren Addy
Kearney, Nebraska

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Re: Kiss/truck

2011-07-18 Thread William Robb

On 18/07/2011 9:43 AM, Darren Addy wrote:

I hate overcooked. This one is pretty darn good except for overcooking
evident in the sky, the truck box and (especially his) clothing.

I'll point out that what you don't like is tone mapping, which is a 
separate process from HDR.

This is an unmapped HDR, for example.

http://users.accesscomm.ca/wrphoto/hdrshroom.html

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Re: Kiss/truck

2011-07-18 Thread Darren Addy
Isn't calling tone mapping a separate process from HDR sort of like
calling inhaling a separate process from breathing? You are
technically correct, except that without it you don't have the overall
process.
: )

Darren Addy
Kearney, Nebraska

On Mon, Jul 18, 2011 at 11:19 AM, William Robb
anotherdrunken...@gmail.com wrote:
 On 18/07/2011 9:43 AM, Darren Addy wrote:

 I hate overcooked. This one is pretty darn good except for overcooking
 evident in the sky, the truck box and (especially his) clothing.

 I'll point out that what you don't like is tone mapping, which is a separate
 process from HDR.
 This is an unmapped HDR, for example.

 http://users.accesscomm.ca/wrphoto/hdrshroom.html

 --

 William Robb

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Re: Kiss/truck

2011-07-18 Thread Luka Knezevic-Strika
both pictures linked here are so far out over the border of kitsch
that it's hard to find terms to explain them, as is usually the case
with hdr

On Mon, Jul 18, 2011 at 8:16 PM, Darren Addy pixelsmi...@gmail.com wrote:
 Isn't calling tone mapping a separate process from HDR sort of like
 calling inhaling a separate process from breathing? You are
 technically correct, except that without it you don't have the overall
 process.
 : )

 Darren Addy
 Kearney, Nebraska

 On Mon, Jul 18, 2011 at 11:19 AM, William Robb
 anotherdrunken...@gmail.com wrote:
 On 18/07/2011 9:43 AM, Darren Addy wrote:

 I hate overcooked. This one is pretty darn good except for overcooking
 evident in the sky, the truck box and (especially his) clothing.

 I'll point out that what you don't like is tone mapping, which is a separate
 process from HDR.
 This is an unmapped HDR, for example.

 http://users.accesscomm.ca/wrphoto/hdrshroom.html

 --

 William Robb

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Re: Kiss/truck

2011-07-18 Thread Darren Addy
I've expressed my opinion on this subject before, so I won't bore
everyone again. Like nearly any form of artistic expression, I think
anybody is free to do things anyway they like. I'm also free to like
or dislike it. In my opinion, HDR has been ruined as label because
of the stuff being done in the name of HDR. Say HDR to someone and
they likely envision the over saturated, over sharpened, over
contrasty stuff that in the old film days used to fall into the
category of posterization. To me, HDR is extending the dynamic range
of the image through the use of multiple exposures and then presenting
more detail in the highlights and shadows than you could with a single
image. I think the best (photorealistic) HDR does not scream HDR to
you, but simply makes you go wow.

The bottom line for me is, that I will never label any HDR that I do
as such. I see no upside to the label. It is either a good image, or
it isn't.

Darren Addy
Kearney, Nebraska

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Re: Kiss/truck

2011-07-18 Thread Mark Cassino
Cool shot, and some truck. Absent manipulation it must have about 2 feet of 
ground clearance and tires 3 feet in diameter.  But is the actual effect HDR or 
microcontrast? I've been playing around with 'HDR' software and find that you 
can get interesting effects from jsut one exposure - no HDR there, but there is 
micro contrast. Sorta like the high-pass filter in photoshop made useable...


- Original Message -
From: Tim Bray tb...@textuality.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Monday, July 18, 2011 12:48 AM
Subject: Kiss/truck

I normally hate HDR, but wow:
https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

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Re: Kiss/truck

2011-07-18 Thread Steven Desjardins
I like this shot, and I do like this kind of effect sometimes.  The
problem is that, too often, everything  starts to look like this.

On Mon, Jul 18, 2011 at 8:44 PM, Mark Cassino markcass...@ymail.com wrote:
 Cool shot, and some truck. Absent manipulation it must have about 2 feet of 
 ground clearance and tires 3 feet in diameter.  But is the actual effect HDR 
 or microcontrast? I've been playing around with 'HDR' software and find that 
 you can get interesting effects from jsut one exposure - no HDR there, but 
 there is micro contrast. Sorta like the high-pass filter in photoshop made 
 useable...


 - Original Message -
 From: Tim Bray tb...@textuality.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Cc:
 Sent: Monday, July 18, 2011 12:48 AM
 Subject: Kiss/truck

 I normally hate HDR, but wow:
 https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

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Re: Kiss/truck

2011-07-18 Thread Ann Sanfedele

The kiss/truck shot just makes me gag.  Way too far over the top for me.

The unmapped one below has a lot of clarity but is pretty boring.

ann

On 7/18/2011 12:19, William Robb wrote:

On 18/07/2011 9:43 AM, Darren Addy wrote:

I hate overcooked. This one is pretty darn good except for overcooking
evident in the sky, the truck box and (especially his) clothing.


I'll point out that what you don't like is tone mapping, which is a
separate process from HDR.
This is an unmapped HDR, for example.

http://users.accesscomm.ca/wrphoto/hdrshroom.html



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Re: Kiss/truck

2011-07-18 Thread Christine Aguila
I like it too.  The colors appeal to me.  Tim posted this on Google+ as 
well, and it was interesting to read the many, many  responses to it, and 
I'd say the shot was very well received.  I'm not anti-HDR; I even bought a 
book on it, and I like  a lot of  the stuff in the book.  Very well done.  I 
like traditional photography too, of course.  My view, for what it's worth, 
is that HDR right now is rendering-dependent--content etc only so-so 
interesting.  Traditional street, reportage etc is content-driven, tells a 
better story, more interesting, but in fairness, it's hard to do HDR with 
moving subjects for all the obvious reasons.  There is such a thing as 
photorealistic HDR--a whole section on it in the book I have.  Bill's shot 
is a nice example I think.  Cheers, Christine





- Original Message - 
From: Steven Desjardins drd1...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, July 18, 2011 9:22 PM
Subject: Re: Kiss/truck


I like this shot, and I do like this kind of effect sometimes.  The
problem is that, too often, everything  starts to look like this.

On Mon, Jul 18, 2011 at 8:44 PM, Mark Cassino markcass...@ymail.com wrote:
Cool shot, and some truck. Absent manipulation it must have about 2 feet 
of ground clearance and tires 3 feet in diameter. But is the actual effect 
HDR or microcontrast? I've been playing around with 'HDR' software and 
find that you can get interesting effects from jsut one exposure - no HDR 
there, but there is micro contrast. Sorta like the high-pass filter in 
photoshop made useable...



- Original Message -
From: Tim Bray tb...@textuality.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc:
Sent: Monday, July 18, 2011 12:48 AM
Subject: Kiss/truck

I normally hate HDR, but wow:
https://plus.google.com/106289562822644692555/posts/L5Di5wanKvA

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Re: Kiss/truck

2011-07-18 Thread William Robb

On 18/07/2011 12:16 PM, Darren Addy wrote:

Isn't calling tone mapping a separate process from HDR sort of like
calling inhaling a separate process from breathing? You are
technically correct, except that without it you don't have the overall
process.
: )


You can tone map a single exposure if you want to. For that matter, tone 
mapping is done after the exposure bracket has been run through the HDR 
software as a separate process, so no, I would say the two are not 
entwined as an overall process.
The HDR that I posted didn't even use an HDR program, but 
notwithstanding, it is still an HDR image.
Sorry Ann, that you found it boring. Most of the people I show it to 
think it quite nice.


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