Re: Dimples

2010-10-30 Thread Jeffery Smith
Chihuahuas have us all beat.

Jeffery


On Oct 30, 2010, at 6:14 PM, eckinator wrote:

 2010/10/31 Jeffery Smith jsmith...@bellsouth.net:
 
 The dude on the left is hung like a field mouse.
 
 better not challenge a rodent when it comes to package to body weight
 ratio... especially not a rat ]=P
 
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Re: DA 35mm f/2.4 impressions

2010-10-31 Thread Jeffery Smith
I was thinking that its selling point is that it comes in a variety of colors. 
Perfect for street work...nobody would dream that a terrorist would be using a 
tangerine orange camera lens.

Jeffery

On Oct 31, 2010, at 3:29 AM, Boris Liberman wrote:

 Dario,
 
 It seems to me that this new lens is not for seasoned Pentaxians who 
 already have this focal length covered. Gimme a moment, I have it covered 4.5 
 times with 4 of my zoom lenses and FA 31. It is very good candidate to start 
 prime life in Pentax land, but it seems that the sentiment is different - buy 
 it or else. Personally, this frustrates me.
 
 Boris
 
 
 On 10/31/2010 9:56 AM, Dario Bonazza wrote:
 Worth looking at:
 http://www.pentaxforums.com/forums/pentax-slr-lens-discussion/118765-da-35mm-2-4-plastic-wonder-dal35-vs-fa35-vs-da35m-vs-a35-many-photos.html
 
 
 Dario
 
 
 
 
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Re: OT: This ain't so good

2010-10-31 Thread Jeffery Smith
The Saints game is on in 45 min. I don't expect any visitors. The locals here 
tried to have Halloween pushed up to yesterday.

Jeffery

On Oct 31, 2010, at 6:17 PM, Bob W wrote:

 A hundred! That's far too many. You need to start giving them cough medicine
 and a warning about strangers.
 
 
 We've had over 100 already. Bought about six pounds of candy, and we
 might run out.
 Paul
 On Oct 31, 2010, at 7:02 PM, John Sessoms wrote:
 
 Broke down this year and bought maybe 3 lbs Halloween candy, and I
 haven't had a single trick or treater.
 
 
 
 
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Re: Talking to Ned Bunnell at the PhotoPlus Expo

2010-11-01 Thread Jeffery Smith
Like computers, it's pretty hard to predict what may be antiquated in a few 
years. I haven't seen a floppy drive in years.
I bought my first screw-mount lenses in the late 60's, confident that they 
would be around a long time. Then Pentax went to bayonet. I switched to Nikon, 
figuring at least they would keep the same mount. They didn't. Gaa! I 
fortunately didn't switch to Miranda, Konica, or Minolta. 

My concern about 4/3 is that it seems that only Olympus is currently sticking 
with it, but I suspect that they will soon go to m4/3 completely. 

WordStar dominated word processing in 1984, so that's what I bought. Gaa!  Used 
it with a CPM card in my Apple IIe. Gaa! Switched to a PC and WordPerfect, the 
dominant word processor in the late 1980's. Gaa!

Nothing is sacred. Evolution happens.

Jeffery


On Nov 1, 2010, at 1:03 PM, Mark Roberts wrote:

 Dario Bonazza wrote:
 
 Boris Liberman wrote:
 
 There is something that bothers me slightly.
 
 The future is a crystal ball with a lot of fog and little if anything to be 
 seen. I don't think Pentax knows the future, including their future moves 
 beyond the next year, hence worrying now fo possible choices five years from 
 now makes little sense. Use your current gear as long as it fits and move 
 away if/when it can no longer suit your needs.
 
 Being concerned about possible choices five years from now actually
 makes a great deal of sense for someone getting into a camera system
 and looking at potentially spending several thousand dollars over the
 course of those years.
 
 
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Re: peso - nice guy

2010-11-01 Thread Jeffery Smith
Good effects. Hope the PUG has a 2010 theme that includes torn flesh.

I like the lighting too.

Jeffery


On Nov 1, 2010, at 11:36 AM, Sasha Sobol wrote:

 http://www.flickr.com/photos/sobol/5134425479/
 
 comments and critique welcomer as always
 
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Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?

2010-11-01 Thread Jeffery Smith
I have been using faster lenses (77/1.8) for stage productions until now, but 
want to get a bit closer with a zoom. Do any of you who have this lens feel 
that it will focus reliably in sometimes dim stage lights with a K-7?  Because 
of the added length, I'm taking a Porter bean bag to use as a rest. 

What ISO do I dare use indoor under incandescent lighting from floods? I'm 
shooting it entirely RAW, so I can fiddle with color correction later on the 
Mac.

What say you? Feedback from the intelligentsia is welcomed, gas-baggy or not, 
whoopee cushion or not, and I won't criticize your reading ability. My only 
other long telephoto choices are 70-200 2.8 Sigma (10 years old), or a 50-200 
Zuiko that I got with my E-1 (but I can use it on my more recent Panasonic.

Jeffery Smith
About to photography Bat Boy, like my reputation depends on it.



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Re: Talking to Ned Bunnell at the PhotoPlus Expo

2010-11-01 Thread Jeffery Smith
Pentax seems to be designing lenses for aps-sized sensors to the exclusion of 
full-sized sensors. Is aps big enough? I guess  so.

Jeffery

On Nov 1, 2010, at 10:04 PM, John Sessoms wrote:

 From: Steven Desjardins
 Many on this list want Pentax to produce a FF body.  These would all
 be incompatible with the DA lenses.  Apparently it might also be
 incompatible with the FA lenses, at least in terms of AF
 
 That would suck!
 
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Re: Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?

2010-11-02 Thread Jeffery Smith
Thanks Christine. Like you, I'll be the only person in the audience (dress 
rehearsal), so I'll be able to close in. The shots you posted look great. A far 
cry from mine from the mid-1990's when I had to use Fuji 800.

Jeffery
On Nov 1, 2010, at 11:20 PM, Christine Aguila wrote:

 The DA* 50-135mm should focus reliably for you under the conditions you 
 describe below.  As to ISO, I had to shoot stage production photos last 
 August--the play was Hay Fever.  I shot ISO 800 for the entire shoot.  A bit 
 of noise  saturation reduction in Lightroom worked just fine.  Here's the 
 link:  www.caguila.com/caguila/hayfever .
 f4 was used with the DA 16-45mm for all shots.
 
 I have used the DA* 50-135mm under some really, and I say, really, dark stage 
 situations, shooting really slow.  The lens focused reliably, but it was hard 
 to keep steady, but that's my error, not equipment error.
 
 For the shoot previously mentioned, it was just me, the director, and the 
 actors on stage.  I was not shooting from the audience during performance 
 time, so I was able to get close and didn't need the longer lens.  Cheers, 
 Christine
 
 
 
 
 
 - Original Message - From: Jeffery Smith jsmith...@bellsouth.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Monday, November 01, 2010 10:13 PM
 Subject: Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?
 
 
 I have been using faster lenses (77/1.8) for stage productions until now, 
 but want to get a bit closer with a zoom. Do any of you who have this lens 
 feel that it will focus reliably in sometimes dim stage lights with a K-7? 
 Because of the added length, I'm taking a Porter bean bag to use as a rest.
 
 What ISO do I dare use indoor under incandescent lighting from floods? I'm 
 shooting it entirely RAW, so I can fiddle with color correction later on the 
 Mac.
 
 What say you? Feedback from the intelligentsia is welcomed, gas-baggy or 
 not, whoopee cushion or not, and I won't criticize your reading ability. My 
 only other long telephoto choices are 70-200 2.8 Sigma (10 years old), or a 
 50-200 Zuiko that I got with my E-1 (but I can use it on my more recent 
 Panasonic.
 
 Jeffery Smith
 About to photography Bat Boy, like my reputation depends on it.
 
 
 
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Re: Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?

2010-11-02 Thread Jeffery Smith
The Zuiko isn't very fast, so I've used it outdoors for the most part. Indoors, 
I'd probably have to go with 5.6 at the largest.

On Nov 2, 2010, at 1:12 AM, Boris Liberman wrote:

 If 50-200 Zuiko is fast (like f/2.8), then it could be preferable because 
 ultimately it will give you even closer reach. If you decide to go with K-7, 
 I suggest a battery grip that may help your steadiness.
 
 
 On 11/2/2010 5:13 AM, Jeffery Smith wrote:
 I have been using faster lenses (77/1.8) for stage productions until
 now, but want to get a bit closer with a zoom. Do any of you who have
 this lens feel that it will focus reliably in sometimes dim stage
 lights with a K-7?  Because of the added length, I'm taking a Porter
 bean bag to use as a rest.
 
 What ISO do I dare use indoor under incandescent lighting from
 floods? I'm shooting it entirely RAW, so I can fiddle with color
 correction later on the Mac.
 
 What say you? Feedback from the intelligentsia is welcomed, gas-baggy
 or not, whoopee cushion or not, and I won't criticize your reading
 ability. My only other long telephoto choices are 70-200 2.8 Sigma
 (10 years old), or a 50-200 Zuiko that I got with my E-1 (but I can
 use it on my more recent Panasonic.
 
 Jeffery Smith About to photography Bat Boy, like my reputation
 depends on it.
 
 
 
 
 
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Re: Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?

2010-11-02 Thread Jeffery Smith
I have a K-x and used it (for the first time) on the last stage production. I 
didn't really have any DARK dark scenes, so it worked okay. I know this show 
will have some serious darkness.

Jeffery

On Nov 2, 2010, at 3:46 AM, Larry Colen wrote:

 
 On Nov 1, 2010, at 8:13 PM, Jeffery Smith wrote:
 
 I have been using faster lenses (77/1.8) for stage productions until now, 
 but want to get a bit closer with a zoom. Do any of you who have this lens 
 feel that it will focus reliably in sometimes dim stage lights with a K-7?  
 Because of the added length, I'm taking a Porter bean bag to use as a rest. 
 
 If any of the cast are wearing black on their costumes, you may be able to 
 use that to tweak the color balance closer to correct.
 
 
 What ISO do I dare use indoor under incandescent lighting from floods? I'm 
 shooting it entirely RAW, so I can fiddle with color correction later on the 
 Mac.
 
 What say you? Feedback from the intelligentsia is welcomed, gas-baggy or 
 not, whoopee cushion or not, and I won't criticize your reading ability. My 
 only other long telephoto choices are 70-200 2.8 Sigma (10 years old), or a 
 50-200 Zuiko that I got with my E-1 (but I can use it on my more recent 
 Panasonic.
 
 Do you know anybody with a K-x you can borrow?
 
 
 
 Jeffery Smith
 About to photography Bat Boy, like my reputation depends on it.
 
 
 
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Re: Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?

2010-11-02 Thread Jeffery Smith
Good close, sharp shots Paul. I'll probably start with an ISO of 1600 and see 
how it goes. I've never used the setting that allows me to choose shutter speed 
and aperture while letting the camera choose the ISO. This seems like a good 
opportunity to try that feature.

Jeffery


On Nov 2, 2010, at 5:14 AM, paul stenquist wrote:

 I can second Christine's recommendation. I've shot performers with the DA* 
 50-135 and K7 with good results. Many wide open at ISO 6400 in dim lighting. 
 No problem with autofocus or exposure.  I believe all of these are either ISO 
 5000 or 6400, most at f2.8:
 http://photo.net/photodb/folder?folder_id=981706
 Paul
 
 On Nov 2, 2010, at 12:20 AM, Christine Aguila wrote:
 
 The DA* 50-135mm should focus reliably for you under the conditions you 
 describe below.  As to ISO, I had to shoot stage production photos last 
 August--the play was Hay Fever.  I shot ISO 800 for the entire shoot.  A bit 
 of noise  saturation reduction in Lightroom worked just fine.  Here's the 
 link:  www.caguila.com/caguila/hayfever .
 f4 was used with the DA 16-45mm for all shots.
 
 I have used the DA* 50-135mm under some really, and I say, really, dark 
 stage situations, shooting really slow.  The lens focused reliably, but it 
 was hard to keep steady, but that's my error, not equipment error.
 
 For the shoot previously mentioned, it was just me, the director, and the 
 actors on stage.  I was not shooting from the audience during performance 
 time, so I was able to get close and didn't need the longer lens.  Cheers, 
 Christine
 
 
 
 
 
 - Original Message - From: Jeffery Smith jsmith...@bellsouth.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Monday, November 01, 2010 10:13 PM
 Subject: Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?
 
 
 I have been using faster lenses (77/1.8) for stage productions until now, 
 but want to get a bit closer with a zoom. Do any of you who have this lens 
 feel that it will focus reliably in sometimes dim stage lights with a K-7? 
 Because of the added length, I'm taking a Porter bean bag to use as a rest.
 
 What ISO do I dare use indoor under incandescent lighting from floods? I'm 
 shooting it entirely RAW, so I can fiddle with color correction later on 
 the Mac.
 
 What say you? Feedback from the intelligentsia is welcomed, gas-baggy or 
 not, whoopee cushion or not, and I won't criticize your reading ability. My 
 only other long telephoto choices are 70-200 2.8 Sigma (10 years old), or a 
 50-200 Zuiko that I got with my E-1 (but I can use it on my more recent 
 Panasonic.
 
 Jeffery Smith
 About to photography Bat Boy, like my reputation depends on it.
 
 
 
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Re: On behalf of William Robb

2010-11-02 Thread Jeffery Smith
Because it was gratuitously offensive? Because its sole purpose was to offend? 
If Robb wanted to call him that, he could have done it offlist, but wanted an 
audience to see it. The audience saw it. If this list were entirely composed of 
racist, sexist, homophobic members, then that sort have post would have gone 
either unnoticed or been applauded. But some of what are apparently the 
idiotic members didn't like it, and nobody applauded.

Jeffery






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Re: On behalf of William Robb

2010-11-02 Thread Jeffery Smith
Steve, this wasn't in response to your post. It was in response to the previous 
ones that saw no fault in the ft post. Our two posts went out at about the 
same time.

Jeffery

On Nov 2, 2010, at 9:45 AM, Jeffery Smith wrote:

 Because it was gratuitously offensive? Because its sole purpose was to 
 offend? If Robb wanted to call him that, he could have done it offlist, but 
 wanted an audience to see it. The audience saw it. If this list were entirely 
 composed of racist, sexist, homophobic members, then that sort have post 
 would have gone either unnoticed or been applauded. But some of what are 
 apparently the idiotic members didn't like it, and nobody applauded.
 
 Jeffery
 
 
 
 
 
 
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Re: On behalf of William Robb

2010-11-02 Thread Jeffery Smith
Religion, politics, sexual orientation, and race are not good topics for any 
forum, and generally ignite a purposeless day or two of hostility. Inasmuch 
that they have nothing to do with Pentax or photography, they are best avoided.

On the other end of the spectrum, there are photography forums that are so 
closely monitored, one can get a reprimand for bringing up the topic of 
fountain pens. Just last year, I got a rebuke for asking for opinions on 
folding bikes on the LUG. 

Jeffery


On Nov 2, 2010, at 10:36 AM, Tom C wrote:

 I'm not condoning name-calling or derision of any list member, however
 I didn't find it as gratutiously offensive as you apparently did, and
 the one called that is certainly public about it.
 
 There's been plenty of other deriding comments on the list in the
 past, including regarding people with religious beliefs. I didn't see
 list members raising a hoopla about that.
 
 Seems a double standard exists.
 
 On Tue, Nov 2, 2010 at 10:45 AM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 Because it was gratuitously offensive? Because its sole purpose was to 
 offend? If Robb wanted to call him that, he could have done it offlist, but 
 wanted an audience to see it. The audience saw it. If this list were 
 entirely composed of racist, sexist, homophobic members, then that sort have 
 post would have gone either unnoticed or been applauded. But some of what 
 are apparently the idiotic members didn't like it, and nobody applauded.
 
 Jeffery
 
 
 
 
 
 
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Re: Dare I use a 50-135 f/2.8 + K-7 to shoot a musical this week?

2010-11-02 Thread Jeffery Smith
Tomorrow night. I'll have something posted soon after. I'm going to try a PAW 
again, to get my butt out of the house and shooting. With digital, there's not 
excuse not to have a Picture A Day no less than a Picture A Week.

Jeffery

Jeffery

On Nov 2, 2010, at 10:59 AM, John Sessoms wrote:

 Who Dares Wins
 
 I say Go for it!
 
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Re: On behalf of William Robb

2010-11-02 Thread Jeffery Smith
Hey! Everyone should pack heat! To protect ourselves against

Oh, never mind.

Jeffery



On Nov 2, 2010, at 11:18 AM, Charles Robinson wrote:

 On Nov 2, 2010, at 10:52, Jeffery Smith wrote:
 
 Religion, politics, sexual orientation, and race are not good topics for any 
 forum, and generally ignite a purposeless day or two of hostility. Inasmuch 
 that they have nothing to do with Pentax or photography, they are best 
 avoided.
 
 
 You forgot guns!
 
 -Charles
 
 --
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 Minneapolis, MN
 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson
 
 
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Re: On behalf of William Robb

2010-11-02 Thread Jeffery Smith
What?! The rest of the world isn't following our lead?! 

Jeffery

On Nov 2, 2010, at 11:51 AM, Tim Øsleby wrote:

 Pardon me for pointing at the obviouis.
 But this aint USA, it is PDML, a multicultural email list.
 So. There is no THE Constitution here, at least not as I am aware off.
 
 For the record:
 I'm not atacking the constitution. You Tom, and others may, may
 practise the constitution as mush as you like, but please don't take
 it for granted here. Doing so, could be interpreted as, how do I put
 this? A bit self centered?
 
 --
 MaritimTim
 
 http://maritimtim.blogspot.com/
 
 
 
 2010/11/2 Tom C caka...@gmail.com:
 It was Godfrey's consititutional right to act in such a way to provoke
 Bill, who exercised his constititional right to use a word that some
 found offensive, who then tried to suppress that constitutional right.
 
 On Tue, Nov 2, 2010 at 12:05 PM, eckinator eckina...@gmail.com wrote:
 2010/11/2 Tom C caka...@gmail.com:
 
 Seems a double standard exists.
 
 instead you /could/ - note: not /should/ -  be glad that someone cares.
 
 by the way the idiots who care are the same people who are respecting
 your exercise of your constitutional right to call them idiots as a
 matter of opinion - as you can see noone took offense at that.
 
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Re: On behalf of William Robb

2010-11-02 Thread Jeffery Smith
Or vigilante group.

Down here in the lower 48, we're far more concerned about the cell phone images 
of Brett Favre's pee pee.

Jeffery

On Nov 2, 2010, at 2:39 PM, Tom C wrote:

 The one with the closest prison or firing squad takes precedence.
 
 It's called the Law of Proximity.
 
 
 On Tue, Nov 2, 2010 at 3:25 PM, Scott Loveless sdlovel...@gmail.com wrote:
 I guess a more applicable question might be if J. Random Foreigner
 writes something that could be considered illegal speech in his own
 country, but sends it to a list server in a country where his words
 would be protected, who's laws apply?  Or rather, who's laws should
 apply?
 
 --
 Scott (IANAL) Loveless
 
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I just voted!

2010-11-02 Thread Jeffery Smith
Hope you the other Yankees got out there and voted, though I did feel like I 
was playing pin the tail on the donkey in that voting booth.

Jeffery
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Re: I just voted!

2010-11-02 Thread Jeffery Smith
Thanks for the video, Bob. I feel much better about who I voted for down here. 
My guy can actually...talk.

Jeffery




On Nov 2, 2010, at 3:40 PM, Bob Sullivan wrote:

 I voted today too, and as the last two governors of Illinois are
 convicted felons, I voted carefully.
 Here is a little viral video about the one I didn't vote for.
 
 http://www.quinnforillinois.com/content/internet-sensation-glee-ad-over-10-hits
 
 This political system is not functioning too well.  :-(
 Regards,  Bob S.
 
 On Tue, Nov 2, 2010 at 3:27 PM, Jeffery Smith jsmith...@bellsouth.net wrote:
 Hope you the other Yankees got out there and voted, though I did feel like I 
 was playing pin the tail on the donkey in that voting booth.
 
 Jeffery
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Re: K-5 here, high iso samples

2010-11-02 Thread Jeffery Smith
Indeed.  A couple more quantum leaps in noise control and maybe we can relegate 
anti-shake to the history books. Just set the shutter speed at 1/8,000.

Jeffery


On Nov 2, 2010, at 6:42 PM, Steven Desjardins wrote:

 iso 12800.  I find it amazing that you even get a usable image, and
 that one is pretty good.  The portrait is a bit noisy full crop, but
 looks fine as a normal image.
 
 On Tue, Nov 2, 2010 at 6:43 PM, Christine  Aguila cagu...@earthlink.net 
 wrote:
 Hi Paul:  Looks good.  I'm VERY interested in low light auto focus
 performance of the K5.  Would very much like to hear your views on this
 topic.  Cheers, Christine from Chicago
 


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Re: On behalf of William Robb

2010-11-03 Thread Jeffery Smith
Now, that's the third bladder-like object used to describe someone that I have 
seen on this forum in the past week.
(1) [pompous] gas bag
(2) whoopee cushion
(3) douche bag

Amy I missing any? g
 
Jeffery




On Nov 3, 2010, at 7:48 AM, Doug Franklin wrote:

 On 2010-11-03 4:40, Larry Colen wrote:
 
 On the subject of bigotry, here is George Takei's commentary on Clint 
 McCance:
 http://www.youtube.com/watch?v=UACK93xF-FE
 
 Larry the Cable Guy
Now I don't care who you are, that's funny!
 /Larry the Cable Guy
 
 -- 
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Re: On behalf of William Robb

2010-11-03 Thread Jeffery Smith
Try extraditing someone from Canada to the US. It's a PITA. We had a hell of a 
time getting Charles Ng to come home.

Jeffery


On Nov 3, 2010, at 7:58 AM, Boris Liberman wrote:
 
 Oh, it is then that you and I were looking at it from different angles. I 
 wasn't worried about Doug, as he was not the one saying nasty things. I 
 thought about the punishability of the non-U.S. citizen misbehaving on the 
 list so that such a question might arise.
 
 Boris
 
 
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Re: On behalf of William Robb

2010-11-03 Thread Jeffery Smith
I agree that ad hominem attacks should be strongly discouraged. If someone 
wishes to attack another personally, he should do it off-list. As they say in 
saloons, take it outside, guys. When ad hominem attacks happen on-list, they 
invariably disrupt the forum and the function for which this list was made 
(discussion of Pentax photography).

Jeffery


On Nov 3, 2010, at 8:13 AM, Boris Liberman wrote:

 On 11/3/2010 3:05 PM, Jeffery Smith wrote:
 Try extraditing someone from Canada to the US. It's a PITA. We had a
 hell of a time getting Charles Ng to come home.
 
 Jeffery
 
 Well, I really don't want to get any deeper into this other than repeating 
 myself that either we have to have some kind of rules (mostly I think, it 
 will be honor bound) of this community, or this whole discussion is not worth 
 the recycled electrons...
 
 Boris
 
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Re: K-5 at ISO 1600

2010-11-03 Thread Jeffery Smith
That ISO performance is the great equalizer. One rarely sees that ISO coupled 
with a relatively slow shutter speed and a relatively large aperture. It would 
be great for low light shots and shadowed shots in street photography.

Jeffery

On Nov 3, 2010, at 10:36 AM, P N Stenquist wrote:

 While testing the camera at 6400 and beyond is fun, good results at ISO 800 
 and 1600 are much more important for my work. I shot this little garden nymph 
 at ISO 1600 with the DA* 50-135 at dusk yesterday. I converted in my normal 
 fashion with a bit of fill light and curve adjustment. It's sharpened a bit 
 post conversion with PhotoShop's Smart Sharpen Gaussian.
 
 http://photo.net/photodb/photo?photo_id=11894538
 
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Re: OT - Atomic Bomb Test Photographs

2010-11-03 Thread Jeffery Smith
Gaaa! Nuclear, not new-cue-lar!

Oh well, Carter and Bush II couldn't pronounce it either. 

Jeffery

On Nov 3, 2010, at 3:39 PM, Cotty wrote:

 Wondrous, shocking, frightening, all at once.
 
 http://www.nytimes.com/interactive/2010/09/14/science/20100914_atom.html
 
 --
 
 
 Cheers,
  Cotty
 
 
 ___/\__
 ||   (O)  | People, Places, Pastiche
 --  http://www.cottysnaps.com
 _
 
 
 
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Re: sorting, storing carrying filters

2010-11-03 Thread Jeffery Smith
I finally bought one of the multidrawer tool chests for most of my photo 
equipment (such as those used by car mechanics, sold at Sears). The drawers are 
fairly shallow, and I can lock the chest inasmuch as I'm in a high crime area. 

Jeffery

On Nov 3, 2010, at 6:09 PM, Larry Colen wrote:

 Over the years, I've accreted a fair number of filters, in a variety of size. 
  I mostly keep them stuffed in a drawer, and when I can, I keep them in the 
 little plastic case they came in.  Is there a good, preferably economical, 
 way to keep them sorted and safely stored?
 
 Likewise, what about carrying the ones I might need for a day of shooting 
 with me?
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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The K-5 vs K-x vs K-7

2010-11-04 Thread Jeffery Smith
I shot a few hundred frames last night at a dress rehearsal. Took a K-7 and K-x 
with me, with a 77 1.8 lens and 50-135 2.8 lens. There were MANY people on the 
stage so both lenses ended up being a bit too long. But both had some problems 
with the dramatic lighting conditions. When I tried using 1600 ISO, the camera 
tended to blow out highlights (the singers' faces). I did try a few at 3200. 
The zoom was awkward to use under such low light, so the next time I will take 
the three limited lenses (31/43/77) and leave the long ordnance at home.  But I 
kept saying to myself I wish I had the K-5 for this. I could tell on my LCD 
that this high ISO frames were noisy. Just how I can handle that in 
PhotoShop/Bridge will tell me whether or not I have to get a K-5 before the 
next theater production. 

So, I'm keeping a close eye on these K-5 posts from early users. 

Jeffery

By the way, why does the hood of the 35-150 zoom have a square tab that is 
removable?
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Re: The K-5 vs K-x vs K-7

2010-11-04 Thread Jeffery Smith
I'm going to start editing tonight. I'll give the Topaz a look. I really need a 
new Mac (mine is 4 years old).

Jeffery


On Nov 4, 2010, at 11:59 AM, Bob Sullivan wrote:

 Jeffery,
 The removable square tab is so that when a polarizing filter is
 mounted you can adjust it.
 Lightroom 3 has some good noise reduction algorithms and Boris
 mentioned liking Topaz.
 Regards,  Bob S.
 
 
 On Thu, Nov 4, 2010 at 11:27 AM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 I shot a few hundred frames last night at a dress rehearsal. Took a K-7 and 
 K-x with me, with a 77 1.8 lens and 50-135 2.8 lens. There were MANY people 
 on the stage so both lenses ended up being a bit too long. But both had some 
 problems with the dramatic lighting conditions. When I tried using 1600 ISO, 
 the camera tended to blow out highlights (the singers' faces). I did try a 
 few at 3200. The zoom was awkward to use under such low light, so the next 
 time I will take the three limited lenses (31/43/77) and leave the long 
 ordnance at home.  But I kept saying to myself I wish I had the K-5 for 
 this. I could tell on my LCD that this high ISO frames were noisy. Just how 
 I can handle that in PhotoShop/Bridge will tell me whether or not I have to 
 get a K-5 before the next theater production.
 
 So, I'm keeping a close eye on these K-5 posts from early users.
 
 Jeffery
 
 By the way, why does the hood of the 35-150 zoom have a square tab that is 
 removable?
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Re: The K-5 vs K-x vs K-7

2010-11-04 Thread Jeffery Smith
My Mac seems to struggle (run very slowly) with Lightroom and Aperture, so I've 
sort of avoided them until a get a screamer of a new computer. I give Topaz a 
run for the money this weekend when I edit 400-some shots.

What I'm not looking forward to is removing a microphone from the side of the 
face of nearly everyone in the muscical.

Jeffery

On Nov 4, 2010, at 12:43 PM, Boris Liberman wrote:

 On 11/4/2010 7:22 PM, Jeffery Smith wrote:
 I'm going to start editing tonight. I'll give the Topaz a look. I really 
 need a new Mac (mine is 4 years old).
 
 Jeffery
 
 Jeffery,
 
 Topaz is giving you full (no watermarks, reduced size, etc) 30 days trial. I 
 tried - it seems to be doing noticeably better job than LightRoom 3.2, though 
 it is also very good compared to LR 2.x. So, I'm gonna buy it.
 
 Your mileage may obviously be different.
 
 Boris
 
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Re: The K-5 vs K-x vs K-7

2010-11-04 Thread Jeffery Smith
Doubling the memory in it would probably make a big difference. I think it is 
2gb. I'm a novice with Macs (I did all sorts of hardware upgrades on my first 
few PCs). The Apple Store down here could do it, but they are nested in the 
most overcrowded mall in the metropolitan New Orleans area, so I would have to 
walk half a mile wit a huge computer under my arm.

What I NEED to do is scour YouTube for a video on how to increase your memory 
in a Mac.

Jeffery

On Nov 4, 2010, at 1:30 PM, Mat Maessen wrote:

 On Thu, Nov 4, 2010 at 2:19 PM, Jeffery Smith jsmith...@bellsouth.net wrote:
 My Mac seems to struggle (run very slowly) with Lightroom and Aperture, so 
 I've sort of avoided them until a
 get a screamer of a new computer. I give Topaz a run for the money this 
 weekend when I edit 400-some
 shots.
 
 How much memory do you have in it?
 
 That may be all you need to make it run quite a bit faster. Cheaper
 than a new computer.
 
 -Mat
 
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Re: OT - Atomic Bomb Test Photographs

2010-11-04 Thread Jeffery Smith
As a full time biologist, they use it when talking about the nucleus of an atom 
and also as the nucleus of a cell. My cell physiology professor from 1970 used 
to blow a gasket when a student asked about the nuculus.

The Dean of Allied Health at my college can't pronounce it either, so he just 
says Nuke Med for nuclear medicine.

The worst, though, was the Nuclear Medicine Department at Tulane Medical 
School. They ordered a sign for the door, and it came back as Unclear Medicine 
Lab. They thought it was cute, and kept it on the door.

Jeffery

On Nov 4, 2010, at 12:48 PM, Miserere wrote:

 On 3 November 2010 17:22, Jeffery Smith jsmith...@bellsouth.net wrote:
 Gaaa! Nuclear, not new-cue-lar!
 
 Oh well, Carter and Bush II couldn't pronounce it either.
 
 Jeffery
 
 As a one-time nuclear physicist (sort of), this is a pet peeve of
 mine. We should get one of these T-shirts, Jeff:
 
 http://rlv.zcache.com/nucular_is_now_pronounced_nuclear_tshirt-p2350035787086046633370_400.jpg
 
 Men's version, of course.
 
 As for the photos, they frighten me...
 
 
  --M.
 -- 
 
 \/\/o/\/\ -- http://WorldOfMiserere.com
 
 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment
 
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Re: Boris Peso #47 - Topaz Cat (technical)

2010-11-04 Thread Jeffery Smith
That works for me, Boris! I'll wait for the K-3(?) to upgrade.

Jefery


On Nov 4, 2010, at 1:27 PM, Boris Liberman wrote:

 Hi!
 
 Just bought Topaz Denoise. Here is an image I processed with it. K-5 is good, 
 but I am not buying it - there is no need, really.
 
 Have a look:
 
 http://pentax-ways.blogspot.com/2010/11/peso-2010-47-topaz-cat.html
 
 Please be brutal and honest, especially those of you who have experience 
 working with noise reduction software, as I need to learn.
 
 Thanks.
 
 Boris
 
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Re: The K-5 vs K-x vs K-7

2010-11-04 Thread Jeffery Smith
I think you're right. At least they have flesh colored mikes now. They used 
to be darker.

Jeffery

On Nov 4, 2010, at 1:59 PM, Charles Robinson wrote:

 On Nov 4, 2010, at 13:19, Jeffery Smith wrote:
 
 My Mac seems to struggle (run very slowly) with Lightroom and Aperture, so 
 I've sort of avoided them until a get a screamer of a new computer. I give 
 Topaz a run for the money this weekend when I edit 400-some shots.
 
 What I'm not looking forward to is removing a microphone from the side of 
 the face of nearly everyone in the muscical.
 
 
 I wouldn't even try.  You'll go nuts.  If they were wearing microphones, just 
 accept that they'll have microphones on.
 
 Maybe if one person wants one photo all large and shiny for a big blowup it 
 might be worth making the effort, but I wouldn't do it as a matter of course 
 on every single image.
 
 -Charles
 
 --
 Charles Robinson - charl...@visi.com
 Minneapolis, MN
 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson
 
 
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Re: OT - Atomic Bomb Test Photographs

2010-11-04 Thread Jeffery Smith
Every year, he presents the Experiential Learning Award on Honors Night, and 
he can't pronounce it either. He says Experential Award. He's a Cajun from 
Abbeville, and they pronounce everything oddly.

Jeffery

On Nov 4, 2010, at 2:32 PM, Miserere wrote:

 Maybe it's just me, but if you're going to be Dean at a college that
 includes Nuclear Medicine, the first question at the interview for the
 job should be can you pronounce 'nuclear' for us, please? If they
 can't, they don't get the job. Yeah, I'd be that draconian.
 
 I took a graduate Nuclear Astrophysics course taught by my supervisor
 and she hated nucular. There was a guy in the class who used it and
 she spent the whole semester correcting him until he eventually came
 around to saying it right.
 
 Seriously, I need to get that T-shirt  :-D
 
 
  --M.
 
 
 On 4 November 2010 14:40, Jeffery Smith jsmith...@bellsouth.net wrote:
 As a full time biologist, they use it when talking about the nucleus of an 
 atom and also as the nucleus of a cell. My cell physiology professor from 
 1970 used to blow a gasket when a student asked about the nuculus.
 
 The Dean of Allied Health at my college can't pronounce it either, so he 
 just says Nuke Med for nuclear medicine.
 
 The worst, though, was the Nuclear Medicine Department at Tulane Medical 
 School. They ordered a sign for the door, and it came back as Unclear 
 Medicine Lab. They thought it was cute, and kept it on the door.
 
 Jeffery
 
 On Nov 4, 2010, at 12:48 PM, Miserere wrote:
 
 On 3 November 2010 17:22, Jeffery Smith jsmith...@bellsouth.net wrote:
 Gaaa! Nuclear, not new-cue-lar!
 
 Oh well, Carter and Bush II couldn't pronounce it either.
 
 Jeffery
 
 As a one-time nuclear physicist (sort of), this is a pet peeve of
 mine. We should get one of these T-shirts, Jeff:
 
 http://rlv.zcache.com/nucular_is_now_pronounced_nuclear_tshirt-p2350035787086046633370_400.jpg
 
 Men's version, of course.
 
 As for the photos, they frighten me...
 
 
  --M.
 
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Re: Choosing a Digital Camera

2010-11-04 Thread Jeffery Smith
chimping
photoshopping



On Nov 4, 2010, at 6:55 PM, Walter Hamler wrote:

 The little talk went very well with the group today. I was pleased
 with the general level of interest and knowledge from most.  I
 received one question that I thought was interesting, coming from a
 senior; How many new words have been added to our daily lexicon
 because of digital pgotography?
 
 So, what new words are we using today because of digital photography?
 
 Walt
 
 On Sun, Oct 17, 2010 at 12:10 AM, Joseph McAllister pentax...@mac.com wrote:
 On Oct 14, 2010, at 05:34 , P. J. Alling wrote:
 
 While some people I know in their 90's are quite savvy to the ways of
 computers, which let's face it, a digital camera is, just wrapped in a,
 (sometimes, no so), camera like skin.  Most liked the UNIX world, that
 mostly existed up until about 20 years ago, i.e. single use devices that
 accomplished that function single function well.  They're not comfortable
 with complex user interfaces, (and when those interfaces are hidden in
 multi-layer menus, they  become more confused).  They cant see the tree for
 the forest.
 
 
 
 Welcome to my sister's world.
 
 
 Joseph McAllister
 pentax...@mac.com
 
 “ It is still true, as was first said many years ago, that people are the
 only sophisticated computing devices that can be made at low cost by
 unskilled workers!”
 — Martin G. Wolf, PhD
 
 
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Re: seems Texas stole Photo

2010-11-05 Thread Jeffery Smith
What is going on with that state? Last month, someone discovered that the Texas 
state ballot has (and has had for some time) the Chilean flag rather than the 
Texas flag printed on it.

Jeffery

On Nov 5, 2010, at 10:21 AM, John Sessoms wrote:

 From: Bran Everseeking
 
 http://www.mysanantonio.com/news/state/suit_centers_on_silhouette_cowboy_106424843.html
 
 http://is.gd/gJxbH
 
 Makes me glad most of my shots are just of shoe box quality.  not
 really but bleh
 
 Yeah, but if he's got a *registered* copyright on that image he's got 'em 
 roped and tied already!
 
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Re: Choosing a Digital Camera

2010-11-05 Thread Jeffery Smith
Wikipedia also led the #1 digital encyclopedia (MS Encarta) to fold. There are 
some strange people (like a guy at my workplace) who type complete bulls**t 
into Wikipedia just to see how long it will be online before someone discovers 
the errors.

And unlike the gold standard, Wikipedia has far more articles on things you 
would not expect to find in the Encyclopedia Britannica, particularly 
biographies.

Jeffery

On Nov 5, 2010, at 11:36 AM, P. J. Alling wrote:

 Wikipedia has been compared to the Gold Standard, (Britannica), and been 
 found to be in most cases just as accurate.  Both encyclopedias contain 
 errors, sometimes huge errors.  Bottom line you need multiple sources, and 
 don't trust any of them unduly.
 
 On 11/5/2010 7:06 AM, Bob Sullivan wrote:
 wikipedia is wholely made up by public hearsay.
 
 On Fri, Nov 5, 2010 at 2:27 AM, Bob Wp...@web-options.com  wrote:
 I was checking definitions of chimping and Wikipedia claims it is and
 acronym: Chimp is an acronym for CHeck IMage Preview.
 sounds like horseshit to me. (Does horseshit make a noise? whatever). I
 reckon that's a back-formation that someone's come up with. Does wikipedia
 provide any kind of evidence?
 
 It also mentions
 the ooh, ooh, ahh, ahhh connection.  I will continue to cite the latter.
 
 On Thu, Nov 4, 2010 at 11:44 PM, Steven Desjardinsdrd1...@gmail.com
 wrote:
 New terminology might be a more appropriate phrase.  This typically
 includes current words given new meanings.  There are very few totally
 new words with a truly short term etymology.  Even completely new
 physical properties like those that arise in fundamental physics are
 usually named with current words given new meanings, e.g.,
 strangeness.
 
 On Thu, Nov 4, 2010 at 9:21 PM, paul stenquist
 pnstenqu...@comcast.net  wrote:
 On Nov 4, 2010, at 9:04 PM, Mark Roberts wrote:
 
 paul stenquist wrote:
 
 But it's not a new word, just a new usage.
 I believe the original question was a little poorly worded and what
 was really intended was more like What words have been added to
 your vocabulary because of digital photography?
 
 In other words, the words need not be new, but rather new to you,
 and they need not be exclusive to digital photography as long as
 digital photography was how you were introduced to them.
 Perhaps. But my answer would still be none, and the premise would be
 less interesting.
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Bat Boy musical with the K-7

2010-11-05 Thread Jeffery Smith
Good news: the K-7, 77/1.8, and 50-135 2.8 performed admirably, and I had no 
issues with noise. I DON'T have to rush out and get a K-5 (...unless I want to).

Bad news: in the relative darkness, I tried to change modes from Aperture 
Priority to Shutter Speed Priority, but accidentally hit the Green (auto) mode. 
That meant my RAW mode went to 2mp JPEG mode. This seemed to immediately have 
the effect of completely blown highlights on the singer getting the spotlight. 

I used a leather bean bag to steady the camera on a rung of a 20-foot step 
ladder. I'll try to post a few pics this weekend.

Based on the K-x and the K-7, along with the great Pentax primes, I cannot 
imagine ever being tempted by Canon or Nikon; I'm more than satisfied with the 
results I'm getting right now. 

If I get any more camera equipment in the next year, it will probably be the 
15mm pancake. Have any of you had any experience with this lens? I cannot use 
the Pentax Gallery on any of my Macs, at least not the option where you choose 
the lens and look at the pics taken with that lens. Going to next photo 
simply toggles back and forth between two frames;

Jeffery
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Re: Minor question of Englsih

2010-11-05 Thread Jeffery Smith
My only points of reference are Sean Connery and the Fat Bastard.

Jeffery


On Nov 5, 2010, at 6:38 PM, P. J. Alling wrote:

 Scottish, no matter how much the Scots deny it, is an English dialect.  Sting 
 certianly didn't grow up speaking Gaelic.
 


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Re: PESO: Life is fun again...

2010-11-05 Thread Jeffery Smith
STOP IT!  I DON'T NEED A K-5!

Jeffery

On Nov 5, 2010, at 6:53 PM, Ralf R. Radermacher wrote:

 It's been awful. Stormy and driving rain. I was soaking wet within
 minutes. Still, I had to try it out. 
 
 http://the-real-fotoralf.blogspot.com/2010/11/werkendam.html
 
 Taken tonight at the lock between the Canal Albert and the river Meuse
 in Lanaye, Belgium. 
 
 Pentax K-5, SMC-M 2/35 mm, ISO 1600, f2.8, 1/20 s. Freehand, no tripod.
 
 Grain/noise similar to FP4+ at ISO 200 in Microphen. 
 
 Life is fun again. :-)
 
 Ralf
 
 -- 
 Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
 Blog   : http://the-real-fotoralf.blogspot.com
 Audio : http://aporee.org/maps/projects/fotoralf
 Web   : http://www.fotoralf.de
 
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Re: Apropos of nothing really

2010-11-05 Thread Jeffery Smith
I remember the outrage when Vaughn Meader came out with the LP The First 
Family in 1962 in which he imitated President Kennedy's voice. My 7th grade 
teachers were infuriated with this lack of respect for the president. What a 
difference 50 years makes. 

Jeffery

On Nov 5, 2010, at 7:04 PM, P. J. Alling wrote:

 There are so many ways that's just wrong...
 
 On 11/5/2010 11:32 AM, Daniel J. Matyola wrote:
 Americans may have fallen out of love with Barack Obama, but the
 president of the United States is still an object of affection for the
 Chinese:
 http://www.telegraph.co.uk/news/worldnews/northamerica/usa/barackobama/8107377/Obama-sex-doll-for-sale-in-China.html
 
 On Fri, Nov 5, 2010 at 12:14 PM, P. J. Alling
 webstertwenty...@gmail.com  wrote:
 I don't think you should be using Obama and blunt in the same sentence,
 too close to Lese Majeste.
 
 On 11/4/2010 1:59 PM, Bob Sullivan wrote:
 President Obama has to architect a new plan to blunt the Republicans.
 
 On Thu, Nov 4, 2010 at 1:49 PM, Brian Walterssupera1...@fastmail.fm
  wrote:
 On Thu, 04 Nov 2010 11:10 -0400, Christian Skofteland
 pterali...@aim.comwrote:
 On Wed, Nov 03, 2010 at 10:16:23PM -0500, P. J. Alling wrote:
 When /will/ we stop referring to post processing as Digital Darkroom
 work...
 
 About the same time we stop using architect as a verb...
 
 Don't think I've come across that.  A sample sentence?
 
 
 
 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/
 
 --
 
 
 --
 http://www.fastmail.fm - IMAP accessible web-mail
 
 
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Re: PESO: Life is fun again...

2010-11-05 Thread Jeffery Smith
And noise [or lack of] is always on my radar. I carefully followed the Fuji 
dSLRs with my interest focused on their relatively noise-free images at high 
ISO. Just 6 years ago, I was getting awful noise OUTDOORS in shadows with my 
Minolta digicam. Noise reduction is the quantum leap I'm always looking for. 
Accurate metering and focus, well that's icing on the cake.

Jeffery

On Nov 5, 2010, at 7:21 PM, Larry Colen wrote:

 
 On Nov 5, 2010, at 5:01 PM, Jeffery Smith wrote:
 
 STOP IT!  I DON'T NEED A K-5!
 
 
 Unless you have use of high ISO, autofocus and accurate metering.
 
 I am very curious about how the performance compares with the K-x.  My guess 
 is that the noise is a stop or two better at 1600 or above, and that it looks 
 significantly better between 400 and 1600.
 
 I am also very curious about night landscape photography using it, showing 
 stars.  The last test I did (using LR2) still showed my best results using 
 the K20 at ISO 400. I haven't gone back and tried reprocessing those with LR3 
 and better noise reduction, but that ISO range seems to be the K-x weak spot. 
  Higher ISO are just too noisy for starry sky photography.
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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OT - web editing software for Mac

2010-11-07 Thread Jeffery Smith
I'm no longer a PC guy (computer platform OR politically correct). I used to 
maintain my web site with Namo Web Editor for Windows. I need to get a good web 
editor for the Mac to basically reconstruct my site from the ground up.

I am familiar with both SandVox and Rapidweaver. Do any of you who don't use 
blogs, Flickr, etc. have any recommendations as to which Mac software might be 
best for maintaining a photo-based web site?

Jeffery Smith
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Re: OT - web editing software for Mac

2010-11-07 Thread Jeffery Smith
That is my preference too. I don't care much about WYSIWYG, preferring just to 
make some thumbnail pages and photo pages on a black background. I'll give it a 
look. Thanks Adam.

Jeffery


On Nov 7, 2010, at 1:43 PM, Adam Maas wrote:

 For text there is only one answer. BBEdit/textWrangler.
 
 For WYSIWYMG, I can't suggest anything since I avoid those tools like
 the plague.
 
 -Adam
 
 On Sun, Nov 7, 2010 at 2:38 PM, Jeffery Smith jsmith...@bellsouth.net wrote:
 I'm no longer a PC guy (computer platform OR politically correct). I used to 
 maintain my web site with Namo Web Editor for Windows. I need to get a good 
 web editor for the Mac to basically reconstruct my site from the ground up.
 
 I am familiar with both SandVox and Rapidweaver. Do any of you who don't use 
 blogs, Flickr, etc. have any recommendations as to which Mac software might 
 be best for maintaining a photo-based web site?
 
 Jeffery Smith
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Re: OT - web editing software for Mac

2010-11-07 Thread Jeffery Smith
Thanks for your input, Godfrey. I used little more than an HTML editor for a 
couple of years. If I could make a page with a table on it, I could make a 
thumbnails page. If I could make a black page with a photo and some links on 
it, I could really do the less. It seems like the freebee html editor back then 
was a Microsoft product (Frontpage Express?).

I've tried to find iWeb in my applications folder, but I must have deleted it. 
In fact, I may have deleted all of iLife when I got concerned about filling up 
my hard drive. I'll give Taco a look. Of the non-free editors out there, 
Freeway Express looks most like Name Web Editor, but I don't know a single soul 
who uses it, which is scary,

Jeffery


On Nov 7, 2010, at 6:08 PM, Godfrey DiGiorgi wrote:

 On Sun, Nov 7, 2010 at 11:38 AM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 I'm no longer a PC guy (computer platform OR politically correct). I used to 
 maintain my web site with Namo Web Editor for Windows. I need to get a good 
 web editor for the Mac to basically reconstruct my site from the ground up.
 
 I am familiar with both SandVox and Rapidweaver. Do any of you who don't use 
 blogs, Flickr, etc. have any recommendations as to which Mac software might 
 be best for maintaining a photo-based web site?
 
 BBEdit or TextWrangler are what I use the most, editing HTML. They're
 from the same company (Bare Bones Software). TextWrangler is the
 freebie version. BBEdit includes very good HTML templates for most
 HTML constructs and has a bit more powerful scripting capabilities.
 
 Another option is Taco HTML Edit from http://www.tacosw.com/. It is
 basically a 'smart' HTML editor with the ability to display live
 previews of your pages while you work if you so desire and a somewhat
 more sophisticated library of component templates that allow you to
 assemble some of the more modern, fancier bits of HTML UI easily. It's
 about $25, I think. I've used it a little bit, helping clients out
 with their HTML, and it works very well.
 
 Of course, iWeb comes free with Mac OS X. It's a WYSIWYG editor that I
 know gags AdamT, but it's quite good, produces very nice sites, and is
 pretty fast to learn and use. It produces good code that can be hosted
 on the MobileMe service or any other service (and exported to a local
 folder too). I had never touched it before when a client asked me if I
 could help her with something, so I fired it up and produced this test
 site in about six minutes: http://www.gdgphoto.com/iweb/
 
 It has limitations but for a free website creation tool, it's darn
 good. (The consulting job earned me a nice fee ... and the client
 seems very happy with iWeb now )
 -- 
 Godfrey
   godfreydigiorgi.posterous.com
 
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Re: OT - web editing software for Mac

2010-11-08 Thread Jeffery Smith
Thanks to all of you who replied to this email post. Most if not all of these 
programs have a free trial period, so I'm going to download a heap of them and 
see which has the look and feel I am most comfortable with.

Thanks again!

Jeffery




On Nov 7, 2010, at 10:05 PM, Larry Colen wrote:

 
 On Nov 7, 2010, at 11:38 AM, Jeffery Smith wrote:
 
 I'm no longer a PC guy (computer platform OR politically correct). I used to 
 maintain my web site with Namo Web Editor for Windows. I need to get a good 
 web editor for the Mac to basically reconstruct my site from the ground up.
 
 I am familiar with both SandVox and Rapidweaver. Do any of you who don't use 
 blogs, Flickr, etc. have any recommendations as to which Mac software might 
 be best for maintaining a photo-based web site?
 
 Emacs.  :-)
 
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: PAW44 - Bug

2010-11-08 Thread Jeffery Smith
Hanging on for dear life?

Jeffery

On Nov 8, 2010, at 1:56 PM, DagT wrote:

 http://www.thrane.name/page3/page7/files/page7-1000-full.html
 K20D, da*50-...@80mm, 1/180s, f/13, ISO200 
 
 DagT
 http://www.thrane.name/
 
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Samsung lenses

2010-11-11 Thread Jeffery Smith
This has undoubtedly been asked before, but here goes. Are Samsung 
cameras/lenses corresponding to similar Pentax items not sold in the USA? I 
recall that Samsung started a line of dSLR cameras and lenses (badged as 
Schneider) a year or two ago, but have never heard of or seen them since.

Jeffery
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Re: peso: eye contact

2010-11-12 Thread Jeffery Smith
Yeah, these days. I pretty much live that too.

Jeffery

On Nov 12, 2010, at 5:10 PM, Bob Sullivan wrote:

 and I live the old guy eyeing her


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Re: eye contact

2010-11-12 Thread Jeffery Smith
DId you play with this image in black and white? It looks like it would be a 
natural for monochrome.

Jeffery

On Nov 12, 2010, at 6:42 PM, paul stenquist wrote:

 Thanks Christine. Took an hour off at the end of the day for photos. Hope to 
 do more this weekend.
 Paul
 On Nov 12, 2010, at 7:30 PM, Christine Aguila wrote:
 
 Excellent!  Great expression and body position.  Great sense of traffic as 
 well.  Good one, Paul.  Cheers, Christine
 
 
 - Original Message - From: P N Stenquist pnstenqu...@comcast.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Friday, November 12, 2010 4:37 PM
 Subject: peso: eye contact


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Re: Darn techno advancements

2010-11-13 Thread Jeffery Smith
Ditto on Open Office. Haven't had the urge to use MS Office in years.

Jeffery

On Nov 13, 2010, at 7:09 PM, Sandy Harris wrote:

 On Sat, Nov 13, 2010 at 1:53 AM, David J Brooks pentko...@gmail.com wrote:
 Staples has the Office dot mac for sale at $128 for the student and
 home version.
 
 Needs an intel processor and OS 10.5
 
 Crap
 
 Open Office is free.
 
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Re: peso - perfect pizza

2010-11-13 Thread Jeffery Smith
This K-5 is looking like a speed demon. Thanks for all of the examples of what 
it can do at high ISO.

Jeffery

On Nov 13, 2010, at 8:36 PM, paul stenquist wrote:

 K-5 and DA* 60-250, ISO 3200
 
 I've shot pics in this pizza place before. Always bounced flash off the 
 ceiling. With the K-5, I just went with the available light.
 
 http://photo.net/photodb/photo?photo_id=11944334
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Re: Ken Rockwell LOVES the Pentax DFA 100mm f/2.8 macro!!!

2010-11-17 Thread Jeffery Smith
Hard to look at his site for more than a minute without being reminded numerous 
times to donate money to him. Even the Hare Krishnas give it a rest every now 
and then.

Jeffery

On Nov 17, 2010, at 11:15 AM, Miserere wrote:

 Well, in a roundabout way...
 
 http://kenrockwell.com/tokina/100mm-f28.htm
 
 [dons flame suit for mentioning the unmentionable name]
 
 
—M.
 
 \/\/o/\/\ -- http://WorldOfMiserere.com
 
 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment
 
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Re: digital bw

2010-11-18 Thread Jeffery Smith
Photoshop allows a large measure of filter effects in converting color to 
BW, using slider tools that show the preview of the filter's effects. The 
biggest problem I have when shooting digital is blown highlights that I cannot 
burn and basically have to replace using cut a paste from an adjoining area. 
I've gotten to the point that I often have to use exposure compensation of -1 
to avoid blown highlights.

Jeffery

On Nov 18, 2010, at 1:02 PM, Collin Brendemuehl wrote:

 I've been looking at a lot of digital bw work this week.
 
 When you digitroids do this, do you employ filters like we filmaniacs do?
 I'm thinking that this might be a good Saturday a.m. experiment.
 
 When I look at the work on Pentax photo gallery, the Bw efforts
 seem to share a common fault:  3 tones -- near-black, near-white, zone 6.
 There just is not the tonal variance.
 
 Sincerely, 
 
 Collin Brendemuehl 
 http://kerygmainstitute.org 
 
 He is no fool who gives what he cannot keep to gain what he cannot lose 
 -- Jim Elliott 
 
 
 
 
 
 
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Re: digital bw

2010-11-18 Thread Jeffery Smith
I'll be the first to admit that the digital color stuff still gives me a hard 
time. I'm not resistant when it comes to modern digital technology (and 
converted from the typewriter to the word processor very quickly), but all of 
the parameters in digital photography can be a bit overwhelming after decades 
in the analog world. I've been leaning toward shooting digital as though it 
were color slide film, and that's why the -1 exposure comp. The lighting 
conditions were a bit extreme (shade with some blown out sunlit areas, and 
theater, with some blown out highlights on the actor's face). 

I'll try to get my lingo right. ;-)  Old habits die hard. I also still think of 
my Pentax lenses as x mm equivalent, which I need to stop doing. A 25 1.4 
isn't all that much like a 50 1.4, even if it is on an Olympus E-1. The field 
depth is astronomical.

Jeffery


On Nov 18, 2010, at 4:08 PM, Godfrey DiGiorgi wrote:

 On Thu, Nov 18, 2010 at 12:10 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 Photoshop allows a large measure of filter effects in converting color to 
 BW, using slider tools that show the preview of the filter's effects.
 
 Filter effects isn't the right expression, nor is converting color
 to BW when you're talking about digital capture to producing BW
 results. It's somewhat sloppy language that has somehow become the
 standard.
 
 When you make an exposure with a digital camera and save it as a raw
 file, you are capturing an [x,y] array of linear gamma luminance
 intensities organized in an RGB mosaic. The process of 'raw
 conversion' into something intelligible to our eyes involves an
 interpolation of those RGB values into chrominance values per pixel
 and gamma correction of the luminance intensities to suit the way our
 eyes and brain work. A more precise word than 'conversion' is
 'rendering'.
 
 Rendering an image to monochrome values rather than RGB values, well,
 since what we appreciate as BW photography is a translation of color
 values into luminances without chroma, and BW films and colored
 filters help us to control that translation by separating or smashing
 together color/intensity values into luminance values, what you're
 doing with the sliders in Photoshop is directly analogous to putting
 filters on the lens when exposing BW film. It's not a filter
 effect: it's filtering, period. ;-)
 
 The biggest problem I have when shooting digital is blown highlights that I 
 cannot burn and basically have to replace using cut a paste from an 
 adjoining area. I've gotten to the point that I often have to use exposure 
 compensation of -1 to avoid blown highlights.
 
 That's a matter of proper exposure for the digital capture medium,
 Jeffery, which requires a different approach than metering for film
 negatives. You should only very rarely have to use negative EV
 Compensation UNLESS your subject matter is mostly dark and the
 significant area where you need detail is mostly bright highlights. (I
 would say if I looked at exposure compensation values for all of my
 past couple years exposures that my properly exposed photos showed a
 100:1 preponderance of +EV valued EV Compensation, not -EV values...)
 
 The old adage used for negative film was expose for the shadows,
 develop for the highlights, the notion being to get enough light
 energy onto the medium to activate the chemicals and record detail
 where you wanted it in the dark areas, and then control the gamma (or
 contrast curve) to keep from blocking up the highlights through
 development techniques.
 
 Digital capture sensors, as said above, always capture in a linear
 gamma. Their behavior at the limits of exposure are different from
 film media: the highlight limit is a hard stop when the photosite
 cannot record any additional light energy, the minimum exposure limit
 is a soft threshold where detail can no longer be distinguished from
 noise. Another factor: since the capture gamma is linear and has to be
 stretched and squeezed into a more curvaceous shape for our eyes and
 brain to interpret it correctly, it turns out that we need to stuff as
 many bits towards the high end of the range as we can (without hitting
 the saturation limit) so that we can stretch the values down into the
 low end without losing too much data along the way.
 
 So the goal in exposing properly for a digital sensor is to consider
 them as more similar to transparency film ... Avoid over-exposure on
 the highlights like the dickens and let the rest fall where it might
 ... but with a lot more control since we can push the rendering curve
 around with great freedom in the raw processing phase. I usually look
 at a scene with the idea of evaluating a) what's the overall
 reflectivity of the scene? and b) where are my Zone IX highlight
 values? A scene which has a lot of bright in it and a small contrast
 ratio to handle usually means adding exposure from an averaging
 meter's normal recommendation (most scenes, as it turns out). A scene

Re: It's a great lens, but not what I bought it for

2010-11-19 Thread Jeffery Smith
The same experience with the Sigma 30/1.4. I bought it to shoot indoors at wide 
open aperture. Not very good. Much better outdoors at 5.6. Unfortunately, it's 
big and heavy, and Pentax makes a 31 that is smaller and better wide open.

Right now, the 30/1.4 is a body cap for my K100.

Jeffery

On Nov 19, 2010, at 5:24 PM, Larry Colen wrote:

 When I bought my sigma 20/1.8, the intention was to use it for indoor, low 
 light, dance photography.  For various reasons, mostly involving manual 
 focus, it hasn't proven to be as good for that as I had hoped.  On the other 
 hand, I'm finding it very handy as a wide angle macro lens. For example, a 
 lot of the time that I'm shooting mushrooms, to get the angle I want, I need 
 to be very close to the subject because roots of the stump, or the ground, is 
 in the way if I'm trying to use a longer lens.
 
 Does anybody else have lenses that they bought for one use, that they later 
 found are much better for something else entirely?
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: It's a great lens, but not what I bought it for

2010-11-19 Thread Jeffery Smith
The K-5 might be better wit the Sigma 30/1.4.  I may be able to get decent at 
2.8 or 3.5 at higher ISO.  But once you have the 28/2 Zeiss and 31/1.8 Pentax, 
things go back to normal and better. The Sigma 30/1.4 seems like  good choice 
for the outdoor papparazi. Center forcuses well, but not te perimeter.

Jeffery 


On Nov 19, 2010, at 7:42 PM, Tim Bray wrote:

 What killed the Sigma 30/1.4 for me was the better noise processing in
 Lightroom 3.  I'd rather shoot at high ISO with the sweeter, lighter
 Pentax primes and just live-with/fix-up the noise.  -T
 
 On Fri, Nov 19, 2010 at 4:11 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 The same experience with the Sigma 30/1.4. I bought it to shoot indoors at 
 wide open aperture. Not very good. Much better outdoors at 5.6. 
 Unfortunately, it's big and heavy, and Pentax makes a 31 that is smaller and 
 better wide open.
 
 Right now, the 30/1.4 is a body cap for my K100.
 
 Jeffery
 
 On Nov 19, 2010, at 5:24 PM, Larry Colen wrote:
 
 When I bought my sigma 20/1.8, the intention was to use it for indoor, low 
 light, dance photography.  For various reasons, mostly involving manual 
 focus, it hasn't proven to be as good for that as I had hoped.  On the 
 other hand, I'm finding it very handy as a wide angle macro lens. For 
 example, a lot of the time that I'm shooting mushrooms, to get the angle I 
 want, I need to be very close to the subject because roots of the stump, or 
 the ground, is in the way if I'm trying to use a longer lens.
 
 Does anybody else have lenses that they bought for one use, that they later 
 found are much better for something else entirely?
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: PESO firetruck

2010-11-21 Thread Jeffery Smith
Well, you did warn us that it was every so often. We'll wait for a while. :-)

Jeffery


On Nov 21, 2010, at 4:08 AM, Larry Colen wrote:

 I kind of liked the lights of the firetruck in the rain. Fortunately I had 
 the 16-50 on the K20 so I was undaunted by the weather. ISO 400 f/2.8 1/15 
 sec at 24mm
 
 --
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Re: Stochastic photography

2010-11-21 Thread Jeffery Smith
I was never one to bracket when shooting film, and most of my wasted images 
were due to dull subject matter and poor choice of subject/angle/telephone pole 
projecting from the subject's head, not exposure. My biggest hurdle with 
digital is what seems to be a lack of exposure latitude that I can only 
attribute to the automation of the camera making some bad choices. That said, 
spray and pray is becoming more of a norm for me. After all, when my high 
capacity memory card keeps telling me that I have 999 exposures left, then what 
the hell. But I wish that this were not the case. If the digital camera would 
give me a sweet spot ISO from which I had some confidence that exposure over 
the entire frame could be salvaged no matter what the camera chose for me, I 
could spend a lot more time composing and moving around, thinking more about 
the subject. 

For now, I have decided never to use spot metering on a dSLR. The area being 
spot measured looks great, but that doesn't mean I can salvage the blown 
highlights.

Jeffery


On Nov 21, 2010, at 7:33 PM, Walter Gilbert wrote:

 Hi all,
 
 For the past couple of days, I seem to keep encountering references to 
 stochastic photography -- or spray and pray if you will, and it's piqued 
 my interest.  It's not that I'm considering actively pursuing the practice so 
 much as I wonder how much my current style (method?) could actually be 
 considered stochastic.  Having never worked in the vicinity of another 
 photographer before, my days out shooting with Ted Beilby were, as I said, 
 educational.  We took nearly diametrically opposed approaches.
 
 Clearly, Ted came out with better quality shots than I did.  He was much more 
 methodical and exacting and produce much more highly textured images than I 
 did.  At the same time, I came out with some images that, while not as 
 polished as Ted's, did have some redeeming value -- at least I thought they 
 did.  I was so arrested by the sheer amount of potential subject matter that 
 I felt I had to get as many different shots as I could in order to get a 
 reasonable account of my experience, so I shot hand-held, almost exclusively. 
  Knowing that I'd have at least several  hundred shots to go through at the 
 end of my trip (also, due to a relative lack of PC processing power and 
 memory), I stuck to shooting single exposures in jpeg.
 
 Some subjects, I chose to take three or four different shots from different 
 perspectives and focal depths, while others I shot once or twice and moved 
 on.  And, that's typically the way I do things.  A large part of the reason 
 for that is that I simply don't trust what the camera shows me on its display 
 to be an accurate depiction of what I'm going to see when I load it onto the 
 computer.  The same goes for my perception of any given scene at the time.  I 
 come away with rough approximation in my mind, and when I get home, I'm 
 usually fairlyclose, but never seemingly dead-on in my expectations.
 
 And, of course, a good bit of what I do shoot simply defies staging in any 
 practical sense.  I'm not going to be able to tell a butterfly how to hold 
 its wings, or a bird where to position itself within my frame.  So, I have to 
 make snap judgments and several attempts.  To the extent that I'm able to 
 dictate composition, I do make a fairly diligent attempt at it.  But, at the 
 same time, I don't try to control every minute detail -- essentially because 
 the vast majority of the subjects I shoot are in an environment that simply 
 defies control.
 
 So, I was just curious as to the thoughts of the folks on the list as to how 
 much my approach would be considered spray and pray by more seasoned 
 photographers, and how much it would benefit if it were less so.
 
 Thanks for any input anyone has to offer.
 
 -- Walt
 
 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/ http://polipix.posterous.com/
 Contact Me Facebook http://www.facebook.com/walt.gilbertFlickr 
 http://www.flickr.com/photos/walt_gilbert/Twitter 
 http://twitter.com/walt_gilbert
 
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Re: Stochastic photography

2010-11-21 Thread Jeffery Smith
My problem has always been the reverse...things looking dead when they are 
really alive.

Jeffery

On Nov 21, 2010, at 8:17 PM, Walter Gilbert wrote:

  Ha!  I wasn't familiar with Brownian Movement photography before.
 
 So, I've already learned something by asking.
 
 -- Walt
 
 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/ http://polipix.posterous.com/
 Contact Me Facebook http://www.facebook.com/walt.gilbertFlickr 
 http://www.flickr.com/photos/walt_gilbert/Twitter 
 http://twitter.com/walt_gilbert
 
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  Get it now 
 http://my.wisestamp.com/link?u=ypgdb385pypw7fhbsite=www.wisestamp.com/email-install
 On 11/21/2010 7:59 PM, Doug Franklin wrote:
 On 2010-11-21 20:33, Walter Gilbert wrote:
 Hi all,
 
 For the past couple of days, I seem to keep encountering references to
 stochastic photography --
 
 I prefer to think about it as Brownian. ;-)
 
 
 
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Re: Stochastic photography

2010-11-22 Thread Jeffery Smith
My first camera with metering had a spot meter only, and I soon learned the 
zone system of metering, relying primarily on using skin tone as the spot for 
metering. It usually left me with enough latitude that I could dodge and burn 
in the darkroom and have a usable print. 

Before that, I used incident light metering with a selenium meter. It also gave 
me film with enough latitude to salvage detail in overexposed areas.

Jeffery

On Nov 21, 2010, at 8:52 PM, paul stenquist wrote:

 Yes, a spot meter is a good tool, but it's only valuable if you can relate 
 the spot you're metering to 18% gray and then compensate accordingly. With 
 the K7 and K5, matrix metering is accurate enough that spot metering is 
 rarely needed. However, I do sometimes use it when shooting something like a 
 neutral colored bird against a white sky background. 
 Paul
 
 
 On Nov 21, 2010, at 9:41 PM, Nick David Wright wrote:
 
 Jeffery, you're missing the point of the spot meter. IMHO spot meter
 was never intended to be used in auto mode (at least not without
 exposure lock and exposure compensation).
 
 The spot meter is there specifically so you can /know/ your highlights
 will not be blown. See this blog post:
 http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/do-not-fear-the-sun.html
 
 ~nick
 
 On Sun, Nov 21, 2010 at 8:10 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 I was never one to bracket when shooting film, and most of my wasted images 
 were due to dull subject matter and poor choice of subject/angle/telephone 
 pole projecting from the subject's head, not exposure. My biggest hurdle 
 with digital is what seems to be a lack of exposure latitude that I can 
 only attribute to the automation of the camera making some bad choices. 
 That said, spray and pray is becoming more of a norm for me. After all, 
 when my high capacity memory card keeps telling me that I have 999 
 exposures left, then what the hell. But I wish that this were not the case. 
 If the digital camera would give me a sweet spot ISO from which I had some 
 confidence that exposure over the entire frame could be salvaged no matter 
 what the camera chose for me, I could spend a lot more time composing and 
 moving around, thinking more about the subject.
 
 For now, I have decided never to use spot metering on a dSLR. The area 
 being spot measured looks great, but that doesn't mean I can salvage the 
 blown highlights.
 
 Jeffery
 
 
 On Nov 21, 2010, at 7:33 PM, Walter Gilbert wrote:
 
 Hi all,
 
 For the past couple of days, I seem to keep encountering references to 
 stochastic photography -- or spray and pray if you will, and it's 
 piqued my interest.  It's not that I'm considering actively pursuing the 
 practice so much as I wonder how much my current style (method?) could 
 actually be considered stochastic.  Having never worked in the vicinity of 
 another photographer before, my days out shooting with Ted Beilby were, as 
 I said, educational.  We took nearly diametrically opposed approaches.
 
 Clearly, Ted came out with better quality shots than I did.  He was much 
 more methodical and exacting and produce much more highly textured images 
 than I did.  At the same time, I came out with some images that, while not 
 as polished as Ted's, did have some redeeming value -- at least I thought 
 they did.  I was so arrested by the sheer amount of potential subject 
 matter that I felt I had to get as many different shots as I could in 
 order to get a reasonable account of my experience, so I shot hand-held, 
 almost exclusively.  Knowing that I'd have at least several  hundred shots 
 to go through at the end of my trip (also, due to a relative lack of PC 
 processing power and memory), I stuck to shooting single exposures in jpeg.
 
 Some subjects, I chose to take three or four different shots from 
 different perspectives and focal depths, while others I shot once or twice 
 and moved on.  And, that's typically the way I do things.  A large part of 
 the reason for that is that I simply don't trust what the camera shows me 
 on its display to be an accurate depiction of what I'm going to see when I 
 load it onto the computer.  The same goes for my perception of any given 
 scene at the time.  I come away with rough approximation in my mind, and 
 when I get home, I'm usually fairlyclose, but never seemingly dead-on in 
 my expectations.
 
 And, of course, a good bit of what I do shoot simply defies staging in any 
 practical sense.  I'm not going to be able to tell a butterfly how to hold 
 its wings, or a bird where to position itself within my frame.  So, I have 
 to make snap judgments and several attempts.  To the extent that I'm able 
 to dictate composition, I do make a fairly diligent attempt at it.  But, 
 at the same time, I don't try to control every minute detail -- 
 essentially because the vast majority of the subjects I shoot are in an 
 environment that simply defies control.
 
 So, I

Re: New zoom

2010-11-22 Thread Jeffery Smith
Based on the reviews I've read, I would concur with Paul. I would love to have 
either lens.

Jeffery

On Nov 22, 2010, at 5:19 PM, paul stenquist wrote:

 The DA* 16-50/2.8 is terrific. Some early samples had element alignment 
 problems, but that seems to have been resolved. The DA 12-24 is also very 
 good.
 Paul
 
 On Nov 22, 2010, at 6:11 PM, drd1...@gmail.com wrote:
 
 Well, today my FA 20-35 took a tumble and now the focus is so tight the 
 camera can't drive it.  aside from the K28, this was my widest lens. Still, 
 I may replace is with a more modern zoom. What suggestions do you have, 
 based on your experience.  I admit I find it increasingly difficult to keep 
 swapping lenses in a travel situation. 
 
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Re: New zoom

2010-11-22 Thread Jeffery Smith
And the 16-50 goes all the way up to where the 50-135 can take over, so those 
two lenses can cover most situations admirably. I have the 50-135, and the 
16-50 was going to be my next wanna-have, until Pentax complicated the 
situation with the K-5 introduction. 

Jeffery


On Nov 22, 2010, at 6:23 PM, paul stenquist wrote:

 
 On Nov 22, 2010, at 6:29 PM, Jeffery Smith wrote:
 
 Based on the reviews I've read, I would concur with Paul. I would love to 
 have either lens.
 
 Jeffery
 
 BTW, while I like both lenses, I find the 16-50 much more useful. The wide 
 end is adequate for most situations, and with a range all the way up to what 
 amounts to short telephoto, it's a great all-purpose lens. 
 Paul
 
 On Nov 22, 2010, at 5:19 PM, paul stenquist wrote:
 
 The DA* 16-50/2.8 is terrific. Some early samples had element alignment 
 problems, but that seems to have been resolved. The DA 12-24 is also very 
 good.
 Paul
 
 On Nov 22, 2010, at 6:11 PM, drd1...@gmail.com wrote:
 
 Well, today my FA 20-35 took a tumble and now the focus is so tight the 
 camera can't drive it.  aside from the K28, this was my widest lens. 
 Still, I may replace is with a more modern zoom. What suggestions do you 
 have, based on your experience.  I admit I find it increasingly difficult 
 to keep swapping lenses in a travel situation. 
 
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Re: New zoom

2010-11-22 Thread Jeffery Smith
Gaaa! (mustbuyglass.)


On Nov 22, 2010, at 7:22 PM, Bruce Walker wrote:

 Get the glass. Bodies may come and go, but lenses are forever. :-)
 
 I have a 16-50 and it's really great, especially paired to the 50-135.
 
 -bmw
 
 
 On 10-11-22 7:42 PM, Jeffery Smith wrote:
 And the 16-50 goes all the way up to where the 50-135 can take over, so 
 those two lenses can cover most situations admirably. I have the 50-135, and 
 the 16-50 was going to be my next wanna-have, until Pentax complicated the 
 situation with the K-5 introduction.
 
 Jeffery
 
 
 On Nov 22, 2010, at 6:23 PM, paul stenquist wrote:
 
 On Nov 22, 2010, at 6:29 PM, Jeffery Smith wrote:
 
 Based on the reviews I've read, I would concur with Paul. I would love to 
 have either lens.
 
 Jeffery
 
 BTW, while I like both lenses, I find the 16-50 much more useful. The wide 
 end is adequate for most situations, and with a range all the way up to 
 what amounts to short telephoto, it's a great all-purpose lens.
 Paul
 
 On Nov 22, 2010, at 5:19 PM, paul stenquist wrote:
 
 The DA* 16-50/2.8 is terrific. Some early samples had element alignment 
 problems, but that seems to have been resolved. The DA 12-24 is also very 
 good.
 Paul
 
 On Nov 22, 2010, at 6:11 PM, drd1...@gmail.com wrote:
 
 Well, today my FA 20-35 took a tumble and now the focus is so tight the 
 camera can't drive it.  aside from the K28, this was my widest lens. 
 Still, I may replace is with a more modern zoom. What suggestions do you 
 have, based on your experience.  I admit I find it increasingly 
 difficult to keep swapping lenses in a travel situation.
 
 
 
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Re: New zoom

2010-11-23 Thread Jeffery Smith
I have the Tamron, which is why I can't justify buying something that is very 
similar to it. But it is a very nice, small, light zoom lens. I've had it since 
2004 and I don't think it is still being manufactured.

http://www.luminous-landscape.com/columns/sm-nov-04.shtml

This is the article that basically told me of its existence back in 2004. He 
obviously liked it too.

Jeffery



On Nov 22, 2010, at 11:58 PM, Boris Liberman wrote:

 On 11/23/2010 1:11 AM, drd1...@gmail.com wrote:
 Well, today my FA 20-35 took a tumble and now the focus is so tight
 the camera can't drive it.  aside from the K28, this was my widest
 lens. Still, I may replace is with a more modern zoom. What
 suggestions do you have, based on your experience.  I admit I find it
 increasingly difficult to keep swapping lenses in a travel
 situation.
 
 
 It really depends on the monetary constraints. What comes to mind that 
 seemingly wasn't mentioned or mentioned briefly is:
 
 1. Sigma 24-60/2.8 - not as wide, but faster with very good sharpness and 
 bokeh. Downsize - somewhat different colors and big filters. Beware of sample 
 variation and back/front focus issues. Mine requires -7 focus correction with 
 the K-7.
 
 2. DA 16-45/4 - compared directly with your FA 20-35 by photozone. I don't 
 have one, but whenever I borrowed one from fellow PDMLers it came out really 
 good.
 
 3. Sigma 17-70/2.8-4.5 or 17-70/2.8-4.0. I tried the former when Jaume came 
 to Israel and it was surprisingly good.
 
 4. DA 17-70/4 SDM - successor of DA 16-45 in a sense. SDM is either an issue 
 or a non-issue for you.
 
 5. Tamron 17-50/2.8 - cheap alternative to DA* 16-50/2.8. But the IQ is 
 anything but cheap. Actually it is very good judging from what I've seen from 
 the same lens for Canon mount that my friends have.
 
 6. FA 24-90/3.5-4.5 - wobbly build, good optics. With this one you'd loose a 
 bit on the wide end but gain seriously on the long end.
 
 HTH.
 
 Boris
 
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Re: DSLRs apparently banned in Kuwait except for the press

2010-11-23 Thread Jeffery Smith
If I ever want to sell my Leica M6, I'll use the Kuwait Craigslist.

Jeffery

On Nov 23, 2010, at 2:40 PM, Doug Franklin wrote:

 http://thenextweb.com/me/2010/11/23/kuwait-dslr-camera-ban-now-in-effect/
 
 I haven't been able to verify or refute the information so far.
 
 -- 
 Thanks,
 DougF (KG4LMZ)
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
There are several RAW file types. I usually use DNG instead of PEF (both are 
RAW) because the DNG is a more universal format that PS recognizes. Sony has 
apparently figured out how to make compressed RAW files that don't lose any 
detail in the compression.

Jeffery

On Nov 23, 2010, at 5:36 PM, Eric Weir wrote:

 
 On Nov 23, 2010, at 5:29 PM, Bob Sullivan wrote:
 
 On Tue, Nov 23, 2010 at 1:10 PM, Eric Weir eew...@bellsouth.net wrote:
 
 Regarding converting to DNG, I will now expose my naiveté by [1] admitting 
 that, again for the time-being, I am shooting jpeg, [2] asking what's the 
 advantage of DNG.
 
 Think of it like having a print (jpg) versus a negative (DGN) to create a 
 print.
 The jpg's are smaller files rendered from the original in camera digital 
 info.
 The DGN's are bigger files and retain more detail that can be brought out in
 software like Lightroom.
 
 5 years ago when digital was new, one of our UK PDML'ers made a discovery.
 He was shooting jpg's exclusively and tried some RAW (DGN) shots.
 He posted side by side comparison shots and the detail in the white areas
 (black areas) was just plain better in the DGN shots.
 More of the original image was maintained.
 More could be brought out in difficult lighting situations.
 That was enough for me, I stopped using jpg's and switched to DGN's
 
 Thanks, Bob. I know that subject heading broadcasts my utter ignorance to the 
 world, but the original one was clearly no longer appropriate. 
 
 So RAW and DGN are the same thing? 
 
 I figured that at some point down the road I'd switch to RAW, but am deterred 
 for now by concerns about memory and storage and, most important, the fact 
 that my understanding of processing and editing is more limited -- 
 non-existent would be more appropriate -- than even my understanding of 
 file management in LR. Better to leave the processing to the camera for now, 
 I think.
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
I would switch to RAW even with non-existent processing skills. The RAW 
conversion process isn't really difficult, and your results will probably be 
better. I don't like the camera doing any sharpening, color balance, etc. 

Jeffery

On Nov 23, 2010, at 6:31 PM, Eric Weir wrote:
  
 
 Given my practically non-existent processing skills, it's probably wise for 
 me to stick with jpeg for the moment?
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
I'm pretty sure that on the K-7, a 16 gb card holds about 650. 

Jeffery

On Nov 23, 2010, at 7:00 PM, Eric Weir wrote:

 
 On Nov 23, 2010, at 7:41 PM, Jeffery Smith wrote:
 
 I would switch to RAW even with non-existent processing skills. The RAW 
 conversion process isn't really difficult, and your results will probably be 
 better. I don't like the camera doing any sharpening, color balance, etc.
 
 Thanks, Jeffery. I may end up giving it a try sooner than I imagined. We'll 
 see. 
 
 How many raw-formatted images on a 4Gb memory card?
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: wide angle zoom comparison...

2010-11-23 Thread Jeffery Smith
I vote for #2, and I don't even have it. 

Jeffery

On Nov 23, 2010, at 7:10 PM, Tanya Love wrote:

 So I really am needing a good wide angle zoom.  I've been procrastinating on
 it for ages and making do with my 18-55mm kit lens, but it's not fast
 enough, and optically, could be better too.  Sooo, would love to hear your
 words of wisdom in regards to comparing these:
 
 1. Sigma Lens 20-40mm f/2.8 EX DG ASP - about $400
 2. PENTAX-DA* 16-50mm f/2.8 ED AL[IF]SDM - about $1400
 3. Pentax Lens 12-24mm f/4 ED AL IF DA - about $1269
 4. Sigma Lens 10-20mm f/3.5 EX DC HSM - about $927
 
 Obviously the 20-40 would be a whole lot less in terms of $$ and you usually
 get what you pay for, but I thought I'd throw it out there to see if anyone
 has any experience with it?
 I'm fairly certain that I am set on #2, but interested to here all of your
 feedback first...
 
 Tan.x. 
 
 
 Tanya Love
 Photographer
 
 www.lovebytes.com.au
 www.facebook.com/LoveBytesPhoto
 www.loveandsoul.com.au 
 m: 0458 006 740
 
 
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
RAW processing isn't really scary. It just uses files that have not been 
modified by in-camera processing/tweaking. The only thing that is really 
noticeably off is color balance, but the RAW processing software usually has 
the choices that the camera would (auto, tungsten, daylight, shade, etc.) that 
you can choose from a menu, and you can lighten, darken, change contrast. When 
shooting theater productions, I usually don't correct for colors as the 
slightly warm tone of the floodlights is aesthetically pleasing.

Jeffery

On Nov 23, 2010, at 7:23 PM, Eric Weir wrote:

 
 On Nov 23, 2010, at 8:10 PM, Larry Colen wrote:
 
 LR3 does an amazing job of raw processing.
 
 So my interim solution -- till I get to where I can begin to do the 
 processing -- could be to let LR3 do the processing instead of relying on the 
 camera to do it? 
 
 Keep in mind most of my images are garbage right now. Not being able to go 
 back and reprocess them decades from now is not going to be any great loss.
 
 Would raw files converted by LR3 look as good as jpegs?
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: OT: State Quarters

2010-11-23 Thread Jeffery Smith
In New Orleans, the locals used to refer to dimes (in general) as silver 
dimes. That threw me for a while since silver dimes had not been made for 
years when I moved here.

I used to run across the occasional Indian Head cent. I guess we are really 
dating ourselves with these admissions. ;-)

Jeffery


On Nov 23, 2010, at 8:03 PM, Daniel J. Matyola wrote:

 When I was a young lad, I would find an Indian Head cent in the change
 every now and them.  I would go through the cash registers at my
 grandfathers butcher shop and my uncle's gas station, looking for
 Indian Head pennies and Buffalo nickles.
 
 Dan
 
 On Tue, Nov 23, 2010 at 8:28 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 
 
 Actually
 right - hence ... :)
 
 Richard (my sweetheart to died in 1993) had a batch of wheaties...  I look
 at the pennies I get and I keep finding them
 though not many, of course, and not in such good shape but I have a hundred
 or so
 
 ann
 
 Daniel J. Matyola wrote:
 
 One almost never sees wheaties or steel cents in circulation any more.
 
 Dan
 
 On Tue, Nov 23, 2010 at 5:43 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 
 
 Now JOhn and I have lots of info :-)
 I only mentioned looking for s' cause John did -- prior to his email I
 didn't know a thing about it...
 
 aside from thinking it would be cute to have all the states.. or that
 someone MIGHT wnat oe in the distant future,
 all I know about coins are what wheaties are and if I got a 1943 copper
 coin I could get a prety nice price for one.
 
 I have one steel coin from 1943 that I wrote a story about in grade
 school... thinking it was the unusual one think I
 I dentified with being out of step? you betcha
 
 ann
 
 Daniel J. Matyola wrote:
 
 
 
 Ann:
 
 I'm afraid you won't find many S mintmarks.  The San Francisco Mint
 no longer makes coins for general circulation.  They specialize in
 proof coins, which are specially struck to have greater luster, and
 special issues.
 
 
 
 http://catalog.usmint.gov/webapp/wcs/stores/servlet/ProductDisplay?catalogId=10001storeId=10001productId=15253langId=-1parent_category_rn=10211
 
 Any S or W (West Point) mint marks you find are special issues,
 not meant for general circulation.  If you find one in regular change,
 there is is a good chance it was stolen from someone's collection, by
 someone too stupid to realize its value, who then spent it at face
 value instead of selling it as a collectible.
 
 I usually limit myself these days to buying the annual uncirculated
 mint sets and proof sets directly from the US Mint.
 
 Dan
 
 On Tue, Nov 23, 2010 at 3:59 PM, Ann Sanfedele ann...@nyc.rr.com
 wrote:
 
 
 
 John -- this is odd ..
 I jsut started doing this too..  I have 43 different ones so far  - in
 less
 than a month...   but I hadn't thought about looking at whether they
 were
 P
 or D  and didnt know about S at all
 
 Im only keeping one of each state to make a set and just though tit
 would
 be
 nice to  have or to save and possibly sell for $1.00 profit or so.
 I have to just a magnifier to see which state I have  in text but I'm
 getting to know the pictures.
 Now I'm gonna want to look at each to see if they have an S lol
 
 glad you are recouping I didn't get to wish you well _before_ the
 procedure
 as I didnt see your post until yesterday...
 
 ann
 
 
 
 John Sessoms wrote:
 
 
 
 
 Does anyone know more about the state quarters than I do?
 
 Let me rephrase that ... Does anyone know LESS about the state
 quarters
 than I do?
 
 I just found something odd. At least it's odd to me.
 
 Ever since the program began, I have tried to keep every one of the
 state
 quarters I've received in change. Just tuck 'em into the watch pocket
 on
 my
 jeans and they tend to pile up around the house. I think I've spent
 less
 than $10.00 of the state quarters since 1999.
 
 Mostly because of my east coast location I get 'P' quarters. Every
 once
 in
 a while I sort through the piles and separate them by state  put 'em
 into
 plastic tubes.
 
 Any 'D' quarters I get are segregated to a separate pile. I don't get
 enough to justify separate tubes for each state, but I can sort them
 by
 year.
 
 Anyway, I'm rambling ...
 
 I needed some change just now and grabbed a dollar's worth out of the
 pile
 I hadn't sorted through yet and decided to make sure I wasn't grabbing
 a
 'D'
 quarter.
 
 Instead, there was a South Carolina 'S' quarter.
 
 I understood the 'S' were all silver proof sets, but this is a regular
 clad quarter.
 
 Try to keep the explanation simple like me. ;-D
 
 
 
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
The size of the LCD on your camera is TINY. You can probably see if the image 
is grossly out of focus, but I wouldn't expect much more.  It's amazing that we 
get spoiled by the increasing size of LCD screens on the newer cameras, and 
then when we pick up a starkist, it looks like a postage stamp sized LCD.

Jeffery


On Nov 23, 2010, at 8:07 PM, Eric Weir wrote:

 
 On Nov 23, 2010, at 8:31 PM, Jeffery Smith wrote:
 
 RAW processing isn't really scary. It just uses files that have not been 
 modified by in-camera processing/tweaking. The only thing that is really 
 noticeably off is color balance, but the RAW processing software usually has 
 the choices that the camera would (auto, tungsten, daylight, shade, etc.) 
 that you can choose from a menu, and you can lighten, darken, change 
 contrast. When shooting theater productions, I usually don't correct for 
 colors as the slightly warm tone of the floodlights is aesthetically 
 pleasing.
 
 Thanks, Jeffrey. It's getting to the point where I need to stop asking 
 questions and just try it. That said, I really am a novice, relying a lot on 
 the immediate feedback that digital photography provides to help me become a 
 better photographer. If I'm shooting raw, what will the images on the lcd 
 screen tell me about the quality of my images? 
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
A full frame dSLR in RAW mode with a 1 gb card is more like what you would get 
on a roll of film. :-)

Jeffery


On Nov 23, 2010, at 7:27 PM, Eric Weir wrote:

 
 On Nov 23, 2010, at 8:04 PM, eckinator wrote:
 
 367 on 2GB for a 10 MP K10D so should be closer to 1000 on 4GB for a 6
 MP starkist I reckon
 
 Wow. Nowhere near what I thought it would be. I imagined in the neighborhood 
 of what you'd get from a roll of film
 
 Had to think about that 6 MP starkist. I never know how to tell people what 
 camera I have, other than that it's a Pentax. 
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 
 
 
 
 
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Re: wide angle zoom comparison...

2010-11-23 Thread Jeffery Smith
Not a problem in the South. You just have to go through the window INTO a 
house, and the owner shoots you.

Jeffery


On Nov 23, 2010, at 8:29 PM, Walter Gilbert wrote:

   Lens prices make me glad I live in a town where there are no structures 
 tall enough from which to defenestrate myself.
 
 -- Walt
 
 On 11/23/2010 7:10 PM, Tanya Love wrote:
 So I really am needing a good wide angle zoom.  I've been procrastinating on
 it for ages and making do with my 18-55mm kit lens, but it's not fast
 enough, and optically, could be better too.  Sooo, would love to hear your
 words of wisdom in regards to comparing these:
 
 1. Sigma Lens 20-40mm f/2.8 EX DG ASP - about $400
 2. PENTAX-DA* 16-50mm f/2.8 ED AL[IF]SDM - about $1400
 3. Pentax Lens 12-24mm f/4 ED AL IF DA - about $1269
 4. Sigma Lens 10-20mm f/3.5 EX DC HSM- about $927
 
 Obviously the 20-40 would be a whole lot less in terms of $$ and you usually
 get what you pay for, but I thought I'd throw it out there to see if anyone
 has any experience with it?
 I'm fairly certain that I am set on #2, but interested to here all of your
 feedback first...
 
 Tan.x.
 
 
 Tanya Love
 Photographer
 
 www.lovebytes.com.au
 www.facebook.com/LoveBytesPhoto
 www.loveandsoul.com.au
 m: 0458 006 740
 
 
 
 
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
One of the ironic mistakes that Sigma made was having RAW only dSLRs. That 
ensured that the photographer had the maximum potential files, but because the 
camera was ostensibly aimed at amateurs, it backfired badly as being perceived 
as a crucial weakness of the camera. John Bean (UK) used to blow me away with 
his Sigma dSLR images. 

Jeffery

On Nov 23, 2010, at 9:02 PM, Godfrey DiGiorgi wrote:

 On Tue, Nov 23, 2010 at 4:41 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 I would switch to RAW even with non-existent processing skills. The RAW 
 conversion process isn't really difficult, and your results will probably be 
 better. I don't like the camera doing any sharpening, color balance, etc.
 
 In particular, if you are using Lightroom anyway, the processing for
 raw or JPEG or TIFF or PSD files is presented by the exact same tools
 and UI, so if you can edit one you can edit any of them. The
 difference is that with raw files you have a lot more processing
 potential to work with than any of the others.
 
 Lightroom's standard calibration and camera profile defaults for raw
 files are generally quite good (although usually different from the
 in-camera JPEG rendering options) so there's little real difference
 between doing the simple effort of bringing in JPEGs and outputting
 them to size and doing the same thing with raw files. As soon as you
 start to adjust things, however, the greater resiliency and
 capabilities of the raw files are immediately apparent.
 
 
 -- 
 Godfrey
   godfreydigiorgi.posterous.com
 
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Re: What's the advantage of DNG?

2010-11-23 Thread Jeffery Smith
I agree that the RAW only was absolutely not their Achilles heel. Their optics 
are getting better, but they need to work on build quality, reliability, and 
focus issues. I have a few, but don't recommend them.

Jeffery

On Nov 23, 2010, at 9:22 PM, Adam Maas wrote:

 There's so much wrong with the SD series DSLR's (and their SA series
 film SLR predecessors) that it's hard to nail down anything close to a
 crucial weakness. No JPEG wasn't a big issue given that pretty much
 everything else about the Sigma's sucked worse (Bodies that would have
 been obsolete if 10 years older, AF which barely kept up with a Maxxum
 7000, overly small, low-resolution sensors with ridiculous marketting,
 an inability to get good files over ISO 400, bad metering, very
 limited lens options, poor handling, high pricing, an inability to
 ship within 2 years of announcement, etc). The one thing the Sigma's
 have going for them is very nice per-pixel sharpness (the much vaunted
 colour accuracy of the Foveon X3's is in fact non-existent, Bayer
 sensors produce significantly more accurate colour due to having less
 channel overlap. The only colour-related advantage of Foveon is that
 colour aliasing is impossible).
 
 -Adam
 
 On Tue, Nov 23, 2010 at 10:13 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 One of the ironic mistakes that Sigma made was having RAW only dSLRs. That 
 ensured that the photographer had the maximum potential files, but because 
 the camera was ostensibly aimed at amateurs, it backfired badly as being 
 perceived as a crucial weakness of the camera. John Bean (UK) used to blow 
 me away with his Sigma dSLR images.
 
 Jeffery
 
 
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Re: wide angle zoom comparison...

2010-11-23 Thread Jeffery Smith
The 16-50 is about $750 in the US. You are down under?

Jeffery


On Nov 23, 2010, at 10:43 PM, Tanya Love wrote:

 Thanks for all of the feedback guys.  Yep, I know that the AOV is quite
 varied in this grouping - I am more interested really in the widest end, and
 the speed (and of course overall image quality etc).  I'm really thinking
 that at f4 the 12-24 is just that bit too slow. I know that it is a lovely
 lens and I considered it a while back but f4, with moving babies and darkish
 interiors.  Of course, when I get my hands on my new K-5, it won't be such
 an  issue...
 
 I do know also that the 16-50, isn't too much different from the 18-55 kit
 lens that I currently have, but you know I NEVER use it unless it is for an
 interior or a funky looking fashion shot and it is almost ALMOST used at
 18mm.  I'd love something a little wider, but not to the point of being fish
 eye, which is why I included the 16-50.  I don't EVER use zooms anymore
 unless I really have to.  I shoot almost exclusively these days with my
 FA50mm 1.7 or my FA100m f2.8 macro and very occasionally with the 18-55mm or
 I also have a 28-70mm/f2.8 Tokina that is getting on now but is a huge,
 heavy lens and gives fine results and used to be my main lens in my wedding
 photography days...
 
 Anyways, I think I pretty much have it narrowed down to either the:
 
 2. PENTAX-DA*  16-50mm f/2.8 ED AL[IF]SDM - about $1400 
 Or
 4. Sigma Lens 10-20mm f/3.5 EX DC HSM - about $927
 
 I just think that the 12-24mm is just that bit too slow.
 
 Interested to hear any further thoughts?
 
 
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Re: wide angle zoom comparison...

2010-11-24 Thread Jeffery Smith
Robert White (England) used to sell Voigtlander stuff below the US prices, and 
I bought quite a bit of stuff from him for a few years. I know that shipping 
to/from US/AUS can be prohibitive, are there also VAT issues?  I once thought 
of buying an Epiphone guitar from Australia (a discontinued model), but the 
shipping via air was prohibitive. And you can forget getting a bicycle shipped 
from AUS to US.

Jeffery


On Nov 23, 2010, at 11:28 PM, Brian Walters wrote:

 On Tue, 23 Nov 2010 22:54 -0600, Jeffery Smith
 jsmith...@bellsouth.net wrote:
 The 16-50 is about $750 in the US. You are down under?
 
 
 Tan is.
 
 The interesting thing about prices down under is that, although the $A
 has been approaching or at parity with the $US in recent months, lens
 prices have remained high in comparison with those in the US.  It's a
 much smaller market, of course.  The prices Tan quoted are about right
 for one of the more reputable on-line sellers here.  They would probably
 be even higher at the usual High Street shops.
 
 
 
 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/
 
 
 
 On Nov 23, 2010, at 10:43 PM, Tanya Love wrote:
 
 Thanks for all of the feedback guys.  Yep, I know that the AOV is quite
 varied in this grouping - I am more interested really in the widest end, and
 the speed (and of course overall image quality etc).  I'm really thinking
 that at f4 the 12-24 is just that bit too slow. I know that it is a lovely
 lens and I considered it a while back but f4, with moving babies and darkish
 interiors.  Of course, when I get my hands on my new K-5, it won't be such
 an  issue...
 
 I do know also that the 16-50, isn't too much different from the 18-55 kit
 lens that I currently have, but you know I NEVER use it unless it is for an
 interior or a funky looking fashion shot and it is almost ALMOST used at
 18mm.  I'd love something a little wider, but not to the point of being fish
 eye, which is why I included the 16-50.  I don't EVER use zooms anymore
 unless I really have to.  I shoot almost exclusively these days with my
 FA50mm 1.7 or my FA100m f2.8 macro and very occasionally with the 18-55mm or
 I also have a 28-70mm/f2.8 Tokina that is getting on now but is a huge,
 heavy lens and gives fine results and used to be my main lens in my wedding
 photography days...
 
 Anyways, I think I pretty much have it narrowed down to either the:
 
 2. PENTAX-DA*  16-50mm f/2.8 ED AL[IF]SDM - about $1400 
 Or
 4. Sigma Lens 10-20mm f/3.5 EX DC HSM   - about $927
 
 I just think that the 12-24mm is just that bit too slow.
 
 Interested to hear any further thoughts?
 
 
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Re: Pentax Camera Spelling Fail

2010-11-24 Thread Jeffery Smith
One must dispose of those batteries in an appropriate manner. Apparently you 
have to swallow them first.

Jeffery

On Nov 24, 2010, at 8:57 AM, drd1...@gmail.com wrote:

 That should make it popular with older photographers. 
 -Original Message-
 From: Tanya Love tanyal...@bigpond.com
 Sender: pdml-boun...@pdml.net
 Date: Wed, 24 Nov 2010 14:28:38 
 To: 'Pentax-Discuss Mail List'pdml@pdml.net
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: RE: Pentax Camera Spelling Fail
 
 Bwahahaha!
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Walter Gilbert
 Sent: Monday, 22 November 2010 2:22 PM
 To: Pentax-Discuss Mail List
 Subject: Pentax Camera Spelling Fail
 
  Don't remember seeing this posted to the list, so forgive me if this is
 old news.  But, I couldn't *not* share it.
 
 http://spellingfails.com/post/1314299088/pentax-cameras-spelling-fail
 
 -- Walt
 
 http://www.pentaxphotogallery.com/waltergilbert
 http://waltgilbert.posterous.com/ http://polipix.posterous.com/ Contact Me
 Facebook http://www.facebook.com/walt.gilbertFlickr
 http://www.flickr.com/photos/walt_gilbert/Twitter
 http://twitter.com/walt_gilbert
 
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 Get it now
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Re: K-5, ISO 12800 beer bottle to play guitar!

2010-11-25 Thread Jeffery Smith
It's nearly 5,000 pixels wide.



On Nov 25, 2010, at 12:16 PM, Dario Bonazza wrote:

 I find this picture quite fascinating in more than one way:
 www.dariobonazza.com/public/K5_00898_1.jpg
 
 K-5, ISO 12800, 1/200s f/4, Sigma 17-70mm @70mm f/4 (full aperture) focused 
 on the guitar.
 
 Dario 
 
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K-5 available again at BH...for a few hours

2010-11-25 Thread Jeffery Smith
This K-5 must be selling like hotcakes. I signed up for an in stock alert 
from BH. The K-5 apparently go back into stock yesterday but sold out 
yesterday. They're  now backordered again.

Jeffery
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Re: K-5 available again at BH...for a few hours

2010-11-26 Thread Jeffery Smith
I had added it to my cart (the K-5). I balked for a few hours. When I went back 
and signed in, it had been removed from my cart with an explanation that they 
were out of stock again. My fault for balking.

Jeffery


On Nov 25, 2010, at 10:04 PM, Bob Sullivan wrote:

 Jeffery,
 I had the same with the 31mm Limited lens.
 I couldn't get it ordered before it was out of stock.
 I called and asked how to get the lens.
 They had me order one and charge it.
 One was shipped to me about 3 days later.
 Regards,  Bob A.
 
 On Thu, Nov 25, 2010 at 5:09 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 This K-5 must be selling like hotcakes. I signed up for an in stock alert 
 from BH. The K-5 apparently go back into stock yesterday but sold out 
 yesterday. They're  now backordered again.
 
 Jeffery
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Re: K-5 available again at BH...for a few hours

2010-11-26 Thread Jeffery Smith
I have to wait a few weeks anyway. I missed my window of opportunity for having 
a place to mail it. Faculty are no longer allowed to receive mail at the 
college, so I have to wait until the beginning of Xmas break to have it mailed 
to my home.

Jeffery


On Nov 26, 2010, at 11:02 AM, Bob Sullivan wrote:

 Talk to a person...
 
 On Fri, Nov 26, 2010 at 9:47 AM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 I had added it to my cart (the K-5). I balked for a few hours. When I went 
 back and signed in, it had been removed from my cart with an explanation 
 that they were out of stock again. My fault for balking.
 
 Jeffery
 
 
 On Nov 25, 2010, at 10:04 PM, Bob Sullivan wrote:
 
 Jeffery,
 I had the same with the 31mm Limited lens.
 I couldn't get it ordered before it was out of stock.
 I called and asked how to get the lens.
 They had me order one and charge it.
 One was shipped to me about 3 days later.
 Regards,  Bob A.
 
 On Thu, Nov 25, 2010 at 5:09 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 This K-5 must be selling like hotcakes. I signed up for an in stock 
 alert from BH. The K-5 apparently go back into stock yesterday but sold 
 out yesterday. They're  now backordered again.
 
 Jeffery
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Re: K-5 available again at BH...for a few hours

2010-11-26 Thread Jeffery Smith
That is absolutely the effect it has. And now there are such draconian rules on 
computer usage at the college, one might as well go home and use his/her 
computer at home instead. For some reason, people don't understand that if you 
make everything illegal, nobody will do anything. 


On Nov 26, 2010, at 2:06 PM, drd1...@gmail.com wrote:

 That's a pain. WL figured that doing that would make faculty go home early 
 to wait for packages. 
 -Original Message-
 From: Jeffery Smith jsmith...@bellsouth.net
 Sender: pdml-boun...@pdml.net
 Date: Fri, 26 Nov 2010 11:23:46 
 To: Pentax-Discuss Mail Listpdml@pdml.net
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: K-5 available again at BH...for a few hours
 
 I have to wait a few weeks anyway. I missed my window of opportunity for 
 having a place to mail it. Faculty are no longer allowed to receive mail at 
 the college, so I have to wait until the beginning of Xmas break to have it 
 mailed to my home.
 
 Jeffery
 
 
 On Nov 26, 2010, at 11:02 AM, Bob Sullivan wrote:
 
 Talk to a person...
 
 On Fri, Nov 26, 2010 at 9:47 AM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 I had added it to my cart (the K-5). I balked for a few hours. When I went 
 back and signed in, it had been removed from my cart with an explanation 
 that they were out of stock again. My fault for balking.
 
 Jeffery
 
 
 On Nov 25, 2010, at 10:04 PM, Bob Sullivan wrote:
 
 Jeffery,
 I had the same with the 31mm Limited lens.
 I couldn't get it ordered before it was out of stock.
 I called and asked how to get the lens.
 They had me order one and charge it.
 One was shipped to me about 3 days later.
 Regards,  Bob A.
 
 On Thu, Nov 25, 2010 at 5:09 PM, Jeffery Smith jsmith...@bellsouth.net 
 wrote:
 This K-5 must be selling like hotcakes. I signed up for an in stock 
 alert from BH. The K-5 apparently go back into stock yesterday but sold 
 out yesterday. They're  now backordered again.
 
 Jeffery
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Re: Boy

2010-11-28 Thread Jeffery Smith
Has a certain Lensbaby or Holga feel to it.

Jeffery


On Nov 28, 2010, at 9:52 AM, SV Hovland wrote:

 http://album.heime.org/Default.aspx?albummode=Pagealbumpath=%2falbum%2ftemporary%2fIMGP0587.JPG
 
 Taken with K-5 and DA70/2,4 in Sandnes, Norway today.
 
 Created in the camera with several filters.
 
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Re: with blurb, matte or lustre paper?

2010-11-30 Thread Jeffery Smith
I think it is like pearl (sort of a shiny matte, like Agfa paper from 30 years 
ago).

Jeffery

On Nov 30, 2010, at 6:32 PM, Larry Colen wrote:

 I've got no idea what they mean by lustre.
 
 Anybody know what the differences are?  Which is better?
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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Re: OT - We are not alone?

2010-12-02 Thread Jeffery Smith
Strange finding. They discovered a bacterium that uses arsenic in place of 
phosphorus in its DNA. That is somewhat earth-shaking in the biology field, as 
no other organism on earth has been able to substitute other elements in DNA.

Jeffery


On Nov 30, 2010, at 3:46 PM, Brian Walters wrote:

 
 http://www.nasa.gov/home/hqnews/2010/nov/HQ_M10-167_Astrobiology.html
 
 
 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/
 -- 
 
 
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Re: PESO - Trust and Obey!

2012-04-22 Thread Jeffery Smith
Love a good street photo.

Jeffery

Sent from my iPad

On Apr 22, 2012, at 20:45, frank theriault knarftheria...@gmail.com wrote:

 An alternate title might be If there's really a God, get me out of here:
 
 http://knarfinthecity.blogspot.ca/2012/04/trust-and-obey_22.html
 
 Hope you enjoy.  Comments always welcome.
 
 cheers,
 frank
 
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Re: Anybody still using the *istD?

2012-04-23 Thread Jeffery Smith
I kept mine because it is so small and light with the 40/2.8.  Most of what 
I've shot in the past 4 years has been indoors, low light (college plays and 
musical productions) with the K-x or K-5.

Jeffery

On Apr 23, 2012, at 4:59 PM, David J Brooks wrote:

 Nope, i sold mine amd my sisters a few years back. I regret not
 keeping one of them had i known the problems future cameras would have
 for flash, and to do IR. The G3 works well, but i miss the extra
 lenses.
 
 Dave
 
 
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 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada
 
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Re: Mr. Bunnell on lens pricing...

2012-04-24 Thread Jeffery Smith
I had heard some time (over a year) ago that some catastrophic setbacks in the 
production of their play station cost so much money, they would never make any 
money on it and would likely lose a load of money that would have to be made up 
through other parts of Sony.

Jeffery


On Apr 24, 2012, at 10:58 AM, Stan Halpin wrote:

 Recent articles in various newspaper business sections have talked about Sony 
 Corp's attempts to stop losing money. The general impression is that they 
 have far too many product lines with much competition rather than cooperation 
 across various fiefdoms within the corporation. The new President (CEO?) has 
 stated an intent to focus on three key products: TV's, digital imaging, and 
 something else that I have forgotten.  The previous President (CEO?) has 
 stated that the strategy is a good one and that he was unable to get the 
 various engineers to work toward common goals; everyone is apparently trying 
 to be the one to develop the next Walkman. So he is skeptical that the 
 strategy can be implemented.
 
 So anyway, SONY is in trouble, has stated an intent to keep digital imaging 
 as one of a few key product lines, and we shall see.
 
 stan
 
 On Apr 23, 2012, at 11:44 AM, Bob Sullivan wrote:
 
 Boris,
 That's an interesting question.
 The rumor around here is that Sony is having profit problems.
 They should give the 35mm SLR's more time to take hold.
 I'm sure their point-n-shoot sales are being hit by 'no-name' competition,
 besides what Canon, Nikon, and other name brands are selling.
 Regards,  Bob S.
 
 On Sun, Apr 22, 2012 at 11:21 PM, Boris Liberman bori...@gmail.com wrote:
 On 4/23/2012 07:06, P. J. Alling wrote:
 
 I think Sony may have abandoned their full frame line. Both are
 discontinued and have been for some time. A pity really since the A900
 was supposed to be quite nice, and the A850 was very inexpensive for
 what it was.
 
 
 It might be so. A pity really. I wonder if Nikon D800's sensor has Sony
 hands on it. If so I wonder what kind of agreement is signed between the two
 companies.
 
 Boris
 
 
 
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Re: LR4 docs?

2012-04-24 Thread Jeffery Smith
Godfrey,

What have you been using in place of CS5?  Do you just go with the RAW file 
editor that comes with the camera?

Jeffery


On Apr 24, 2012, at 12:24 PM, Godfrey DiGiorgi wrote:

 I've used Photoshop CS5 so little I see no point to upgrading yet
 again to CS6.  It would be a waste of money and disk space for me.
 
 G
 
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Re: LR4 docs?

2012-04-24 Thread Jeffery Smith
You have a Leica M9?  [I'm JEALOU$]


On Apr 24, 2012, at 2:55 PM, Godfrey DiGiorgi wrote:

 I use Lightroom almost exclusively. For borders and other such
 adornments, I have lately been using Flare and Snapseed rather than
 turning them myself in Photoshop.
 
 Lightroom 3 was included with the Leica M9. But I'd been using Lr for
 years already at that point ... ! :-)
 
 G
 
 On Tue, Apr 24, 2012 at 10:26 AM, Jeffery Smith jsmith...@gmail.com wrote:
 Godfrey,
 
 What have you been using in place of CS5?  Do you just go with the RAW file 
 editor that comes with the camera?
 
 Jeffery
 
 
 On Apr 24, 2012, at 12:24 PM, Godfrey DiGiorgi wrote:
 
 I've used Photoshop CS5 so little I see no point to upgrading yet
 again to CS6.  It would be a waste of money and disk space for me.
 
 G
 
 --
 Godfrey
   godfreydigiorgi.posterous.com
 
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Re: PESO: One Little Joy

2012-04-24 Thread Jeffery Smith
G! I prefer dark brown freckles to light brown freckles. But girls are 
often traumatized by either form.  Tell the girl I think they're cute. 

There's a Mexican boxer with freckles, and he's adored by his countrymen for 
them (Canelo Alvarez?).

Sent from my iPad

On Apr 24, 2012, at 20:53, Rick Womer rwomer1...@yahoo.com wrote:

 Nice composition and use of focus, and a very nice subject.  To me the 
 freckles are overdone, though; it looks as though she has some horrible 
 hemorrhagic disease.
 
 Cheers,
 
 Rick
  
 http://photo.net/photos/RickW
 
 
 - Original Message -
 From: Walt Gilbert ldott...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Cc: 
 Sent: Monday, April 23, 2012 11:43 PM
 Subject: PESO: One Little Joy
 
 Hi all,
 
 Having pulled out of my despondency with knowledge that I have a replacement 
 for my A50/1.7 on the way, I thought I might as well pull out my original 
 beloved lens, the M 50/2 -- the one I feared was destroyed when my cat 
 knocked it off the dresser. It still feels a little weird while focusing -- 
 though, that could be due to the fact that I'd gotten so used to using the A 
 50/1.7  K 50/1.4.
 
 In any event, I took it out into the yard and popped off a few shots before I 
 headed out for a bit this evening. I have to say I'm pleased with the 
 sharpness it produces -- I think it may even be just a smidge sharper than 
 the A50/1.7. Here's one of the few shots I knocked out late this afternoon -- 
 it's my next door neighbor's daughter, who happened to be outside playing 
 while I was taking a few flower shots for my own amusement. I have to say, 
 I'm pretty happy with the results:
 
 http://www.flickriver.com/photos/walt_gilbert/7108383777/
 K20D, M 50/2, ISO 100, 1/200 sec, f/3.5(?)
 
 Freckles are one of my weaknesses when it comes to human subjects. I just 
 find them enchanting.
 
 Nevertheless, this was a bit of a therapeutic shot. I still really like the 
 lens -- a lot. I just wish it had A contacts. Is the A 50/2 as nice a lens as 
 the M 50/2? I may look into one someday if it is.
 
 Comments, critiques and suggestions are, as always, eagerly solicited.
 
 Thanks!
 
 -- Walt
 
 
 
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Re: Tripod

2012-04-25 Thread Jeffery Smith
Manfrotto is pricing itself steeply these days. This Slik looks good for the 
price.

http://www.amazon.com/Slik-Heavy-Duty-Tripod-Fluid-Effect-Built-In/dp/B6HOKW/ref=sr_1_2?s=electronicsie=UTF8qid=1335406182sr=1-2

Hard to tell how solid it is. This is one thing that is best bought in a camera 
store. I have two light, flimsy tripods that seem to have been designed for 
point-and-shoots.

Jeffery

Sent from my iPad

On Apr 25, 2012, at 20:47, jn289 jn...@verizon.net wrote:

 Looking for some thoughts on a good pod to hold Pentax 300 F2.8, 500 F.4 
 Sigma Mirror, and the 500 F4.5 Pentax..What was I using last night was just 
 shaking a little on moon photos..Thanks Joe
 
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Re: OT PESO - Pale Horse Rider.

2012-04-26 Thread Jeffery Smith
Good composition.and bokeh. Okay, you can't take credit for the latter, but 
can take credit for acquiring the lens and using it wide open.

Jeffery

Sent from my iPad

On Apr 26, 2012, at 20:58, David Savage ozsav...@gmail.com wrote:

 Thanks Dan.
 
 Dave
 
 On 27/04/2012, Daniel J. Matyola danmaty...@gmail.com wrote:
 A good one!
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
 
 On Thu, Apr 26, 2012 at 11:43 AM, David Savage ozsav...@gmail.com wrote:
 G'day All,
 
 One take during the day for a change:
 
 http://www.flickr.com/photos/disavage/7115893549/in/photostream/lightbox/
 
 One of the riders at the York Motorcycle Festival.
 
 Enjoy,
 
 Cheers,
 
 Dave
 
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Re: K-5 and *new* lens purchase

2012-04-27 Thread Jeffery Smith
If one was ever wondering if the Sigma 28/1.8 tended to flare, this should put 
the question to rest.

Jeffery


On Apr 27, 2012, at 3:06 PM, Darren Addy wrote:

 I've always been somewhat of a bottom-feeder when it comes to
 equipment (you remember me, Mr. Bang-for-the-buck Guy) so this K-5 is
 new territory for me (but I think I could get used to it).
 I'm very impressed by what I see of the K-5 so far. What I've never
 heard anybody talk about before (or maybe I wasn't paying attention)
 is how QUIET it is when you fire the shutter. I can take pictures up
 close behind people's back and they don't even hear it. Heck, *I* can
 hardly hear it! I think I'm in love.
 
 In another departure from my bottom-feeder ways, I ordered my first
 *new* lens yesterday. I made an unexpected lens sale and ordered the
 Sigma 28mm f/1.8 EX DG DF Macro AF with the windfall. It should be
 here next Friday. If nothing else, it should provide me with some
 faster exposure times the next time the Northern Lights decide to show
 themselves to South-Central Nebraska!
 Interesting images taken with this lens from Flickriver.com:
 http://www.flickriver.com/groups/sigma28mm18exdgapo/pool/interesting/
 
 The seller has more and their price is more than right on this lens.
 If I'm not mistaken this lens will cover full frame (an important
 consideration if you are leaning toward Pentax announcing a FF one
 day)
 : )
 http://www.ebay.com/itm/370564652825?ssPageName=STRK:MEWNX:IT_trksid=p3984.m1439.l2649
 
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Re: 100/2.8 Macro Issue - Thoughts?

2012-04-27 Thread Jeffery Smith
My is seriously prone to search wildly for focus when I'm shooting close 
objects.

Jeffery


On Apr 27, 2012, at 4:13 PM, Tom C wrote:

 I've started having problems with this lens that are weird. I don't
 think it's operator error...
 
 It didn't want to AF last time I had it on (was using more as a
 telephoto). I just mounted it again, and had the same issue. It seems
 to hunt a bit but does not achieve focus and stops.
 
 It was on the 'A' setting and the view through the viewfinder was very
 dark. I turned the aperture ring to 2.8 and voila it focuses. I then
 returned it to 'A' and it focuses with no problem, as it always has,
 regardless of what I set aperture to via the body.
 
 However, if I take the lens off the camera, and put it back on, it's
 behavior goes to as stated earlier, it doesn't want to focus. I've
 repeated this half a dozen time and it's the same each time I try it.
 
 Idea's?
 
 Tom C.
 
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Re: K-5 and *new* lens purchase

2012-04-27 Thread Jeffery Smith
I'm looking forward to seeing some images taken with the Sigma. A friend of 
mine just bought the Pentax 10-17, but I don't like the distortion of it. I'm 
hankering' for a good ultra wide angle, and it is going to either be Pentax or 
Sigma. 

Jeffery


On Apr 27, 2012, at 3:50 PM, Darren Addy wrote:

 There are no bad lenses. Only lenses used badly.
 
 I'm not sure if some of those images are truly low contrast from
 flare, or if they have been lomographied with Instagram or something.
 
 In any event, in this day and age, there is no excuse not to know what
 you are getting when you purchase a lens. Between online galleries and
 owner reviews you can pretty much tell if a lens is going to fit your
 use for it. Fortunately, my use for it is probably not going to
 involve shooting directly into the sun very often.
 :)
 
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