Re: split enz - true colours
Styx did on one of theirs - Paradise Theater Iceman Erik Gerding wrote: Here, here! I was a major Split Enz freak in the late 70's early 80's. Still like 'em too. So that True Colours record with the etching is actually worth somethin'? I always thought it was cool and wondered why other artists didn't do that on their albums. I have a 1975 Enz album called Mental Notes with Philip Judd before he left the band pre-True Colours. It is very different than their later stuff. Lots of odd New Zealand folky-country stuff. Judd plays a mean mandolin on a few tracks. Also, Neil Finn's Escapade album is great too. I romanced a French girl in Montpelier with that tape. Ooohh the memories
RE: Hank Williams
Well hell , it could have been Jason The Scorchers for that matter. But Amy's original interpretation seems to make the most sense. Isn't Earle a Texan? Wasn't Leon Payne a Texan? You never can tell... g Trivia: "Lost Highway" was a #12 hit for Williams in 1949, but it was the B side of a bigger (#4) hit, "You're Gonna Change (Or I'm Gonna Leave)." I wonder if some of the former's stature isn't due to what became of Williams afterward. As far as songs about Hank Williams go, it seems to me that 1) someone put out a collection that was in whole or in part songs about Hank, mostly from the olden days, and/or 2) someone subjected a group of such songs to analysis in an article or as part of a book. Damn this CRS, anyhow; maybe if the Bombmeister can drag himself away from the dives of Seattle long enough to take a look at the list he can help out here. Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
RE: Hank Williams
gotta believe he means leon payne's lost highway.
Re: Kelly Willis - Europe
Stevie Simkin wrote: Louise Kyme wrote: Acoording to www.kelly.willis.com, Kelly is planning on coming to Europe in February. Does anyone know anything about this? Is she touring or just on holiday? Goodness. Tell me NOW. Kelly Player? you still out there? Stevie I emailed Kelly Player and this was the reply I got: --- Kelly will be in the UK as part of her European trip, but it will be an interviewing trip only. The band is not making the trip with Kelly this time. I do not know of any European dates scheduled, but hopefully the CD will do well and she will be able to expand the touring to outside the US. --- So, anyone here have a press pass they can lend me? Louise - If you like rocking country music, check out the Okeh Wranglers web site at: http://dspace.dial.pipex.com/bluesmoke
Re: old vinyl numbering systems
On Thu, 14 Jan 1999, William F. Silvers wrote: John Wendland wrote: I still remember the noise it made when the LP was dropped from the spindle and the grooves of one album rubbed against the grooves of another. Yeah, me too. Didn't they mold a thicker "lip" around the edge though, to prevent that rubbing? I don't THINK so... ...thought about it the other night when BR5-49 covered "Battle Of New Orleans". Flip side on that old 45 was "Sink The Bismarck". Then you don't have a very old 45. I'm pretty sure that was a reissue pressed in the 60's or 70's. Going on a *really* old memory here, I think the original B-side was "All for the Love of a Girl." The original had a cool sleeve with little cartoons depicting the story of the battle. Sadly, all my 45's were ripped off by an ex-roommate so I can't check. -- Mike Woods
Re: Alt.country comin up in NYC-Winter
In a message dated 1/15/99 9:10:26 PM Central Standard Time, [EMAIL PROTECTED] writes: March 20- Steve Earle Del McCoury Band, Town Hall What have I missed? Has anyone seen this booked anywhere in Chicago? Linda, searching high and low
Re: Alt.country comin up in NYC-Winter
[EMAIL PROTECTED] writes: March 20- Steve Earle Del McCoury Band, Town Hall What have I missed? Has anyone seen this booked anywhere in Chicago? Linda, searching high and low Yeah, Linda--and you'll notice that it's Saturday night of SXSW, when I'll be not in NYC but down there--probably at the same place you'll be! I asked on-list the other day whether anything more at all has been announced for this show--including maybe AT South By Southwest..but no more info has been forthcoming yet. A list member with some upcoming immediate contact with these guys is going to ask about it soon--but so far, no more info. Hope that's not the only scheduled event (unlikely!) , cause I'm not coming home till Sunday, and I'm sorry I'll miss the final straggler Sunday night stuff at that. I'd be sorrier still to miss Earle McCoury. Barry
RE: old vinyl numbering systems
...thought about it the other night when BR5-49 covered "Battle Of New Orleans". Flip side on that old 45 was "Sink The Bismarck". Then you don't have a very old 45. I'm pretty sure that was a reissue pressed in the 60's or 70's. "Battle Of New Orleans" - Columbia 41339 (1959) "Sink The Bismarck" - Columbia 41568 (1960) Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
PLAYLIST- KOOP New American Roots Music 1/15/99
The New American Roots Music Show is heard Fridays from 9 to 10 AM on KOOP, Austin, Texas 91.7FM. It focuses on new releases and recent re-issues in country, bluegrass,folk, blues, cajun, zydeco and whatever else fits. Some interesting new stuff already this year. The first track was played in tribute to Texas bluesman T.D. Bell who passed away last week. If you haven't heard the record he made with Erbie Bowser in 1992, you owe it to yourself to check it out. One of the blues albums of the decade. Any questions, e-mail me off list. Jim Artist/Song/Album Bill Matte/Restless Night/Zydeco, Blues Boogie (intro) T.D. Bell Erbie Bowser/Gee Baby Ain't I Been Good To You/It's About Time Mike Henderson The Bluebloods/Tears Like A River/Thicker Than Water Dan Bern/Talkin' Woody, Bob, Bruce Dan Blues/Smartie Mine David Olney/The Suicide Kid/Through A Glass Darkly Bob Egan/Take Me Back Again/Bob Egan Bukka Allen/On The Edge/Sweet Valentine J.D. Crowe The New South/You Didn't Say Goodbye/Come On Down To My World Matt Combs/Walking In My Sleep/The Devil's Box Koerner, Ray Glover/Can't Get My Rest/Lots More Blues, Rags Hollers Sue Foley/Every Road I Take/Every Road I Take George Jones/Never Having You/A Picture Of Me-Nothing Ever Hurt Me Freedy Johnston/Coffee, Coffee, Coffee/Real: The Tom T. Hall Project Johnny Cash/New Cut Road/Johnny 99 Lone Justice/Drugstore Cowboy/This World Is Not My Home Foster Lloyd/Whoa/Version Of The Truth (outro) The new Lone Justice compliation is AMAZING.
House Concerts
Hi everyone, Thanks to everyone who gave me suggestions on other venues for the bigger house concerts. I'll check into those. Now that tickets are selling MUCH faster than ever before I thought I'd out the upcoming shows on my website as soon as I find out about them. Then you'll be able to have some time to check into the performer listed and see if it is something you are interested in. Then, when an email goes out announcing that tickets are on sale you'll immediately know if you want to go or not. I'll try to update my webpage to give more information about the performers before tickets go on sale. Right now I just lists the date, their names and a one or two word description. I want to thank everyone who came to the Joe Thompson house concert last night. Joe was great and enjoyed himself very much. The bass player said it was the best gig she'd ever done with Joe before. I certainly had a great time. I sure wish history class in college was that fun. So, thanks for supporting these shows so much. I'll let you know if I ever plan on doing anything different. Also, if *YOU* would like to have house concerts at your own house I'd love to teach you what I already know. I sure would love to see these spring up all over. Cheers. Steve -- === Steve Gardner === [EMAIL PROTECTED] === www.topsoil.net Topsoil A Century of Twang Sundays 12-3pm === WXDU 88.7FM Durham NC = ==Broadcasting Live on the internet www.wxdu.duke.edu== ===
Tom T. Hall on the 'net
Howdy, I was finishing up some research on tonight's featured album, "Real: The Tom T. Hall Project" and found this URL that I thought folks might enjoy. I don't know if Mr. Bechtel has already posted this before, but here's the link for Tom T.'s web page. From there it links to a nice site about the project album, complete with biographies on the participants. Enjoy... http://www.tthproject.com/index2.html Take care, Shane Rhyne Knoxville, TN [EMAIL PROTECTED] NP: Jeff Black, Birmingham Road
Why I Love Knoxville
Howdy, Okay, so it's probably a shorter list that what folks in Nashville or Austin could come up with. I don't bump into musical celebrities on a regular basis or get to be a fly on the wall at recording sessions. But I like it here, fine. Mainly because of nights like last night. I left work late at the museum and was walking down the street to the art museum to see a buddy of mine, when my ears zoned in on a familiar but unexpected sound. Bagpipes! Coming down Walnut Street at 6:30 PM, was a parade of bagpipers in full Scottish costume, leading a parade of people dressed in everything from formal wear to casual clothing. I had to see this and ran down the street to catch up to the parade. These unlikely pied pipers were leading the group to the nearby Hilton Hotel where I discovered a banquet was being held in honor of the retiring Episcopal bishop. After the parade disappeared, I continued my journey to the art museum where I enjoyed an evening of reggae-jazz from "Mustafa and the Mystic Meditations." The band was joined at one point by a group of students from one of the inner-city high schools. The boys had been organized into a traditional African drumming ensemble by a volunteer musician here in town. After that show, my friend (the pr director from the art museum) and I ventured over to the Old City to catch some folk music at Birds Eye View. Local musician Karen Reynolds opened and was followed by Chuck Brodsky. And on the drive home, my radio was tuned to WDVX and the sounds of Ralph Stanley. I am sure other cities can claim more impressive events, but I always get a kick out the things I find in my own hometown. Especially when the locals always try to convince themselves that "nothing ever happens here." I saw a bag pipe parade, African drummers in the art museum, and a folk singer with a pretty cool repertoire of baseball songs. I'm sure Austin and Nashville have their own fun events, too. I've been told that you can sometimes see unusual things in New York City, too. g Take care, Shane Rhyne Knoxville, TN [EMAIL PROTECTED] NP: Hillbilly Idol, Town and Country
Live at the Ryman: A visit to the Mother Church (long)
I had a chance to go see The Friday Night Opry last night, which was broadcast live from the Ryman, the first time since 1974 that the Opry had been broadcast from the 'Mother Church of Country Music' as Ralph Emery and a host of other Goo-Goo-Cluster peddling WSM DJs reminded us through the night. I don't much about the Opry. When a friend told me she had a ticket for this show, I agreed to go, without knowing anything about the significance of the event. I mean, I knew the Opry had moved out to Opryland but I thought the trips to the Ryman might be an annual event or something. I had no clue that this was the first live broadcast since the Opry had abandoned downtown. I'll briefly recount the show, then I have some questions at the end that I hope y'all will be able to help me with. The show began with Porter Wagoner in a lavender, rinestoned knit leisure suit, bright fuchsia shirt and a short wide tie. I felt myself sink a little lower in the chair -- a pew -- but Porter hammed it up with crowd, posing for pictures, calling for clapping at the first line of each old star's song, shaking hands and generally keeping all the ladies around where I was sitting giggling for a full 30 minutes. The bluegrassers were the best part of the show to me. Del McCoury Band, Ricky Skaggs, Jim Jesse. Being mostly ignorant of the Opry, and knowing that little bluegrass gets played on commercial country, I was happily surprised to hear bluegrass, cajun, Texas Swing (Charlie Walker) all on the stage with some names from the country past. Del McCoury band was great fun, watching all the members of the band move around the microphone is perfect synchronization. John Berry was announced as a surprise guest and he came out and nailed an accapella rendition of the hymn "Blessed Assurance." The crowd grew hushed, I was sitting in a pew, and it did feel very much like church. I had never heard Berry before but he evidenced a lot of charisma in his short visit. Del Reeves sang a song that reminded me alot of 'Looking at the World through a Windshield' the only song I know of his (thanks to Son Volt). It was something about a Southern Belle (a pun on Southern Bell, the previous name of the phone company here?) Anyway, he did a dialog in the middle of the song and a pretty impressive imitation of Johnny Cash: mannerisms, speaking voice, and singing voice. The crowd ate it up. I see a Del Reeves disk in my future. Recommendation? Vince Gill was the biggest current star on the bill last night. He sang two songs, "Don't Come Cryin' to Me" and a song he introduced as an old song that the crowd went even crazier about. It began with a line about slipping a ring on/off someone's finger. I admit to being pretty ignorant of Gill. I did get "The "Key" back when a few people were raving about it here, but then wondered what all the fuss was about, although I was too chicken to complain. But Gill was spunky, witty and reverent to the traditions of the Opry. He repeatedly mentioned the importance of "real country music." The crowd's biggest response was to a comment he made after saying that he made it a priority to perform at the Opry because it *was* country music. "I performed here 40 times last year, which is more than most of my contemporaries combined." The crowd went ballistic. Anyway, I was impressed enough that I think I'll give "The Key" another chance. All-in-all, it was a fun show, and the kind of once-in-a-lifetime music happening that I was hoping to stumble into when I moved to Nashville. I think I'll consider listening to Opry now on Friday and Saturday nights and see if I remain entertained. Now, a few questions for the listening audience: - Who decides who becomes a member of the Opry and who doesn't? For instance, there was a big deal made of the guests (Daryl Singletary, John Berry, Sherrie somebody from Australia) as opposed to the members. - Can someone tell me something about the Jim Ed Brown? Of all the old timers last night, he seemed to me the one who had weathered the best. His voice was good, smooth, and he carried himself with an undeniable dignity (unlike Bill Anderson and Porter, who seemed to me caricatures of themselves). I vaguely remember Brown on country radio when I was child but nothing concrete immediately comes to mind. Is he someone who's career is worth reviewing? - Although Porter's showmanship was unquestionable, his (and many of the older stars, Jeanne Pruett, Skeeter somebody, John Connally) voice were pretty poor (I certainly heard as many bad notes last night as I have heard at a Freakwater show :). Not intending to stir up a hornet's nest, but how do I resolve these performers' much-less-than-perfect vocal skills (admitted degraded skills) with the argument that country is medium/genre in which performance skills are central? - Do the regular performers keep repeating the same songs and same jokes? I had fun, but I don't think I'd have fun if the
Re: Steve Earle/old vinyl/Huddie Ledbetter
At 08:46 AM 1/16/1999 Geff gave the answer: On Fri, 15 Jan 1999, Bob Soron wrote: "Monty Python's Matching Tie and Handkerchief." Side 3 was a hidden track on Side 2; the two spirals were interwoven so that, when you dropped the tone arm, you never knew which "side" you'd get. This is the one I had in mind, though Barry's post on 'puzzle records' is certainly valid, I guess. Same for the Genesis album. Hey Geff, I'm right about that Joe Jackson BIG WORLD album too. Can I get a witness? b.s. n.p. CMT Jammin Country "The truth ain't always what we need, sometimes we need to hear a beautiful lie." -Bill Lloyd
Re: old vinyl numbering systems
At 10:01 AM 1/16/1999 Mike Woods wrote: ...thought about it the other night when BR5-49 covered "Battle Of New Orleans". Flip side on that old 45 was "Sink The Bismarck". Then you don't have a very old 45. I'm pretty sure that was a reissue pressed in the 60's or 70's. Going on a *really* old memory here, I think the original B-side was "All for the Love of a Girl." The original had a cool sleeve with little cartoons depicting the story of the battle. Sadly, all my 45's were ripped off by an ex-roommate so I can't check. Mebbe not. I was just a kid, early 60's, so I can't even remember the label. Didn't matter a bit to me then, and wouldn't matter much now, since that old portable flip-top record player wasn't exactly kind to records. That 45 probably got used for pellet gun practice way back when. Kids- what you gonna do? b.s. "The truth ain't always what we need, sometimes we need to hear a beautiful lie." -Bill Lloyd
Re: The Secondary Market (Was: a bunch of stuff about Garth)
Tom Mohr wrote: So if I signed a deal with a major label tomorrow, and assuming that I am not quite as popular as Beatles/Metallica et al, then I would still have the option of telling the label "don't sell my stuff to the record clubs"? I did not know that -- I assumed that the major labels and the record clubs had some kind of arrangement. de-lurking a bit, (since I haven't posted in a week, does that qualify me as a lurker now?)... I recall when that 7 Mary 3 album came out (with that annoying single)... I think it was through Mammoth/Atlantic. Anyway, I recall seeing it listed in one of the disc club's magazines, and later I read where 7M3 had it removed, stating that it was in their contract that it not appear in any of those clubs. (there was another artist listed in the article, but I forget who it was). Anyway, I don't think I've seen their name/listing since. (and quite honestly, haven't really looked either! g) I thought Iceman's insight on the Hootie disc was interesting, and makes me wonder what kind of arrangement Radiohead has, considering their 1st 2 are available, but "OK Computer" has never shown up in any of the catalogs. Paul np: 'Mats - All for Nothing
Re: Live at the Ryman: A visit to the Mother Church (long)
. It began with a line about slipping a ring on/off someone's finger. "Pocket Full of Gold", CD same name, sing it every gig by request from my drummer. NOW ONLINE, www.TwangCast.com TM RealCountry netcast 24 X 7 Please Visit Then let us know what you think! Mike Hays www.MikeHays.RealCountry.net For the best country artist web hosting, www.RealCountry.net
Re: cryptic messages in old vinyl numbering systems
You've missed some great Neil Young, then. --Matt Cook "Splendid isolation, I don't need no one"--Warren Zevon Geffry King wrote: I recall a Neil Young album of some kind that had "Hello Waterface" etched into side 1 and "Goodbye Waterface" etched into side 2. Don't ask me which one - the last Neil Young I heard was on a Warren Zevon album.
Re: CD Reviewing ethics
[EMAIL PROTECTED] wrote: So, would it be wrong of me to review this CD? I have no financial interest, no involvement business-wise, etc. Absolutely not. Sarah W.
Re: CD Reviewing ethics
So, would it be wrong of me to review this CD? I have no financial interest, no involvement business-wise, etc. Absolutely not. Well... this is a dicey one, and I'd like to think that every journalist on the planet has at least considered such ethics now and then. If the thank you is simply for some press you might have given the artist along the way, I find no conflict. But overall, I think it's absolutely imperative that you let your editor know the relationship beforehand. Beyond that, and if you still get the green light, I consider it your own cross to bear. It is you that has to sit down and write the review, hopefully you will be doing it for all the right reasons and without any strings attached. In other words, if it sucks, you are still comfortable telling the world so. Otherwise you shouldn't touch the thing. Two cents from atop the ethical dungheap. Neal Weiss
Goodbye, all.........
I've enjoyed my time here and have been fortunate enough to have met a few of you. However, it is not practical for me to continue to receive such a large amount of e-mails everyday. Thanks to those of you who play my music on your radio shows. I appreciate your support. I hope to meet many more of you in the months to come. Until then.. Be Well.. Hayseed _ DO YOU YAHOO!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: CD Reviewing ethics
Who knows? If you think you have a good (objective, I guess) grasp of what's going on, then do it. I have no moral problems criticizing my friends' works of art. In fact, many of them ask me for my opinion more than I would (when the positions are reversed). Different people do things differently (of course, only a few do them the right way). It's up to you. Can you do it? I wish I knew a shitload of cliches, they're always right. --Matt Cook [EMAIL PROTECTED] wrote: So, would it be wrong of me to review this CD? I have no financial interest, no involvement business-wise, etc.
BANGBANG: January 15, 1999
BANGBANG Fridays 8\10 p.m. Radio 2000 - 96.7fm Santarém - Portugal BANGBANG Playlist for January 15, 1999 THE SCHRAMMS . heal me now CHEAP WINE . strange girl THE DELIBERATE STRANGERS . box of pine \ dead man's hand THE NIELDS . easy people KATE JACOBS . georgie says RUTHIE THE WRANGLERS . thinking' and drikin' DOUGH HOEKSTRA . behind the shuttered blinds \ atticus PETER STONE BROWN . walkin' in my sleep THE REMNANTS . give it back \ hard way up \ take this ride THE MUMMBLE DUCKS . maybe when THE ROSENBERGS . paris morning POPSTAR . crushed out BETTY GOO . waste THE SUBLIMINALS . mabel THE BELTWAYS . kissin time \ true romance \ roller coaster girl \ tell me THE MARTIANS . drop \ christmas song FRANKENSLADE . x-ray NIXON'S HEAD . saturate \ mad mad girl and boy \ around the bend SHAKING DOG . chance THE BELTWAYS . pop dreams BangBang Ap 429 2001 905 Santarém Portugal --- [EMAIL PROTECTED] - my city: http://www.cm-santarém.pt/. -
Re: CD Reviewing ethics
I don't know why a liner note credit would ever be an issue at all. A liner note credit can mean nothing or everything, whether you get one or not. It seems to me the issue is the relationship and to what extent you feel that colors your judgement about the sound. LR
Re: CD Reviewing ethics
At 04:48 PM 1/16/99 +, you wrote: [EMAIL PROTECTED] wrote: So, would it be wrong of me to review this CD? I have no financial interest, no involvement business-wise, etc. I've only been mentioned once in liner notes. It was on Sierra's reissue of Nashville West. I was mentioned because I called John Delgotto once a week for about 3 or 4 months riding his ass to get it released on Cd, It was a suprise to see my name there, as well as an honor. I suppose that kind of stuff is old hat to the in-folks like Cantwell, Mary Kat, or Linda Ray, but to me. to have my name associated in any way with Clarence's, was one hell of an honor. Jeff Wall http://www.twangzine.com The Webs least sucky music magazine 727 Alder Circle - Va Beach, Va - 23462 -(757) 467-3764
Steve Young help
I get to interview Steve Young, football player and folksinger. All I know about him is that he recorded one of the greatest alt-country albums of all time, Lonesome, Ornery, and Mean. He also wrote Seven Bridges Road that the Eagles made a shitload of money with. Waylon covered Lonesome, Ornery, and Mean as well. I know he used to live in Nashville (we have mutual friends) and now lives out in Californiaweird. Help me fill in the blanks. Jeff Wall http://www.twangzine.com The Webs least sucky music magazine 727 Alder Circle - Va Beach, Va - 23462 -(757) 467-3764
Re: CD Reviewing ethics
At 05:10 PM 99-01-16 EST, you wrote: O.K. this is something I've run into with book reviewing. I never felt I should review a book if I was acknowledged in any way. But in those cases there was usually a good reason for the achknowledgement -- I had worked with the author, done some research or whatever. I'm sitting here today listening to the CDs that have piled up for me to review. I finally got around to reading the liner notes in one. I'm thanked in the big list of folks who are thanked. I don't recall doing anything other than being on the other end of a couple of late night phone calls when someone involved needed to talk. So, would it be wrong of me to review this CD? I have no financial interest, no involvement business-wise, etc. Advice? If I do proceed and review it, I will explain to my editor what little connection there is. Hell yeah - review it as long as you feel that you can do it with the requisite objectivity. The fact that you are worried is probably an indication that you can. best, jfb John F Butland O- [EMAIL PROTECTED]
IF You Play a Used CD in a Forest ...budrocket rant
Brooks is already pretty bluegrass-friendly, what with being the only personin the world able to reunite the Newgrass Revival g, and he carries one ofthe best bluegrass bass players and singers around in his band, even if sheonly sings and doesn't play bass therein. I also hear from reliable sourcesthat he has a killer version of The Fields Have Turned Brown in the can,with Carl Jackson singing harmony.Ah-h! Which makes it all the easier to get our assassin (James Earl Ray Manzarek) close to the target. heh heh heh... Buddy E Howard Hunt Rockets * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Buddy Woodward - [EMAIL PROTECTED] THE GHOST ROCKETS - Maximum Rhythm Bluegrass http://www.hudsonet.com/~undertow/ghostrockets* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Re: Alt.country comin up in NYC-Winter
*sigh* Please add: 2/25 - Ghost Rockets, Elena Skye the Demolition String Band - Rodeo Bar Not to mention : EVERY Monday night - Alphabet City Opry - 9C Buddy Hey Check In With Me Once In Awhile Barry Rockets budrocket OK! Didn't know where you were for awhile there, Senor Rockets..and I sure wouldda listed that date (as per usual) if I'da known about it. Maybe I can even get to it. (Those Monday nights are usually not possible, I'm afraid.) (This time a year gets to me my, uh, world tour...but when I get back in town, like that week) Barry
A Moth-eaten January
Two adjacent states in two weeks. Beat that. Friday January 22 @ The CHARLESTON BAR GRILL with Highwaters 174 Bedford Avenue, Williamsburg, Brooklyn 718-782-8717 take the L Train to Bedford and its right there. Friday January 29 with Cropdusterhttp://www.cropduster.net @ THE MELODY BAR 106 French St., New Brunswick, NJ 732-249-3784 Call for time and guidance. Coming soon: sound and video. Ooh, pretty. http://www.moths.com
