Re: Bi-weekly call with Avid
Hello Ricky, I’m sorry recording the calls is not possible. Some of the calls are of the nature where a None Discloser Agreement has been signed. On occasion Avid shares some delicate information about feature releases in Pro Tools. These calls are only design to address bugs and shortcomings in the Ap as it pertains to accessibility/speech … We monitor the list for any problems we possibly overlook and once its confirmed we address it on the calls. On 4/25/15, Martin Sopart m...@cakewalker.de wrote: Hi! Hanging out in Germany, when do the calls take place in your or my standard time? Best! / Martin -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Michael lockett Sent: Friday, April 24, 2015 11:07 PM To: ptaccess@googlegroups.com Subject: Bi-weekly call with Avid Hey Guys, If any one is interested in joining our bi-weekly conference call with Avid, reach out to Chuck Vin, Slau, or myself off list. We would like to include one or two more users. It goes with out saying a decisive working knowledge of Pro Tools is required. Also being consistent on the calls is a requirement also... -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: templates
Steve, First when you save as a session template, theres an option to save media. Uncheck that box. Then import session data. Select the PTX file of the song you want to import tracks/media from. When the import window opens, V-O right, to tracks. enter act with it and V-O right, to ‘source-destination’, interact with it. choose the source track in the column to the left, On the right you will see the destination track. click in the combo box, you will be given the choice of “none, New track, and the tracks of the destination song. Down arrow to your desired track, select it. Stop interacting with tracks and hit OK… This should do it. On Mar 4, 2015, at 6:34 AM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Steve Poppa, What you need to do is to import session data from the file menu. I do this all the time when mixing an album to maintain continuity. In a nut shell, import session data from the mix you have finished into the next mix song your about to start working on and bang you have all the same settings to start with! Give a call if you need me to walk you through it for the first time. :) Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Mar 4, 2015, at 1:15 AM, Poppa Bear wrote: Hello Steve, when you go to your file menu you will find save as template and when you save it you can name it and choose the location that you would like to save it in. At that point when you want to use that template you would just find it, click on it and you would be able to name it and choose the location for the new session with that template. As far as importing tracks into the template, you may have to just import them, then copy each imported track and paste it onto the tracks that you have bussed out already. You may be able to select all of the tracks in the mix window and when you import the new tracks they may populate over the tracks in the session that you have selected. I am not sure if that is an option, but it seems like it would be a common sense approach. Other than that you would have to re rout each track that you import to the bus you want it on, or group them together. Perhaps somebody else has a working recommendation. HTH -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Steve Sparrow Sent: Tuesday, March 03, 2015 8:18 PM To: ptaccess@googlegroups.com Subject: Re: templates actually, i’ve just realised this probably will not work anyway. as i don’t think i can add audio to existing tracks without coppying the audio when i import files. So the question i guess is this. How do i apply the settings from one session to another session. i’ve got all my eq, and compression sitting well in this mix. it’s all bused out nicely. and if i can get the next mix sitting with these settings, i’ll be half way there with the new mix. Steve On 4 Mar 2015, at 2:53 pm, Steve Sparrow i...@sparrowsound.com.au wrote: Hi.just wondering how to load templates. Not sure if i went about this the right way. but i spent a fair amount of time on a mix here.I then really want to use all these settings for the next mix. So i deleted all the audio, and saved it as a template. All good from what i can see. But how do i open a template. i looked in the file menu, and have looked at the new session dialogue.but can’t find a list of templates. What am i missing Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group
Re: unable to delete selected audio or move any selection after making it in pro tools 11.3
Absolutely, I should have been more descriptive... On Mar 2, 2015, at 7:10 AM, TheOreoMonster monkeypushe...@gmail.com wrote: This isn’t in the trackless table, but in the track headers them selves. The place you would go to add inserts or sends or arm the track or see the meters etc. You would have to interact with one of the tracks to do this. On Mar 2, 2015, at 6:02 AM, Nick Gawronski n...@nickgawronski.com wrote: Hi, I am running OS X 10.10 and I am able to see the track list table but not this view button but in earlier versions of OS X I remember this button. I have also had to use the mouse click commands to do most everything in pro tools 11 which I don't mind doing but when I can't find the proper button this mouse thing won't work. Would downgrading to 10.9 be the best thing as I just downloaded and installed the latest version of pro tools from my Avid account? Nick Gawronski On Mon, March 2, 2015 12:50 am, Mike Lockett wrote: Nick, A few things to try, If you’ve set tracks to elastic audio accidentally, go to the edit window, interact with a track, V-O Right arrow to the track view selector button . Make sure it is set to waveform view. if you set this to warp view or something it will act this way. You should V-O-shift-M on the track view selector so when you change one track to waveform it will change all of them… Also if you hadn’t done this, Go Menu/option/ make sure Link Timeline and edit selection, and link track and edit selection are checked…. This can also be the root of your problem. Hope this helps On Mar 1, 2015, at 9:53 PM, Nick Gawronski n...@nickgawronski.com wrote: Hi, I had someone sited look at the screen and it looks like I am not in the wave view but in the list of tracks. I am not sure how I changed out of that view but what do I need to do to get back into this view using voiceover? The person who looked at the system knows nothing about pro tools but I wanted them to tell me what was on the screen so I would know what was going on as when I hit delete nothing is getting deleted and I can't move either side of the selection. What could I have done to change pro tools into this mode and or make it always stay in the proper mode where normal deleting works? Nick Gawronski On Fri, February 27, 2015 9:40 pm, Nick Gawronski wrote: Hi, I am trying to edit a session and wish to delete the click of the record button. When I select the click and hit delete nothing is deleted and I am not able to use either + or - to move the start or the end of the selection. What settings should I look at checking to see if things are setup properly? Also, one bug I found is the import radio buttons are not properly labeled so I had to play around with that dialog before I was able to import the file I am working on to a new track is this the proper place to report bugs like this or is there a support page from Avid where I should report these bugs at? Nick Gawronski -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: unable to delete selected audio or move any selection after making it in pro tools 11.3
Nick, A few things to try, If you’ve set tracks to elastic audio accidentally, go to the edit window, interact with a track, V-O Right arrow to the track view selector button . Make sure it is set to waveform view. if you set this to warp view or something it will act this way. You should V-O-shift-M on the track view selector so when you change one track to waveform it will change all of them… Also if you hadn’t done this, Go Menu/option/ make sure Link Timeline and edit selection, and link track and edit selection are checked…. This can also be the root of your problem. Hope this helps On Mar 1, 2015, at 9:53 PM, Nick Gawronski n...@nickgawronski.com wrote: Hi, I had someone sited look at the screen and it looks like I am not in the wave view but in the list of tracks. I am not sure how I changed out of that view but what do I need to do to get back into this view using voiceover? The person who looked at the system knows nothing about pro tools but I wanted them to tell me what was on the screen so I would know what was going on as when I hit delete nothing is getting deleted and I can't move either side of the selection. What could I have done to change pro tools into this mode and or make it always stay in the proper mode where normal deleting works? Nick Gawronski On Fri, February 27, 2015 9:40 pm, Nick Gawronski wrote: Hi, I am trying to edit a session and wish to delete the click of the record button. When I select the click and hit delete nothing is deleted and I am not able to use either + or - to move the start or the end of the selection. What settings should I look at checking to see if things are setup properly? Also, one bug I found is the import radio buttons are not properly labeled so I had to play around with that dialog before I was able to import the file I am working on to a new track is this the proper place to report bugs like this or is there a support page from Avid where I should report these bugs at? Nick Gawronski -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: trying to automate plugins
Dave, Make sure all of your plug-in’s parameters are selected for automation. You can hold down the three modifier keys and click to toggle all of them on and off. Or go setup-preferences-mixing-automation, and check plug-in controls default to auto-enable. This way when you open a session all of the plug-in parameters are automatically set. Just know some parameters are not automatable, but most are. Hope this helps. On Feb 15, 2015, at 7:49 PM, David Eagle onlineea...@googlemail.com wrote: Hi, I’m having a little difficulty automating plugins. I load a plugin, activate the automation enable button, I choose room size from the table of autommatable controls, and then hit OK. I make sure my track is write enabled, and that plugin automation is selected. When I move the room size control I can hear the changes, but when I play it back the automation has not been written. Any ideas? Thanks. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Automating the send mute button.
Chad if you are working with out a control surface, assuming your vocal track is sending to the aux with your delay, put your aux track in automation and select it. now when the transport is engaged press “shift-M” to toggle the mute on and off… On Feb 10, 2015, at 9:53 PM, Slau Halatyn slauhala...@gmail.com wrote: Hi Chad, I'm assuming you have an aux input with the delay plug-in instantiated and that a send is routed to a bus which is being received by the aux input. In the automation window, enable Send Mute automation. With a control surface, the following procedure is simple. You mute the send, set the track's automation to Write and engage the transport. Without a surface, you'll need to go to the Track's output window to the sends section and mute the send and then enable Write mode and engage the transport. Wherever you want the track to send to the delay, you'll need to click the Mute button to toggle its state. Again, with a control surface, it's quite easy and intuitive. If your unmuted sections are particularly short and you find it tough to perform the button presses in quick succession, you can use a slightly different method for the mute automation. Start with muting and engaging the transport in write mode. Select the word or words you wish to unmute to the delay, make sure you're still in Write mode, unmute the send and engage the transport. The track will only play for the duration of the selected word or words. Automation will be written for that section as unmuted and will revert to the muted state after the selection. You can repeat this process for each word or section. By default, automation is set to change to Auto Touch after an automation pass so you'll have to switch back to Auto Write each time you select the word or words. Be aware, however, that when you engage the transport, you'll be writing the current mute state so you need to make sure everything is correct before engaging the transport. With a surface, it's fairly easy to just keep the automation in Auto Touch mode and use the send mute button to unmute and mute on the fly for each section that requires the automation. Hope that helps, Slau On Feb 10, 2015, at 7:00 PM, chad morrison chadmorrisonmob...@gmail.com wrote: Hello guys, Sorry about all the questions lately. However, I do have one more. Could someone please explain the procedure for muting the send button. I'm trying to have a delay on only certain words during the vocal track. Thank you very much for your time, Chad From Chad's iPhone -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: tapping out a delay and audio issues in 10.10
Nick, to your second question, go to setup-playback engine increase your H-W-buffer size. also look at your disk playback… To the first question, supertap2, or 6taps mod will do what you want. On Feb 10, 2015, at 9:36 PM, Nick Gawronski n...@nickgawronski.com wrote: Hi, First I am wondering if any delays allow you to tap out both the timing of the delay like you can do with a tempo and the number of times the delay is repeated? Second I have found that when I open up sessions on 10.10 using the internal audio system the sound sounds kind of fuzzy but if I open up the same session with no plugins the audio sounds fine if I use 10.9 has anyone else had this problem? Nick Gawronski -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Automating the send mute button.
Chad what I do is, create an Aux track. I then send the vocal to that track. Put the effect on the Aux track and use the automation on it. I’m sure there are other methods but this works for me… On Feb 10, 2015, at 6:00 PM, chad morrison chadmorrisonmob...@gmail.com wrote: Hello guys, Sorry about all the questions lately. However, I do have one more. Could someone please explain the procedure for muting the send button. I'm trying to have a delay on only certain words during the vocal track. Thank you very much for your time, Chad From Chad's iPhone -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Elastic options of disappeared.
Hi Chad, I’ve run in to this problem also. Control-up and down arrow does adjust the track height, but its not the fix for your problem. My work around is, creating a new session and import session data of the problem tracks in to it. This is after hours of adjusting track heights, moving and resizing windows deleting preferences and other trouble shooting methods. Hope this helps On Feb 8, 2015, at 8:17 AM, Slau Halatyn slauhala...@gmail.com wrote: If you're talking about the tracks viewed within the timeline in the Edit window, the problem might be because of track height. When a track's height is set to mini or small, some items are not visible. When the track height is medium or higher, those items begin to appear. There's a track height pop-up button that is not yet visible to VoiceOver. However, there's a shortcut to change track height which is Control-up/down arrow on a selected track. Increase the track height and I think those items will appear. Slau On Feb 7, 2015, at 8:35 PM, chad morrison chadmorrisonmob...@gmail.com wrote: Any theories? I got nothing From Chad's iPhone On Feb 7, 2015, at 6:38 PM, Kevin Reeves reeves...@gmail.com wrote: Odd. This happened to me today as well. Sent from my iPhone On Feb 7, 2015, at 5:41 PM, chad morrison chadmorrisonmob...@gmail.com wrote: Hello all, I've come across that interesting problem this afternoon. I was going to use elastic audio to quantize some drum tracks and for some reason when I go to the edit view and go to the track strip I do not see the elastic audio options anymore. Does anyone know why? They've always been at the bottom of the track strip. As far as I know I have not changed any view options. If I have, it was not on purpose. LOL. Could someone please tell me how to get them back? Thank you, Chad From Chad's iPhone -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: monitoring in p t
Steve set your monitoring to input only, Option-K. of course to hear what you've recorded on that track, switch back to auto input On 2/2/15, Steve Sparrow i...@sparrowsound.com.au wrote: Hi guys. well yesterday was an interesting day. I ran my first session in protools with on of my clients. It went very well. I do have a question ant it comes back to monitoring. how do i communicate with my tallent when i am playing the track. Here is the go. I make a recording.we then e need to do vocal overdubs, or guitar overdubs or what ever. now from what i can see, the the way the monitoring is set up, i can only hear the input sauce, when the transport is either stopped or recording. So how can i communicate with my tallent who is in the next room while the track is playing. Yesterday, the only problem was if she wanted to talk to me she had to wait until i stopped playback. this is because when i hit play i don’t hear what is coming in, only the output. . . I am not using an external mixer, i am running through the motu 896 interface. Is there a way in tools of playing the track and also monitoring an input sauce at the same time. Or is there another work around. Cheers Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Letter Update from Pace Anti-piracy
On 1/31/15, TheOreoMonster monkeypushe...@gmail.com wrote: How quickly we forget. There was a fair amount of work that went into PT regarding modernizing and updating a lot of the code base to get to the point where all that was needed to be done was label elements and buttons. Yes that process went relatively quick once the Program got to a point where that could be done. If memory serves correct it was at least a couple of years in-between when initial processes started to when access labeling began. It appears we are in the same holding pattern with pace at the moment. On Jan 31, 2015, at 9:41 AM, Mike Lockett mloc...@gmail.com wrote: To everyone that sent a letter to the B-B-B or made a call to Pace, Feel assured you are being heard. Pace’s CEO E-O Allen Cornce in an email to Slau Halatyn made reference to a complaint, Quote, “What I don't agree with is the assertion that accessibility support is simple and easy. If it was, we would have rolled it out and been done with it ages ago.”” Personally I think its HOGWASH!!! When accessibility is taken seriously and made a priority Avid Technology is a perfect example things can get fix in an appropriate time. In Avid’s case their were a thousand moving parts in the UI of the Ap, most of the accessibility issues were fixed in les than two months once it became a priority. Labeling some elements, and buttons should never take until October… We may disagree on how to get this done, but we agree it must be done… If we keep working the back channels we will achieve our desired results. In other words lets keep working. For some of you who may disagree or for other reasons just can’t, We will respect you. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Letter Update from Pace Anti-piracy
To everyone that sent a letter to the B-B-B or made a call to Pace, Feel assured you are being heard. Pace’s CEO E-O Allen Cornce in an email to Slau Halatyn made reference to a complaint, Quote, “What I don't agree with is the assertion that accessibility support is simple and easy. If it was, we would have rolled it out and been done with it ages ago.”” Personally I think its HOGWASH!!! When accessibility is taken seriously and made a priority Avid Technology is a perfect example things can get fix in an appropriate time. In Avid’s case their were a thousand moving parts in the UI of the Ap, most of the accessibility issues were fixed in les than two months once it became a priority. Labeling some elements, and buttons should never take until October… We may disagree on how to get this done, but we agree it must be done… If we keep working the back channels we will achieve our desired results. In other words lets keep working. For some of you who may disagree or for other reasons just can’t, We will respect you. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Letter Update from Pace Anti-piracy
Really don’t want to get in a back and forth about this, I would rather we save our energy for the accessibility challenges outside of this forum. Also my schedule won’t allow it. From first hand knowledge ProTools 10, and 11, in Mountain Lion and Mavericks was unusable. When I say this was fixed in les than two months, with out going in to details just know I’m not guessing. I understand that we all have different motives for wanting to get things fixed For some of us it’s our work, for some of us it’s training, and for some it’s just a hobby, so I understand some may be abit more aggressive about timing than others. I’m not interested in a divisive discussion here because I’m a where of where our focus must be. So once again for every one no matter the process, who forced Mr. Cornce to at least respond, thanks again. On 1/31/15, Mike Lockett mloc...@gmail.com wrote: On 1/31/15, TheOreoMonster monkeypushe...@gmail.com wrote: How quickly we forget. There was a fair amount of work that went into PT regarding modernizing and updating a lot of the code base to get to the point where all that was needed to be done was label elements and buttons. Yes that process went relatively quick once the Program got to a point where that could be done. If memory serves correct it was at least a couple of years in-between when initial processes started to when access labeling began. It appears we are in the same holding pattern with pace at the moment. On Jan 31, 2015, at 9:41 AM, Mike Lockett mloc...@gmail.com wrote: To everyone that sent a letter to the B-B-B or made a call to Pace, Feel assured you are being heard. Pace’s CEO E-O Allen Cornce in an email to Slau Halatyn made reference to a complaint, Quote, “What I don't agree with is the assertion that accessibility support is simple and easy. If it was, we would have rolled it out and been done with it ages ago.”” Personally I think its HOGWASH!!! When accessibility is taken seriously and made a priority Avid Technology is a perfect example things can get fix in an appropriate time. In Avid’s case their were a thousand moving parts in the UI of the Ap, most of the accessibility issues were fixed in les than two months once it became a priority. Labeling some elements, and buttons should never take until October… We may disagree on how to get this done, but we agree it must be done… If we keep working the back channels we will achieve our desired results. In other words lets keep working. For some of you who may disagree or for other reasons just can’t, We will respect you. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: cntroll surface
Hey Steve Sorry iPhone.lol What I tried to text is Go setup, Peripherals, and select the tab correspondent to how your controller is connected. I think in your case its midi… hope this helps… On Jan 30, 2015, at 7:57 AM, Mike Pickett mloc...@gmail.com wrote: Sent from my iPhone On Jan 30, 2015, at 7:29 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi guys. might need some assistance here. I’ve just hooked up my mackie m c u pro to sonar. I’ve selected hui mode on the mackie. Now i need to know what to do next. I am assuming that as in sonar you need to some how select your midi device. also in sonar i need to go in to controller surfaces and select the mackie control option. Is there somewhere in protools where i have to set any of these type of things up. I’ve had a look through the menus, but can’t seem to find anything that makes sense. What is the process with protools. so far my faders are not moving. so i assume there are more steps. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.hi Steve yes you would go to setup then peripherals and depending on how your devices connected choose that option -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: cntroll surface
Hey Steve Sorry iPhone.lol What I tried to text is Go setup, Peripherals, and select the tab correspondent to how your controller is connected. I think in your case its midi… hope this helps… On Jan 30, 2015, at 8:06 AM, Steve Sparrow i...@sparrowsound.com.au wrote: hey mike. is there meant to be a message here, don’t think it came through. On 30 Jan 2015, at 11:57 pm, Mike Pickett mloc...@gmail.com wrote: Sent from my iPhone On Jan 30, 2015, at 7:29 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi guys. might need some assistance here. I’ve just hooked up my mackie m c u pro to sonar. I’ve selected hui mode on the mackie. Now i need to know what to do next. I am assuming that as in sonar you need to some how select your midi device. also in sonar i need to go in to controller surfaces and select the mackie control option. Is there somewhere in protools where i have to set any of these type of things up. I’ve had a look through the menus, but can’t seem to find anything that makes sense. What is the process with protools. so far my faders are not moving. so i assume there are more steps. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.hi Steve yes you would go to setup then peripherels and depending on how your devices connected choose that option -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: cntroll surface
Sorry didn’t read Kevin’s msg before hitting send. On Jan 30, 2015, at 8:14 AM, Kevin Reeves reeves...@gmail.com wrote: There’s a tab in the peripherals dialog under setup that deals with controllers. I’m not near PT, so Can’t remember what it is. There, you set up your surface. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Pace Ilok
Breakthroughs for there UAD Products this NAMM show as they have been whispering about, They should be next on the list! If you want it solved you got to get involved! :) Talk soon Chuck On Jan 24, 2015, at 8:26 AM, Mike Lockett wrote: Hey Guys, This Pace issue is becoming a joke. The fact that we purchase products that depends on an Ilok authorization from a company â€Â¬Å¬œPace Antiti-Piracy.i.inc.Æwho is a a where of the accessibility problems and still havenâ₂¬Ã‚¬™t ¢t solve them is s s unacceptable… Now Slau has been in contact with Pace, but there are some things we can do to help move the process along… First hereÃÂ’s their ir phone and fax nx number. . . Phone: (408) 377-9774Fax: (408) 377-9775: We should all call that number and rather its Sales or support make them a where of the issue. The next step is to file a complaint at the â¢ÃƒÂ¢‚¬œB“BBBÓBBBÃB¢€ /Better Business Bureaus web site, http://www.bbb.org/losangelessiliconvalley/business-reviews/computers-hardware-software-and-services/pace-anti-piracy-in-san-jose-ca-220487/complaints Companies like Pace live and die by these ratings. Iâ’ll give you an examxample of what haphappens whenhen they receive a complaint through the BBB: â“X Complaint Pace AP would not respond to my issue in a timely or communicative fashion. After purchasing a software product that uses the Ilok protection system, I was required to download the new License Manager software to authorize the Use of the software on my computer. Prior to this, the iLok had been working fine using the web browser authorization system and all of my iLok products Were running just fine. After installing the software, I was unable to get any of the software to operate on my computer, including the software that had Previously been authorized. After contacting Pace, they directed me to install the latest version of software which I already had done and offered a few minor steps which took a couple of minutes and did not fix the problem either. They asked for some files from my computer, and they said they were working on a solution. It is now 3 weeks after my first service request and I still do not have my issue resolved. There is no direct support line or email I can write to, so the only way to get help is to respond back to any messages I receive from the company. During this time, the least amount of time between responses has been 1 day, with most responses coming after 3 or 4 days. I have found their support system completely unacceptable and incapable of handling the problems they have created by releasing this software with no way of ensuring that those affected will be able to return to their prior working state. Given that the problem stems from the iLok authorization system, and not with the original company, I have no way of asking for a refund or return on the software. I currently have over $1000 worth of software that I've purchased from other companies unable to be used due to this third-party protection software. I understand that they are busy due to this new system, but their support response has been completely inadequate and I feel my issue is getting overlooked and ignored. Desired Settlement My only settlement for this issue would be to focus on fixing the issue I have with the software to the point where I can use the products I have purchased without the iLok protection system getting in the way. Business' Initial Response First, I'd like to apologize to Mr. *** for the lack of response for several days after he sent us the log files we requested. Up until that point, his support ticket had been handled by our support team, and followup emails were going back and forth between Mr. *** and our team. Once we received the technical log files, his case was assigned to our engineering staff. There was a miscommunication on our end as to who would be contacting Mr. *** back. I made sure that a response was sent to Mr. *** today through our support ticketing system. The log he sent was very helpful in identifying a couple of issues to which we have sent followup instructions. I am monitoring his support case and will make
Pace Ilok
Hey Guys, This Pace issue is becoming a joke. The fact that we purchase products that depends on an Ilok authorization from a company “Pace Anti-Piracy.inc.” who is a where of the accessibility problems and still haven’t solve them is unacceptable… Now Slau has been in contact with Pace, but there are some things we can do to help move the process along… First here’s their phone and fax number. Phone: (408) 377-9774Fax: (408) 377-9775: We should all call that number and rather its Sales or support make them a where of the issue. The next step is to file a complaint at the “BBB”/Better Business Bureaus web site, http://www.bbb.org/losangelessiliconvalley/business-reviews/computers-hardware-software-and-services/pace-anti-piracy-in-san-jose-ca-220487/complaints Companies like Pace live and die by these ratings. I’ll give you an example of what happens when they receive a complaint through the BBB: “X Complaint Pace AP would not respond to my issue in a timely or communicative fashion. After purchasing a software product that uses the Ilok protection system, I was required to download the new License Manager software to authorize the Use of the software on my computer. Prior to this, the iLok had been working fine using the web browser authorization system and all of my iLok products Were running just fine. After installing the software, I was unable to get any of the software to operate on my computer, including the software that had Previously been authorized. After contacting Pace, they directed me to install the latest version of software which I already had done and offered a few minor steps which took a couple of minutes and did not fix the problem either. They asked for some files from my computer, and they said they were working on a solution. It is now 3 weeks after my first service request and I still do not have my issue resolved. There is no direct support line or email I can write to, so the only way to get help is to respond back to any messages I receive from the company. During this time, the least amount of time between responses has been 1 day, with most responses coming after 3 or 4 days. I have found their support system completely unacceptable and incapable of handling the problems they have created by releasing this software with no way of ensuring that those affected will be able to return to their prior working state. Given that the problem stems from the iLok authorization system, and not with the original company, I have no way of asking for a refund or return on the software. I currently have over $1000 worth of software that I've purchased from other companies unable to be used due to this third-party protection software. I understand that they are busy due to this new system, but their support response has been completely inadequate and I feel my issue is getting overlooked and ignored. Desired Settlement My only settlement for this issue would be to focus on fixing the issue I have with the software to the point where I can use the products I have purchased without the iLok protection system getting in the way. Business' Initial Response First, I'd like to apologize to Mr. *** for the lack of response for several days after he sent us the log files we requested. Up until that point, his support ticket had been handled by our support team, and followup emails were going back and forth between Mr. *** and our team. Once we received the technical log files, his case was assigned to our engineering staff. There was a miscommunication on our end as to who would be contacting Mr. *** back. I made sure that a response was sent to Mr. *** today through our support ticketing system. The log he sent was very helpful in identifying a couple of issues to which we have sent followup instructions. I am monitoring his support case and will make sure that there are no delays in completing his case. Consumer's Final Response I was finally directed to an engineer within the company, and he was incredibly helpful in isolating the cause of the problem and finding a fix for it. He was extremely responsive to my information and allowed me to be part of the process for fixing the problem in the software. I could not have been happier With the interaction with the technical department, but I wish it had taken less time for me to be referred to that department. My issue has been completely Resolved and I'm extremely satisfied with the response once I was directed to the right place.” Guys This was taken from the BBB’s website. So every one who is affected by the Ilok authorization process should file a complaint here… Sory for the long post… Time for action!! -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: automation question
Steve, make your selection, do command-4 numpad, the automation window opens, VO right until you see manual write in that section you will see write to selection. Now the transport have to be engaged . so you might to set a hotspot their. if your track is in write or lach, start the transport, now when you click the write to selection bam its their... On Jan 23, 2015, at 9:21 AM, Slau Halatyn slauhala...@gmail.com wrote: Hi Steve, As expected, doing this with a control surface is simple but, since you don't have access to one there, you'll need to improvise. I'm used to having the option of writing to an entire selection but that might be an HD feature, I'm not sure, to be honest. However, I think this might work: Select the range for which you want to write new volume automation. When you play back that section, your volume fader will reflect the written volume automation level. Set your track's automation mode to Write. Set your volume fader to the desired volume level. Engage the transport for the duration of the selection. You should have the new automation level written now. Control-Shift-up and down arrow commands are for clip gain, not for automation. HTH, Slau On Jan 23, 2015, at 9:05 AM, Steve Sparrow i...@sparrowsound.com.au wrote: i’ve basically sussed out how to write and delete automation. only thing i can’t seem to work out is how to just an individual phraze that i may have selected i think i wrote a static pass of automation, but maybe i did not do i t correctly. although i’ve been over the instructions a couple of times. i was also under the impression that control shift up and down arrow are key strokes to do this, but i can’t seem to get this to work either. so what i’m getting is this. When i move the fader up and down it will write fine, but if i make a selection, and then move the fader to where i want for that specific point, how do i write the automation for that point only.can this be achieved after you have written automation to a track just to tidy things up. I have to do this without a control surface. I have the mackie universal control surface with an extender which is excellent. but i am working in broadcast as well and can not get my control surface down there, so i’ll have to do the best i can without one. Maybe i can convince them to buy one one day. but that’s a way off. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: input monitoring
Hey Steve after you switch to input monitoring, to hear playback you have to switch back to auto input. Also make sure the track input monitor button is deselected… That button is just left of the record select button. On Jan 21, 2015, at 8:12 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hey john yes, i did give that a go earlier today, but it just seems to allow me to monitor the input at all times.so when the transport is stopped the input still comes through. For some reason i can not seem to record in this mode. not sure why. I guess what i am needing is a way to turn off the input sauce when actually recording. so you don’t hear what is coming in this is not a problem when using a proper interface like presonis or motu, or what ever, but i did encounter a problem when using the alan and heath z 18 today. this is a basic annalogue desk with u s b capabilities. So you can plug your computer in to it and start recording. I have used a pc with this desk and used programs like sound forge , and studio recorder. these programs to my knoledge do not let you hear the input at all, so the problem is not there. In sonar on a pc, you can enable or disable the inputut monitoring, they call it input echo, so this task could be achieved easily, But i can't see a way of doing this in protools short of muting the track when you record. If you are recording a voice track, and want to do a lot of punching in and out, this would be really hard to carry out. It’s a strange one, and as i said before, in my studio at home here, i would not want to work this way, but need to with certain equipment. Steve On 21 Jan 2015, at 10:45 pm, John Gunn g...@tznet.com wrote: Hi Steve, Option k toggles on and off. John On Jan 21, 2015, at 3:13 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi. i am wondering if there is a way to turn off input monitoring in protools when recording. you can do this in sonar for each track. Under normal conditions i would not want to run this way, but i had protools running through an analogue desk today, and to cut a long story short, i ran my computer through the u s b feed on there desk. it worked fine but i got some feedback. the machine they generally use does not monitor the input when recording. so i’m wondering if it’s possible to do this within protools. or is there another way around this. Short of re routing my signal sauce. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: input monitoring
Steve, just below the Pan Knob, it should read “track input monitor To the left of track record enable. On Jan 21, 2015, at 2:03 PM, Steve Sparrow i...@sparrowsound.com.au wrote: hi mike, i have not seen an input monitor button anywhere. But sounds like what i’m looking for. where did you say it is. Did you say it’s left of the record button. on my machine to the left of record is the pan nob and to the right of it i have solo i think. or am i looking in the wrong place. I looked all over for such a thing, but have not found it. Thanks Steve On 22 Jan 2015, at 1:35 am, Mike Lockett mloc...@gmail.com wrote: Hey Steve after you switch to input monitoring, to hear playback you have to switch back to auto input. Also make sure the track input monitor button is deselected… That button is just left of the record select button. On Jan 21, 2015, at 8:12 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hey john yes, i did give that a go earlier today, but it just seems to allow me to monitor the input at all times.so when the transport is stopped the input still comes through. For some reason i can not seem to record in this mode. not sure why. I guess what i am needing is a way to turn off the input sauce when actually recording. so you don’t hear what is coming in this is not a problem when using a proper interface like presonis or motu, or what ever, but i did encounter a problem when using the alan and heath z 18 today. this is a basic annalogue desk with u s b capabilities. So you can plug your computer in to it and start recording. I have used a pc with this desk and used programs like sound forge , and studio recorder. these programs to my knoledge do not let you hear the input at all, so the problem is not there. In sonar on a pc, you can enable or disable the inputut monitoring, they call it input echo, so this task could be achieved easily, But i can't see a way of doing this in protools short of muting the track when you record. If you are recording a voice track, and want to do a lot of punching in and out, this would be really hard to carry out. It’s a strange one, and as i said before, in my studio at home here, i would not want to work this way, but need to with certain equipment. Steve On 21 Jan 2015, at 10:45 pm, John Gunn g...@tznet.com wrote: Hi Steve, Option k toggles on and off. John On Jan 21, 2015, at 3:13 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi. i am wondering if there is a way to turn off input monitoring in protools when recording. you can do this in sonar for each track. Under normal conditions i would not want to run this way, but i had protools running through an analogue desk today, and to cut a long story short, i ran my computer through the u s b feed on there desk. it worked fine but i got some feedback. the machine they generally use does not monitor the input when recording. so i’m wondering if it’s possible to do this within protools. or is there another way around this. Short of re routing my signal sauce. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: input monitoring
Steve one more thing, If you go Setup, Preferences Operations, check “PEC track input monitoring, so now when you Option-K it will switch with out you having to toggle the track input button… and forgive me if this function is HD only. On Jan 21, 2015, at 2:03 PM, Steve Sparrow i...@sparrowsound.com.au wrote: hi mike, i have not seen an input monitor button anywhere. But sounds like what i’m looking for. where did you say it is. Did you say it’s left of the record button. on my machine to the left of record is the pan nob and to the right of it i have solo i think. or am i looking in the wrong place. I looked all over for such a thing, but have not found it. Thanks Steve On 22 Jan 2015, at 1:35 am, Mike Lockett mloc...@gmail.com wrote: Hey Steve after you switch to input monitoring, to hear playback you have to switch back to auto input. Also make sure the track input monitor button is deselected… That button is just left of the record select button. On Jan 21, 2015, at 8:12 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hey john yes, i did give that a go earlier today, but it just seems to allow me to monitor the input at all times.so when the transport is stopped the input still comes through. For some reason i can not seem to record in this mode. not sure why. I guess what i am needing is a way to turn off the input sauce when actually recording. so you don’t hear what is coming in this is not a problem when using a proper interface like presonis or motu, or what ever, but i did encounter a problem when using the alan and heath z 18 today. this is a basic annalogue desk with u s b capabilities. So you can plug your computer in to it and start recording. I have used a pc with this desk and used programs like sound forge , and studio recorder. these programs to my knoledge do not let you hear the input at all, so the problem is not there. In sonar on a pc, you can enable or disable the inputut monitoring, they call it input echo, so this task could be achieved easily, But i can't see a way of doing this in protools short of muting the track when you record. If you are recording a voice track, and want to do a lot of punching in and out, this would be really hard to carry out. It’s a strange one, and as i said before, in my studio at home here, i would not want to work this way, but need to with certain equipment. Steve On 21 Jan 2015, at 10:45 pm, John Gunn g...@tznet.com wrote: Hi Steve, Option k toggles on and off. John On Jan 21, 2015, at 3:13 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi. i am wondering if there is a way to turn off input monitoring in protools when recording. you can do this in sonar for each track. Under normal conditions i would not want to run this way, but i had protools running through an analogue desk today, and to cut a long story short, i ran my computer through the u s b feed on there desk. it worked fine but i got some feedback. the machine they generally use does not monitor the input when recording. so i’m wondering if it’s possible to do this within protools. or is there another way around this. Short of re routing my signal sauce. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com
Re: input monitoring
Sorry was typing yeah HD. I’am sure Option-K should still give you what you are looking for. Just toggle to hear playback. On Jan 21, 2015, at 3:05 PM, Steve Sparrow i...@sparrowsound.com.au wrote: no i have nothing like that here. to the left of track record enabled is the pan nob. it’s the same in protools 10 and 11.are you running protools h d. or is there something missing in my protools. Steve On 22 Jan 2015, at 6:32 am, Mike Lockett mloc...@gmail.com wrote: Steve, just below the Pan Knob, it should read “track input monitor To the left of track record enable. On Jan 21, 2015, at 2:03 PM, Steve Sparrow i...@sparrowsound.com.au wrote: hi mike, i have not seen an input monitor button anywhere. But sounds like what i’m looking for. where did you say it is. Did you say it’s left of the record button. on my machine to the left of record is the pan nob and to the right of it i have solo i think. or am i looking in the wrong place. I looked all over for such a thing, but have not found it. Thanks Steve On 22 Jan 2015, at 1:35 am, Mike Lockett mloc...@gmail.com wrote: Hey Steve after you switch to input monitoring, to hear playback you have to switch back to auto input. Also make sure the track input monitor button is deselected… That button is just left of the record select button. On Jan 21, 2015, at 8:12 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hey john yes, i did give that a go earlier today, but it just seems to allow me to monitor the input at all times.so when the transport is stopped the input still comes through. For some reason i can not seem to record in this mode. not sure why. I guess what i am needing is a way to turn off the input sauce when actually recording. so you don’t hear what is coming in this is not a problem when using a proper interface like presonis or motu, or what ever, but i did encounter a problem when using the alan and heath z 18 today. this is a basic annalogue desk with u s b capabilities. So you can plug your computer in to it and start recording. I have used a pc with this desk and used programs like sound forge , and studio recorder. these programs to my knoledge do not let you hear the input at all, so the problem is not there. In sonar on a pc, you can enable or disable the inputut monitoring, they call it input echo, so this task could be achieved easily, But i can't see a way of doing this in protools short of muting the track when you record. If you are recording a voice track, and want to do a lot of punching in and out, this would be really hard to carry out. It’s a strange one, and as i said before, in my studio at home here, i would not want to work this way, but need to with certain equipment. Steve On 21 Jan 2015, at 10:45 pm, John Gunn g...@tznet.com wrote: Hi Steve, Option k toggles on and off. John On Jan 21, 2015, at 3:13 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi. i am wondering if there is a way to turn off input monitoring in protools when recording. you can do this in sonar for each track. Under normal conditions i would not want to run this way, but i had protools running through an analogue desk today, and to cut a long story short, i ran my computer through the u s b feed on there desk. it worked fine but i got some feedback. the machine they generally use does not monitor the input when recording. so i’m wondering if it’s possible to do this within protools. or is there another way around this. Short of re routing my signal sauce. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from
Re: input monitoring
Hey Steve, are you getting feedback when the transport is engaged, or stopped On Jan 21, 2015, at 3:29 PM, Poppa Bear heavens4r...@gmail.com wrote: It does on my lowly version. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Mike Lockett Sent: Wednesday, January 21, 2015 12:25 PM To: ptaccess@googlegroups.com Subject: Re: input monitoring Sorry was typing yeah HD. I’am sure Option-K should still give you what you are looking for. Just toggle to hear playback. On Jan 21, 2015, at 3:05 PM, Steve Sparrow i...@sparrowsound.com.au wrote: no i have nothing like that here. to the left of track record enabled is the pan nob. it’s the same in protools 10 and 11.are you running protools h d. or is there something missing in my protools. Steve On 22 Jan 2015, at 6:32 am, Mike Lockett mloc...@gmail.com wrote: Steve, just below the Pan Knob, it should read “track input monitor To the left of track record enable. On Jan 21, 2015, at 2:03 PM, Steve Sparrow i...@sparrowsound.com.au wrote: hi mike, i have not seen an input monitor button anywhere. But sounds like what i’m looking for. where did you say it is. Did you say it’s left of the record button. on my machine to the left of record is the pan nob and to the right of it i have solo i think. or am i looking in the wrong place. I looked all over for such a thing, but have not found it. Thanks Steve On 22 Jan 2015, at 1:35 am, Mike Lockett mloc...@gmail.com wrote: Hey Steve after you switch to input monitoring, to hear playback you have to switch back to auto input. Also make sure the track input monitor button is deselected… That button is just left of the record select button. On Jan 21, 2015, at 8:12 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hey john yes, i did give that a go earlier today, but it just seems to allow me to monitor the input at all times.so when the transport is stopped the input still comes through. For some reason i can not seem to record in this mode. not sure why. I guess what i am needing is a way to turn off the input sauce when actually recording. so you don’t hear what is coming in this is not a problem when using a proper interface like presonis or motu, or what ever, but i did encounter a problem when using the alan and heath z 18 today. this is a basic annalogue desk with u s b capabilities. So you can plug your computer in to it and start recording. I have used a pc with this desk and used programs like sound forge , and studio recorder. these programs to my knoledge do not let you hear the input at all, so the problem is not there. In sonar on a pc, you can enable or disable the inputut monitoring, they call it input echo, so this task could be achieved easily, But i can't see a way of doing this in protools short of muting the track when you record. If you are recording a voice track, and want to do a lot of punching in and out, this would be really hard to carry out. It’s a strange one, and as i said before, in my studio at home here, i would not want to work this way, but need to with certain equipment. Steve On 21 Jan 2015, at 10:45 pm, John Gunn g...@tznet.com wrote: Hi Steve, Option k toggles on and off. John On Jan 21, 2015, at 3:13 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi. i am wondering if there is a way to turn off input monitoring in protools when recording. you can do this in sonar for each track. Under normal conditions i would not want to run this way, but i had protools running through an analogue desk today, and to cut a long story short, i ran my computer through the u s b feed on there desk. it worked fine but i got some feedback. the machine they generally use does not monitor the input when recording. so i’m wondering if it’s possible to do this within protools. or is there another way around this. Short of re routing my signal sauce. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you
Re: Pitch 'n time
John maybe the confusion is, in my explanation. So I’ll try again, Pitch -n Time pro V3 will work in PT 10.3.5 and PT11 and higher. In PT 10.3.5 the parameters can’t be read by voice over, but you can use the shortcut keys I referred to in my earlier email. There is a shortcut command to move semitones but cents can only be adjusted visually at this time… Now in PT11 and higher, you can interact with the parameters in which case you can adjust semitones and cents individually. Cents can only be incremented %17 at a time.. This is because of V-O and not Pitch -n Time. Hope this helps On Jan 20, 2015, at 2:56 PM, Slau Halation slauhala...@gmail.com wrote: Hi John, You can adjust the parameter in one cent increments. In addition, you can adjust in percentages, note values, etc. In fact, there are dozens of editable parameters between the pitch and time domains. Also, there are options for resetting parameters back to defaults. HTH, Slau On Jan 20, 2015, at 7:54 AM, John Gunn g...@tznet.com wrote: Mike, Thanks for the info but to be sure, can one move in shorter increments in cents? Meaning I want to move smaller then semi tones 50 cents. Take care, John On Jan 19, 2015, at 4:25 PM, Mike Lockett mloc...@gmail.com wrote: Hey John, Its in PT10 where you have to use short cut keys to move semitones. ; Theres know shortcut to move cents. But in PT11 the parameters can be control by V-O. When the plug-in window is open, interact with plug-in view, go to output percent view interact with it, V-O up or down to change the cents. Hope this helps. On Jan 19, 2015, at 6:50 AM, John Gunn g...@tznet.com wrote: Mike, Can youy also instead of semi tones change in cents value as well? John On Jan 15, 2015, at 2:43 PM, Mike Lockett mloc...@gmail.com wrote: Hi guys, just wanted to tell you about the new “pitch ’n Time pro V3.” It works with Pro tools 10.3.5 and higher. It's only accessible with 11.1 and higher with voice over. Although in ten three there are some short cut keys that you can use for Example To change pitch one semitone use the control up or down arrow depending on the direction you need to go. For time contraction or expansion use control and left or rright arrow. thesecommands work any where the plug-in window is open Pitch ’n time is the industry go to plug for TCE and key Manipulation The company is Serato. In 11 when the plug-in window is open, Interact with the plug-in parameter and all of it is accessible… -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. On Jan 20, 2015, at 2:56 PM, Slau Halatyn slauhala...@gmail.com wrote: Hi John, You can adjust the parameter in one cent increments. In addition, you can adjust in percentages, note values, etc. In fact, there are dozens of editable parameters between the pitch and time domains. Also, there are options for resetting parameters back to defaults. HTH, Slau On Jan 20, 2015, at 7:54 AM, John Gunn g...@tznet.com wrote: Mike, Thanks for the info but to be sure, can one move in shorter increments in cents? Meaning I want to move smaller then semi tones 50 cents. Take care, John On Jan 19, 2015, at 4:25 PM, Mike Lockett mloc...@gmail.com wrote: Hey John, Its in PT10 where you have to use short cut keys to move semitones. ; Theres know shortcut to move cents. But in PT11 the parameters can be control by V-O. When the plug-in window is open, interact with plug-in view, go to output
Re: specking up a mac for protools
Hey Steve I'm kind of confuse you suggested to him an external drive and he replied about a 256 GB internal drive Tell him he can get a USB two or three TB drive for probably a hundred bucks For your other question most drives these days are sufficient make sure its 7200-RPM… On Jan 19, 2015, at 5:54 PM, Gordon Kent dbmu...@cybernex.net wrote: I have just one 512 gig ssd drive and that works fine, but I have thought about removing the DVD drive and putting in another SSD drive for the audio and as a backup. I wouldn't do that with mechanical drives in a laptop because that would be a lot of heat, but the ssd drives run much cooler. I'm surprised you've gotten away with using a usb 2 drive for streaming audio. Maybe on a mac it just works better than on a pc. I certainly would go with thunderbolt if possible. What kind of audio interface will he be using? If he is using a usb audio interface, a usb drive really wouldn't be a good idea because there just wouldn't be enough bandwidth for both. Gord -Original Message- From: TheOreoMonster Sent: Monday, January 19, 2015 6:17 PM To: ptaccess@googlegroups.com Subject: Re: specking up a mac for protools Either from the avid webstore or a local dealer. The avid website can point you to these as well. Will pretty much cost you the same either way. On Jan 19, 2015, at 5:48 PM, EsubalewT . ethanjohnston...@gmail.com wrote: Hi, I have a question, what is the cheepist way to buy Pro Tools? I have a mac I bought for recording and editing perposes. Any idea's would be valuable. Thank you so much!! Ethan On 1/19/15, TheOreoMonster monkeypushe...@gmail.com wrote: 256GB Should be plenty sufficient for an internal drive. Avid recommends FW on OSX for use with PT, that being said i been using a USB 2 drive with no issues. Also i am most lit an audio guy and a rarely record more than 2 tracks at the same time. However i have mixed projects with 24+ tracks streaming back off said USB drive with no issues. As some will say, Your milage may vary when not using the recommended specs. If they can afford it a Thunderbolt drive will be as fast as any internal drive So thats also another option. On Jan 19, 2015, at 6:48 AM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi guys a friend of mine is specking up a mac book pro for protools. he is going for an i 7 processor with 16 gig of ram. a couple of small questions. i sujested to him to use an external drive, and not to use the main hard drive on the mac for recording. So he is asking if a 256 gig internal drive would be big enough if he was adding an external drive. I would have thought it would be, but thought i'd ask anyway. the other question is what type of external drive should he be running. . Is it better to for a u s b 3 external drive, or would thunderbolt be better. or a firewire drive. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Pitch 'n time
Hey John, Its in PT10 where you have to use short cut keys to move semitones. ; Theres know shortcut to move cents. But in PT11 the parameters can be control by V-O. When the plug-in window is open, interact with plug-in view, go to output percent view interact with it, V-O up or down to change the cents. Hope this helps. On Jan 19, 2015, at 6:50 AM, John Gunn g...@tznet.com wrote: Mike, Can youy also instead of semi tones change in cents value as well? John On Jan 15, 2015, at 2:43 PM, Mike Lockett mloc...@gmail.com wrote: Hi guys, just wanted to tell you about the new “pitch ’n Time pro V3.” It works with Pro tools 10.3.5 and higher. It's only accessible with 11.1 and higher with voice over. Although in ten three there are some short cut keys that you can use for Example To change pitch one semitone use the control up or down arrow depending on the direction you need to go. For time contraction or expansion use control and left or rright arrow. thesecommands work any where the plug-in window is open Pitch ’n time is the industry go to plug for TCE and key Manipulation The company is Serato. In 11 when the plug-in window is open, Interact with the plug-in parameter and all of it is accessible… -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: delay compensation
Hi Steve, In ProTools 11 under options on the menu bar there you will see delay Compensation. It's now a check box item. In other words your options are on and off. Hope this helps On Jan 15, 2015, at 10:19 PM, Steve Sparrow i...@sparrowsound.com.au wrote: Hi guys. Mat and rob suggest in there tutorial to set up delay compensation and to set it to long, I can not find this in the play back engine in protools 11. Where do i find this setting. Or is it not needed in 11. I can find it no problem in the playback engine in protools 10. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: automation question
Hi Steve, Volume Automation with out a hard surface and ProTools may be difficult. What you can try though, Use Clip Gain. Select the track and highlight the location you want to edit. To lower the level of say your vocals, hold down control, shift, and down arrow to the volume you want. Use the same key command with up arrow to raise said vocals. Remember your start and end point must be set correctly hope this helps PS you can undo this function with undo... On Jan 16, 2015, at 2:49 PM, Steve Sparrow i...@sparrowsound.com.au wrote: I’ve been asked to take on some broadcast production work for a local radio station round here. I am going to use protools to do this work. One question i have is this. I’m going to have to do it without a control surface, they don’t have one ofcourse, and i can’t get my maki down there easily. Now as we know when you want to automate volume fades with out that lovely control surface, you are limited by the speed in which voice over will move the volume fader. so i can get results, but it’s a little difficult to fade and boost the music bed to where you want quickly. Is there any way this type of fader riding could be carried out more actuaritly in protools without a control surface. is there some way of fading from one point to another. or does anyone have any sujestions as to how this could be done. Thanks in advance. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Pitch 'n time
Hi guys, just wanted to tell you about the new “pitch ’n Time pro V3.” It works with Pro tools 10.3.5 and higher. It's only accessible with 11.1 and higher with voice over. Although in ten three there are some short cut keys that you can use for Example To change pitch one semitone use the control up or down arrow depending on the direction you need to go. For time contraction or expansion use control and left or rright arrow. thesecommands work any where the plug-in window is open Pitch ’n time is the industry go to plug for TCE and key Manipulation The company is Serato. In 11 when the plug-in window is open, Interact with the plug-in parameter and all of it is accessible… -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Numb pad is still down
Hey poppa what you can also try, Go to your home directory, menu bar, go, Library, preferences, Look for your keyboard in probably “COM.apple.your keyboard” send it to the trash… While you are at it send the protools preference to the trash also empty the trash, and restart hope this help On Jan 7, 2015, at 5:34 PM, Poppa Bear heavens4r...@gmail.com wrote: Hey Ricky, I don't use the mack for anything else besides studio work. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Ricky Prevatte Sent: Wednesday, January 07, 2015 2:29 PM To: ptaccess@googlegroups.com Subject: Re: Numb pad is still down Are you able to use the number pad with other applications on your Mac?I have mine set to work correctly with ProTools and I use the inner at commands to say operate mail and other programs. Ricky Prevatte LMBT1154 On Jan 7, 2015, at 8:05 AM, Matt Diemert mcdiem...@gmail.com wrote: I have used a Logitech wireless keyboard with ProTools for the past two years with no problems whatsoever! It is USB over infrared.and this sounds like exactly what Papa is using. Sent from my iPhone On Jan 7, 2015, at 8:03 AM, Slau Halatyn slauhala...@gmail.com wrote: OK, that's confusing. If it's wireless, how is it USB? Is it one of those USB plug-in dongles that transmits a BlueTooth signal? At any rate, the problem clearly isn't with Pro Tools. You need to grab an Apple Pro keyboard for around $40. If you're determined to be wireless, use the Apple wireless keyboard with one of the wireless num pads from Belkin or anything that Apple sells in the Apple Store online. Those two solutions work with no problems. HTH, Slau On Jan 6, 2015, at 11:14 PM, Poppa Bear heavens4r...@gmail.com wrote: Hello Slau, it is a wireless USB keyboard with built in NUMB pad. The Num pad commander works, but none of the normal num pad keystrokes work what so ever, not even entering in values. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Slau Halatyn Sent: Tuesday, January 06, 2015 2:36 PM To: ptaccess@googlegroups.com Subject: Re: Numb pad is still down Papa, It sounds like there's a system level problem with your num pad. There are no commands to turn off the num pad in Pro Tools. It's either classic, Transport or Shuttle (on HD systems). Apart from that, num lock and num pad commander are the only other variables. Does num pad commander work correctly? Can you enter values from the num pad? Can you enter counter values? are you using an extended keyboard or is it a separate num pad? USB? BlueTooth? Slau On Jan 6, 2015, at 5:44 PM, Poppa Bear heavens4r...@gmail.com wrote: I’ve taken a break for a few days in the studio, but my numb pad PT commands are still not working. Rew, FWD, record, marker, nudge, metronome, none of these functions will work from the numb pad. I can flip on and off the numb pad commander, I can turn numb lock on and off, but I cannot use any PT commands with it. Any more thoughts would be great. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message
SubPhattyBRL Hey guys give this a look!!!
Moog Sub Phatty Analog Synthesizer with Braille Overlay 25-key Analog Monophonic Synthesizer with Two Oscillators, One Sub-Oscillator, Noise Generator, Ladder Filter, Multidrive Control, CV/Gate Inputs, and Braille Front Panel Item ID: SubPhattyBRL 2 models to choose from: list of 2 items Braille Version Standard Version -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: No Keyboard button
hey John, Sory couldn't get back with you last night got stuck in the studio, walked out, maybe uh, one, or so... Command + option 1, 2 and 3 on the regular keyboard switches between the 3, keyboard focus buttons. Nothing is announced but if you stroll the edit window with VO you will see them... I'm performing to night and tomorrow but if you are free I'm around tomorrow until maybe 5, or so... On 10/18/13, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi John, Heres a list of pt key commands for mac. Its not 10 or 11 but as far as i know they are the same. enjoy YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Oct 18, 2013, at 8:58 AM, g...@tznet.com wrote: Hello All, Bringing up a session I don't see the keyboard button Mike mention yesterday. Hitting command-option-1 no results. Is this referring to the numeric keyboard? If anyone has a documentt for all keyboard shortcuts I would be greatful and won't have to bother the list as much. smile Pro tools 10 and email is g...@tznet.com. John mail2web - Check your email from the web at http://mail2web.com/ . -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Selecting and deselecting tracks
John, If all your tracks or soloed, You can go to and interact with any track, VO, +shift, +, m on the solo button and it will move all tracks to the opposite state. If you go to your track table Control, + semicolon Selects the next adjacent track. Control, +p selects the previous adjacent track. By the way do command+option+1 to make sure the first keyboard focus button is enabled. On 10/17/13, g...@tznet.com g...@tznet.com wrote: Hello All, I imported wav files to my session however and sure it's operator error all my tracks are selected as well as soloed. My question is how does 1 select/delselect contiguius tracks? I presume if all tracks are selected I should be able to un-solo 1 track and the rest would be un-soloed? I am really liking Pro Tools and I appreciate all the help from this list. John mail2web - Check your email from the web at http://mail2web.com/ . -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Pro Tools 10.3.7 Help
John, Mat is correct Command+1 that's what I get not being in front of CPU lol On 10/16/13, Poppa Bear heavens4r...@gmail.com wrote: Didn't know that about transport, thanks. - Original Message - From: Matt Diemert mcdiem...@gmail.com To: ptaccess@googlegroups.com Sent: Wednesday, October 16, 2013 7:55 AM Subject: Re: Pro Tools 10.3.7 Help Also, its command 1 for transport if i am not mistaken. alternatively, you can also use the keystrokes the Papa mentioned.s Sent from my iPhone On Oct 16, 2013, at 11:53 AM, Poppa Bear heavens4r...@gmail.com wrote: Hey buddy, you can turn off the click track by pressing 7 on the number pad and the count in I believe by pressing 8 on the pad as well. Let me know if this is what you needed help with. - Original Message - From: g...@tznet.com To: ptaccess@googlegroups.com Sent: Wednesday, October 16, 2013 6:19 AM Subject: Pro Tools 10.3.7 Help Hello All, In Pro Tools 10.3.7 how does one turn off count-in as well turning off click track? A friend of mine sent me some audio tracks and never used click track or count-in. When trying to access keyboard shortcuts for whatever reason I am not seeing them, any thoughts? John mail2web - Check your email from the web at http://mail2web.com/ . -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: New user questions
Hey John Scott is correct certain edit fields are not being reported by voiceover, and it makes working in MountainLion almost impossible. Avid and Apple are aware of this and they are currently working to resolve it. They are saying in a few months it will be fixed and released in an 11. Build… On 10/1/13, Scott Chesworth scottcheswo...@gmail.com wrote: Hey John, The first thing you might want to consider is either rolling back to or setting up Lion on a separate partition. There is a bug that breaks VoiceOver's ability to read the counter display and edit fields within Pro Tools when you run it in Mountain Lion. Sorry to be the barer of bad news... Scott On 10/1/13, John Gunn g...@tznet.com wrote: Hello All, Later this week or early next week I'll be receiving Pro Tools 10 with mBox Pro. Using an iMac early 2008, 4GB of ram and Mountain Lion 10.8.5. I am wondering any VoiceOver settings I need to set? More questions later but this should do it for now. Thanks for any thoughts or suggestions. John -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Better handle on pasting to end of selection
Hey Poppa one way to do this, if you know how long your song is as in this case 80. Go Edit repeat and choose 19. and inter... On 9/26/13, Poppa Bear heavens4r...@gmail.com wrote: Hello folks, at this point when I want to paste a four bar section I paste 4 bar peace by four bar peace, but I remember Kevin trying to explain pasting to end of selection, can somebody give me a step by step about this, for example, if I only have a four bar drum loop in the session and want to have it play for 80 bars, how would I ocomplish this? In Sonar whenever you paist you are given the option to select the amount of copies you are pasting on the track and it is very intuative. Also, has anybody found out how to set the quantisation on a session without sighted assistance? I have a templet with a quantisation setting for creating program music, but I don't want to be stuck to a templet when ever I want to make a beat, or if I am on somebody elses rig, I want to be able to work as indipendently as possible. Thanks ahead -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Changed a setting I think
Poppa also make sure you are not pressing, Option+shift+8 that's the command for End to insertion... On 9/25/13, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Poppa, Sounds like your hitting the key combo of command t if you have a selection made this command trims every thing before and after the selection. Its found under the edit menu. Let us know? YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Sep 25, 2013, at 4:21 AM, Poppa Bear wrote: Something is going on in some of my sessions that is chopping off a large part of the song until the end of the song and when I go to undo the problem it comes up as Trim to end of selection I believe that is the wording. Any clues what's going on, I am still working on my VO and PT skills so I may press some outlandish key combonations at times. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Something I heard about PT 11
Hey yes the D,A,E or Digital Audio Engine is no more. Avid has gone to the A,A,E or Avid Audio Engine. The AAE is a 64-bit engine much faster and more powerful than the DAE which had been around for 15, years. And yes should be accessible to us soon... On 9/22/13, Nick Gawronski n...@nickgawronski.com wrote: Hi, Where did you hear this as I would also find this useful? As I got pro tools 10 as a boxed copy and as I did not have to get an account with Avid what is my best process for upgrading to pro tools 11 as I don't mind getting the upgrade if in a few months we will have more access to it? Nick Gawronski On 9/22/2013 3:02 AM, Poppa Bear wrote: I was listening to a mix guy talk about going from a project in PT 10 and reopening it up in PT 11, he said that his CPU usage was at around 45% in PT 10 and when he opened it up in PT 11 it dropped down to under 5%. He said That Avid did a complete rebuild of the ingin. I hope to have access to that one of these days. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Getting nicely named files out of PT in one shot
Hey Scott to consolidate tracks command shift 3 will consolidate clips. Also you can go Menu edit Consolidate. I know you can make a stereo track and split it in to mono but I don't remember an option to do it in reverse. On 9/21/13, Scott Chesworth scottcheswo...@gmail.com wrote: Hey all, If anyone can nudge me in the right direction quickly, I'd really appreciate it. Exporting stuff and handing over to a mix guy today, and I've just realised that I A) don't know how to consolidate regions so that there's one stereo file as opposed to split mono. There are quite a few stereo loops in these tunes, so I'm really hoping there's a better way than bouncing each loop out in realtime! I explored the Export selected tracks as files option under the file menu and export, but all I could get that to spit out was either an OMF or AAF file and a bunch of badly named chunks of wav data. Is there an option whereby Pro Tools will go through, export stuff and mirror my track names? Cheers Scott -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Getting nicely named files out of PT in one shot
Scott MY BAD!!! keyboard consolidating clips, Option+shift+3 On 9/21/13, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hey Scott, I'll send you a audio clip with the steps to do this off list. :) Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 21, 2013, at 3:52 AM, Scott Chesworth wrote: Hey all, If anyone can nudge me in the right direction quickly, I'd really appreciate it. Exporting stuff and handing over to a mix guy today, and I've just realised that I A) don't know how to consolidate regions so that there's one stereo file as opposed to split mono. There are quite a few stereo loops in these tunes, so I'm really hoping there's a better way than bouncing each loop out in realtime! I explored the Export selected tracks as files option under the file menu and export, but all I could get that to spit out was either an OMF or AAF file and a bunch of badly named chunks of wav data. Is there an option whereby Pro Tools will go through, export stuff and mirror my track names? Cheers Scott -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Just mountain lion! please give me advice?
Hey Ramy as I said Avid is as we speak resolving the accessibility issues in pro tools. Lets not delude ourselves there are many DAWS used in many studios But from my experience working in rooms outside of mine And receiving sessions for clients, Pro Tools owns the greater share of the software recording market. If your desire is to work using Pro Tools just exercise a bit more patience. On 9/18/13, Poppa Bear heavens4r...@gmail.com wrote: Ramy, I felt the same way that you do, like you need to have PT to be considered a viable studio, but I am coming to the terms that that is not always the case. I find that maybe 2% of clients, if even that many, even ask what softwhere is being used. They mainly just want a clean recording that is professional quality. Also, consider this, if you are not familiar with VoiceOver and Protools, then you have at least a six month to a year learning curve to offer really compatent studio services with the Mac IMO. I would try to get the money back in my hand if possible, look for an older I7 mac mini if it looks to be worth it or a Imac that is no older than 2011 if you can't resolve this issue. Also, what are some of your recording goals, do you see yourself using alot of soft sinths to creat music productions, do you see yourself doing alot of mixing with heavy track counts between 48 and 98 tracks? Remember, we can be our worst enamy when it comes to assessing the tools that we really need. We often think if we just have that one new thing we will be able to change the whole game, but this is seldom the case. - Original Message - From: Ramy Moustafa moshtaqlealga...@gmail.com To: ptaccess@googlegroups.com Sent: Wednesday, September 18, 2013 1:36 PM Subject: RE: Just mountain lion! please give me advice? Ok, but they will not fix my issue. So what? -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Nick Gawronski Sent: Wednesday, September 18, 2013 11:22 PM To: ptaccess@googlegroups.com Subject: Re: Just mountain lion! please give me advice? Hi, I would call Apple on the phone and be infront of the system if it is possible as the more people like me that do call them and demo the issue the more results we should get. I knew this issue was going to happen with the newer systems as I have other sited friends who can't go back to Lion as the hardware is not supported. I am not saying we are not making progress but I think we all should do more on this issue such as calling people like Apple on the phone and refreshing their minds on these issues as if enough of us call and explain the issues they will get resolved. I would also mention like I did that as Apple supports education so much and as pro tools is used for audio engineering students like me this is something they should really work on. Nick Gawronski On 9/18/2013 9:37 AM, ramy moustafa wrote: aha thanks so much for your replys. but, even the latest updates to ml didn't fix the issue? i'm really in trouble and don't know what to do. anyway, if you can think with me for a solution please tell me. thanks so much Ramy moustafa saber licturer at: faculty of musical education music arranger and sound engineer Sent from my iPhone On Sep 18, 2013, at 2:30 PM, Scott Chesworth scottcheswo...@gmail.com wrote: They're probably struggling because his Mac Mini was manufactured recently, and some of the new hardware won't be supported by Lion. Had the same problem here. I got around it by buying a used machine that was built when Lion was the latest OS and doing some hardware upgrades to bring it up to a spec that runs well with big sessions. Dunno what to advise beyond doing the same thing I did really. Even then, I only made that move because there was work that relies on me being in PT guaranteed. Without that, I can't say I would've bothered until the future is a bit more certain. Scott On 9/18/13, TheOreoMonster monkeypushe...@gmail.com wrote: Edit fields won't read at all. FOr example where you go to enter in tempo or to see what thempo the project is in. What the counters are set to etc etc. I am not sure why your apple store is doing there, but it On Sep 18, 2013, at 6:36 AM, Ramy Moustafa moshtaqlealga...@gmail.com wrote: Hi all: After a week with my apple store here, and after they do all things really to install Lion on my Mac mini, they failed, in doing this, So, my mac mini is with mountain lion, so, what is your advice? What are the problems that I will face when using pro tools with voice over? I have pro tools 9, but of cores it will not work, so, I must get 10, But need to know the disadvantages, of Mountain lion. And, please, what about protocols v11, is it good with vo or what? Thanks so much -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this
Re: Just mountain lion! please give me advice?
Hey Scott, Avid found some issues with the way they displayed certain items and it Affects the way it reports them to the OS. They are working with Apple to rectify this as we speak. This release will be available in a few months according to them. Here’s to looking up!!! On 9/19/13, Scott Chesworth scottcheswo...@gmail.com wrote: Hey Mike, Interesting. I was under the impression that the big bug with Pro Tools in ML was Apples to tackle, rather than Avid. Have I got that wrong? Of course, that's not to detract from all the other stuff Avid would need to tidy up to make PT 11 workable, but just wanted to be sure I was up to date on how the land lies. Scott On 9/19/13, Mike Lockett mloc...@gmail.com wrote: Hey Ramy as I said Avid is as we speak resolving the accessibility issues in pro tools. Lets not delude ourselves there are many DAWS used in many studios But from my experience working in rooms outside of mine And receiving sessions for clients, Pro Tools owns the greater share of the software recording market. If your desire is to work using Pro Tools just exercise a bit more patience. On 9/18/13, Poppa Bear heavens4r...@gmail.com wrote: Ramy, I felt the same way that you do, like you need to have PT to be considered a viable studio, but I am coming to the terms that that is not always the case. I find that maybe 2% of clients, if even that many, even ask what softwhere is being used. They mainly just want a clean recording that is professional quality. Also, consider this, if you are not familiar with VoiceOver and Protools, then you have at least a six month to a year learning curve to offer really compatent studio services with the Mac IMO. I would try to get the money back in my hand if possible, look for an older I7 mac mini if it looks to be worth it or a Imac that is no older than 2011 if you can't resolve this issue. Also, what are some of your recording goals, do you see yourself using alot of soft sinths to creat music productions, do you see yourself doing alot of mixing with heavy track counts between 48 and 98 tracks? Remember, we can be our worst enamy when it comes to assessing the tools that we really need. We often think if we just have that one new thing we will be able to change the whole game, but this is seldom the case. - Original Message - From: Ramy Moustafa moshtaqlealga...@gmail.com To: ptaccess@googlegroups.com Sent: Wednesday, September 18, 2013 1:36 PM Subject: RE: Just mountain lion! please give me advice? Ok, but they will not fix my issue. So what? -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Nick Gawronski Sent: Wednesday, September 18, 2013 11:22 PM To: ptaccess@googlegroups.com Subject: Re: Just mountain lion! please give me advice? Hi, I would call Apple on the phone and be infront of the system if it is possible as the more people like me that do call them and demo the issue the more results we should get. I knew this issue was going to happen with the newer systems as I have other sited friends who can't go back to Lion as the hardware is not supported. I am not saying we are not making progress but I think we all should do more on this issue such as calling people like Apple on the phone and refreshing their minds on these issues as if enough of us call and explain the issues they will get resolved. I would also mention like I did that as Apple supports education so much and as pro tools is used for audio engineering students like me this is something they should really work on. Nick Gawronski On 9/18/2013 9:37 AM, ramy moustafa wrote: aha thanks so much for your replys. but, even the latest updates to ml didn't fix the issue? i'm really in trouble and don't know what to do. anyway, if you can think with me for a solution please tell me. thanks so much Ramy moustafa saber licturer at: faculty of musical education music arranger and sound engineer Sent from my iPhone On Sep 18, 2013, at 2:30 PM, Scott Chesworth scottcheswo...@gmail.com wrote: They're probably struggling because his Mac Mini was manufactured recently, and some of the new hardware won't be supported by Lion. Had the same problem here. I got around it by buying a used machine that was built when Lion was the latest OS and doing some hardware upgrades to bring it up to a spec that runs well with big sessions. Dunno what to advise beyond doing the same thing I did really. Even then, I only made that move because there was work that relies on me being in PT guaranteed. Without that, I can't say I would've bothered until the future is a bit more certain. Scott On 9/18/13, TheOreoMonster monkeypushe...@gmail.com wrote: Edit fields won't read at all. FOr example where you go to enter in tempo or to see what thempo the project is in. What the counters are set to etc etc. I am not sure why your apple
Re: Where can i read up on setting tempos from a blindness perspective?
Krister I think your problem may be that theres a conductor track button in the tempo window. If this button is selected the tempo will stay at 120.000. You can open the tempo window by Command/ 1 on the numpad. unselect the conductor track button in the edit field type or tap your desired tempo. and inter... On 9/16/13, Krister Ekstrom kris...@kristersplace.com wrote: Hi, I'm still trying to get started with PT and i don't think i have such a long way to go before i actually can get something going at last. Let me tell you what i think i have got the grip on: I have built a blank session with tracks, aux-es and the like. I have connected almost all busses i need to different tracks and am just about ready to roll, when i realized i have got another stupid newbie question for y'all. I know i can tap a tempo to set for the project, but no matter how much i click the tempo ruler thingymajig, PT doesn't allow me to do this. I can swear i saw somewhere how to change tempo of the project, but can for the life of me not remember where, so now i'm looking for somewhere to read up on this, anyone know where i can get this reading up done? And i should mention that this is from a blind persons perspective. Also is it possible to slow down a projects tempo in order to record specially fiddly bits and then return to the normal tempo afterwards, since it's apparently quite hard to edit midi in PT 10, which i use? Thanks in advance again. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: mountain lion 10.8.5 and pt?
Cameron at this time Lion is still the most useable version to date... Stay tune!!! On 9/13/13, Cameron Strife came...@cameronstrife.com wrote: Hi. Has anybody tried the new version of ml with pt? If so, have there been any improvements with blank fields or any other accessibility issues? I'm still running sl on my pt box so can't try it myself... Thanks, Cameron. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Where can i read up on setting tempos from a blindness perspective?
Hey Krister a bit more detailed... Command/1 opens the transport window. interact with the midi control cluster. At the bottom of the window turn off the conductor track button. Now go to your tempo edit field, type in the desire tempo. Or you can tap the letter T, to your desired tempo. On 9/17/13, Mike Lockett mloc...@gmail.com wrote: Krister I think your problem may be that theres a conductor track button in the tempo window. If this button is selected the tempo will stay at 120.000. You can open the tempo window by Command/ 1 on the numpad. unselect the conductor track button in the edit field type or tap your desired tempo. and inter... On 9/16/13, Krister Ekstrom kris...@kristersplace.com wrote: Hi, I'm still trying to get started with PT and i don't think i have such a long way to go before i actually can get something going at last. Let me tell you what i think i have got the grip on: I have built a blank session with tracks, aux-es and the like. I have connected almost all busses i need to different tracks and am just about ready to roll, when i realized i have got another stupid newbie question for y'all. I know i can tap a tempo to set for the project, but no matter how much i click the tempo ruler thingymajig, PT doesn't allow me to do this. I can swear i saw somewhere how to change tempo of the project, but can for the life of me not remember where, so now i'm looking for somewhere to read up on this, anyone know where i can get this reading up done? And i should mention that this is from a blind persons perspective. Also is it possible to slow down a projects tempo in order to record specially fiddly bits and then return to the normal tempo afterwards, since it's apparently quite hard to edit midi in PT 10, which i use? Thanks in advance again. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: getting started
Hello Cody I’m not sure of the peripherals on the macbook air But I would think you would need more than 64 gigs to effectively run Lion or mountain lion. As for selecting a working version of pro tools, I would as most users here recommend version 9.4 you can then update I think now to V. 9.8. This can be purchased and downloaded from the Avid store. www.Avid.com All of these things can effectively be done using pro tools, I don’t think any one on this list would downgrade to cakewalk if given the choice. Personally I sequence with an Akai MPC4000 but I’ve pulled up drums sometimes from expantion2 or venom a pro tools plug-in. M-audio and others make an USB midi keyboard that can trigger your patches or sequencers such as the korg motif, Or Roland’s phantom or drum controllers like the akai and others can be used as stand alone midi controllers. Hope this helps. L8r On 1/20/13, Cody cdog2...@gmail.com wrote: Hi guys, So just to expand on the pro tools podcast for beginners, I was wondering if a macbook air with a 128 gig ssd and 8gb of ram will suffice. My agency will be buying me either this machine or a macbook pro, and was wondering if a bootcamp setup, leaving either os install 64 gb would be enough. Also, how does one going about selecting and obtaining/paying for a copy of pro tools. I know there are several versions, and though i've been on this list for months and have never said anything, the time is nearing that i may make the transition from sonar 8 5 to pt. Basically the only reason I'd use windows is to use cakewalk, but, is pt currently good enough to do that, I.E. extensive raw audio trimming, editing, moving things around, adding effects, etc, and I know the midi aspect is still a bit sketchy, so what are people doing for this. I'd primarily being using midi only for drums, as my very small apartment doesn't allow for a full sized kit. What are some good midi drum controlers, I've seen those all in one midi controlers with a few pads, and 49 keys and some other cool things, anyone got any input on this. I want to basically write my music as pain free as possible, and if that requires still using windows 7 until pt can catch up, so be it. in other words: Can someone describe to me the most ideal setup for a blind person to write music? I'm starting over from scratch and want to buy quality gear, but it still needs to be useable and accessible. Hardware specifrics would be appreciated. Thanks all Cody
Re: getting started
Hy Krister the list deals with the most entry to the more advance issues so by all means feel free to ask. The MBox is the interface in other words when you send your audio to pro tools IE your vocals or instruments, the MBox converts that analog signal to the digital signal which pro tools uses to your computer. This signal is then converted back to analog to your speakers. Usually there’s a stereo input and output. The stereo input is where you would plug your mick or instrument, The output sends sounds out to your speakers. The MBox communicates with pro tools on your computer by USB. Hope this helps l8r On 1/21/13, Krister Ekstrom kris...@kristersplace.com wrote: Hi folks. I too am a newbie to the list and pro tools. I bought mine bundled with an MBox 3rd gen. I'm not certain what an MBox can do so any info appreciated. I realize i sound like a dummy and apologize for that, but my only experience with multi track recordings are from analog cassette tape porta studios and digital portas like the Roland Vs1680 and this is probably a totally different beast alltogether so pardon me please for asking newbie questions on the list. /Krister 21 jan 2013 kl. 05:48 skrev Cody cdog2...@gmail.com: Yeah, but I plan on having external storage anyway. I wonder if using the apple time capsule will be an ok option? It's wireless, but it's got a USB port, so I'm thinking I could use that if I wired into it for recording.that would be sick. Or would a normal external hdd be better. I'll look at the packages Avid offers. I guess my biggest question is, is the accessibility currently employed by pro tools justifiable by the price I'm paying? Or is this still in experimental stages. On 1/20/2013 6:09 PM, Stephen Martin wrote: While i would be tempted to say the current Gen air with the 2.0GHZ processor and 8 gb of ram would be sufficient, if its going to be your only machine i'd say go with the mac book pro. I own a mid 2011 air with 1.8GHZ processor, 4GB of ramm and i can mix on it no problem wit aproject containing 12 to 24 tracks. Wouldn't try recording to one of those without an external drive though as that much constant writting to any SSD drive will shorten its life span greatly. If you go for the pro i'd spring for the 8GB or 16GB of ramm if affordable and a 128GB SSD as well. The advantage of the pro is you can swap out the cd rom drive for a second HD down the road should you so choose to. But like i Said you will need a second HD for recording for best performance no matter which laptop you go with, the pro just gives you more flexibility. As for Pro TOols. Any authorized dealer like the usual online ones are good places to start. If you need an interface its a better deal if you buy Pro tools bundled with one of avid's interface. I don't use midi much if at all so can't speak to that, so will leave it for others to answer. I prefer to build my drum tracks from drum loops personally. On Jan 20, 2013, at 5:39 PM, Cody wrote: Hi guys, So just to expand on the pro tools podcast for beginners, I was wondering if a macbook air with a 128 gig ssd and 8gb of ram will suffice. My agency will be buying me either this machine or a macbook pro, and was wondering if a bootcamp setup, leaving either os install 64 gb would be enough. Also, how does one going about selecting and obtaining/paying for a copy of pro tools. I know there are several versions, and though i've been on this list for months and have never said anything, the time is nearing that i may make the transition from sonar 8 5 to pt. Basically the only reason I'd use windows is to use cakewalk, but, is pt currently good enough to do that, I.E. extensive raw audio trimming, editing, moving things around, adding effects, etc, and I know the midi aspect is still a bit sketchy, so what are people doing for this. I'd primarily being using midi only for drums, as my very small apartment doesn't allow for a full sized kit. What are some good midi drum controlers, I've seen those all in one midi controlers with a few pads, and 49 keys and some other cool things, anyone got any input on this. I want to basically write my music as pain free as possible, and if that requires still using windows 7 until pt can catch up, so be it. in other words: Can someone describe to me the most ideal setup for a blind person to write music? I'm starting over from scratch and want to buy quality gear, but it still needs to be useable and accessible. Hardware specifrics would be appreciated. Thanks all Cody
Fwd: Reply back from Waves
-- Forwarded message -- From: Mike Lockett mloc...@gmail.com Date: Fri, 7 Dec 2012 18:12:58 -0600 Subject: Reply back from Waves To: ptaccess@googlegroups.com Hey guys after a few years of emails and phone calls, got a short but encouraging response from Waves. Hi, Thanks for your e-mail. I have passed along your e-mail to several different people within the company (programmers, head of sales, etc..). I know they have said this is being looked into in the past, but hopefully we will have a fix soon. Best Regards, [cid:284DCF31-891B-49C3-9A78-8B4542D599E3] Matt Bottcher Internal Sales Waves Audio Ltd Tel: +1 865 909 9215 EFax: +1 615 523 3209 www.waves.comhttp://www.waves.com/ www.maxx.comhttp://www.maxx.com/ www.sound.orghttp://www.sound.org/ www.waveslive.comhttp://www.waveslive.;
Waves response
Hey guys after a few years of emails and phone calls, got a short but encouraging response from Waves. Hi, Thanks for your e-mail. I have passed along your e-mail to several different people within the company (programmers, head of sales, etc..). I know they have said this is being looked into in the past, but hopefully we will have a fix soon. Best Regards, [cid:284DCF31-891B-49C3-9A78-8B4542D599E3] Matt Bottcher Internal Sales Waves Audio Ltd Tel: +1 865 909 9215 EFax: +1 615 523 3209 www.waves.comhttp://www.waves.com/ www.maxx.comhttp://www.maxx.com/ www.sound.orghttp://www.sound.org/ www.waveslive.comhttp://www.waveslive.;
important control-24 users
Hey guys for all Control-24 owners, A parts seller of digidesign/Avid electronic parts informed me to day At the end of this calendar year there will be no more support for the control-24. That means purchasing faders, fader cards, power supplies and such parts Like E Proms will be much harder to buy. These parts are Digi specific so finding generic parts will not work.
Re: Just My take
Just threw up a number. - Original Message - From: J. R. Westmoreland To: ptaccess@googlegroups.com Sent: Monday, April 30, 2012 10:35 AM Subject: RE: Just My take Mike, Can you tell me how you come up with the number 100? Is that the number of members on this list? I suspect there are a larger number of people who aren't on this list because they don't know about it, they feel they don't need it (very dumb), or some other reason. grin J. R. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Mike Lockett Sent: Monday, April 30, 2012 7:37 AM To: ptaccess@googlegroups.com Subject: Re: Just My take Brian well worded. Slau's knowledge and disposition can't be denied not even by Avid. I couldn't think of a greater point person. They should be made aware if now there's 100 blind users if they create a more accessible product that number will grow. I also agree the educational aspect of it could open up even a bigger market. I think we all have to figure out how we can contribute to the fight. - Original Message - From: Brian Casey To: ptaccess@googlegroups.com Sent: Monday, April 30, 2012 8:05 AM Subject: Re: Just My take Mike, Great points again. Brale on elivators is a very different cost to effort ratio to making ProTools accessible I'm sure, but I get your point, and those kinds of measures aren't only down to building laws etc. Perhaps some organisation like the American council for the Blind could take up a lobbying roll on behalf of blind/visually impaired professionals in the audio industry? Being from Ireland, I'm not too close to the Irish equivalent, and Ireland is very insignificant anyway, but I'd imagine the U.S. organisation might yield quite a bit of lobbying power, and this might be a good start as a majority of software/hardware companies in the DAW game are based in the U.S. An organisation like that might also be able to push the educational angle. It has been mentioned in the past, but the education secter is very important to a company like Avid or Apple even more so. If equal access to education is the question, then that could lead somewhere a little more permanent. However, like you say Mike, there are times to be aggressive and times for other actions, and if an aggressive approach is taken across the board, forcing accessibility on these companies may lead to a hollow kind of fix, where they reluctantly do just enough to make it look like they're keeping on top of accessibility issues, and for us professionals we could be worse off if that was the case, but who knows. Hence why I say be aggressive toward Apple with logic, let Slau do his thing, let scripters be scripters, but perhaps long term see if some more powerful collective for lobbbying can be established, something a little more political and more interactive than a petition. Finally, I think one of the clever things Slau has done is not force the issue, and try to nurture a genuine interest, pride or sense of responsibility in at least someone in a company like Avid to try and address accessibility. If you yell at someone to clean up their act they might do so, but not with vitality, however if you show someone a glimpse of positive outcomes that might result, the effects might be more lasting and they might even bring new ideas to the table. Brian. From: Mike Lockett Sent: Monday, April 30, 2012 1:30 PM To: ptaccess@googlegroups.com Subject: Just My take Hello my Take for what its worth... I think PTaccess is only a forum, maybe there should be an organized union. The like of one means that all of us are fighting this accessibility war as individual agents. I'm not sure which side of the aggressive verses patients argument side I fall on. though my life's experience says there's a place for both of them. Secondly more times than not when we get on an elevator there's normally Braille, though doing the course of a day maybe 3 or 4 blind people out of thousands get on the elevator. so I'm not sure numbers or our like of should stop us from pursuing something we've paid for. Protools is just one battle to be wedged. There are plug-ins even apple probably could do more. The rule of thumb is normally as time passes things get better, the scary thing here is that its not guaranteed. The next version of protools because of a window change could go from %80 to %20 I hope not but its possible. Until there's some official organization this is what we are stuck with the PT ACCESS group sharing ideas and war stories.
Conference call
Hey guys do to a final mix I can't shake to day, I wont be there for the call to day. The lines are still good though 218-632-0550 X 918715Pound I'll try to get away and maybe hit the record or something. l8r PS 4 EST 1 left coast.
Re: Voice Over Question
Nate also you can make sure cursor tracking is on VO shift 3, try command2 to change to list mode. hope this helps. l8r - Original Message - From: J. R. Westmoreland To: ptaccess@googlegroups.com Sent: Monday, April 16, 2012 4:36 PM Subject: RE: Voice Over Question Make sure you are not in quick nav mode. Press the right and left arrows together and make sure VO says quick nav off. At least that is what I try when I find things behaving like that. J. R. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Poppa Bear Sent: Monday, April 16, 2012 3:07 PM To: ptaccess@googlegroups.com Subject: Voice Over Question I think I changed a setting on accidend. I can normaly just arrow around a folder or applacation window, but what ever I did made it so that when I am in a folder or list of apps I can only tab or use the first letter of each item to navagate and I would rather be able to arrow around, and I would not only like to change it back, but also know what I did for future reference. I have only been using voice over for a few weeks now so I am very new to all of this. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com
Re: Issue with Record keystroke
Hey sorry keyboard lay out should be set to transport, you can find this option in preferences under operation. Make sure numpad is disable in voiceover utilities under commanders. The 3 key numpad should start record. l8r - Original Message - From: Poppa Bear To: ptaccess@googlegroups.com Sent: Sunday, April 15, 2012 3:42 AM Subject: Issue with Record keystroke Ok, I am having problems simply recording on a track. I am making sure the track is armed, the signal is moving the meater and I can even apply a plugin on the source, or not. I try pressing space bar, or Command plus space bar, and nothing. The only way it will record is by pressing Shift plus command plus space and that sets the track on a half speed type of mode and that is not a viable way to make songs. I am not sure what is going on, but I feel like I am missing a simple step here. Thanks for any help. Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com
Re: Key Stroke Question
Hey Nate unfortunately no. There are some work arounds though, you can go to your track list button and show only selected tracks. You can also VO shift M, or right click the solo, Mute, Rec enable buttons this will toggle all to the opposite state, and clicking one more time will toggle all of them back now you can make your selection. - Original Message - From: Poppa Bear To: ptaccess@googlegroups.com Sent: Saturday, April 14, 2012 10:19 PM Subject: Key Stroke Question Is there a key stroke that will tell you these things, 1. Which tracks are armed? 2. Which tracks are Soloed? 3. Which tracks are Muted? 4. Which tracks are selected? In Sonar I am used to using a key stroke to find all these questions without having to check each track. Thanks Nate Kile, Cross Road Recording Studios, specializing in Mixing, Mastering and all your audio needs. www.crossroadrecording.com
Hey Guys a reminder!
Weekly conference call Thursday COST 4 East Coast 1 on the left coast. 218-632-0550: AC 918715Pound Guys lets increase the numbers...
Hey Guys important
Hey for any auto tunes or avox users, a rep from Antares will join us on the conference call to day. If any one have any accessibility questions or inquiries or just want to listen please join us.
Re: Hey Guys important
Cris 10mins well 8. 218-632-0550 x. 918715pound key - Original Message - From: Christopher-Mark Gilland To: ptaccess@googlegroups.com Sent: Thursday, April 05, 2012 2:14 PM Subject: Re: Hey Guys important I need the eastern standard accring time, as well as the number and conference code. I just bought A T, and have some issues I'd like to address. Chris. - Original Message - From: Mike Lockett To: ptaccess@googlegroups.com Sent: Thursday, April 05, 2012 12:46 PM Subject: Hey Guys important Hey for any auto tunes or avox users, a rep from Antares will join us on the conference call to day. If any one have any accessibility questions or inquiries or just want to listen please join us.
Conference call2 mp3
Hey Guys sorry its been a crazy week. So here ya go Second CC. http://dl.dropbox.com/u/32810657/call2.mp3
Another great discussion
Hey guys another great discussion on Thursday. Thanks to all that participated. We had some confusion about the start time, so for the record Thursday April 5, 3 PM CST 4 PM EST and 1 PM, pt I heard there was some confusion last week about the recorded call mp3, my instruction was email me and I would make this available to you. I responded to each email with a dropbox link, a request through the PT AC GG may go unanswered for a time. I will place the new call in the same DB folder when I'm back in town, in the mean time it can be accessed by calling 218-632-0559 Access code 918715Pound Pound to listen to last call. Look forward to chatting Thursday!!! L8r
Hey Thanks Guys
hey Guys good chat on Thursdays conference call. Thanks every one and Mar 29, we will do it agan, 4,oc ET, 1 on the left coast. any one needing a MP3 of the call can email me, mlock1g@gmail I'll try to forward them a copy. I might respond slow as I have gigs on the weekend. once more thx.
Re: Hey guys Join me on a protools accessibility conference call
Hey SS Yeah if you can make this 1st one at the given time, we can get it and other things figured out to work for every one. David yeah you can call in, all though I'm sure you would have to dial the US Country code. Guys I'm looking forward On Mar 21, 10:04 am, Sonar Switcher iamablanksl...@yahoo.com wrote: Mike, is there any possibility of moving the time up an hour? On the west coast it's right in the middle of lunch hour for those who work. If it could be 4 EDT instead of 3 it might make it easier for both coasts. Mike Lockett wrote: hey Guys I apologize for not being more active on the forum, I kind of feel guilty because though at the end of my day I've been able to read some post I for many reasons hadn't been able to chime in. Well I got to thinking, I know at one time there was one that kind of went away. So I'm inviting every one to join in a PTAccess phone chat. We will talk DAW, plug-in, computers, hardware,third party software any thing protools accessibility. We will reach out to company developers of DAW and plug-in also platform developers. This will be a fact finding and opinionated conference call. Ok I know from time to time there will be a pissing contest! but we will keep them friendly. Conference Dial-in Number: (218) 632-0550 Participant Access Code: 918715 followed by Number key or pound, important, Exit conference - number or pound 3 key Pressing *3 Takes the individual user out of the conference call and back into the lobby. - #4 key Plays a menu of touch tone commands. #6 key: toggle mute on and off. OK lets chat. First chat Thursday Mar, #22, 2,PMCST or #3PM East coast. THX Mike Lockett. PS for any questions or suggestions, feel free to email me mloc...@gmail.com- Hide quoted text - - Show quoted text -
Hey guys Join me on a protools accessibility conference call
hey Guys I apologize for not being more active on the forum, I kind of feel guilty because though at the end of my day I've been able to read some post I for many reasons hadn't been able to chime in. Well I got to thinking, I know at one time there was one that kind of went away. So I'm inviting every one to join in a PTAccess phone chat. We will talk DAW, plug-in, computers, hardware,third party software any thing protools accessibility. We will reach out to company developers of DAW and plug-in also platform developers. This will be a fact finding and opinionated conference call. Ok I know from time to time there will be a pissing contest! but we will keep them friendly. Conference Dial-in Number: (218) 632-0550 Participant Access Code: 918715 followed by Number key or pound, important, Exit conference - number or pound 3 key Pressing *3 Takes the individual user out of the conference call and back into the lobby. - #4 key Plays a menu of touch tone commands. #6 key: toggle mute on and off. OK lets chat. First chat Thursday Mar, #22, 2,PMCST or #3PM East coast. THX Mike Lockett. PS for any questions or suggestions, feel free to email me mloc...@gmail.com
Re: Hey guys Join me on a protools accessibility conference call
Hey Kevin thanks we really can use your knowledge... any of your time will be great. Kevin Reeves wrote: Awesome. I can be there for a bit of it. That will be fun. Thanks for setting that up. Kevin On Mar 20, 2012, at 9:07 AM, Mike Lockett wrote: hey Guys I apologize for not being more active on the forum, I kind of feel guilty because though at the end of my day I've been able to read some post I for many reasons hadn't been able to chime in. Well I got to thinking, I know at one time there was one that kind of went away. So I'm inviting every one to join in a PTAccess phone chat. We will talk DAW, plug-in, computers, hardware,third party software any thing protools accessibility. We will reach out to company developers of DAW and plug-in also platform developers. This will be a fact finding and opinionated conference call. Ok I know from time to time there will be a pissing contest! but we will keep them friendly. Conference Dial-in Number: (218) 632-0550 Participant Access Code: 918715 followed by Number key or pound, important, Exit conference - number or pound 3 key Pressing *3 Takes the individual user out of the conference call and back into the lobby. - #4 key Plays a menu of touch tone commands. #6 key: toggle mute on and off. OK lets chat. First chat Thursday Mar, #22, 2,PMCST or #3PM East coast. THX Mike Lockett. PS for any questions or suggestions, feel free to email me mloc...@gmail.com
