Mr. Armstrong was right.Its a wonderfull.
has anyone heard the new Stacey Pullen album on the Science label?
jason
H'm oh!really ?interesting...
I've supported them for a while now, but never get the chance to receive pre
release material from them, and I have HARD times to find their releases
other here.
Later
I second this, people who receive material MUST post info and/or comments
Later
BTW :
Well, Javier...I can kida shed a bit of light on this. As I do agree with
you on the whole discussion of pre-released material, there was a slight
debate about a year ago on here concerning people boasting about the
white labels that they obtain from wherever and such. And after that
debate went
Derek wrote:
Now, as for people who get records because they work at a magazine or
something, thats a different story. These people should DEFINANTLY make
their voices heard.
I totally agree. Now just give me God's phone number and I'll aks him to
make every day twice as long and He also should
From: [EMAIL PROTECTED]
Subject: RE: [313] Re: [ur-records] Question???
All of this to say that I very much would like to do reviews on the (few)
records I receive, but I simply don't have the time for it.
Reviews are cool but just a heads-up on some new records that are about to
be released
From: Simon Walley [EMAIL PROTECTED]
Subject: RE: [313] Re: Question???
but if its on topic and concerns Detroit techno,
And of course Detroit house and jazz and bass and whatever related music is
happily discussed on this list. Didn't mean it to sound exclusive of other
genres.
|| [CiM]
somebody knows somethings about
them?
i`ll be interviewing them this weekend.
so any info would be funky.
cu
bleed
All of this to say that I very much would like to do reviews on the (few)
records I receive, but I simply don't have the time for it. Some of the guys
on the list are full-time journalists for music magazines and that's a
different story.
Not sure about that, Johno. I'm a full-time journo (not
Please don't take this topic the wrong way, not everyone that supports
someone is going to get pre-released material, but those who do need to
inform people, why because not everyone hangs out the clubs not everyone
gets to listen to the big or descent underground people play. I for one am
not
Stacey just finished the album at the beginning of May...it's apparently
quite a departure and very much a listening album (whatever that means
exactly).
I don't know if Science has set a release date as of yet, or if Astralwerks
in the US is still committed to releasing it
pw
In a message
AND as far as getting pre releases...you just have to some how get on to the
label's press/pr list. most labels have a list of mags and agents they send
pre releases/white labels too. sometimes that list is full and they'll say
no, but if you can PROVE you should be on that list, they you can
Haye!
I am presently working on some psych-socio theory on repetition in music
and
why its an attractor to some, and an utter bore to others. I was
wondering
if there is already some theory, be it music theory and/or psycho-social
theory, in which asks and solves this question...
What I
Haye!
I can agree with this toneshift phenomenon. I think in fact the term is
realy right for it, since I've felt it myself several times.
However, I don't agree it has anything to do with introvertion/extrovertion
of character. It has more to do with what you said about the volume of
Haye!
Has anyone else thought about the reason of Stacey's pseudonymn
of Slilent Phase, does it have anything to do with his initials, or is it
coincedence.
I probably shouldn't think about trivial sh%t like this, just wondering.
If it was a conscious decision... CooL
Silent Phase was
Hi Diana,
I hear you sister! Getting reviews published is hell esp. when you're only
writing them as part of your hobby. The staff writers always go first. So if
you do ten reviews, about two get in. And, oh yes, I know the syndrome of
people promising you promo's and never sending them. Even
Stacey Pullen's album Today Is The Tommorow You Were Promised Yesterday is
out on 18 September on Science (UK). It looks like it will get an Australian
release. Astralwerks (US) say they will release it but won't give a date as
yet.
The fact of the matter is that no one is really making any money, Let's talk
about the Underground for a minute, The Artist, the labels, the journalist
not one of them makes a dime compared to the big Corporate Headz that found
a new market and and exploited the crap out of it. I hope you are
Often people on the list counterpoint US techno and European trance and all
hell breaks loose.
But it's surprising that French music doesn't come up too often, if at all.
But there is some fabulous stuff emanating from France right now that wears
its love of Chicago and Detroit on its sleeves,
[EMAIL PROTECTED] wrote:
For me it's a hobby (and 'no' I'm not in
it for the money, I don't care). I usually
come home from work around 8pm. By the time
I have finished eating and checking my mail
it's already pretty late. It's quite
frustrating this time problem. Does anybody
have similar
Brother hang in there, there is purpose and hope and willI have
been doing this for 11 years, few people know my name, let alone my face, I
always kept it incognito, I do it for what I believe in and the respect from
the artist and DJ's is more than enough pay for me. The memories
The fact is there is NO money in music journalism,
j.d.
id have to agree here too. Though, there is a way to make money off of
journalism...but not enough to fully live on a decent scale unless you are
senior editor or something of higher stature..and even then its not a
glamorous life.
Re:
The fact of the matter is that no one is really making any money, Let's
talk about the Underground for a minute, The Artist, the labels, the
journalist not one of them makes a dime compared to the big Corporate
Headz that found a new market and and exploited the crap out of it.
The
I for one definitely agree with you about French Music be it House or
Techno, there is a certain quality in it that is hard to find in other
music. Please keep us posted on Artist, Labels, Reviews, Compliations and
other sources of information that may better assist those who are
interested.
Are you speculating that Mills is moving on, into more jazzier (or other)
waters maybe?
Fred
From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Subject: Re: [313] Axis 20
Date: Sun, 02 Jul 2000 16:06:20 +0900
Actually I am very familiar with the expression as it is
This is completely irrelevant, but I thought it was interesting nonetheless.
While reading through a history of electronic music I found a mention of some
early twentieth century composers, Milhaud and Hindemith, who in the 1920's
were experimenting with variable speed turntables in order to
Yeah, DJ Bone is great. Also Buzz Goree (sp?) - finally seeing these names
mentioned on the list is cool. I have tapes of them from 7-6 years ago and
it's amazing. I can't remember which one (I think Goree) really blew me
away with his ability to mix in sort of corny music and make it sound
I have a product that is a free download, that is supposed to turn streams
into .mp3 and .wma (windows media player files), but I can only get it to
work 20% of the time. The product is called Voquette, and can be found at
www.voquette.com ( i believe ) It can get a little annoying, as it
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