Actually, it's funny but it is totally legal to COVER any tune you
want. You just have to pay royalties for each copy sold (and I assume
nothing if it is just for personal use). So if you are a good producer
you could quite possibly recreate a very close approximation of the
track you want.
-- Original Message --
From: David Powers [EMAIL PROTECTED]
But what I want to know is, why is it okay for Theo Parrish to do
bootlegs, but not for someone to boot Buzz compilations???
the only real argument i can make for why i find edits to be okay
is
JT or. ok. our macho cat record sold out and had another 500 orders at least.
we want to repress it someday maybe. but we want to do other sh:t right now. um
we own that sh:t. we should feel safe in
JT our ownership of it. we are not going to skip whatever else we have planned
just because some
J.T. wrote:
maybe they arent interested in spending their time re-releasing tracks they did
a dozen years and feel they've moved beyond, whatever their reason, it's their
prerogative and they dont even need any excuse or reason.
..and maybe they want *you* to move forward too:: to catch
thx! im no dj:)
another mix soon!
-Joe
- Original Message -
From: Stoddard, Kamal [EMAIL PROTECTED]
To: '/0' [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, June 03, 2005 4:34 PM
Subject: RE: (313) drunk as fuxmix
Lemme just say that the mix section of my itunes is a very
-- Original Message --
From: z66 [EMAIL PROTECTED]
..and maybe they want *you* to move forward too:: to catch more new
musik rather than being stick to your defined classics
if thats the case, maybe they should work on making better new music!
tom
different musik, different qualities..
well, at least it makes these producers even with other producers of
today [who might not been around that time]. in any case, i'm still
being amazed, how much of good musik is being released every year.. just
like others, i use labels and names as a
I was just wondering how they did this year. I haven't heard anything
yet. Did people get paid?
I got fat paid, foo
- Original Message -
From: Thorin Teague [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Friday, June 03, 2005 10:32 PM
Subject: (313) Any word on the financial situation?
I was just wondering how they did this year. I haven't heard anything
yet. Did people get
sorry not meant for the list
- Original Message -
From: /0 [EMAIL PROTECTED]
To: Thorin Teague [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, June 03, 2005 10:35 PM
Subject: Re: (313) Any word on the financial situation?
I got fat paid, foo
- Original Message -
From:
According to the official press release it was a success, the festival
organisers seem to be pretty pleased with how it's gone. Not much bitching or
drama this year either. People seemed to be getting paid without any problems
as well.
BTW. have to say how nice it was to meet 313 peeps Fred,
Yeah in regards to this subject I was bummed--I intended to go to the
Foran's GT but decided I should save myself up; I didn't officially have
a place to stay had to drive out from Lansing, plus I had two fairly
sizable performances Saturday Sunday night, both scheduled to go until
the sun
Hi Jodie,
It was a pretty sweet setup. The graffiti on the wooden fence was still
there, as well as the walls. The front room was facing the main door and
in the main room the setup was pointing at the large wall on the south
side. It was strange that the Visuals were displayed over the entire
-- Original Message --
From: Dan Bean [EMAIL PROTECTED]
BTW. have to say how nice it was to meet 313 peeps Fred, Kent,
Dennis, Greg and Tom. Sorry
I missed others such as Diana (apparently we were at Foran's at
the same time, maybe next
year?).
yeah it
Hi
This is my first message so go easy on me ;)
I think its ok to bootleg tunes as long as they are sold as bootlegs are not
made to look like the originals. Supplying to demand is fine - many people
didn’t get or weren’t around when gems like virtual sex was released.
Therefore giving people
No it's not... it is not OK to bootleg records in the first place.
The music is the intellectual property of the writer/producer, they
have the rights to decide what is going to happen with there music,
not someone who has absolutely no involvement in his music whatsoever.
Excuses like
i know for a fact that people on here who own small electronic
labels have bought bootlegs. how do you explain that? are they
just assh*les?
tom
-- Original Message --
From: Klaas-Jan Jongsma [EMAIL PROTECTED]
Date: Sat, 4 Jun 2005 13:54:40 +0200
No
a bit strongly put tom but i think you'd be hard pressed to find
anyone, who buys the kind of music we do, that hasn't *ever* bought a
bootleg. (as well as copying the occasional cd, tape etc etc.
everyone's done it.)
when you look at the situation without trying to find a side to sit on
yes!
hehe
i've got a couple bootlegs that i didnt know were bootlegs at the time...and
two that i absolutely did (the one with shari vari, cellophane, charlie,
patrick richard, and the cloud one album bootleg from a few years back)...boots
are never really excusable, but it is at least
- Original Message --
From: J.T. [EMAIL PROTECTED]
yes!
hehe
ha. as long as we're all on the same page here ;)
boots are never really excusable, but it is at least slightly
more respectable when somebody tosses out a boot and doesnt
disguise it as a
Yeah... what he said :)
I am never said that i couldn't understand why people bought a
bootleg. I have bootlegs for the same reason JT has them.
I find it just really annoying when people turn the whole thing about
bootlegging around and blaming the fact that there are bootlegs on
the
didnt get to shop nearly as much as i wanted to in detroit, didnt even hit
submerge, or even the s.i.d. tent, so hectic, but i managed to grab really
quick from the recordtime tent...
aquanauts - titanic -- a-side is kinda weak, but man-o-war is GREAT!!!
definitely a sound descended from
- Original Message --
From: robin [EMAIL PROTECTED]
a bit strongly put tom but i think you'd be hard pressed to find
anyone, who buys the kind of music we do, that hasn't *ever*
bought a
bootleg. (as well as copying the occasional cd, tape etc etc.
Ok, I understand what y'all are saying. And I have to conclude that bootlegging
is not ok. But still, I don't regret buying the Virtual Sex bootleg. Because,
as I said: Carl Craig, Kenny Larkin, Stacey Pullen, Kirk Degiorgio and Derrick
May received money from me in the past and will receive
geez none of this makes a lick of sense to me tom. wonkwonkwahwonkwonk charlie
brown teacher stylez. selling rare records that you legally own, where the
demanding collector sets the price, is worse than ripping off somebody's music?
huh??? well, nevermind anyways, i dont even want an
-- Original Message --
From: J.T. [EMAIL PROTECTED]
geez none of this makes a lick of sense to me tom.
wonkwonkwahwonkwonk charlie brown teacher stylez. selling rare
records that you legally own, where the demanding collector sets
the price, is worse
so here's whats really interesting to me. i know how the economics
of pressing records works, it usually requires selling a pretty
large amount of records before you break even, and thats even when
youre using tracks that you arent paying the artist for. since
these guys need to pay for the
what exactly has a collecter done to deserve the $$$ they charge
for rare records?
you got it backwards. collectors are who buy the records, and thus who set the
price -- auctions are great for this reason! a record is worth as much as
somebody will pay for it. literally. that is the market
-- Original Message --
From: J.T. [EMAIL PROTECTED]
you got it backwards. collectors are who buy the records, and
thus who set the price -- auctions are great for this reason! a
record is worth as much as somebody will pay for it. literally.
that is the
you havent answered the question! you still have people making
money off of the artists despite not having done anything. i cant
hahaha what they did is they bought the record!! its called an investment! many
things can appreciate in value! they're not making money off the artist which
i take
News:
I have been booked to play at Zenbar in Farmington on Wednesday, June 15th.
Last week's show was pre-recorded because I was in Detroit for Fuse-In. The
show was a rebroadcast of mixes by Matt Nee (Kompute) Funk D'Void (Soma).
Click the link to hear this show.
agreed on man-o-war, had to really keep my eyes peeled for whatever
reason I just kept missing it. This is one of those releases that I was
talking about, some tracks appear on the 12 that don't appear on the 7
and vice versa, man-o-war was such a track. I had the 7 for quite a
while and was
Thomas D. Cox, Jr. wrote:
you havent answered the question! you still have people making
money off of the artists despite not having done anything. i cant
see how this is justified by the demand but bootlegging by demand
isnt. either way you have someone who had nothing to do with the
-- Original Message --
From: ha [EMAIL PROTECTED]
2 things come to mindbr
br
1) the dealer provides a (legit) service:
legit how? would it be legit for someone to buy up all the energy
and water in the world and then sell it at a premium because they
had
-- Original Message --
From: J.T. [EMAIL PROTECTED]
you havent answered the question! you still have people making
money off of the artists despite not having done anything. i cant
hahaha what they did is they bought the record!!
SO DID THE BOOTLEGGERS.
Thomas D. Cox, Jr. wrote:
i mean ill break your f*cking arms if you try to take something
from me. so good luck with that.
perfect! bootleggers take something from somebody. so "their fecking
arms should be broken". you said it yourself.
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