http://www.p909.com/live/p909_live_at_smart_bar_20070124_thanks_andrew.mp3
Thanks for sharing!
On 1/30/07, robin [EMAIL PROTECTED] wrote:
Yeah, thanks for sharing Martin...listening now.
robin...
Martin Dust wrote:
No worries P, been rocking the office for a couple of days with it...
Got this thru last night, enjoy...
m
Nakajima Young aka Different World presents:
Cynet-Media Podcast No.3 recorded in Fukui Japan Live.
Visit www.cynet-media.com
Direct Link:
http://basiclanguage.net/download/DifferentWorld-LiveMix-1-26-2007.mp3
Another eclectic mix of hard beats and
I hope you volunteered your services to CC then Todd, after all you know
him better than most. ;-)
(I've never heard the Work Out CD so I can't judge. However I have a few
mix CDs by CC and the sound on these seems ok. Surely one would think an
audibly 'damaged' recording would not be passed as
Not sure if this is the problem or not but there is
some sort of feature on that CD to prevent copying.
Before anyone gets all judgemental on me I was copying
it for in my car, I dont like taking original CD's in
it since I had a bundle stolen from it.
Also, sounds fine to my ears.
Cheers
BT
I also do some compilation CD mastering and import all of the CD
tracks
into Live, use a multi-band compressor on it all, match the levels
from
song to song and normalize it. Haven't had a complaint yet.
now, as for getting on the microphone and adding to all of the tracks
your own
Hello,
Will be in London from Thursday the 1st of february till the 5th of
february, anything happening? or up for a pint please let me know.
Thanx,
Martijn
Stacey Pullen is playing at Gurnmills on the 3rd. Otherwise it's a bit dead
(apart from Derrick May on 17th) until March.
We need some rest time!
-Original Message-
From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED]
Sent: 31 January 2007 11:40
To: list 313
Subject: (313) London
Quiet in London? Not a chance.
Don't forget the boss, Ricardo Villalobos, at Fabric on Feb 3.
On 1/31/07, Blaauw, Martijn de [EMAIL PROTECTED] wrote:
Hello,
Will be in London from Thursday the 1st of february till the 5th of
february, anything happening? or up for a pint please let me know.
Sounds good...might give it a shot...
Any pubs or bars worth visiting?
-Oorspronkelijk bericht-
Van: Hamish [mailto:[EMAIL PROTECTED]
Verzonden: woensdag 31 januari 2007 12:44
Aan: Blaauw, Martijn de
CC: list 313
Onderwerp: Re: (313) London happenings
Quiet in London? Not a chance.
You will just miss our Convextion and Surgeon party on the 9th Martijn.
You can't extend a guess, a pity! :)
-Original Message-
From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED]
Sent: 31 January 2007 11:48
To: Hamish
Cc: list 313
Subject: RE: (313) London happenings
Sounds
If you want traditional English stout or porter, then the Jerusalem Tavern is
not too far from either Fabric or Turnmills.
http://www.stpetersbrewery.co.uk/london/default.htm
Not open on a Saturday though!
-Original Message-
From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED]
Sent: 31
Well, perhaps you are generalising a bit too much Paul.
In my experience, the so-called 'dance scene' seems to be amongst the
most progressive and enlightened about the whole over-compression issue
*just judging from my own experience mind*, and seeing as you know at
least some of the music I
I'm beginning to think that not a soul living outside of London or the UK
has been to a Bleep party.
It's always too bad you can't stay a little longer... with you lot innit?
;-)
MEK
Odeluga, Ken [EMAIL PROTECTED] wrote on 01/31/2007 05:51:34 AM:
You will just miss our Convextion and
Thanks again for sharing Martin.
I should know this tune but does anyone know what's playing at around
the 50 minute mark? The one with the pianos.
robin...
Martin Dust wrote:
Visit www.cynet-media.com
Direct Link:
http://basiclanguage.net/download/DifferentWorld-LiveMix-1-26-2007.mp3
You pre-master in Live? Crikey the sound engine in their makes things
sound as flat as a pancake...Off with your ears ;)
This one comes up all the time despite the numerous tests that people have
setup over the years. The fact is that the internal sound engine in Live is
no less superior to
I've been to one and thought it was ace. I was legless though, so I
may be barred now :-(
I live in the UK (not London though), but was on a trip home from
working in Canada at the time...
On 31/01/07, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
I'm beginning to think that not a soul living
We try to make sure to schedule them for when the out of towners just
happen to be leaving Michael! ;-).
Jes kidding!
Seriously, if you're coming from some far-flung corner of the earth
(like Wales for instance!) just to come to a Bleep43 party, then we'd
very likely look favourably on that.
K
I live in the UK (not London though), but was on a trip home from
working in Canada at the time...
my theory still stands ;-)
MEK
Nick Hardie [EMAIL PROTECTED] wrote on 01/31/2007 09:20:56 AM:
I've been to one and thought it was ace. I was legless though, so I
may be barred now :-(
I
I've been to one and thought it was ace. I was legless though, so I
may be barred now :-(
No way. More likely to get barred for being too sober.
On 31 Jan 2007, at 15:18, punkdISCO wrote:
You pre-master in Live? Crikey the sound engine in their makes things
sound as flat as a pancake...Off with your ears ;)
This one comes up all the time despite the numerous tests that
people have
setup over the years. The fact is that the internal
Hooray. I've got it in writing - I'm not banned!!!
On 31/01/07, Odeluga, Ken [EMAIL PROTECTED] wrote:
I've been to one and thought it was ace. I was legless though, so I
may be barred now :-(
No way. More likely to get barred for being too sober.
Hi again
Disagree, I can hear the difference in our studio - it's massive enough for
anyone to spot, which is why we wire Live through a desk before the sound
goes anywhere but I'd never use it to master anything in a million years.
Each to their own I guess...
It is interesting that you say
lol, Live is absolutely inappropriate for mastering tracks. Unless you are
using unstretched WAVs, your output from live is going to sound degraded.
- Original Message -
From: Martin Dust [EMAIL PROTECTED]
To: punkdISCO [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Wednesday, January
Apologies if this topic has been covered.
Anyone know what the deal is with satelliterecords.com lately?
I use unstretched WAVs + AIFs, so it never gets run through Live's
Warping engine. It's basically working as a VST / AU wrapper. I could be
doing it with Peak or Sound Forge but I don't. A lot easier to keep
track of 20 songs on a compilation CD by copying effects settings to
each track,
Well, all their retail stores were sold off, and then I stopped
paying attention.
On Jan 31, 2007, at 11:38, Thor Teague wrote:
Apologies if this topic has been covered.
Anyone know what the deal is with satelliterecords.com lately?
--
matt kane's brain
http://hydrogenproject.com
aim -
On 1/31/07, punkdISCO [EMAIL PROTECTED] wrote:
1) WAV file imported into DAW_A
2) WAV then processed using some hi end pluggin
3) track bounced to a new WAV
This is repeated in Live and other DAWs and then the bounced versions are
compared.
how are they compared? it seems like RMSE (root
in the multiple studies i've read, they're typically
compared by phase inverting one of the tracks and
mixing them. in every case that i've read about,
they've summed to silence, which means the tracks are
identical.
i actually feel like i can hear what Martin's talking
about, so I keep looking
lol, Live is absolutely inappropriate for mastering tracks.
It might not be the normal choice but there are no reasons why it can't be
used.
Unless you are using unstretched WAVs, your output from live is going to
sound degraded.
For sure. ANY stretching algorithms will have an effect of the
Hi Tom
how are they compared? it seems like RMSE (root mean square error) would
compare them well, and even a small difference can amount to great error
Sometimes its technical, sometimes its just here are 3 clips from A, B and
C.
i personally dont care which is better, so all im interested in
On 1/31/07, punkdISCO [EMAIL PROTECTED] wrote:
Sometimes its technical, sometimes its just here are 3 clips from A, B and
C.
well a technical comparison is really all that matters. either
something is exactly the same digitally or its not. whatever the
limitations of your ears are is
On 31 Jan 2007, at 16:42, Todd Sines wrote:
I use unstretched WAVs + AIFs, so it never gets run through Live's
Warping engine. It's basically working as a VST / AU wrapper. I
could be doing it with Peak or Sound Forge but I don't. A lot
easier to keep track of 20 songs on a compilation CD
well, the compilations mastered were then loaded in and checked at the
pressing plant before going to GMCD. but yeah, that's basically it.
this wasn't the case for the Fabric mix.
+odd
--
Martin Dust wrote:
On 31 Jan 2007, at 16:42, Todd Sines wrote:
I use unstretched WAVs + AIFs, so it
On 31 Jan 2007, at 18:45, Todd Sines wrote:
well, the compilations mastered were then loaded in and checked at
the pressing plant before going to GMCD. but yeah, that's basically
it.
Crikey
this wasn't the case for the Fabric mix.
Did they send it away to have all the good bits taken
This is a pretty sweet surreal video.
http://ny.beam.tv/beamreels/reel_player.php?reel=PdnyzcDdVKamp;reel_file=wKWdtCShjvamp;fs=1
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