[313] gherkin jerks

Hiya list, Can anyone tell me anything about Larry Heard's Gherkin Jerks record? It's been repressed and was hitherto extremely rare. Good? Al -- Warning : The information contained in this message may be privileged and

[313] hood tracks ID

Hiya, I've recently got a Rob Hood mix from Energy Zurich 1996. It contains these two beauties: 1) http://www.brightlightslittlecity.com/stuff/hood1.wav 2) http://www.brightlightslittlecity.com/stuff/hood3.wav Can anyone identify them? They sound like the man himself. Cheers, Al

RE: [313] UR SID #1-5 for sale on ebay

Well, the first Boards of Canada album on Scam recently went for £700 on ebay... Ja'Maul Redmond [EMAIL PROTECTED] on 21/03/2002 02:10:22 PM To:'313@hyperreal.org' 313@hyperreal.org cc: Subject:RE: [313] UR SID #1-5 for sale on ebay this is ridiculous,, $285 for 5

[313] planet e website

After about year of checking it, something has happened on the dormant planet e website. What next, some new releases??? Al -- Warning : The information contained in this message may be privileged and confidential and

Re: [313] am I the only one who is getting sick of deleting posts about jungle???

Debates about whether something is music are truly futile. I just think that a neutral observer would find a lot of the posts on here not only narrow minded and elitist (I'm fed up of talking about jungle, It's not really music) but downright contradictory. The London broken beat scene is

Re: [313] inside out

I think that it may be on the Network version. Funky funk funk is entirely forgettable, but bassline redeems the record. Niko Tzoukmanis [EMAIL PROTECTED] on 25/01/2002 10:19:44 AM To: Mark S Flintoft [EMAIL PROTECTED], 313@hyperreal.org cc: Subject: Re: [313] inside out isn't

Re: Re: [313] inside out

Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline'

Re: Re: [313] inside out

but where did the name reese bassline come from? robin pinning [EMAIL PROTECTED] on 25/01/2002 11:08:16 AM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: Re: [313] inside out Pardon my ignorance but the drum and bass people around 5

[313] 2001 gems

As it's still near the beginning of the year, I thought that this is still a relevant topic. Over the last few weeks there have been loads of lists in magazines, net etc. with top lists of 2001. While I don't slavishly go out and buy all the top 10 records, I do find these useful to check I

Re: [313] Bobbins

I do and I thought it was great [EMAIL PROTECTED] on 25/01/2002 04:19:47 PM To: 313@hyperreal.org cc: Subject: [313] Bobbins Memo from Alex Bond of PricewaterhouseCoopers Start of message text Mr Magic Feet will not thank me for saying this,

Re: [313] Kirk Degorgio

I am a massive Kirk D fan, but I can't see what the fuss was about Nairobi (nor the C2 mix) nor Another Revolution. Haven't heard the new album. Of course, someone of that quality cannot be written off - I'm not that fickle! Check out his website as well for some great musical info on his

Re: [313] Ewan Pearson

Ewan Pearson is Maas on Soma and his album Latitude is one of my favourites. Al Phonopsia [EMAIL PROTECTED] on 17/01/2002 02:01:13 PM To: 313 313@hyperreal.org cc: Subject: [313] Ewan Pearson Over Xmas I picked up a grip of records (reviews forthcoming), and one of the stand-out tracks

[313] party in March/April

313ers, Bit of an unusual question this one. It's my friend's 30th birthday on April 5th. Does anyone know of any events worldwide around that date? It could be anything (313 related or otherwise), the wilder the better! Much appreciated! Alastair

Re: [313] every dog vol 3

Makes no sense whatsoever. Unfortunately Mills influenced a whole generation of producers to put this sort of gibberish on the back of their album sleeves. Jason Donnelly [EMAIL PROTECTED] on 08/01/2002 11:26:30 AM To: 313@hyperreal.org cc: Subject: [313] every dog vol 3 on the most

Re: [313] every dog vol 3

Yes, I think that we have been here before. Am I the only one who gets slightly irritated by people thanking God for their musical abilities? It's completely unnecessary. Besides, what the lord giveth, the lord taketh away. robin pinning [EMAIL PROTECTED] on 08/01/2002 11:45:11 AM Please

Re: [313] every dog vol 3

I wasn't suggesting insincerity, just that if you believe in God (or a god) then it's between you and him, and there's no need to hand out the credits. Bit like a over-long Oscars acceptance speech. robin pinning [EMAIL PROTECTED] on 08/01/2002 12:04:06 PM Please respond to [EMAIL PROTECTED]

Re: [313] every dog vol 3

I don't think that musicians need writers to transform their work into something that is more meaningful. Most music is equivocal, and it is this that has imbued it with so much power and meaning throughout history. If an artist wants some sort of narrative to their work, you'd expect that they

Re: [313] every dog vol 3

Well, yes I see your point. The same could be said for classical music. Very few musicians have presumed themselves to be good writers as well. But as a music enthusiast, I am interested in how the music came about, not in a set of imposed ideas about what the music means. alastair Lester

[313] Plastic People at Planit 2000, London

Went to Plastic People and my night revolved around 3 acts that I wanted to see (see below). The club itself was very well run and spacious and the staff were friendly. 1) Pharoah Sanders After a long soundcheck, this started pretty badly. The sound was muddy and I think that they were not used

Re: Re: [313] deep dub detroit/berlin ramble

I have recently come across Twilight Circus who is producing great dub, a little like the berlin kind, but less digital and mainly instrument based. He plays all the instruments himself. I don't think that he's been mentioned before on this list. Go and check it out:

[313] KMS/Network

All, Does anyone know of a good source of info on KMS? I know of the discography on techno.org but that is a bit limited. Any recommendations from the back catalogue? Also, can anyone tell me the connection between KMS and Network (which seems to have released a lot of KMS in the UK). Anyone got

[313] seiji discography

Hi list, With all this talk of Seiji on the list, I'd be interested to know if a discography exists anywhere. Thanks -- Warning : The information contained in this message may be privileged and confidential and

RE: [313] techno/jazz --- jazz/techno

If you like the latest Morgan Geist 'Super' then try out some of the stuff on the UK Nuphonic label. Faze Action's album of a few years ago sounds similar. Mann, Ravinder [CCS] [EMAIL PROTECTED] on 23/10/2001 08:03:25 AM To: 313 313@hyperreal.org cc: Subject: RE: [313] techno/jazz ---

RE: [313] techno/jazz

I reckon that Kirk Degiorgio bettered the Planetary Folklore album (on Mo Wax) with In with arps and moogs and things...(?) on Clear. But both sound like authentic jazz. Mann, Ravinder [CCS] [EMAIL PROTECTED] on 22/10/2001 01:49:10 PM To: 'Rob Theakston' [EMAIL PROTECTED], '313'

[313] KMS album

Does anyone know anything about a KMS compilation from 1988 (I think) with Rhythm is Rhythm's 'Beyond the dance' as the last track but including other tracks by MK, Art Forest. Does anyone have an opinion of it? Thanks

RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

I'm with the musical luddites Vince and Yair. Technology is not necessarily all for the good. Making very tenuous analogies with the advent of house and techno is incorrect. It's like saying: You've become accustomed to a high standard of healthcare now and you like it, so who's afraid of a

Re: [313] Please READ THIS Tribute to the United States]

No country is gloating at the US. This bit of dogmatic rabble-rousing is definitely not worth forwarding. Hodgson, S. R. (Sean) [EMAIL PROTECTED]@ford.com on 14/09/2001 01:05:31 PM Sent by: [EMAIL PROTECTED] To: 313@hyperreal.org, [EMAIL PROTECTED], Miss Ashley [EMAIL PROTECTED]

Re: [313] DE9 closer

Am I the only person that finds the concept of this Hawtin album a bit up its own arse? Good DJing? - no it's all done on computer Good tracks? - no he is 'improving' upon other people's tracks by deconstructing them and putting them back together. The result is one 90 min cut n paste track which

RE: [313] DE9 closer

If a scientist announced to the techno community that he had devised a new concept in electronic music using technology that nobody had used before, I think that most people would be dismissive of it. My first question was is it good DJing? The answer is no because DJing is not involved, but you

RE: [313] DE9 closer

surely it is possible to have a conversation on a conceptual level, rather than just saying I like that!, I don't like that! I admit to not having heard the latest hawtin mix, but I heard the last one (and it was pretty dull). I am no technophobe and also I am no purist so let's leave those

Re: [313] baby ford?

seems to be a general lack of baby ford knowledge. The 'ford trax' album is credited with being a seminal acid house album (containing oochy koochie). Since then it was all fairly quiet 'til the mid nineties, when the ifach label was launched. His work is fairly inconsistent, but he is still

[313] fat boy slim

313, There have been a volley of emails recently slating Fat Boy Slim and Moby as being the coporate whores of the dance music 'industry'. Whilst there are more pertinent subjects on the agenda, I would still like to make a distinction between the two. I'd don't for one moment like FBS's music.