On 22 Feb 2008, at 05:18, UI Design wrote:
How would getting the shirts done in the UK make it cheaper?
There are a lot of screen printing houses here in Detroit that are
really good. With the exchange rate, its cheaper to get them done here
in Detroit.
ie You get two screens made and ship
Just a few bits and bobs from us:
New 12 on the way - Set To Receive
http://www.dogsquad.co.uk/tbd/?p=271
New Album - Radio Scarecrow
http://www.radioscarecrow.com/
and a few dates...
March 14-16 Bloc Weekend
March 21 - Kingpin - Bristol
April 3 - H's - Texas
April 18 - Secret Location -
We'll have a pop at designing one if you want Kent, we can also get
shirts made in the UK, which will make it cheaper for the UK/Europe
headsJust a thought...
m
that he's gone
public with the selling the whole collection thing.
On Feb 19, 2008 8:33 AM, Martin Dust [EMAIL PROTECTED] wrote:
Hey Tom,
Check this guy out
http://tinyurl.com/32apc7
m
--
peace,
frank
dj mix archive: http://www.deejaycountzero.com
Hey Tom,
Check this guy out
http://tinyurl.com/32apc7
m
PiL - Metal Box
Throbbing Gristle - Part Two: The Endless Not
James Ruskin - The Dash
Chakk - Death Of The Middle Class
2001 - DEMF
Part 1
http://www.youtube.com/watch?v=zNK50NcV0Y0
Part 2
http://www.youtube.com/watch?v=Ayk0n2a7qe4
Part 3
http://www.youtube.com/watch?v=E8svZEi6LlU
Come on then Ken, what's your trainer of choice?
m
PS Vans or Duffs for me :)
On 15 Feb 2008, at 09:05, Odeluga, Ken wrote:
And you also like 'funky house', note! ;-)
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 15 February 2008 08:56
To: Toby Frith;
On 14 Feb 2008, at 18:45, [EMAIL PROTECTED] wrote:
Oh, btw - I've been on film shoots
I know *exactly* how many people it takes to do this kind of work -
craft
services included
you want me to write up an financial estimate for it?
Then you'll know it's all fibs. Do a financial if you
On 15 Feb 2008, at 09:51, [EMAIL PROTECTED] wrote:
wow,
i thought it was doc. martin's (no pun intended btw ;)
Do they still make them? Ken's a big fan of DM's but I've got fat
ankles and don't really need the support.
m
On 15 Feb 2008, at 10:10, Odeluga, Ken wrote:
You're right! Adidas is innocent of course! I'll wear sandals in this
time of palms, will that be acceptable? ;-p
Make sure you have on a good white sports sock with those Ken ;)
On 15 Feb 2008, at 15:33, [EMAIL PROTECTED] wrote:
*sigh* yes, of course it is - it's advertising fer chrissake
Easy - it's not personal, I'm just chatting sh1t and throwing idea out
there.
reposting your first mail you sent on the topic:
The problem for big brands is they don't
Point taken :) - I'll wang some in the bag post up to make up for
it...
m
On 15 Feb 2008, at 15:49, kent williams wrote:
So by my count 30+ messages touching on Anti-corporate rage, shoe
fashions, Buddhism, Artistic Integrity, whether Herbie Hancock has
lost the plot, Who gives a f#ck
Anyone heard the new album yet? Really looking forward to it.
m
Hard to judge on short clips like you mention but I'm up for it, I loved
the last album.
m
Stoddard, Kamal wrote:
Thanks for the link! The first 4 I'm feeling pretty deep. Nothing else
until the 8th clip, which is pretty tough, nice. The 9th one is pretty
wonky so you know I'm in on that. The
The problem for big brands is they don't actually make anything,
there's no such thing as Adidas - as the modern economy is concept
based, driven by ideas and transient notions. Therefore it should come
as no surprise when they try to tie this something real or something
that would
On 14 Feb 2008, at 11:28, Odeluga, Ken wrote:
Martin's got a refined point I think, although it's arguable that they
don't actually make anything. They make money for a start! :)
No doubt, but money is only an abstract concept in which we choose to
place our trust in anyway - the concept
On 14 Feb 2008, at 11:58, Matt Kane's Brain wrote:
On Feb 14, 2008, at 6:51 AM, Martin Dust wrote:
the only thing they do is the design
Well shucks, good thing that's so easy! :)
I wasn't suggesting that it (design) was easy, merely pointing out
and re-enforcing the point I made about
old guard = company- internal marketing dept- research firm - wack
commercial actors
new guard = company- guerrilla/viral marketing consultants -
independent media creation professionals- people you actually know
and
care about.
It's convincing K, but ask yourself the reason they've
On 14 Feb 2008, at 17:43, [EMAIL PROTECTED] wrote:
that's total B.S. Martin
they aren't robots - I'm sure there are people working at Adidas and
other companies they could very well be into Theo Parrish
Why is it BS? Have I shattered the illusion?
It's true, get use't it - its how the
Adidas basically documents a day in the life of with a barely
noticeable fact that he's wearing their shoes.
That's the whole point of the advert tho MEK, they've done the BUY
NOW, so they've switched to mnml :) If you've ever seen what it takes
to document a day in the life of film (8+
[EMAIL PROTECTED] wrote:
Oh, btw - I've been on film shoots
I know *exactly* how many people it takes to do this kind of work - craft
services included
you want me to write up an financial estimate for it?
You can if you want but that wasn't my point ;)
m
As grey as ever here but hey, on the decks today:
Decks
Moodymann - Telephone Blue/Small Black Church/Soul Sounds and all of
Beaumont Hannant's releases - back to back.
Mind
Manchester Sequence and Bloc :)
Soul
Pasty or Pasta
Kinda reminds me of an early Turning Shrines cover.
m
On 5 Feb 2008, at 12:45, rob theakston wrote:
Hi.
Ever heard of Bershka? Well apparently they are a clothing store with
about 500 locations in their chain. Up until this morning I had never
heard of them. Then I saw the following photos:
Berlin is well worth a visit if you can make it over. Tresor is
absolutely massive, the upstairs room could hold 1000 people with ease
and the sound system downstairs is one of the loudest we've ever
played on. It's also one of the strangest, the bass is complete
separated into it's own
On 26 Jan 2008, at 12:48, Wildtek Concept / DJ Dimitri Pike wrote:
the two new releases are :
Gareth Duprey 'Deep In The Tomb' EP (WILDUB 03)
Dimitri Pike 'Space Travel' Ep (WILDTEK VIRTUAL 03)
Good to see more releases from you D, looking forward to listening to
these
m
On 25 Jan 2008, at 12:40, Martin Dust wrote:
Yeah, I'm confused as to what all this means or is even about,
someone care to explain?
Sorry for kicking this off guys, after a weekend in Berlin - I was
informed.
Had a great time at Tresor, loads of pictures below, I'm not really a
fan
Yeah, I'm confused as to what all this means or is even about, someone
care to explain?
m
[EMAIL PROTECTED] wrote:
Yo shake, great to meet you here, good ultraschall brother from back in da days.
To the People the message:
http://www.7mzdt.com/subjectdetroit/music.mp3
Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 25 January 2008 12:40
To: 313@hyperreal.org
Subject: Re: (313) stuff on discogs for sale
Yeah, I'm confused as to what all this means or is even about, someone care to
explain?
m
[EMAIL PROTECTED] wrote:
Paging Dan Bean, Over
M
Yeah, you'll need some kind of hat ;)
m
On 18 Jan 2008, at 11:20, Odeluga, Ken wrote:
24/7, I heard.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 18 January 2008 11:17
To: 313 Org
Subject: Re: (313) Glasgow
i've heard it always rains overthere
Meh, you don't know rain until you've lived in Manchester!
Aha the rain in Sheffield is well techno, it falls to the key of D
minor, the saddest of all keys :)
m
On 18 Jan 2008, at 11:08, Toby Frith wrote:
Arguably just behind Berlin and Detroit as one of the techno
cities of the world.
Yeah, I'd agree with that, great place for a night out for techno
heads - never had a bad night out there ever.
m
Glasgow is a great place for Techno, you've got Monox, Pressure and
loads of nights going off at the Sub-Club and they are all on the same
block. Hit Rub A Dub record store for some flyers and this place just
off Argyle Street for the best kebabs in the world:
Really sad loss - RIP Ron.
m
Big 50 Entertainment wrote:
It is with a heavy heart and great regret that I announce the passing of Ron
Murphy.
I was called with the news that he died of a heart attack sometime today.
Most of you already know of Ron and how important he was to the creation of
Great piece of work
http://folk.uio.no/hanst/Manchester/ChicagoHouse.htm
autechre, quaristice tour 2008. manchester show.
at the music box, 65 oxford street, manchester. m1 6eq.
on 29 february 2008. 10pm 3am
line up:
//autechre.
(live)
warp records. www.warprecords.com // www.autechre.ws //
www.myspace.com/myslb
//snd.
(live)
mille plateaux // raster noton //
On 11 Jan 2008, at 15:06, JT Stewart wrote:
adorno and horkheimer published most of their stuff in the 40's.
Got ya...
m
On 11 Jan 2008, at 16:39, Thomas D. Cox, Jr. wrote:
On Jan 11, 2008 11:36 AM, [EMAIL PROTECTED] wrote:
I agree. My guess is because of the general audience in the US
tends to be
more conservative in so many different ways.
or maybe they like to be able to read what is written. magazines
3. he's mirroring the cultural elitism of widely discredited
and criticized prejudiced white guys from the 40's.
I don't understand this reference, 40s, prejudice isn't exclusive, is
it? Care to explain?
m
Producer, remixer, label owner, DJ, Grammy nominee: is there anything
Carl Craig can't do? Put out full-lengths as often as dance music fans
would like might be one answer to that question. Lucky for us, then,
that !K7 convinced him to put out a double disc set catching us up on
all of his
Not perfect but OK, check the acid house expert :)
http://www.bbc.co.uk/iplayer/search/?q=dance+britanniago=Find
+Programmes
m
You know, like there's so much silence comes
from an mp3/laptop that you can't hear the music...
Brilliant, reminds me of this:
Beans, in cans, how handy is that.
Bez
m
I heard James Ruskin at the 'Closer' party he played a storming set,
using a combination of vinyl laptop
That man has some serious skills.
For sure, his new album on Tresor is out soon as well.
HNY everyone...
Martin
New and final mix in the series
The Black Dog - You Are Strange 3
1. Arvrio - Pan Sonic - Mute - http://www.discogs.com/release/224217
2. Loop: Raver - Burial - Untrue - Hyperdub - http://www.discogs.com/
release/1125103
3. Loop: Shell Of Light - Burial - Untrue - Hyperdub - http://
We'll another year nearly over, so with that in mind, all the best to
you and yours at Yule and here's to the future and a great 2008.
m
Here's our Dec chart, more time needed for a whole year tho...
*Top Ten December*
*1.* Til We Meet Again (Carl Craig remix) - Kevin Saunderson - KMS Records
*2.* Lower State Of Consciousness - ZZT - Turbo Recordings
*3.* And Their Refinement Of - Stars Of The Lid - Kranky
*4.* Harmony in
That's a great list, I'd love to hear all those back to back this
morning :)
m
On 30 Nov 2007, at 09:57, Robert Taylor wrote:
http://metrotimes.com/editorial/story.asp?id=12036
Discuss!
##
###
Note:
Any
Interesting, it could be seen as part of the work evolving, a natural
progression if you will.
m
On 28 Nov 2007, at 11:40, Odeluga, Ken wrote:
Yeah, scumbags.
It does highlight though, the fact that Guyton's art wasn't
universally
loved and whilst some people felt it was
http://www.youtube.com/watch?v=dGvoJk51Q9s
http://www.youtube.com/watch?v=FJ24cKKV1sc
http://cgi.omroep.nl/cgi-bin/streams?/vpro/34860826/windowsmedia.asf?
You can never have enough Scorn or Quoit in your life if you ask me Kent
:) I've just been looking for CD versions of the old vinyl albums on
Discogs actually...
Mick is such a talented producer and one of the best drummers I've ever
heard
kent williams wrote:
This is coming out this
by the way - anyone answer this question:
it will be difficult for any of the imprints affiliated with Amato to
recover stock held at its warehouse.
What happens to the leftover stock usually? Does is
disappear (get sold
by former employees)?
If the label owes Amato money they
On 21 Nov 2007, at 23:25, Thomas D. Cox, Jr. wrote:
On Nov 21, 2007 3:32 PM, Martin Dust [EMAIL PROTECTED] wrote:
If the label owes Amato money they won't see the stock until the
money is paid, however if you don't owe money you can go and collect
the stock at your own cost. If it's
Kraftwerk: We Are the Robots
Thursday 22 November 2007 11:30-12:00 (Radio 4 FM)
Marc Riley traces the career of Kraftwerk, whose 1970s electronic
music owed more to the experimental German classical compositions of
Karlheinz Stockhausen than to any pop tradition. They were part of a
new
Get a room already, this is 313 not Heat/Hello magazine...
m
On 16 Nov 2007, at 10:30, Frank Glazer wrote:
three videos showing richie hawtin's um genius??? ;)
http://www.youtube.com/watch?v=t9B9tjAaMs8
http://youtube.com/watch?v=b-n90BVhV_8
http://www.youtube.com/watch?v=fDvcevwVl8c
On 16 Nov 2007, at 14:04, The Archiver wrote:
Heat/Hello? Your favourite magazines Martin ?
Not at all, merely a comment posted with regards to the content and
the paradoxical similarity.
m
On 15 Nov 2007, at 09:21, robin wrote:
I think you should all keep in mind that the article is in Mixmag,
easy now...
Indeed, but no futurists on this list anymore?
I'm not sure, I was only thinking about this the other day and what
about Sci-Fi? Who is the new William Gibson/Rudy
On 15 Nov 2007, at 06:55, robin wrote:
Almost funnier then how hard this write jocks Ritchie Hawtin.
Just because Mr Hawtin picks up a piece of technology some one
else creates, doesn't mean he is Vasco de Gama discovering new
parts of the world. Every time I see references to that Dex
On 15 Nov 2007, at 09:39, robin wrote:
I'm not sure, I was only thinking about this the other day and
what about Sci-Fi? Who is the new William Gibson/Rudy Rucker?
Most people are busy struggling to get through the day never mind
the future :)
Indeed and to a certain extent the future
On 14 Nov 2007, at 00:10, Thomas D. Cox, Jr. wrote:
On Nov 13, 2007 4:36 PM, Martin Dust [EMAIL PROTECTED] wrote:
Not really what he's talking about, he's talking about access via
one
file to all the channels of audio that make up a track.
but why play other people's tracks at all
On 14 Nov 2007, at 15:45, Robert Taylor wrote:
I like playing records but I can't beat match - why should that
stop me
having fun playing record to other people?
It shouldn't, don't remember saying it should.
m
On 14 Nov 2007, at 15:31, Robert Taylor wrote:
Beat matching is the most overrated aspect of Djing
I'd agree, it's a bit like learning to ride a bike. Programming has
always been the most important thing for me but I'm so bad at it with
vinyl in my hands :)
m
I that case, well augmenting :)
on another note:
The new B12 12 has just landed, putting it on now...
m
On 14 Nov 2007, at 15:56, Robert Taylor wrote:
I wasn't reacting to what you said, but merely augmenting it :)
On 14 Nov 2007, at 16:15, robin wrote:
When I read the article, especially the bit about being able to
select bits of tracks, I
immediately thought of 'Closer to the Edit' which (for me)
actually diminished the tracks that
comprised it.
I'd agree with that too. It was nice he tried
On 14 Nov 2007, at 17:19, robin wrote:
Obviously programming is key, but arguing that programming is
better than beatmatching is like saying colour is better than
painting.
One is paint by numbers (beatmatching) and the other is freehand,
that's the difference to my mind...
m
More noise/drones/dub from us
*The Black Dog - You Are Strange 2 Mix*
1. æo³ - Autechre The Hafler Trio - Die Stadt
http://www.discogs.com/release/485665 http://
2. 20 Jazz Funk Greats - Throbbing Gristle - Fetish Records
http://www.discogs.com/release/328130 http://
3. Suhteellinen - Pan
Good little interview here:
http://m-nus.com/newsletters/MM_NOV07_RICHIEHAWTIN.pdf
m
Not really what he's talking about, he's talking about access via one
file to all the channels of audio that make up a track.
m
Benoît Pueyo wrote:
If I have understood well what he says, he wants full techno
discography available everywhere he goes to be able to play some hi
hats. Has drugs
On 9 Nov 2007, at 12:22, Robert Taylor wrote:
It's middle-class Guardian-reading electronic music - it'll go on the
shelf with all those Zero 7 and Massive Attack CDs
Nice drop kick Rob :) We'll it is Friday I guess...
m
That's not strictly true but I can't be arsed to map the early days
of Dubstep out again :)
i think youre going to have to do it man, since i was buying the
records in 00-02 when the name was first being used. any timeline that
includes anything outside of 2-step in its lineage is incorrect,
On 8 Nov 2007, at 11:24, Odeluga, Ken wrote:
But what about the 'garagey' trimmings of the latest Burial offering
then ...?
Not feeling it at all Ken and it's not getting much play in the
studio at all, to my ears, it just sounds really old and a step
backwards into a sound that
I just can't get down with the garage sound at all, it means
something complete different in this grey city (on-top night clubs,
shootings, gang fights and chavs on buses playing that bassline on
their phones) but people seem to be digging it - good luck I say :)
m
On 8 Nov 2007, at
On 8 Nov 2007, at 13:27, Thomas D. Cox, Jr. wrote:
On Nov 8, 2007 8:14 AM, Emile Facey [EMAIL PROTECTED] wrote:
There's nothing like Burial to divide a group, people seem to
absolutely love it or just don' get it at all. Personally I'm with
Martin all the way here, give me some Scorn any day,
On 8 Nov 2007, at 14:51, Thomas D. Cox, Jr. wrote:
On Nov 8, 2007 8:49 AM, Martin Dust [EMAIL PROTECTED] wrote:
The Burial new album stinks to it's very roots of garage Tom, it's
positively dripping with it.
which is why i like it! and why i think its great that suddenly all
those garage
On 7 Nov 2007, at 18:17, kent williams wrote:
Haha. I've heard a lot of garage and while he's obviously inspired by
some garage, it's a lot messier and less dance-floor pandering. I
like the messiness. I also like the fact that he puts stuff together
just with sound forge.
Kent Wrote:
in
the same way Black Secret Technology was. The vocals took a bit of
getting used but now they seem to form part of the soundscape as
opposed
to being words to listen too.
I've just played them both of these back to back and Black Secret
sounds more modern than the stuff on
This looks interesting
http://blog.allmusic.com/2007/11/06/dateline-detroit-new-messages-from-the-tribe/
m
I also like the fact that he puts stuff together
just with sound forge.
Yeah, course he does - can't believe you bought that load of old
balls ;)
On 7 Nov 2007, at 16:28, Mann, Ravinder wrote:
Really feeling this, its something new and some old at the same
time, in
the same way Black Secret Technology was. The vocals took a bit of
getting used but now they seem to form part of the soundscape as
opposed
to being words to listen too.
Good work D, grabbing this now...
m
On 5 Nov 2007, at 14:52, Wildtek Concept / DJ Dimitri Pike wrote:
WILDUB 02 - Mitch Walcott 'Titan' LP
(http://wildtek.free.fr/Titan/Titan.png)
After the fantastic release by the extremly talented Gareth Duprey
'The
Tempest', one of the most exciting
Wildtek Concept / DJ Dimitri Pike wrote:
Martin ! You know you are for me the finest ears in UK, so I'll wait your
feedback impatiently crossing fingers from feets to hands and I deeply hope
you'll find stuff you'll like !
Crikey D, that's a bit gushing - I wouldn't say I'd got the finest
On 5 Nov 2007, at 15:53, [EMAIL PROTECTED] wrote:
I am really
turned off by the idea that Techno music has to keep up with
technology, that it is some sort of technology in itself, that
innovation equals progress equals good.
Innovation has always been interesting but like good, it
Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 02 November 2007 13:02
To: 313 Distribution List
Subject: (313) Rocking My Boat This Week
The new mix from Rob Hall, one of my favourite DJ's
http://www.rob-hall.co.uk
if you've missed some of his mixes you can grab them from here:
http
anyone know where I get October's mix?
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
VT Library Users' Guide
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 02 November 2007 13:02
To: 313 Distribution List
Subject: (313) Rocking My Boat This Week
The new mix from
On 2 Nov 2007, at 11:14, Matt Kane's Brain wrote:
On Nov 2, 2007, at 6:36 AM, Martin Dust wrote:
get some quarters and a jukebox.
That's hardly democracy.
I say screw democracy when it comes to music, no one is ever going to
erect a statue to a committee and the Wright brothers never
On 2 Nov 2007, at 12:29, Odeluga, Ken wrote:
... In America Martin, yes, where money=votes!
Money and Lies more like, the UK is no different - apathy rules and
your rights can go take a running jump if you ask me.
m
The new mix from Rob Hall, one of my favourite DJ's
http://www.rob-hall.co.uk
if you've missed some of his mixes you can grab them from here:
http://www.skkatter.net/audio
Pinch - Underwater Dancehall
Cloaks EP on Werk Discs
and these Mick Harris interviews:
With the greatest respect this sounds like something off Tomorrows
World in the 1970's :)
Give me a good DJ, a chunk of darkness and perhaps a strobe, that's
enough for me.
All this suggests is that music and djing is some kind of community
democracy, I shudder at the very thought of
Interesting conversation and while music has gone beige and the
machine that supplied/distributed music is broken - nothing really
changes except that now no-one want to pay for anything - on demand,
we want the worst quality mp3's, we want them here and we want them now!
For new music to
On 1 Nov 2007, at 10:46, r.g.3003 wrote:
Yeah totally agree with Tom's last paragraph here.
It's funny going to a minimal club night (ie not exciting/new) and
seeing
the whole place dancing to some reason presets or something...who
is making
the music now...c++ programmers?
Kids with
One of the key points that everyone seems to miss out tho is music
does NOT play such a central role in the younger generations life as
it did for us, there is so much more stuff out there that now
competes for that time/space/money.
M
On 1 Nov 2007, at 01:03, JT Stewart wrote:
i like
On 1 Nov 2007, at 10:40, robin wrote:
Another point that's missed here is, by and large, musical
revolutions happen in time with other youth/cultural changes.
These can be brought around by changes of society (rock and roll
due to teenagers having money) or changes in the drugs that
On 1 Nov 2007, at 10:25, robin wrote:
Good point Martin.
Another point that's missed here is, by and large, musical
revolutions happen in time with other youth/cultural changes. These
can be brought around by changes of society (rock and roll due to
teenagers having money) or changes in
We played there a couple of weeks ago, had a great time and the crowd
are great - recommend.
M
On 1 Nov 2007, at 14:24, Williams, Graham wrote:
D1 have a weekly club, it's in a place called Rogue on Dame Street. I
think it's a residents night this Saturday with Eamonn Doyle. You
should
Thanks for playing the remix Anton and the mix at the end is
brilliant, really enjoying it.
m
On 26 Oct 2007, at 00:29, Anton Banks (www.antonbanks.com) wrote:
News and other info can be found at the bottom of this message.
The last four programs are always archived online. Visit
There is a feature on UR in the latest issue of The Wire. I was
relatively surprised to see a
photo of Mad Mike on the cover... I guess staying underground
doesn't quite mean what it used to.
Not that I have an issue with it; it is pretty hard to stay
anonymous these days.
The
Nice Speedy J project here:
http://www.umfeld.tv/downloads/Umfeld_ipod_version.m4v
Read about it here:
http://www.umfeld.tv/
m
about 4 months ago...
[EMAIL PROTECTED] wrote:
website is offline and myspace is off too
MEK
Haven't got to the interview yet but does Gillies do his show from a
massive coffee table?
m
On 10 Oct 2007, at 08:21, klaus boss wrote:
It directly evolved from Grime and 4 X 4 ( 4 by 4).
This is completely wrong, it came from the garage scene before the
scene became more urban/commercial and probably because of it. When
it first hit it was called New Step around 2000 and then
501 - 600 of 1966 matches
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