On Saturday, Aug 30, 2003, at 14:09 US/Pacific, John Howell wrote:
OK, you're notating a blues in D -- that's D mixolydian. What's your
key signature, the standard 2 sharps with an accidental for every C,
or 1 sharp to reflect the mode?
Don't know any rule (I never do!), but I'd use 2 sharps be
On Saturday, Aug 30, 2003, at 15:27 US/Pacific, Dennis Bathory-Kitsz
wrote:
But I think your comment had to do with ATA vs. SCSI drive life. I
think this may be new vs. old more than anything else. These days the
same
hardware usually ends up in both kinds of consumer drives, so a more
reasona
At 11:08 AM 8/30/03 -0700, Philip Aker wrote:
>On Saturday, Aug 30, 2003, at 08:54 US/Pacific, Dennis Bathory-Kitsz
>wrote:
>> I never keep daily-use drives more that 10-12 months anyway -- always
>> upgrading to bigger and faster ones. :)
>
>Astounding what PC users perceive as normal--I'm using
Hello. I hope you will pardon this poll of the list concerning
availability of bass marimbas. Andrew Stiller's Instrumentation book
lists them as extremely rare and normal ones with extensions down to
A (from the normal c) as 25%.
But in the years since he wrote the book, my impression is that
OK, you're notating a blues in D -- that's D mixolydian. What's your
key signature, the standard 2 sharps with an accidental for every C,
or 1 sharp to reflect the mode?
Don't know any rule (I never do!), but I'd use 2 sharps because 1
sharp implies a tonic on G and would introduce confusion. B
OK, I've spent a while scouring the documentation. How are you supposed
to set a key combo to activate a script?
-
Brad Beyenhof
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"helgesen" wrote
> The piece they played was a newly written(?) march from a film (I think)
> about Churchill. I don't think it was called "Churchill March"- but it could
> have been. It could have been Goodwin- or Walton or somesuch.
> Very much in the style of "Battle of Britain March"- but star
At 01:50 PM 8/30/2003, Richard Yates wrote:
> (Have I missed a command for changing
>notes enharmonically?).
After Tyler clarified some of the advantages of the new Simple, I've been
playing around with it some, although (like you) I am not yet a convert
from my usual method (Speedy w/o MIDI). I'
Perhaps this is not as compelling an argument, but I think seeing the
C-naturals affects the players in a positive way as they convey the overall
blues "feel," if you will. It's all metaphysical, I suppose, but then so is
follow-through on a golf swing...
-Richard
> From: Chuck Israels <[EMAIL PR
I guess my reasoning is that they don't work right out of the box the
way I understood the phrase "automatic alignment" to work -- to me that
implied all the time, not just some of the time.
And maybe my shorts are too tight, making me grumpier than usual.
I will take your advice and stop compl
On Saturday, Aug 30, 2003, at 08:54 US/Pacific, Dennis Bathory-Kitsz
wrote:
Compared to SCSI, I find ATA drives to be unreliable. With OS 8-9, it
was guaranteed that the one I have would crumble every 10-12 months
whereas the older SCSI ones I have just keep on going.
I never keep daily-use d
Robert Patterson Finale wrote:
David H. Bailey wrote:
"Automatic expression alignment" would imply that if we want them
lined up so they are a uniform distance below/above the staff, the
program would do it so it is uniform.
That's what "Below Staff Baseline" is for (which is available for
no
Having been a 'Speedy with MIDI' devotee for many years, this morning I have
been tryinging out the new 'Simple with MIDI'. I cannot say that it is
convincing me. Some of this is certainly just unfamiliarity with it.
However, the new Simple really does not seem to be convenient with MIDI
keyboard
Title: Blues mode key signature
Giz Bowe wrote:
you're notating a blues in D -- that's D mixolydian. What's
your key
signature, the standard 2 sharps with an accidental for every C, or 1
sharp
to reflect the mode? you're notating a blues in D -- that's D
mixolydian. What's your key
signature, th
Giz Bowe writes:
OK, you're notating a blues in D -- that's D mixolydian. What's your
key signature, the standard 2 sharps with an accidental for every C,
or 1 sharp to reflect the mode?
Dear Giz and others interested in the question:
My preference would be for two sharps. Use C naturals and F
[Giz Bowe:]
>>OK, you're notating a blues in D -- that's D mixolydian. What's your
>>key signature, the standard 2 sharps with an accidental for every C,
>>or 1 sharp to reflect the mode?
[Christopher B. J. Smith:]
>... the one I suggest to my students - the first option you mentioned.
I w
Hello. I hope you will pardon this poll of the list concerning availability of bass
marimbas. Andrew Stiller's Instrumentation book lists them as extremely rare and
normal ones with extensions down to A (from the normal c) as 25%.
But in the years since he wrote the book, my impression is that n
I will be on leave until Monday September 15.
Please direct inquiries on the Intranet to Jo Bourne and inquiries on Newslink logons
to the Help Desk.
Thank you
*
The information contained in this e-mail message and
At 08:32 AM 8/30/03 -0700, Philip Aker wrote:
>Compared to SCSI, I find ATA drives to be unreliable. With OS 8-9, it
>was guaranteed that the one I have would crumble every 10-12 months
>whereas the older SCSI ones I have just keep on going.
I never keep daily-use drives more that 10-12 months
On Saturday, Aug 30, 2003, at 02:33 US/Pacific, Dennis W. Manasco wrote:
I would never think to run Norton, or any other disk utility, against
my boot disk; I would always either boot from another disk or CD. This
may be a paranoid attitude, but until I know far more about OS X I
feel that it i
On Saturday, Aug 30, 2003, at 02:33 US/Pacific, Dennis W. Manasco wrote:
(who likes the consumer-enabled low-level access of SCSI and is
fighting tooth and nail -- but with reducing pocketbook -- against
moving his new Mac machines to ATA)
Compared to SCSI, I find ATA drives to be unreliable. Wi
At 06:06 PM 8/29/2003 +0200, Jari Williamsson wrote:
FWIW, Forza! will soon be able to transfer Fin2004 expressions between
files, complete with descriptions and positioning. [I just have to
finish a
composition this weekend.] Then you just make the changes in one file
and directly transfer the ex
On 30.08.2003 16:40 Uhr, Craig Parmerlee wrote
> No, I think what we have here is a bug. After installing F2004, it
> won't recognize any expression selections as note-attached until you
> set the radio button in the Expression palette to note-attached one
> time. After that, it all works correc
At 03:24 PM 8/30/2003 +0200, Johannes Gebauer wrote:
On 30.08.2003 13:22 Uhr, David H. Bailey wrote
> I find the same behavior as you do -- using the normal selection method
> the radio button for measure attached is highlighted, even when the
> cursor indicates it should be a note-attached expres
At 07:22 AM 8/30/2003 -0400, David H. Bailey wrote:
I find the same behavior as you do -- using the normal selection
method the radio button for measure attached is highlighted, even when
the cursor indicates it should be a note-attached expression.
However, once you change the radio button to N
At 10:48 PM -0400 8/29/03, Giz Bowe wrote:
OK, you're notating a blues in D -- that's D mixolydian. What's your
key signature, the standard 2 sharps with an accidental for every C,
or 1 sharp to reflect the mode?
Big arguments about this one.
You have pretty much laid it out, it makes sense w
David H. Bailey wrote:
>
> "Automatic expression alignment" would imply
> that if we want them lined up so they are a uniform distance below/above
> the staff, the program would do it so it is uniform.
That's what "Below Staff Baseline" is for (which is available for note-attached as
well as m
Robert is absolutely right about the present shortcomings of Audio Midi
Setup, and I was actually forgetting about the lack of patch lists,
because my MOTU installations added the previous FreeMidi library of
patch lists to AMS, and it works beautifully. But, I was speaking in
terms of the per
I agree with Tim Thompson that it "just works". I'm not quite so sanguine about it,
however. I've never used MIDI on a Wintel box, so I can't compare the experiences, but
in OSX you must have the proper drivers for your MIDI interface, which is probably
very similar to Win. So far, I have not ha
On 30.08.2003 13:22 Uhr, David H. Bailey wrote
> I find the same behavior as you do -- using the normal selection method
> the radio button for measure attached is highlighted, even when the
> cursor indicates it should be a note-attached expression.
As a matter of fact, this has already been the
David,
I am beginning to think that you haven't really gone into expressions much
yet. It is true that for your own personal preferences you may have to
adjust your default file to what you like. However, I don't think we can ask
Coda to provide factory settings separately for every personal need
I don't mean to be impertinent, but you did select the proper radio button at the
bottom, no? Occasionally I run into this problem myself. The way I fix it is by
noticing whether Measure-Attached or Note-Attached is selected on the radio button at
the bottom of the dialog. I find it easy to over
OSX MIDI and audio really beats anything on any other OS out there by
miles. Once you have apps that can take advantage of it, it is really
great--it just works!
Tim
On Saturday, August 30, 2003, at 07:00 AM, Eden - Lawrence D. wrote:
To those of you using OS X:
Is MIDI implementation still
In jazz/blues charts, the major (or minor) key signature is always
used. If you are talking about a piece to be played by a standard
jazz-type of ensemble, players would be confused if you used a modal
key sig. because it would seem to them that you want the piece to be in
G, but they would im
To those of you using OS X:
Is MIDI implementation still a problem with this OS?
I have been reluctant to move to OS X because of concerns about MIDI.
If you have a USB MIDI interface you will find the way much smoother.
RockyRoad
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I find the same behavior as you do -- using the normal selection method
the radio button for measure attached is highlighted, even when the
cursor indicates it should be a note-attached expression.
However, once you change the radio button to Note Expression once, each
subsequent use of the pal
I would be tempted to notate it in D with accidentals on C to show the
tonic rather than in G to show the mode.
Of course you can notate it one way and see how it looks to you and then
simply change the key, using Hold Notes To Original Pitches, and see how
it looks the other way.
Giz Bowe w
There are the same triangles which you can choose to show or not.
Depending on how close to the staff or far away, the expressions
(note-attached) will retain a certain predefined offset from the entry
it is attached to if you drag the baseline too close to the staff.
If you aren't happy with t
I just tried your "bug" (I run Win98se) and both pages remained visible.
Perhaps it is more a Finale/WinXP (stands for extra problems)
combination "bug" than merely a Finale "bug."
I assume the second page remains visible when you work on the same file
in Fin2003 in page view?
At any rate I ho
Robert Patterson Finale wrote:
David H. Bailey wrote:
When I use a metatool to place a text expression, I can't edit that
placement individually from any other placement
If only want to affect one expression, why wouldn't you just drag it
where you want it? Effectively, that *is* what you wa
To those of you using OS X:
Is MIDI implementation still a problem with this OS?
I have been reluctant to move to OS X because of concerns about MIDI.
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On 30.08.2003 11:33 Uhr, Dennis W. Manasco wrote
> Normally I would agree with you and would have given this advice if I
> thought that it would have helped. Indeed, one of the reasons that I
> did not is that OS X is such a different beast from OS <= 9.x that I
> would never think to run Norton,
- Original Message -
From: "Craig Parmerlee" <[EMAIL PROTECTED]>
(snip)
> Is there anybody out there who is able to do note-attached expressions going through
> the selection dialog > (i.e. NOT using metatools)?
Craig,
Win98Fin04, I have no problems assigning note and/or measure attached
At 9:59 am -0400 8/29/03, Andrew Stiller wrote:
Thanks especially to Dennis Manasco for his technical explanation of
my bad-blocks problem.
You are welcome.
The upshot appears to be that I should do nothing, because a)
whatever info is in the bad blocks is certainly not compromising my
machine
At 4:23 pm +0200 8/29/03, Johannes Gebauer wrote:
Before you do this I would definitely run Norton from it's CD and
see whether it can solve the problem more easily. If it runs into
severe problems it will tell you.
Johannes
On 29.08.2003 12:01 Uhr, Dennis W. Manasco wrote
...
Johannes,
Norm
To follow on my earlier post, I can't get note-attached expressions to
work. If I use expression metatools (hold down a qwerty key while I
click a note), I can get a note-attached expression, no problem. But
when I do it the regular way -- double-click a note, then select the
expression from
At 01:33 AM 8/30/2003 +, Robert Patterson Finale wrote:
Check the metatool setting in the Expression Menu. Also, turn on
colors. Then you can tell immediately if you've put in a note-attached
or meas-attached exp.
Yes, colors are on. They are all dark green = measure-attached. No
matter w
OK, you're notating a blues in D -- that's D mixolydian. What's your key
signature, the standard 2 sharps with an accidental for every C, or 1 sharp
to reflect the mode?
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Craig Parmerlee wrote:
> Every time, Finale is
> using the measure-attached properties, not the note-attached properties.
>
Check the metatool setting in the Expression Menu. Also, turn on colors. Then you can
tell immediately if you've put in a note-attached or meas-attached exp.
--
Robert
OK, I must be completely dense. I am trying to understand how the
automatic placement of expressions works.
I created a new expression and I gave it completely different
attributes for note-attached versus measure-attached. For example,
note-attached is below baseline, aligned with the center
> Has anyone seen this: when multiple page view/page
> view is enabled, using Speedy Entry causes the 2nd
> page to disappear.
This doesn't happen on my machine. What view percentage and screen and color
resolution are you using?
> This WAS beta tested, right?
Yes. Some things might still be
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