Richard Huggins wrote:
I'm just wondering how many of you have a Finale (or Finale/MIDI)-dedicated workstation
Well, I'm moving in that direction, but have another year or two to get
to the final point.,
I started out moving my internet capabilities off of my Finale computer,
onto another, simi
Thanks a lot for the tip. It works like a charm
In a message dated 04:23 PM 9/27/2003, Mike Cholewa wrote:
The attachment send from a Mac was probably encoded with binhex (perhaps it
had the extension .dat). You can try and use Stuffit expander from Aladdin
Systems (http://www.aladdinsys.com). I
I'm just wondering how many of you have a Finale (or Finale/MIDI)-dedicated
workstation? That is, a computer/MIDI set-up that only is for the purpose of
engraving and perhaps related activities (such as MIDI sequencing, maybe
audio processing). In other words, your Internet, business activities,
e-
> I sometimes have the impression that the Custom Line tool may be one of
the most underused really powerful things in Finale. In an offline
conversation with a Coda person, I complained that a major drawback of the
CLT is that text (i.e., Left, Center Full, or Right) that is visible in a
score cou
The attachment send from a Mac was probably encoded with binhex (perhaps it
had the extension .dat). You can try and use Stuffit expander from Aladdin
Systems (http://www.aladdinsys.com). Install Stuffit. Save and rename the
attachment with the extension .sit. Double-click on the file and it should
The university bands that I know of in the US have low C bass
clarinets. In an orchestra situation, I would write for it, and
perhaps cue it in bsn or contra bsn in case it is not available.
Tim
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Hi all,
Importing a.mus file from mac to PC is not some thing I do often. But when
I do I more often than not get problems. The Mac file (2k1) is not
recognized as a valid file format by my Winfin 2k4. Do any of you get
similar difficulties? Am I doing some thing wrong? This particular fil
Robert Patterson wrote:
>I'm hoping someone else on this list uses custom lines, and will
>help me disabuse our friends at Coda of the notion that I'm the only
>one who cares whether custom line text remains visible irrespective
>of spacing (at least optionally).
>
>And if you haven't discovered t
Andrew Stiller's instrumentation book gave the state-of-the-art c.
1979 for extensions as about 25% each of barry saxes and b. cls.
have extension keys. (The barry sax to written low a, and the b. cl.
to written low c.)
I seem to remember on a discussion on this list that these extension
keys
Dennis Collins writes:
What's the standard rest for a whole measure in 6/1 (2 groups of 3
whole notes)? And for a half measure (3 whole notes)? Centered or
not? This is early 17th century stuff (and I don't want to halve the
values, but I assume the question would be the same with 6/2).
Ross d
I would assume that most all Bari saxes have low As. In fact, most of
the high schools around my area have them too.
Assuming a Bass Clarinet goes down to C is not a good idea. Perhaps for
a pro ensemble, but even then, a lot of clarinet guys like the ones that
go down to Eb better for some rea
Assuming low A on bari sax is an acceptable thing these days, as even
student models are now coming with them. To cover all bases, you could
simply put a smaller notehead on the same stem on an harmonically
appropriate note as an ossia, but you should find that especially with
pros, the low A
Robert Patterson writes:
(Snip)
I'm hoping someone else on this list uses custom lines, and will
help me disabuse our friends at Coda of the notion that I'm the only
one who cares whether custom line text remains visible irrespective
of spacing (at least optionally).
And if you haven't discove
Andrew Stiller's instrumentation book gave the state-of-the-art c. 1979 for extensions
as about 25% each of barry saxes and b. cls. have extension keys. (The barry sax to
written low a, and the b. cl. to written low c.)
I seem to remember on a discussion on this list that these extension keys ar
Robert Patterson Finale wrote:
[snip]
I'm hoping someone else on this list uses custom lines, and will
help me disabuse our friends at Coda of the notion that I'm the only
one who cares whether custom line text remains visible irrespective
of spacing (at least optionally).
I never thought of us
In this case, common practice offers no obvious standard. I would probably extrapolate
from the rules for 6/4. In 6/4, the whole measure rest is just a single whole rest
while a half measure is half-plus-quarter or dotted half. Extrapolating for 6/1 would
mean
measure rest: quad-whole rest (i
I use the Custom Line Tool every time I need a word placed at any angle. It
does this beautifully, and there are no lines involved.
Also, I use it every time I need to write the name of a Tuplet which is for
example a ratio or some other string of characters which don't fit the
standard scheme for
At 2:04 AM + 9/27/03, Robert Patterson Finale wrote:
I'm hoping someone else on this list uses custom lines, and will
help me disabuse our friends at Coda of the notion that I'm the only
one who cares whether custom line text remains visible irrespective
of spacing (at least optionally).
That strikes me like saying that it is OK if a car manufacturer
decided not to include any forward gears because with a lot of
practice and patience, people can learn how to drive backwards
really well.
One of the early European auto makers, I forget which one, built his
first cars w.o brakes.
While there are many reasons not to like Sibelius (just as for
midi-users there are many reasons not to like Finale) I don't think the
lack of scroll mode is one of them.
Your remark maks me think that you never wrote music on paper and had to
turn to a new page as you entered more notes.
Yes
Maybe someone can help me with this one.
MacFin2002b has been frequently crashing on me for several months, so I
took the computer in to be serviced. The tech reinstalled it. I also have
Finale 98d on my hard disk. I have kept that version because I have some really old
Finale files that 98d
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