On 10 Dec 2003 at 18:49, Darcy James Argue wrote:
> On 10 Dec 2003, at 06:42 PM, David W. Fenton wrote:
> >>
> >> This is most unusual. Were they all burned at the same time, from
> >> the same batch of blank CD-Rs? How were they stored? Evidently
> >> something went seriously wrong somewhere a
On 10 Dec 2003, at 06:42 PM, David W. Fenton wrote:
This is most unusual. Were they all burned at the same time, from
the same batch of blank CD-Rs? How were they stored? Evidently
something went seriously wrong somewhere along the line.
Well, the original minidisc was one format, recorded live
On 10 Dec 2003 at 17:27, Darcy James Argue wrote:
> On 10 Dec 2003, at 08:38 AM, David W. Fenton wrote:
>
> > On 10 Dec 2003 at 3:57, Darcy James Argue wrote:
> >
> >> Also, upthread, people's worries about the longevity of optical
> >> media (CD-R, DVD-R) are overblown. Optical media is *much m
On 10 Dec 2003, at 08:38 AM, David W. Fenton wrote:
On 10 Dec 2003 at 3:57, Darcy James Argue wrote:
Also, upthread, people's worries about the longevity of optical media
(CD-R, DVD-R) are overblown. Optical media is *much more* reliable
than hard drives. Yes, optical media fail occasionally (a
I am unwilling (generally) to part with FINALE files as they
represent a meta-manuscript. Once anything is in FINALE, it is
endlessly malleable to a variety of versions that is unknown to the
"pen-and-ink" world. Granted, I have made a career of doing just this
sort of thing, and I am unwilling
On 10.12.2003 13:03 Uhr, d. collins wrote
> Knowing your good taste, I'd be curious to see what it looks like! Do any
> of your sample pages on your web site use this music font? Or would you be
> willing to send me a PDF privately?
None of the PDF's on my web site use the font, and in fact I hav
On 10.12.2003 14:38 Uhr, David W. Fenton wrote
> Uh, every single CD of this particular concert is dead, less than 3
> years after they were created. So, multiple optical backups won't get
> you anything more than a single optical backup.
I recently read an article about poor quality CD Media, wh
On 10 Dec 2003 at 3:57, Darcy James Argue wrote:
> Also, upthread, people's worries about the longevity of optical media
> (CD-R, DVD-R) are overblown. Optical media is *much more* reliable
> than hard drives. Yes, optical media fail occasionally (again, much
> less frequently than hard drive fa
On 10.12.2003 10:14 Uhr, d. collins wrote
> Johannes Gebauer écrit:
>> I reserve certain templates for my very
>> own use, which will not leave the house at all (and there wouldn't be much
>> use in that anyway, since they use fonts which I made myself including the
>> main music font, and which I
On 09 Dec 2003, at 05:47 PM, Johannes Gebauer wrote:
On 09.12.2003 23:19 Uhr, David W. Fenton wrote
Large hard drives. Store the source files or store the disk images.
At 650-700MBs for the images, a 100GB hard drive will hold well over
100 CDs. And it just isn't all that expensive any more.
Well
On 9 Dec 2003 at 23:47, Johannes Gebauer wrote:
> On 09.12.2003 23:19 Uhr, David W. Fenton wrote
>
> > Large hard drives. Store the source files or store the disk images.
> > At 650-700MBs for the images, a 100GB hard drive will hold well over
> > 100 CDs. And it just isn't all that expensive any
On 09.12.2003 23:19 Uhr, David W. Fenton wrote
> Large hard drives. Store the source files or store the disk images.
> At 650-700MBs for the images, a 100GB hard drive will hold well over
> 100 CDs. And it just isn't all that expensive any more.
Well, after the latest Apple FireWire desaster I am
On 9 Dec 2003 at 23:07, Johannes Gebauer wrote:
> On 09.12.2003 22:21 Uhr, David W. Fenton wrote
>
> > Yes, this is audio, so it's perhaps different from data, but the
> > point is this: CDs are not even close to being a permanent data
> > storage method.
>
> Same with Data. I had a concert reco
On 09.12.2003 22:21 Uhr, David W. Fenton wrote
> Yes, this is audio, so it's perhaps different from data, but the
> point is this: CDs are not even close to being a permanent data
> storage method.
Same with Data. I had a concert recording stored as SD II files on a CD,
which went bad. No way the
I have actually decided that I will give away the files after all. I think
my policy in the future will be that I reserve certain templates for my very
own use, which will not leave the house at all (and there wouldn't be much
use in that anyway, since they use fonts which I made myself including t
On 9 Dec 2003 at 15:07, Richard Huggins wrote:
> It seems to me that some sort of backstop scenario ought to be
> followed by all of us by which we preserve in an organized way the
> files that might be needed by clients in the event we no longer can
> provide them or do the new work the publisher
Again I have to put on my editor's hat and say that I fully understand the
publisher's position on this. He wants to know he can get his hands on the
original notation file if they decide to alter the original version, like
with a simplification, or perhaps to change title fonts and sizes to match
act with him to make future revisions. Perhaps hire him
to develop those house standards.
Jim
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Johannes Gebauer
Sent: Tuesday, December 09, 2003 2:28 PM
To: Finale 3
Subject: Re: [Finale] Giving away Finale
On 09.12.2003 18:46 Uhr, Jim Mays wrote
> How about sending the PDF and an XML file? Music XML is getting better and
> better at capturing the basics of music notation. The publisher's primary
> needs will be served and the "sweat of your brow" hasn't been compromised
> either.
>
> I see no reas
-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Johannes Gebauer
Sent: Tuesday, December 09, 2003 5:07 AM
To: Finale list
Subject: [Finale] Giving away Finale files
Hi,
Can someone tell me about your standard practice in giving away Finale
files? I have been working for someone to pr
ect: [Finale] Giving away Finale files
Hi,
Can someone tell me about your standard practice in giving away Finale
files? I have been working for someone to produce publishable material,
which he publishes in his own small publishing firm. For this purpose I have
always sent him PDFs, which worked j
Bailey" <[EMAIL PROTECTED]>
To: "Johannes Gebauer" <[EMAIL PROTECTED]>
Cc: "Finale list" <[EMAIL PROTECTED]>
Sent: Tuesday, December 09, 2003 12:44 PM
Subject: Re: [Finale] Giving away Finale files
> Johannes,
>
> Richard has given you some advice based
Johannes Gebauer wrote:
Can someone tell me about your standard practice in giving away Finale
files?
I anticipated this problem before I first sold my work in producing a
Finale file, and I explicitly provided in the contract that I
acknowledge that the music produced from my Finale file is s
Johannes,
Richard has given you some advice based on experience.
I would add to his advice that changing to some default template rather
than the actual files from which you produce the PDF files may well ruin
potential future work with the publisher. If this partnership grows,
the larger pub
er way (or have in the
past) and they can offer you their reasonings.
Richard H.
> From: Johannes Gebauer <[EMAIL PROTECTED]>
> Date: Tue, 09 Dec 2003 11:06:37 +0100
> To: Finale list <[EMAIL PROTECTED]>
> Subject: [Finale] Giving away Finale files
>
> I am tempted t
Hi,
Can someone tell me about your standard practice in giving away Finale
files? I have been working for someone to produce publishable material,
which he publishes in his own small publishing firm. For this purpose I have
always sent him PDFs, which worked just fine.
Now he has agreed to publish
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