Hello folks,
The arrangement I'm working on is in 3/4 but the same note values could
easily be put in 6/8 or 12/8. I'd rather keep it in 3/4 the way the
composer entered it into Finale, but would love to add 6/8 in parentheses so
the players understand the rhythms more easily. Is there any way t
At 10:42 AM -0800 4/01/04, Brad Beyenhof wrote:
On 4/1/04 9:48 AM, Ken Parsons wrote:
How do you enter two time signatures for a piece that oscillates back
and forth between them - e.g. 3/4 & 6/8? I'd like to enter these in the
first measure, and not have to put them in every time the grouping
Thanks you all for the help. It works!!!
BF
Brad Beyenhof wrote:
>
> Bob:
>
> Because of the staggered entrances, select the whole section and run the
> "Convert to Real Whole Rests" plug-in (In the "Note, Beam and Rest Editing"
> submenu). Since you have empty measures, there are no rests to
No, you don't need to do each instrument separately, you need to
highlight the entire score at one time and follow the process, so that
ALL notes/rests are acted upon at once.
David H. Bailey
Bob Florence wrote:
This section is for 4 trombones. Trombone 1 plays 6 bars. He repeats his
phrase
Bob:
Because of the staggered entrances, select the whole section and run the
"Convert to Real Whole Rests" plug-in (In the "Note, Beam and Rest Editing"
submenu). Since you have empty measures, there are no rests to expand to
200%. If the rests become real, they will double properly.
--
Brad
On Apr 2, 2004, at 1:44 PM, Bob Florence wrote:
This section is for 4 trombones. Trombone 1 plays 6 bars. He repeats
his
phrase and is joined by trombone 2. They continue their 6 bars and are
joined by trombone 3. They continue and are joined by trombone 4. This
is
a total of 24 bars. I added 24
This section is for 4 trombones. Trombone 1 plays 6 bars. He repeats his
phrase and is joined by trombone 2. They continue their 6 bars and are
joined by trombone 3. They continue and are joined by trombone 4. This is
a total of 24 bars. I added 24 bars to that section to make it 48.
I tried the me
If you want to double the values and rebar the music, you can do that by
highlighting the score using the mass mover tool and then under the Mass
Edit menu select Change and the select Note Durations. Select 200% and
be sure the Rebar Music box is checked.
Then change the time from 4/4 to cut-
I think what Bob wants to do, in addition to changing the time
signature from 4/4 to cut time, is also to double all the note values
-- turn sixteenths into eighths, etc. This is easy enough to do with
the Mass Edit tool -- just select "Change -> Note Durations", then
select "Change all durati
It will not become 48 bars. The time signature will change, but everything
else will remain the same.
--Richard
> From: Bob Florence <[EMAIL PROTECTED]>
> How can I take a section of music (24 bars) in 4/4 and change it to cut time
> (2/2). It will become 48 bars. Is there a Finale way or do I h
Hi All:
How can I take a section of music (24 bars) in 4/4 and change it to cut
time (2/2). It will become 48 bars.
Is there a Finale way or do I have to do it the old fashioned way and re
do it?
Thanks:
Bob Florence
___
Finale mailing list
[EMAIL PROT
Brad has given you one response -- probably the best/quickest.
Another way would be simply to use the mass mover tool on every other
measure and Rebeam to Time Signature and select 6/8 as the time
signature to rebeam to.
David H. Bailey
Ken Parsons wrote:
How do you enter two time signature
On Apr 1, 2004, at 10:56 AM, Dennis Bathory-Kitsz wrote:
Assuming Ken hasn't started yet, he could create a blank score of N
measures, set up the first two with the changing signatures and correct
barlines (dashed if needed), drag&drop the 2-measure pattern forward
N-1
times, then highlight & hid
At 10:42 AM 4/1/04 -0800, Brad Beyenhof wrote:
>On 4/1/04 9:48 AM, Ken Parsons wrote:
>
>> How do you enter two time signatures for a piece that oscillates back
>> and forth between them - e.g. 3/4 & 6/8? I'd like to enter these in the
>> first measure, and not have to put them in every time the gr
On 4/1/04 9:48 AM, Ken Parsons wrote:
> How do you enter two time signatures for a piece that oscillates back
> and forth between them - e.g. 3/4 & 6/8? I'd like to enter these in the
> first measure, and not have to put them in every time the grouping
> changes.
Well, I don't think there's any a
How do you enter two time signatures for a piece that oscillates back
and forth between them - e.g. 3/4 & 6/8? I'd like to enter these in the
first measure, and not have to put them in every time the grouping
changes.
Thanks!
Ken Parsons
___
Finale
Am working on a page that has 2 systems in Windows
98 and Finale 2004.
Can't seem to get the time
signature to Hide on the top system which is the end of a song from previous
pages and to Show on the bottom system which is the start of a new
song.
Any help is definately
appreciated.
On Wednesday, January 21, 2004, at 06:49 PM, Harold Owen wrote:
Brad Beyenhof writes:
When I apply Time Signature Spacing to a measure, there does not
appear to be a beat chart anymore. I don't like the output of any of
the various auto-spacing routines on this particular measure, but
Time S
Brad Beyenhof writes:
When I apply Time Signature Spacing to a measure, there does not
appear to be a beat chart anymore. I don't like the output of any
of the various auto-spacing routines on this particular measure, but
Time Signature is the closest and I want to modify from there. Any
tid
On Jan 21, 2004, at 5:01 PM, Brad Beyenhof wrote:
When I apply Time Signature Spacing to a measure, there does not
appear to be a beat chart anymore. I don't like the output of any of
the various auto-spacing routines on this particular measure, but Time
Signature is the closest and I want to
When I apply Time Signature Spacing to a measure, there does not appear
to be a beat chart anymore. I don't like the output of any of the
various auto-spacing routines on this particular measure, but Time
Signature is the closest and I want to modify from there. Any tidbits,
or will I just ha
Rob Deemer wrote:
>
> I've had a few instances where the music required a non-metered section
(with or without
> barline deliniations) where the musicians would play out of time. Getting
around the
> meter issues isn't difficult, but coming up with a satisfactory symbol to
use instead of
> a tradit
Bob Deemer writes:
Finale listfolk,
I've had a few instances where the music required a non-metered
section (with or without
barline deliniations) where the musicians would play out of time.
Getting around the
meter issues isn't difficult, but coming up with a satisfactory
symbol to use instea
Finale listfolk,
I've had a few instances where the music required a non-metered section (with or
without
barline deliniations) where the musicians would play out of time. Getting around the
meter issues isn't difficult, but coming up with a satisfactory symbol to use instead
of
a traditional ti
. <[EMAIL PROTECTED]>
To: Finale List <[EMAIL PROTECTED]>
Sent: Thursday, October 09, 2003 8:13 PM
Subject: [Finale] time signature...
> FinMac 2K3
>
> I want to force Finale to write a time signature in a specific measure.
> The section is in 3/8 as it comes to a double bar, bu
At 6:13 AM -0400 10/09/03, Eden - Lawrence D. wrote:
FinMac 2K3
I want to force Finale to write a time signature in a specific measure.
The section is in 3/8 as it comes to a double bar, but I want to indicate
3/8 again in the next section.
How is this done? Finale realizes that I have already st
FinMac 2K3
I want to force Finale to write a time signature in a specific measure.
The section is in 3/8 as it comes to a double bar, but I want to indicate
3/8 again in the next section.
How is this done? Finale realizes that I have already stated the time
signature and won't allow me to enter
Le 03/02/03 14:04, "David H. Bailey" <[EMAIL PROTECTED]> a écrit:
> So then how would you propose a person solve the problem if cut-time is
> desired, along with the single numbers for 3/4, 4/4, 5/4, etc.?
This is a workaround that is very helpful to me. For most modern usage
cut-time are obsolet
-- Forwarded Message
> From: Éric Dussault <[EMAIL PROTECTED]>
> Date: Mon, 03 Feb 2003 07:36:20 -0500
> To: "David H. Bailey" <[EMAIL PROTECTED]>
> Subject: Re: [Finale] Time Signature Question - Single Number how to
>
> Le 03/02/03 05:24, "
ature in the Staff Attribute dialog box and
either create a Staff Expression with the single integer or, I suppose, a
Text object with the same. I'm hoping the Finale Time Signature tool has
matured enough to allow this but I am not able to accomplish this with
Finale 2002. Any ideas?
Jonat
nature via the Time Signature tool?
I want a single 4 to represent 4/4 and a single 5 to represent 5/4, etc. I
know I can hide the time signature in the Staff Attribute dialog box and
either create a Staff Expression with the single integer or, I suppose, a
Text object with the same. I'm hoping
and
either create a Staff Expression with the single integer or, I suppose, a
Text object with the same. I'm hoping the Finale Time Signature tool has
matured enough to allow this but I am not able to accomplish this with
Finale 2002. Any ideas?
Jonathan Klizas
[EMAIL PROT
Many thanks to all who responded to my question about 4/4 vs. C.
I explored the various avenues suggested. In the past I think I have
selected one form and displayed the other without a problem using the Time
Signature Tool. Anyhow, to get the show on the road I hid the 4/4 time
signature in a
On Sat, 01 Jun 2002 06:50:09 -0400, you wrote:
>Actually the broken circle indicated simply duple meter (either 2 or 4)
>as opposed to triple meter. The distinction between 2 and 4 was
>eventually made by adding a line through the C for 2.
>
Yes, I considered stating it like that, but wasn't
Actually the broken circle indicated simply duple meter (either 2 or 4)
as opposed to triple meter. The distinction between 2 and 4 was
eventually made by adding a line through the C for 2.
Ken Durling wrote:
> On Fri, 31 May 2002 17:28:51 -0400, you wrote:
>
>
I am doing a string qui
You need to adjust your quantization settings to avoid this problem.
There is an option in the deeper options dialogs to Soften Syncopations.
Check this and it gets rid of all the tied 8th notes, leaving the
quarter notes.
When you change the time signature, Finale "adjusts" the music to f
D. Keneth Fowler wrote:
> I am doing a string quintet in which I initially entered 4/4 time. After
> entering all the music, I notice that the autograph I am working from is
> marked *C* (just not paying close attention). OK, so I make the change. Now
> a measure that originally had an eighth - q
On Fri, 31 May 2002 17:28:51 -0400, you wrote:
>>>I am doing a string quintet in which I initially entered 4/4 time. After
>>>entering all the music, I notice that the autograph I am working from is
>>>marked *C* (just not paying close attention). <<
>
>Uhm ... isn't *C* used to designate "comm
>>I am doing a string quintet in which I initially entered 4/4 time. After
>>entering all the music, I notice that the autograph I am working from is
>>marked *C* (just not paying close attention). <<
Uhm ... isn't *C* used to designate "common time" or 4/4?
Crystal Premo
[EMAIL PROTECTED][EMA
I am doing a string quintet in which I initially entered 4/4 time. After
entering all the music, I notice that the autograph I am working from is
marked *C* (just not paying close attention). OK, so I make the change. Now
a measure that originally had an eighth - quarter-quarter-quarter- eighth
Bob,
probably there is 'Independent Time Signature' checked in db 'Staff
Attributes'
for those staves that didn't show the change.
Raimund Lintzen
Bob Florence schrieb:
> I am working on a piece that I did 6 years ago. I'm not sure what
> version of Finale I used then. The piece was in cut tim
I am working on a piece that I did 6 years ago. I'm not sure what
version of Finale I used then. The piece was in cut time. I have now
changed it to 4/4. I have checked everything. I did not rebar the music.
Independent time signature was not turned on.
Here is the problem. Woodwinds 1 & 2 change
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