John Howell wrote:
[snip] But entirely aside from these quibbles, the obvious problem is
how the
copyright laws of Country A can be or should be enforced in and by
Country B. And that apparently IS hard to pinpoint, and is the whole
point of this discussion.
John
That is indeed the crux
David W. Fenton wrote:
On 24 Oct 2007 at 18:00, dhbailey wrote:
Personally I think it costs the public a *lot* to have such lengthy
copyright terms, just not in economic terms.
I was not by any means thinking of direct monetary costs.
Unfortunately, that's the only thing certain kinds of
Dean M. Estabrook wrote:
According to Daniel, I think you must own the whole GPO package, not
just the version that came with Finale, 'cause he says Sib can't share
fin's GPO, just as fin can't share Sib's essential sounds (licence
issues, I guess) I don't own the complete GPO,
David W. Fenton wrote:
On 24 Oct 2007 at 19:10, Martin Banner wrote:
I just felt compelled to comment on articles
like the one put forth on the Choralnet website from someone on the
other side of the fence.
Unless you're arguing (as UE did) that sites should take down any
music by
On Oct 25, 2007, at 1:39 AM, dhbailey wrote:
What ever happened to the notion of politicians serving in
government because it's the right thing to do, as opposed to
serving as a means to greater wealth?
Such politicians exist. But they never get very far because nobody
votes for them.
On 24.10.2007 Mark D Lew wrote:
If some editor digs up some old score rotting in a library and creates a
practical and usable score of it, that's a valuable service and it deserves the
encouragement that copyright protection provides. The key is that this editor
has done absolutely nothing to
I have been very dissatisfied with a keyboard (Behringer UMX61) that I
bought recently because of the irritating latencies between key press and
sound. I thought I might get used to it, but have not been able to. It plugs
into a USB port (Windows XP) and perhaps that accounts for the problem.
The problem belongs to soundcard drivers, not to the keyboard, which
only sends a MIDI signal to the soundcard. It is the soundcard itself
that has to manage the signal in real time and convert it in a sound. If
the card has poor drivers, the latency occurs.
You should specify if you need a
On 25 Oct 2007 at 11:58, Johannes Gebauer wrote:
Music publishing, especially of smaller publishers, actually blossoms in
Europe right now, I don't think there have ever been so many small
publishers actually making money.
The NY Times had an article yesterday about the Swiss threatening
Yeah, I'm using Kontkt 2, the right hand panel in the set up window,
at Daniel's suggestion, reads kontakt 2 VST, with the sound sets
reading Sib essential sounds. This is the only combination, that I've
found, at least, that the program will allow to make any playback
possible. His
At 8:52 PM -0700 10/24/07, Mark D Lew wrote:
On Oct 24, 2007, at 7:40 PM, John Howell wrote:
There is nothing ambiguous or arguable about
graphic copyright under U.S. law: it does not
exist, and never has.
Sorry, I wasn't clear. I didn't mean to suggest
that graphic copyright exists
At 9:01 PM -0700 10/24/07, Mark D Lew wrote:
On Oct 24, 2007, at 2:43 AM, dhbailey wrote:
All the toll highways in the U.S. which were built in the 1950s
have been paid off yet many still continue to collect tolls.
Sure, but in those cases it's the government who is now pocketing
the money.
--- dhbailey [EMAIL PROTECTED]
wrote:
The problem is that there were not the complaints on
the Sibelius list
that have come up on the Finale list. In other
words, while that list
contained some serious bugs, they didn't affect
users to the same extent
that Finale's bugs have affected
At 12:33 AM -0600 10/25/07, Noel Stoutenburg wrote:
John Howell wrote:
I don't believe there's any such provision, but since I may be
wrong, could you tell me where in the copyright law you found this
information. I was under the impression that work for hire was
recognized as one of the
Dean,
Did you run the Install Sibelius Sounds Essentials.app from the
Sibelius DVD? They need to be installed separately from the program
itself.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 25 Oct 2007, at 11:29 AM, Dean M. Estabrook wrote:
Yeah, I'm using Kontkt 2, the right hand
Hi Darcy ,
Yes, it too was installed, and they reside in my App/Sibelius
Software/Sounds Essentials/Instrument Folder.
Thanks,
Dean
On Oct 25, 2007, at 11:15 AM, Darcy James Argue wrote:
Dean,
Did you run the Install Sibelius Sounds Essentials.app from the
Sibelius DVD? They need to
John Howell wrote:
But I'm sure that there
are plenty of unambiguous pieces for which the
only editorial contribution is to modernize key
signatures and clefs. Is that enough to claim a
new copyright? Obviously Bärenreiter's attorneys
answered this yes.
Or a more easily seen example:
John Howell wrote:
Case in point: the BG edition of Bach as opposed to the NBA edition.
No question that the editors of BOTH editions devoted major portions
of their lives and scholarship to producing those editions. The
research on just a single piece of music can cover a year or more.
Yeah, but have you been to the MakeMusic forum? There is so much dust
there I started sneezing..and there are maybe 10 people there.
Tyler Turner wrote:
I disagree with you. I found the bugs in Sib 5.0 to be
more severe and more in-your-face than those with
Finale 2008. Sibelius 5
And even there, the problem isn't always the soundcard drivers --
softsynths often have incredible latency issues when trying to play them
live, since the soundcard or USB keyboard driver gets the keypress, has
to pass that information on to the softsynth which has to get that
sound's data
Tyler Turner wrote:
--- dhbailey [EMAIL PROTECTED]
wrote:
The problem is that there were not the complaints on
the Sibelius list
that have come up on the Finale list. In other
words, while that list
contained some serious bugs, they didn't affect
users to the same extent
that Finale's
Hi,
after all these discussions and Finale seeming to coming to an end, I gave
Sibelius 5 a try, at a friend's computer.
First impression - nice interface, more modern than finale.
Second impression - less control - for example, when I play back, I cannot
easily control what Sibelius will show
Dean M. Estabrook wrote:
Yeah, I'm using Kontkt 2, the right hand panel in the set up window, at
Daniel's suggestion, reads kontakt 2 VST, with the sound sets reading
Sib essential sounds. This is the only combination, that I've found, at
least, that the program will allow to make any
Hi all:
If you have a dance movment, such as a Menuet, with a 1/2nd ending in the
first section, and the next portion starts on a NEW system,
should the very last barline of the 2nd ending measure be either a single
bar line or a double one? Thanks!
When this happens at the very end of a
Kim Patrick Clow wrote:
If you have a dance movment, such as a Menuet, with a 1/2nd ending in the
first section, and the next portion starts on a NEW system,
should the very last barline of the 2nd ending measure be either a single
bar line or a double one? Thanks!
If the repeats were written
http://www.bytenet.net/kpclow/finale/barquestion.jpg
Here is what I have now, there is another section that follows immediately,
so this is NOT the last set of bars in the Menuet.
Thanks Noel!
Kim
On 10/25/07, Noel Stoutenburg [EMAIL PROTECTED] wrote:
Kim Patrick Clow wrote:
If you have a
Yeah, I've been going though it over and over with Daniel and another
Sib man, so far, everything seems to be installed and in the correct
folders. The path from the Kontakt 2 Library to the needed files in
the Ap Folder seems to be in place ... so far, at least, the answer
is not
At 9:47 PM -0400 10/25/07, Kim Patrick Clow wrote:
http://www.bytenet.net/kpclow/finale/barquestion.jpg
Here is what I have now, there is another section that follows immediately,
so this is NOT the last set of bars in the Menuet.
If you are assuming a da capo after the second section (and in
And even there, the problem isn't always the soundcard drivers
-- softsynths often have incredible latency issues when trying
to play them live, since the soundcard or USB keyboard driver
gets the keypress, has to pass that information on to the
softsynth which has to get that sound's data
Do you have the reference book? If not, e-mail me and I will send you a
.PDF version of it. There are almost 100 pages about the playback and
sound. In Sib 4 we had a much simpler sound system. I have the Sibelius
GPO (the entire GPO library optimized for Sib) that did a wonderful job
in Sib
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