At 10:24 PM -0800 1/22/10, Mark D Lew wrote:
On Jan 22, 2010, at 5:13 PM, John Howell wrote:
No way, not even on a bet! But I can say that of the notation
programs I've used, Sibelius has the best lyrics handling hands
down, both the easiest to enter and the best to look at by default.
Just
On 23 Jan 2010 at 1:39, David W. Fenton wrote:
> Given that two of the four main players have to switch
> instruments (one bass player doubles on treble, and for this concert,
> I'm doubling on bass and tenor, after 18 months of playing tenor
> exclusively),
Actually, it's two of the bass play
On 22 Jan 2010 at 22:20, Mark D Lew wrote:
> On Jan 22, 2010, at 5:52 AM, David W. Fenton wrote:
>
> > I'm not that picky, though I don't produce the stunningly beautiful
> > scores that folks like Dennis Collins do (I'm not sure I've ever seen
> > your engraving, but my bet is you're much pickie
On Jan 22, 2010, at 5:52 AM, David W. Fenton wrote:
For a syllable that is attached to a note followed by another note
(or several notes) lacking syllables, the width of the syllable
should be allocated to all the notes available before the next
syllable to the right.
It looks pretty simple to
On Jan 22, 2010, at 5:13 PM, John Howell wrote:
No way, not even on a bet! But I can say that of the notation
programs I've used, Sibelius has the best lyrics handling hands
down, both the easiest to enter and the best to look at by default.
Just curious. Supposing Sibelius does put sylla
On Jan 22, 2010, at 5:52 AM, David W. Fenton wrote:
I'm not that picky, though I don't produce the stunningly beautiful
scores that folks like Dennis Collins do (I'm not sure I've ever seen
your engraving, but my bet is you're much pickier than I am -- I'm
just trying to get performable parts an
At 8:23 PM -0500 1/22/10, David W. Fenton wrote:
On 22 Jan 2010 at 20:13, John Howell wrote:
At 12:24 AM -0800 1/22/10, Mark D Lew wrote:
>On Jan 20, 2010, at 8:33 PM, David W. Fenton wrote:
>
>>Why isn't this fixed in Finale? Surely it's something Sibelius does
>>by default, since it's so
At 3:13 PM +0100 1/22/10, SN jef chippewa wrote:
*very* off-topic but maybe of interest to people researching
composers, a post about naming conventions. anyone able to comment
on asian names and differences between different asian countries? i
know often japanese say their family name first
On 22 Jan 2010 at 20:13, John Howell wrote:
> At 12:24 AM -0800 1/22/10, Mark D Lew wrote:
> >On Jan 20, 2010, at 8:33 PM, David W. Fenton wrote:
> >
> >>Why isn't this fixed in Finale? Surely it's something Sibelius does
> >>by default, since it's so braindead wrong in Finale!
> >
> >Can you desc
At 12:24 AM -0800 1/22/10, Mark D Lew wrote:
On Jan 20, 2010, at 8:33 PM, David W. Fenton wrote:
Why isn't this fixed in Finale? Surely it's something Sibelius does
by default, since it's so braindead wrong in Finale!
Can you describe algorithmically what you think the fixed program should do
Cecil Rigby wrote:
Not exactly what you're looking for, but of historical value
I have a 6.54 mb PDF of "Raccolta di Inni Nazionali" published in 1895 -
score meant for piano (i.e., harmonized, but what I'd call "no frills"
renditions), a few with lyrics, if you're interested. The US anthem ha
no problem. just sent via private email-
-C
- Original Message -
From: "Ryan"
To:
Sent: Friday, January 22, 2010 6:35 PM
Subject: Re: [Finale] [OT] national anthem scores (melody+lyrics)
Cecil,
I'd love to have a copy of it if you're extending the offer to others on
the
list. It
Cecil,
I'd love to have a copy of it if you're extending the offer to others on the
list. It sounds like a neat edition.
Ryan
On Fri, Jan 22, 2010 at 2:56 PM, Cecil Rigby wrote:
> Not exactly what you're looking for, but of historical value
>
> I have a 6.54 mb PDF of "Raccolta di Inni Nazionali
Not exactly what you're looking for, but of historical value
I have a 6.54 mb PDF of "Raccolta di Inni Nazionali" published in 1895 -
score meant for piano (i.e., harmonized, but what I'd call "no frills"
renditions), a few with lyrics, if you're interested. The US anthem has
differences from
On 22 Jan 2010 at 21:16, Jari Williamsson wrote:
> How is scan conversion quality nowadays? Is there any product available
> that with reasonable accuracy will trace scores to MusicXML, including
> notes, articulations, beaming, slurs, and expressions? (Lyrics is not
> necessary.)
If you're sc
Jari Williamsson wrote:
How is scan conversion quality nowadays? Is there any product available
that with reasonable accuracy will trace scores to MusicXML, including
notes, articulations, beaming, slurs, and expressions? (Lyrics is not
necessary.)
To the best of my knowledge Sharpeye remai
How is scan conversion quality nowadays? Is there any product available
that with reasonable accuracy will trace scores to MusicXML, including
notes, articulations, beaming, slurs, and expressions? (Lyrics is not
necessary.)
Best regards,
Jari Williamsson
Brian Williams wrote:
Apply a staff style with "Hide Staff" checked, and set measure widths to 0.
Yes, that's what I did. Thanks!
(At another place where I needed to insert measures for mid-measure
repeats, I created the repeats as a custom font and inserted them
graphically in mid-measure.
Apply a staff style with "Hide Staff" checked, and set measure widths
to 0.
Brian
Sent from my iPhone, so please forgive the typos and brevity.
On Jan 22, 2010, at 10:00 AM, wrote:
How do I delete (or insert) measures without affecting all the measure
number regions that appears afterwards
They are all here: http://themes.mididb.com/anthems/ with no lyrics. These
versions are fully harmonized but the timing is clean and the melodies are
on separate staffs so it's easy to copy them out.
MIDIs and lyrics are here: http://www.nationalanthems.info/ but the MIDI
files need a little twea
Lawrence Yates wrote:
Are there any specific ones you want?
I was booked to play a few anthems at a ceremony last year and had to
arrange everything for brass trio (trpt, horn; trombone)
There is an internet site NationalAnthems.us offering lots of anthems
incl. lyrics and - more or less
whatever you have! i want to compare the forms and motifs for a
project that will exacerbate the implicit character and similarities
of many national anthems by a sort of process that multiplies
everything by everything else.
if i could get a copy that would be fantastic, thanks!
Are ther
Are there any specific ones you want?
I was booked to play a few anthems at a ceremony last year and had to
arrange everything for brass trio (trpt, horn; trombone)
Cheers,
Lawrence
2010/1/22 SN jef chippewa
>
> i came across this source...
>>
>
> euh, this one: http://www.nationalanthem
i came across this source...
euh, this one: http://www.nationalanthems.info
___
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Finale@shsu.edu
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anyone know where i can get ahold of an anthology of national hymns?
i only want the melodies and lyrics, would greatly prefer a source
with no harmonizations. if possible, also historical alternate
versions (e.g. changes made during wars etc.)
online or otherwise free or inexpensive are be
*very* off-topic but maybe of interest to people researching
composers, a post about naming conventions. anyone able to comment
on asian names and differences between different asian countries? i
know often japanese say their family name first (also when writing?)
and that chinese living in
On 1/22/2010 9:03 AM, dc wrote:
I can only second that request. Is there any place where one can officially
do so?
Well, you can submit something to the support people through
http://makemusic.custhelp.com My feature request was made in January
2007; the reference number is 070322-041052. Yo
On 22 Jan 2010 at 8:29, dc wrote:
> David W. Fenton écrit:
> >What am I doing wrong?
>
> First question is optimization. You should make your changes in your groups
> BEFORE optimizing. Is that what you did?
No, that was the problem -- I forgot the systems were optimized
(without removing stav
On 22 Jan 2010 at 11:05, dc wrote:
> I wonder why they don't implement this feature. It would put them way ahead
> of Sibelius for a change...
How well does Sibelius do with lyrics spacing in melismas and
otherwise?
--
David W. Fentonhttp://dfenton.com
David Fenton Associa
On 22 Jan 2010 at 1:43, Mark D Lew wrote:
> In the paragraph you're responding to, I was referring specifically
> to music which is very melismatic, which is what I thought perhaps
> David F was dealing with.
The music I was working with was Samuel Scheidt. Here's the current
unproofread sco
On 22 Jan 2010 at 0:24, Mark D Lew wrote:
> On Jan 20, 2010, at 8:33 PM, David W. Fenton wrote:
>
> > Why isn't this fixed in Finale? Surely it's something Sibelius does
> > by default, since it's so braindead wrong in Finale!
>
> Can you describe algorithmically what you think the fixed program
On 22 Jan 2010 at 0:17, Mark D Lew wrote:
> On Jan 20, 2010, at 5:37 AM, David W. Fenton wrote:
>
> > I'm stuck working with Finale 2003, and am in the midst of doing a
> > whole bunch of editions for my viol consort with lyrics. My annoyance
> > is the whole issue with spacing of melismas -- i.e
On 22 Jan 2010 at 8:26, dc wrote:
> David W. Fenton écrit:
> >It seems I'm out of luck on this, as I don't see any way to hide a
> >syllable in WinFin 2003.
>
> My memory isn't good enough to recall when "hidden" characters were
> introduced. Is this not a "Style" available (as italics, or bold,
On 1/22/2010 3:17 AM, Mark D Lew wrote:
algorithm looking at the lyric syllables at all. For such a piece,
I'd space the entire thing with lyrics unchecked. Then if there are
one or two measures where the lyrics collide, go back and respace
just those measures with lyrics checked.
This brings
On Jan 22, 2010, at 1:02 AM, dc wrote:
In most cases, if you have a decent point-size for your lyrics,
ignoring the lyrics simply won't give you enough space to do things
correctly. In other words, you won't have "one or two measures"
where the lyrics collide, but more likely 90% of your me
On Jan 20, 2010, at 8:33 PM, David W. Fenton wrote:
Why isn't this fixed in Finale? Surely it's something Sibelius does
by default, since it's so braindead wrong in Finale!
Can you describe algorithmically what you think the fixed program
should do?
My feeling about lyric spacing is that i
On Jan 20, 2010, at 5:37 AM, David W. Fenton wrote:
I'm stuck working with Finale 2003, and am in the midst of doing a
whole bunch of editions for my viol consort with lyrics. My annoyance
is the whole issue with spacing of melismas -- i.e., if there's a run
of 16ths, if the first has a syllable
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