scheme, but should be
understood as a Finale technical matter.
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that!
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by a
boisterous parade.
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, then it might be easier just to use the normal 5-line
staff, and hide the unwanted line with a white-out expression, wh.
could easily be copied from one system to another.
Andrew Stiller
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: it is a largely historical usage.
With certain very narrow exceptions, a five-lined staff for less than
five unpitched percussion has not been considered best practice for
fully half a century now.
Andrew Stiller
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as described.
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I see that in the liner notes for Nelly McKay's debut album there are
two references to a sample of another song that turns out to be a
quotation from the song rather than an electronic snippet of it.
Anybody seen this bit of evolving usage anywhere else?
Andrew Stiller
Kallisti Music Press
is
demonstrably inferior to its predecessor?
Andrew Stiller
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does it mean by ...
---
Does it slobber? I say Probably.
---
... who's been training this thing??
I tried it with Occam's razor, and it proved absolutely clueless--which
says something, but I'm not quite sure what.
Andrew Stiller
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if you so much as look at 'em funny.
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-- clicks *don't*
change the page (or the page number) and then a second click skips a
page.
I have *both* problems. I brought up the skipping behavior on this list
a few months ago, and was assured that it was an OSX issue, not a
Finale issue.
Andrew Stiller
Kallisti Music Press
http
to make hidden accidentals
automatically reappear on a global basis *without* disrupting the
numerous cautionary accidentals (including after ties across barlines)
that this piece contains?
Andrew Stiller
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2-up?
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is marginal or unimportant.
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today, however, it is
not essential to use any of these modified clefs, and a plain treble
will do in any of the circumstances where it has historically been
transposed.
Andrew Stiller
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be worse, I am currently
engraving an early symphony by Lejaren Hiller, whose legitimate
distaste for the tenor clef led him, in this youthful score, to place
high-lying bsn. and vc. passages in the alto clef! Needless to say,
I'm overriding the MS on this one.
Andrew Stiller
Kallisti Music Press
.
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these instructions in his pdf files, but neither of us has any idea
how. I think he has the full Acrobat program, but I don't know what
version. I have only the Reader.
Any advice?
Andrew Stiller
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are made out of.
All this is discussed in much, much more detail in Willi Apel's The Notation of Polyphonic Music, 900-1600.
Andrew Stiller
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On Apr 28, 2005, at 2:55 PM, John Howell wrote:
With movable type, beaming was not possible.
Actually, it was and is, as numerous publications attest. The
typographic principles involved are reflected to this day in
music-in-text fonts such as MetTimes.
Andrew Stiller
Kallisti Music Press
On Apr 27, 2005, at 3:54 PM, d. collins wrote:
Andrew Stiller écrit:
Does anyone use Engraver font besides me?
I use it as my default font. I find it by far the most attractive and
legible of all the music fonts available today.
By far the most attractive of all the music fonts available?
Don't
another century.
Andrew Stiller
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the printed appearance of this font is so superior, but still...
Andrew Stiller
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Noel wrote:
and I would say in my defense that since I did not begin with
Finale until 2k, I do not even have a user's manual from which to
provide a first or second page.
Sure you do. Just print out the first two pages of the OLD. Voilà!
Andrew Stiller
Kallisti Music Press
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blocked
list because the subject line caused your messages to immediately be
channeled into my Spam folder AND your addresses blocked.
It appears, then, that you need a new ISP.
Andrew Stiller
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.
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limitations by providing it only slow notes to play.
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On Apr 19, 2005, at 4:41 PM, Allen Fisher wrote:
I'd rather have custom smart shape hairpins that I could attach text
to. (A
mezzo di vocetool is on my list too)
That's *messa* [Italian: placement] di voce.
Andrew Stiller
Kallisti Music Press
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On Apr 17, 2005, at 6:35 PM, John Howell wrote:
At 3:28 PM -0400 4/16/05, Andrew Stiller wrote:
Certainly. But Rachmaninoff's use of the convention was by then no
more traditional than Hindemith's use of the viola d'amore.
Hindemith directed the Yale Collegium Musicum
. of course I don't), both the viola
and the clarinet would be treble-clef instruments that switched to bass
clef for low-lying passages.
Just like the marimba.
Andrew Stiller
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a unilateral decision, because the composer's wishes are
sovereign.
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but
broadcast a continuous A-440 worldwide as the embodiment of the
standard.
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On Apr 17, 2005, at 4:33 PM, David W. Fenton wrote:
On 17 Apr 2005 at 11:43, Andrew Stiller wrote:
With a concert-pitch score, the copyist will need to exercise more
initiative than usual in deciding clef change issues, because quite
obviously instruments with big transpositions will have parts
required in two
of the cantatas?
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. Since my full-Boehm Bb clarinet has a low Eb key, I felt
no compunction about using it for this piece instead, but I had to copy
out the part a half-step up for me to play it.
Andrew Stiller
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) or in multiple
stops. Interestingly enough, the same piece sends the vc. below the
*treble* staff in two other places--as low as the Bb below middle C.
Andrew Stiller
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. the
clef at all--but as a composer, I find it an unnecessary complication
of the notational system.
Andrew Stiller
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On Apr 15, 2005, at 3:59 PM, David W. Fenton wrote:
On 15 Apr 2005 at 10:12, Andrew Stiller wrote:
The 8bassa notation hasn't been traditional for a century and a half.
The cello arrangement of the Rachmaninoff Vocalise uses it, and that
was unquestionably published less than 150 years ago, since
to get rid of the alto clef too, but the violists
weren't having any...
Andrew Stiller
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On Apr 14, 2005, at 3:51 PM, David W. Fenton wrote:
Are you talking about [cello] treble clef at pitch or treble 8bassa,
the
traditional notation?
The 8bassa notation hasn't been traditional for a century and a half.
Andrew Stiller
Kallisti Music Press
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eighth notes, he fearlessly writes isolated notes as low a tenor
c without leaving the treble clef. As an editor, my first reaction was
to overrule him, but when I saw what the alternative would look like, I
realized he was right.
Andrew Stiller
Kallisti Music Press
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On Apr 14, 2005, at 5:48 PM, David W. Fenton wrote:
8vb treble clef notation for cello is no longer used.
You mean, in modern editions.
No, he means in modern (and late Romantic) *compositions.*
Andrew Stiller
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dialog.
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composer that is an
atheist.
Varese comes immediately to mind, and Copland right after. I'm sure I
could dig up others with a little research.
I find this line of thinking to be unutterably poisonous.
Andrew Stiller
Kallisti Music Press
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virtually every composer is this way--I
find that an increasing number of the nuts and bolts can be found in
the handy bin of leftover nuts and bolts from earlier projects--also,
gimmicks that worked once so why not do it again?
Andrew Stiller
Kallisti Music Press
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historically persecuted ethnic group) as
atheist, and also because any discussion of the question would raise
the miserably contentious issue of just who is a Jew and who isn't.
Andrew Stiller
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of this
font's name makes it not appear in the Viewer, so I'm flying blind
here.
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wind parts
are absolutely verboten.
I don't think it's coincidental that the countries where such parts are
commonplace (France is not the only one) are also notorious for bad
engraving and flimsy, acid-laden paper.
Andrew Stiller
Kallisti Music Press
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.
Oh well.
I believe the preferred term for Apple computer users is Macinista.
Shouldn't that be manzanista?
RE German Macker--cf, perhaps, British wanker?
Can't think of an appropriate Americanism...
Andrew Stiller
Kallisti Music Press
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Andrew, is there no Consolidate Library command in your OS 9 version
of iTunes? That's the command you really want -- it will move
everything to the iTunes Music Folder specified in your preferences.
- Darcy
If there is, it's not in any menu or submenu.
Andrew Stiller
Kallisti Music Press
album
Have you tried this?
steve
I tried it just now. It seems to be already set up.
In any event, all my sound files are aiff. Aren't they higher fidelity
than MP3?
Andrew Stiller
Kallisti Music Press
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On Mar 28, 2005, at 11:29 AM, Darcy James Argue wrote:
On 28 Mar 2005, at 10:42 AM, Andrew Stiller wrote:
On Mar 26, 2005, at 3:34 PM, Steve Gibons wrote:
Can't you select a tune in itunes for 9 and hit command-r for reveal
original?
This shows a bunch of stuff where you'd expect
that when my current computer dies, the
publication goes out of print.
Andrew Stiller
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that played just two notes, and the alto e basso
just 3.
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folders containing the word Music
does not reveal an alternative.
Ideas?
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How do I import the playlists and libraries from my System 9 copy of
iTunes into my OSX copy?
Andrew Stiller
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, whether the
piece was going to be in major or minor mode--and they probably would
have assumed the former. The definitive turning to the dark side a few
bars in must have been a deliberate effect on B's part, but it's
impossible to hear that today, because we know in advance what's
coming.
Andrew
pointing out that people can mean different things by these
expressions, and that it causes confusion in reh. sometimes.
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have totally different sets of rehearsal
letters, and the orchestra members have had to go thru their parts and
pencil in all the choral letters, which are in different places than
the orchestra's letters.
Andrew Stiller
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, and exactly where it ended in any given piece.
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particularly clear when there is a repeat sign back to the beginning,
and the pickup forms the back end of a measure that has already been
numbered, just before the repeat sign.
Andrew Stiller
Kallisti Music Press
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On Mar 14, 2005, at 3:33 AM, Mark D Lew wrote:
On Mar 13, 2005, at 10:28 AM, Andrew Stiller wrote:
In 1820? *What* interior heartland? There was an interior alright,
but it was very sparsely populated and could hardly be considered the
heartland of anything.
Good point. I would just amend
!)
John
Yeah, sorry about that. I got my copy of _The Birth of the Orchestra_
at a prepublication price of $70.00, which looks like more and more of
a bargain to me as time goes by.
Those of you who missed out--well, that's what libraries are for :-)
Andrew Stiller
Kallisti Music Press
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American popular music, and it
contradicts your highly romanticized interpretation at every turn.
Andrew Stiller
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to use one were it provided.
Long ago, Nora Ephron defined a distinction between Basic Worry and
Baroque Worry. Worrying about a disastrous hypothetical combination of
corporate, backup, and hard-drive failures is definitely Baroque.
Andrew Stiller
Kallisti Music Press
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such list is acutely sensitive to the
exact definition of best and piece, so that others may quite
legitimately come up with lists that contain none of my entries.
Andrew Stiller
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figure in one layer, with normal beams, then create a unison of the
triplet only in another layer, make sure the beams overlap perfectly,
then extend both beams of the triplet.
Andrew Stiller
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: A Question of Strings, JAMIS 3 (1977), 64-99; and
Terminology for the Bass Violin in Seventeenth-Century Italy, JAMIS 4
(1978), 5-42.
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indifferently for low-pitched gambas as well, and instruments of either type could appear in the continuo section of 17th-c. orchestras.
All this info comes from _The Birth of the Orchestra_, wh. I have mentioned frequently here and wh. I strongly recommend to anyone interested in the subject.
Andrew
is scordatura regardless of
the notation.
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On Mar 3, 2005, at 5:57 AM, Ken Moore wrote:
... some bass[es are] five-string
(bottom string usually tuned to C in the US, B in Europe)
B? That's a new one on me! Can anyone cite a composition (orch.,
chamber, or solo) that actually requires that note from the cb?
Andrew Stiller
Kallisti Music
.
This would be a Martha Stewart-like Good Thing, IMHO.
Christopher
I agree completely, and have CCd Macsupport accordingly. This would be
a truly elegant and desirable extension of an already extant function.
Andrew Stiller
Kallisti Music Press
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I thought the following might be of interest to some list members.
Andrew Stiller
Kallisti Music Press
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Begin forwarded message:
From: [EMAIL PROTECTED]
Date: March 1, 2005 5:14:49 PM EST
To: [EMAIL PROTECTED]
Subject: [Public Knowledge] Trouble Locating
of tying it right then editing the tie in Special Tools to go
backwards won't work.
Create a unison in a second layer, tie both notes and kludge one of
them.
Andrew Stiller
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). And a negative number
removes space.
Aaron.
I find this plugin absolutely invaluable, and strongly recommend it to
anyone who doesn't know about it. I find myself using it dozens of
times in virtually every one of my projects.
Andrew Stiller
Kallisti Music Press
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In fact, all the French accent marks represent suppressed Latin consonants or syllables. They were introduced in the 17th c. in response to the then widely held notion that all language change represented a decline from an original, God-given perfection. The French accents were intended to rope
than Goethe, who even wrote a sequel to it; the opinion of an
author of such stature is not, I think, lightly to be dismissed.
Andrew Stiller
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-down--and they can.
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the figure 150
because that's how old Janacek is, this year. I meant merely that
having sustained (and grown) a reputation for so long, a composer is
unlikely subsequently to lose it. I stand by that assertion.
Andrew Stiller
Kallisti Music Press
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Since he dangle his grammatical temporal dongle, I wonder if he'd
clarify
if he meant the fame from the late 18th century on, or the composer
from
the late 18th century on.
Dennis
Fame--or rather, reputation, wh. is what I was really talking about.
Andrew Stiller
Kallisti Music Press
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up the spine is guaranteed. Don't have to be
trombones.
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of lasting merit get rehabilitated after a few decades in the
doghouse. As far as I can see, this is a one-time, one-way process.
--
Andrew Stiller
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As long as we're on the subject of plugins, may I make a request for one?
Finale's Unconventional Key Signature algorithm hasn't changed a bit
since Finale 1.0, largely because it is so specialized a feature that
Coda/MakeMusic have never felt any urgency to improve it. That being
the case,
, extramarital
affair with Kamila Urvalkova.
And BTW, it's not up to you to decide whether J's music is very good
or not. On that point, the verdict of history is in, long since.
--
Andrew Stiller
Kallisti Music Press
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? Sound recording?
Are these things not important? not musical? not from science?
Beyond that, there is the less measurable by very important influence
of acoustic and music-psychological theories upon compositional
styles, going back at least to Berlioz.
--
Andrew Stiller
Kallisti Music Press
http
of rules learned by the brain during language
acquisition. Steven Pinker's recent book about irregular word forms
demonstrates pretty conclusively that irregular forms are stored in
the brain as if they were separate words, not as grammatical
inflections.
.
--
Andrew Stiller
Kallisti Music Press
imagine a great many of Nicholas Cage's
fans know that.
--
Andrew Stiller
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overlap of adjacent chords,
and quasi-arpeggiations where two successive chords were meant to be
heard as if played simultaneously.
It is very thoroughly and unambiguously documented both that he got
the idea from acoustic theory, and that he consciously applied it in
his own work.
--
Andrew
. Now prove it.
--
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as successful (moving, exciting,
attractive) as other musics? Could other music, composed on the same
principle, be more successful?
No, and no.
--
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an impulse up the
auditory branch of the VIII cranial nerve, which impulse is
eventually processed by the brain. Everything we have been arguing
about here has to do with what the brain does--the rest is simple
physics.
--
Andrew Stiller
Kallisti Music Press
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--they certainly were considered
eminently marriageable.
--
Andrew Stiller
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intervals are absolutely dissonant and absolutely consonant
respectively, and without regard to musical context.
--
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on precisely such means for its effect.
Very interesting that composers (some, not all, thank goodness)
decided that how their music affected their audiences no longer
mattered.
This is a straw man: There never was any such composer.
--
Andrew Stiller
Kallisti Music Press
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that
end with a fadeout on a repeating, non-cadential phrase and have no
definite ending sonority at all.
--
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of men's mystery is hooey.
No, hooey is too mild a term. It's undisguised gender hatred: if
someone said such a thing to my face I'd demand an apology.
--
Andrew Stiller
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that, but it was a marginal
practice).
--
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At 12:29 PM 2/2/05 -0500, Andrew Stiller wrote:
Another crrosspost from Orchestra-L:
The pioneer figure was Arnold Schoenberg, with his theory of the
emancipation of dissonance
The theory, and the term, belong to Charles Seeger. The emancipation
of a large chunk of the American population
thread. The whole
computer industry now reminds me of the auto industry in the '50s.
--
Andrew Stiller
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Andrew Stiller wrote:
Press three keys to toggle scroll/page view? Give me a break!
don't blame Panther for decisions which MM made.
What else?
Johannes
MM wouldn't have made the decision if there hadn't been an OS change.
My whole point is that the decisions made by MM in trying to
accomodate
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