Hi folks,
I'm looking to acquire some 7222 black and white 16mm film at a cheap price and
was wondering if anyone on Frameworks might have some stock they would be
willing to part with. I'm looking for about 1200'. I do have some stocks that I
would be willing to trade for as well. I have tons o
Good idea Scott! Thanks I will try that!
Roger
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as
r
> 9) Played with two passes of photo flo, due to persistently sticky film.
> It might work, but needs more testing.
>
> I'm curious about the PB-2 formula you mentioned.
>
>
> Herb
>
>
>
> On 05.09.2014 18:09, Roger Wilson wrote:
> > Hi folks,
>
Hi folks,
I was wondering if anyone on this list has some times for processing kodak
colour negative 16mm film in a Morse G3 tank using Jobo C-41 Press Kit? This is
what I have been doing and find the contrast to be lower then I had expected. I
process 100' rolls.
First run through PB-2 Formula
;
> On Wed, Sep 3, 2014 at 3:47 PM, Roger Wilson
> wrote:
> > No unfortunately Nicholas I've not had the cinema-trike in Toronto yet. I've
> > submitted it to a few events in T.O. but still no go. I actually have a show
> > tonight with the trike in Ottawa under
-0400
> From: nkov...@gmail.com
> To: frameworks@jonasmekasfilms.com
> Subject: Re: [Frameworks] Solar Energy to Help Power Film Screenings at
> Cobble Hill Cinemas
>
> That sounds unbelievably cool! Has it ever been to Toronto?
>
> On Wed, Sep 3, 2014 at 1:48 PM, Roger
I have a cinema trike that powers a 16mm film projector and can run as long as
you can keep your legs moving:). You can see more on my website
www.rogerdwilson.ca
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve
Hi Jean-Louis,
I would be interested in hearing more about these other options for b&w. I know
of Orwo but I find it hard to obtain their stocks here in Canada unless you
know of somewhere other then LIFT in Toronto? LIFT carries a few of there
stocks but not all of them.
Roger D. WilsonFilm
Thanks for the info Bryan. Does the festival pay artists fees for selected
films?
Roger
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film art
Thanks Dave. I will pass this on to the editor.
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it a
Thanks Jeff and Scott for your feedback. I was thinking it would be an
expensive process to remove digitally. Hopefully the problem will be solved in
the cleaning of the negs. I won't mention the lab or the transfer house because
I use both for my own work and I've never had problems with the
Hi folks,
A few weeks back there was some conversation happening around removing dust
marks from a digital transfer of film. I am wondering what processes were being
suggested to use to remove the marks digitally. I recently shot a Super 16mm
film for a fellow filmmaker and we just got the trans
Hello,
Is there a website with more info about this festival? Do you pay artists fees?
Thanks!
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental f
This is unfortunate and with the way things are with the online world its hard
for you to even take action to get it removed. I do not post anything online
that I am at all concerned with someone stealing. I am even very paranoid with
having password protected films on vimeo but so many festival
Who are you raising funds for? Balagan films?
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as
Hi Dominic,
When using a Bolex reflex camera I shoot this stock at 6 ISO. This ISO takes
into account the light lose through bolex viewfinder. I have had excellent
results using this stock and processing as a neg then printing it on 7302 kodak
print stock.
Roger D. WilsonFilm Scientist613 324 -
Yeah I totally would but unfortunately I'm in Canada.
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welco
Hi folks,
A friend of mine is putting together a screening and is looking for suggestions
on the following. If you have recommendations please forward them to me and I
will pass them on to her.
Thanks
I'm currently doing a project called "Intergenerational Media" and I'm looking
for a documentar
I've processed 7302 with D-19 and have had excellent results.
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and
You obviously don't get it David so I'm done with this conversation.
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this stateme
"My opinion is if you want the look of film then you need to project film".
David I stated that the above comment was my opinion...I am not shooting down
your opinion. Some artists are happy with digital projection and it can
defiantly look good but it does not work for me. I gave an ex
Hi Dana,
I would go with Pip's suggestion. Did you re-shoot the film on 7222 using an
optical printer? Do you have access to some 7234 Intermediate film stock? If
you have access to an optical printer and you can get this stock I would double
splice the original and re-shoot it using the printer
Hi again Jared,
Have a look at this link, it talks about prepping audio for 16mm mono track and
creating optical tracks.
http://www.sfu.ca/~gotfrit/ZAP_Sept.3_99/f/fsnd_lect_16mm_mix.html
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without fai
t: Re: [Frameworks] Optical Sound - filter
Thanks for the quick reply. It's 16mm.
On Fri, Apr 25, 2014 at 2:40 PM, Roger Wilson wrote:
I have had a number of optical tracks created over the years and have never had
the lab (Skylight Studios in Toronto) make this request. Is it a 16mm mono
I have had a number of optical tracks created over the years and have never had
the lab (Skylight Studios in Toronto) make this request. Is it a 16mm mono
track or 35mm?
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never
site:
Best,
CC
On Fri, Apr 25, 2014 at 3:43 AM, Roger Wilson wrote:
Hi folks!
I'm doing a little research on alternative recipes for black and white film
developer, basically anything outside the professional methods (kodak, Ilford
chemicals). I know coffee (caffenol) is the most po
Hi folks!
I'm doing a little research on alternative recipes for black and white film
developer, basically anything outside the professional methods (kodak, Ilford
chemicals). I know coffee (caffenol) is the most popular used method but I'm
wondering what else has been done. I've heard rumors of
Hi Julian,
I would recommend creating an inter-negative using Kodak 7234 and then make a
print from this inter-negative using 7203. I have done this myself using a
variety of tools. Do you do any hand processing? Do you have access to an
optical printer? Better yet a 16mm steenbeck would work as
Thanks folks!
I'm hoping to just get lucky and find the holders from an old table somewhere,
everything works fine on the table its just a couple of the fuse holders got
broken during a move. I will try Steenbeck but I've contacted them in the past
and I find they are not very helpful with older
Im dying to get my hands on a 16mm flatbed edit table so if anyone ever hears
of one in the Ottawa Canada area going cheap please let me know. I still edit
all my films on film.
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you ca
I think when using Dektol developer the following would be the proper times and
procedures for processing Tri X as a reversal. As mentioned I use D19 developer
myself and my times are different so run tests first.
Developer 7 minuteswash 1 minutebleach 4 minuteswash 1 minuteClear bath 30
seconds
I think Kodak discontinued making the T-max kit a few years back, which is one
of the reasons why I process as a negative and then make my prints using kodak
7203 print stock. But you can still process as a reversal and there are recipes
out there to make your own bleach for reversal processing.
Are you processing as a negative of reversal?
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as
I too recommend Frame Discreet! They are the best for artist projects and very
affordable!
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film
,
when the time comes. Website: http://www.cutfilm.com/
Happy hunting,
Isaac
On Fri, Feb 21, 2014 at 5:19 PM, Roger Wilson wrote:
Hi folks!
I am looking to purchase a 16mm guillotine style splicer, if anyone has leads I
would love to hear about them.
Thanks everyone!
Roger D
Hi folks!
I am looking to purchase a 16mm guillotine style splicer, if anyone has leads I
would love to hear about them.
Thanks everyone!
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my
one this?
pleace help!
best regards
johannes and milena
Am 27.01.2014 22:01, schrieb Roger
Wilson:
Doesn't
Kodachrome 2 have the remjet antihalation on it? Did you
remove it first? I think then you just pr
Doesn't Kodachrome 2 have the remjet antihalation on it? Did you remove it
first? I think then you just process it like regular b&w but I've not done it
myself so I can't say for sure.
However, here is a list of chemicals that you use to make the remjet removal. I
use this recipe for colour
Are screening fees paid to artists whose films are selected to screen at MUFF?
Thanks
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist
Pro 8mm is in Burbank. They rent Super 8mm cameras.Phone: 818-848-5522 Email:
i...@pro8mm.com
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental fi
Do you have access to an Oxberry animation camera that shoots 16mm? This may be
easier to work with then a bolex/tripod set up. I have never done this myself
but know a couple filmmakers who have taken this route and have been very happy
with the final results.
Roger D. WilsonFilm Scientist613
Stan Brakhage "Mothlight"
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as it
pushes me forwar
Hi Jarrett,
I have completed numerous Super 8mm to 16mm blow ups using a JK printer in the
past and have had great results. The main thing to take into consideration is
the quality of the Super 8mm footage. Is it recently shot and processed film or
is it older stock that has been sitting around
Sorry bought mine second hand but I know the person I got it from purchased it
from NCS products, however that was a few years back now.
Roger
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have bas
I own a Time Flow motor for my bolex and am very happy with it, it has many
options with time delay filming.http://www.intervalometers.com/timeflow/
Roger D. WilsonFilm Scientist613 324 -
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I hav
Yes Kevin if you are making a traditional narrative story and you want perfect
none scratched images then you should not use the method you are describing but
if you are more creative and want to make an experimental film where you are
more part of the creative process then I strongly suggest yo
Hi Kevin,
This is a perfectly fine way to make a black and white film. How do you plan to
make your print from the negative? I use a 16mm steenbeck to create my 16mm
film prints and have actually used the table to also print a sound track onto
my 16mm film prints. I edit my negatives using a gui
Hi Shelly,
I'm just finishing a 35mm film that is based on text taken from my Will, plus I
wrote out my Will onto the unexposed film stock using light from a laser pen.
All done in complete darkness. The film is titled My Last Words.
But if you are looking for mainly women filmmakers then I would
Hi Jennifer,
I am not very familiar with labs in Europe but I would like to recommend
Kodak's 7222 b&w 16mm film (ISO 200) for shooting winter scenes. I have used
this stock a number of times in snowy conditions and when exposed properly
results in nice detail in the snow that is not washed out
Wow! Awesome! I have only been on the list for a little over a year now and
have found it to be very informative! Thanks! Happy Birthday!
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
Hi Daniel
I prefer D19 myself and recently used the D76 because it was all I had and was
not happy with the results. I will go back to D19.
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and
Hi Insa,
Check out Frame Discreet they are awesome and very affordable, based in Toronto.
Good Luck
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artis
Hi Steve,
This call out looks very cool and I am interested in submitting a 16mm
installation that I am currently developing but I can't seem to access your
site. I've tried using both Google Chrome and Internet Explorer and am still
not able to view the site. Any thoughts?
Thanks,
Roger
Roger
Niagara Custom Labs in Toronto have always met my timelines and are great at
what they do as well!
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist
I would speak to the National Film Board about Lipsett.
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as it
p
I have used steenbecks to create film prints/workprints, from both 16mm and
35mm negatives. I have also used it to create a 16mm film prints that have
optical tracks.
Have fun with it!
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never
Hi Carrie!
Where are you located? I'm in Ottawa Ontario Canada. This is very interesting
and is very similar to what I focus my own experimentation on. I have done
everything from pre-bleaching my film stock to burying it in the ground prior
to photographing images. Please check out my website a
Not sure what type of filming you do but when I want to travel light with my
bolex but still want to have some smooth shots I use a monopod.
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and
Hi Insa,
Super 8mm Colour Negative film can look beautiful if it is exposed properly. A
big problem filmmakers have is not knowing their super 8mm camera well enough.
Most Super 8mm cameras do not have the same shutter angles as 16mm and 35mm
cameras (180), the shutter angle on Super 8mm cameras
If I was closer I would be at your door step tomorrow morning but I'm in Ottawa
Canada:(
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this st
The process that is normally done is to have an internegative completed from
the painted film and then a print made from this internegative. I think
anything you place on the film will eventually wear off.
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without
Awesome News Ken!
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as it
pushes me forward as an artist to try s
Hi Marco,
Can I ask what f-stop/t-stop you were working with? I find with these stocks it
is very important to use the sharpest part of your lens. With both of these
stocks I like to work with a 5.6 f-stop and use ND's when needed.
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www
Love the image though Caryn!
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as it
pushes me forward as an arti
Not sure where you are located but I'm pretty sure Niagara Custom Lab in
Toronto could do this.
Roger D. Wilson613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on
Hi Ryder,
I have used Frame Discreet for many SD transfers in the past and know fellow
filmmakers who have used their HD transfers, I only have good things to say
about Frame Discreet and Justin Lovell. But if you like to see samples I am
sure they can provide something for you to view they are
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