> To: lilypond-user@gnu.org
> Subject: Re: Sibelius conversion - sib2ly
> From: jvrom...@squirrel.nl
> Date: Thu, 26 Mar 2009 18:47:15 +0100
>
> Johan Vromans writes:
>
> > Either approach (plugin and Rosegarden) requires quite some manual
> > editing.
>
> I tried it on a project I was just
could be
used to make the first syllable of a new system to be left aligned
automatically.
I hope I can make sense.
Anyone takes the challenge? Sorry but I have no Scheme knowledge. I'm trying to
get a grasp of Python first...
Edua
Citando Graham Percival <[EMAIL PROTECTED]>:
Hello!
I just noticed this typo in the page:
http://kainhofer.com/~lilypond/Documentation/user/lilypond-learning/Voices-and-vocals.html#Voices-and-vocals
instead of: You have already seen the \lyricsAdd{} command
it should be: You have already seen the
Citando Graham Percival <[EMAIL PROTECTED]>:
Hello!
I just noticed this typo in the page:
http://kainhofer.com/~lilypond/Documentation/user/lilypond-learning/Voices-and-vocals.html#Voices-and-vocals
instead of: You have already seen the \lyricsAdd{} command
it should be: You have already seen the
razilian user too. Lately the busyness of life has prevented me to
contribute more to the Lilypond documentation, even in a translation. Good job!
I hope some day I can do more for these brilliant piece of software.
Eduardo Vieira
__
Citando Tim Litwiller <[EMAIL PROTECTED]>:
> Thanks, with your help I'm getting there!
>
> I had figured out having a second DevNull voice to space the repeating
> last night.
>
> I'm not sure I understand the second snippet tho.
>
> also I'm sure that there is some kind of \markup that I can use
Citando Vivian Barty-Taylor <[EMAIL PROTECTED]>:
>I'm using various bits of graphics in this piece
> which aren't natively supported by Lilypond. Although I could add them
> all as EPS markups, the amount of time I would spend adjusting the
> positions of them makes it a lot easier to do it this w
Citando madhg <[EMAIL PROTECTED]>:
>
> I used to use Crimson for writing lilypond. Excellent for small projects,
> less convenient for a large project with one main file to be compiled and
> several other files contaning the music for individual staves.
>
> I can now recommend another editor, PSP
Citando Peter Mogensen <[EMAIL PROTECTED]>:
>
> Anyway.. I assume such does not exists. I was wondering if I could
> implement one my self with out knowing too much of Lilypond internals
> and without writing an entire parser for the Lilypond file format (which
> often changes).
>
> So, i see tha
Citando Illtud Daniel <[EMAIL PROTECTED]>:
> So there's no way to achieve what I want? Ie, manually
> beamed notes with a syllable per note within a beam aligned
> normally under the note?
Yes, there is just use this property:
\set ignoreMelismata = ##t
Ar8 ddydd Sul aeth
Dic yn
Hello, users!
Read this first:
Did you ever suffer for not being able to simply hear a PDF score you
downloaded on the Internet?
Did you, at least once, give up from using the score file sent by a friend,
because his music program wasn't compatible with yours?
If you changed your score editor in t
Citando 9-bert <[EMAIL PROTECTED]>:
>
> Hello!
>
> I got a problem adding lyrics to a piece for four brass instruments.
> Although I already searched the net and some forums I didn't get any
> furhter, but I hope you can help me.
>
> That's what I've got:
> ...
> \new PianoStaff <<
> \new St
Citando 9-bert <[EMAIL PROTECTED]>:
>
> Hello!
>
> I got a problem adding lyrics to a piece for four brass instruments.
> Although I already searched the net and some forums I didn't get any
> furhter, but I hope you can help me.
>
> That's what I've got:
> ...
> \new PianoStaff <<
> \new St
(pair? toplevel-scores) output-empty-score-list)
programming error: Parsed object should be dead: static scm_unused_struct*
Prob::mark_smob(scm_unused_struct*)
continuing, cross fingers
programming error: Parsed object should be dead: static scm_unused_struct*
Context_def::mark_smob(scm_unused
Citando Bertalan Fodor <[EMAIL PROTECTED]>:
>
> > Note:I mentioned jEdit because the pdf viewer designed for LilypondTool
> doesn`t
> > work in my machine, it must be because I only have a little over 200MB of
> free
> > RAM usually from my 512MB Ram.
> >
> I don't think that is the problem. I thi
Citando Bertalan Fodor <[EMAIL PROTECTED]>:
> For simpler cases I'd (also) use jEdit's Abbreviation capabilities
> (instead). (Perhaps along with SuperAbbrevs plugin.)
> However, you examples with abbreviations are as the following.
> The second is trivial with jEdit's abbreviations. You just set
What can I do to configure lilypond or whatever so that the point-and-click can
work from Adobe Reader to, say jEdit or notepad?
Note:I mentioned jEdit because the pdf viewer designed for LilypondTool doesn`t
work in my machine, it must be because I only have a little over 200MB of free
RAM usuall
Hello users!
Using Autohotkey (www.autohotkey.com), I created 2 macros that intend to speed
up the typing of chords. Here is what they do:
First macro:
-- Press q, then < > is written.
-- Type the duration, e.g. < >4.
As soon as you hit the "space" key, the caret moves back to one space
Citando Sietse Brouwer <[EMAIL PROTECTED]>:
> Hullo Kieren,
>
> Sietse Brouwer wrote:
> > > Is it at all possible to call a dynamics mark inside \lyricmode, so
> > > I can do something like \set stanza = "\f 1." ?
>
> Kieren MacMillan replied:
> > I think
> > \dynamics f 1.
> > will work.
>
>
Citando Pierre Abbat <[EMAIL PROTECTED]>:
> I'm trying to write a hymn in Spanish. Sometimes there are two syllables on
> one note (not uncommon in hymns in Spanish, usually two vowels come together)
> and there are some pairs of notes which take two syllables in some verses and
> one in others. I
Citando "Rick Hansen (aka RickH)" <[EMAIL PROTECTED]>:
>
>
> If you have done this can you share it or sell it to me? (please dont
> suggest m4, I gave up on that monster)
>
> Thanks
>
Hi, Rick! Yes, this preprocessor looks scary, as well as some advanced
programming with Scheme. But once I got
Citando Laura Conrad <[EMAIL PROTECTED]>:
> >>>>> "Eduardo" == Eduardo Vieira <[EMAIL PROTECTED]> writes:
>
> >> %% I don't want the hyphen "ti" and "frut" to disappear. The others
> can
> >
Citando Eduardo Vieira <[EMAIL PROTECTED]>:
Hello list, I'm still puzzled with this problem. Can anybody help me?
> We know that in some words an hyphen should be used and as part of lyrics of
> a
> song it must not disappear.
> I'm trying to do that based on a sugge
Citando David Rogers <[EMAIL PROTECTED]>:
> Ezequiel Sierra wrote:
>
> >The thing is that the music is a hymn so i cant make different lines
> >of lyrics for different voices
>
>
Ezequiel, it's hard to understand what you really want. I sent the file
001-modif.ly and it doesn't seem you are tryin
it dosent work either i put all stems down even the first voice
>
> On Dec 18, 2006, at 12:56 AM, Eduardo Vieira wrote:
>
> > << \context Voice = "melodia" { \voiceOne bes'4. bes8 4 > g> }
> > \context Voice = "alto" { \voiceTwo f4 f4 } >&g
We know that in some words an hyphen should be used and as part of lyrics of a
song it must not disappear.
I'm trying to do that based on a suggestion of an older version of the manual,
but to no avail:
%%% Here's the snippet:
%% I don't want the hyphen "ti" and "frut" to disappear. The others ca
We know that in some words an hyphen should be used and as part of lyrics of a
song it must not disappear.
I'm trying to do that based on a suggestion of an older version of the manual,
but to no avail:
%%% Here's the snippet:
%% I don't want the hyphen "ti" and "frut" to disappear. The others ca
We know that in some words an hyphen should be used and as part of lyrics of a
song it must not disappear.
I'm trying to do that based on a suggestion of an older version of the manual,
but to no avail:
%%% Here's the snippet:
%% I don't want the hyphen "ti" and "frut" to disappear. The others ca
Citando Ezequiel Sierra <[EMAIL PROTECTED]>:
> here is the file
>
>
I altered line 75 to this. Then you can do the rest as the pattern:
<< \context Voice = "melodia" { \voiceOne bes'4. bes8 4 }
\context Voice = "alto" { \voiceTwo f4 f4 } >> \oneVoice
As Mats pointed, if you use \voiceOne and \v
Citando Ezequiel Sierra <[EMAIL PROTECTED]>:
> ~
> in a f clef
>
>
>
> dosent work
> On Dec 17, 2006, at 2:55 PM, Mats Bengtsson wrote:
You need a *slur*, not a tie: ( )
Eduardo
___
Com o Click21 você tem sempre va
Citando Ezequiel Sierra <[EMAIL PROTECTED]>:
> to be more specific
>
> << \context Voice = "melodia" { \voiceOne bes'4. bes8 4 g> } { \voiceTwo f4 f4 } >> \oneVoice
>
> i get all stems down of that staff why?
>
>
You should to include \new Voice (or \new Voice = "something") , after
\voiceTwo:
In the second example, the first 3 lyric-syllables are left aligned to the
note-head because I specified the durations and didn't use lyricsto. Intend
behaviour?
% Created on Thu Dec 14 07:50:40 GMT-03:00 2006
\version "2.10.2"
\include "english.ly"
verse= \lyricmode {
come8 good old friends
}
Citando Christophe Dang Ngoc Chan <[EMAIL PROTECTED]>:
>
> Now I try to dissociate the two voices, and the lyrics do not align
> any longer.
>
> % ** this does not work
> \new Staff \relative c' {<<
> { s2. e'8 e~
>e4 e8 e~ e2
> } \\
> { r2. g,8 a~
>a4^\marku
Citando Mats Bengtsson <[EMAIL PROTECTED]>:
> It seems that your attachments have been filtered out by the mailing list
> software. Could you please include the .ly file in the email body.
>
>/Mats
>
Ok. Here it is:
% Created on Fri Feb 03 20:21:54 BRST 2006
\version "2.8.0"
#(ly:set-option
Hello, list! I've been reviewing one of my first songs typesetted with Lilypond
and noticed a problem that I don't know how to solve:
The words for the tenor and bass become left aligned after these voices are
splitted and put back together.
See the picture where it shows the words "O do not fa
Citando Maurits Lamers <[EMAIL PROTECTED]>:
I can't find in the list your first post. Did you try in the context Lyrics
revert those properties for the bass? Maybe in layout you could try this that I
never tested:
\context {
\Lyrics = SopraanLyrics {
\consis
Citando Tomas Valusek <[EMAIL PROTECTED]>:
> Hello,
>
> in piano music, there are often situations where temporary voices are
> introduced. It's not true polyphony, because the additional voices are
> temporal and are use only to mark prolonged notes. What is the simplest
> way to typeset the exam
Citando Trevor Daniels <[EMAIL PROTECTED]>:
I use LilyPondTool for jEdit and it is great and worth having it . My conclusion
is that we may as well have two good text editors. Since I know, that jEdit is
slower and I also experienced crashes or very slow instances when the Lilypond
documentation w
Citando Joseph Haig <[EMAIL PROTECTED]>:
>
> I think it must have been the lilypond mailserver seeing the 'at' sign
> and assuming that it is an email address, because it is wrong in the
> list archives. The line should read:
>
> my($fin,$fout,$label) = @ARGV;
>
> I have put spaces either side of
Joe wrote:
> It is not pretty and it doesn't to a great deal of syntax checking but
> below is a perl script I've just thrown together which extract the
> parts as you require. It should pick out things like 'soprano' while
> ignoring things like '\soprano'. You should save it in a file called
>
Hello users, does anybody have a Python or Perl script to extract parts from a
.ly file and save them into a different file?
For example:
I have several files with:
soprano = {
music
}
alto = {
music
}
etc.
and would like to get each part in a different file (soprano.ly, alto.ly,
etc.ly) . If
, Automation scripts, and so on.
let us see what are our conclusions, say within 6 more months.
Best regards,
Eduardo Vieira
___
Com o Click21 você tem sempre vantagens! Além do email com 1 Gb, Acelerador,
Blog,
Hi! Foxit Reader already gives the ability of annotating PDFs, drawing shapes,
etc, even for free. But doing for free adds a stamp Edited by Fox Reader, etc.
What is interesting is that this stamp is not visible in Adobe Reader, just the
annotations you made.
So, this basic and feasible thing alrea
Citando Mats Bengtsson <[EMAIL PROTECTED]>:
> One workaround is described in
> http://lists.gnu.org/archive/html/lilypond-user/2006-09/msg00015.html
>
>/Mats
>
Thanks Mats! I knew there was that page somewhere but couldn't narrow my search
sufficiently.
Best regards,
Eduardo
___
ew approach for that?
Eduardo Vieira
___
Com o Click21 você tem sempre vantagens! Além do email com 1 Gb, Acelerador,
Blog,
Flog, Games e atendimento 24 horas, voce também pode falar minutos DDD com a
promoção Click 21
he code, I'd be much
beholden to him.
Regards,
Eduardo Vieira
___
Com o Click21 você tem sempre vantagens! Além do email com 1 Gb, Acelerador,
Blog,
Flog, Games e atendimento 24 horas, voce também pode falar m
Hello!
I'm using version 2.9.27 in Windows XP and am enjoying it very much. It was good
to see that the ps files can be viewed in GhostView and also could be distilled
with Acrobat Distiller (not a big deal tho'). EPS works nice, too.
And a big thanks to Han-Wen for fixing the sizes of the shaped n
Hello list, is there a musical difference between these two styles of slurring?
{ e( f() g) } and { e( f g) }
I have seen songs using either style. Which is more proper? Personally I prefer
the latter. But I'm not a musician.
Eduardo
Hello! You can google about "ChordML", I think it is what you need. There
are some shareware for these kind of job, too. I don't remember the names,
but a search with "lyrics and chords" gave me a few hits.
Good luck.
Eduardo
___
lilypond-user ma
Hello, to me Scheme/Lisp is (still) Greek. But you may find interesting what
FOMUS has to offer, if you`re thinking of algorithmical composition. Check
it out:
http://common-lisp.net/project/fomus/
Eduardo
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Hi,
I have found that \partcombine is not the ideal
tool for hymns if you follow this convention: soprano and alto in the same staff
as chords, if the interval is of a second or unison, then the stems are split
(soprano, stem up; alto, stem down).
Now you have to choices: either typeset th
Hello, Trevor!
I didn't notice much difference with the thickness using your technique.
But, anyway, you can tweak the thickness, too.
Now for the question as to whether it is possible to tie only one note fo
chord, this snippet compiles with warning, but shows it is possible:
%%% BEGIN %%%
Kieren wrote:
> As for the "automatic placement" issue, I have to say that I do a
> fair bit of manual tweaking of my lyrics, in order to "make it fit"
> or "make it look good" -- as you indicated, I think Lilypond does a
> pretty amazing job, considering how complex (and, often, subjective)
>
Recently I switched from Windows Me to XP, and haven't tried to change fonts
yet. But lilypond generates a file located in c:\Documents and Settings\???\
called .lilypond-2.9.5-font.cache-1 that lists all the fonts of the system,
I suppose. You should check how the name of the font is written in
Strange. I use version 2.9.5 and I didn't get any warning. The output you
can see in the png file.
Maybe you should try it in a stable version (2.8.x)
Armin Wrote:
"Thank you for the link, but it does not solve the problem. I get the
extender
in the text, but the text then starts only at the
Hi! I think this message can help you:
http://lists.gnu.org/archive/html/lilypond-user/2006-03/msg00514.html
- Original Message -
From: "Armin Lambacher" <[EMAIL PROTECTED]>
To:
Sent: Friday, July 14, 2006 6:20 AM
Subject: Problems with melismata
Hello,
I tried the following
There are three workarounds I can think of:
1- If you have these glyphs in a musical font, use them as markups, changing
the default font with the musical one.
2- Use PostScript. One can insert a PostScript code as a markup. For us that
don't know PostScript, we could make the glyph in CorelDra
Hello!
Replace this line:
<< \new Voice = "staffCinco" { \voiceOne { bes'4. bes8 4 } }
{ \voiceTwo f4 f } \oneVoice >>
With this:
<< { \voiceOne { bes'4. bes8 4 } } { \voiceTwo f4 f } >>
\oneVoice
Erase this line:
\set associatedVoice = staffCinco
*** A Good Tip:
Checke this site
Hi! Check this message for an answer:
http://lists.gnu.org/archive/html/lilypond-user/2005-11/msg00708.html
- Original Message -
From: "Ezequiel Sierra" <[EMAIL PROTECTED]>
To:
Sent: Tuesday, July 04, 2006 6:52 PM
Subject: Chords with ()
> Does anyone know how to put the chords
e same thing, but with PDF files
> accessible via the web instead.
>
> Eduardo Vieira wrote:
>> Hello, I don't really understand what you want your score to look like
about
>> those invisible notehead. Maybe you could post a small picture of what
you
>> ca
Ola, Ezequiel!
The problem of lyrics jumping to another stanza can be solved by doing this:
Substitute all the constructs: << { "notes" } \\ { notes }>> with: << {
\voiceOne "notes" } \new Voice { \voiceTwo "notes" } >> \oneVoice
If you do it this way, you won't probably need to use stemUp an
Hello, I don't really understand what you want your score to look like about
those invisible notehead. Maybe you could post a small picture of what you
can
do using Finale. And we would see to the right solution.
Joseph wrote:
>>> (2) In the second bar, you can see that there are sometimes re
Hi! I may be giving you the wrong information, but in the Program reference
(Scheme Functions) about ly:make moment it reads:
"Function: ly:make-moment n d gn gd
Create the rational number with main timing n/d, and optional grace
timin gn/gd.
Moment is a point in musical time. It is
Anthony wrote:
There's also the little matter of the examples are supposed to be
"here's how to put a hyphen into lyrics text" and if I fix them, I'll be
turning them into examples of "here's how to force a hyphen into lyrics
when lily doesn't want to do it".
-
Hi! I guess the simpler s
could change their direction tweaking TieColumn
properties.
Eduardo
- Original Message -
From: Simon Dahlbacka
To: Eduardo Vieira
Cc: lilypond-user@gnu.org
Sent: Wednesday, June 21, 2006 10:57 AM
Subject: Re: DYI \chordcombine
On 6/21/06, Eduardo Vieira <[EMAIL PROTECTED]> wrot
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Thank you! Now I have an idea.
- Original Message -
From: "Han-Wen Nienhuys" <[EMAIL PROTECTED]>
To: "Shamus" <[EMAIL PROTECTED]>
Cc:
Sent: Tuesday, June 20, 2006 8:06 AM
Subject: Re: Pronunciation of the author's names
> Shamus schreef:
>>> Meeting Han-Wen last time I asked him
Tomasz wrote:
How other score formats i can create from my lily scores. It should be
openable in other score editors (finale or capella).
It is possible ? I can't see it in docs.
Regards
Tomasz
-
Hi! Lilypond only exports to midi. Maybe in the future it will export to
MusicXML. Depend
Hi! Isn't \partcombine what you need?
Eduardo
- Original Message -
From: Simon Dahlbacka
To: lilypond-user@gnu.org
Sent: Tuesday, June 20, 2006 3:49 PM
Subject: DYI \chordcombine
I've been wanting something like \chordcombine, i.e. combine multiple voices
into chords if they occ
Great! This topic was brought up right in time. I was about to post one
similar. In the past I had sent the attachment (shapednotesnew.pdf) to
Han-Wen, and I would like to request some changes to the shaped notes
design:
-> The half-notes (minims) in many shaped notes songbooks have one or more
Hello list,
How do you pronounce Nienhuys? And Jan Nieuwenhuizen?
Thanks,
Eduardo
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I was just curious, nothing else, to know how many users are subscribed to
this list.
Eduardo Vieira
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Hello users,
Ghostscript comes with tools for ps/pdf conversion into several formats.
Xpdf converts pdf->ps->pdf. They all run in Windows.
Another thing to try is to convert the PDF into PDF again, using print to
PDF tools. There are many like that for free, like PDF995.
I may be wrong but Te
Hello!
Try the following (Also read the manual where it says "explicitly instanting
voices"):
<< \new Voice {\voiceOne d'4 c'2} {\voiceTwo b4 a2}>> \oneVoice
Cheers,
Eduardo
- Original Message -
From: "Mark Dewey" <[EMAIL PROTECTED]>
To:
Sent: Friday, June 02, 2006 3:45 AM
Subje
ony W.
Youngman <[EMAIL PROTECTED]>
wrote:
In
message <[EMAIL PROTECTED]>,
Eduardo Vieira<[EMAIL PROTECTED]>
writes>Hello list! Once in a while I see .ly examples posted in this
list in a zip file >containing several pieces and a file called
"
Hello list! Once in a while I see .ly examples
posted in this list in a zip file containing several pieces and a file called
"makefile". I suppose it is to put all the parts together. Is it possible to
work with it Windows?
Regards,
Eduardo
___
- Original Message -
From: "Eduardo Vieira" <[EMAIL PROTECTED]>
To: "Kieren Richard MacMillan" <[EMAIL PROTECTED]>
Sent: Friday, May 26, 2006 8:42 PM
Subject: Re: Lilypond developing: getting started
Hi, Kieren!
I'm not one of the developers, o
Hi, Rick!
Try this: \once \override NoteColumn #'X-offset =
#1.3 8 r r
Adjust the number until you're
satisfied.
Regards,
Eduardo
- Original Message -
From:
Rick Hogg
To: Thies Albrecht ; lilypond-user@gnu.org
Sent: Saturday, May 20, 2006 6:13
PM
Subject: R
Hi, Shelagh!
For your lyrics to be properly aligned with "lyricsto", you need to
"explicitly instantiate voices" (See this section in the docs).
So instead of << \\ >>, do this:
<< \new Voice { \voiceOne g4\rest\p d8 d fs4 fs ~| fs d fs fs ~| %this
[*was*] problem section
fs d fs fs | a g fs2 }
> My problem is about stacking up lyrics in the same stanza, bracketing them
> and vertically adjusting the stanza number. See picture.
> I played around with a lot of things for days, but I did not find any
serios
> workaround. Please, help!
Hi,
Collin Wilding, one of the Lilypond users ga
Sorry for prolonging this thread... but have you taken a look at David
Raleigh Arnold's "Lilypond Tools"? They are
some interesting Python scripts for handling "\include" among other things.
I forgot the URL, so use Google, please.
Eduardo Vieira
- Original M
icsto two { ... }
\context Lyrics = verseTwo \lyricsto one { ... }
I hope I didn't confuse you even more:)
Eduardo Vieira
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icsto "one" \new Lyrics { Lu lu lu lu }
And add these words to the first lyricsto:
La la la la Lu lu lu lu
As to the vertical spacing between lines of lyrics, I'll give you a hint.
See in the manual the SATB template, a line that ends with "extent".
Good luck!
gt;With:
\lyricsto "one"
I'm not in a position to judge it a bug. I'm a beginner. So, I'll let the
experts have their judgement.
Best regards,
Eduardo Vieira
- Original Message -
From: "Eyolf Ostrem" <[EMAIL PROTECTED]>
To:
Sent: Frida
- Original Message -
From: "Jennifer Clark" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, April 26, 2006 11:30 AM
Subject: Re: Markup text to the left of first chord on ChordNames staff
>
> Sorry for answering my own post, but I have found something that may be
> relevant; in the manual,
I, a beginner too, and maybe others don't really understand your need, but
here are my guesses (I hope someone else will help too).
My first advice is to upgrade your version of Lilypond. :)
About item 2:
You might find answers in 8.4.1 Polymetric notation. Also if you use \set
Score.defaultBarType
You can use the tool, pstoedit, which can be included in Ghostview. It
exports to a variety of vector formats including wmf. Some filters are
shareware, though.
Another option is to find an old version of Corel Draw, sometimes they very
inexpensive. I have Corel 7.
Good luck,
Eduardo
- Origi
Hello!
I would like to have the first lyric syllable of a stanza automatically
left-aligned in the begining of each new system. Is it possible currently? I
know that if I specify line breaks, and change the alignment of the next
syllable, this is easily obtained. But I'd rather not to add line bre
ichard MacMillan" <[EMAIL PROTECTED]>
To: "Eduardo Vieira" <[EMAIL PROTECTED]>
Cc:
Sent: Friday, April 21, 2006 1:05 PM
Subject: Re: shifting an aligned syllable further yet
> Hi, Eduardo:
>
> > Hello list, I wonder how can I shift these two left-aligned lyric
Hello list, I wonder how can I shift these two
left-aligned lyric syllable more to the right and they would still be
left-aligned in relation to each other?
Here's my code:
\version "2.8.0"
vI = \lyricmode { \once \override LyricText
#'self-alignment-X = #-1Great is the Lord! }vII = \l
'' {
<< \new Voice = nogood { \voiceTwo do2 re8 mi8 fa8 sol8 }
{ \voiceOne mi2 fa8 sol8 la8 si8 } >> \oneVoice |
<< \context Voice = nogood { \voiceTwo do1 } { \voiceOne sol1} >>
\oneVoice
}
Eduardo Vieira
- Original Message -
From: "Ric
Horton are going to make some contributions to the docs
about Vocal Music in a near future, that's why I'm researching more about
lily's lyrics management.
- Original Message -
From: Jacob Cooper
To: Cameron Horsburgh ; Eduardo Vieira ; Geoff Horton
Sent: Saturday, April 1
Jacob Cooper wrote:
> I don't care as much how
> they're entered as how they're output. Right now, it looks like syllables
are
> aligned so that the left edge of the longest syllable (in polyphonic
choral
> music) is aligned with the center of the note it's matched with, and in
every
> other part,
k about the documentation page: The PDF for "Regression
Tests" and "Tips and Tricks" have the same name: collated-files.pdf. It
would be good to have different names for each.
Regards,
Eduardo Vieira
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Hi, I'm using Lilypond in Windows ME. Actually, I never noticed that the
size of the PDFs are big, usually they're much smaller than the PS. I also
have ghostscript 8.50 installed in c:\gs\gs8.50.
Here's what I got:
C:/WINDOWS/SYSTEM/GDI32.dll
bff35a413bee4c1dd468a96ee65c8b5e
C:/WINDOWS/SYSTEM/USER
Hi, Simon!
I had been wondering about the same thing and browsing the list archive I
found a solution in the thread "Stemming for hymnal"
I think the solution for you would be to arrange the score block like this
\score { << \voiceOne
\sopranThree
\altThree
\tenorThree
>>
}
I've been testing t
Hello friends,
I'm wondering how can I use a PostScript font in a text markup for my score.
Here are my settings: Windows ME, Lilypond 2.7.39, the installed font:
Isabella (c:\psfonts\iz__.PFB).
I saw in the regression tests an example (font-postcript.ly), but I can't
figure out myself how to
Hi Kieren,
I'll share some of my similar experiences. I have Corel Draw 7 (Windows),
and I could import Lilypond .ps files with no trouble if they were from
version 2.6.3. But I had to choose the option of importing text as vector,
not as text, for if I tryied otherwise all the music glyphs that a
Hello users,
There's a part in the manual that says:
"Similarly,
%%LY slyrics more words
will cause the text following the "slyrics" keyword to be inserted into the
current line of lyrics"
Sorry, but I still don't understand this. Does anybody have an abc file with
such "slyrics" tweaking? I wo
Hello fellow users,
I still don't know how to make the header items to be aligned with the staff
when I change its linewidth.
I have set the paper to a5, the linewidth is 11.5. Now the composer name
remains where it was, before I changed the linewidth. How do I do this?
Thanks,
Eduardo
Windows
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