Re: Creating score with unfolded repeats in scheme

} > > } > > } > > > > make-rehearsal = > > #(define-scheme-function > > (the-score) > > (ly:score?) > > (ly:make-score (unfold-repeats-fully (ly:score-music the-score > > > > new-score = #(make-rehearsal choirScore) > > \new-score

Re: Creating score with unfolded repeats in scheme

t; I am experimenting with a system to create choir rehearsal midi files. A > part of that is to unfold repeats. I have a function that accepts a score > and creates a new score. The steps are: > 1. Extract the music from the score > 2. Unfold the repeats > 3. Make a new score > >

Re: Creating score with unfolded repeats in scheme

> On 9 Sep 2024, at 23:10, Morten Lemvigh wrote: > > Hi, > > I am experimenting with a system to create choir rehearsal midi files. A part > of that is to unfold repeats. I have a function that accepts a score and > creates a new score. The steps are: > 1. Extract

Re: Creating score with unfolded repeats in scheme

\repeat volta 2 { > c d e f > } > } > } > } > > make-rehearsal = > #(define-scheme-function > (the-score) > (ly:score?) > (ly:make-score (unfold-repeats-fully (ly:score-music the-score > > new-score = #(make-rehearsal choirScore) > \new-score If

Creating score with unfolded repeats in scheme

Hi, I am experimenting with a system to create choir rehearsal midi files. A part of that is to unfold repeats. I have a function that accepts a score and creates a new score. The steps are: 1. Extract the music from the score 2. Unfold the repeats 3. Make a new score For some reason only the

Re: Question about voltas and repeats

dy) I'd like to give them >>> a score containing voltas using the repeat and volta commands; for another >>> musician (for example, the drummer) I'd like to give them a score with no >>> repeats and voltas. I know that if I'd like to create a full-band score

Re: Question about voltas and repeats

voltas using the repeat and volta commands; for another >> musician (for example, the drummer) I'd like to give them a score with no >> repeats and voltas. I know that if I'd like to create a full-band score >> (i.e a grid) I can use the \unfoldRepeats at every variable,

Re: Question about voltas and repeats

them > a score containing voltas using the repeat and volta commands; for another > musician (for example, the drummer) I'd like to give them a score with no > repeats and voltas. I know that if I'd like to create a full-band score > (i.e a grid) I can use the \unfoldRepeats at

Re: Question about voltas and repeats

drummer) I'd like to give them a score with no repeats and > voltas. I know that if I'd like to create a full-band score (i.e a grid) I > can use the \unfoldRepeats at every variable, creating one straight through > score. > > However, is it possible to create something

Question about voltas and repeats

them a score with no repeats and voltas. I know that if I'd like to create a full-band score (i.e a grid) I can use the \unfoldRepeats at every variable, creating one straight through score. However, is it possible to create something like a "Tempo Map" of sorts? Like a part/variable th

Re: Unexpected bar boundaries with volta repeats and lyrics.

o: Michael Werner Cc: Lilypond User Sent: 09/12/2023 21:14 Subject: Re: Unexpected bar boundaries with volta repeats and lyrics. Thank you, Unfortunately, in this case (the real score from which the example was extracted) I need the words to be repeated so I can unfold them

Re: Unexpected bar boundaries with volta repeats and lyrics.

about putting lyrics into the > > same repeat structure as the music, there's one detail in > > http://lilypond.org/doc/v2.25/Documentation/notation/lyrics-and-repeats > > that you may have missed: > > > > "... when one of the `\alternative` blocks start

Re: Unexpected bar boundaries with volta repeats and lyrics.

t; On Fri, Dec 8, 2023 at 11:31 PM Kevin Pye wrote: >> __ >> What silly mistake am I making here? > > Not all that silly. Though the docs do talk about putting lyrics into the > same repeat structure as the music, there's one detail in > http://lilypond.org/doc/v2.2

Re: Unexpected bar boundaries with volta repeats and lyrics.

tion/lyrics-and-repeats that you may have missed: "... when one of the \alternative blocks starts with a rest, a repeat construct cannot be used around the words" Change the lyrics block to just words = \lyricmode { a b c d e } and it should behave itself a bit better for you. -- Michael

Unexpected bar boundaries with volta repeats and lyrics.

Compiling the following lilypond code: \version "2.25.10" music = \relative { \time 4/4 \repeat volta 2 { d'1 | \alternative { { d1 | } { | r4 d2 d4 | d1 } } } \bar "|." } words = \lyricmode { \repeat volta 2 { a \alte

Re: using partcombine with different clefs, repeats, text

first time through is in German; he's in his > "Schubert phase."). He wants both voices on a single line. > > So I *could* notate the baritone in the wrong octave and just use the same > music for both repeats, but that still leaves me the problem of what to do > wit

Re: using partcombine with different clefs, repeats, text

"Schubert phase."). He wants both voices on a single line. > > So I *could* notate the baritone in the wrong octave and just use the same > music for both repeats, but that still leaves me the problem of what to do > with the text. And I don't see a good way to do thi

using partcombine with different clefs, repeats, text

ate verses, and the second time through to sing the text in English (first time through is in German; he's in his "Schubert phase."). He wants both voices on a single line. So I *could* notate the baritone in the wrong octave and just use the same music for both repeats, but that still

Re: Trying and failing to engrave a segno repeat with coda: More alternatives than repeats.

Hi Valentin; Wow, that's a lot to digest; thanks, I'll try to work through that. Ken On Fri, Jun 9, 2023 at 2:02 AM Valentin Petzel wrote: > > Hello Ken, > > please try to give a MWE and to describe what you actually want to achieve. It > is hard to get what you want from just a handful of sc

Re: Trying and failing to engrave a segno repeat with coda: More alternatives than repeats.

HI Jean; Thank you so much. It works now. On Fri, Jun 9, 2023 at 12:51 AM Jean Abou Samra wrote: > > Le jeudi 08 juin 2023 à 22:56 -0700, Kenneth Wolcott a écrit : > > Hi; > > > > Trying and failing to engrave a segno repeat with coda: > > > > war

Re: Trying and failing to engrave a segno repeat with coda: More alternatives than repeats.

Hello Ken, please try to give a MWE and to describe what you actually want to achieve. It is hard to get what you want from just a handful of screenshots of jump marks. I suppose this is supposed to be something like A [SEGNO] B [Fine→Coda] C [Dal segno al Fine e poi la coda] [Coda] D So essen

Re: Trying and failing to engrave a segno repeat with coda: More alternatives than repeats.

Le jeudi 08 juin 2023 à 22:56 -0700, Kenneth Wolcott a écrit : > Hi; > > Trying and failing to engrave a segno repeat with coda: > > warning: More alternatives than repeats.  Junking excess alternatives > > Attachments: > > I have screenshots for the following

Re: Custom text in repeats

Le mardi 30 mai 2023 à 16:50 +0200, Jakob Pedersen a écrit : > Dear Robin, > > Thank you! How delightfully simple! > > I should probably have inferred this from the example, and I apologise for > not doing so and spamming the list with an idiotic question! > > Perhaps the us

Re: Custom text in repeats

Dear Robin, Thank you! How delightfully simple! I should probably have inferred this from the example, and I apologise for not doing so and spamming the list with an idiotic question! Perhaps the use of \text to add whatever text the user would want could be expanded upon in the documentatio

Re: Custom text in repeats

Jakob Pedersen wrote: Is there any way to force lilypond to assume that it's simply text voltatekst = \markup \text { Efter sidste vers. } Cheers, Robin

Custom text in repeats

Hello all I'm trying to replicate this original that has non-standard text in the final volta of the repeats. The original music Having used the instructions about manual repeats in section 1.4.1 of the documentation, I've come up with this: \version "2.24.1" \langua

Re: quoting percent repeats

Hello Paul, while I’m not entirely sure what is going on there it seems like the iterator for quoted music is messing with the logic of the iterator for percent repeated music. This is done not by the engraver, but by the iterator. Basically the iterator decides on whether to create PercentReap

quoting percent repeats

I asked about this 3 years and I don't remember getting a workable answer: I would expect the two voices in the following MWE to have the same simple percent signs.  Is there a way get the expected result? \version "2.25.4" anotes = \fixed c' {   \time 2/4 \repeat percent 2 { a2 } \repeat per

Re: Definition of repeats using segno and coda

Thank you very much, David! Your suggestion fixed both the minimal example and my real use case! I'm impressed with the reactivity and quality of Lilypond support! Minimal example that produces the desired result \version "2.24.0" \relative { \clef treble \key c \major \time 4/4 \repeat

Re: Definition of repeats using segno and coda

Volodymyr Prokopyuk writes: > Hi Jean, > > I've produced the minimal example reflecting my real use case. This example > does not produce the desired result. The difference between the minimal > working example and my real use case is that both section A and section B > are \repeat volta 2 themse

Re: Definition of repeats using segno and coda

ing, Jean, >> >> I've used the suggested repeat structure (see the attached code), but it >> does not produce the desired result (see the attached PDF). Sorry for not >> being compliant with the minimal example requirement. >> >> By imperative instructions

Re: Definition of repeats using segno and coda

(see the attached code), but it > does not produce the desired result (see the attached PDF). Sorry for not > being compliant with the minimal example requirement. > > By imperative instructions I mean not using the proposed code structure > for repeats, but instead using explicit \co

Re: Definition of repeats using segno and coda

Le dimanche 26 février 2023 à 20:39 +0100, Volodymyr Prokopyuk a écrit : > Hi, > > I'd like to find out the right way to define repeats using segno and coda. > > **Desired output written in scores > ** > > Section A { ^*codaMark* } Section B { _*D.C. al codaMark

Definition of repeats using segno and coda

Hi, I'd like to find out the right way to define repeats using segno and coda. *Desired output written in scores* Section A { ^*codaMark* } Section B { _*D.C. al codaMark a poi la Coda* } { *^Coda* } Section C *Order of sections to play* Section A => Section B => Section A =

Re: \repeat volta 2 + two blocks in \alternative = More alternatives than repeats?

On Fri, Dec 23, 2022 at 10:25 PM William Rehwinkel < will...@williamrehwinkel.net> wrote: > Hey Kevin, > > I identified that this was due to the measure mark "|" you inserted on > line 31 > > \alternative { > { c4.( c8) e16[ f16] } > { c4.( c4.) } | >} > > Since this was outside of t

Re: \repeat volta 2 + two blocks in \alternative = More alternatives than repeats?

. Each has "\repeat volta 2" and two blocks in an "\alternative". I've reduced to what I think is a pretty minimum MWE, and still get: |$ lilypond mwe.ly |GNU LilyPond 2.22.1 |Processing `mwe.ly' |Parsing... | warning: More alternatives th

\repeat volta 2 + two blocks in \alternative = More alternatives than repeats?

Parsing... |warning: More alternatives than repeats. Junking excess alternatives |Interpreting music... |Preprocessing graphical objects... |Interpreting music... |MIDI output to `mwe.midi'... |Finding the ideal number of pages... |Fitting music on 1 page... |Dr

Re: Displaying bar numbers for repeats

n do this. Why? Speaking as an organist if I came > > > across this I would have to spend time working out what in earth the > > > bracketed number means. What does it add to the score in any practical > > > sense? > > > > If I'm playing/singing fr

Re: Displaying bar numbers for repeats

Dear Andrew, The display of bar numbers during repeats gains its practical use when the repeats are many pages long, making it significantly easier to rehearse with amny players. One particular example that comes to mind in my experience is a contemporary choral piece (32 strong choir) that

Re: Displaying bar numbers for repeats

what in earth the bracketed number means. What does it add to the score in any practical sense? If I'm playing/singing from a copy with unfolded repeats, and we want to start at measure 42, somewhere in the middle of your 2nd-time repeat, you wouldn't find any number close to 42 in

Re: Displaying bar numbers for repeats

Hi Joe, Am 28.08.22 um 01:11 schrieb Joseph Srednicki: I looked at the Lilypond documentation and snippet library but did not find an answer to the question that I am asking in this message. I am typesetting my personal performer's edition of Bach's Schmüke Dich (BWV 654). The first 34 measur

Re: Displaying bar numbers for repeats

keted number means. What does it add to the score in any practical > sense? If I'm playing/singing from a copy with unfolded repeats, and we want to start at measure 42, somewhere in the middle of your 2nd-time repeat, you wouldn't find any number close to 42 in your copy without t

Re: Displaying bar numbers for repeats

I suppose there is a way to do this but the concept is strange. I have never seen any edition do this. Why? Speaking as an organist if I came across this I would have to spend time working out what in earth the bracketed number means. What does it add to the score in any practical sense? Andr

Displaying bar numbers for repeats

Hello: I looked at the Lilypond documentation and snippet library but did not find an answer to the question that I am asking in this message. I am typesetting my personal performer's edition of Bach's Schmüke Dich (BWV 654). The first 34 measures are repeated with an alternate ending. (I am usin

Re: MIDI & repeats

gt;> >>> 1. Have a part play only on 2nd time through the repeat. >>> 2. Have different dynamic for 1st and 2nd times through repeat. >>> >>> A minimal example of how I would typically typeset this is below but >>> produces midi output that plays a

Re: MIDI & repeats

>> particular part do the following two things (both common in Sousa marches): >> >> 1. Have a part play only on 2nd time through the repeat. >> 2. Have different dynamic for 1st and 2nd times through repeat. >> >> A minimal example of how I would typically typeset th

Re: MIDI & repeats

for 1st and 2nd times through repeat. A minimal example of how I would typically typeset this is below but produces midi output that plays all repeats with uniform volume. I've had a good hunt around the internet for examples of doing this but either I'm searching for the wrong thin

Re: MIDI & repeats

2nd times through repeat. A minimal example of how I would typically typeset this is below but produces midi output that plays all repeats with uniform volume. I've had a good hunt around the internet for examples of doing this but either I'm searching for the wrong things or this is

MIDI & repeats

how I would typically typeset this is below but produces midi output that plays all repeats with uniform volume. I've had a good hunt around the internet for examples of doing this but either I'm searching for the wrong things or this is a somewhat obscure request! Thanks in adv

Re: Still struggling to understand Lilypond 2.23.10 segno repeats

it to the point where I can apply it to the other pieces that I have which these kinds of repeats without having spoon-feeding assistance. Thanks, Ken On Sat, Jul 23, 2022 at 2:03 PM Jean Abou Samra wrote: > > > > Le 23/07/2022 à 03:48, Kenneth Wolcott a écrit : > > Can_You_Fee

Re: Still struggling to understand Lilypond 2.23.10 segno repeats

Le 23/07/2022 à 03:48, Kenneth Wolcott a écrit : Can_You_Feel_the_Love_Tonight.pdf Hi;   I have a piece of music ("Can You Feel the Love Tonight") which I am trying to engrave using Lilypond 2.23.10.   I

Re: Struggling with Midi and long repeats

I'm sorry you're having troubles with LilyPond. If you tell me what you don't get I (or someone) can help with that. As a starting point, here's the LilyPond source code you posted, corrected so it will compile, and with the MIDI honoring the repeats: %-- \versio

Re: Struggling with Midi and long repeats

Well, I’ll be ashamed but honest. I didn’t understand anything from it. Maybe lilypond is just not for me for more complicated pieces. > On 4 May 2022, at 18:41, Knute Snortum wrote: > > This link can help you: > > https://lilypond.org/doc/v2.22/Documentation/notation/using-re

Re: Struggling with Midi and long repeats

This link can help you: https://lilypond.org/doc/v2.22/Documentation/notation/using-repeats-with-midi -- Knute Snortum On Wed, May 4, 2022 at 8:35 AM Omer Katzir wrote: > I have this music, but when I try to make midi out of it, it doesn’t do > the repeats. Does anyone have any sugge

Struggling with Midi and long repeats

I have this music, but when I try to make midi out of it, it doesn’t do the repeats. Does anyone have any suggestions on how to do it? I’m really struggling with lilypond lately :-( \version "2.22.2" \header { title = “" composer = "Omer Katzir" tagline

Re: Problem with Repeats and Alternatives

Aloha. It was a version mismatch.  Thank you for your help. J. On 4/20/22 16:45, Ralph Palmer wrote: On Wed, Apr 20, 2022 at 7:22 PM John Helly wrote: Aloha. I've not used LP for a while but in coming back to it I've been struggling with repeats and find that this

Re: Problem with Repeats and Alternatives

Mahalo. It was version mismatch.  Thanks for your response. J. On 4/20/22 16:54, Carl Sorensen wrote: On Wed, Apr 20, 2022 at 8:21 PM John Helly wrote: Aloha. I've not used LP for a while but in coming back to it I've been struggling with repeats and find that this

Re: Problem with Repeats and Alternatives

Good point.  I am duly reprimanded. J. On 4/21/22 01:01, David Kastrup wrote: John Helly writes: Aloha. I've not used LP for a while but in coming back to it I've been struggling with repeats and find that this 'preferred syntax' does not seem to work in that it produces

Re: Problem with Repeats and Alternatives

On 21/04/2022 12:01, David Kastrup wrote: John Helly writes: Aloha. I've not used LP for a while but in coming back to it I've been struggling with repeats and find that this 'preferred syntax' does not seem to work in that it produces: Starting lilypond 2.20.0 [test2.l

Re: Problem with Repeats and Alternatives

John Helly writes: > Aloha. > > I've not used LP for a while but in coming back to it I've been > struggling with repeats and find that this 'preferred syntax' does not > seem to work in that it produces: > > Starting lilypond 2.20.0 [test2.ly]... Try

Re: Problem with Repeats and Alternatives

On Wed, Apr 20, 2022 at 8:21 PM John Helly wrote: > Aloha. > > I've not used LP for a while but in coming back to it I've been struggling > with repeats and find that this 'preferred syntax' does not seem to work in > that it produces: > > Starting lil

Re: Problem with Repeats and Alternatives

On Wed, Apr 20, 2022 at 7:22 PM John Helly wrote: > Aloha. > > I've not used LP for a while but in coming back to it I've been struggling > with repeats and find that this 'preferred syntax' does not seem to work in > that it produces: > > Starting lil

Problem with Repeats and Alternatives

Aloha. I've not used LP for a while but in coming back to it I've been struggling with repeats and find that this 'preferred syntax' does not seem to work in that it produces: Starting lilypond 2.20.0 [test2.ly]... Processing `/Volumes/Pegasus32R6/Music-100/Music-Lilypo

Re: Usually this makes sense: "warning: More alternatives than repeats. Junking excess alternatives"

Le 11/02/2022 à 22:33, Kenneth Wolcott a écrit : Hi; Usually this makes sense: "warning: More alternatives than repeats. Junking excess alternatives" But I'm having trouble finding the problem. Here's the result of calling lilypond: GNU LilyPond 2.22.1 (running G

Re: Volta repeats and bar numbers

m > having volta in the parts which are unfolding in the score, and not all > parts repeat. > > Is there a way to have these repeats without messing with the bar numbers? > > Thanks in advance, as usual. > >

Re: Volta repeats and bar numbers

a solution. > >In this short example http://www.lilybin.com/g9z0wz/1 I have a volta 4 >and so I'd like the bar numbered 4 to be numbered 10. This is because >I'm having volta in the parts which are unfolding in the score, and not >all parts repeat. > >Is there a

Volta repeats and bar numbers

ll parts repeat. Is there a way to have these repeats without messing with the bar numbers? Thanks in advance, as usual.

Re: percent repeats followed by grace notes

Le 11/06/2021 à 22:58, Vaylor Trucks a écrit : This might be a bug that's already know but I wanted to check to see if anyone has a workaround. If you follow a multi-bar percent repeat with a grace note, the result it that the last measure is squashed a bit. Without the grace note everyth

percent repeats followed by grace notes

This might be a bug that's already know but I wanted to check to see if anyone has a workaround. If you follow a multi-bar percent repeat with a grace note, the result it that the last measure is squashed a bit. Without the grace note everything is equally spaced. Here's a small example that ill

Re: Lyrics and Repeats

he _ syllables, whereas mine doesn't.) ¹ Because the lyrics printed in the non-melody parts are often very fragmentary, dozens of syllables are often skipped. This is unconnected with whether there are any repeats. Cheers, David. \version "2.20.0" \paper { #(set-paper-size "a5lan

Re: Lyrics and Repeats

On Sat 15 May 2021 at 21:40:53 (-0700), Aaron Hill wrote: > lyricSkip = > #(define-music-function > (count) (integer?) > "Inserts the specified number of lyric skips." > #{ \repeat unfold #count \skip 1 #}) Might I suggest an extension to this neat little function: The extended function wo

Re: Lyrics and Repeats

YES!  YES!  YES! Thank you Carl. This was exactly the solution I have been searching for. Now I must (a bit ashamed) admit that I have never heard of that function/context Devnull and neither the functions skip-of-length or mmrest-of-length. Devnull isn't even mentioned in Notary Reference, bu

Re:Lyrics and Repeats

Kaj, This is how I approach your problem. It uses Devnull contexts to space the lyrics, and it makes use of the skip-of-length function to provide skips in the Devnull contexts. With this method, you have to make some more variables and contexts, but you never need to count notes to or put sk

Re: Lyrics and Repeats

On 2021-05-18 6:21 am, Kaj Persson wrote: So I have looked at the alternative method, suggested in Notification Reference, to divide the piece, the voices in parts with one boundary at at the \repeat. In my current case the repeat point also is where the number of choral parts change, before that

Re: Lyrics and Repeats

as CapsLock - , or CapsLock , -) and in context, it's undistracting, eg: … end of phrase. \¬ 7 Start of phrase … The method of defining the duration for every word/syllable really does not entice me much. Letting the notes alone define the durations is too comfortable for that. AIUI if you nee

Re: Lyrics and Repeats

istracting, eg: … end of phrase. \¬ 7 Start of phrase … > The method of defining > the duration for every word/syllable really does not entice me much. > Letting the notes alone define the durations is too comfortable for > that. AIUI if you need a score to work, whether or not its r

Re: Lyrics and Repeats

On Sat 15 May 2021 at 21:40:53 (-0700), Aaron Hill wrote: > On 2021-05-15 9:07 pm, Kaj Persson wrote: > > [...] > > \addlyrics and \lyricsto are related constructs that both create > LyricCombineMusic. This is what allows you to enter lyric syllables > without specifying durations, where the dura

Re: Lyrics and Repeats

On 2021-05-15 9:07 pm, Kaj Persson wrote: [...] \addlyrics and \lyricsto are related constructs that both create LyricCombineMusic. This is what allows you to enter lyric syllables without specifying durations, where the durations are inferred by an associated Voice. Note that in this spec

Re: Lyrics and Repeats

2021-05-15 20:31 skrev David Wright: On Sat 15 May 2021 at 16:03:54 (+0200), Kaj Persson wrote: In the Notation manual is described how to manage Lyrics in Repeat conditions. It shows examples the Repeat section following an initial part of music. There are also examples when the Repeat start

Re: Lyrics and Repeats

On Sat 15 May 2021 at 16:03:54 (+0200), Kaj Persson wrote: > > In the Notation manual is described how to manage Lyrics in Repeat > conditions. It shows examples the Repeat section following an initial > part of music. There are also examples when the Repeat starts the > piece and then followed by

Lyrics and Repeats

Hi all In the Notation manual is described how to manage Lyrics in Repeat conditions. It shows examples the Repeat section following an initial part of music. There are also examples when the Repeat starts the piece and then followed by more music. But if you are searching the combination of

Re: Rhythmic expressions and bar repeats in ChordNames

On 3/16/21 7:10 PM, Carl Sorensen wrote: On 3/16/21, 2:20 PM, "lilypond-user on behalf of Louis Guillaume" wrote: Hi - I have 2 somewhat related questions here dealing with ChordNames: 1. How would one add rhythmic expressions (such as slashes) For example - in 4

Re: Rhythmic expressions and bar repeats in ChordNames

On 3/16/21 4:44 PM, Xavier Scheuer wrote: On Tue, 16 Mar 2021 at 21:19, Louis Guillaume > wrote: > > Hi - I have 2 somewhat related questions here dealing with ChordNames: > > 1. How would one add rhythmic expressions (such as slashes) > > For example - in 4/4 I

Re: Rhythmic expressions and bar repeats in ChordNames

On 3/16/21, 2:20 PM, "lilypond-user on behalf of Louis Guillaume" wrote: Hi - I have 2 somewhat related questions here dealing with ChordNames: 1. How would one add rhythmic expressions (such as slashes) For example - in 4/4 I want a:m7 for 6 beats then e:7 for 2 beats,

Re: Rhythmic expressions and bar repeats in ChordNames

On Tue, Mar 16, 2021 at 1:45 PM Xavier Scheuer wrote: > > > > On Tue, 16 Mar 2021 at 21:19, Louis Guillaume wrote: > > > > Hi - I have 2 somewhat related questions here dealing with ChordNames: > > > > 1. How would one add rhythmic expressions (such as slashes) > > > > For example - in 4/4 I want

Re: Rhythmic expressions and bar repeats in ChordNames

On Tue, 16 Mar 2021 at 21:19, Louis Guillaume wrote: > > Hi - I have 2 somewhat related questions here dealing with ChordNames: > > 1. How would one add rhythmic expressions (such as slashes) > > For example - in 4/4 I want a:m7 for 6 beats then e:7 for 2 beats, so > the ChordNames look like: > >

Rhythmic expressions and bar repeats in ChordNames

Hi - I have 2 somewhat related questions here dealing with ChordNames: 1. How would one add rhythmic expressions (such as slashes) For example - in 4/4 I want a:m7 for 6 beats then e:7 for 2 beats, so the ChordNames look like: | A-7| / / E7 | 2. If I "\set ChordChanges = ##f" can th

Idea: Use tags for unfolded repeats

Hello! Sometimes you get a repeated section where only some repeats are somehow annotated – let’s say a dynamic marking, some sort of markup or whatever. So I suggest: \repeat unfold should take tags like let’s say #_repeat_1, #_repeat_2, ... (maybe with an option for some sort of ”namespace

Re: Repeats with bar-engraver removed

Hi Laura, > The short answer is because I didn't know about \omit. > > The longer answer is that what I do now is a direct descendant of what I > figured out to do back in 1996 or so. At that time, the options were > very different from what they are now. And there was a lot less > support/docu

Re: Repeats with bar-engraver removed

> "Kieren" == Kieren MacMillan writes: >> What I do is make the barlines transparent and with 0 width: >> \override Staff.BarLine #'transparent = ##t >> \override Staff.BarLine #'extra-spacing-width = #'(0 . 0) Kieren> Why not Kieren> \omit BarLine Kieren> ??

Re: Repeats with bar-engraver removed

Thank you Jean ! Le lun. 4 janv. 2021 à 21:42, Jean Abou Samra a écrit : ... > It is not at all silly. The path to the answer is a bit convoluted. > ...

Re: Repeats with bar-engraver removed

Hi John, > "\omit BarLine" did not work. Indeed, it did omit bar lines, but the > composition ran off the left margin of the page. I wasn’t posing that as a possible solution to your problem. =) I’m just [still] wondering why Laura Conrad, as a regular course of action, uses her particular me

Re: Repeats with bar-engraver removed

sion "2.18" > { c'1 \bar ".|:" c' c' c' \bar ":|." c' c' } > > Cheers, > Pierre > > Le lun. 4 janv. 2021 à 20:23, Jean Abou Samra a > écrit : > >> > I need to be able to engrave repeats, but I fear tha

Re: Repeats with bar-engraver removed

Hi Laura, > What I do is make the barlines transparent and with 0 width: > \override Staff.BarLine #'transparent = ##t > \override Staff.BarLine #'extra-spacing-width = #'(0 . 0) Why not \omit BarLine ?? Curious, Kieren. Kieren MacMillan, composer (he/him/hi

Re: Repeats with bar-engraver removed

issue is breaks. A \bar command needs a Bar_engraver to listen to it. If you have the Bar_engraver turned on, breaks are only allowed at bar lines. And since the OP wanted unmetered music with no bar lines except for repeats, although breaks would be permitted everywhere, you would need empty b

Re: Repeats with bar-engraver removed

Maybe it's a silly question but why not simply something like: \version "2.18" { c'1 \bar ".|:" c' c' c' \bar ":|." c' c' } Cheers, Pierre Le lun. 4 janv. 2021 à 20:23, Jean Abou Samra a écrit : > > I need to be able t

Re: Repeats with bar-engraver removed

>>>>> "J" == J Stasko writes: J> I need to be able to engrave repeats, but I fear that the bar-engraver, J> which I turned off for chant music, is responsible for engraving the J> repeats: when I turn it back on, then the repeats appear, but since

Repeats with bar-engraver removed

I need to be able to engrave repeats, but I fear that the bar-engraver, which I turned off for chant music, is responsible for engraving the repeats: when I turn it back on, then the repeats appear, but since the music is chant, it runs off the page. How to do this? The work is attached. Thank

Re: Q: Irregular alternate repeats and MIDI

(CEST) > Subject: Q: Irregular alternate repeats and MIDI > Hi List, > > I have a score with repeats and irregular alternate endings. I > can neatly engrave that but I don't seem to be able to produce > correct MIDI w/o manually arranging all segments. [...]

Re: Q: Irregular alternate repeats and MIDI

> > -- Forwarded message -- > From: Michael Gerdau > To: Lilypond User > Date: Sat, 18 Jul 2020 07:57:23 +0200 (CEST) > Subject: Q: Irregular alternate repeats and MIDI > Hi List, > > I have a score with repeats and irregular alternate endings. I can

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