I've had favourable and unfavourable reviews over the years, but this
one is in a category of its own:
There is a choking quality of nocturnal obscuration in this instrument
which suits you and this hopefully-painfully numbly depressive
declamation of exquisite emptiness.
The
Though I do have somewhere a recording of a 16th. c. Spanish organ on which the Vox Humana
actually did sound like a group of people singing on Ahhh.
A sample (773 KB) you'll find at
http://www.symbol4.de/docstore/SanJaimeCalatayud.mp3
B.
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Once a professional critic wrote about a recital of mine that my lute
sounded like a crackling painting. Untill now I still don't know what
substance he was on.xD
Op 1 jun 2009, om 14:57 heeft howard posner het volgende geschreven:
On Jun 1, 2009, at 5:31 AM, Rob MacKillop wrote:
The
Your LSAQ TJohnson-TBurris review was just plain odd.
RT
From: howard posner howardpos...@ca.rr.com
The Los Angeles Times critic once called a set of program notes I did
for the LA Philharmonic oddly conventional.
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On Mon, Jun 1, 2009, howard posner howardpos...@ca.rr.com said:
Anyone else have reviews they would like to share?
oddly conventional.
seems he has issues with conventions!
Not so much reviews, but, as I am assured, there is a language which
scholars employ to describe music. I am
On Jun 1, 2009, at 4:54 AM, Roman Turovsky wrote:
Your LSAQ TJohnson-TBurris review was just plain odd.
Thanks for the plug.
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On french on-line library, old recording from 1936 voice and lute
http://gallica.bnf.fr/ark:/12148/bpt6k1274228
Airs de cours, chansons au Luth, musique pour luth au 16e s.
- Disque 1 : Airs de cours, chansons au Luth, musique pour luth au 16e s.
- Face A : Airs de cours, chansons au Luth,
I once had a reviewer say that I played music from largely bygone
centuries any idea what that means?
JM
__
From: lute-...@cs.dartmouth.edu on behalf of Lex van Sante
Sent: Mon 6/1/2009 9:12 AM
To: lute
Obviously using you're performance as practice material for the next
Bulwer-Lytton Fiction Contest.
There is a choking quality of nocturnal obscuration in this
instrument
which suits you and this hopefully-painfully numbly depressive
declamation of exquisite
Not exactly ALL lute, but here are a couple I'm pretty proud of:
Hi again Ed,
I Wish You Happiness is out of this world! I wonder if SMAP would
want to bring it into their repertoire? I can imagine that anyone
getting married would insist on having that song as part of their
celebration.
.. and
I rather like this, and might take is as an autojustification, as it implies
that the past is still alive, at least in part.
RT
- Original Message -
From: Mayes, Joseph ma...@rowan.edu
To: Lex van Sante lvansa...@wanadoo.nl; lute mailing list list
lute@cs.dartmouth.edu
Sent: Monday,
I suppose he just did not know the difference between Renaissance Medieval
and Baroque, so large bygone centuries would do..
Donatella
To: Lex van Sante lvansa...@wanadoo.nl; lute mailing list list
lute@cs.dartmouth.edu; Mayes, Joseph ma...@rowan.edu
Sent: Monday, June 01, 2009 4:51 PM
Composer/organist Max Reger had the best response to a bad review when
he wrote to his reviewer: I am sitting in the smallest room of my
house. I have your review before me. In a moment it will be behind me.
CW
--- On Mon, 6/1/09, Rob MacKillop luteplay...@googlemail.com wrote:
On Jun 1, 2009, at 9:15 AM, chriswi...@yahoo.com wrote:
Composer/organist Max Reger had the best response to a bad review when
he wrote to his reviewer: I am sitting in the smallest room of my
house. I have your review before me. In a moment it will be
behind me.
Reger was actually
Rob MacKillop wrote:
I've had favourable and unfavourable reviews over the years, but this
one is in a category of its own:
There is a choking quality of nocturnal obscuration in this instrument
which suits you and this hopefully-painfully numbly depressive
declamation of
Is it true that Mark Twain actually wrote: Wagner's music isn't
nearly as bad as it sounds.?
(Now THAT is clear, concise, communicative writing!)
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I once had a reviewer say that I played music from largely bygone
centuries any idea what that means?
Joe, it means that at least some of your music was from smallish
non-gone centuries Do you still have the program?
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Who knows, but his music was my own gateway drug that let me here.
RT
From: Daniel Winheld dwinh...@comcast.net
Is it true that Mark Twain actually wrote: Wagner's music isn't
nearly as bad as it sounds.?
(Now THAT is clear, concise, communicative writing!)
--
To get on or off this
Howard,
before you really set out to position yourself as a shallow critic: you
should at least try to acquaint yourself with Reger's music (a lot of it is
rather grand, FYI...).
You may even try some on your baroque lute, if you have scruples:
http://polyhymnion.org/swv/images/REGER.pdf
RT
Actually I found it rather sociopathic.
RT
On Jun 1, 2009, at 4:54 AM, Roman Turovsky wrote:
Your LSAQ TJohnson-TBurris review was just plain odd.
Thanks for the plug.
--
Your LSAQ TJohnson-TBurris review was just plain odd.
RT
From: howard posner howardpos...@ca.rr.com
The Los Angeles
meant LED me.
RT
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: Lutelist lute@cs.dartmouth.edu
Sent: Monday, June 01, 2009 1:00 PM
Subject: [LUTE] Re: review
Who knows, but his music was my own gateway drug that let me here.
RT
From: Daniel Winheld
I have reorganized the Ukrainian Lute Iconography pages,
with much new, and much improved and detailed imagery:
http://www.torban.org/mamai/mamai1.html
http://www.torban.org/mamai/mamai2.html
http://www.torban.org/mamai/mamai3.html
Amitiés,
RT
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On Jun 1, 2009, at 9:49 AM, Roman Turovsky wrote:
before you really set out to position yourself as a shallow critic:
you should at least try to acquaint yourself with Reger's music (a
lot of it is rather grand, FYI...).
If I set out to position myself as any kind of critic, I'll do it by
These are HOWARD POSNER'S OWN words about Reger:
Nonetheless, this is the only famous thing Reger ever wrote, far
outstripping any of his music. It even conveyed a bit of immortality
on Rudolf Louis, the critic, without actually disputing anything he
said. Quick show of hands: can anyone
On Jun 1, 2009, at 2:04 PM, Roman Turovsky wrote:
These are HOWARD POSNER'S OWN words about Reger:
Nice to see my name in bigger type than Reger's.
Nonetheless, this is the only famous thing Reger ever wrote, far
outstripping any of his music. It even conveyed a bit of immortality
on
From: howard posner howardpos...@ca.rr.com
On Jun 1, 2009, at 2:04 PM, Roman Turovsky wrote:
These are HOWARD POSNER'S OWN words about Reger:
Nice to see my name in bigger type than Reger's.
That's what happens when lawyers lose vigilance about what they commit to
e-mail.
Nonetheless,
Dear Lutenetters,
I have just uploaded 2 videos of lute solos by John Dowland pieces in
Elizabethan arrangements for Cittern and Bandora
[1]http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid
=58293677
Howard,
Felton and Fowler: His compositions are generally regarded as
ponderous, overworked and cluttered with too many notes. Are they
writing about Reger or Mozart? (Even Burney quotes a friend as saying,
[Mozart] is one further instance of early fruit being more
Outstanding! Thank you. So is there an orpharion to complete the set?
Dear Lutenetters,
I have just uploaded 2 videos of lute solos by John Dowland pieces in
Elizabethan arrangements for Cittern and Bandora
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Howard,
One of the most interesting things of following this list is to watch
Roman get worked up about something. You should not take it personally.
It's what he does. It's delightfully unamerican. Every now and then I
think of coming up with something just to torque him up for
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