Lots of great options for sharing files now:
1) Join lutegroup.ning.com and upload in the tablature forum
2) Join Dropbox and put the file in your public folder: http://db.tt/idH3MHl
(use this link and get an extra 0.5 GB storage)
3) Join Google Drive (just unveiled this week so no guarantee on
Certainly a lute player might have come up with a scordatura that would
be quite fabulous,
A quite fabulous scordatura has come to my attention in the English Lute
Society's March magazine. Melbourne MS LHD 243 is for 11 course Baroque lute in
D major tuning. So I cranked my 1st 4th
The article was aimed at the guitar crowd, still clinging to illusions of lute.
It's tough letting go.
But he put it all together very nicely, I thought.
On Apr 25, 2012, at 11:18 AM, Braig, Eugene wrote:
While I enjoyed this read, I didn't see anything particularly new here. For
example,
.
On Apr 19, 2012, at 10:41 AM, Daniel Shoskes wrote:
Just had a very successful Lute and Flute weekend with Ronn McFarlane
and Mindy Rosenfeld. Here are some videos from their recital and my
home:
[1]http://www.youtube.com/watch?v=fS25JiPa6fQ
[2]http://www.youtube.com/watch?v=aNghI5cCO44
[3
Just had a very successful Lute and Flute weekend with Ronn McFarlane
and Mindy Rosenfeld. Here are some videos from their recital and my
home:
[1]http://www.youtube.com/watch?v=fS25JiPa6fQ
[2]http://www.youtube.com/watch?v=aNghI5cCO44
My teacher told me that you don't choose a lute, it chooses you. Maybe
that is true.
That is true, you know it when you feel it, but it may take years of playing
experience on many instruments to finally recognize that right and perfect
match up when it happens. My once-in-a-lifetime lute
are rarely fitted to the lute,
even though the lute is from the age of custom made
On Apr 10, 2012, at 7:55 AM, Daniel Winheld wrote:
My teacher told me that you don't choose a lute, it chooses you. Maybe
that is true.
That is true, you know it when you feel it, but it may take years
And in addition to all the previous good tips, I assume that you also tie the
frets about a semitone distance closer to the nut before sliding it down the
neck to further tighten it. Hardest, of course, at the first fret where the
pegbox limits the space for the fret that needs the most help. I
Your hands will tell you.
So, how would I know if the lute I currently have has good enough spacing?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
(And, yes. I say mics, so why not
micing?).
Micing is normally means using mice. Naturally, the word is normally
used by micers.
But four mice are really ten times better than two, and you don't need
more than six, and you can make a very, very good recording with two if
you are
This recording is from one of my music students, avant-garde guitarist Dean
Santomieri-
Here are two spontaneous improvisations from one of my rehearsals with
violinist Thea Farhadian.
http://soundcloud.com/tfarhad/sets/santomieri-farhadian-duo/
Maybe some of you will dig it. Of more relevance
Ratcheting down to basic cheep home miking for idiots- (or cavemen):
No doubt this ground has been covered before, but I need a refresher tutorial.
Opinions of the Samson C01U USB Studio Condenser for a quick, easy home
recording to the iMac? I already own one, but suggestions for affordable
On Mar 28, 2012, at 9:53 AM, Nancy Carlin wrote:
I was at the lute seminar (produced by Donna Curry) that Susanne and
Diana attended. They played a lovely duet concert. I remember seeing
them having a good time talking with each other, but
Susanne was a great talker.
I also
One more whack at the OT dead horse, this morsel is too rich to consume by
myself:
CARTESIAN, adg. Relating to Descartes, a famous philosopher, author of the
celebrated dictum, Cogito ergo sum- whereby he was pleased to suppose he
demonstrated the reality of human existence. The dictum might
Good useful clarification/re- definement , Howard. I work at a large
CD/record/DVD establishment, and every now and then I will slip on a mass by
Josquin, Byrd, whoever- (any of the usual suspects) and most of my fellow
employees- except the other two who help me out in the classical division-
I wonder how the nazis felt about notes inegale.
...The same way they felt about most matters French
Also check this out...
http://www.allmusic.com/album/the-music-survives-degenerate-music-music-suppressed-by-the-third-reich-w54283/review
On Mar 13, 2012, at 1:37 AM, Gary Digman wrote:
The Berlin Musical Instrument museum has several lutes, theorbos and
baroque guitars.
[1]http://www.sim.spk-berlin.de/mim_3.html
Danny
On Sat, Mar 10, 2012 at 3:10 AM, William Samson
[2]willsam...@yahoo.co.uk wrote:
Dear Collective Wisdom/Knowledge,
I'll be
Yes- I got the news from one of my lute students yesterday. I heard a sample
sound bite on the radio on the way home from work today, somewhat strange
sounding- reedy, webby, a touch ethereal otherworldly in a nice way. How
the hell did they harvest and process it? About 12 years ago some
Latest Weiss volume now available in US as download from Amazon:
[1]http://amzn.to/A6PuPu
Danny
--
References
1. http://amzn.to/A6PuPu
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
to the acrimony is the
original text of the famous Josquin chanson- El grillo non cantare.
On Feb 6, 2012, at 5:56 AM, brentlynk wrote:
Thanks Dan!
But if one happens to be an English cricket, his longbow might be that small,
LOL! :-)
- Original Message
From: Daniel Winheld dwinh
My Baroque lute (Robert Lundberg, 1977) is a bare touch less than 4 mm at both
9th and 10th frets (1st string lines up exactly with the line on my ruler- to
top of fret). Feels fine, would not want it lower certainly no higher.
The fistmele of an English Longbow (distance from the bottom of
Perhaps taping 3 hack saw blades together might give you enough width- (the
dowel is securely fixed, business end, up in a vise) -but depends on the
thickness of your pegs. Then one could run a piece of leather, rattan, or maybe
a thin metal strip around the outside of the cut end to keep the
Long gone; both from the lute world this vale of tears- don't remember who or
when I got this info from, but sounded true at the time I received it. His
estate still owes me a $100 deposit for a Renaissance lute I contracted for
in about 1968 that he never saw fit to build. Still have the
When did they change from gut saws?
On Jan 10, 2012, at 1:49 PM, EUGENE BRAIG IV wrote:
Alright, traveling more and more remotely to the original discussion, but
Crumb is wacky. I think it's interesting that Ancient Voices... makes such
frequent appearances in music appreciation and
tomorrow, I hope
Dan
On Jan 10, 2012, at 9:40 PM, Daniel Winheld wrote:
When did they change from gut saws?
On Jan 10, 2012, at 1:49 PM, EUGENE BRAIG IV wrote:
Alright, traveling more and more remotely to the original discussion, but
Crumb is wacky. I think it's interesting
More grist for the mill, a discussion of classical guitar; gut vs. steel
strings in the early 20th-
It is commonly believed that Barrios used steel strings instead of the
traditional gut, the dominant choice of guitarists of the day. A Barrios
biographer, Uruguayan, Miguel Herrera Klinger,
There are a few recordings of music of Robert deVisee for theorbo and
flute/traverso. Does anyone know the sources and whether pdf's are
available?
Thanks
Danny
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Pascal Monteilhet and I believe Joachim Held.
On Wed, Jan 4, 2012 at 12:31 PM, Edward Martin [1]e...@gamutstrings.com
wrote:
What are the recordings?
At 11:24 AM 1/4/2012, Daniel Shoskes wrote:
There are a few recordings of music of Robert deVisee for theorbo
Google Spectra fishing line very strong, highly stretch resistant. Another
high strength, low stretch fiber is DYNEEMA (high modulus polyethylene
fiber) Spectra might actually be this stuff, different brand names and
formulations for different applications. Fishing line seems to be the most
You can't really appreciate how ugly the Arnault de Zwolle lute design is until
you have one. As DT rightly observes, When you look at a copy of Arnaut's
lute, it always looks a bit odd. It always seems as though something is not
quite right. Some of the iconography shows lutes where the
If you are Conrad Paumann or Blind Willie McTell there is one answer-
For players of theorbo or archlute, it has sometimes been the other answer.
On Dec 14, 2011, at 2:11 PM, Stephen Fryer wrote:
On 14/12/2011 1:51 PM, Daniel Winheld wrote:
You can't really appreciate how ugly the Arnault de
On Dec 10, 2011, at 8:58 PM, David Tayler wrote:
...and I'm just a soggy lute player pecking at the
computer, no butterflies dreaming of tab, just beer bottles that are
mysteriously self transposing to empty.
And that's the part that is pure poetry. My compliments; well done.
--
To get
On Dec 5, 2011, at 2:44 PM, David Tayler wrote:
What you see when you look at tab is a very interesting question.
After looking at upside down tab for a while, your mind turns it
around, just as our eye inverts images through its lens.
When we see patterns that we have seen before, we
Some lutenists were so accustomed to routinely transposing down a tone they
became unable to read either tablatures or notes at the original pitch. The
condition was called Acquired Ditonal Disorder, or ADD. One unfortunate soul
was nicknamed Simonius Tonaparte.
On Dec 4, 2011, at 11:08 AM,
On a 7 course instrument w/ 7th course a fourth lower than 6, it's the easiest
transposition of all for me. With a foundation in classical guitar (good thing
or a bad thing, depends...) It's like playing on a guitar except that for G
lute we are now on a D instrument. The guitar thing helps to
Dan, you are a veritable fount of early music performance knowledge. Were
your scholarly credentials and serious demeanor less known, one might almost
suspect you of pulling our leg!
On Dec 4, 2011, at 3:36 PM, Daniel Winheld wrote:
Hmm... I wonder.. better look down and check your
Great subject for list discussion. My wrists are fine (for now) but I have
suffered from epicondylitis in my right arm for years, and bit on the left as
well. Caused by very stiff, rigid classical guitar training in my youth, very
tough to undue. Habits of tension built into the arm-mind
The Flexbar did not work for me- but a lot of intelligent thought and
experience seems to have gone into this device. If anyone on the list would
like to give it a try, I would be more than happy to give away my Flexbars- one
light, one medium, one heavy- any or all of them to anyone
Still waiting for the release of Barto's Weiss CD #11, however those of
you with access to the online Naxos Music Library can stream the album
at [1]http://naxosmusiclibrary.com/. Sonatas are C major #39 (with the
big overture), G major #96 (I youtube'd it first!!!), and Eb major #30.
At last the Shamisen player in our midst has gotten the sand out of his eyes
and and shed light on this matter.
And who knew that Japanese mice eat wooden buckets? Will there then be a
termite shortage?
Dan- two plastic buckets, one cat, no shamisen
On Nov 27, 2011, at 12:04 PM, David van
Hello Bill-
Here is an assessment of the new Nylgut I gave to a friend of mine off-list. I
thing it is appropriate to your queries. For my friend, the comparison was to
real gut, which he prefers.
Oh yes- the strings. (new Nylgut) I am giving them a trial on a few
instruments right now. They
It's not a haiku yet. Keep working.
Dan
(Oh yes, fine performance- very good, deeply felt playing. The lute sounded
great, would've sounded even better in gut. The cat's meow, don't cha know...)
What a sad event. My sympathies to Jordi and family.
On Nov 23, 2011, at 11:44 AM, Edward Mast wrote:
Sad indeed - an exciting performer.
On Nov 23, 2011, at 1:48 PM, Bruno Fournier wrote:
Atlthough off topic, sad day for early music today, Monserat Figueras passed
away.
Bruno
...
Best regards
Stephan
Am 21.11.2011, 03:30 Uhr, schrieb sterling price spiffys84...@yahoo.com:
From: Daniel Winheld dwinh...@comcast.net
To: howard posner howardpos...@ca.rr.com
Cc: Lutelist LUTELIST lute@cs.dartmouth.edu
Sent: Sunday, November 20, 2011 7:10 PM
Subject: [LUTE] Re
I seem to remember that lutes with a double chanterelle were usually
strung in unisons.
Mimmo Peruffo disputes that assumption: from his website page The lute in its
historical reality-
9. Double treble and unison courses: the fact that the vihuela was generally
(but not always) strung
PS Oh yes - and octave stringing works out cheaper too :o)
From: Daniel Winheld [2]dwinh...@comcast.net
To: William Samson [3]willsam...@yahoo.co.uk
Cc: [4]lute@cs.dartmouth.edu [5]lute@cs.dartmouth.edu
Sent: Sunday, 20 November 2011, 17:05
Subject: [LUTE] Re: Double 1st string on 6 course
the fundamental and not the octave.
When I need the sound of a 6th course octave, I can often refinger the note on
the 7th course.
Dan
On Nov 20, 2011, at 4:59 PM, howard posner wrote:
Daniel Winheld wrote, rather virtuosically:
Howard, you of all people should know that ignorance of the law
I have made a version of my Lute App which works on the iPhone for the
Android devices. It can be downloaded for free here:
[1]https://market.android.com/details?id=com.appmakr.app362241
The app allows you to follow the discussions on this mailing list as
well as the regular lute
Yes, Dowland and Robinson as well advocated double firsts. Even Thomas Mace, at
a time when the typical 11 course lute had a single 2nd as well as a single
first. But Arto was asking about the 6 course lute. Can't recall written
sources addressing this off the top of my head, but pretty sure
Arto-
Bill got it- that's the one.
http://www.hermitageshop.org/store/images/large/0003150A4_3_LRG.jpg
Double firsts seem not to be popular these days, presumably because they are a
little difficult to play on (I speak from experience) and possibly also because
they imply a lower pitch
I have made a version of my Lute App which works on the iPhone for the
Android devices. It can be downloaded for free here:
[1]https://market.android.com/details?id=com.appmakr.app362241
The app allows you to follow the discussions on this mailing list as
well as the baroque lute
I have used .42 beef gut for the best trebles- for durability strength- from
Toro, obtained through Universale- I got them directly from the Viola da Gamba
builder Marco Ternovec of Belgium when he came to the Berkeley Early Music
Festival Exhibition several years ago. If these strings are
Another measure of far we have come, and still are- despite the recent
ridiculous alarming developments- from the capricious perilous
circumstances of yesteryear is to consider that Syvestro Ganassi in his
mid-16th century treatise Regola Rubertino (mostly for the viols, some lute
tab.)
We still use gut in the operating room, usually following treatment
with chromic to slow the absorption by the body. I use chromic gut
all the time. Mind you, I'm already banned from donating blood in the
USA for life because I lived in the UK for 2 years.
From the suture supplier
And fret gut? It is ironic that I can find acceptable synthetic string
material, but so far not for frets. Nylon out of the question. Once I tried
KFG, figuring that density was part of the problem- transmission of sound
through to the neck (gut denser than nylon, KF KFG denser than gut;
Of course, can't know for sure. In prior discussions here it was mentioned that
RdeV primarily played theorbo and guitar and other than Saizenay he only
published guitar and theorbo music. Just checked Grove Online and it says he
played lute as well, so who am I to argue?
Danny
On Nov 14,
On the US version of The Amazing Race last night, one of the tasks
involved learning Renaissance dance steps in Copenhagen. In the hall
was playing a consort of musicians and from the brief snatches of views
of the band I could see a lute and Bandora. Any lute listers get that
gig?
Excellent. I give your performance 11 points. Unfortunately, I was a minute
late. Heard it at 11:12 AM PST.
Dan
On Nov 11, 2011, at 10:12 AM, Ed Durbrow wrote:
First 11 bars from page 11 of the Capirola manuscript played on an 11
string lute at 111 bpm for 1 minute 11 seconds on 11 11 11
.
Regards,
Dan
On Nov 11, 2011, at 7:27 AM, Anthony Hind wrote:
Dear Daniel and Ernesto
As I told the list a while back, after making a stiffer new
Nylgut, Mimmo (in his rare spare time) is working on a more flexible
(slightly elastic) version for thicker strings
Olav Chris Henrikson Boston Catlines
34 Newbury Street Somerville,
MA 02144.
Tel/Fax: (617) 776-8688
catli...@aol.com
Chris can get you almost anything, can help figuring out
tensions/pitch/diameter conundrums as well. A fine professional musician as
well, he plays and records on Lutes and
Ernesto-
Good point- I have been wanting to get feedback on the New Nylgut; they have
been out for over a year now I have had mostly good results with them and
would like other's opinions. On my tenor vihuela they have really enhanced the
overall sound, albeit not quite as purely beautiful as
://ricercar.cesr.univ-tours.fr/3-programmes/EMN/luth/pages/actualites.asp
Regards,
Daniel
To get on or off this list see list information at
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Wolfgang, that is wonderful playing; so clear, so intelligently moving- such
glowing, perfect tone (gut strings? Tech details for lautengeeks please!) Such
a relaxedly measured pace, but never losing forward motion. More, please.
Thanks.
Dan
On Nov 6, 2011, at 11:05 PM, wolfgang wiehe wrote:
Herb-
Thanks for the reference. Something I had always wondered about- especially
last month when I went to the ER for a sliced thumb joint and they glued it up
for me for a mere $2400 (Insurance covered all but $50. Interesting math, isn't
it?) At least the article spelled out why one
From the heart! The one ingredient that cannot be faked; unmistakeable when
present. Without which, even the most technically perfect most musically
informed rendition lacks something- and when present, has saved many a
less-than-perfect performance, even when played on the wrong instrument
I vote for the sensible compromise- g stays g (easy!) and a low Bb. B flat
was used by other lute composers- see some of Nicolas Vallet's pieces- he has
the 10th course CC scoradature'd down to low Bb in at least three pieces in his
Secret des Muses. He also wrote for 9 course lute, so a low C
Very nice- I love to hear any French Baroque lute music when done so
beautifully convincingly; as I can never figure it out for myself- esp. the
unmeasured preludes. I always go right back to Weiss- maybe Reusner or Bittner
if I want to feel a little French.
If your right hand position is
a
few weeks before appearing online. I'll let you know when it does.
Thanks for the nice comments. I spend most of my time on the instrument
reading through Weiss suites, and the works of some guy called Sautscheck...
Rob
www.robmackillop.net
On 20 Oct 2011, at 00:01, Daniel
Does anyone out there have any old first generation Mimmo Peruffo loaded gut
bass strings they could sell? I dug out a few from my own ancient gut pile that
passes for my string repository and find them to be superb for the Baroque lute
bass fundamentals- but I have a few gaps to fill. Would be
At 63 cm. with those string sizes I'd say you are already a bit on the high
side, tension wise. I would never take 63 cm. up to 440 with those strings
without clearing the safety issue with the builder. You don't want the bridge
going on vacation while your builder is on vacation. I like Dan
, though. It's supposed to stretch less.
Ken
On 10/20/2011 1:25 PM, Daniel Winheld wrote:
At 63 cm. with those string sizes I'd say you are already a bit on the high
side, tension wise. I would never take 63 cm. up to 440 with those strings
without clearing the safety issue with the builder. You
Thanks for clearing that up. I assume they now know how to finger Dowland's
Lachrimae the way I do. Hope you're at least getting your own emails.
Dan
On Oct 20, 2011, at 1:59 PM, Edward Mast wrote:
Hello all,
It appears that a Canadian drug company has hijacked the addresses in my
Beautiful! OK- the IMPORTANT lautengeek question: What strings is she wearing?
Also, further praise for that great Blind Boy Fuller piece (Meat Shakin'
Woman) Same touch, same hand position technique, and open D tuning- pairs
perfectly with the de Visee. Even a similar mood/feeling- just the
The Dresden Ms version has that bass note up an octave. Nevertheless, it isn't
the only example in Weiss of playing notes on the 1st and 13th course
simultaneously (and if you travel further in time, Hagen and Falckenhagen)
Danny
On Oct 4, 2011, at 4:05 AM, Rob MacKillop wrote:
Enjoying
Dear Arto,
If you read french, see at :
http://jdf.luth.pagesperso-orange.fr/Musiques/Les_compositeurs/Autres_compositeurs/Les_Gallot.htm
where I list 5 Gallot !
Jean-Daniel
Le 20/08/11 21:31, wikla a écrit :
Dear b-lutenists,
there are at least 3 lutenist Gallots, the great Jacques, another
François de Gallot, Sieur de Franlieu (Gallot d'Irlande) is unknown.
Gallot d'Angleterre is, perhaps, a son of Henry François, Gallot d'Irlande ?
Jean-Daniel
Le 23/08/11 23:07, wikla a écrit :
Thanks Jean-Daniel!
Who do you then think is G. le jeune of many European lute mss., Henry or
Pierre? I
.
Eugene
- Original Message -
From: Daniel Shoskes [2]kidneykut...@gmail.com
Date: Friday, July 22, 2011 6:38 pm
Subject: [LUTE] New lute CD Lautenschmaus
To: lute [3]lute@cs.dartmouth.edu
Dear Friends: I am excited to announce the release
of my first CD
/AlbumDetails.aspx?albumID=ALB81211
In the next few days it should be available for download and purchase of the
physical CD from CDbaby.com and in 2-3 weeks from the iTunes store and
Amazon.com
Best wishes
Daniel Shoskes
To get on or off this list see list information at
http://www.cs.dartmouth.edu
Dear Weissians: I would like to add a prelude to a Weiss sonata in A
minor I am working on (S-C 41 in Dresden). [1]slweiss.de lists 2 A
minor preludes but in sources I have no access to:
Thematischer Katalog Breitkopf, Supplement IV, 1769 (S-C 41.7)
and
D-ROu XVII.18-53.1A (S-C
I think with the Ren lute it is easier to play a reasonable beginner
piece more quickly than with the baroque lute. Once the right hand
thumb gets trained on the baroque lute, then I think it is the easier
instrument for medium and high difficulty works. It's really a case of
what
In honor of the French that helped make the 4th of July celebration
possible in America, here are a couple of pieces by Robert deVisee,
usually heard on Theorbo, in baroque lute arrangements from Ms Saizenay
[1]http://www.youtube.com/watch?v=611sRZWilXw
Lucas Harris and Taffelmusik:
http://www.youtube.com/watch?v=QOAzSVXm4-E
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
A mesnil was, in old french, a country domain.
But, in this case, Du Haut Menil is an aristocratic surname. With la before, this appellation indicates a lady of the
court.
René Desmaires, Sieur du Hautmesnil, died by 1668, was a personality of
Normandy.
Jean-Daniel Forget
Le 06/06/11 08:57
A new CD has just come out with Ronn McFarlane performing the complete
Vivaldi ensemble works for lute. Noteworthy for Billy Simms providing
continuo on Theorbo (rather than the usual ubiquitous harpsichord)
[1]http://itunes.apple.com/us/album/the-art-of-vivaldis-lute/id43877007
To All:
We have a new blog post raising a few questions about modern music
on
the lute - not against the idea, by the way.
[1]http://mignarda.wordpress.com
Ron Donna
What an interesting moment for this to come up- I have been playing
mostly modern (classical) guitar music on the lute
Imagine how good these guys could be if they had heads.
It only can work without the heads. They have to be kept locked in
separate containers during the recording session or they fight over
the slightest little thing; the unfortunate fact is that they just
don't get along.
--
To get on
I have uploaded a selection of videos from a live house concert with
Ronn McFarlane performing some of his own compositions. The videos are
here:
[1]http://www.youtube.com/watch?v=AxJ-AgfDlNQ
[2]http://www.youtube.com/watch?v=GC-spyX1bLo
I see from the archives that Markus Lutz alerted us in 2004 to a
documentary on Andreas Scholl shown on German television. I just rented
it on DVD (Netflix has it) and it's filled with concert material
accompanied by lutenist Karl-Ernst Schroeder including some wonderful
closeups of
On Thu, Apr 14, 2011 at 10:25 AM, Daniel Shoskes
[3]kidneykut...@gmail.com wrote:
I see from the archives that Markus Lutz alerted us in 2004 to a
documentary on Andreas Scholl shown on German television. I just
rented
it on DVD (Netflix has it) and it's filled with concert
Finally got to hear this- lots of applause, floor stomping, whistles,
Encores! from the audience. That big, low sound- (F, A=415 ?)
-all gut, like big bites of dark chocolate. Yummy delicious. Much
like my Larson only deeper. Fine playing too; perfect pacing,
impeccable phrasing, full solid
The clips sound great. Especially enjoyed the touch of inegale in the Weiss
pasacaille
On Apr 7, 2011, at 10:52 AM, Roman Turovsky wrote:
in now released! (Cezar Mateus 13c) -
http://shop.orf.at/1/index.tmpl?shop=oe1SEITE=artikel-detailARTIKEL=5303startat=1page=1zeigen=tlang=DE
RT
Utterly charming- and no question who the teacher is- the guy who can
play this way only by getting down beside himself. I officially
tender them my International support. So does my wife, Rachel.
Three of my guitar kids are competing in the ensemble competition of
my Music School. Here's one
I haven't seen your mandolinist in action; I would suspect instrument
size, weight, and way of holding the instrument may be in play here.
My own instruments do not move; I have never owned an instrument
(lutes, guitars, viols) less than 62 cm. SL. (Small instruments in
general give me the
Hi Joe-
I'll take that 2¢ and put in my bank account.
Need all I can get these days- NO SMUDGES ON MY
LUTES! There are other branches in Lutedom
besides Orthodox. There is Conservative- finger
down, but flexible and moves up and down with the
hand. There is Reform, sometimes off the
Excellent discussion- as to modern classical guitar vs renaissance
lute; some exchanges work, some don't. I've been testing these waters
very intensely since getting a new 8 course from Dan Larson.
Unbelievably resonant instrument, depth of response beyond anything
I've ever owned or played
://www.youtube.com/watch?v=R3GYM8b7L8Q
and Objections
http://www.youtube.com/watch?v=R3GYM8b7L8Q
Feel free to reference these pages.
Regards,
Daniel Heiman
On Sat, 19 Mar 2011 23:03:59 +0100 Thomas Schall lauten...@lautenist.de
writes:
Hi all,
I've redisigned my homepage (http://www.lautenist.de
I have been getting 3-5 weeks use out of his beef gut chanterelle. Very
nice sound.
Danny
On Thu, Mar 17, 2011 at 2:22 PM, Edward Martin [1]e...@gamutstrings.com
wrote:
Yup. Good stuff.
ed
At 01:02 PM 3/17/2011, Sean Smith wrote:
Ooooh, I like the sound of
Literally:
http://www.citedelamusiquelive.tv/Concert/0940463.html
Regards,
Daniel
To get on or off this list see list information at
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(although the choral
forces may be larger than necessary) and a very well made video.
Daniel
--
References
1. http://www.youtube.com/user/protestant7#p/u/58/BcgOLMloEOI
2. http://www.youtube.com/user/protestant7#p/u/59/YyNLx8n_49o
3. http://www.youtube.com/user/protestant7#p/u/60
in that section of the piece. (I did not check the
whole thing.) The only obvious difference is that in the original the
measures are of variable length, while in the transcription they are
regularized to 4/2.
Regards,
Daniel Heiman
On Sat, 12 Mar 2011 22:10:10 -0500 be...@interlog.com writes:
Hi
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