Dear Rainer,
Thanks for this interesting information! Be however so nice to leave the poor
widows in peace! ;)
Joachim
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Originalnachricht
Von: Rainer
Gesendet: Dienstag, 17. April 2018 15:47
An: Lute net
Antwort an: lute-...@cs.dartmouth.edu
Well, also possible: Friendly, courtly, and yours...
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Originalnachricht
Von: jo.lued...@t-online.de
Gesendet: Montag, 12. März 2018 16:43
An: Rainer; Lute net
Antwort an: lute-...@cs.dartmouth.edu
Betreff: [LUTE] Re: Freundlich hoflich dhin darbei
Ich dhin mit gantzer Freud der lieb Nur als Idee. Diese Texte sind oft so
voller verklausulierter Partikel...
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Originalnachricht
Von: Rainer
Gesendet: Montag, 12. März 2018 16:39
An: Lute net
Antwort an: lute-...@cs.dartmouth.edu
Betreff:
Dear Rainer, dear list,
Well, it is not necesarily nonsense, but neithertheless puzzling as long as you
don't know how the text may continue.
Best,
Joachim
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Originalnachricht
Von: Rainer
Gesendet: Montag, 12. März 2018 15:52
An: Lute net
I don't know what it consists of. The stuff comes from a supplier of varnish
components and ready-made varnishes in Franconia and is simply called
"Saitenoel" (string oil). From the smell I suspect that it contains at least
some percent of bisti.
Best
Joachim
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Dear list,
I don't use water, but I wipe a drop of string oil over each length of fret gut
I am going to put on the neck of whatever lute or guitar instrument.
Greetings,
Joachim
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Originalnachricht
Von: fournierbru
Gesendet: Samstag, 10. März
Forget the Horace, Peter, and also the question about the identity of A! H is
"Humanistenoden" stuff, that means: information about lute versions of music
composed to set texts from ye olde latin classics for the use in Latin Schools
has somehow contaminated the informational content refering
PoD has sometimes played the Minuet as en encore... the Sonata wa composed in
1943, and someone once remarked (rightly, I think) that somehow it is difficult
not being reminded of those trains rolling eastwards then
Joachim
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Originalnachricht
Dear Arthur,
thank you for this striking example. From now on I will try to put my
left thumb into action when playing Francesco's music as often as
possible, ;)
Joachim
Arthur Ness mailto:[EMAIL PROTECTED] schrieb:
I have put some more examples here, including two
supposed Francesco portraits,
Dear Anthony and all,
at the moment I do not (becaused at the moment I am playing mainly a
ten-course instrument) and when I came to the lute I tried to avoid
using the left thumb at all, but: it had worked well for me on folk and
rock guitar (early nineteenth-century guitar tutors are said to
Dear Anthony and all,
yes - but would he use it to thumb his way through his own Fantasia 50
or through La Compagna?
Leaving the question aside if the identification with Francesco is
convincing or not - I think that too many things going on on the
fingerboard mean not so many opportunities for
Dear Manolo, Donatella, Roman and everyone else,
thanks for your mails! Someone pointed to Eco's novel a few days before
and I wrote that Eco had published something about anachronisms he used
in Il nome della rosa which takes plaxe in the 1320's. These did not
include eyeglasses. Also there have
---Ursprüngliche Nachricht---
Absender: [EMAIL PROTECTED]
Empfänger: Caroline Usher [EMAIL PROTECTED]
Betreff:Re: [LUTE] Re: Eyeglasses
Dear Caroline,
uh - it must have been my mirror image in the morning calling me
elderly, :)
Midden might be the better word, although I
Dear Ron and dear Tony,
I think you are both right in pointing to these aspects of stigmatism
(the german word for four eyes during my school days was
Brillenschlange =spectacled cobra). Indeed I have the impression
that it is difficult do find depictions of people (real people, that is,
not
Moin-moin, Wolfgang!
That's such a one as the Narrenschiff-guy: the theologican is trying
in vain to find in his books an explanation for what is happening (he is
looking for a page with the foretelling of Christ's coming, e.g.). The
eyeglasses mark his inability to understand.
All best,
Joachim
Dear Stephen,
no - you are not, although Eco admitted after the publication of Il
nome della rosa that he had smuggled some rather recent ideas (he named
Wittgenstein) into his character's mouths. But with respect to
eyeglasses - I suspect in future years I like many other elderly people
will
Dear Ron and all,
thank you for the suggestion and please forgive my tired head for using
this expression. I once found it written on a little box meant to hold
things you don't find a better place for: Tusculum was a town near Rome.
Cicero had a villa nearby: Tusculanum. Over the course of the
Dear David and all,
I object to clause 4, :). Without having been present at Linda Sayce's
lecture I understand from what was posted about that lecture that she
commented on the role the mandora played during the time the late
baroque lute (i.e. the 13 to 14 course instrument in d-Minor tuning)
Dear Alfonso and all,
Alfonso Marin mailto:[EMAIL PROTECTED] schrieb:
[snip]
Initially, before listening to the CD, I was very curious about the
whole project and I really trusted that at least an interesting
musical result would come out of it. I am now very disappointed by
the
Dear Arto an all,
the female ones top them males here in the eastern part of Bajuvaria,
too: last May I received a wonderful new 10 course lute in Regensburg
and rode home by train . One of a group of girls in the compartment
asked what instrument were in the case and said after I had answered
Dear Edward an all,
that's a wonderful one!
Has anybody on the list an idea where the poem supposed to be written by
Brockes (which seems to be unlikely given the general lack of irony,
sarcasm and even humour in this poet) ist to be found where theorboes
are called Giraffes?
Best,
Joachim
SINGER: What on earth is it? A guitar?
ME: Its called a theorbo.
SINGER: Oh yeah, that's from the Middle Ages.
(She wasn't joking)
.. and then there are those who think they've found out something:
About ten years ago. Me carrying a lute in its case over a moderately
crowded square in
---Ursprüngliche Nachricht---
Absender: [EMAIL PROTECTED]
Empfänger: Stewart McCoy [EMAIL PROTECTED]
Betreff:Re: [LUTE] Matelart Fantasia Terza
Dear Stewart,
SPES's razor: always choosing the cleaner copy at hand to produce a
facsimile! (Entia annotanda in manuscripto non
Dear Stewart,
at first I was puzzled by your mail until I realized that my copy of the
SPES-facsimile of the Matelart book is from the second printing (1984)
of Archivum Musicum 10 which was made from the Paris copy of the
original print - and this is free from manuscript barlines and diverse
Dear Luca,
take a look into the music of Pietro Paolo Raimondo's Libro de Sonate
diverse 1601, e.g. (a Ms. in Como, published in facsimile in 1980).
Courses 7 and 8 come in diverse tunings in this book - as is the case
with other Italian lute manuscripts around and after 1600 - which makes
it a
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