Thanks, Sean!
On Aug 28, 2009, at 1:50 AM, Sean Smith wrote:
From http://tinyurl.com/nxmee2
NOVA ET ELEGANTISSIMA
IN CYTHARA LUDENDA CARMINA QUAE
VIDELICET IN SOLA CYTHARA VEL ETIAM CUM
tribus Testudinibus exhibita, mira dulcedina auiditorum possunt
oblectare, eaque omnia facilitate quam fier
Hey Stuart - Thanks. As Sean has pointed out, the cittern part was
made by Viaera, published in the same year as the lute parts, if I'm
not mistaken.
Doc
On Aug 27, 2009, at 5:50 PM, Stuart Walsh wrote:
The Bacheler Consort plays Pacoloni :
http://www.youtube.com/watch?v=OJa0byWuhpU
The Bacheler Consort plays Pacoloni :
http://www.youtube.com/watch?v=OJa0byWuhpU
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A friend of mine near Geneva is looking for a student-level lute to
accompany her singing. Please drop me a line if you have something
available.
Doc Rossi
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Hey Gordon,
Is this what you're talking about?
http://www.apple.com/downloads/macosx/audio/chromatictuner.html
Doc
On Jun 14, 2009, at 1:37 PM, Gordon Gregory wrote:
Hi,
Either my computer or I have lost the interesting post on the Apple
tuning application that appeared a day or so a
In relation to the tuning question, how common was the use of a capo?
Haven't they been in use since the 17th century?
doc
On May 23, 2009, at 8:51 AM, David van Ooijen wrote:
On Fri, May 22, 2009 at 11:59 PM, Rob MacKillop
wrote:
There may be one or two of you interested in the banjo c.
Has anyone got Carlo Cecconi's telephone numbers? I can't find them...
Thanks,
Doc Rossi
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Anone with further information could reply to Brad directly. Thanks in
advance.
Begin forwarded message:
From: Brad McEwen <[1]mill_r...@yahoo.com>
Date: January 22, 2009 9:07:28 PM CEST
To: Doc Rossi <[2]ro...@cetrapublishing.com>
Subject: Re: Fwd: [LUTE] Re: G
-1610. Does John Johnson's version for two lutes predate Ballet?
Thanks,
Doc Rossi
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For PDFs, Mac OSX has a built-in Print to PDF feature that works
well. For Windows there are free virtual printers around that also
work pretty well. I remember using one that had Pony in the name
(sorry to be so vague).
On Dec 8, 2008, at 9:15 PM, [EMAIL PROTECTED] wrote:
Hi,
New to t
The scan function is very nice now. It was pretty unwieldy a few
years ago.
I've been so overwhelmed with work these last months (plus moving
house yet again...) that I've been neglecting publications. I'm hoping
for a quiet new year break where I can catch up. I haven't even got my
own
Sorry to disagree, but I don't have any problems doing good work with
Finale. Fronimo was okay at first, but I've had issues with the
quality of the print out when exporting to DTP programs. Finale is
also very, very flexible - I find it much more so than Fronimo. There
is a big learning c
What gets me about the new technology is that we can record in such
high fidelity yet so many people prefer downloads of MP3s which are
quite lo-fi. It's rather curious to see these paths going in different
directions.
On Nov 19, 2008, at 2:25 PM, Anthony Hind wrote:
Rob
I heartily agree
I agree with this assessment as well - from about the same amount of
experience.
On Nov 18, 2008, at 5:17 PM, Guy Smith wrote:
I agree in principal, but in practice, I don't. I've been hanging
out on
groups like this for around 20 years (starting with USENET in the mid
eighties), and I've s
Wonderful - Thank you. I used to have this book but lost it somehow,
so it's great to have it again.
On Nov 11, 2008, at 7:02 PM, Arthur Ness wrote:
This will surely excite some readers of this list. 3 vols., nearly
1600 tunes!
- Original Message -
New items are available in the
Where do I get my copy?!?!?
On Nov 11, 2008, at 7:02 PM, Arthur Ness wrote:
This will surely excite some readers of this list. 3 vols., nearly
1600 tunes!
- Original Message -
New items are available in the UR Research collections you have
subscribed to:
New items in collection
This is a wonderful performance. I agree with you about the organ
creating a kind of base that supports violin or flute - with the lute
- which could be louder - adding a slightly percussive element.
The figures are used as a guide to create a simple countersubject
shared between the lut
Has anyone got any suggestions for nice-looking French tablature fonts
for Mac OS X?
Thanks,
Doc
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No wire strings??? What IS this world coming to...
(very nice just the same)
On Oct 6, 2008, at 12:17 PM, Jean-Marie Poirier wrote:
I have had the same experience as Nancy, and playing consorts with a
recorder was not a problem at all. You can just check that by
listening to The Sacred End
Rowbotham's
1569 publication)
I hope you didn't read to earlier email that I was advocating such
an instrument in this repertoire! My own knowledge of the cittern
is limited and if you've anything to add, or correct, on cittern
sizes, tunings, pitches etc for the 'Rro
On Oct 5, 2008, at 10:08 AM, Martyn Hodgson wrote:
More recently the gittern tuning (with highest string on the first
course at g') seems to have found favour
Which tuning is this?
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too many for an early one, but not for a later one.
On Jul 27, 2008, at 3:16 PM, Roman Turovsky wrote:
Too many courses.
RT
Hello !! it looks like a colascione xx H.V
--- On Sun, 7/27/08, Roman Turovsky <[EMAIL PROTECTED]> wrote:
From: Roman Turovsky <[EMAIL PROTECTED]>
Subject: [LUTE]
i'm not sure it's up yet...
On Jul 21, 2008, at 12:41 PM, Rob MacKillop wrote:
> Excellent. I'm off to the Magnatune site to download it. Maybe a
> direct link would help others, Doc?
>
> Rob
>
> 2008/7/21 Doc Rossi <[EMAIL PROTECTED]>:
> I've r
I think it's spam from a spa
On Jul 2, 2008, at 2:42 PM, Jean-Marie Poirier wrote:
.Still blank, "heluth". What can the problem be ?
Jean-Marie
=== 02-07-2008 14:36:23 ===
= = = = = = = = = = = = = = = = = = =
[EMAIL PROTECTED]
http://poirierjm.free.fr
02-07-2008
To get o
Perhaps this might be of interest to someone:
http://www.palmguitars.nl/page.php?cat_id=24
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David, would you care to give us a reading list of what you consider
to be the most important works for learning about the interpretation
of this music?
Doc
On Jun 20, 2008, at 7:56 PM, David Tayler wrote:
I think the good Jazz transcriptions are pretty good, and there are
lots of them, bu
I thought it might have been Rob McBloch at first - who later had a
sex change - but I think you're right.
On Jun 20, 2008, at 7:04 PM, Jean-Marie Poirier wrote:
Incredible ! He looks exactly like Rob MacDolmetsch... :-)
Jean-Marie
=== 20-06-2008 18:21:37 ===
Very rare footage:
http://www.pickworld.com/delrin.htm
perhaps one could cut these to the shape desired
On Jun 7, 2008, at 8:53 PM, Guy Smith wrote:
You can find Delrin at most plastics supply companies. I used to use
it
occasionally to machine parts for lab apparatus. It's one of the
easiest
plastics to work
From the Wikipedia article on Delrin:
Delrin has also recently found use in the manufacturing of Irish
flutes (traditionally made of wood), tin whistles (traditionally made
of metal), and bagpipes (traditionally made of wood). Delrin flutes
sound similar or identical to wooden flutes, but h
Do you put anything between the quill and the iron? What temperature
do you use>
On Jun 6, 2008, at 7:45 AM, David Tayler wrote:
I take the quill and iron it with a heavy iron, then shape it.
I prefer a slightly rounded tip.
It's the only thing I iron, really.
You can also cut a piece of de
Thanks very much for the lesson, Rob. Great stuff.
On May 29, 2008, at 4:13 PM, Rob MacKillop wrote:
Somone asked me about my strumming techniques so I've added a video on
strumming the baroque guitar here:
http://www.vimeo.com/robmackillop/videos
It's more MacKillop than Corbetta, but you mi
That's excellent, Rob. What a pleasure to hear you play again. The
last time was in Evora! (Nice house, too, by the way.)
On May 25, 2008, at 6:36 PM, Rob MacKillop wrote:
I've added four videos - one lute, three baroque guitar - to the
vimeo site.
This is my first attempt at making a vid
prego
On May 17, 2008, at 7:41 AM, Rob MacKillop wrote:
> Wonderful. Great research. Great images. A great use of the internet.
>
> Thanks for directing us to it.
>
> Rob
>
> 2008/5/17 Doc Rossi <[EMAIL PROTECTED]>:
> It isn't ready yet, but this looks like i
time.
Smashing your cittern was a particularly vindictive and spiteful thing
for the thief to do. Please convey our sympathy to Roberto. I hope he
can soon get his life back to normal.
Best wishes,
Stewart McCoy.
-Original Message-
From: Doc Rossi [mailto:[EMAIL PROTECTED]
Sent: 05 May 2008 11
On May 5, 2008, at 9:05 AM, Rob MacKillop wrote:
I'm the only one allowed to play this instrument!
How dare you!
Merde! I don't remember you ever giving me permission to play this
instrument. What can I do now???
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Nice one, Andy!
On May 4, 2008, at 10:45 PM, Andrew Rutherford wrote:
Hi citterners,
If you type "English Guittar" on Youtube you can see me playing "Up
We't Eli
Eli" from the Bremner book on my Eng. Guit. (Thanks Rob McK for the
music).
andy rutherford
PS Does anybody know what "Up We
second
On Apr 18, 2008, at 11:35 AM, Rob MacKillop wrote:
Dear all, I think my original Subject line of 'Aarrrgg!!!' still
holds!
Rob
On 18/04/2008, gary digman <[EMAIL PROTECTED]> wrote:
"former Vice Presidents who claim to have invented the Internet
and be
the Fount of All K
Completely bizarre.
Interesting that Scottish lute is "making a comeback" according to the
article. I was in London last weekend and friends in the record
business told me that sales of traditional Irish and Scottish CDs are
falling and have been for some time.
On Apr 16, 2008, at 11:28
On Apr 4, 2008, at 4:24 PM, Stewart McCoy wrote:
If you really had to memorise a piece, for example, because
you were going to perform it on stage in a play, you'd find a way to
memorise it.
Boy, if that were only true! It's exactly the pieces that I perform
that I'm concerned about.
I di
On Apr 3, 2008, at 11:58 AM, Anthony Hind wrote:
Rob
Sorry, I can't quite leave-off, you got me thinking too much. Of
course, like everyone else, I can't help thinking about what lute I
would like next, but also, how I wish I was a little more focussed
and less dilettante (imore in the
thanks to all who replied - problem solved
On Apr 1, 2008, at 5:27 PM, Bruno Fournier wrote:
> What's the question ? I may be able to answer you, although I have
> not used OS 9 in a while.
>
> Bruno
>
> On Tue, Apr 1, 2008 at 9:48 AM, Doc Rossi
> <[EMAIL
Sorry to intrude like this - if anyone has time to answer a Mac OS 9
question for me, please contact me ASAP off list.
Thanks
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I agree with you completely, Rob - Malcolm is really a n excellent
luthier. The diatonic cittern he made for me is going from strength to
strength - really coming alive after a year of playing.
Doc Rossi
On Mar 27, 2008, at 11:10 AM, Rob MacKillop wrote:
I brought this home on Tuesday from
On Mar 25, 2008, at 3:03 PM, Paavo R. Zakin, M.D. wrote:
> the late Julian Bream,
His house is for sale, but I hadn't heard that he'd died.
http://www.telegraph.co.uk/property/main.jhtml?xml=/property/2007/09/22/pbream122.xml
--
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http://www.cs.
Thanks, Eugene - I'd thought of these, too. Maybe I'm looking for
something that doesn't exist.
On Mar 24, 2008, at 1:58 PM, Eugene C. Braig IV wrote:
At 06:06 AM 3/24/2008, Doc Rossi wrote:
I'm working on a project involving mid-18th-century dance music
mostly
from
I've thought of French arch-citterns and double-neck citterns, too.
What I'd really like is bandora... Perhaps there was a bass cittern,
like the one in the painting by Saftleven.
On Mar 24, 2008, at 12:47 PM, David Tayler wrote:
> Also, good look finding one, but it seems a nice place to try
I thought of viol - that was actually my first choice after bassoon -
but I'm wondering about bass instruments that I don't know about. The
little cittern is too small for bass, but I've been lusting after a
Tielke myself for a very long time. Baroque guitar and chitarra
battente also cam
I'm working on a project involving mid-18th-century dance music mostly
from France, Belgium and Austria. I'd like to have a non-keyboard
plucked instrument in the bass. What are my options besides theorbo,
archlute, harp? Mandora and Colascione come to mind - is there
anything else?
Thank
sorry - i thought it was bach's birthday, not april first...
On Mar 21, 2008, at 10:46 AM, David Tayler wrote:
People have been asking if I also play these larger Theorbos,
So I have a picture of the largest one.
http://www.voicesofmusic.org/klaus%20theorbo.html
At a length of 1400 centimete
http://www.samsontech.com/products/productpage.cfm?prodID=1916
On Feb 29, 2008, at 9:59 AM, Martin Shepherd wrote:
Dear Valéry,
Excellent! Good to see you on this list again - there are now so
many of us with the Zoom H2 we should share our experiences with
this machine. Which settings
Beautiful sound, Valéry! What exactly are you using?
On Feb 29, 2008, at 9:26 AM, Valéry Sauvage wrote:
Hello,
Back on this list...
I'd like to present some recordings I made with my brand new zoom
h2...
(nice machine !)
http://pagesperso-orange.fr/luthval/musiques/packington.mp3
http://pag
I'm on Mac and I got to hear them using a link someone sent yesterday
or the day before - not very helpful, I know, but the message said
something like "this link should work." It went straight to an MP3
file played with the QuickTime plugin in Safari. I'm sorry I can't
give you a better i
It's still quite simple, but I have a page on My Space which includes
a sneak preview of the new CD:
http://www.myspace.com/docrossi
Doc
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Josephsons are very good, and I've also had excellent results with the
small, clip-on mics you can find at Radio Shack and places like that.
On Feb 24, 2008, at 7:21 AM, Antonio II wrote:
Hi, people
Does anyone have any advice on microphones for live
performances? I'm thinking about p
Shepherd's Nine Day Wonder?
On Feb 17, 2008, at 11:48 AM, Martin Shepherd wrote:
I was amazed myself, which is why I remember that it was nine days.
It took another couple of weeks to varnish it. I can't make lutes
that quickly any more, alas.
Martin
Rob MacKillop wrote:
On 17/02/2008
On Feb 16, 2008, at 8:27 PM, Rob MacKillop wrote:
Looks like absolute perfection. It has whet my appetite for my
theorbo by
the same maker, currently being born on his workbench.
Enjoy it, Doc. I hope you have the Scottish repertoire for that fret
system
- on my website somewhere.
You be
I've posted an encyclopedia entry from 1819 about "The Guitar, or
Cittern". Please have a look - there are some points of interest. The
lute and especially the theorbo are mentioned in the same entry.
http://www.cetrapublishing.com/citterncafe/
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http://www.youtube.com/watch?v=2qiwVIXdiU4
and
http://www.youtube.com/watch?v=mXCmEE5pzeo
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Hmm - this is exactly what I do with Mail, and I've been very happy
with it.
On Feb 1, 2008, at 1:54 PM, Ed Durbrow wrote:
If you have a Mac, you may need to get SpamSeive. I used Mail's built
in spam filter for quite a while until it became ineffective. The
thing about SpamSeive is, if you
rn
there, and we shall see it.
They also have many lutes & guitars. I really want to see the
guitar by Sellas, and I understand they actually have 2 Edlinger
baroque lutes there! It ought to be a great time for us.
ed
At 08:53 AM 2/1/2008 +0100, Gregory Doc Rossi wrote:
We'r
The guy who does my website is into some software called WordPress. I
suppose we could call it blogging software, or interactive web
software. It means people can post and comment on the posts. We're
using this on the Cittern Cafe site, and except for the fact that the
cittern crowd isn't
The usual - he copped it from someone else. I heard it from Pietro
Prosser, I think.
On Jan 23, 2008, at 6:02 PM, Stuart Walsh wrote:
Gregory Doc Rossi wrote:
On Jan 23, 2008, at 3:29 PM, Stuart Walsh wrote:
I'm probably too late to thank Brescianello for writing it.
Don&#x
On Jan 23, 2008, at 3:29 PM, Stuart Walsh wrote:
I'm probably too late to thank Brescianello for writing it.
Don't worry, Stuart, lots of people think he probably didn't write it
anyway...
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On Jan 11, 2008, at 6:25 PM, Narada wrote:
How short is short Doc?
Less than 45cm.
-Original Message-
From: Gregory Doc Rossi [mailto:[EMAIL PROTECTED]
Sent: 11 January 2008 17:18
To: Lute Net
Subject: [LUTE] Re: string organization
I don't know how many of you ever use ir
I don't know how many of you ever use iron or brass, but it seems to
last forever sound-wise. If I break one on a longer scale instrument,
I file it away in case I break one on shorter scale instrument. I
keep the old strings in envelopes according to gauge - must be my
librarian experienc
Indeed, I meant the madrigal by JdB. Thanks to all who responded.
On Jan 1, 2008, at 9:17 PM, Arthur Ness wrote:
Stuart,
Yes, that is the Trecento madrigal by Jacopo (Jacobo) da Bologna
in Reese's middle ages book.
Doc didn't give a composer's name, but it seems to be what he was
looking for.
Has anyone got the notes or tab to Di novo e' giunto?
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6 and 12 is actually much more common - the Gibson SG version is well
known.
On Dec 17, 2007, at 9:53 PM, [EMAIL PROTECTED] wrote:
Consider also that a 10-course lute has more strings than a double-
neck
guitar.
But only one!
Well, my 10-courser has 19 strings, 1 + 2x9. Haven't the doub
I've been playing without nails for at least 30 years, and I play
only metal-strung instruments. I have light calluses on my right
hand, nothing like those on the left, but it never occurred to me to
sand the right-hand fingers. Maybe I'll try it when I haven't got
any concerts coming up.
a site devoted to Carlos Paredes with other views of his technique:
http://www.cidadevirtual.pt/cdl/carlosparedes.html
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,
> Ah ha! So the interesting point would be where they change to and
> from it, how they negotiate going from a down stroke as a strong
> beat to an up stroke being the strong beat.
>
>
> On Nov 1, 2007, at 7:57 PM, Doc Rossi wrote:
>
>> Hi Ed,
>>
>> I think I
Hi Ed,
I think I misunderstood your question earlier. They use the flesh
side of the nail for the strong beat - the stroke towards the body.
Doc
On Oct 31, 2007, at 2:10 PM, Ed Durbrow wrote:
>
> On Oct 31, 2007, at 1:49 PM, Doc Rossi wrote:
>
>> I've seen people play
Hi Ed,
I think I misunderstood your question earlier. They use the flesh
side of the nail for the strong beat - the stroke towards the body.
Doc
On Oct 31, 2007, at 2:10 PM, Ed Durbrow wrote:
>
> On Oct 31, 2007, at 1:49 PM, Doc Rossi wrote:
>
>> I've seen people play
9th
centuries who found such instruments in North Africa and the Middle
East with names like the bulgaria.
Doc Rossi
On Oct 31, 2007, at 2:13 AM, John Griffiths wrote:
> Hi Jocelyn,
> No the guitarra portuguesa is closer to a cittern in its modern form
> -- they still use the term vi
Isn't that Paul Brier?
On Aug 24, 2007, at 4:09 AM, Daniel Shoskes wrote:
> http://www.youtube.com/watch?v=iTV6F3lTU7o
>
> I think it's Linda Sayce on "turbo lute" during the recitative but I
> don't recognize her continuo partner.
>
>
>
> To get on or off this list see list information at
> http
Strings the Tone of Catgut.
---
I don't want anyone thinking that I keep all these references in my
head - this is something I was going to use for my Lute Society talk
next month.
Doc Rossi
On Aug 16, 2007, at 2:10 AM, Andrew Rutherford wrote:
> Hi cittern bunch,
>
> Has
I thought parallel octaves and fifths were okay as long as they
happen in the inner voices rather than the outer. And what about
octave stringing, especially on the harpsichord?
On Aug 2, 2007, at 11:20 AM, Rob wrote:
> Here is another interesting continuo link. I've uploaded for a few
> da
I suppose people know about this resource - I came across it while
looking for something totally unrelated.
http://www.diamm.ac.uk/
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t;> lute-
>> tables (if they do exist); but then, I so enjoy the moments when my
>> research as a phonetician seems to cross the area of my hobby, lute
>> playing (and the occasional hifi tweaking to better reproduce the
>> sound of the lute). Therefore, I will also admit t
mac os 10.4 - safari no, firefox yes.
On Apr 17, 2007, at 9:30 PM, [EMAIL PROTECTED] wrote:
> Perhaps someone is interested?
> If my earlier applets did not work in your system, this will
> neither...
> ;-(
--
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On Feb 16, 2007, at 10:43 AM, Anthony Hind wrote:
> Craig
> Of course walnut oil comes form walnuts. The local village where my
> wife comes from presses, walnuts for the oil. Olive oil comes from
> olives, doesn't prevent the olive wood from being oily. It is not the
> sound of the gun tha
I think it's just that her dress is too tight.
On Feb 10, 2007, at 4:26 PM, Roman Turovsky wrote:
> No, it is more like "Billions of Blue Blistering Barnacles (Armatae
> Furiae),
> faster! harder1 carbon fiber is it"
> RT
> - Original Message -
> From: "Daniel Shoskes" <[EMAIL PROTE
okay, roman, you're brilliant...
On Feb 5, 2007, at 7:31 PM, Roman Turovsky wrote:
> A left-handed compliment, rather???
> RT
>
> From: "Narada" <[EMAIL PROTECTED]>
>> Not sure if that's an insult to Hendrix or an insult to the Lute.
>> Mind
>> you I never was a Hendrix fan.
>>
>> From: Roman T
On Feb 4, 2007, at 6:44 PM, Louis Aull wrote:
> Ask any performing acoustic guitar player and they will swear by
> internal
> pickups over external mikes.
Sorry, Louis, not me.
--
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e the many links among Mediterranean peoples in music,
poetry and dance. A lofty perhaps even naive proposal for some, but
it is something we can do.
Doc Rossi
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I'm trying to reach Chris but his optonline.net address is bouncing.
Does anyone have a different address?
Thank you,
Doc Rossi
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On Dec 1, 2006, at 9:22 PM, Stewart McCoy wrote:
> There is only one way to finger it, assuming you want to sustain the
> part-writing. It doesn't involve the left-hand thumb
I wonder if that is really the point; that is, one could find many
possible fingerings, but that does not necessarily e
this one leaves me speechless, but check out the right hand towards
the end.
http://www.youtube.com/watch?v=b56WO5ctL8E
Actually, I've been trying to find the videos of Hopkinson Smith
playing Bach. Does anyone know where they are?
To get on or off this list see list information at
http:/
e fiddlers about how they held the violin as it was so similar
to what he thought was the correct baroque position.
Doc Rossi
Element Music
Le Grand Domaine
Boulevard des Dames 26
13002 Marseille
France
www.cetrapublishing.com
www.magnatune.com/artists/docrossi.html
[EMAIL PROTECTED]
[EMAIL PR
> Somewhere in all this, John Renbourn's arrangement is surely worth a
> mention. That said, was it ever a lute tune?
>
John's arrangement is indeed nice, but I think it's also post-Carthy.
S.F. was Carthy's "hit" of that period. JR did several nice
arrangements of old tunes like S.F.
To ge
> Try
> http://www.guitarnoise.com/article.php?id=76
>
> Paolo Declich
>
>
>
A little history - Paul Simon took Martin Carthy's arrangement of
S.F. (which Martin had kindly (and rather naively, I guess) written
out for him one evening at dinner) and copyrighted it out from under
him. Fortuna
> Could you explain a bit about that technique of sweep picking?
> That guy's right hand looked like it was moving really effortlessly.
> Think the dude sold his soul to the devil.
>
> Ed Durbrow
> Saitama, Japan
> [EMAIL PROTECTED]
> http://www9.plala.or.jp/edurbrow/
Have a look at the Chops From
>> Talking about technique, who would venture to surpass this guy:
>> http://www.youtube.com/watch?v=Arn99rAAgX4&search=gerardo%20nunez
>>
>
>
> This one for example: http://www.youtube.com/watch?v=F7m3aIuGlUg
>
>
>
> Regards,
> Bruno Correia.
>
>
Yikes - He sure can shred. Pity about the tone, tho
> Talking about technique, who would venture to surpass this guy:
>
> http://www.youtube.com/watch?v=Arn99rAAgX4&search=gerardo%20nunez
>
>
try this...
http://www.youtube.com/watch?v=AbndgwfG22k&mode=related&search=
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> http://www.youtube.com/watch?v=YtbrM4OekrE
>
> not actually a lute...but a good technique indeed!
>
> Paolo
>
>
That's nice, but check out this one:
http://www.youtube.com/watch?v=yCNH2M5SH-o
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> So, lute gang, go to see Benjamin's calculator! And again Benjamin,
> fine
> work!
>
I seem to have lost the link - could someone post it again, please?
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Begin forwarded message:
> From: "Rob MacKillop" <[EMAIL PROTECTED]>
> Date: 10 November, 2005 21:09:17 GMT+01:00
> To:
> Subject: [CITTERN] Doc Rossi website
> Reply-To: <[EMAIL PROTECTED]>
>
>
> Dear cittern friends,
>
> Doc Rossi
Does anyone know a good shop in Paris for buying iron and brass string
wire? I'll be there next Friday.
Doc Rossi
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> you
> must put every rhythm mark in place, even on the rests, before saving
> as a
> midi file or Finale will interpret things very differently. It will
> still
> playback with the correct rhythm, but the notes will be laid out very
> differently than you'd expect. This is especially true if a
on't expect too much mail just yet.
Thanks to Wayne for setting up the list,
Doc Rossi
Via Secchi 40
42100 Reggio Emilia (RE)
Italy
http://www.magnatune.com/artists/docrossi
tel: (+39) 0522 43 43 95
cell: (+39) 348 8000 572
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